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    University of Melbourne Orchestral Ensembles

    2018 Auditions: Trumpet

    Please prepare all excerpts. Need help preparing excerpts? Start now, by:

    Listening to the pieces in their entirety, with full scores. Recordings of some of these excerpts are available online. Listen to the orchestras that youve heard of, first. Berlin, Chicago, New York, Vienna etc. Scores are available in the music library, or through web resources such as:

    o http://imslp.org/ o http://archives.nyphil.org/

    Do the dirty work of sorting out tempos, all of the notes, intervals and

    rhythms first. Do all of this AWAY from your instrument.

    Once youve got the tempo, notes, intervals, rhythms sorted, record yourself playing ONE phrase of an excerpt. Listen to the professional version, and then listen back to your version. Name something specific that is better about the professional recording. Learn to do that specific thing. Repeat process until they are the same.

    Once you have the excerpts to a solid level of performance, record three of

    them in a row. Take a break, then come back and listen. Write down several specific things you know you need to fix, then spend 10 minutes working fix ONE of those specific things.

    Take several excerpts (random order) and perform as a pretend audition.

    Always record these mock auditions. Sometimes play them in front of your parents, or sibling, or even your dog. No comments needed. Just an audience.

    Repeat every day (after a nice warm-up). Use the recording to decide what

    basics youll work on tonight or tomorrow morning before your next mock audition.

    http://imslp.org/http://archives.nyphil.org/

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    ROUND ONE HAYDN Concerto Mvt I exposition, to be played on Bb trumpet

    BERNSTEIN Candide Overture (Tpt 1 in Bb) mm 32-59 mm 224-261

    MUSSORGSKY (arr. Ravel) Pictures at an Exhibition (Tpt 1 in C) Mvt I: Promenade, beginning to Fig. 2

    TCHAIKOVSKY Romeo & Juliet Overture (Tpt 1 in E) 1 bar before Fig. E to 4 bars after Fig. F

    DUKAS Sorcerer's Apprentice (Tpt 2 in C) Reh. 50 to Reh. 52

    ROUND TWO Please note excerpts from Round One may be requested.

    COPLAND Fanfare for the Common Man (Tpt 1 in Bb) mm 25 End

    GERSHWIN An American in Paris (Tpt 1 in Bb) Pickup to Reh. 57 to Reh. 59

    STRAUSS Don Juan (Tpt 1 in E) 8 bars after Fig. S to 3 bars after Fig. U

    TCHAIKOVSKY Symphony No. 4 (Tpt 1 in F) Mvt IV, mm 188-208

    MUSSORGSKY (arr. Ravel) Pictures at an Exhibition (Tpt 1 in C) Mvt VI: Goldenburg & Schmuyle

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    BERNSTEIN Candide Overture (Tpt 1 in Bb) EXCERPT 1 mm 32-59

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    EXCERPT 2 mm 224-261

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    MUSSORGSKY (arr. Ravel) Pictures at an Exhibition (Tpt 1 in C) Mvt I: Promenade, beginning to Fig. 2

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    TCHAIKOVSKY Romeo & Juliet Overture (Tpt 1 in E) 1 bar before Fig. E to 4 bars after Fig. F

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    DUKAS Sorcerer's Apprentice (Tpt 2 in C) Reh. 50 to Reh. 52

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    ROUND TWO

    COPLAND Fanfare for the Common Man (Tpt 1 in Bb) mm 25 End

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    GERSHWIN An American in Paris (Tpt 1 in Bb)

    Pickup to Reh. 57 to Reh. 59

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    STRAUSS Don Juan (Tpt 1 in E)

    8 bars after Fig S to 3 bars after Fig U

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    TCHAIKOVSKY Symphony No. 4 (Tpt 1 in F)

    Mvt IV, mm 188-208

  • MUSSORGSKY (arr. Ravel) Pictures at an Exhibition (Tpt 1 in C) Mvt VI: Goldenburg & Schmuyle

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