using transforms and crop in sketchbook...

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USING TRANSFORMS AND CROP I www.autodesk.com/ads Autodesk ® Design S Autodesk ® SketchBook ® De Using Transfor in SketchBook In this section you will le How to use different tra How to crop an image How to export a TIFF w How to underlay a 3D A IN SKETCHBOOK DESIGNER Suite 2012 esigner 2012– Tip Guides rms and Crop k Designer earn the following: ansforms for specific conditions with layers AutoCAD conceptual model 1

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Page 1: Using Transforms and Crop in SketchBook Designerimages.autodesk.com/adsk/files/sbd_018_transforms_and_crops.pdfUSING TRANSFORMS AND CROP IN SKETCHBOOK DESIGN 1. In this exercise we’ll

USING TRANSFORMS AND CROP IN SKETCHBOOK D

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Autodesk® Design SuiteAutodesk® SketchBook® Designer 2012

Using Transforms and Cropin SketchBook Designer

In this section you will learn the following:• How to use different transforms for specific conditions

• How to crop an image

• How to export a TIFF with layers

• How to underlay a 3D AutoCAD conceptual model

CROP IN SKETCHBOOK DESIGNER

Design Suite 2012 Designer 2012– Tip Guides

Using Transforms and Crop SketchBook Designer

In this section you will learn the following: use different transforms for specific conditions

How to export a TIFF with layers

How to underlay a 3D AutoCAD conceptual model

1

Page 2: Using Transforms and Crop in SketchBook Designerimages.autodesk.com/adsk/files/sbd_018_transforms_and_crops.pdfUSING TRANSFORMS AND CROP IN SKETCHBOOK DESIGN 1. In this exercise we’ll

USING TRANSFORMS AND CROP IN SKETCHBOOK DESIGN

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1. In this exercise we’ll adjust an image to fit a conceptual design. In this case, we have a very rough ideof the shape of the building’s curtain wall, and we may want to communicate a possible end state. Building a more complete version of the curtain wall will take some time, so we decide to compose an image of the potential solution into the conceptual des

2. We’ll start by importing a photo of a curtain wall. It’s not complete, and has some distortion, so we want to adjust it first.

3. Let’s use the Polyline Marquee to select the piece of the curtain wall we want to use. When we complete the loop, we’ll press Enter to finish.

IN SKETCHBOOK DESIGNER

In this exercise we’ll adjust an image to fit a conceptual design. In this case, we have a very rough ideof the shape of the building’s curtain wall, and we may want to communicate a possible end state. Building a more complete version of the curtain wall will take some time, so we decide to compose an image of the potential solution into the conceptual design.

We’ll start by importing a photo of a curtain wall. It’s not complete, and has some distortion, so we want

Let’s use the Polyline Marquee to select the piece of the curtain wall we want to use. When we ess Enter to finish.

2

In this exercise we’ll adjust an image to fit a conceptual design. In this case, we have a very rough idea of the shape of the building’s curtain wall, and we may want to communicate a possible end state. Building a more complete version of the curtain wall will take some time, so we decide to compose an

We’ll start by importing a photo of a curtain wall. It’s not complete, and has some distortion, so we want

Let’s use the Polyline Marquee to select the piece of the curtain wall we want to use. When we

Page 3: Using Transforms and Crop in SketchBook Designerimages.autodesk.com/adsk/files/sbd_018_transforms_and_crops.pdfUSING TRANSFORMS AND CROP IN SKETCHBOOK DESIGN 1. In this exercise we’ll

USING TRANSFORMS AND CROP IN SKETCHBOOK D

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4. From the Edit menu, we will now select Crop to Selection.

5. We now have our selection of the curtain wall, which we need to adjust in order to correct the deformation.

6. Selecting the Warp transform tool we will have a lot of flexibility for the operation. Don’t hesicontrol points along the sides of the bounding box.

CROP IN SKETCHBOOK DESIGNER

Edit menu, we will now select Crop to Selection.

We now have our selection of the curtain wall, which we need to adjust in order to correct the

Selecting the Warp transform tool we will have a lot of flexibility for the operation. Don’t hesicontrol points along the sides of the bounding box.

3

We now have our selection of the curtain wall, which we need to adjust in order to correct the

Selecting the Warp transform tool we will have a lot of flexibility for the operation. Don’t hesitate to add

Page 4: Using Transforms and Crop in SketchBook Designerimages.autodesk.com/adsk/files/sbd_018_transforms_and_crops.pdfUSING TRANSFORMS AND CROP IN SKETCHBOOK DESIGN 1. In this exercise we’ll

USING TRANSFORMS AND CROP IN SKETCHBOOK D

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7. Let’s export this image as a TIFF. This format will keep the layers contained in this canvas.

8. Now let’s go to our model in AutoCAD, and isolate the piece that we want to w

9. We’ll create a canvas only with Paint Underlay, and send it to Sketchbook Designer.

CROP IN SKETCHBOOK DESIGNER

Let’s export this image as a TIFF. This format will keep the layers contained in this canvas.

Now let’s go to our model in AutoCAD, and isolate the piece that we want to work with.

We’ll create a canvas only with Paint Underlay, and send it to Sketchbook Designer.

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Let’s export this image as a TIFF. This format will keep the layers contained in this canvas.

ork with.

Page 5: Using Transforms and Crop in SketchBook Designerimages.autodesk.com/adsk/files/sbd_018_transforms_and_crops.pdfUSING TRANSFORMS AND CROP IN SKETCHBOOK DESIGN 1. In this exercise we’ll

USING TRANSFORMS AND CROP IN SKETCHBOOK D

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10. Let’s import the image we created some minutes ago, so we can overlay it on this elevation.

11. We have to use Transform so as to fit the

12. Once we are done, we can now duplicate the layer, and redo the whole operation once we move the duplicated layer to the side. Moving constrained to the axis is really helpful in this case.

CROP IN SKETCHBOOK DESIGNER

Let’s import the image we created some minutes ago, so we can overlay it on this elevation.

We have to use Transform so as to fit the curtain wall in our design.

Once we are done, we can now duplicate the layer, and redo the whole operation once we move the duplicated layer to the side. Moving constrained to the axis is really helpful in this case.

5

Let’s import the image we created some minutes ago, so we can overlay it on this elevation.

Once we are done, we can now duplicate the layer, and redo the whole operation once we move the duplicated layer to the side. Moving constrained to the axis is really helpful in this case.

Page 6: Using Transforms and Crop in SketchBook Designerimages.autodesk.com/adsk/files/sbd_018_transforms_and_crops.pdfUSING TRANSFORMS AND CROP IN SKETCHBOOK DESIGN 1. In this exercise we’ll

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13. The next duplicate is longer than what’s remaining of the building, so let’s make a rectangular selection of the exceeding panel, leaving only the one that doesn’t fit. Delete the content once you have the selection done.

14. Select the panel that doesn’t fit, and do a transfothe axis, so we don’t distort the height.

15. We need to keep copying the curtain wall to the rest of the façade. The following part of the façade is slightly different since it changes its height. with the corner grips.

CROP IN SKETCHBOOK DESIGNER

is longer than what’s remaining of the building, so let’s make a rectangular selection of the exceeding panel, leaving only the one that doesn’t fit. Delete the content once you have the

Select the panel that doesn’t fit, and do a transform. In this case we will use the non-uniform scale along the axis, so we don’t distort the height.

We need to keep copying the curtain wall to the rest of the façade. The following part of the façade is slightly different since it changes its height. Simply use Distort instead of a Scale transform, and work

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is longer than what’s remaining of the building, so let’s make a rectangular selection of the exceeding panel, leaving only the one that doesn’t fit. Delete the content once you have the

uniform scale along

We need to keep copying the curtain wall to the rest of the façade. The following part of the façade is Simply use Distort instead of a Scale transform, and work

Page 7: Using Transforms and Crop in SketchBook Designerimages.autodesk.com/adsk/files/sbd_018_transforms_and_crops.pdfUSING TRANSFORMS AND CROP IN SKETCHBOOK DESIGN 1. In this exercise we’ll

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16. This one has a curve, so we’ll use the Warp transform to make it fit.

17. After some operations with transforms and duplicates, we get a very good idea of thecurtain wall without having done any modeling.

Autodesk, AutoCAD, SketchBook, and DWG are registered trademarks or trademarks of Autodesk, Inc., and/or its subsidiaries andthe USA and/or other countries. All other brand names, product names, or trademarks belong to their respective holders. Autodesk reserves the right to alter product and services offerings, and specifications and pricing at any time without notice, and is not responsigraphical errors that may appear in this document.

© 2011 Autodesk, Inc. All rights reserved.

CROP IN SKETCHBOOK DESIGNER

This one has a curve, so we’ll use the Warp transform to make it fit.

After some operations with transforms and duplicates, we get a very good idea of thecurtain wall without having done any modeling.

Autodesk, AutoCAD, SketchBook, and DWG are registered trademarks or trademarks of Autodesk, Inc., and/or its subsidiaries ander brand names, product names, or trademarks belong to their respective holders. Autodesk reserves the

right to alter product and services offerings, and specifications and pricing at any time without notice, and is not responsible for typographical or phical errors that may appear in this document.

7

After some operations with transforms and duplicates, we get a very good idea of the final state of our

Autodesk, AutoCAD, SketchBook, and DWG are registered trademarks or trademarks of Autodesk, Inc., and/or its subsidiaries and/or affiliates in er brand names, product names, or trademarks belong to their respective holders. Autodesk reserves the

ble for typographical or