tweeting with the audience

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Tweeting with the audience Audience research and participation using Twitter @ruthdeller @sheffieldhallamuni, @AHRC funded PhD candidate #meccsa2011

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Page 1: Tweeting with the audience

Tweeting with the audienceAudience research and participation using Twitter

@ruthdeller@sheffieldhallamuni, @AHRC funded PhD candidate

#meccsa2011

Page 2: Tweeting with the audience

• What is Twitter?• Theoretical context• Twitter and current affairs• Participation and interaction• Tweeting 'Revelations'• Implications for media audience research-

particularly for those interested in "old" media

Tweeting with the audience

Page 3: Tweeting with the audience

What is Twitter?

• Social networking service• 140 character updates• Following and being followed• Key question 'What's happening?'

Page 4: Tweeting with the audience

What is Twitter?

Page 5: Tweeting with the audience

What is Twitter?

Page 6: Tweeting with the audience

What is Twitter?

Page 7: Tweeting with the audience

Content of tweets

• News• Debate• Sports• Weather• Media usage• Local issues• Memes / Jokes• Personal• Character role-play

Page 8: Tweeting with the audience

Theoretical issues

• Audience ‘activity’• Convergence – cross-media platforms, mobile

media etc• ‘Produsage’ / Citizen journalism• Star/celebrity studies• Fan studies• Online community studies• Media in everyday life

Page 9: Tweeting with the audience

Tweeting current affairs

• Iranian elections: Green profile pictures (avatars), setting location as Tehran.

• UK and US elections: Used as methods of interacting with politicians and media outlets, used as sources for news.

• Stephen Gately, Dunblane, Trafigura etc - outrage and action.

Page 10: Tweeting with the audience

Tweeting current affairs

• Iranian elections: Green profile pictures (avatars), setting location as Tehran.

• UK and US elections: Used as methods of interacting with politicians and media outlets, used as sources for news.

• Stephen Gately, Dunblane, Trafigura etc - outrage and action.

Page 11: Tweeting with the audience

Tweeting current affairs

Page 12: Tweeting with the audience

Tweeting current affairs

• High-profile 'opinion leaders'• (Re-)Circulation of links• Accessibility• Immediacy• Visibility• Public sphere

Page 13: Tweeting with the audience

Tweeting TV and radio audiences

• ‘The invention of real-time social networking sites (this means Twitter) has added a whole new dimension to the enjoyment of Big Brother... now you can hold a conversation with anyone you want while it's on and enjoy real-time tweeted commentary from celebs, pundits and randoms. Or, indeed, be one such commentator' (Longridge, 2010: 146).

Page 14: Tweeting with the audience

Tweeting TV and radio audiences

• What has been your favourite Twitter experience?– ‘The group experience of tweeting about The X

Factor on a Saturday night. It’s like having a lot of friends round and laughing’ (Mark Gatiss)

• What’s the appeal of Twitter for you?– ‘It makes shows like The X Factor and The

Apprentice even more fun. Everyone can join in as it goes out’ (Gareth Roberts)

Cook (2011: 63)

Page 15: Tweeting with the audience

Tweeting TV and radio audiences

• ‘Liveness – that is, live transmission – guarantees a potential connection to our shared social realities as they are happening…‘Liveness’ naturalises the idea that, through the media, we achieve a shared attention to the realities that matter for us as a society. This is the idea of the media as social frame, the myth of the mediated centre. It is because of this underlying idea (suggesting society as a common space focused around a ‘shared’ ritual centre) that watching something ‘live’ makes the difference it does: otherwise why should we care that others are watching the same image as us, and (more or less) when we are?’ (Couldry, 2003: 97-99)

Page 16: Tweeting with the audience

Tweeting TV and radio audiences

• Whenever telly or radio is on, wherever in the world, someone is tweeting.

• Trending topics can identify 'watercooler' television/radio, not just highly rated shows.

• Those involved in the programmes often 'tweet along', asking or answering questions, providing commentary or links to additional resources.

• Celebrities and public figures join in the conversation.

Page 17: Tweeting with the audience

Tweeting TV and radio audiences

Page 18: Tweeting with the audience

Tweeting TV and radio audiences

Page 19: Tweeting with the audience

Tweeting TV and radio audiences

• Too tired for Newswipe. Have to iPlayer it. Off to bed with a hot water bottle.

• Band practice means late home. Going to miss the start of #TBOC [#TBOC = Tower Block of Commons, a Channel 4 'life swap' series where MPs lived on council estates]

• Ok folks...what are we watching tonight?? If you provide a solid argument, I could be persuaded to DVR 'LOST' & watch it later...

• What should I watch 90120 or vampire dairies?• #tboc or #glee?

Page 20: Tweeting with the audience

Tweeting TV and radio audiences

• ‘Spoilers’• Hashtags to indicate series (e.g. #bb11 #bb12)• Trending is to be celebrated• Trending also causes British users to comment

on what ‘America’ thinks:– ppl in America might think WTF is Jedward :)– It's funny. all american/people not in britain, are

like.. "Jedward? What the hell? Edward and Jacob? Pathetic!"

Page 21: Tweeting with the audience

Tweeting 'Revelations'

• Eight-part series of single documentaries on Channel 4, summer 2009.

• First documentary, 'How to Find God' was made by Jon Ronson and focussed on the Alpha course.

• Ronson (@jonronson) is very active on Twitter and had tweeted about the programme during its production. He was online during and after its showing and invited questions.

Page 22: Tweeting with the audience

Tweeting 'Revelations'

• Monitored Twitter for three hours before, during and after broadcast.

• Searched for key terms and saved copies of tweets.

• Invited people tweeting to an exit survey (week 1) and to a live chat or forum (weeks 2-8).

Page 23: Tweeting with the audience

‘How to Find God’

• 829 unique tweets during the period• Documentary maker Jon Ronson

(@jonronson) was online throughout answering questions.

• 447 tweets were either retweets or questions to Ronson (or replies to questions)

• Exit survey RTed by Ronson and some other users; 80 replies in first two hours after broadcast.

Page 24: Tweeting with the audience

Tweeting 'Revelations'

• Monitored several keywords, including alpha, c4, channel4, Channel 4, Channel Four, Revelations, How to Find God, Jon Ronson and @jonronson. A similar process was used each week.

• Tweets counted and categorised into types (e.g. 'am watching', opinions, links, @replies) and content (e.g. personal experience, statement of beliefs, commentary).

Page 25: Tweeting with the audience

‘How to Find God’

• "Accidentally". @jonronson you crafty peice of work! #alpha

• @jonronson Ed sums up why I don't take Communion when Mam drags me to Mass back home. Tongues is just weird altogether #alpha

• @jonronson Sorry I'm late to the Alpha twitter party, was it uncomfortable waiting to see if anyone spoke in tongues? BTW Excellent film.

Page 26: Tweeting with the audience

‘How to Find God’

• About to sit down and enjoy @jonronson's alpha course film on channel 4!

• Documentary about Alpha Course on C4. If only good things came out of religion (and mild indoctrination), maybe it wouldn't make me so angry.

• Watching a programme on the Alpha Course. Always wanted to go on it to further my knowledge but I'm scared of who it could make me become.

Page 27: Tweeting with the audience

Different perspectives

• lol @ muslim school. muslim bitches be crazy. its funny when thr R 2 of them talking to the camera with head scarfs i cant tell whos talking.

• Both mums have good attitude towards their daughters and reason behind decision for Muslim school is interesting

Page 28: Tweeting with the audience

Different perspectives

• Why is it when religious commentators mention the atheist bus campaign, they never mention religious ads telling people they'll go to hell.

• is watching religious "thinkers" spout meaningless bullshit on some daft programme on C4.

• Is finding channel 4's Revelations: how do you know God exists? so helpful and wishes everyone could watch it.

Page 29: Tweeting with the audience

Humour

• Watching Channel 4 doc about spiritualists. One of them's reading a newspaper called Psychic News. Obviously its for not very good psychics.

• going to watch a tele programme about talking to the dead . Bit like when my missus talks to me.

• Watching a programe on exhumation - just put me off my banana!

• QOTD from 'The Exhumer' on Chan4 "I didn't know which grave she was in so I said I'd do a little digging".

Page 30: Tweeting with the audience

Personal experience

• Tonight's "Revelations" (on C4+1 in 10mins if you aren't watching it now) is about the Spiritualist Church. My family was involved; bizarre.

• Watched programme about religious divorces within the Orthodox Jewish community. Got progressively angrier and remembered why I walked away.

Page 31: Tweeting with the audience

The ‘mundane’

• why am i watching "Divorce Jewish Style" rofll./ gotta have a bath like, but thats effort mannn.

• soo hungry, gonna watch jewish divorce programme.

Page 32: Tweeting with the audience

Tweeting 'Revelations'

• Quantitative and qualitative data that shows:– Which programmes/topics were discussed most,

and how they were discussed.– Something (not always much) about the types of

people involved in discussion– Some level of comparison between whether

tweets are individual statements or discussion/interaction

– How the presence of Ronson on Twitter impacted the discussion of his programme

Page 33: Tweeting with the audience

Tweeting 'Revelations'

• Quantitative and qualitative data that shows:– Audiences ‘relating’ to texts– Variety of readings/understandings– Media in an ‘everyday’ / mundane context– Use of humour or seriousness in relation to

different topics

Page 34: Tweeting with the audience

Tweeting with the audience

• Twitter useful as a platform to explore issues of:– Fandom and fan activity (Beliebers)– Interactivity and participatory cultures– Convergence between media forms and texts– The relationship between the old 'industry', 'texts'

and 'audiences'– 'Liveness'– Nationhood, regionality, race, gender and other

identity issues

Page 35: Tweeting with the audience

Tweeting with the audience

• Twitter useful as a platform to explore issues of:– Advertising / promotion– Market dominance– Relationship between social media / new media

forms– Linguistics

Page 36: Tweeting with the audience

Tweeting with the audience

• Twitter offers a variety of ways we can explore and understand (some types of) media audiences.

• We need to consider our own position as participant observers.

• Ethics - AOIR guidelines?• Alongside other technologies and social media

outlets, poses a range of questions for our thinking about media in the 21st century.

Page 37: Tweeting with the audience

References

• Cook, B (2011), ’40 people every Doctor Who fan should follow on Twitter’ Doctor Who Magazine, issue 430, pp.60-63.

• Couldry, N (2003), Media Rituals: A Critical Approach, London: Routledge.

• Longridge, C (2010), 'Big Brother preview', heat, 19-25 June 2010, p. 146.