Create Extraordinary Production Tools and Resources • Featured Work

Feature Films  

LED Enhanced Environments

 

Television

Moonlight The Jungle Book Avatar Get Out Trumbo

Alita: Battle Angel Birth of a Nation Yoga Hosers Camp X-Ray Bad Santa 2

Geostorm The Hollars Keanu Eloise Kevin Hart: What Now

An Interview with God   Rogue One Passengers Gone Girl

Deadpool Furious 7 Gravity Straight Outta Compton Fantastic Four

Murder On The Orient Express   Survivor Scandal NCIS: LA

NCIS: NOLA Narcos Sense8 Crazy Ex-Girlfriend Kevin Can Wait

The Apprentice VEEP Brooklyn 9-9 Parks and Recreation Project Runway

The Voice The Good Place American Ninja Warrior Real Housewives America’s Got Talent

Family Feud Anthony Bourdain: Parts Unknown

AUDIO | AV | BROADCAST | CAMERA | LED | VIDEO | LIGHTING | RIGGING ver.com

ver.com

Sony FS7

Sony F65

ALEXA Mini

VariCam 35 w/V-Raw

RED Weapon Dragon

Sony F55 w/R5

Image(Actual Size)

ISO Latitude Frame Rates Pixel Resolution ofRecorded Media

Recorded Bit Depth Format and Time (Highest Internal Record @ 24 fps)

Data Weight PowerDraw

Highlighted Positives

CMOS Super 35 EXMOR 4352 x 2662

2000Daylight

14+Stops 23,98,25,29, 97, 50, 59, 94 fps (4K)

180 fps (HD)240 fps External RAW Recorder

8K 4096 x 2160

4K 3840 x 2160

2K 1920 x 1080

10 Bit RAW2.32 GB

per minuterecording4K/24p

4.4 lbs.

Body Only

19w(in record)

Draw

Built-in NDPRO RES 422 capableSimultaneous Recording

800Base

14+Stops

Electronic Shutter 1 to 120 fps

Rotary Shutter 1 to 60 fps

8K 8192 x 2160

4K 4096 x 2160

2K 2048 x 1080

16 Bit F65RAW - LITE

60 min - 512GB120 min - 1TB

8.5 GBper

minute

12 lbs.Body Only

16 lbs.w/SR-R4

62wBody Only

105ww/SR-R4

8K, 6K, 4K De-mosaicACES WorkflowRotary Shutter16 Bit Linear RAWUltra Wide Color Gamut / Built-in ND Filters

Dual800

and

5000Base

14+Stops

4K 4096 x 2160UHD 3840 x 21602K 2048 x 1080HD 1920 x 1080

14.3 lbs. w/V-RAW Recorder

11 lbs. w/AVC Intra

Recorder

109ww/V-RAWRecorder

69ww/AVC Intra

Recorder

Exceptional Low Light Performance Clean Signal @ 5000 ASA In-Camera Color Grading/Dailies Dual Codec Records Un-graded 4K Master and HD V-RAW Uncompressed Recording

CMOS 27.9mm Ø

24.7 x 13.1mm

CMOS 34.5mm Ø

30.7 x 15.8mm

CMOS 33.5mm Ø

28.2 x 18.1mm

CMOS 27.8mm Ø

24.6 x 12.9mm

CMOS 33.5mm Ø

28.2 x 18.13mm

CMOS 27.1mm Ø

24 x 12.7mm

800Base

14+Stops

15-18+w/HDR

6K 1-100 fps5K 1-120 fps4K 1-150 fps2K 1-300 fps

2K ProRes 1-120 fps

6K5K

4.5K and 4K3.5K and 3K2.5K and 2K

16 Bit REDCODE 6K FF @ 5:1

512GB SSD - 52 min1TB SSD - 104 min (HDRx cuts time in HALF)

5.2 GBper

minute

3.3 lbs.

Carbon Fiber

60-65w

Draw

ProRes Workflow Option

Custom OLPF FiltersHDRx High Dynamic Range Well Established R3D workflow Modular Design / High Frames per Second

800Base

14+Stops

12 Bit ARRIRAW1

29 min - 512GB in OG1

39 min - 512GB in 4:31 47 min - 512GB in 16:9Records Classic ALEXA Formats

OG1

16.2 GB4:31

14.1 GB16:9

10.2 GB

5 lbs. 45-75w

Draw

Super Lightweight Carbon Body ALEXA Sensor and Image quality Integrated LensMotor Control Motorized ND filters Exchangeable Lens Mounts Perfect for Gimbals and Multicopters

1250Base

14+Stops

4K 4096 x 2160UHD 3840 x 21602K 2048 x 1080HD 1920 x 1080

16 Bit F55 RAW @ 3.6:1

512GB AXSM - 72 minXAVC HD 2K 4K - 10Bit

V-RAW 7.1 GB

4K XAVC1.8 GB

6.4 lbs. F55 and R5

5 lbs. F55

48wSystem

25w Body Only

Ultra Wide Color Gamut Lightweight and Small Profile1250 ISO Sensor w/ Global Shutter 2x Anamorphic De-Squeeze 2K Mode Uses Full Image Sensor XAVC - ProRes - DNxHD - MPEG - RAW

ver.com

ALEXA XT Plus Open Gate

800Base

14+Stops

Open Gate.75-75 fps

4:3.75-90 fps

16:9.75-120 fps

Open Gate 3:23414 x 2198

4:32880 x 2160

16:92880 x 1620

12 Bit ARRIRAW

29 min - 512GB in OG

39 min - 512GB in 4:3 47 min - 512GB in 16:9Records Classic ALEXA Formats

OG16.2 GB

4:314.1 GB

16:910.2 GB

V-RAW 4K 12 Bit 1 to 30 fps

AVC-Intra 4K and V-RAW10 Bit 1-120 fps

V-RAW 19 GB4:4:4

4.6 GB4:2:2

2.3 GB

14.5 lbs.Plus

18.3 lbs.Studio

103wARRIRAW

100wProRes

True Anamorphic 4:3 Imager Wide Latitude Gently Rolls Off HighlightsProven Reliable, Post-Efficient ARRIRAW, ProRes or DNxHD Optical Viewfinder and Mirror Shutter (Studio Version)

1 Future

12 Bit V-RAW53 min Codex Capture Drive 1TB107 min Codex Capture Drive 2TB12 BitAVC-Intra4K 256GB Express P2 Card45 min 4:4:4 I 90 min 4:2:2124 min - ProRes HD

Open Gate ARRIRAW1

4:31 ProRes

16:9

6:5 ProRes

8:9 ProRes

.75-30 fps1

.75-48 fps

.75-50 fps

.75-200 fps

.75-150 fps

.75-150 fps

4K 1-60 fps 2K 1-180 fps HD 1-180 fps 2K RAW 1-240 fps

Open Gate1 4:31

UHD 16:9 16:9 16:9

3414 x 2198 2880 x 2160 3880 x 2160 2048 x 1152 1920 x 1080

Camera must be available for sale or rent | Data based on 24fps and highest INTERNAL recordSpecial recognition goes out to Mike Sippel and Dhanendra Patel (Cineverse), Marc Shipman-Mueller, Michael Jonas, Matt Kolze, Judy Doherty, Andrew Wedhe, Lawrence Daufenbach, Geoff Boyle, David Stump ASC, Peter Crithary, Kazuo Endo, Aaron Latham-James, Erik Schietinger, Sarah Priestnall, Brandon Heaslip and James Mathers ver.com

REFERENCE GUIDE Digital Camera Product Group

Create Extraordinary Production Tools and Resources • Featured Work

Here are a few recommended

Top-Tier Cinema Camera and Lens selections from the VER CAMERA Inventory 

Arri Alexa EV, Plus, XT, SXT

Arri Amira

Arri Alexa Mini

RED Epic Dragon

RED Weapon 6K, 8K Helium

Sony F55, F65, F5, FS7

Panasonic VariCam 35, VariCam LT

Canon C300, C300 mkII

We carry a complete range of PL mount Spherical, Anamorphic Prime and Zoom Lenses.

For a full list of our cameras for your projects, visit us at ver.com

Favored  

Cameras

Lenses

With a solid 30-year track record, VER is, far and

away, the most comprehensive global resource

for production equipment, support and creative

solutions. Every day, all over the world, we make

our clients’ creativity happen.

AUDIO | AV | BROADCAST | CAMERA | LED | VIDEO | LIGHTING | RIGGING ver.com

ALEXA formats