trinitarian - february, 2013

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1 _____________________________________ Trinity Episcopal Church February, 2013 _____________________________________ THE TRINITARIAN The Organs of Trinity Church It'll be great when it's done. That's become sort of my mantra in regards to “the organ project”, by which I mean the long and involved process whereby Trinity will end up with an outstanding, up-to-date organ that will not only complement Trinity's worship, but be an instrument that will serve the Church for generations to come. This whole process didn't begin with last year's lightning strike. The organ has been in need of some maintenance for some time. Like all things mechanical, and especially something as complex as our organ, regular maintenance of the pipes, bellows, and valves is to be expected. The lightning strike which seriously damaged the organ console in many ways brought the issue of the deferred maintenance of the rest of the organ to the front of our attention. While insurance will replace our organ console with a new one, the task of repairing, and in some cases, replacing components of our old organ will be tremendous. It will require tremendous prayer and thought about what kind of instrument we need; it will require tremendous sacrifice and generosity to pay for all of it; and it will be an tremendous effort to just get the new instrument physically in place. It's a big project, there's no doubt about it. A lot of time and energy will go into this. But here's the thing -- with the possible exception of the Eucharistic elements, the chalice and paten, no single implement is used more often, more consistently, than our church organ. With its capacity for volume, and its tremendous range of music, organs have traditionally been the instrument of choice for churches for a century. Here at Trinity we have a certain amount of pride in having an outstanding musical component to our ministry, and the organ is a fundamental part of that. Letting it languish in disrepair isn't something that should happen.

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Trinitarian - February, 2013. The Quarterly Newsletter of Trinity Episcopal Church in Lawrence, KS.

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Page 1: Trinitarian - February, 2013

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______________________________________

Trinity Episcopal Church February, 2013

______________________________________

THE TRINITARIAN

The Organs of Trinity Church

It'll be great when it's done.

That's become sort of my mantra in regards to “the organ project”, by which I mean the long and involved process whereby Trinity will end up with an outstanding, up-to-date organ that will not only complement Trinity's worship, but be an instrument that will serve the Church for generations to come.

This whole process didn't begin with last year's lightning strike. The organ has been in need of some maintenance for some time. Like all things mechanical, and especially something as complex as our organ, regular maintenance of the pipes, bellows, and valves is to be expected. The lightning strike which seriously damaged the organ console in many ways brought the issue of the deferred maintenance of the rest of the organ to the front of our attention. While insurance will replace our organ console with a new one, the task of repairing, and in some cases, replacing components of our old organ will be tremendous. It will require tremendous prayer and thought about what kind of instrument we need; it will require tremendous sacrifice and generosity to pay for all of it; and it will be an tremendous effort to just get the new instrument physically in place.

It's a big project, there's no doubt about it. A lot of time and energy will go into this. But here's the thing -- with the possible exception of the Eucharistic elements, the chalice and paten, no single implement is used more often, more consistently, than our church organ. With its capacity for volume, and its tremendous range of music, organs have traditionally been the instrument of choice for churches for a century. Here at Trinity we have a certain amount of pride in having an outstanding musical component to our ministry, and the organ is a fundamental part of that. Letting it languish in disrepair isn't something that should happen.

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What we truly want is an instrument that can be used to glorify God, and enhance our expression of faith when we sing in worship.

So we roll up our sleeves and get down on our knees. We have a lot of complicated discussions over what's best. We try to raise the capital to make that happen. All of that will be hard work.

But it'll be great when it's done.

The First Instrument

In the 1860’s, the Chapel (the original Church) had a reed organ for use in the worship service. After the new church was built (1871-1873), this organ was used for Easter Services in April of 1873. It was later returned to the Chapel when a pipe organ was purchased for the new building in 1892.

This picture is representative of the instrument that probably was in the Chapel, as there are no photographs of the actual instrument. In October of 1915, the Vestry authorized Mr. James Barrow to make some disposition of “the little organ” in the Chapel, and it was later sold and a piano put in its place. Organists playing this Reed Organ included the following: 1867 – 1878 – Mrs. Fannie Blish Horton 1880 – 1883 – Miss Nellie Franklin 1883 – 1885 – Miss Annie Yarnold

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The Second Instrument On February 11, 1892, through the efforts of the Reverend W. W. Ayres, the Vestry voted to authorize the purchase of a pipe organ to be installed. On February 18, 1892, a complete set of drawings of the new organ were presented along with a proposition to furnish a water motor for the purpose of blowing the bellows. Mr. Ayers was authorized at this meeting to correspond with Hook and Hastings and report at the March meeting of the Vestry their terms or best cash price. At the March 3, 1892 meeting, the proposition of Hook and Hastings to furnish a water motor for the organ was not accepted, but the purchase of the organ was approved. This instrument was made possible by four years of hard work by the Ladies of the Parish Aid Society, and on April 8, 1892, they were allowed to apply $ 170.00 due on the organ fund to the amount in the note to be given to Hook and Hastings for the balance due on the organ. As of April 18, 1892, Mr. A. G. Caufield, the Treasurer of the Organ Fund, reported the amount of cash collected to date was $ 2,013.17. The contract was signed with the Hook and Hastings Co. of Kendal Green, Massachusetts, and the new instrument was their Opus 1515. The organ was to be finished and ready for use by Easter Sunday, April 1893. The Rector at this April 18 meeting also appointed “Mr. Pendleton, Mr. Carter and Mrs. Wright to call upon Professor Penny at once, and assist him in making all of the necessary arrangements for an organ recital in the Church.” Professor Penny was also to conduct the choir and have charge of the organ. As a side note, the Daughters of the King had already organized and made arrangements for an organ recital in the church. This new pipe organ consisted of two manuals and 13 stops, for a total of 595 pipes. (In the Hook and Hastings catalog this organ was “Size No. 8” and sold for approximately $1,600.00+/- depending upon the design of the casework.)

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1893 Hook and Hastings Organ, Opus 1515

2 Manuals and Pedal – 11 Ranks The stoplist was as follows: Great Organ: Open Diapason 8’ 58 metal pipes Very full and bold Dulciana 8’ 58 metal pipes Delicate Melodia 8’ 58 wood pipes Rich and mellow Octave 4’ 58 metal pipes Full scale Twelfth 2 2/3’ 58 metal pipes Full scale Fifteenth 2’ 58 metal pipes Full Scale Swell Organ: Viola 8’ 58 metal pipes Delicate and crisp St. Diapason Bass 8’ Stopped Diapason 8’ 58 wood pipes Clear and bright Harmonic Flue 4’ 58 metal pipes Very beautiful Oboe 8’ 58 metal pipes Plaintive Bassoon8 Pedal Organ: Bourdon 16’ 27 wood pipes Deep & pervading

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Couplers: Swell to Great 8’ Great to Pedal 8’ Swell to Pedal 8’ Tremolo Bellows Signal Pedal Movements: Forte Combination – Great Organ Piano Combination – Great Organ Adjustable Balanced Swell Pedal As the original contract provided that no blower was purchased for the organ, it would have to be pumped by hand. The boys of the congregation provided this service, and they were paid 25 cents per hour to “blow” the organ on Sunday. There was a small door at the back of the church into the organ, and also a small opening from the organ into the chancel. One Sunday after a long service, the rector, the Reverend Mr. Ayres announced the last hymn. Professor Penny (of the Kansas University Music Department) started to play, but no music came. Mr. Ayres reached through the small opening into the organ to shake the boy who was there to pump the organ – he had gone to sleep! In March of 1894, the Vestry voted to authorize the organ committee to investigate the purchase of a water motor to “blow” the organ; however it was not until 1901 that the water motor was purchased. Further improvements came at the April 7, 1913 meeting of the Vestry, when it was moved to replace this motor with an electric motor. Organists for the 1893 pipe organ included the following: 1893–1895 Professor Penny of Kansas University, Organist and Choirmaster 1894 Miss Annie Yarnold, to assist Professor Penny 1895 Miss Lichlinwalter, to assist Professor Penny 1902 Miss Maude Cook 1907 Oliver Hobbs (he began on February 9, 1907) Alice Russell Martha Dooley Mrs. Bell 1912–1913 Mrs. Lyons 1913–1914 Miss Helen Pendleton 1914–1916 Mrs. Bell 1916–1923 Miss Helen Pendleton

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1924 Mr. Gerald Cole 1925 Miss Helen Pendleton (she returned January of 1925) 1926 Professor G. F. Soderlund 1928 Mr. H. C. Taylor, a Professor at Kansas University, began in October of 1928

The Third Instrument In 1929, Mr. Shaner reported to the Vestry that he had written to Bishop Lawrence, suggesting that a new pipe organ would be a welcome gift to Trinity Church. Bishop Lawrence in response had sent a gift of $50.00 to be applied to the Church Building fund. It was not until 1936, that the purchase of a new instrument was brought to fruition. In April of 1936, the Vestry authorized the purchase of a Reuter Pipe Organ, manufactured in Lawrence, Kansas to replace the Hook and Hastings instrument. The cost of this new instrument was $ 1,946.00.

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1936 Reuter Pipe Organ

2 Manuals and Pedal – 9 Ranks This new instrument consisted of two manuals and 15 stops for a total of 697 pipes. The stoplist was as follows: Great Organ: Open Diapason 8’ Metal 73 pipes Concert Flute 8’ Wood 73 pipes Rohr Flute 8’ Wood and Metal 73 notes Dulciana 8’ Metal 73 pipes Flute 4’ Metal 73 notes Chimes Preparation Processional Diapason Metal 61 pipes Swell to Great 16’ Great to Great 16’ Swell to Great 8’ Great Unison Off Swell to Great 4’ Great to Great 4’

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Swell Organ: Bourdon 16’ (TC) Wood and Metal 61 notes Rohr Flute 8’ Wood and Metal 85 pipes Salicional 8’ Metal 73 pipes Voix Celeste 8’ (TC) Metal 61 pipes Orchestral Horn 8’ Synthetic 73 notes Chimney Flute 4’ Metal 73 notes Rohr Nasard 2 2/3’ Metal 61 notes Flautino 2’ Metal 61 notes Oboe 8’ Metal 73 pipes Tremolo Swell to Swell 16’ Swell Unison Off Swell to Swell 4’ Pedal Organ: Bourdon 16’ Wood 32 pipes Dolce Flute 16’ Wood 32 notes Great to Pedal 8 Swell to Pedal 8’ Swell to Pedal 4’ Adjustable Combinations: Three, acting on Great and Pedal Organs and their Couplers Three, acting on Swell and Pedal Organs and their Couplers Accessories: Balanced Expression Pedal – Great Division Balanced Expression Pedal – Swell Division Balanced Crescendo Pedal Great to Pedal Reversible Crescendo Indicator Spencer Steel Orgoblo of ample capacity Action Current Power Unit Bronze Memorial Plaque, Size about 3 ½” by 10” Console Preparation for Processional Stop on the Great Manual In this 1936 instrument, the Pedal Bourdon 16’ from the original Hook and Hastings instrument was reused, as well as the Dulciana 8’, along with the casework from the original instrument. This instrument was totally destroyed in the fire of April 17, 1955.

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Organists for this 1936 instrument included the following: 1936 Mr. H. C. Taylor, Organist and Choirmaster 1937 Mr. Gerald Cole 1942 Hope Crittenden 1944 Mr. Jerald Hamilton, Organist and Choirmaster 1949 Mr. G. Criss Simpson, Organist

The Fourth Instrument

Following the disastrous fire of April 17, 1955, steps were taken for the rebuilding of the Church. After much deliberation by the music committee consisting of Frank Green, Chairman, Miss Mary M. Smelser, Dr. Elin K. Jorgensen, Dr. E. Thayer Gaston, and Corlett Cotton, in September of 1955, the Vestry authorized the contract with the Reuter Organ Company of Lawrence, Kansas, for the installation of a two manual and pedal organ consisting of 22 stops and 1,354 pipes.

1956 Reuter Organ

2 Manuals and Pedal – 22 Ranks (At the time of the installation of the organ the east end windows were clear glass, as the new stained glass had not yet arrived.)

The stoplist for this instrument was as follows:

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Great Organ: (Exposed) Principal Conique 8’ Metal 61 pipes Rohrflute 8’ Metal 61 pipes Dolcan 8’ (Enclosed) Metal 61 pipes Dolcan Celeste 8’ (Enclosed) Metal 61 pipes Octave 4’ Metal 61 pipes Spillflute 4’ Metal 61 pipes Doublette 2’ Metal 61 pipes Cymbel III Metal 183 pipes Chimes Console Preparation Great to Great 16’ Swell to Great 16’ Great Unison Off Swell to Great 8’ Great to Great 4’ Swell to Great 4’ Swell Organ: (Expressive) Gedeckt 8’ Wood 61 pipes Viola Pomposa 8’ Metal 61 pipes Viole Celeste (GG) Metal 54 pipes Nachthorn 4’ Metal 61 pipes Nasard 2 2/3’ Metal 61 pipes Blockflute 2’ Metal 61 pipes Tierce 1 3/5’ Metal 61 pipes Zauberflute 1’ Metal 61 pipes Trompette Metal 61 pipes Vox Humana 8’ Metal 61 pipes Hautbois 4’ Metal 61 pipes Tremulant Swell to Swell 16’ Swell Unison Off Swell to Swell 4’ Pedal Organ: (Exposed) Violone 16’ Metal 56 pipes Bourdon 16’ Wood 12 pipes Bourdon 10 2/3’ Wood 32 notes Octave Violone 8’ Metal 32 notes Gedeckt (Sw) Wood 32 notes Violone 5 1/3’ Metal 32 notes Choralbass Metal 32 notes Bombarde 16’ (Sw) Metal 12 pipes Great to Pedal 8’ Swell to Pedal 8’ Great to Pedal 4’ Swell to Pedal 4’

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Adjustable Combinations: Four, acting on Great and Pedal Organs and their Couplers Four, acting on Swell and Pedal Organs and their Couplers Four General Pistons, acting on the entire organ General Cancel Reversibles: Great to Pedal 8’ Swell to Pedal 8’ Sforzando Cymbelstern Preparation only Accessories: Balanced Swell Expression Pedal Balanced Crescendo Pedal General Cancel Thumb Piston Sforzando Indicator Light Wind Indicator Light Crescendo Indicator Light Plexiglass Music Rack with built-in fluorescent light Spencer Orgoblo of ample capacity, 2 h.p. Action Current Power Unit The instrument was dedicated on April 8, 1956 by Donald McDonald, who was the Organist-director at West End Collegiate Church in New York City. He was also on the faculty at Westminster Choir College in Princeton, New Jersey, and a tutor in organ at Union Theological Seminary in New York, City. Organists have included the following: 1956–1959 Mr. G. Criss Simpson, Organist Dr. Elin Jorgenson, Choir Director 1959–1961 Miss Marian Jersild, Organist Dr. Elin Jorgenson, Choir Director 1961–1962 Mr. Robert B. Grogan Dr. Elin Jorgenson, Choir Director 1962–1965 Mrs. Marlene Glass Sievert, Organist Dr. Elin Jorgenson, Choir Director 1965–1971 Mr. H. Proctor Crow, Jr., Organist Mrs. Shiela Brown, Choir Director 1971–2011 Mrs. Mary Elizabeth Stephens, Senior Organist Dr. Ray Bradberry, Choir Director, interim Mr. Patrick Nurre, Choir Director, interim Dr. James S. Ralston, Choir Director, Emeritus

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2010–2012 Mr. Mark Stotler, Senior Organist Henry Heller Smith, Choir Director Fillipa Duke, Associate Organist 2012–Present Mr. Mark Stotler, Senior Organist Miss Filippa Duke, Organist Mrs. Judy Heller, Interim Choir Director Mrs. Susan Ralston, Children’s Choir Director Fillipa Duke, Evening Choir Director In 1990, Mr. William J. Stephens equipped this instrument with a three manual and pedal console, solid-state switching, and added a Choir organ division. The renovation was completed as a memorial to the McCallas, Mary (1907-1992) and Wes (1910-1990), as an act of thanksgiving by Elizabeth and William Stephens. The stoplist following the renovation is as follows: (29 Ranks) Great Organ: Principal 8’ Metal 61 pipes Rohrflute 8’ Metal 61 pipes Dolcan 8’ (Enclosed) Metal 61 pipes Dolcan Celeste 8’ (Enclosed) Metal 54 pipes Octave 4’ Metal 61 pipes Spillflute 4’ Metal 61 pipes Fifteenth 2’ Metal 61 pipes Cymbel III Metal 183 pipes Tuba 8’ Metal 61 pipes Cymbelstern Metal 5 bells Great to Great 16’ Swell to Great 16’ Great Unison Off Swell to Great 8’ Great to Great 4’ Swell to Great 4’ Choir to Great 16’ Choir to Great 8’ Choir to Great 4’ Swell Organ: Gedeckt 8’ Wood 61 pipes Viola Pomposa 8’ Metal 61 pipes Viole Celeste (GG) Metal 54 pipes Fugara 4’ Metal 61 pipes Nachthorn 4’ Metal 61 pipes

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Nasard 2 2/3’ Metal 61 pipes Blockflute 2’ Metal 61 pipes Tierce 1 3/5’ Metal 61 pipes Zauberflute 1’ Metal 61 pipes Trompette 8’ Metal 61 pipes Vox Humana 8’ Metal 61 pipes Oboe 8’ Metal 61 pipes Tremolo Swell to Swell 16’ Swell to Swell 4’ Choir Organ: Geigen Diapason 8’ Metal 56 pipes Melodia 8’ Wood 85 pipes Salicional 8’ Metal 85 pipes Voix Celeste 8’ Metal 49 pipes Melodia 4’ Wood 61 notes Quinta 2 2/3’ Metal 61 notes Salicional 2’ Metal 61 notes Quinta 1 1/3’ Metal 61 notes Clarinet 16’ Metal 73 pipes Clarinet 8’ Metal 61 notes Tuba 8’ Metal 61 notes Tremolo Choir to Choir 16’ Swell to Choir 16’ Choir Unison Off Swell to Choir 8’ Choir to Choir 4’ Swell to Choir 4’ Pedal Organ: Principal 16’ Metal 56 pipes Melodia Bass 16’ Wood 12 pipes Gedeckt 16’ Wood 32 notes Gedeckt 10 2/3’ Wood 32 notes Principal 8’ Metal 32 notes Gedeckt 8’ (Sw) Wood 32 notes Principal 5 1/3’ Metal 32 notes Principal 4’ Metal 32 notes Mixture IV Metal 32 notes Bombarde 32’ Electronic 32 notes Trompette Bass 16’ (Sw) Metal 12 pipes

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Clarinet 16’ (Ch) Metal 32 notes Tuba 8’ Metal 32 notes Great to Pedal 8’ Swell to Pedal 8’ Great to Pedal 4’ Swell to Pedal 4’ Choir to Pedal 8’ Choir to Pedal 4’ Adjustable Combinations: Six, acting on the Great Organ and Pedal Organ Six, acting on the Swell Organ and Pedal Organ Six, acting on the Choir Organ and Pedal Organ Twelve, acting on the entire organ Six, Pedal toe studs acting on the entire organ General Cancel Reversibles: Great to Pedal 8’ Swell to Pedal 8’ Choir to Pedal 8’ Cymbelstern Sforzando Accessories: Balanced Swell Expression Pedal Balanced Choir Expression Pedal Balanced Crescendo Pedal On May 4, 2012, at 5:30 AM this organ was struck by lightning! It completely “fried” the Peterson operating system. As this is an old system, there are no longer parts available to repair it. This has precipitated an organ project that will replace the “Stephens” console with a new one using the Matters Operating System which is fiber optic. The wiring in the instrument is cotton covered, and in order for the organ to come up to the National Electrical codes it will have to be completely rewired. For the meantime, a “loaner” 5 rank pipe organ has been secured from The Reuter Organ Company, and will be used until the organ project is completed.

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The Chapel Organ

The Chapel organ in Chapel of the Holy Trinity in the Matthews Building was built and installed by William J. Stephens in 1990. It is a one manual, three stop instrument consisting of Gedeckt 8’, Dolce 8’ and Principal 4’. The stoplist is as follows: Gedeckt 8’ Bass Gedeckt 8’ Treble Dolce 8’ Bass Dolce 8’ Treble

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Principal 4’ Bass Principal 4’ Treble Dolce 4’ Bass Dolce 4’ Treble Dolce 3’ Treble The organ was given to the Glory of God and in memory of their parents, Minnie & Walter Durett and Ruth and William Stephens, by Elizabeth and William Stephens. ministry, Pat T R I N I T Y E P I S C O P A L C H U R C H T R I N I T Y O F F I C E 1011 Vermont Street, Lawrence, Kansas 66044 1027 Vermont Street, Lawrence, Kansas 66044 Website: www.trinitylawrence.org Phone: 785-843-6166 Fax: 785-843-6984

[email protected]

W O R S H I P S C H E D U L E C L E R G Y Holy Eucharist, Rite I: Sundays, 8:00 a.m. The Reveremd Rob Baldwin, Rector Holy Eucharist, Rite II: Sundays, 10:30 a.m. The Reverend Susan Terry, Assistant Priest Solemn High Mass: Sundays, 6:00 p.m. (during school year), Supper following Steve Segebrecht, Deacon Morning Prayer: 9:00 a.m., Mondays and Tuesdays, Matthews Chapel Dick Tracy, Deacon Wednesdays at Trinity: Wednesdays, 6:30 p.m. (Meal, Prayer, and Bible Study) Rita Tracy, Deacon

V E S T R Y : Lindy Eakin, Senior Warden Steven King, Junior Warden Maria Thompson, Clerk Rev. Rob Baldwin, Ex Officio John Bullock Proctor Crow Dave Griffin Brian Haupt Andrew Hoyt Pat Kehde Terry Mandle Donna McCain Patrick Musick Rodney Olson

S T A F F : Marilyn Bean, Parish Administrator Bill Benso, Church Treasurer Filippa Duke, Consort Choir Director Patty Johnson, Financial Secretary Tyler Kerr, Youth Director Diane Leming, Sexton David Paden, Sunday School Coordinator Susan Ralston, Youth Music Director Mark Stotler, Senior Organist Jasmyn Turner, Nursery Attendant Ruth Turney, Parish Librarian Natalie Wilkins, Nursery Attendant Ray Wilbur, Food Pantry Coordinator Chris Worley, Website and Electronic Newsletter