works cited - springer978-1-4039-7003-9/1.pdf · works cited abel, elizabeth, marianne hirsch, and...
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WORKS CITED
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Abish, Walter, 2, 5, 36, 37, 39, 68, 192 Alphabetical Africa, 3 9 How German Is It, 37, 39
Acker, Kathy, xiii, 6, 19, 29, 38, 53, 8o, 83, 85, 96, 99,179
Cold War politics in, 85, 96 intertextual appropriation in, 85, 96 outlaw heroines in, 85, 99 Works: Blood and Guts in High School, 96;
Don ~ixote, 85, 96; Empire qfthe Senseless, 85, 96; My Mother: Demonology, 96; Pussy, King qfthe Pirates, 99
Adame§teanu, Gabriela, 4, 87 Adams, Henry, 104
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89, 148-9, 235, 245 see also Hogue; Major; Morrison; Walker
Aldridge, John W, 7, 15 Alger, Horatio, 56 Allen, Brooke, 271 Allen, Paula Gunn, 96 Allen, Woody, 19, 8o Alter, Robert, 149 Altman, Rick, 75 Altman, Robert, 19 Amerika, Mark, 18, 20, 8o, 187 Anaya, Rudolfo, 68 Andersen, Richard, 23, 50 Anderson, Linda, 93 Andrews, Bruce, 40, 48 antimimetic strategies, 6, 28-30, 148,
204-5,206 see also Federman; deconstruction;
Sukenick Anzaldua, Gloria, 4, 5, 96, 99, 146, 251 Appadurai, Arjun, 4, 99 Aronowitz, Stanley, 14 Artaud, Antonin, 84 articulation, xii-xiii, 7, 12, 14-17, 21-2, 25-35,
84, 191-2
INDEX
agonistic model of, 14, 26, 193 alternative models of, 14-16, 25, 32, 84 difficulties of articulation in Cold War
culture, 22, 87, 90-1, 191-2 disarticulationjrearticulation in
innovative fiction, xii-xiii, 2, II, 13, 16, 17, 19, 20, 21, 33-4, 52-3, 87, 193-4, 197-8,200
focus on cultural articulation, 12, 21,
30-35 focus on narrative articulation, xii-xiii,
12, 21, 25-30 see also deconstruction; surfiction;
rewriting Attridge, Derek, II Atwood, Margaret, 18, 58, 83, 92, 93, 97
The Handmaid's Tale, 93; Lady Oracle, 92; The Robber Bride, 97
Auchincloss, Louis, 36 Auerbahn, Nanette C., 254 autoreferentiality, see also self-reflection avant-garde, 10, 28, 31, 32, 35-6, 38, 166,
175 see also avant-pop; Federman;
postmodernism avant-pop, 19-20, 79-80, 189
definition, 19, 79-80 limits of, 19-20 recycling of pop culture in, 20, 79-80,
189
Bailey, Peter, 201 Bakhtin, Mikhail M., 28, 51, 52, 54, 85 Balzac, Honore de, 52 Banks, Russell, 42, 68
Rule 1 the Bone, 42 Barnes, Djuna, 83, 89 Barnett, Pamela E., 257 Barrett-Browning, Elizabeth, 92 Barth, John, 2, 17-18, 23, 27, 31, 36, 38, 48,
53,68
306 NARRATIVE INNOVATION AND CULTURAL REWRITING
Chimera, 31; Letters, 23; "Literature of Replenishment," 2 7; Lost in the Funhouse, 21
Barthelme, Donald, 2, 5, 17, 21, 36, 8o, 89 Unspeakable Practices, Unnatural Acts, 2I
Barthes, Roland, 7, 172, 20I, 224 Bartra, Roger, 128 Bastien, Davis, 265 Bataille, Georges, 84 Baudrillard, Jean, 3, 8, 35, 42, 44, 108, I77,
I78, r8o Bauman, Zygmund, 39, 121 Beatie, Ann, 97 Beauvoir, Simone de, 209, 235 Beckett, Samuel, 21, 32-4, 44, 7I, 185, 192,
197-8, 199, 200, 20I, 203, 204, 206, 2I4, 222, 225-6
Works: Le Depeupleur, 206; Echo's Bones and Other Precipitates, I97; Malone Dies, 33, 206; Molloy, 201; More Pricks than Kicks, I97; Murphy I97; Texts for Nothing, 2I; The Unnamable, 2I, 33
Bellamy, Joe David, 154, 178 Bellow, Saul, 36, I53 Benhabib, Seyla, 14, 23 Benjamin, Walter, 203, 22I Benson, Stephen, 9I Benston, Kimberly, 247 Bercovitch, Sacvan, 20, 43 Berger, James, 260, 262 Bernstein, Charles, 40, 65 Berressem, Hanjo, 128 Berry, Ellen E., 3, 4, 36, 42 Bersany, Leo, 88 Bertalanffy, Ludwig von, 5I Bertens, Hans, 36, 37 Bhabha, Homi, 15, 42, 52-3, 261 Bierezin, Jacek, 4 Bildungsroman, 81, 91-2, 94, 95, 235, 236,
240,242 Blanchot, Maurice, 21, 44, I97 Bleikasten, Andre, 27 Bloom, Harold, 89 body art, 88, 93 Bold, Christine, 272, 280 Bolling, Doug, 2II
Boons-Grafe, M.-C., 53 Borden, Lizzie, 19 borderlands, 4, 5, 41-2, 65, 141, I42, 145,
I46 border(line) narrative 5, 65;
transgression of borders in innovative
fiction, 4, 65-6, 109-10, I27, 128, 129, I30, 135, I38-9, 142, 145, 146
Boyers, Robert, 38-9 Bradbury, Malcolm, 37 Brecht, Bertold, 107 Brillouin, Leon, 9 Bronte, Charlotte, ISO
jane Eyre, 150 Brooke-Rose, Christine, 21, 39, 170
Amalgamemnon, 2I Brooks, Peter, 191, 220, 221, 254 Brossard, Nicole, 40, 85, 88 Brown, Volker, 4 Bruner, Edward M., 24 Bruss, Paul, I58 Buell, Frederick, 35 Burgess, Anthony, 44 Burroughs, William, 21, 36, 68, r88, 213
The Ticket that Exploded, 2 I
Butler, Judith, 45, 59, 88 Butor, Michel, 201 Byerman, Keith, 240
Caldwell, Erskine, 55 Calinescu, Matei, 34 Callinicos, Alex, 8, 4I, 43 Calvino, Italo, 29 Campbell, Joseph, 117 Cannon, Elizabeth M., 265 Carabi, Angels, 2 7I Caramello, Charles, 204, 2I5 Carby, Hazel V, 277 Cil.rneci, Magda, 4 Carpentier, Alejo, 38 Carter, Angela, 88 Caruth, Cathy, I96, 2I8, 254, 255, 256 Carver, Raymond, 38 Castaneda, Carlos, 173-4 Celine, Louis Ferdinand, 178, 179, 201, 206,
208, 2I4 Cervantes Saavedra, Miguel de, 51, 96 Cha Theresa, Hak, 8 Chambers, George, 68 Chenetier, Mark, 32 Child, Lydia Maria, 250 Chow, Ray, IS, 42, 252, 282 Christgau, Robert, 66 Christian, Barbara, 89, 239, 245, 255 Cioran, Emil, 208 Cirlot, Juan Eduardo, u8 Cisneros, Sandra, 37 civil rights, 5, 242, 247. 254, 276
INDEX 307
Cixous, Helene, 7, 84 Clerc, Charles, 128 Cliff, Michelle, 250 Cohen, Ed, 38 Cold War, xi-xii, xiii, 1-3, 4, 5, 6, 8, 22, 54,
78-9, 80, 8!, 99. IIS, 191-2, 242 and the emergence of postmodernism,
I-2, 3, 6 "narratives of containment" in, xii, 2-3,
4, s, 54, 81, 99 polarized ideologies of, xi, xiii, 2-3, 8,
II5, 281 see also Acker; Coover; Didion; Federman;
Hauser; Katz; Major; Morrison; post-Cold War transition; postmodern feminist fiction; Pynchon; Sukenick
Collodi, Carlo, 61 Connor, Steven, 23, 28, 44, 161, 201 Conrad, Joseph, 44 Cook, David, 178 Coover, Robert, xii, xiii, 2, 5, 6, 17, 18, 20,
21-4, 23-4, 25, 26, 28, 29, 36, 37, 38, 39, 42, 45, 47, 48, 49, so, 51, 53-66, 67, 8o, 89, r87, 281
concepts of history in, 23-4, 25, 54, 58-9
critique of Cold War polarizations in, xii, 5, 51, 54, 55, 56-8, 59, 60-1
desire vs. order in, 61-2, 63, 64-5, 66-7; disruption of narrative and cultural orders in, 26, 53-4, 59, 65
pattern-seekers in, 50-1, 54, 58, 59-60, 64-5.67
polysystemic re-writing of history in, 51, 54-5, ss-9, 64, 66-7
retrieval of alternative voices in, 53-4, 56-7, 58
the "tyrant Other" in, 53, 54, 55-6, 62,
63 Works: Briar Rose, 66, 67; Gerald's Party, 59,
64, 66; Ghost Town, xii, 6o-I, 66;john's wife, 29, 64 -s, 67; A Night at the Movies, 6o; The Origin of the Brunists, 50; Pinocchio in Venice, xii, 45, 47, 61-4, 281; Pricksongs and Descants, 5o, 5 I, 53-4, 59; The Public Burning, 21-4,25,37,54-9, 6o, 63; Spanking the Maid, 59-60, 187; The Universal Baseball Association, Inc.,]. Henry Waugh, Prop., 50-1
Cope, Jackson I., 50, 51, 54 Cornell, Drucilla, 6
Coste, Didier, 28 Couturier, Maurice, 169 Cowart, David, 136 Creamer, Mar, 256 Crouch, Stanley; 258 cultural rewriting, see under rewriting cyberpunk fiction, 37, 85, 93, 96
see also Acker; Harawy
Dainotto, Roberto Maria, 213 D'Amico, Robert, 181 Darling, Marsha, 254 Davis, Cynthia A., 235, 246 Davis, Johanna, 90 Debord, Guy; 133 De Certeau, Michel, 40 deconstruction, xii-xiii, 7, II, 13, 16, 17,
19-20, 21, 47, 52-3, 71, 87, 193-4, 197-8,200
and rearticulation, xii-xiii, II, 13, 16, 17, 19, 20, 21, 52-3, 87, 193-4, 197-8, 200
see also antimimetic strategies; Federman; Morrison; postmodernist fiction; Pynchon; Sukenick; surfiction
de Kooning, Willem, II3 Dekoven, Marianne, 160, 261 Delany; Samuel R., 18, 38 De Lauretis, Teresa, 88, 93, 94 Deleuze, Gilles, 16, 88, 159 DeLillo, Don, 6, 18, 20, 25, 26, 28, 37, 38,
126 Works: Libra, 25; White Noise, 126
De Man, Paul, 107, 203 Derrida, Jacques, xiii, 13, 16, 17, 22, 24, 44,
49.56,70,149,203,217 Desai, Gaurav; II D'haen, Theo, 36, 37 Dickens, Charles, 52, 96 Dickey; James, 36 Diderot, Dennis, 194 Didion, Joan, xiii, 5, 97-9
Democracy, 5, 97-9 rewriting the Cold War plots and roles
in, 98-9 Dienstfrey; Harris, 207-8 Dimic, Milan V, 52 Dinescu, Mircea, 4 Disch, Tom, 18 disruption, see also deconstruction Dixon, Melvin, 246 Dixon, Steve, 68
308 NARRATIVE INNOVATION AND CULTURAL REWRITING
Doane, Mary Ann, 21
Docherty, Thomas, 154, 159
Doctorow, E. L., 5, 8, 28, 36, 38, 42
The Waterworks, 42
Dostoevsky, Feodor Mikhailovich, 52, 54,
208, 2II, 231
Dove, Rita, 36
Dowling, David, 208, 213
Drabble, Margaret, 90-1
The Waterfall, 90-I
Dubois, J., 51
Du Bois, W E. B., 55, 233-4, 251, 253
Ducornet, Rikki, 20, 8o
Dugdale, John, 65, 105, 120
DuPlessis, Rachel Blau, 92, 94
Durand, Regis, 34, 225
Durczak, Jerzy, 201
Eagleton, Terry, 8, IO, 13
Ebert, Teresa L., 35, 43, 88, 89, 96
Eco, Umberto, 126, 150, 151, 206
Foucault's Pendulum, 126
Eikhenbaum, Boris, 51
Eisenhower, Dwight D., 55, 58, 59
Einstein, Albert, 55, 162, 177
Eisler, Riane, 180
Eliot, George (Mary Ann Evans), 52, 91
Eliot, T. S., 185, r86, 187
Elliott, Emory, 37-8
Ellison, Ralph, 69, 234, 245, 246
Emerson, Ralph Waldo, 151, 152, 154, 158
end-of-history theories, 43-5, IOI, 104
Enlightenment, 5, 16, 29, 45, 56, no, 137-8,
247
Epstein, Michael, 3, 35-6, 42
Erdrich, Louise, 6, 85-6, 87, 99
Tracks, 85-6
Ermarth, Elizabeth Deeds, 149, 212
Esterhazy, Peter, 4 Eurudice, 18,31, 8o
Even-Zohar, Itamar, 51, 103
Fairbanks, Lauren, 96
Sister Carrie, 96
Fanon, Franz, 65, 125
Farrell, James T., 55
Faulkner, William, 161, 245, 270
Fauset, Jessie, 269
Federman, Raymond, xii, xiii, I-2, 3-4, 6, 12, 13, 18, 19, 20, 21-2, 25, 26, 28, 29,
31,32-4,36, 37,39-40,45, 68, 70-1,
74, 78-9, 158, 171, 177, 191-232, 281
agonistic authorship in, I-2, 3-4, 70,
191-8, 201, 204-7, 208, 213, 220,
221, 222-3, 226, 228-9, 231
"avant-garde autobiographical fiction," 199-200, 201, 208, 2II, 215, 216-17,
222,223
Beckett as model in, 32-3, 197-8, 199,
200, 203-4. 225-6
the "closet" theme and device in, 195,
205, 206, 2II-12, 213-15, 218-19
Cold War culture in, 79, 219, 228, 230
deconstruction of mimetic procedures, 26, 29, 68, 70-1, 158, 194-5,
198-201, 204, 205, 206, 2!0, 215-20
disruption and rearticulation in, 33-4,
193-5. 196, 197-8, 199, 200, 205-6,
208, 2II, 212, 216-19, 230, 231-2
Holocaust in, 71, 192, 194, 195, 196-7,
198, 202, 204-5, 207, 218-19, 220,
227,228
immigrant's quest for America in, 196,
200-I, 205, 209-II, 216, 219, 224,
225
performative approach in, 220-1, 222,
226-7: confrontational (26, 70, 204,
205, 2II, 218, 220, 222-3, 225-8,
229) vs. cooperative narration (206,
207, 227, 228, 229-32)
unwritingjrewriting of history in, 21-2,
25, 31,34, 45, 68, 71, 79, 192, 193,
194-5, 198, 200, 201, 206, 2II,
2I5-I6,220,229,23I-2
Works: Amer Eldorado, 21 o; And I Followed My Shadow, 197, 199; Crittfiction, 1-2, 12,
13,I8,2I-2,34,68,79, 192,194,197,
198, 199, 200, 201, 203, 204, 206,
223; Double or Nothing, 20, 21, 37. 71,
191-2, 193, 196, 199-200, 202, 204,
208, 209, 2II, 216-17, 221, 222-5; La Fourrure de ma Tante Rachel, 195, 196;
Loose Shoes, 79, 215; Smiles on Washington Square, 79, 196, 198, 206, 209-10,
2II, 216-18, 219, 221, 229-30;
"Surfiction-Four Propositions," 6, 34, 68, 191, 199; Take It or Leave It, 193,
195. 198, 200, 202, 204-5. 208, 209,
2!0, 213, 214, 221, 223, 225, 226-8,
230, 232; The Twofold Vibration, 25-6,
37, 193, 195, 198, 201-2, 205-6,
208-9, 2!0-II, 213, 219, 228-9, 231;
The Voice in the Closet, 21, 26, 68, 71, 193,
196, 197, 200, 202, 203, 204, 205,
INDEX 309
2I3, 2I4, 2I5, 2I7-I8, 22I, 222, 227-8; To Whom It May Concern, xii, 28, 45, 79, 191, 192-3, I94, I95, I97-8, 200, 207, 2II-I2, 219-20, 22I, 229, 230-2,281
Fellini, Federico, I85 Felman, Shoshana, 23, I95 Felski, Rita, 97 feminism, 6, 8, 14, 15, 83, 97, 99-100
see also New French Feminism; postmodern feminism; postmodern feminist fiction
Ferguson, Mary Anne, 95 Fetterley, Judith, 209 Fielding, Helen, 97
Bridget jones's Diary, 97 Fish, Stanley, 2I Fitzgerald, Francis Scott, 36 Flaubert, Gustave, xi, 52 Flax, Jane, 30, 86 Fleischman, Suzanne, 27, 28, 73, 220 Fludernik, Monika, 129, 225, 231 Fokkema, Dowe W, 34 formalism, 7, 10, 28-30, I48, I64, I67-8,
183, 184-5, 204-5, 206, 210, 215-20 as a strategy in innovative fiction, 28-30,
I48, I64, I67-8, I83, I84-5, 204-5, 206, 210, 2I5-20
formal constraints and narrative freedom, 29-30, 2I5-20
Foster, Hal, II Foucault, Michel, 13, I6, 24, 25-6, 3I, 45, 48,
49, 59. 87-5, 88, I37 Fowler, Douglas, 107 Fowles, John, 36 Francese, Joseph, 43 Frankfurt School, 24 Fraser, Nancy, I4, 86, 88 Fraser, Sir James George, II5 French, Marilyn, 36 Freud, Sigmund, 229, 245, 262, 265 Frick, Daniel E., 58 Friedan, Betty, 8I, 89 Friedman, Ellen G., 83, I35 Friedman, Melvin]., I97 Friedman, Susan Stanford, 85, 96, 99, no,
140, 25I Frye, Joanne, 84, 85, 87, I48, 9I Fuchs, Miriam, 83 Fukuyama, Francis, 43,45
Gadamer, Hans-Georg, I6
Gaddis, William, 23, 37 Gado, Frank, 29, 50 Gangemi, Kenneth, 2, 68 Garda Marquez, Gabriel, 38 Gass, William H., 6, 30, 37, 68, ISO, I58, 213 Gates Jr., Henry Louis, xiii, 89, 235, 247 gay fiction, 37. 38, I48-9 Gearhart, Sally, 82 Genet, Jean, 84 Genette, Gerard, 27, 22I, 223 George, Stefan, 123 Gergely, Agnes, 4 Gibson, Donald B., 237 Gibson, William, I8, 19, 42
The D!fference Engine, 42; Neuromancer, I8, I9
Gide, Andre, 6 Gilchrist, Ellen, 97 Gillian, Terry, I9 Gilroy, Paul, 249, 257, 272, 273 Gins, Madelaine, xii, 2, 68 Ginsberg, Allen, 39 Girard, Rene, 10-n Giroux, Henri A., I4, 36, 4I Godwin, Gail, 83, 9I
The Odd Woman, 9 I; Violet Clay, 9 I Goethe, Johann Wolfgang von, 52 Gordon, Mary, 97 Grant,]. Kerry, 9, 28I Grant, Robert, 238, 242 Graves, Robert, II5
The White Goddess, II5 Gray, Paul, 280 Green, Geoffrey, I9 Greenblatt, Stephen J., 25 Greene, Gayle, 83, 89, 90, 9I, 95, 96-7 Gregory, Philippa, 7 Griffin, Farrah ]., 269 Grosz, Elizabeth, 88 Guattari, Felix, I59 Gulf War, 23, I57, 168, 189
Hagen, W M., III Handlin, Oscar, 24 Haraway, Donna, 86, 89, 93-4
"cyborg writing" in the post-Cold War age, 93-4
radicalliminalityjhybridity in, 93, 94 Harding, Sandra, 14, 88 Harlow, Barbara, no Harootunian, H. D., 132 Harper, Frances, 250
310 NARRATIVE INNOVATION AND CULTURAL REWRITING
Harris, Joel Chandler, 253 Hart, Roderick P., 132, 195, 198 Hartl, Thomas, 71, 195, 198 Hartsock, Nancy, 32, 33 Hassan, Ihab, 7, 32, 33, 130 Hauser, Marianne, xii, xiii, 5. 68, 72-5. 78,
158 Cold War and the "oximoronic sixties"
in, 72-5 reinvention of self and past, 72, 74-5 Works: Dark Dominion, 72; Me and My Mom,
72, 74; The Memoirs of the Late Mr. Ashley, 70-4, 78; Prince Ishmael, 72; The Talking Room, 72,74
Hawkes, John, 36, 37 Hawthorne, Nathaniel, 52, 96 Hayles, Katherine N., 135 Hayman, David, 33 Hegel, G. W F., 43 Heidegger, Martin, 16, 24 Heinze, Denise, 235, 241, 266 Heller, Joseph, 5, 36, 37. 48 Hemingway, Ernest, 7, 69 Henderson, Katherine Usher, 98 Henderson, Mae G., 234 Hertzel, Leo J., 50 Higgins, Lynn A., 179, 180 Hirsh, Elizabeth, 13, 14, 41, 84, 86, 88, 93,
237. 242, 259 history. xi, xii, xiii, 2, 5-6, 7. 22-35.42, 51, 54.
58-9, 193. 245. 282 dilemmatic articulation of history. 26, 193 as "ghoststory." 22, 23, 24, 245 as narrative construct, 24,26-7, 54, 58-9 rewriting o£ xiii, 2, 22-35. 59, 282 treatment of history in innovative
fiction, xi, xii, xiii, 5-6, 7. 23, 24, 25, 26, 27. 31, 42, 51, 282 see also Coover, end-of-history theories; Federman, Morrison; postmodern historiographic fiction; Pynchon; Sukenick
Hite, Molly; 38, 83-4, 90, 95, 102 Hitler, Ado!£ 123, 156, 161 Hoban, Russell, 44 Hoffman, Alice, 97 Hogue, W Lawrence, 4, 89, 95, 96, 245, 247 Holocaust, 33, 71, 8o, 81, 154, 192-3, 196-7
see also Federman; Sukenick Holston, James, 140 Homans, Margaret, 85 hooks, bell, 41, 84, 237, 259, 282
Hopkins, Pauline, 250, 277 Hostager, Todd 265 Hovet, Grace Ann, 245 Howe, Irving, 197 Howe, Susan, 40 Hudson-Weems, Clenora, 23, 236, 252, 257,
258,260 Hunt, Erica, 12, 40 Hurston, Zora Neale, 269 Hutcheon, Linda, 12, 15, 21, 25, 39, 88, 148 Huyssen, Andreas, 10,40 hypertext fiction, r8-r9
identity; 41-2, 62-3, 93, 130 postmodern redefinitions o( 41, 62-3,
93. 130 see also Haraway; Hauser; Morrison;
Pynchon imitation, xi-xii, 2, 6-7, II, 16, 17, 26
critiques o£ 2, 6-7, r6, 26 "liberated" mimesis, 2, 17 see also antimimetic strategies; Federman;
realism; Sukenick improvisation, 6, 9, 45-6
see also Katz; Sukenick Inman, P., 88 innovation, xi-xii, r-2, 5, 6-8, 10, II-17, r8,
20-21, 22-27, 28, 31-5, 36, 37-9. 44-s.58,229,28r-2
agonistic/dualistic theories o£ 8, 10-II, 14,23
alternative models o£ II, 12, 22-27, 39, 282
critical reception o£ 6-8, 10, II, 12, 13, 21, 27-8, 32, 36, 37-8, 58
marginalization o( 8, 18, 27-8, 36, 37-9 innovative fiction, xi, xii-xiii, I, 2, 4, 5, II, 13,
20, 21-2, 30, 32-4, 35-45. 88, 89, 97. 99,229,254.281-2
cognitive value o£ 20, 254 contradictory narrative logics in, 33-4 interventive role in the Cold War, xi-xii,
1-2, 4, 5, II, 20, 21-2, 33-5, 39-40, 229,281
political commitment o£ 13, 32-4, 39-40, 88, 89
transformative role in the post-Cold War transition, xi, xii, 33, 35-45, 6o, 97. 99. 281-2
see also articulation; multi cui tural fiction; polysystemic fiction; postmodern feminist fiction; surfiction
INDEX 311
invention, xii, II, 17, 45, 201, 2II, 216 see also Hauser; Sukenick; surfiction
Ionesco, Eugene, II3 Iorgulescu, Mircea, 4 Irigaray, Luce, 7, 84, 86, 92, 240 Iser, Wolgang, 150, 152 Islas, Arturo, 38
Jabes, Edmond, 206, 208, 229 Jacobus, Mary, 84 Jaffe, Harold, 8o Jaffrey, Zia, 280 James, Henry, 52, 185 Jameson, Fredric, 7, 11-12,45,49, 108 Jardine, Alice, 84 jazz, 30, 217, 264, 265, 267, 270 Jeffords, Susan, 96 Jencks, Charles, 147 Johnson, Kent, 36 Jones, Gayl, 42, 88 Jones, LeRoi, 246 Jong, Erica, 90
Fear of Flying, 90; How to Save Your Own Life, 90
Joplin, Patricia Klindienst, xii Joyce, James, 22, 32, 36, 74, 84, 92, 161, 176,
197, 198, 225
Kafka, Franz, 59, 154, 176, 214, 216 Katz, Steve, xii, xiii, 2, 6, 17-18, 21, 30, 48,
68, 71-2, 74, 77-78, 8o, 158, 177, 281 Cold War culture in, 78 improvisation/multiplication in, 71, 78 retelling/rewriting in, n 78 Works: The Exagggerations cfPeter Prince, 21,
77, 78, 8o; Florry cfWashington Heights, 72, 77-8; Moving Parts, 17-18, 48, 281; Swannys Way, 78; Weir & Pouce, 78
Kaufman, Sue, 90 Kaun, Axel, 33 Kennedy, John F., 113, 157 Kennedy, Robert F., 184, 274 Kenner, Hugh, 32 Kerouac, Jack, 149 Kiernan, Robert F., 36 King, Martin Luther, 274 Kingston, Maxine Hong, xiii, 6, 38, 87, 89,
95-6, 99, 153 The Woman Warrior, 89, 95-6
Kinkaid, Jamaica, 8 Kis, Danilo, 4 Kissinger, Henry, 78, 186
Klinkowitz, Jerome, 5, 12, 75, 78, 170 Korean conflict, 78, 79, 156, 196, 199, 205,
226,230 Kosinski, Jerzy, 5, 37, 71, 74, 75, 158, 177, 192,
201 Being There, 75; The Devil Tree, 71, 158
Kristeva, Julia, 7, 84, 93, 95, 242, 258, 261 Krivulin, Viktor, 4 Kroker, Arthur, 178 Kroker, Marilouise, 178 Kuehl, John, 49 Kundera, Milan, 4 Kutnik, Jerzy, 150, 157
Lacan, Jacques, 5, 53, 58,161, 140 Lamont, Anne, 97 Landon,Brooks,8S Lang, Fritz, 123 Lanzmann, Claude, 195 Laplanche, Jean, 256 Larsen, Nella, 269 Lasch, Christopher, 131, 132 Laub, Dori, 23, 195, 254 Lautreamont (Isidore Lucien Ducasse), 84 Lauzen, Sarah E., 18, 26 Lawrence, D. H., 176 Lazarus, Neil, 35 Leclaire, Serge, 256 LeClair, Tom, !2, 22, 26, 30, 48-9, 50, 51,
54. 57, 66, 68, 134, 201, 2!6, 222, 240, 247, 253, 254
LeClezio,]. M. G., 213 Lefebvre, Henri, 138 Le Guin, Ursula K., 2, 5, 15, 18, 48, 82, 93 Leitch, Vincent B., 4, 14, 24 Lejeune, Philippe, 223 Leland, John, 20 Lessing, Doris, 44, 83, 87, 91-2, 93, 97
The Diaries cfjane Somers, 97; The Golden Notebook, 91-2, 93
Lester, Rosemarie K., 238, 251 Levi, Neil, 26 Levi, Primo, 40, 192 Leyner, Mark, 18, 8o liminali ty, see also marginality Lippard, Lucy; 88 Lipska, Ewa, 4 Livermore, Elizabeth, 250 Locke, Alain, 264, 265-6, 269 London, Jack, 183 Lorde, Audre, 96, 99 Lotman, lurij M., 51
312 NARRATIVE INNOVATION AND CULTURAL REWRITING
Lounsberry; Barbara, 245 Lowry; Malcolm, 26 Luhmann, Niklas, 49 Lukacs, Georg, 22 Lurie, Alison, 90 Lynch, David, 19 Lyotard, Jean-Fran~ois, 8, 13-4, 15, 25, 26,
33, 44, 86, 108, 193, 195, 220 agonistic theory of signification in, 14,
26, 193 narrative (de)realization in, 14, 26, 33
Macherey, Pierre, 193 Mackey, Louis, 70, 102 Madsen, Deborah L., no magic realism, 38, 245 Magnusson, Magnus, 136 Mailer, Norman, 36, 90 Major, Clarence, xii, xiii, 2, 6, 18, 20, 21, 26,
28, 68, 69, 71, 72, 74, 75-7, 78, rs8, 177,235
from Cold War polarization to multiculturalism, 75-7
cultural revision in, 69, 75-7 narrative innovation in, 20, 28, 74, 76-7 Works: All-Night Vistors, 75; Dirty Bird Blues,
76-7; Emergency Exit, 75; My Amputations, 2I, 75; No, 69; Painted Turtle: Woman With Guitar, 76; Reflex and Bone Structure, 26, 75; Such Was the Season, 75, 76-7, 78
Malmgren, Carl Darryl, 157 Maltby, Paul, s, 8, 39, 49, 59, 65, 67, 131, 173 Mann, Thomas, 61 Mansfield, Katherine, 89 Marcus, James, 272,278 marginality, 4, 20, 21, 33,41-2, 52-3, 95, II5,
130, 136, 151, 174, 189-90, 273 in innovative fiction, 42, 53, 95, 151, 174,
189-90 reappropriation of marginality, 42, 52-3,
130 retrieval of marginal voices, 4, 33, ns,
136, 273 see also Haraway; Morrison; Pynchon
Marshall, Brenda K., xiii, 245 Marshall, Paule, 250 Martin, Valerie, 96
Mary Reilly, 96 mastery; see also power mentality Mathew, Harry; 29 Mayakovsky, Vladimir, 15
Mazurek, Raymond A., 54 Mazza, Chris, 18 McCaffery, Larry, 12, 18, 19-20, 22, 26, 30,
37, 49, so, 51, 54, 57, 69, 71, 73, 74, 75, 79-80, 82, 195, 198, 201, 205, 216, 222, 240, 247, 253, 254
McCallum, Pamela, 32, 33 McCarthy era, 2, 55, 79, 8o, 156, 206, 209 McElroy, Joseph, r8, 23, 26, 48 McEwan, Neil, 23 McHale, Brian, 8, 18, 29, 34, 39, 106, 132,
153, 184, 205 McHoul, Alec, 66 McKay, Nellie Y., 252, 253, 265 Mclaughlin, Robert L., 145 Mcleod, Bruce, no, 282 Mcluhan, Marshall, 131 Meese, Elizabeth A., 47 Mellencamp, Patricia, 21 Melville, Herman, 29, 52, 154, 159, 163, 173,
176, 201, 215 Menand, Louis, 280 Mendelson, Edward, 49, 105, II9 Mepham, John, 92 metafiction, II, 12, 13, 17, 25, 29, 38, 68, 93,
148 Metcalf, Paul, 68 Meyer, Charlotte M., 164 Michaels, Walter Benn, 255 midfiction, 17-20, 30, 38 Miller, Arthur, 55, 182 Miller, Henry; 75, 90, 149, 154, 158, 182, 201 Miller, J. Hillis, 101, 146 Miller-Pogacar, Anesa, 36 mimesis, see under imitation Miyoshi, Masao, 132 Mobley, Marilyn Sanders, 243, 245, 252 modernism, 89, 101, 108, Il3, II5, 161, 245 Moers, Ellen, 92 Moglen, Helene, 260 Mohanty, Satya P., 41, 262 Moi, Toril, 83 Molesworth, Charles, 37 Molinaro, Ursule, 2, 68 Moore, Thomas, 128 Morace, Robert A., 53 Moraru, Christian, 24 7 Moravia, Alberto, 55 Moreland, Richard C., 259 Morrison, Toni, xii, xiii, 2, 6, 23, 25, 28, 31,
34. 36, 37, 38, 39, 40, 42, 44, 45, 65, 83,89,94,99-I00,2~-8o,28I,282
INDEX 313
aporetic historical figures ("ghosts") in, 245,254-5,256,26I-2,263
Cold War polarizations in, 100, 234, 244, 262, 272, 274, 275-7, 278
"coming to voice" of female narrators, 237, 258, 263, 264-5, 269, 27I, 277
consequences of racial othering, 99-100, 236, 257, 260, 266
cooperative (self-) narration in, 28, 237-8, 245, 246, 247, 249-50, 256, 263,265,268,270-I
deconstruction of gender and race oppositions, 234-5, 236, 250, 25I-2, 26~268,269-70,275,278
"double consciousness" in, 234, 235, 244-5, 25I, 252, 266-7
female roles and relationships in, 94, 235, 238, 239, 240-2, 243, 25I, 252, 258-9, 265, 270-I, 274-5, 277-8, 28o
liminal figures and communities in, 94, I00,239,240,243,246,250, 258-60, 265, 273-8, 279
male roles in, 236, 243, 268-9 multicultural/postcolonial encounters in,
248-9, 250, 25I, 252, 253, 262-3 post-Cold War issues in, 99-100, 242 reintegrative utopias in, 100, 246, 272,
275, 279-80 "rememory" and the narrating of an
"unspeakable" past, xiii, 234, 249, 254-5, 256-7, 262, 263, 266, 268
rewriting of (Black) history, 23, 25, 234-5, 245-6, 256-7, 263, 264, 266, 27I, 272, 276, 277, 279
rewriting of narrative traditions, 45, 94, 100, 238, 239-40, 245, 246, 279-80
Works: Beloved, xiii, 28, 34, 65, 233, 234, 249, 254-63, 27I; The Bluest Eye, 234, 235-8, 240, 242;]azz, xii, 45, 234, 263-7I, 28I; Paradise, xii, 25, 28, 45, 99-100, 234, 264, 270, 27I-80, 28I; Playing in the Dark, 234, 235, 269, 272; Songofsolomon, 234, 242-7, 249, 252, 264; Sula, 94, 234, 235, 238-42, 253; Tar Baby, 247-54, 269
Morrissette, Bruce, I48 Morson, Gary Saul, I36 Motte, Warren E, Jr., I48 Mouffe, Chantal, 4 Mukherjee, Bharati, 96, 99
jasmine, 96; The Holder of the World, 96 multicultural fiction, xi, 4, 5, 40, 4I, I89-90
see also: Major; Morrison Mulvay, Laura, 240
Nabokov; Vladimir, 17, 62 Nadel, Alan, 2-3, 5, 54, 8I, 94, 98 narrative rewriting, see also rewriting Nash, Christopher, 68, 200 Natoli, Joseph, 49, 53 Naylor, Gloria, 263 Nedelciu, Mircea, 4 Nelson- Born, Katherine A., 86 New French Feminism, 84, 26I, 262 New Historicism, 25 Newman, Charles, 8, 10, 23, 26, 176, I79 Nicholson, Linda J., I4, 86, 88 Nietzsche, Friedrich, I6, 102, 103, 123, 208 Nin, Anai"s, I82 Nixon, Richard, 23-4, 54, 55, 56-8, 59, 63,
129,272 as character in Coover, 23-4, 54, 55, 56-8 as character in Pynchon, 128
Nohrnberg, James, 105, II9 Norris, Christopher, II nouveau roman (New French Novel), 29,
7I, I48, 2I7, 22I, 226
Oates, Joyce Carol, 5, 36, 38, 97 O'Brien, John, 69 O'Donnell, Patrick, 37 O'Kane, John, 20 Olsen, Lance, So Olson, Charles, 148, I58 Olson, Gary A., I3, 4I, 84, 86, 88, 93, 23~
242,259 Olster, Stacey, I34 Ong, Walter J., 220, 22I Ordonez, Elizabeth J., 240 Ormiston, Gayle l., 30 Ornatowski, Cezar M., 20I Orr, Leonard, 155 Orwell, George, I~ 102, I29 other, xiii, 2, 4, 6, 11-12, I~ 26, 32, 33,40-2,
53-9, 6I, 62, 63-5, 74, 8o-I, 106, 113, 119, 121, 123, 124, 126, 128, I38-40, 143, 144, 184, 282
encounters with the Other and otherworldly, 56-8, 61, 62, 63-5, 80-1, 106, 113, Il9, 126, 139, 140, 144, I84
exclusion of the Other in narratives of modernity and the Cold War, 2, 42, 113, 121, I23, I24, 128, I43
314 NARRATIVE INNOVATION AND CULTURAL REWRITING
reappropriation of the other, 42, 59 retrieval of otherness in postmodern
fiction, 4, 6, 17, 26, 32, 40, 53-5, 138-40,282
see also Coover; Morrison; Pynchon; Sukenick
OuLiPo writers, 29-30, 148, 217
Paglia, Camille, 96 Paley, Grace, 36, 38 P:ilsson, Herman, 136 Paulson, William R., 49 Pavlov, Ivan Petrovich, !22
Pearce, Richard, 149, 170, 176, 226 Perec, Georges, 29, 148, 217 Perez-Torres, Rafael, 255 Peterson, Nancy J., 264 Petrarch (Francesco Petrarca), 6r Petrushevskaia, Liudmila, 4 Phelan, James, 255 Piercy, Marge, 38, 82, 85, 90, 97
Small Changes, 85, 90; Summer People, 97 Piombino, Nick, 40 Plath, Sylvia, 90 Plato, r66, 221 Pinget, Robert, 193 polysystemic fiction, xi, xii, xiii, 4, 8, 19, 25,
26, 30-1, 48-so. 52-3, 65, 66-7 anticipations in the nineteenth century,
52-3 critique of totalization in, xiii, 25, 30-1,
48-so, 53, 65 limits o£ xii, 66-7 relevance of polysystems theories for, 49,
51-3 system transgression in, xii, 51, 53-4,
65 see also Coover; Pynchon
Popper, Karl R., 102 post-Cold War transition, xi, xii, 15, 33,
35-45, 6o, 97, 99, 124, 138, 28r-2 ethnocentric trends in, 35, 36, 282 globalistic pressures in, 35, 124, 138 innovative writing in, xi, xii, 33, 35-45,
6o, 97. 99, 281-2 need for new cartographies in, 4, 282 negotiation between global and local, rs,
42 see also Haraway; innovative fiction;
Morrison; Pynchon; Sukenick postcolonial fiction, xi, II, 23, 148-9
see also Morrison; multicultural fiction
postmodernism, xi-xiii, r-2, 3, 4-5, 6-8, 9-10, 13, 17-20, 21, 27-8, 31-4, 38-41, 53-4, 71, 87, 139, 166, 175, 179, r8o, 181, r84, 192, 193-4, 197-8, 200, 212, 281-2
complementary emphases (deconstruction and rearticulation) in, xii-xiii, ro, I3, 19-20, 30, 33-4, 71, 87, 193-4. 197-8, 200
critiques of polarizations in, xi-xiii, 7-8, 17, 281-2
definitions, 175, 192 Eastern European postmodernism, xiii,
4-5 emergence during the Cold War, I -2, 3,
6 and the historical avant-garde, ro, 28, 31,
32, 38-9, r66, 175 misconstrued by criticism, 4, 5, 6-8, ro,
38 misrepresented by writers themselves, 6,
19-20 and postmodern culture, 179, r8o, 181,
184 see also articulation; innovation;
innovative fiction; postmodern feminism
postmodern feminism, xi, xii-xiii, 82, 84,
86-9,179 definition o£ 87 feminist agenda in, 87-8, 179 interplay between feminism and
postmodernism, 82, 84, 86-8 limits o£ 88 see also feminism; New French Feminism
postmodern feminist fiction, xii-xiii, 6, 7, 8, II, 12, 15, 19, 21, 23, 30, 32, 33, 37. 65, &-roo, 282
alternatives to male postmodernism, 82, 84,87-8
alternatives to traditional representation, 12,8I-2,83,84,93,95
critique of gender roles in the Cold War, 81-2,86,89
discursive practices in, 15, 32, 82, 84-5, 95 new forms of subjecthood in, 86-7, 89,
91, 92, 93, 96 political value o£ 88, 89 revision of novelistic forms in, 82, 83,
8s-6, 87, 90, 91, 92, 93, 94 rewriting in, 6, 2I, 32, 82, 83, 84, 85-6,
88,93-4,95.96
INDEX 315
see also Acker; Haraway; Morrison; postmodern feminism
postmodern historiographic fiction, 5-6, 7,
22, 23,24-5, 27-30, 33,43-5, 66, 102-3, I09, IIO, III-16, 129-30,
134-7 critique of unified concepts of history, 7,
24-5, 27-8, 30, 43-5, 66, 102, IIO dialogization of narrative voice in, 28,
135-7 historical interests in, 5-6, 24-5, !02-3,
109, II5-I6, 129-30 problematization of narrative
components in, 22, 27, 28, 33, 102 see also Coover; Federman; history;
Morrison; Pynchon; Sukenick power mentality, 2, 16-17, 30, 48-9, 59-60,
66, 76, 77, 83, 86, 88, 126, 129 and narrative mastery, 48-9, 59-60, 76,
n 83,86 postmodern critiques o£ 2, 17, 48,
59-60, 76, n 83, 86, 88, 129 praeteritio, 34, 102-3, 216 Pratt, Mary Louise, 4 Presley; Elvis, 157, 169, 189 Prigogine, Ilya, 51 Probyn, Elspeth, 41 Proust, Marcel, 74, 83, 161, 214 Przybylowicz, Donna, 15, 30, 32, 33 Purdy; James, 36 Puslojic, Adam, 4 Pynchon, Thomas, xii, xiii, 2, 3, 5, 9-10, 19,
21, 22, 23, 25, 26, 28, 29, 30-1, 32, 36, 37, 38, 39, 42, 45, 48, 49, 53, 62, 64-6, 67, 89, 101-146, 177, 213, 261, 264, 281
Cold War ideology in, 2, II2, II3, 114, II5, 120, 129-30, 131, 132, 134
colonialism and slavery in, 112-13, 115-16, 123, 125-6, 138, 139, 140-1, 142
conspiratorial orders in, 102, 105, II2,
Il9, 122-3, 124, 126, 143 counterforces and countercultures in, 110,
II2, II3, II6, II8, II9-20, 127-9, 130 critique of modernity's "ortholinear"
imagination, 5, 29, 66, 67, IIO, 142-3, 144,145-6
critique of totalitarian forms of culture, 112-13, IIS-16, 121-4, 125, 126, 130,
131-2, 134, 143. 145 deconstruction of polarities, 108, 112-13,
121-3, 124, 126, 127-8, 129, 138, 139, 140
female challengers and reconstellators, 66, 67, 105-6, 108, ro9-10, 112, 113, 116-17, II8-I9, 120, 128, 133-6
liminal characters and boundary-crossers in, 65-6, 103, 105, 109-ro. 113, 115, 122, 127-8, 129, 130, 135, 136, 138-9, 144
marginocentric communities in, 136, 139-40, 141, 142, 143, 144
polysystemic approach in, 53, 64-5, 67, 102, I03-4, 105, 106, !07, 108, 109, 110, 111-12, 121, 136-7, 146
post-Cold War issues in, 42, 109, 110, 132
postmodern cartographies in, xiii, 28, IIO, 140, 141, 144, 145-6
rereading/rewriting in, 22, 65, 66, 67, 105-6, 110, 117, 118, 119, 121, 135, 136
revisionist/ex-centric approach to history, 2, 23, 28, 31, 65, 66, ror-4, 105, 106, ro9, 110-12, n8, 120-r,
133, 137 zones and interfaces in, ro6, 125, 127,
128, 129, 130, 133, 144 Works: TheCryingojLot49, 9-ra, 21, 66, 67,
102, ro4-5, 108, 116, 117-21, 125, 126, 129, 132; "Entropy;" 112, 128; Gravitys Rainbow, 23, 25, 28, 37, 48, 49, 65, 66, 67, 102, ro3, 106-8, 109, n6, 121-2, 143, 145, 213; Mason & Dixon, xii, 3, 25, 28, 30-1, 37, 45, 66, 67, 101, 102, 109-II 136-46, 281; Slow Learner, Il3; V., xii, 62, 66, 67, 103-4, 108, 111-17, 123, 125, 126, 128; Vineland, xii, 22, 45, 66, 67, 102, 108-9, 113, 129-36, 177, 281
Q!tartermain, Peter, 205 Q!teneau, Raymond, 29
Rabelais, Fran~ois, 28, 148 Rabinow, Paul, 41 Radhakrishnan, R., 31 Radway; Janice A., 91 Rainer, Yvonne, 19 Reaganism, 6, 132, 134, 136 Reage, Pauline, 99 realism, 2, IO-II, 12, 17-18, 25-6, 34, 38,
68, 69, 71-2, 78, 95, 148, 150-1, 154, 170, 177
and midfiction, 17-18 postmodern critiques o£ 2, 10-11, 12, 17,
25-6, 68, 69, 71, 95, 148, ISO, 154, 177
3I6 NARRATIVE INNOVATION AND CULTURAL REWRITING
postmodern experimental realism, 26, 38, 78, ISO-I, I52, I70
see also Federman; imitation; magic realism; Sukenick
rearticulation, see also rewriting Reed, Ishmael, 2, 5, 6, 23, 25, 37, 69, I26,
I70, 2I3 Mumbojumbo, 25, n6
Reich, Wilhelm, I54 rewriting, xii-xiii, 2, 2I, 22-35, 40, 59, 66, 74,
79, 95-6, 99-IOO, IOS, I06, I36, 282 cultural rewriting, xii, 2I-3, 30-5,40,
99-IOO narrative rewriting, xii-xiii, 2I, 25-30,
79,95-6 and rereading, xiii, 66, I05, I06 significance of, 22, 34-5, 59 and unwriting, xii, xiii, 2I-2, 34, 74 see also articulation; Didion; Federman;
history; Katz; Pynchon; Sukenick; Walker
Rhys, Jean, 90 Wide Sargasso Sea, 90
Ricardou, Jean, 28, I48, 230 Rice, Doug, ?I, I95, I98 Rich, Adrienne, 2I, 8I, 89, 250 Richardson, Brian, 82, 224, 225 Richardson, Dorothy; 8I -2, 89 Riesman, David, II3 Rilke, Rainer Maria, I23 Rimbaud, Arthur, I6S, 208 Robbe-Grillet, Alain, I48, 2I7 Robbins, Tom, 8o Robins, Kevin, I39 Robinson,Lou,82,83 Roche, Maurice, 29, 205, 2II Rodrigues, Eusebio L., 264 Rooney; Ted, I87 Rorty; Richard, 2I Rosenbaum, Jonathan, ro8-9 Rosenfelt, Deborah, 96 Rossini, Gioacchino, ro8 Rothenberg, Jerome, 40 Roussel, Raymond, I48 Ruas, Charles, 248, 249 Rubin, Gayle, 88 Rushdie, Salman, 36 Russ, Joanna, s. I8, I9, 38, 8I-2, 8s, 93, I79,
I8o The Female Man, 8I, 93
Russell, Charles, IO, 3I-2 Russell, Sandi, 94
Ruthrof, Horst, ISS, I6S Ryan, Judylyn S., 248, 253
Saintsbury, George, 26-7 Salamun, Tomaz, 4 Saldivar, Jose David, 38 Samuels, Wilfred D., 23, 236, 252, 2S7, 258,
260 Sanders, Ed, I8o Sartre, Jean Paul, 24,32-3, 33, II3, I72, 206,
208-9 Sassower, Raphael, 30 Sayre, Henry M., 37 Schaub, Thomas Hill, 5 Schlegel, Friedrich, 52 Schmidt, Siegfried ]., 49 Scholes, Robert, I49 Schwarzbach, F. S., n8 Sedgwick, Eve Kosofsky; 88 self-reflection, I-2, s, 7, I3, I9-20, 30, 3I,
32-3, so, ISO intellectual sources of, I-2, 7 limitations of, IO, I9, ISO relevance of, I-2, 5, I3, 32-3, 50
Shakespeare, William, I74. I8I, 249, 250 Shange, Ntozake, 42, 235, 246 Shcherbina, Tatyana, 4 Sherman, Cindy; 88
Shklovsky; Victor, I49 Shohat, Ella, 4I Showalter, Elaine, I62 Silko, Leslie Marmo, 6, 89, 96, 99
Almanac if the Dead, 96; Ceremony, 89 Silver, Brenda R., I79, I80 Sklar, Robert, IOS Sloan, De Villo, 8, Soja, Edward, IS, 42, I09-IO Sokolov, Raymond A., I?I Sollers, Philippe, 34, 84, I92, 204, 229, 230 Somerson, Wendy; 42 Sorrentino, Gilbert, xii, 2, 6, 2I, 36, 53, 68,
70, ?I, I58 Crystal Vision, 70; Mulligan Stew, 21
Southgate, Beverley; 22, 24 Spanos, William, 2, 3 Spariosu, Mihai, I5-I7 Spark, Muriel, 36 Spiegel, Gabrielle, 26 Spiller, Robert E., 22 Spillers, Hortense ]., 94, 242 Spiro, Rand]., I03 Spivak, Gayatri Chakravorty; 4I
INDEX 317
Stacey, Judith, 96 Starn, Robert, 4I Stanzel, Franz K., 28 Stein, Gertrude, 83 Steinbeck, John, 55 Stepto, Robert B., 239, 244 Sterling, Bruce, 42 Stern, J. P., 200 Sterne, Lawrence, 28, I49 Stevens, Wallace, I49, ISo, IS8 Stevenson, Robert Louis, 96, 99 Stevick, Philip, 72 Stimpson, Catherine R., 37 Stonehill, Brian, I06 Storace, Patricia, 272, 279 Strauss, Walter A., 192 Strehle, Susan, I09
Sukenick, Ronald, xii, xiii 2, 5, 6~7, II, I7, I9, 20, 2I, 22, 25, 29~30, 3I, 32, 34, 35, 36, 45, 47, 67~71, 72, 74, 78, 79~8I, 90, I47~190, 192, 208, 217, 226, 281, 282
antimimetic procedures in, 6~7, 68, 69, 70, 149, rso, r88~9
approaches to history, 7, 25, 31, 45. rss~z r68~9, I74, 176, 184, I87
Cold War typologies and tensions in, 8o, I54, I56~7, 160, 161, I75~6, I78, I79, r8o, I84
conflicting cultural languages in, 71, 72, 79, 151, 155, 157, 159~60, I64, 168~9, 176~7, r8r~2, r8s, r89
cultural revision in, 34, 70~I, 8o, ISO, ISI, I57, 164~5, I70, I74, 175, 178, 184~5, 188~9
disruption and rearticulation in, 157, I63, 164~5, r66~7, I70~4, I84
experiential emphasis in, II, 3I, 34, 148, I49, Iso~r, 152, IS3~4, IS6~7, IS8~69, 170~4, I76, 182, 183
improvisation and invention in, 29~30, 69, 7I, 72, I48~s6, IS8, I6I, 164, 167,
173 "interventive" and revisionary role of
fiction, 20, 68, 69, 7I, 72, So~ I, ISO, IS2, Iss~6, r6s, r66, I68~9, I7I~2, r82~3, ISS. IS9
parodiesjrecyclings of narrative forms, 7I~2. 79~Sr, rso, rsz r82~3, r8s, I87~S, 190
responses to the crisis of literature in the post-Holocaust, post- Cold-War era,
22, 7o~r, 8o~1, rs2~3, IS4. 157, 174, I7S. 176, I84, r86, 187~9
unwritingjrewriting in, xii-xiii, 21, 7I, 7S, lSI, 157. I73, 174. 182~90
Works: Blown Away, xiii, 79, So, ISS. I6s~6, I69, 172, 174, I78, r8r~2, 186, 2S2; The Death ~the Novel and Other Stories, 21, 72,
ISO, ISS. IS?, IS8, IS9, I67, 179; Doggy Bag, xii, 45, 79, 8o, ISI, IS5~8, 2Sr; Down and In: Life in the Underground, So, 173, 17s~6; The Endless Short Story, 79, 14S, I49, ISI, IS2, IS3, ISS, 156, 157, I6S~6, 167~8, 169, 172, I74, IS3; In Form, 6, 7, II, 29~30, 34, 68, 70, I47~52, IS4, IS6, rsS, I6I, r66, 167, I69, rn 178, 183, 226; Long Talking Bad Conditions Blues, 21, 14S, I52, 154~s, IS8, 160, I64~S, I66, 167, 169, 174, I7S. r8o~I, rS2; Mosaic Man, xii, 25, 4S, 68, 69, 71, 74, 8o~I, I48, rs3~4, ISS. IS7. r6o, r6S~9, 170, 171, 174, I78, IS3, I88, 28I; Narralogues, 68, I47. 14S, ISI~2; "The New Tradition" I4S, ISO, r66; g8.6, 2S, 72~1, 8o, ISI, rs8, IS9. r6o, !62~4. r6s, I67, 174, I7S. rn 178, I8o, r83~s. I86; Out, IS3, IS4, ISS, IS6~7, IS9, 160, 162~3, !64, 169, 170~2, 173, I74, 177, 179, I83; Up, So, IS3. 154, r6I~2, I67, I70~1, 173, 174, I7S, I76, 177, I7S~9, 179, IS2; Wallace Stevens, 149, ISO
Suleiman, Susan Robin, s, 39, 4I, S7, 90 surfiction, xi, xii, xiii, 2, 8, II, 12, 17, 19, 25,
28, 6S~9, 70, 7I, n 78~9, m~34 I49, ISO, 158, I62, 176, IS3, 20S, 2I7, 226,2S2
definition o£ xii, 68; disruptive techniques in, !2, 25, 68, 69, 71, ISS, 20S; interplay of competing visions and styles in, 6S, 70, 7I, I49. 162, I76, 217; political significance o£ 68~9; rearticulationjreinvention in, 6S, 77, 7S~9, IS3
see also Federman; Hauser; Katz; Major; Sukenick
systems theory, 48~52, 10S, 106, 1II~u see also polysystemic fiction
Szilard, Leo, 9
Tabbi, Joseph, 67 Tandori, Deszo, 4 Tanner, Tony, 120 Tate, Claudia, 260, 265
NARRATIVE INNOVATION AND CULTURAL REWRITING
Tatham, Campbell, 173, 19S Taylor, Charles, 41 Tchaikovsky, Peter Ilyich, II3 television, 74, 75, 76, roS-9, 130-2, 134, 177 Thomas, Brook, 144 Tillman, Lynn, So Tolstaya, Tatyana, 4, S7 Toolan, Michael J., II7 Totosy de Zepetnek, Steven, 52 Trachtenberg, Stanley, r69 Travis, Molly Abel, rS, 19, 42, 96, 2S2 Turgenev, Ivan Sergeyevich, 52 Turner, Frederick Jackson, 144 Turner, Victor, roo, 120-r, 127, 130, 244 Twain, Mark, 185, 250, 259 Tyler, Ann, 97 Tynjanov, Jurij, 51 Tzara, Tristan, r5
unwriting, xii-xiii, 21-2, 34, 71, 74 see also deconstruction; Federman;
Sukenick utopianism, 31, 35-6, 45, 71, Sr, S2, 93, 164,
r65, rS4-5, rSS-9, 190 and anti-utopianism, 35-6, 93, 164, 165,
rS6
Van Der Zee, James, 263 Varo, Maria de Los Remedio, II7 Varsava, Jerry A., 6o Vattimo, Gianni, 25,44 Verdery, Katherine, 4 Veronese (Paolo Caliari), 62 Vickroy, Laurie, 256-7 Vietnam War, 3, 5, 75, S5, 97, roo, 156, 179,
IS9,234,250,275-6,27S Viramontes, Elena Marla, 3S Virilio, Paul, 135 Vizenor, Gerald, 6, 20 Vollman, William, rS Vonnegut, Kurt, 2, 6, 36, 44, So, 192
Galapagos, 192; Slapstick, 192; Slaughterhouse Five, 192
Walker, Alice, xiii, 5, 6, 36, 3S, 42, 4S, S3, 94-5, 99
cultural and narrative rewriting in, 94-5
Works: The Color Purple, 5, 4S, 94-5: Meridian, 94, 95
Walsh, W H., 22 Warhol, Andy, 1So Washington, Mary Helen, 250 Weber, Max, 124 Weeks, Jeffrey, SS Weiman, Robert, 177 Werfel, Franz, 123 West, Cornel, 3S White, Curtis, S, 20, 45, So White, Hayden, 27, 44 Wiegman, Robyn, 42 Wielgosz, Anne-Katrin, 204, 214 Wilde, Alan, 7, 17, 169 Wilde, Oscar, 74 Wilden, Anthony, 49 Williams, Linda, 21 Williams, William Carlos, 6, 14S Willis, Susan, 250 Wills, David, 66 Wills, Gary, 13S Wilson, Angus, 44 Wilson, Kimberly A. C., 270 Wittgenstein, Ludwig, II3 Wolf, Christa, 4, S7, SS Wood, James, 274 Woolf, Virginia, 6, S9, 93 Wordsworth, William, 159, r6r Wright, Richard, 69, 246 Wright, Stephen, So Wyatt, Jean, 262
Zabel, M. D., 44 Zavarzadeh, Mas'ud, 215 Zimmerman, Bonnie, S2, Ss Zinnemann, Fred, 55 Zinoviev, Alexandr, 4 Zizek, Slavoj, 254
XV