treasury of best loved songs
TRANSCRIPT
-
..
...
Reader's Digest
OF
BEST LOVED SONGS
114 All-Time Family Favorites
Pleasure Programmed for your greater entertainment
Editor: Willian1 L. Sirnon
Associates: Letitia B. Kehoe Alan Blackrnan Bruce Maonnber
Supervising Editor: W.A.H. Birnie
Music arranged and edited by Dan Fox
The Reader's Digest Association, Inc. Pleasantville, New York Montreal
Copnight I ~17:! The Reader's Digest Association. Inc. Copvright (() 1972 The Reader's Digest Association, (Canada) Ltd.
l'nauthorizcd reproduction in anv manner, is prohibited.
Libran of Congress Catalog Card :'\lumber 71-JH;)HSH ISBN 0-H~l:J/7-007-5
RI-:ADUI.'s Du;EST and the Pegasus colophon arc registered trademarks of The Reader's Digest Association, Inc
Printed in the L'nitcd States of America
Sncnth Printing. September 19H9
Reader's Otgest Fund for the Blind 1s publisher of the Large-Type Edit ton of Reader's 01gest. For subscnptton 1nformat1on aboutthts magaztne, please contact Reader's Otgest Fund for the Bltnd Inc
Dept 250. Pleasantville. NY 10570
. I
/,.(~ ~A~
-
I I
, I
Index to Songs
Alfie ............. ' ........................... . Alice Blue Gown .. i ........................... .
f All the Things You Are ........................ . Amazing Grace ............................... . Anniversary Song .............................. . Arrivederci, Roma ............................. . Autumn Leaves ............................... . Beautiful Ohio ............................ . ... . Beer Barrel Polka ............................. . Blue Hawaii .................................. . Blue ~loon ................................... . Blue Tango ................................... . Bouquet of Roses .............................. . Breeze and I, The ............................. . C:.ll ~fe Irresponsible ..... , ................... . Cm't Help Lovin' Dat Man .................... . C~ristmas Song, The ........................... . Close to You (They Long to Be) ................ . Cruising Down the River ....................... . Deep Purple .................................. . I>o'\\ntown ................................... . Fh-e Foot Two, Eyes of Blue .................... . Fe .. :\fe and My Gal ........................... . FC'"(, The ........................ , ............ . Galway Bay .................................. . Gang that Sang "Heart of My Heart," The ........ . Girl from Ipanema, The ........................ . Glory of Love, The ............................ . God Bless America ............................ . God Bless' the Child ........................... . Coin' Out of My Head ......................... . Goodnight Sweetheart ......................... . Harrigan ..................................... . Heart and Soul ................................ . Hello, Dolly! ................................. . Hi-Lili, Hi-Lo ................................ . (How Much Is) That Doggie in the Window ..... . I .\lmost Lost My Mind ........................ . I Can't Give You Anything But Love ............. . If ............................................ . I'll I\' ever Fall in Love Again .... . .............. . I'm Gonna Sit Right Down and Write Myself a Letter I'm in the Mood for Love ....................... . In the Chapel in the Moonlight . , ............... . It Looks Like Rain in Cherry Blossom Lane ...... . I Walk the Line .............................. . I Want to Hold Your Hand ..................... . I Will Wait for You ............................ . I \Vish You Love .............................. Ja-Da ........................................ . Last Night on the Back Porch ........ . .......... . Laura ....................................... . Let It Be Me ................................. .
_ Let Me Call You Sweetheart ................... . - Look for the Silver Lining ..................... .
- Louise :\ ..................................... . Love Is Blue ................................. .
~ LMer .... < Lot:e Story Theme (Where Do I Begin) ......... .
-fa (He's Making Eyes at Me) ................ .. .\fake Believe ................................. . ~fame ....................................... . ~fanhattan ................................... .
146 204 58
280 258 251 246 218 210 36 13
248 226 243 142 49
271 74
181 32 76
122 178 112 254 186 81 41
286 116 87 44
206 38 60
152 266 230 124 256
65 18 16 28 34
224 102 149 100 196 198 164 78
184 56
161 92
158 172 220 52 62
132
Margie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188 Matilda, Matilda! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108 May the Good Lord Bless and Keep You . . . . . . . . . . 277 Michael, Row the Boat Ashore . . . . . . . . . . . . . . . . . . . 110 Midnight Special . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114 Mona Lisa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154 Moonglow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Moon Over Miami . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Moon River . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144 More . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175 My Blue Heaven . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136 New World in the Morning .... ~................ 90 Notre Dame Victory March . . . . . . . . . . . . . . . . . . . . . 208 On the Sunny Side of the Street . . . . . . . . . . . . . . . . . 25 Paper Doll . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264 Pass Me By . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169 Peace in the Valley, (There'll Be) . . . . . . . . . . . . . . . 282 Pennies from Heaven . . . . . . . . . . . . . . . . . . . . . . . . . . 166 Penthouse Serenade . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Quiet Nights of Quiet Stars . .. . .. . .. . .. . . . . . . .. . . 95 Raindrops Keep Fallin' on My Head . . . . . . . . . . . . . . 139 Red Roses for a Blue Lady . . . . . . . . . . . . . . . . . . . . . . 98 Red Sails in the Sunset . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Ring of Fire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232 Santa Claus Is Comin' to Town . . . . . . . . . . . . . . . . . . 216 Scarlet Ribbons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105 Show Me the Way to Go Home . . . . . . . . . . . . . . . . . . 200 Side by Side . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119 Smoke Gets in Your Eyes . . . . . . . . . . . . . . . . . . . . . . . . 46 S'posin' . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126 Star Dust . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Stella by Starlight . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 262 Strangers in the Night . . . . . . . . . . . . . . . . . . . . . . . . . . . 84 Sweetheart of Sigma Chi, The . . . . . . . . . . . . . . . . . . . . 190 Tenderly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238 That's Amore (That's Love) . . . . . . . . . . . . . . . . . . . . . 240 There Will Never Be Another You . . . . . . . . . . . . . . . . 268 This Guy's in Love with You ............ :. . . . . . . 68 Three O'Clock in the Morning . . . . . . . . . . . . . . . . . . . 130 Time for Us, A (Theme from Romeo and Juliet) . . . . 156 Toyland . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215 Wait Till the Sun Shines, Nellie . . . . . . . . . . . . . . . . . . 22~
, What the World Needs Now Is Love . . . . . . . . . . . . 71 Whiffenpoof Song, The . . . . . . . . . . . . . . . . . . . . . . . . . 192 Who's Sorry Now? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12~ Why Do I Love You? . . . . . . . . . . . . . . . . . . . . . . . . . . . 54 Wildwood Flower . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22'3 With These Hands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 281 YES! We Have No Bananas . . . . . . . . . . . . . . . . . . . . . 202 You'll Never Walk Alone . . . . . . . . . . . . . . . . . . . . . . . 2i-t Y oung at Heart .. , . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235
Index to Sections
All-Time Film Hits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139 Best Songs of the Sixties . . . . . . . . . . . . . . . . . . . . . . . . 6S Country Music Hits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224 Favorite Folk Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.5 Golden Favorites: Old-Time Fun and Harmony . . . . 17S Great Hits from Broadway . . . . . . . . . . . . . . . . . . . . . . 46 Hits of the Forties and Fifties . . . . . . . . . . . . . . . . . . . 233 Songs of Faith . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 4 Sweet and Swing Hits of the Thirties . . . . . . . . . . . . . F The Tuneful Twenties . . . . . . . . . . . . . . . . . . . . . . . . . no
,, { .:J
~
I
I I
I 4 J f
1 I
J
' ' l
i , I
j j 1 ~
-
..
..
..
-
-----
-
Jf:wtoEnjoy
Your JVi:!; cJongbook Even~re
T his book is truly a "by popular de-mand" creation, our response to the enthusias1n which greeted the first Reader's Digest family songbook. In this all-new collection of songs you will find selections from every decade since the turn of the century and folk
songs whose echoes go back even farther. There are Broadway melodies, film hits, country music gems and inspiring songs of faith, all congenially grouped ac-cording to the exclusive Reader's Digest Pleasure-Programn1ing approach to music. ~Ioreover, on pages 4 and 5, you will find additional suggestions for song programs you and your friends are most likely to enjoy in different moods and on varying occasions.
The arrangements, prepared especially for this book, are designed for musicians of everyday ability. They are easy to play and yet they sound full, modern and thoroughly professional. Arranger Dan Fox points out the following features:
"The harn1onies make restrained use of many ex-tended chords ( 9ths, llths, etc.) as well as typical alterations used by musicians of today, and the songs have been modernized rhythmically as well. The rinky-tink syncopations in songs from the '20s and '30s have been altered to conforn1 \vith today's style.
"PIANISTS will see that the harmonies are incisive and the rhythms graceful and swingy by turn. The bass lines often moYc in simple scale-wise fashion, arpeggios are easy to finger and the melody is right out front at all tin1es.
"Those who have studied the so-called 'popular method' will find the melody easy to pick out (it is always stemmed up unless it stands alone) and the chord symbols unusually detailed and accurate. Al-though this is not always true in commercial sheet music, the popular player may assume that the root of any right-hand chord is also to be played in the bass unless otherwise specified.
"~fore ad\'anced players may want to fancy things up a bit. Here are a fe"' suggestions: The melody may sometimes be embellished \Yith grace notes from above or below; or it can be doubled an octave lower or higher for a brighter sound: the bass line can be dou-bled \vith a lm,er octa,-e for greater depth and full-ness; arpeggios can be extended to cO\er two or n1ore
octaves; if a chord is sustained, its arpeggio may be substituted. ln1aginative players will have no difficulty in thinking up more variations to suit their own style and taste .
"CUlT ARISTS will discover that a great deal of care has been taken to insure that their part of each arrangement is as clear and as musical as possible: the diagrams have been carefully thought out to facilitate fingering and obtain the best sound, and where\er possible, the bass note of the diagran1 corresponds tc' the bass note in the piano.
"If you have a guitar-playing friend, one of you can play the melody in single notes and the other the chords. If you have another friend who plays bass guitar. let him play from th~ lower staff, and you have a group. In any case, there is son1ething here for the guitaris: of every ability, from blues and folk songs using only a few chords to modern ballads and jazz songs ,,-hich use 9ths, 13ths, passing harn1onies and altered chord-.
"ORGAN PLAYERS, too, will find these arranc:e-n1ents interesting, challenging and fun to play. Th,::-small notes under the lower staff indicate the proper bass note. The range of the bass line has been kep: within an octave in order that it can be played on any model electronic or pipe organ. Like pianists, player-; who have studied the popular method will find the melody easy to pick out. Pedals are indicated by the small notes below the staff, and the left hand can fi!: in chords as indicated by the symbols.
"SINGERS will appreciate the clarity with \\hich these songs are presented. There are no confusin n 'Z. runs for three or more pages. The words are printed in a type face which is easily legible even when read-ing over someone's shoulder.
"Finally, players of the VIOLIN, FLUTE, :\IELO-DICA, HAR~IONICA and other C-melody instnl-ments can play the melody from the top line of each system, or use the melody notes as a guide and create improvisations based on the chord symbols aboYe the top staff."
For every singer, instrumentalist, soloist or family group, there are many hours of exciting musical fun and exhilaration awaiting you in these pages. \Ve hope you will enjoy them to the fullest.
THE EDITORS
.-, ,)
-
:\IEDIUM AND BRIGHT WALTZES
\\hat the vVorld Needs Now
Pleasure Programs
MARCHES
Is LoYe . . . . . . . . . . . . . . . . . . . 71
Hello, Dolly! . . . . . . . . . . . . . . . . 60 Pass ~1e By . . . . . . . . . . . . . . . . . . 169 Notre Dame Victory March . . . . 208 God Bless America . . . . . . . . . . . 286 Hi-Lili, Hi-Lo . . . . . . . . . . . . . . . 152
LI)\Tf . . . . . . . . . . . . . . . . . . . . . . . 158
Cruising Down the River . . . . . . 181 That's Amore . . . . . . . . . . . . . . . . 240 _-\nni\ersary Song . . . . . . . . . . . . 258 SING-ALONG FUN
SLOW WALTZES
Three O'Clock in the Morning .. \loon River ................. . Let \Ie Call You Sweetheart. .. . The Sweetheart of Sigma Chi .. .\lice Blue Gown ............ . Beautiful Ohio ............. . Tenderly ................... . _-\nni\ersary Song ........... .
\VITH A LITTLE BIT OF ROCK BEAT
The Glory of Love ........... . I"ll \'ever Fall in Love Again .. r:~i~ Guy's in Love With You .. '.'::-dt the World Needs Now
Is Love .................. . They Long to Be) Close to You
Dmn1town ................. . Coin' Out of My Head ....... . I \\'ant to Hold Your Hand ... . \Iiclnight Special ............ . Raindrops Keep Fallin'
on ~Iy Head ............. . I _\lmost Lost My Mind ..... .
LATIN RHYTHMS
I'm Gonna Sit Right Down and Write Myself a Letter . . . . . . 18
Hello, Dolly! . . . . . . . . . . . . . . . . . 60 Marne....................... 62 Matilda, Matilda! . . . . . . . . . . . . . 108
130 Michael, Row the Boat Ashore . . 110 144 Side by Side . . . . . . . . . . . . . . . . . 119 184 Five Foot Two, Eyes of Blue . . 122 190 I Can't Give You Anything 204 But Love . . . . . . . . . . . . . . . . . . 124 218 S' posin' . . . . . . . . . . . . . . . . . . . . . 126 238 Who's Sorry Now? . . . . . . . . . . . 128
258 - Three O'Clock in the Morning 130 My Blue Heaven . . . . . . . . . . . . . 136 Hi-Lili, Hi-Lo . . . . . . . . . . . . . . . . 152 Louise . . . . . . . . . . . . . . . . . . . . . . 161 All songs in
GOLDEN FAVORITES ... 178-223 Bouquet of Roses . . . . . . . . . . . . . 226
41 That's Amore . . . . . . . . . . . . . . . . 240 65 Arrivederci, Roma . . . . . . . . . . . . 251 68 Galway Bay . . . . . . . . . . . . . . . . . . 254
Paper Doll . . . . . . . . . . . . . . . . . . 264 71
74
76
87 BARBERSHOP BALLADS
102 Goodnight Sweetheart . . . . . . . . 44 114 Hello, Dolly! . . . . . . . . . . . . . . . . . 60
Hi-Lili, Hi-Lo . . . . . . . . . . . . . . . . 152 139 For Me and My Gal . . . . . . . . . . 178 230 Cruising Down the River . . . . . . 181
Let Me Call You Sweetheart . . . 184 The Gang that Sang
"Heart of My Heart" . . . . . . . . 186 Margie . . . . . . . . . . . . . . . . . . . . . . 188
The Girl from Ipanema . . . . . . . 81 The Sweetheart of Sigma Chi . . 190 Whiffenpoof Song . . . . . . . . . . . . 192
Quiet Nights of Quiet Stars . . . . 95 \Iatilda, Matilda! . . . . . . . . . . . . 108 \lore . . . . . . . . . . . . . . . . . . . . . . . 175 The Breeze and I . . . . . . . . . . . . . 243 Blue Tango . . . . . . . . . . . . . . . . . . 248 .-\rri\ederci, Roma . . . . . . . . . . . 251
Ja-Da . . . . . . . . . . . . . . . . . . . . . . . 196 Show Me the Way to Go Home. 200 Alice Blue Gown . . . . . . . . . . . . . 204 Harrigan . . . . . . . . . . . . . . . . . . . . 206 Beautiful Ohio . . . . . . . . . . . . . . . 218 Wait Till the Sun Shines, Nellie 222
FOR THAT SPECIAL GIRL
ALICE Blue Gown . . . . . . . . . . . 204 Hello, DOLLY! . . . . . . . . . . . . . . 60 LAURA . . . . . . . . . . . . . . . . . . . . . 164 Hi-LILI, Hi-Lo . . . . . . . . . . . . . 152 LOUISE . . . . . . . . . . . . . . . . . . . . 161 MAME . . . . . . . . . . . . .. . . . . . . . 62 MARGIE.................... 18S MATILDA, Matilda! . . . . . . . . . . lOS MONA LISA . . . . . . . . . . . . . . . . 154 Wait Till the Sun Shines,
NELLIE . . . . . . . . . . . . . . . . . . 222 STELLA by Starlight . . . . . . . . . 262
FOR SPECIAL OCCASIONS (Anniversary)
Anniversary Song . . . . . . . . . . . . 25S For Me and My Gal . . . . . . . . . . . 17S Let Me Call You Sweetheart . . . 18- Love Story Theme . . . . . . . . . . . . 172 More . . . . . . . . . . . . . . . . . . . . . . . 175 This Guy's in Love with You . . 68 Who's Sorry Now? . . . . . . . . . . . 12S Young at Heart . . . . . . . . . . . . . . . 23.5
(Christmas) Toyland . . . . . . . . . . . . . . . . . . . . . 21.5 Santa Claus Is Comin' to Town. 216 The Christmas Song . . . . . . . . . . 271
(Patriotic) God Bless America . . . . . . . . . . . 286
(St. Patrick's Day) Harrigan . . . . . . . . . . . . . . . . . . . . 206 Galway Bay . . . . . . . . . . . . . . . . . . 25-
(Wedding) If........................... 256 Let It Be Me . . . . . . . . . . . . . . . . . 78 Love Story Theme . . . . . . . . . . . . 172 More . . . . . . . . . . . . . . . . . . . . . . . 17.5 Tenderly . . . . . . . . . . . . . . . . . . . . 23S With These Hands . . . . . . . . . . . 284 You'll Never Walk Alone . . . . . 274
ESPECIALLY FOR THE YOUNGSTERS
The Fox..................... 112 Hi-Lili, Hi-Lo . . . . . . . . . . . . . . . 152 Toyland . . . . . . . . . . . . . . . . . . . . . 215 Santa Claus Is Comin' to Town. 216 ( How Much Is) That Doggie
in the Window . . . . . . . . . . . . . 266 God Bless America . . . . . . . . . . . . 286
-
PLACES TO SING ABOUT
.-\\!ERICA (God Bless America) 286 BHAZIL
(The Girl from IpanC'ma) . . . . 81 I )0\V:'-JTO\VN . . . . . . . . . . . . . . 76 I L\ \V Ali (Blue Hawaii) . . . . . 36 I HE LAND (Galway Bay) . . . . . 2.54 \1IA\1I (\loon Over \1iami) . . 22 :\-E\V YOHK CITY ( \Lmhattan) 132 OHIO (Beautiful Ohio) . . . . . . 218 H0\1E (Arrivederci, Homa) . . . 2.51 TOYLAND . . . . . . . . . . . . . . . . . . 21.5
o Academy A.u:ard \F irzner
Film
OPENERS CLOSERS
(For slwu.:s, assem!Jlies or an evening of fun)
Amazing Grace . . . . . . . . . . . . . . 280 Beer Barrel Polka . . . . . . . . . . . . . 210 God Bless America . . . . . . . . . . . 286 Hello, Dolly! . . . . . . . . . . . . . . . . . 60 Side by Side . . . . . . . . . . . . . . . . . 119 \Vhat the \Vorld Needs Now
Is Love . . . . . . . . . . . . . . . . . . . . 71
@@
Songs Introduced in Films
Song
God Bless America . . . . . . . . . . . 286 Goodnight Sweetheart . . . . . . . . 44 Look for the Silver Lining . . . . . .56 \lay the Good Lord Bless
and Keep You . . . . . . . . . . . . . . 277 Peace in the Valley (There'll Be) 282 Show Me the \Vay to Go Home. . 200 Three O'Clock in the i\'1orning. . 130 You'll Ne\-er \Valk Alone . . . . . . 274
.\!fie (1966) ................................................ Alfie ...................................... 146 nrcakfast at Tiffany's ( 1961) ................................. \loon Rivero . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144 8utcl1 Cassidy and tl1e Sundance Kid ( 1969) .................... Haindrops Keep Fallin' on \fy Head o. . . . . . . . . . 139 Tl1e Caddy ( 1953) .......................................... That's Amore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240 Captain Carey, U.S.A. ( 1950) ................................. i\fona Lisa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.54 Ecery Night at Eigl1t ( 193.5) .................................. I'm in the \Jood for Love . . . . . . . . . . . . . . . . . . . 16 Fatl1er Goose ( 1964) ......................................... Pass .Me By . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169 Iceland ( 1942) .............................................. There \Viii Never Be Another You . . . . . . . . . . . . 268 Innocents of Paris ( 1929) .................................... Louise . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161 The ]olson Story (1946) ..................................... Anniversary Song . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.58 Laura ( 1944) ............................................... Laura . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164 Lili ( 19.52) ................................................. Hi-Lili, Hi-Lo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.52 1.-o~:e Jfe Tonight (1932) .................................... Lover ..................................... 158 Lace Story ( 1970) .......................................... Laue Story Theme ( \Vherc Do I Begin) . . . . . . 172 . \ .If an Could Get Killed ( 1966) .............................. Strangers in the i\'ight . . . . . . . . . . . . . . . . . . . . . . 84 .If mula Cane ( 1963) ......................................... ~'fore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175 Papa's Delicate Condition (I 963) .............................. Call :\fe Irresponsible . . . . . . . . . . . . . . . . . . . . . . 142 P('nnies from lleauen ( 19.36) ................................. Pennies from Heaven . . . . . . . . . . . . . . . . . . . . . . . . 166 Ftom('o and Juliet ( 1968) ..................................... A Time for Us . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156 A Song Is Born ( 1938) ...................................... Heart and Soul . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 l, mhrellas of Cherbourg ( 1964) ............................... I \Vill \Vait for You . . . . . . . . . . . . . . . . . . . . . . . . . 149 Tltc [7ninvited ( 1944) ....................................... Stella by Starlight . . . . . . . . . . . . . . . . . . . . . . . . . . . 262 \\'aikiki \F eddin.[.!, ( 19.37) ..................................... Blue Hawaii . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Songs Introduced in Broadway Shows Show Song
Babes in Toyland ( 190:3) ..................................... Toyland . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215 Blackbirds of 1928 ........................................... I Can't Give You Anything But Love . . . . . . . . . 124 Carousel ( 194.5) ............................................. You'll 1\ever \Valk Alone . . . . . . . . . . . . . . . . . . . . 274 Fiftu J1 iles from Boston ( 1908) ............................... Harrigan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206 Garrick Gaieties ( 1925) ....................................... Manhattan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132 Crccmcich Villa,c,e Follies ( 1921) ............................. Three O'Clock in the i\1orning . . . . . . . . . . . . . . . 130 ll ella, Dolly! ( 1963) ........................................ Hello, Dolly! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60 International Reuien: ( 19.30) .................................. On the Sunny Side of the Street . . . . . . . . . . . . . . 25 Irene ( 1919) ................................................ Alice Blue Gown . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204 }/ ame ( 1966) ............................................... :Mame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62 The .\Jidnight Rounders of 1921 ............................... ~fa (He's .\laking Eyes at ~fC') ............... 220 Promises, Prornises ( 1968 l .................................... I'll Never Fall in Love Again . . . . . . . . . . . . . . . . 6.5 lioherta (I 9.3:3) .............................................. Smoke Gets in Your Eyes . . . . . . . . . . . . . . . . . . . . 46 Sally ( 1920) ................................................ Look for the SilvC'r Lining . . . . . . . . . . . . . . . . . . . .56 Shore Boat ( 1927) ........................................... Can't Help Lovin' Dat \Ian . . . . . . . . . . . . . . . . . . 49
J\1akc Believe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52 \Vhy Do I Love You'? . . . . . . . . . . . . . . . . . . . .54
Very \Farm for f..fm; ( 1939 ................................... :\Il the ThinQs You _-\r(' 58
-
6
Section 1 Sweet and Swing Hits of the Thirties
Star Dust '"Fittingly, your TREASURY OF BEST LOVED SONGS opens with what many beliece i8 the best loved song of the 20th century. When the editors started compiling the repertoire, "Star Dust" was the first song that came to mind, and ~n this special instance they decided to include the introductory verse to the song-a portion that is every bit as lovely as the chorus, and almost as familiar.
How can you actually spell out the magic of "Star Dust"? One of America's greatest lyricists, the late Oscar Hammerstein II, tried in the preface of his book Lyrics: "'Star Dust' rambles and roams like a truant schoolboy in a meadow. Its structure is loose, its pattern complex. Yet it has attained the kind of long-lived popularity that few songs can claim. \\'hat has it got? I'm not certain. I know only that it is beautiful and I like to hear it. It is a mood-creating song. It has repose and wistfulness. It is something very special, all by itself. Anyone who tried to imitate it would be a fool."
"Star Dust" has bec01ne "our song" to millions of couples-the unrivaled 'favorite song" of our century. Yet, oddly, "Star Dust" was never really a "hit" in the accepted Tin Pan Alley sense. Although the song teas published in 1929, its first million-selling record wasn't rnade until1940-an instrumental by Artie Shaw and his orchestra. But today "Star Dust" has been recorded in countless different cersions; it has been arranged and printed for every range of t.:oice, et.:ery solo instrument, and just about every imaginable combination of voices and instruments. It probably is the only song which ever had recordings made of its verse alone, uithout the familiar chorus.
The "Star Dust" saga began one fall night in 1927. Hoagy Carmichael, recently graduated attorney, pianist and add jazz fan, had returned to Indiana University, hoping perhaps to piece together some fragmented memories of his undergraduate days. I neuitably he uisited a romantic spot then called the "spooning wall." Sitting there alone he looked up at the clear, star-filled sky and a phrase of music formed in his mind. He rushed ocer to the Book Nook, a campus restaurant, to work it out on the piano. Later he played the tune for his old roommate, Stuart Gorrell, who gave "Star Dust" its name.
It seems odd to us today that the most sentimental of ballads was conceived by Hoagy as a swingy-almost ragtime-piano piece. It wasn't untill929 that Victor Young, then an arranger for the Isham ]ones Orchestra, was inspired to slow it dou;n, changing it from a "piano piece" to a "song." ~1 itchell Parish was asked in to write the lyrics and "Star Dust" was on its tcay. Parish recalls that Walter Winchell played a big part in bringing it to the public's ear. "He u;as so crazy about it that he plugged it almost daily in his column. Euen years later, I rernember sitting in the Copa with him one night listening to Nat King" Cole. Nat sang "Star Dust" to a beautiful arrangement by Gordon Jenkins and everybody in the place, including 'Vinclzell, had a tear in his eye. I've heard the song done thousands of times, but I remember Nat's rendition above all others."
-
. .
I
.. -
/
It
Words by: Mitchell Parish
f4J ,
VERSE Slowly, rather freely
c
m I I I ,. .. -..... r"" " 1:.
'\; vq L'Oo. t.J
._..
F9
- Tmm I I r ......, ~ _, - _, - .. - - !....,... v-
Music by: Hoagy Carmichael
E7
m -- ....., - ..... ,-le - .....~ - - '111'..1 .. ,- ..... #f,,, :rr ~~ -< mp And now the
It pur -pie dusk of twi-light time Steals a - cross the mead-ows of my
- IL I - I -,,. ,. .... - nr: ....... ~- . ' _/ ,.. ~~ . 1- - -q - .....
- (.,0 -6 -&
A7
- Dm7 m Em7 Am m
f4J I
( - ..._..._ , , '..) '""' ,.. ..... .-1 ~ - ....1 - " '
~ ~~~ - r r - r r heart; High up in the sky the lit - tie stars climb,
It r--1 1l r71 I I I I " , ....1 L'Oo. - ,..:. ,., ~ r ...,. ... - _, -J ,- -
4l.JU '"' uv -6 r B7
mm Em7 E~ maJ 7 Dm7 G7+ C mmmmmmm
fJ I I I I I I """""\ /
., .... , ....1 - ., - - .. ., ~~
rn-. - .. ....1 ,.j -'-L-' - ...., .,... ~ ~i t ~ \~~ r f 1rf -"111 ---
< AI- ways re-mind-ing me that we're a - part. You wan - dered down the lane and
It ~,. ...,._. - ~ .. ,._ - -' _, - ...... ""-' .... ..... - v- --I ~.,,.. ...... D.._, ... - -.... i i i E7 A7
m -f1 ~ -I / , _, ~~
.. rn-. - - ~ ., ..... '-L-' ..,._ ._ ., 'Ill' ..... ..... -- ....1 ~ v- #F ,,,- ~- - ~~ - ~~~
-
Em7
m E~9 Dm7 --G7
mm C6 m
fJ r-- --, J -., ___... 3 ,. , Q &I 1'- ,.. - - _, _, .-1 - ~ " '- lJ - - _, - '_L ... - -- ~ . ,[ -'t) - r .. r [}I r r- -- ,- ~~) -f!;T-
Love is now the Star Dust of yes - ter - day, The mus-ic of the years gone ~~l
by. __
I ~. I j l..J -z~. - r: .. .. -.. -- -/ .........
I'"" -u-u ;-6 D-6 'C: r r r r
CHORUS Slowly, with a steady beat
C7+
~ , I
\ , ..-1 - n ,,, - Jflf- 'I' 'IJ e./ ;If IS; tJ 7 r
't Some -times I ~J I ...:-,.. e./ \ /
-
r , --
/ Jl -' I' - I J'"" ~-~1.7
~ tJ p
) Dream-ing of l..,. ~ ",. I'"" .. \
I ~--
"'"""'-
Dm7
-fJ I I 1 / ., }
, e./ J'~ -'-.'0 tJ ~r .. 1
' And I am
~. -. .. "" / ?: r
, , \
.... , -""' ,... ...I '-.:J .-1 --~-~
- F
' And each kiss
J ~. - WI ~- ._ -
\. /
----...:::,:.,-"'
F~ maj.7 Fm6
mm m I I I l I
..I ,L 0 - I. /~"1'- - -. r:;;. r7~ - ,IIIII 1:11. - - - ~--I r f ~ 1. ' f-' won - der why I spend the lone - ly night ~ J I l I J -'-:::Iii ..I ..I -- - ..t -I --- -0 0
Cadd 9 Dm7 Em7 m - m ~ I l _. ,- - ('~ -:;;;; 71. _, ~ " - u !--' ~,: v I r p
a song? The mel - 0 - dy haunts - rJ J J - --- Jl 'llllll r...J - - -I - -- 7 ..I ---
r r r A7 Dm7 Fm6 - - m - -..I .. - ~ i r ~t- r 0 ~-r -- --. -~ r-
once a - gain with you, When our
- -.. r ..,,. .. r ~ r
I I
C maj.7 87 B . 7 87 C maj.7 mm iimm I I -.
I ( . - ,.J - ;, ""' ~* ~r= "F= f p an in - spir- a - tion,_ r- But
r ;If" loll .-I Jf/f . ..-1 -,. M__""'l '""- Iff' r: 'C) ,.J ...,,_,_ Ioiii ..;;r_ r: " ..-1 ""t"" v .. -
~ ..;;r ... 0
I I ~
my re
G7
mm ..I ~
r love
-~--""" _:, ~._,.
09
~--Sfr. -l I -. ~ -I _;
rrj
l..J v-
--- ve
..I .... ~ vr was
l
tlmt was long
4 -l .....,
I- !\ 1"...1- I"~ -. I
r -
-......... II~
-I - -' - . A7
mm .....
~u, - ne,
r
r o
-l ""
f new
~ ---- -n ---- '1'1' -
._.,
- ..I p:-r- .. --=--a- go, l'0\1,
I Jill -- -
-
G7
-Dm7
mm G7 C7+ F~maj.7
mmmm mm fl I I I l I I
/ 11 I T I ~ .., I I
) It -' ~ - ~~ - " - .., .., .. ~ ., .. - ,., ... ~ - I - - ._ - (llfC. - ""'iS - tJ r- [7 .... ~ r r i f+i r I I T ' ' I ---< my con - so - Ia - tion is in the Star Dust of a song. Be- side a gar- den It I J I bd ~ J I I ~- , ""'-' - -I - ~- ,.. .....1 - .. r ...- - '-J' lol4""' ..... - - - ~ _, - "J --~- 7rr.J- ......
u~ ..... ,... 0----------
Fm6
* Cadd9
m Dm7
-fl I - ~ I I I (
~ ~~ -' ~ , -- --. d\- r ~ l'lft - 7~- r1 rJI. ..... _'\,; .v - .. ... - " - ~
' tJ .L. f f p r,r= v ~ tr F
wall, When stars are bright, You are in my arms, The night - in - gale
II 1 I l J -J t..J ~ [.._ ...J I n-::r-, ~ _, - -' v- -' v ...... ':.1 r - - .-J .., - - . -' - -' -_, - ---. ... _ .., "J -V""' -0
Em7 r f
m 11 I I I I I
A7
mm Dm7
mm A7 -
Dm7
mm Fm6
* / -
It _1"1 ... ..... e.{ -'"' ~ .. --. .., ~ t"' ,.. - 'So .. .., t. p ...... J_, ~r i r ~,_ i 0 - b- - I r- r
-
,., .-
Moon glow Hudson and De Lange wanted to be band leaders, but both proced more successful-individually and as a team-writing songs. In the early '30s, Hudson was asked to put together a band for an extended engagement at the Graystone Ballroom in De-troit. He found himself with a full "book" of arrangements but nothing suitable for a theme song. He solved the problem in just ten minutes by u;riting "Moonglow." Two years later De Lange added the lyrics, and the song u;as an instant hit. This led to the formation of the short-lived Hudson-De Lange Orchestra.
By: Will Hudson, Eddie De Lange and Irving Mills
'loderate swing IIi 0 JL~ ..IL loa ...... ~ .... ~.. "" ._ ___ ),; 1'. ~ ~ , teA .., .... llll .... v Ia """"'. 1;111. _I~ _c_ ' _, ...... ,.... _/'""" " .L
..... - ...... -- I I u It must have been Moon- glow, mp
simile J_ J_ J_ l ...... .. t.. ~La .. t..
~..![ ...IlL .,. -- _.-r: .,. .- _.r-" .,. ... tflr. _. ,I. __. L - -~ ~ - - - L I I I I I I I I A9
d Arn7
w 013 m _.fJ._l! .. I 1L M ........,._,
1\ ~ , ~ 1'\. ...I r"" - ,. .. ....._ -... - ..... -u
. .. - .... .. -- , - - - - - -r_.._-.. -1 :~v-1 -1 :t ~V-J q~-IJ > > :::::> > > ::::>
> > > > >~ Ll I I l l ,....-.._ ...... . . -L-. -
G6
m -.......... I .. 1'\ ,. ..-I .. ..... - --
Way up in the
J J ~ J ... -"l .. --.. .. .. .. - --f r r r
G6 Gdim
~~ I
rl ._ .-I.e .... -- - - blue, It must have been
_,: ~vf Moon-glow that led me
-t~ I l .> L- t- .. ... -t -t ,,. ttf r- !"': r- ~ .lli .lli ::ii .. .. "" .lli .lli .llii ..-I - / T L- - -,. _._ ....... r r r -t -t - p~--------
..
-
.-\m7 Gdim G6
~ mmmm
~
G6
til
G6 Gdim mmm
r
Am7
mm
A9
d
Am7 Gdim G6
~mmm
E9
~ .. 7fr.
r
Am7
mm
F9
~ .. 8fr.
Cm6 m
013
m
G9
~-IOfr. A~9
~-llfr. --------------------
E9
~ .. 7fr.
09
~ .. Sfr. E~9
~-6fr.
to come from ev
11
-
~. ~
I
, J , ,. -'-~
"'""'"' I til ./
t: , J ,
1-. ~~
'- -' ~
""-"" ~~
L
oq
i:Sii-sfr.
;; r ! G6 0000
mm -........... , fL/ """' r I .... ...... - _.._
~ ,..,,- -Way up in
1 ~- -r r i I
013
i;ffi
mem - ber
T i Am7 Gdi.m G6
~ ~ 1m .~. .,._ .. LA----~ - !o't." .. ill OlliS 1::. v ~ -r--::::;:::.. ::::;:::.. ::::;:::.. J ~)
,-........- - - -~- r. ..11/L
-~ .'
Am7 Cm6
m m
A9 Am7
d m -......... ~
, e.{ "-_.. - ,.. _.._ - - - ...... - ... ~r~rr [..J ~-&- - -
the blue, - I al-ways
J _. - . ,,. . , . ., . . ,,. _.IL i I I I I I I
G6 Gdim Am7 Gdim G6 G6 Gdim
!m~ mm~ ~m !m~
:::;::::.. :::;::::..
J. J
G6 Gdim Am7 Gdim G6
!m~ mm~ mm 8va higher - -
:::;::::.. :::;::::..
LA I-lia_ LA 111LA -~--LA , e.{ Ia )1,Viao )1,Va illlllllllao I ,.. r- v - v ~ ~ ...... ,...., ,.. -pp I I I
::::;:::.. ::::;:::..~ ::::;:::.. ---) ;\ - ~ . .._ --- - .,...,., .. r- . , . - - .. ..... .... .. ./ ~ ":""' - - '"":: ......
---~ hold until e":zd ~ -- -- -r v
... -I
re -
~ I
.. "
-
Moderately
G7 C mmm
c Am7 Dm7 m m mm
Blue Moon "'Blue Moon" -as we know it-teas the only Rodgers and Hart hit that teasn't written specially for a screen or stage production. The first version, entitled '"Prayer," was composed in 1933 for Jean H arlote to sing in a film called Hollywood Revue. The project teas scrapped. In 1934, Hart wrote new lyrics and it became "The Bad in Every Man," sung by Shirley Ross in the William Poteell film :\1anhattan Melodrama-and quickly forgotten. A third set of lyrics, suggested by the publisher that same year, produced "Blue "AJ oon." In 1948, Billy Eckstine "revived" it with a million-selling recording; in 1961, a rock group, called the Marcels, doubled that sale teith a version in tehich Rodgers' melody teas altered beyond recognition and Hart's teords teere unintelligible.
Am7 m
Music by: Richard Rodgers
Words by: Lorenz Hart
Dm7
mm
Cmaj7 Am7
d m
a -
C?pyright 1934 (Renewed 196:2. ), 1972 Metro-Gold\\Tn-:\!aYer Inc. Rights throughout the world controlled by Robbins :\lusic. Corporation. ::\ew York, ~.Y. International Copyright Secured All Rights Reserved
-
J , ~
'--
~. -.T,
/
r. 7
--,; ,_ '--'
~.
.7
Om'"'
~ F /G bass
mm c
m Am7 m
- " " ~ -I J J ~ -, . f ,_ '
-o= - - - -
t f:JI u __ With-out a love of my own. I j
'SI -~ - ~ f_ , -- ~r , ..,_ r ~ ~ -J-_ f I f T
c Am7 Dm7 w m mm just what I
Dm7 Am7
~ m
c
i$1 F Fm mmm
c
m -# 4 -
~ ~
------------# -#
1- , r f~,~ I care for And then there 3 l- n rr-, - 1111"""'"" I I - ...1 ....I -I -I - - - ..... .. - -
- ~ i c
m -~
I
Dm7
.... ,--... ~
-
r , , f
G7
ml
Dm7 G7
mm ml , ,. .... -~.:e- .-
r.h. 3 3 Blue J J ...J .. ~ ~ ~ ..... - - - -
.... -J --1"' .... ~ "'111 I "'111 --r
c
m
Dm7
mm
r Dm7
mm . u . I
sud-den-ly
r-= ... -I ::Iii ::Iii , -- -- ,.
r I c
Am7
m
F /G bass
mm
G7
mm :.I , -
' t
u~ ap-peared ~ ..... -- - ' ,. ... - ;
---
' ...
b-e-
-
Fm7 G/Dbass 07 --- - -
G7 c Am7 Dm7 G7
fl - m m mm -/ 11 ~ I ~ ~
1\ ~
'"' ,.je - ~ -......~ -1 I ....1 I ~IL " -- ~ - - - - - - - - - --~ ~: w- I Ut u r r l
gold! Blue Moon, Now I'm no long- er a -
~-n r9 J f -- - I - -""'" '1111\..1 - .., ... r--":::::1 ... 'SI _,... -.. ....1 ,1111,- .....1 - .~ / -\. - _L ... - } _., -. ... r I (' I ! (' " r r i r c Am7 Dm7 Cmaj7 Am7
0 0 0 0 0 0 000 0 0 0 m m !m m m u
in my heart,
Dm7 F jc; bass c F Fm c 0 0 0 0 0
!m mm m ~m m (No chords)
' r f own.
-
/'min the ~od
for ~ve Slowly and dreamily
G7 c - m
.. f <
be- cause you're near me;
C maj.7
d
Composer McHugh loved to tell this story L'i boyhood music lessons tcith his mother: .\f ~. !.1cHugh encouraged him to im]JrOcise me{, l;:. on the piano. If one sounded original, .she ~,~-. him a nickel; if it did not, he received a ;;me~ mp on the knuckles. This "original," com11, ' : for the 1935 film Every Night at. Eight. cur:-. : a considerable number of nickels for .UcHr
-
..,
.... -
I
\ l \.
/
~~
It \
/
~~ It \
Dm7 --.. ~-Sfr.
,..., l I
WI 1'1 _c.l I"" \.. ,/ ~ f) -e-
won - der
I ~ .. -' ~
....,
""iS""
Dm7 --..
,..., ~-Sfr.
}I
" .. _f~ _1
\.. 1.1 LL I .... f) \~Jr -
Why stop
~~ ,.. .. ._ ~
"?.:
F~m7-5
m f'l ..,
"" I'"" _...[ '-.::.l.l' c.> -f) TT ~
We've put
-,,. 'J .. ~
~OP
C maj.7
Em7 ~
mr-7fr.
~ b L Jl ... ~ - .... I"" ,..., ~~.~ g,or.
u r But for
d ",. -.. ~
i
G7 ...--... ~-3fr.
G7+ C
~-Dm7 Em7 E~m7 --.. ~ ~ ~-Sfr. ~-7fr. mm-6fr.
~ ~
' I - ..... - .... r - r r ~ -e- I ~r rlj ~ I'm In The Mood For Love?
~ ~ 1 -~ ----- .... - - 1. - .... ,. - , -- ._ r ..... 'J -- -.-=- ... ~
G7 ...--... ~-3fr.
Cmaj9
w Em7 E~m7 Dm7 ~ ~ --..
mr-7fr.~-6fr.mr-sfr.
G7 Cmaj9
w L 1.
' L ' 1 .... ,.~ . ' I ~ .... - "' Jl \ ..... - ..... -y jS- i ~i ~~~Jr - - ., r f r f to think of wheth-er This lit - tie dream might fade? ---=---=
L ~~ ' , -~ , - ......, , ._ ..... -~ ' ...I , - -- ..... ~ ..... .,.... ... ~ ._ ~t;; -~~ '?; B7
mm Em Am7-5 -
07
mm Dm7-5 m I
I -( n~ ~ I I ~ I ~ ' J ,-i -L ...I ,.~ . .... .... ...., .. 1.
---_, - ...., 7-.. - ' ' - - _J ). ~ J_J .... I I CJ 1rf 1r,.j ~f ~ ~l ,.r ~~ - ., j~
our hearts to- geth - er Now we are one, I'm not a - fraid!
~ ,~j ~ :::=::::=-,.j ""! ( -. j/ - ....... r~ ..4111( L _ L J -' - .... ...., - . r~c; (
-6-& D r r ~?;?7" Dm7
~
bove, it should rain we'll let it,
Dm7/Gbass
mm j\ I slower '-i' :: I I 1 .. l l .... ' ' -- ..... ........ ~- I r I :11. .... V::IIi. _filL ..... - .... - , ,. r- l' r- -~ Jl - ::11. 1111"
~ Ll~ -e- r r- ~i r to -night, for - get it! I'm In The Mood For Love.
1 2 3 _.J I] I n 1 J ..,_., (.\. (.\. - . .... 1---.. _. ,.., ~ "' - _, ; - ' '"' - ...... ,. ,~ _. _, ,,. ._ - - ~ I ""'0""
17'
-
I'm Gonna Sit Right Down and ''Trite Myself a Letter
r3-, r3-,
With a lilt ( Jm to be played like J /1 J /l) ,.., I II ,.
" .q - . - , "' "' ~ ... -- .. ,....... " J .q -- - t) -~ -.. .... :t J ~-~1~ f >
I ~ I ,. ,. .. ~ -I -
When Ahlert first played this song for 1l1 ~ family, Fred, ]r., a successful music publish(~ today, recalls, "[ teas eight at the time. I .sau: it teas atcful, but Dad assured me it u;ould b,_ a big hit. Then it lay on the publisher's slu ~~ for a year until somebody showed it to Fat' \Valler. He loved it at first sight!" His record-ing made Ahlert Sr.'s prophecy come true.
-
>
Words by: Joe Young
Music by: Fred E. Ahlert
- &( _, - --Tf -t ~ I'm Gon - na
_:::::::,.. >
!
!
l! -- "-1: t.f I - ... - - - ei / ,. ,. - - - ' .q -:,...;. - ..1 ..1 ..1"'";..1 ..1 _, ..1' ...o.l .-1 ~ _y~
~ """'~ _.;--?" - - - - - - - - - - ""
/ f1 I I I I I 11
_,
~ " ~
~~ "';;..!. a , "' .:.I ..1 .:..;r 71111 - - v - ...., - r-"-" v - - -~ - - .-1 - - .. CliO - 1.. t) ' r-
-' r-
- f -, t ,.. t ,- t ,.. 1 ' '
c m C maj.7
d
l Sit Right Down And Write My - self A Let - ter And
I ~ I ~ I -~ I ~ ,~. ' ' '\ ' I "' T "'
7 _, -- --- - - -'\ ...~. ........ ..1 -1 -' .... -_. :..- . -- r- - - - -- - I -r - - - .,.. r j i r E7 F A7 Dm7
1m mm -I'm gon - nJ
r Dm7
mm Dm7/Gbass
mm c m
sweet, They're gon - na knock me off
CD 19.3.5 Warock Corp. and Fred Ahlert ~! _.
-
A7 -l'l )# I'.. fl,{ , ""' ~
tJ ~~ i ---~ feet. A
1~ ... I.,. ..JV- .. ., - -/ ~oooo .. v-
~- ! ~
/ _fl I 1- r--)# ..1' ..
~~ I'.. 1li ::. '""' - -- --' - --- -t) I I '--"'I rr -t
It
got 'em, I'm .:::::> .:::::> ~ ,. -11 " fl,{ L --..1
' ... ..1 ....il - r r~D-t
Om -fl I / }I .. It
..Lt ~ , ""' ......... ~"' -- , __ tJ ~ ~~~
I'm
,..._,_ .:::::> t ~
~ 11 ...
/ -\ --r~ -.. -~-9P
11 I / il -II. -It
, "' ...., . , ' - ,. tJ :::p:
< -- And
It ~~ ,_ I_---;., 1..11. - ... -/ --\. -~ '-
07
* I ... .. ..1 ,.: . ~ '!": .-1 ,... . - jT ~r- rrr- f ~rr--j
lot of kiss - es on the
I ~ ... .-1 ' - - I - --
~ I ~ r c m
.-1 .-1 - .-1 - - - - .-1 -~ r r- - r , gon- na smile and say, "I
I ...
' ' "' ,. - - ..~. ... ~ - ~ r- ~ -r
F
mm - j I I ... ... - -- - - - - - - -I I r- I
Gon -na Sit Right Down And
... "\ "' I ' r ~ ., . ~~
07 Om7/Gbass
* * I I I 1 -- ~ .,_ U jT r- ~ ~ make be - lieve it came
~ I ... "' ..... "\ "' "'- - I - - .. .-1 -
G7
mm I I
.-1 .-1 .-1 . :a -s. . 1-- .__ r- jTr -, I I -r i bot- tom, I'll be glad I
I -.. ... ....
' .-1 " - 1- - .-1 - - ..~ . ... ' r I i ~ r- ~ -~- ~-,J-1 C maj.7
d I I -~ ~--- .-1 - -- - ""' -- ... - - .. .. r- ; f r- t ,- t ,..
hope you're feel - ing bet - ter"
I
- -
I ... ---I Write
r
..-I_ ~a fvr from
...
' .-1 ~
-
F#dim -I l 1 - - --I I My- self
... "\ I
., ~-~ ~
,..... ~ .. ,..,. .
I ~o~--....... ('., r . you.
...
I ...
' "' -.-1 .... ... - - ~ r- ~-r F A7
mm m
... - -A
~
C/G bass
m I
u
Gm/BPbass 00
mm """' ..... ,
~~~~- -(' .,r- ~
Let - ter
"' Il-l...~-.... ..1 v-r - I
J
I - l_ ---- ,.. .--_.... .,.....-r-I A
~ --..-1 -
u~ --.... -- ., -----
I ,.. '-tt#-a - 1111.-1
i r- ~-__......-if"-
~.,~~~ ~ I I ~ r1r r ... ~ ---v 19
-
/
't <
It '\.
f'l ,l,j,
Red Sails Words by: Jimmy Kennedy
Music by: Hugh Williams
Moderately slow ~- - f'J
Lyricist Kennedy and his artist-sister were standn;.:. on a cliff in their natit:e Donegal, Ireland, in 1 C,) ~ watching the spreading sunset frame the red sail, a local boat. "You should paint that," he said. "I tcit. if you'll u:rite a song about it," she ansu:ered. B(':. kept the bargain. vVill Grosz, using the pen nan .. Hugh Williams, set Kennedy's lyrics to music.
in the Sunset ....
11_ ~. r. - - Ioiii'"" - I-' - ....,. ., ~ . 1"\ ..... .. ,.. I'""' r"" " r- - -"- .; LJ. It_; I ......... ~
p dreamily
~I ~I ,.,_ " r""' I" loll .... I ,_ LJ. _, _, ~o~~-/ " - -'-+ .... _,
- ----- -Gmaj7
~ 3 r. - I
~-~~ 111 -I'
, _, _, _, ~'1!'"16.
,.. - - - -".,! ~ .. -I t.- i i r i Red Sails In The
rnp I ljl ,,,_ I - - I ,_ ,.
/ ,ro;;,
-~--Bm7
mm fl .. j 3 r------,
'J -
,.. "' ~ '- -'~ _, u I f!r - --.
Oh! car-ry my
I l,.,. ,. ,. - V'"'l .. - ""
./ ,,., ~"~~-'-'"' V""t"'
I
Gmaj7
mm 3 f'l ~ I ~-~~ 'JI f1f ,... I .... .... _, '""' ,. - - -' v - ~ -~ TTi i r i
He sailed at the
I ~~~ ,.iff I - - .. ""' , /
,..,; ._...
.. ~. :- .:.. .... .... -. ... - ,. ~L - ""
-=J ~:t '= .. ~= ~~ j~ ~I ~I ~I ~ - r ~o~~..- - . _, . ~ _, _, ~o~~- ... -- ::;;;r - - -.... - -::;;;r ... _,
_:::.-~----------=---------- -
G7 C6actct9
m~m Cm6
m=m Gmaj7
mm Am7
m I I r-3----, _, -J 7 ~, - ""' ,.. ---,.: r~ .... _, '('.) - -I I -, ~ ~
Sun- set, 'Way out on
J J .--..._ _..__
/J 1~ I I ~ ..-~
~o~~- ";) "Jr.J
~.n;: ""--~
~~~~
Am7
m I I
I (' . ,.. t r
loved one
07-9 m-4fr. I 3 r-- ----,
fiL _, - I'll" - ---r- vr Home safe - ly to
-_, - -- I-' tJ r-
the sea,
- ,. "" -~
(
'"'T G6
mm ~-- I lo(l-" ,..
~ r- loll~ ~r ..........
me.
_, - --
-- """""
_,_,.
I I r;-3, I ~~ I ~ j~ c ~ ..,j ,..J _, .. _ ,.._, -. -- "''ili'f -.,.j--- - - .. .. - --~ -- - - ._ -~0 - _, ..... -G7 C6actd9 Cm6 Gmaj7
m~m m mm I I r----3-----, _, -J ,. I l - ""' ...,. r r... - _, _, _, - -- "_) - - - . ~'""' -. I I r p ~ r~ r- .. .,.,
dawn-ing, All day I've been blue,
J - -~ r -~ l ~ I I ~ --~ - ~~~~- Cj 1.1a - r -...
~ ~ - r r ~~~ '-"t"" ~ 1 CJ3.') Tlw Peter Maurice ,\lusic Co. Ltd. and nm,,ecl i962 Copyright for C.S .. \.
-
1". -II ,.-'~ r~ ' '--'
~---.. -/
fi ,_ II ,.-
L\_
r ""-,,..., ~
,~.~ -.. """ /
fl~ / 'J ~
"'
\ '"' '~ .,)
I ~""' -.. """ f '
fl ~ / 'J """
~~ "' '"' ' .,)
It I..,., J_M_
/
\
fl_l! / )l_;ll
\ "' r"' ' .,)
~~ t ~~ -.. """ f '
Bm7
~ Am7
m ; r-3------, I r
r I
f'.J
09
~Sfr. I
, ,..
07-9
m-4fr.
3 r;----,
....
G6
mm -
Om7/Gbass
mm ~-- 1'1 Clli. ,... .... - """ - _._ ""~ 1-I f9- r r r- ~~
Red Sails In The Sun -set I'm trust-ing in
~- I I .,--31 I ~I I r3~ ~ J ,. .,.._ ...I ,.,j - --- ... .....~ - - 1101~ ....!' ..;..~ - ""- -- 1101- - - -- V''-"1" .... o I I Am/Dbass Cm/Dbass
G/Dbass Am/Dbass
Rim 3 * R I r--.1---, I I ,---, r- 3 , I ,.. -- .. .... ,. - -~ 11::1=' - 1101-' - - ':Iii -r- ~f r r- r- r l'~r r=
Swift wings you must bor-row, Make straight for the
I I I l - -- ' IIW ......... ...I .... " - r--1 -\ '"0"' -,;- -,;- -,J--,j I I I I ""0"' ""0"' ~
Am/Dbass Cm/Dbass
Rim G/Dbass
* A7 -I r-31--,
I .., _, ,. - - _, ::II. - 14.,. - '"" .-1 I""' r- "t ,~r f ~~ ~ We mar-ry to- mor-row, And
I I I 1- - " 7. ' ..... ~ - ,......, r- .... 00
""0"' -o--,J- -,;----=-----=-----Gmaj7 -J--J- I I ...J --
G7 C6actct9 ~~6 mm mmm
r---t
-,J--,f-r}
~ I l _l_ 1'\.
...l .-1 ...l' .. - -- I""' - ::. .. .. ,- r- ~ he goes sail- ing no
c:
Am7 Gmaj7 0 0 0 mmm
.,r ~ p you.
t: ~I \111.-l - _, 1101-- -,. ...._
._~ -G
mm ~ _,
~ r shore.
I I I I - ..... 1101..1 .... - 1'1---~ - --~ - - -
Am7/Dbas'
----~
,... ,..... ~
~r f more.
I ..... - r--1 I""'
""0"' -.,;-~ .. - Bm7 ~9 mmm 3
I ~,,~ I I r-3--, I r---3----, _.... ,..j I I ,.. , ..... _, .... - ._ ,.. ,.. -,. - - - - - .... ..... - ..... - - - r - Clli. - - LJ - - - -I""' I""' .... i r r i I I r r, ~ r tJ r-~ I r - Red Sails In The Sun-set, 'Way out on the sea, Oh! car-ry my
I 131 J J _..... _.....
I .J. I .J I I ~,. , - - - ..... --"Lo.t ,. ...--,.. - ~~~- r "]( ,. .c: -- ,. """" ~ ~ :;,., - r -r- .,.._ -~~~~ -r- I Am7
m 09 ~5 G6 mm Om7/Gbass
mm G6add9
mm I I I r;--~--, "J - - "".;. , I""' ._ ,....,. I r ,.. .. .-1 ,..j - - - -- r . ,.. - """ - Ill! ::a 1-' I - ~ ~ . r r r- "r 1., I tJ r C.J .. ~= k loved one Home safe - ly to me. l
r--3___, rjr ~I ~I ~J _C i - - _, .....-=-.. ~ 1101.....1 . -....... . - .. }oil ...l' ...o.l' .... .... _.oiiiiiiOI ..... - ,.. , ., .. - - - - - - - ,.. .... o ...I .... _, - '"0"' --~~r~
C)J
-
/
jt
jt
After several years of pressure and frustration in Hally wood during the '30s, composer Burke bought a one-way ticket back to New Y ark, where, with lyricist Leslie, he pro-duced six Number One hits in three
Words by: Edgar Leslie
MOON OVER MIAMI
r-3---, r-3---,
years. \Vhen Burke played this melody for Leslie, the latter felt the theme called for Moon over something." They firuzlly settled on Miami, deciding to cash in on the current Florida building boom.
Music by: Joe Burke
Moderately slow, but with a swing ( Jm played like ~ } ~ }) r-3---, r.-3-----;, .--3--. ..--3----;,
"'~ .,fi1 "' ... .... .. ..-! q - -,~ 1'.. .. - .. .. '-LI q ~ s llll -~ - -
mpJjJ T]l ~.{ilf ,. -Wfil "'1-
_, "' ~
~
-----Bm7
m-7fr.
- -
I 3 ...,.,_ .....! , r Jll ~ ...-1 llllil ~ .... -V' .... -
J J ~~ - - . - ___....-o-
r r----------r r G#dim
m ---Am7
mm-Sfr. 011
~-Sfr.
I...........-... .... ... ..;. r~~ il -- -. - .. looo. "'.-.. L-llill- : .... II -.:;; II -..- v """ """",.... ':' ':II .. --,. .. --,. :; r. 'I I - _______..... l~ _......
-=---= JjJ TTJ -& --. -- -- --""'" If - '"(Y _{ ~r ~
Gmaj7 m
Shine on my love and
r Am7 011
mm-Sfr. ~-Sfr. / 11 ""
\~ .....! ,.J/ ... - ~ ::li --1>1" 1:. ut .. u
me,_____ So we can
~~flo- r -r J -be -side the stroll _____ _
'~~. ~
~=
roll,
--'r Of the
~ ~ j ~7L~,.~--------~.~-------~--l ... ---------J--~~~~~~----------------t---~~~~ ----------------1 - "' - "'""- ..... .....!
G6
mm
r
Bm7
m-7fr.
--
1935. Copyright renewed 1963 by Joe Burke ~1usic Compan' .1: .. ' __ _ . T .... ll---'" ...... c;n rn . .ihlPrt-llnrkP ConJ.
-
..
-... L ... I
Am7
~-Sfr. ,... ,w.
Dll
~-Sfr.
t u ~~-~ ... r_ ... r__,J
Gmaj7
mm
Am7 Dll ~ Him EEmj f1HB-3fr. Fffff(5 fr. FfffflS fr. FffFf1
-~= lr
C7
m-Sfr.
G#dim
m
a dream or
j PU ~ - -< tide comes two ____ _ that may come
It ~: :; .. .. ~- . ~ . When the true,
,~'~--~ ~ .. ~~L----~-~---------4--~-~ . ~ .. ~T-~-~-+--+---~~--~-~-~~---~T~--~-~----1
1 0! ~ ~ ~~
-
fi J,j. 7-.
lfll'\ ~
u
~_, ffll
f
fiJ,j. >;I-
7{ ,_ " v tJ
-.""\.oi/lf
7
,... .-. / 'Jffll ~
\ '""' ''J u <
lt -z~.M .. -, \
I -J
I 'J"
~--11 I
Moon
~
i
/
0
~ for,
.. . I'll. -..J-..
-..;..! ::.0 - ...
-J
""'
I _,, -r
Am7
~Sfr. I I 3 .,
....I - -- .. -r I 0 - ver IJ j
-.-. :1-J
"'
G#dim
mm -ut .,
A
"" .... .~-~
lif/...,; I~ - e 1'1'- I"" -
C#dim
I'
-... r
Mi
J' -
__..., _, -
u lit - tie
w Sf ... r. ,-.4 - ._ -
-
-
I I .-1 -Je ..... ...... - r . - ,. . I I a - mi, J .~.
r Am7
~ .... Sfr.
,_....... 'Jjl
110''-.
I _, ~ ~ - ... ... i i
Dll
~Sfr. r
---- ... '!::1:
./"IS
~ ...
r;;;~ ~ ~ i l_j -
love, a lit - tie .--...
.LJ. ...... J. .. - '#T ... PI
G6 m 1"00
Jl'<
Gmaj7
m ~ I
I - ....I - ... IS. -D i
You know
) I - ~~
Am7
~Sfr.
, ,,.., . !Jot:
~=
kiss, ~
.-1 -'!" --......
-~ ~u ~ u ~ii-a - mi shore.
l I l I 1\ ;\ ' - ' .. -1..-t"- lA" ....... _, ..I ........... '1"- - - ,. . - ~ T 'I'T ..... ~ -
# - r D'-.7P #~ -:;: -+ -+ -,;-r r
~ I I - ..... -IS. -
D i we're wait
}l I -
11~
I ,..
Bva-, 1\
- --
-._.
-- - ing
----- .... r on \i 1.
..
, r
-
/
~~
' \
On the SURD)'
Side or the Street
Moderately, with a lift
fl --::
}# "' II. "-1- -~ -r~ '-' ,.. -" ~ .. :::::>
mf5 1 5 1 etc.
L ' ~ ~ _f_;__ L..J- ..... _/ "' - .. - L..J- --u-
G7 c
- m
/ 0
~~ ~
r"" '-'.I .... u t. _,_ f f -Grab your coat, and
l I I ,. .... - - - / -~ \ ---r - -
i r Bm7-5 B~7
w m /
fl JL
~~ _1\._
~~ ,, 1.1 ...-.1 u .., 0 door step;
l i ~j _,J_ i I I I ...__ ll ....,., .... - - .,__,._ _.... .... -- - - -_/ ,... ,...__, ~ - .,....,
I
~ ___. - --~. -r1
1:::::> :::::>
j , - ... .
.... .... -t r' get your
I. J -- -- -
r i Am m
Just
_I ..bJ .... -~~-1 I
, -,..
, -j .... - .... ""il
Bm7 o E7 o
mm m I
,._ . ~---
&/ .... ~~ ,... -r--...A-' Tl'l l~ I -
hat,
1 .. ~ "' -. ,. ...-.:... - . I
~
.....
i r-di - rect
J ,1 I - 'IT. __'l'i I I
'\
----l ,
-1 ....1 - 1111.
' . \ ~-,~_ ... ,,' \
For s01ne reason. n'' _-. , . ~--- outnumber the u.:omt n E . have matched the sucn ) ' Dorothy Fields, of the .slwu.:-/mqn, Fields family. (Her father tcus Leu_ Fields, the "Dutch" comedian of\\-ehcr and Fields fame; her brother uas Her-bert Fields, author of Broaduay mu-..,1-cals .) She first collaborated u.:ith] inllll!l McHugh in the hit-studded Blackbird.; of 1928. The following year the smw team produced this song, as tcell as "Ex-actly Like You," for Leu.: Leslie~s I ntenw-tional Revue. "On the Sunny Side of the Street" was introduced in the shou.: lnt Harry Richman.
..... -:::::>
~
Words by: Dorothy Fields
Music by: Jimmy ~fcHugh
L
.... .. -'IT, ......... :::::> jT:::::> :::::>iT 1 ~
:::::>
=t =t :::::> :::::>
I J -, I ....1 .... -"" _,......., - -- --Ill_
~ t --- --- t F
mm J L I I I I ;~- .... - - ~- - ~ ra. - -~, r r- ' I Leave your wor - ry on the J J I i
- - - .... -r r i i r
07
mm I I ~
...-.! - - - e.{ - -- --r I ~ r jlt-~r your feet To the
I I I ~J -...-~ . --],.-..,...., fJ. ,.._ - I r
25
-
!"! IT
--,: ',_ '\.J
u
-..... .. f
" 7 ,. r,.... "J u
~. .. ~
r. 7
I' T1flllllfl
'--
...... To
7
" 7 -,; ,_ u
""' .. /
!"! II ,., ,_
'\.J
f..;
"" .. f
26
Om7
mm I
--1-li sun -
J -.-1 --i
Bm7
;m I
?
a/
TTl -pat?
l 1\.
.-1
I
-\m ::: 0
~
---Life
... .. ,.
I
I
1 Street.
I - ""'"'
I
rJ
blues
lllii( .-1 -
-- r- r ny side
I
.-1 --I'
r -r o E7 o
m - " - 1111'S.-...~ ..... ~ ,I"
l.....:.J-1
.. ~ -- r
....1
i t can be
J ,1 I - .. T I I
f f
-- -- r- i I used
, -,
-~ on --
~-. r- . I
G7 C G7 mmm mm ...I .-1 - f ~: t-of the street. Can't --I r--t . - -- - - -"'- ... .-1 .-1 .-1
r - ~~~-
I I I I I I - r~ ...I - ~~~- 1111:111. - -11 T r- f And that hap - py tune is
J J I I ...I - ....1
i i i r i 07
I I -- -Je '-' ...... -- e.l - - r Ill r I ,- r Tl1Cr-so sweet On The
I I l .P--J I .. .. ------ r~ u I - -i
C7 r
1m (shuffle beat)
Gm7
mm I I
u " lT-- flo'">
1f11 i r ~, t-to walk in the _,
b~ ~ ~ - - ~"~~-- v - ... . .... I I I r-
I -.-1 - (. . ' -t= ~. ~ pa - rade, But
--J - ~ ~ .... .-1 ....I - filL .-1 - - -- r. . -. . .
c m ...I
.-1 -~- f f t ~ you hear a pit - ter
I I L J - -- .. - - -~ - - - -r i i i
Bm7-5 B~7
1m m I
-J '-' 0
your step.
, r l l h ... I I I '-"ril .. ....1 ....I ~-'""' le.l ....I ...I ...i -- - - -, ,.._ ~'1"' 1"' !.''-" I"
I I I I
Om7 G7
mm ~ I I - ,. -- ....I r- ~ r - 1
Sun - ny Side Of The
J I - -- .-1 - .-1' -r -r r C7
1m ~"~~'- -v -~ 1.- --'J r- i ---
shade With those ~
~ ~ --- - 1'11..1...-e -v - - I I I r 07 Am7
* -I "J -'"') - 1(;
TTF ~~ ~
I'm not a -
-= ---- --.-1 - - .... - - . !;. -. -.....
-
07 G7 m mm as before f'l I ~ ---'il ..-I -,.... ---,; ..-I - ' ' , ' """"" -r7'flliii: - ,.. ,.. - , ,. 'y--,. ?"''. I .... .-I U TT-6f: I lj #r r t_ 1 -
fraid. This ro - ver crossed 0 - ver. If I
:::::> :::::> ~. - - ...,j """"' -.. -I ""' " -~ - .-I J--.. .-- .....~ . ....~---~ ~. ... _;.j-" ... - ~- t:: - - ._ - -. . 8va bassa :.
c
m Bm7 mm o E7 o m F mm f'l I I I I I I I
/ IT ~ r1 ..;.;r
\ --,; - ,.., -,._ .... .. - iflfCii.'--"'~ ~~~- 'v .... - - iflfl"!"' ,r- rw --.rrs. - -u f f t i TTl l ..:..J-1 ll r r- ' -< nev - er have a cent _J_ I'll be rich as Rock - e -~~ I I L J _. h J J I I --z ....... .. ""' ,-..... :;:[ .. ----.. -. - I c ... - .-I 7 ~ ..-I ...
' -I"' - - - - I - i i i r r i i B~7 m
i r Bm7-5
m Am
m 07
m /
f'l I I -II ~~
II - ~-,._ '-' ill ...I 'v .-1 ....._ ., - :; ""-u ..., 0 f i r- r I ~ r jTr-~r-fel - ler, Gold dust at my feet On The
It ~~ J I I ~J , I I I ~, I I I tJ. I I """" ~ra:r ....- .-I .... vv Ia/ .... .-1 .. - ,.,. 1- ~ . ----.. - - - fill o r J - ..,._ ' ..... r"' ~-'"" ~~- T I I I -I I I I I -
Fmaj 7 /G bass G13 c r i mm m m
1"1 I I I I I ~ / II - ........... I \
" r-_; - - .... 'J - .. , ,-~ , -- -- tJ. - ,. ---c"Y -' .0 ~ - c I-' l. ]. - -u TTl jT-p- -I I I I r. 1 l Cl 1u~p :::::> :::::> :::::> :::::> Sun - ny - Side Of The Street. :::::> I
~~ 1 ' ~ j ~ >- >- >-_ :::::>~ I ~ IIIIi .... .... I I 1\ ~. - - .... l .. -. - .. .-I - - .. ...~ t..-1 _...._ .., ~ ... . -- . - Jilt. - ""- .wr- ~~o~- ' .... ... . ... . r I I f- r. -r . ~ I --- --- -t ~ ..
27
-
In the Chapel in the
Moonlight
The chapel silhouetted in moon-light in this peaceful, pastoral song was a 100-year-old church located at Broadu:ay and 55th Street-right in the bustling heart of New York City! Today the site of the church is a parkin lot, but the song remains ,;cry much tvith us, a hit with each of the succeeding generations.
By: Billy Hill
1". Quietly
II --, II -, I ,_ ,_.._., ~~
'- - ,. ,. ,. .-1 ...... -- _..j -:..< ~ ~ -~ ~ -=-- ., #~ ., - 4- ., -- .... f '-- r ' ---How I'd love to hear the or -p I II I ""'' II -:.1 ""T I , -7 1.: no .rl~ r r r n ..., r o ,..j _..j -I I ""'F' c;; c. - r II (-
Am Em Em7 A7 Am7
m m t ~ I I I - I I I
7 ~ ~ ~::\ _,
--, _..j - .rl .rl ..., .-1 ,. -- _..j ... ~ -- - - - ._ ._ - "'- - --- -j - --- - - ,... - -~ t..- ~ r r F ~f r --r--u--- In The Chap-el In The Moon - light, ~While we're stroll-ing down the aisle
- I I -,, 'J" """ r:J r r i "T :; (.J / 7'1"7. ,.
r r:o r r r "0"."
Dm-:- G7 G7 c
~ - - m t. I r--, I 7 -- ..-1 ---, - _..j ,_... -...... ,_.._., -~ - - ...... ,.., ;.. \: J 7 r ~ t-' -- ..-1 ,.; ,.... 0 I r I r ., -- .... f -6-'--' ----- Where ro - ses en - twine. How I'd love to hear you whis - per ~_., I bd j I ,, ~ f'.J - ,.. -y. rJn .-1 r ..., 1_,..--..._
/ ,. n - ,. r.. ~ - I --~ - b - ~ .... I ..._-?:" i r i r Am Em Em7 A7 Am7 o: m mom - m t - I I I I I I ,........., r 1 1 l -7 -:\ -:...r / --, _, - , .rl ::.1 .-1 ,. -:;r .. ~
.... -
-----~ --
,... -,. -
~ ,_
- ---
---. -
~~ _..j -- .-1 ..... - ...... - - ,, ,... - - r-" . - . -.- --- - - J-' l. - ,.... t.;f, .. -.-'-- ~ r I TTl [ ~ ~f r I .... L.__J---..J -- In The Chap-el In The Moon - light That the love-light in your eyes -I
~ ~ d I I - J - I 7-""\. 'J" .. - c...! (_ ,.... ........... .., "T ('_) r ...l .... '-"' -7 771'.. ~ --- ..., (_ 0 -
i i 7.10 19.36 Shapiro, Bemstein & Co. I!'C. C ;
J
I
I
-
Om7 G7 -- c m c m C+ o m ash-es,
F Fm c Em Am
mm mm m m /
I\ I I I l I I I r-1 II ' - " .-1
~~ 1\ I - -'"" ~- - .....~. .-1 .-1 . .. ' "' ..., .-1 --. 'I:: 'II: ... - - - u r r i r - ~ - ~---- t-- ' r- r- c:....J r
-
t ...- ... _... ~
l or - gan turns to rust, If you nev - er come I'll still be there Till the
-~ - - ... ~ ..., .. .._ ..... , r: ~ -l \ ..., :;1 -~0 Gi -0-&- ""t"
07 Om7/Gbass c Am - mm No chords m m I\ I I I ~ II / II - -I I - II \
1\ s -- - """"i '"" ~. -'-.'V - ..... ....l ,.J' ~ Tl I ~ 1 f -. .... f t _........, ---< moon -light turns to dust. How I'd love to hear the cho - ir I
It - !
........-! ,......,_ II ~ _/ I I l -"~ II .-1 - - .... I"""' .. .-1 _, - - -/ - - .,. .,. -' ..... - .,. .. -~ -,;- - ('- I I L--
c
m Em Em7
m A7 m Am7 m
/ I\ ..---! I I I l I I ~ I I I }I _\ .-1
~~ ,... .... - _.l...- ........ .... - -, __ ... - ..... - ~ ~ - - - 'I' " -' ..... - - ~ ""' -. too
-
30
Penthouse Serenade (''Then We're Alone)
During the depression some unemployed actors produced a C('- : called The Nine O'Clock Revue. The songu:riters tLere giccn ~-1 to complete the score, and this song, tchich was staged satiric~:.'.' hardly expected to be a hit. But Paul \Vhiteman selected "Pc.~; Serenade" for a special New Year's Day broadcast on tchich i_: chestra, performing in Chicago, accompanied film star Bcbc 0. who sang the song in Los Angeles. It skyrocketed from there.
By: Will Jason and Val Burton Cmaj9
M C6 F~m7-5 slowly, but moving
r---3----, mm
r--3----, m
Dm7 Gt3 -3 r--., d r--3-----, - en for
F~m7-5
m r-3---,
Dm7 r G13 r mm
r---- 3--., d
- mits we
![) 1931 Famous :\fusic Corp. Copyright :-c-:.~
-
,.., / lJI
\ I{ , #flit. \.. J
u
It '""'' T " 7
/ " ~~ , ~7
l ~ _, '
I
l_
3
C6 F7 mmmm C6 m Bm7-5 m ,---- -----, I
"' ,
....I ... ....I I - ---s !I lllli ..... .I J,..,-J 1- ---J--r r r ~~- ~~ v.-- - 1=. u-~~ -=:LJ 1 ~ ~ '--3.....1 will be in truth when we're a - lone. We'll
r-{~ I ~
I I I I ....I -l - .....I _... - - - - '-I - - __ , - - _..., ,.J - '1: - r r I - - -- r .........., i r ur r
07 .. Am7
mm Om7 G13 C
mmmmmm Am7 G#dim
g 07
r G#m7-5 G7sus4 F#m7-5 B7-5 Em7-5 E~J.:2 0~17-5 G7+ C maj.9
mm-7fr. lm.-8fr.!mSfr. mm-7fr. 1m mmSfr. mm mm m take your time in tempo r-3----,
Cdim m r----3----,
Omll G13
1m mm r--3-----,
"' ....I ....I -' -- - ....
' F F - -~ ~:
view of the Hud-son r--3----,
Om7 r
-.--3-----, Em7-5 1m to keep love and ro - mance for - ev - er
"' .... -just
r---3-----,
Fm9
~-Sfr. .-3---,
....I .I - - -~,
' r o-ver the B~13
mm-sfr.
.....I F ~
drive, When
l t..L C. Tie
~4
#t- ~~ ~
we're a -
~
I r---3----,
I _.-......_, ~I ..... - .... - I ~ ~ -.- - ... ';'; ~- ,.. .-! ... -....~ -- ),..,. -- v-,.. v - -~-?;"" "' P I (" ... ~ I I
c; dim
m;.-sfr.
.... ....I -- I ~,_ -r
see life's mad
11 r T:r-~ '!'r
-# r
C6 mm
pent- house, we'll ,-----3 ---, ....
A7-9
m
a - In
C6 add 9
mm ,. g: II.- ~
~~ l~ ,.......
t - ~-( ,.. ( ~
lone. j ,......, ,..
-r ~ ~. I
:31
-
""-- -' ... "'-' ..._ v'"
.,,(") ___ .......
;). Rose composed Deep Purple" in ; j 3-1 as a piano composition, inspired j,, doubt by George Gershtcin's .. Rhapsody in Blue." Parish's lyrics ~cere not added untill939, and Larry
\Vords by: Mitchell Parish
F6add9
Moderately slow mm tJ (.\. (.\. I )I T..
7{ -"' ~ 0 T7fllit. -v 7... ,., '= ~ ,....
lt..J I When the Deep
mpj j ...-.._ I J I .~. T.. -.,. ..... ., 7
"""' 7... ...., ~ - - - 'P
F C7
m iW1 f. I I ~j J
I "" T-.7 ,. ... ...,j - P" ~ lili"' '-...
~ I I i walls, and the stars
J I r. ~
DEEP PIJRPLJJ ~~~
F#dim
m ~,.j
r~~'--~f r Pur - pie falls 0 -----I _J I - ...... - .wo -~ - r ~'r-' I
Am7-5 m J I l
- .. ... ..~ IS. - ~., .... r r- vr: be - gin to flick - er
~ J I :.::-y. ...,j/"' -......-......-...~ c T' ,.-....., 7 '14 - r v -
Odim
m 07
* ,..... ~ 7{ ...
- -0
Gm7
mt-3fr.
I 0
-
I -
-r
I
Bt,m
1m I
~
I
,_ v . \ ~- v- r'l --u ~Q -, -,1-tt .. r
'-Y ~r ___ Thru the
~~I ~-
__, __, .-1 .1111.-1 - ... .. - .wo -7 .. 'V ~:::::d!}"
A~dim
fl ml
"TT #( """ rr-v '-'1.! ... ""'--' ~ ~o-
v- 0
back to me,
I I ' .1111-1 .... --~ . .~~~~- .,...., , """ .... or 0
, 11"".1 (" ''l'F.
mist
J "
c~
Gm7
~-3fr.
~ ~r breath -
I , .... ,. .. ----
of
.1 I --,.
II
ing
I - ~-
( . flr. a mem-o
I I .J bJ I.
~ -
Cll
mm ,.j -.. f f
my name
I I I ~ - :-- liT -
Clinton's recording made a star vocalist Bea \.Vain. The son2 l), - such a fauorite of baseball's Bab~_ t, ~.that on each of his birtlnhllJS D~_ rc personally played and sang it f, r :_
Music by: Peter De Rose
F#m7 Gm7
~-2fr. mt-3fr. I -...,j -
...,j - - ~r j ' i - ver sleep - y gar - den I I I -...,j ... , .. -~ -
~ -. """"""
07 Am7
* p I I __, - I __...... ...... r a- ------ --t #r~r#r r -r .- T
in the sky,~ ..._-
~I ------I e.! ... .-I - ,. - c - -T --,:
"0"0.: ~
F6
--3fr.
~ ....l ~ - '""" = -i :-& TT
- ry you wan - der
~d I I , ,.. ..... ... _ ... - --&,0 C9+ A13
mm I ~-7fr - --.1111 -I --~ - ... ~ , [. ,. ..._ r ~r ,., ~r vr with a sigh.
(";. I ... ,.j ...~
7 ..,
r
r 32
Copyright 1934, 1939 (Renewed 1962, 1967 ), 1972 Robbins Music Corporation, N_ew York. :'\'.Y_ International Copyright Secured All Rights Reser>e-::.
-
..
..
..
/
fl ')#
1\ ..
'"" ..... ' u
-'-~ ,. L ~
v
1\ .. ,_ .....
... ~. .. / ..
~
fl }I
II. ~
'"" .....
Gm7 C9+
tJm-3fr. mm -
If.\
fef _. U'. ~ 'i
In the
I Ll I ~ ,._. "'I"" ,.. -..... -C7
r m
I I
-tight, Tho' you're
J I C j_ -- r --&
Odim 07 0
m m
~ ..... L/ L""' ...........
u Jf4!1t!f < And
l ~~I '"'' ...-1 ...-1 ..... -.. .. - - f looiO \ ....
~ A~dim
mm _h J L I I
/ }I r~ ....l II. ~ IIIII ...... -
\ r~ v ~~~~-'\...'-J ..... u
< al - ways meet
It I I I L 11> .. - .IIV-i .. .M... "'._ , .. '\ ~ 1_~0_
Gm7 G~7
tJm-3fr. mm fl ,.--.......
/; ~ c...~ -t '"" ..... - II-~~
, - IIIII t.- t.-('" ~., r~r ) r-J d t ",. .. -' ~
\ L r- - V'-"": ...-~,., .... ,... -r ... -I
F6add9 F~dim F#m7 Gm7
mm m ~-Hr. tJm-3fr. I I ! .....
~ ...I
" ......_ - r- ~....l - -
I r~~ _;f f ~r= f ' i I
still of the -I J L_ - ]. -- - .......----.... 'P I F
--------mi b~ J I - 1 I' -CliO I r
gone, your love
~ ~ J ...-~- -.........~.......-...... .
r as
--
-~
-
Gm7
tJm-3fr. I ~
_\ , 1/'".J. f l'l.
long
J -~~
Gm7 tJm-3fr. I
-
I ~ "'I-
as
Ll I -_.I:
I ....l .~ ....... - ~" "'I'"' , ('" I
here
I , ... .....~ r Jill-
.I"'o -Gm7
tJm-3fr . I - ..... ~ ..... .,...
""' ...., t"" .) I
here m
- J ........ u -Ill! .....
~~~~-
...... -
in
I 11111...-1 r.~-
I
my
I I
lives
I -
I Jooll...L v-
my
I I ,.
I
my
I
Cll
~ n ...,
~f Deep
L n ""'! r
-r
night once a -----I -l I ---f!_ ,.
~P I Am7-5 m
l I 1 i
... -- , on when moon-light
( . , I
B~m
mm I
1JL ...l r_ ..., -r~p i heart will beat,
J bJ b~ ...... -
Cll C9+
mm mm I
....l -...I ..., -~ ~ ' I Deep Pur - pie I I ("J ....---....- ( -
(No chords)
gain I hold YJ I I I
11111...-1 ...-1 "' ...,. -
07 Am7
1m m 0
-t #tqt#rrrrr beams.~ _ _.
~
~I IIi
,.
...l ...,
-e-
Lov -
I , r .. .. o
Am7
mm-sfr. .......... ....
""-, "'l..r-(" r-
dreams,
r:
":.I
;
I . . T'
er, we'll
I ... .....~ .. _ ... - .. -
--..._
._ .l"'l..-..
i~
""'" ""'" '7 r_
I $== ~~~ , ' . , __ il c...~ r ' . ' !"" .. .. - - t 111111.- ' .. 1&. .. ill- c...-. ('"'IIIIo '. f
[1, f . r ' I Pur -pie dreams.
J {.\
I J .0. I ,. ~"it" ..... ._ ~-- - - _L - C'O....._ ------~ r
33
I
I
I
-
It ~ks IJ5e Gherry Gf3tossom ~ne tn
Together Burke and Leslie wrote many Number One songs, but this one yielded the biggest return in terms of working time expended. Once they had the catchy title, it took them just 20 minutes to complete the song.
Words by: Edgar Leslie
Music by: Joe Burke
,. Moderately, with a lilt
, - -... ,.. . 111 111
/ 1. a -.o '""' o ~ ..,.., fll -... q "-.. ./ ~ ... ... ....
1 r 1 :._: ~~
A7+
8/Cbass m c mm c mm B/Cbass C B/Cbass C m mm mmm ~ ~sfr. ~sfr. .-sfr. .-sfr. J ,., I J I. J l~-
" ,.~. 'I' 'J T,.,._ - - ...., ....1 .,., "" -.... ' ,. . --..: . - '!It .. t-' ~ tJ ~Trf. r- ~TT~ f ~TTf r -f r- 1 I ~ . n!f It Looks Like Rain In Cher - ry Bios- som Lane, The
I I n_~ I ~n-nJ I J II I J J:-Lrj ..... -l -,. ---- ,.. -- - ,.. - - -- I - r - .. - .,. ,.. _, -l ... , ~c ~~c - - /I.\- ~0 I r I I I '"'lr I r 07 G7
- -
A7+ c B/Cb;m c
mm ~sfr. m mm .-sfr. ~sfr. iimm f ~ --s r . ~.J. 1\ ""II
I I "7{ -l lr- ...., -\. 1 Ill .,.,. . u wrf: r~ ~TT~ t
Looks Like Rain In
I Ji_jj I ~ n-n J ,. ,.. - --- - ,.. - - - / ~0 awe -I r I r
. loll._ . - .... (_.. . .. -. Ill t-' r-~TT,- r- 1~ r~ I I Cher - ry Bios- som Lane, Your
I l I I J _r,_jj i ,.. - .. - I - 1- - - . -'!' ,.. ... ,1':
~t": I '"'~' r I r
CD 19:37 Copyright Renewed 1964 by Joe Burke Music Company and Edgar Le .. Exclusive licensee for Joe Burke :\Iusic Co.: Ahlert-Burke Corp.
-
07
- G7 mm B jc bass C B /Cbass C m mm~sfr. m mm~sfr. / f"' I I JL I I I I I I I ll - I - - - 7 ......... , , -\
""" - -1,- ....1 -I .. , ,.. ,.. ,_ - IS. - - I-' - - -- -'~ - - I-' - - IS. _,_ -.... I-' U TT ~ r- I 1i i I i,.i--,;r i-'r ,... U'-'~ I gold - en voice no long - er fills the air. _The
l ili~J ~ .....
J I I I I t...J I I~J -411 4 ... ~ -411 ,,. , I L'- -,"C. \ilj- - --.. ,.. ...I 7 _, ,.. - -- J/11 / - - ~t - - -... " ~-I "f r I r - '-" r ur.! r
E7 A7 07
- mm f"' J I I I J I I I I I I I I I
/ ll - - - - ...... , , filii ... ..... \
I\ J/11 .. - ~ ........... r r \IIIII - . '"' flf~ .. ~ - .,._ -'-'V flf- -._. :-'!'c.- -.n-" Ll - - ..... u r~ 1 1fi r ~~ r i+i r TT
< rip- piing notes have left the old mill stream. There's noth-ing left for
It (~)oJ ~ J,j.~ ~ I. bW J """"- -.., .... ~ .., .. ..., .. , ~ \ / ..... - - " --~0 o- ,..
-e-
B/Cbass
m f"' I
/ ll
\ """ ~ ,_ -' .I ".). U ~rrp
) rain ';
~ ,,. r -.. / ... o \
G7
mm f"' I
-&- '..:::::.:.. ---
a u~u
There'd
A7+ A7
B/Cbass C
mmm -c mm .-sfr. --Sfr. .-sfr. ~ J. I ~"' -. - .,. !-., - 'Jii 'Jii t-' -
I ~,-rf r- f t I in Cher - ry Bios- som Lane, If
n~nJ I J t.L I J .!:1~r:J I - - - ,.. - : - , - -- - -'\" ,.. --~0
C\ ~l)
r I ,.,) r T r
B/Cbass C B/Cbass C B/Cbass C B/Cbass C
B/Cbass m
07
I --,. TT you
, ,.
"U'"-----------c
mm--5ir
no
I I ,. - - r- r
were there to
I
..... ~- -- -J
m m.-Sfr. m m.-Sfr. m m.-Sfr. m m.-sfr. I I
....1 ...I - -- -'j i I . ..-- ..... -- -i ~~-~----f ... _ ~---- 1iiCl!l!: - -~rrr..___-
-
G -
07
m
c
m
Words and Music by:
Leo Robin and Ralph Rainger
When Robin and Rainger had completed their , for the Bing Crosby film Waikiki Wedding. !'. Robin felt it lacked a real potential hit. "Ralr: .. told his partner, "when you get up tomorrotc. g( ~ -piano and jot down the first tune that pops inf head." He did, and that tune was "Blue Hatcaii
G c
mm m and Blue H3 -
' E7 A7
m m The night is heav en - ly
Gdim G mm tit r-3--,
011 m 07 G
mmmm
are
G E7
mm m
With all this
f) 19.'36, 1937 Famous Music Corp. Copyright' rt
-
/
\ l
\
/
~~
l \
A7 07
c
1'1 J,j, m ~ I II ._ ,
#(. -, _...-- , T7'f'lii: .. ,_ -~[7 ~. !'!:: l>oo( """ .. J f) r p f""' VTT- li
Come with me
"if --L: ), J I :J ., -,. ... - . - r .... I , ~
r -
r -r r
A7
1'1 J,j, - ~ II ._ #(. -, '"" '!I! - -~1.7 . liE l>oo(~ -::15. :: tJ ~- ~
r-....._ ....----
' night ~ ~Jung and ~; ~ I ,. - .... -, 7 O .... o
I G c - m
A7 07
come true
G c G
mm m mm
Gdim
mm G -
r
, ...I -1
,. 'S. s '!I::
~ f ,.. .. II' .,... ~ r- - rr #~ while the moon is on the sea. The
I
~J J rJ - ~I ~~ ~ J ~ - ~I"': I - - 7'T -~ .. .. ...., _,_
--- -.. . r-r r r 07
0
ml ~
Bva,
1 011
mm I
- -
-- ~ 7 - ~~ r~ ,.. :: - - !;;..~ -f r- Cf-t-f-~-, f ~ -dJ ----so are we. -J ~ --- J. LLLL[LLl - ---- .. - - -- :.or~ - r~ lJIII'l ,_
~ 0
G E7
mm am
c m G - G6 ~--I2fr
-------------.:.1 ~------..J
*Guitar players may do a long slide to this chord using a knife handle to hold the strings down. .37
-
During a brief period in the Swing E ru. the Hollywood film studios ~- r 'duced a series of short sub-: _i:s featuring dance bands, usu-
_.:':.'1 plauing their established hits. E rd onlu one short," A Song Is E ~rn '19.38) effectively introduced .: l1it. The band was Larry Clinton's, :th cocalist Bea Wain, and the
n;: teas Heart and Soul," Car-r; hael and Loesser's first collab-
,.l:tilm. Carmichael was an estab-:,1Jcd composer at the time, but L Y s ser-later a creator of both
\Yords by: Frank Loesser
07 m-3fr.
,.j _. - -.., fll' ,........ ,_ --''""' ... .... .-I [ \. .I - - - ... -~r r
I
-
HEART AND SOUL
slower
Gmaj7 G#dim
m ~ I I I
.-I .-I .-1' - - " ~
f r~i ,~ I -- I fell in love with you. Heart And Soul I
i ,._. r ~--/
(
Bm7 B~l3
~-7fr. mm f ::::r:.:tt=A FHffi -8 r. ,.... _. I )I _. .-1 ,_ ._
r ""- ,-,~ .... \. ..; ".) " t) I ~
mad - ly
[..._ ,._. - V'-' .. _. ._ / -:L"c 111-
" V'"'~
.3 s
~ .... -r
.,
Am7
~Sfr. I .,
-... --t
be
r:
r
I .. ,. - v -'-J'
I I .... ':Ia --
I --cause you
Ill!--'!-
--~ ;1''-J'
09 m .. Sfr. I
... ~ -I r-=
held
~ I .... . - -r
-me
u:ords and music-u:as still only a lyricist. Carmichael told the Digest that the song kicked around tlzc backrooms of Paramount Pictures for a month before it was assigned to any picture. During that period "the best use the song got teas fi.~r Anthony Quinn's voice practia. This teqs before Quinn became r: star. The teriters were disappointt" ._: tehen their song teas launched : ~-. a minor production, but the di.sa: -pointment teas short-lived as CU:;-ton' s recording became a big sen' ~
Music by: Hoagy Carmichael
G6
mm Btd3
~- ... i~ slowly, and somewhat dre.;m;._.,
-
Am7
~Sfr. 4
07 m .. 3fr. I
---- .... - - -
-o-
the way ,.;;;;;;;;
e./ I I I ,., .... -~c.;
I
G6
mm t I n -ff
tight
r:
-'-J'
--... -a fool
...., r .-I ., -r
Em7 ---~-7fr. 1 - r-&I -
and
r
-6 ~
-.-I -
would do. ~
I -- -
-... -
stole a
(j) 1938 Famous Music Corp. Copyright re: --
-
/
\
' \
/
~
' I
~ ~
It \.
/
~~ <
~~ \.
f'l~ 11 "" " '""
Am7
g .. Sfr. I ... - -
I
' e.! IS. u I r.
kiss
,.. "" .. "" /
c. ::I
Am7
mmSfr. fl ~ '# ~
""" --'"" _, .... \...-.L - -u r -- I
,,. "" r_ -.. "" _, c. 0
A7
m fl ~
.. '# ~-""" .... .... ~~ - -\., "' u ~r
__ and
L ,-,..."" I C. .. ~ L
c. 0
G m f'l ~ 11 "" " '"" ,-I -"''"" ._ u '0'
kissed
I ,.. "" .Ltrr rl
L_ ._
L-..
-~
1'1~ jL_ _If!_
" ~~ ... ,... ~"' ... ., u r
thrill q.c
"",.""' .. "" c. __, r
in
begged
- .... tum - bled
G+
mm e.!
there
I ... ,... ,.....,
,., ,..., 1111 r-
- ing,
~J u c.,
I
l ..1 -
the
... -to
I
r -
07-9 m-4fr.
~ooo-
r-~r-night.
I I ~ - _, ..I/ ....... - -f
07 m-3fr. - I ~ ..1 - - """'-5- vr-
be a - do red.
I I .... ........ '-::Iii - -f
8m7
0~7-5 g-8fr. C7 87+ EHm f!H3-8fr. ftfm-8fr. FfFFR /"ttl a t em ore rhythmically
... -- --- :a ..., I I *I Heart And Soul
p~ b. --14 .,_ -r
I I
Gmaj7
mm F#sus4
mm F7
lim I I I
..1 _..._ ,... _
- - ._ - - ~ooo-I r vl
Lost con - trol
~ .~-J b-J ~ ..... "" Sol "" - "" -r *r ~r
Em7 ...............
8~13
m-8fr.
~r
L. v-
"""'-v-I
E7
m i
LL~ .. T.
r 07 m-3fr. ~-7fr. ~-7fr. 07 m-3fr. ~ I I
L"l .... ._ - 14- -~w .,, r'~r o - ver - board, glad -
I I ... .-,-I ... -... ~ --..., .... ....
~ -r r
G6 G7
mm m I -I .., ... .. - - ...-l ._
r= in the moon - mist.
I I -----
~
__::::::;
07 G7 C7 m-3fr. mm m """' "..J """ '.) ,... I I ttill much too -
~-6- ,.:1 be -,..~ ";..J ._ ._ r r
I I I I I I .... .... _ ....... -- --- ""- - - ~-t-~r- r r- vr-
ly that mag - ic night we
... I I r ,... - ~ ... .... ._ - - r r r c 87
~-8fr. ~mr7fr.
rather freely (rush it a bit) -I I ........., I ~ e..! ... " - - -,..,_ -r ~i
Oh! but your lips were
r-:J LL I ,. I - ~ . 87 c m-7fr. ~-8fr. -I .. .... CJ "-
1rj r ing. Nev-er
- tJ. ..., . - ._
....,
\OJ {illf' ... ( \ ... 1-,., --
87 m-7fr. I .... --r0r
l
' I
be - fore were
-..., --
.......
.39
-
I
I
~-ill 11! ,_ ,.,. -'
E7 ~-Sfr.
.... ,..{ -~
A7
~mr-Sfr. I
u I. - -
07 m-3fr.
/I [J,J_(
,_
G7
mm -~_n ~~ ._
C7 07 m m-3fr 1
,., f..; r_____,~,
t "----'r 'Tl ~"--1' ~~i -~r r mine so strange - ly will
:..a '\. ..... .. ~
/..
r 0~7-5
~-8fr.
L.~J C2.
I
C7
ij00-8fr.
87+
a-8fr.
b-6 ' ....
r 8~13
~-8fr.
~ .~~.
~--
r Am7
~-Sfr.
be
-r
tJ.- a little more rhythmically as before ' ., .. , '"" - _, .1"1~ .'\.../ - .. ...., f..; I ffj
now I see
p ~ b. -... ~,.. -, ..... ..... / v- - --
f I
G maj 7 F#sus4 __j2__ 0 ~7 00
~mmmmm
fl ~ 11 ....
II.
'"'"' '\. f)
Am7
~-Sfr. l -..
r l I _. -
-- that lit - tle
,.~ r .L-/
r o
(No chords)
tJ ~ more rapidly 'J
" L~ ( .r
-
The glory of Love By:
Hill, a one-time cotcpoke, classical violin student and miner, was working in New Y ark as a doorman. But depression-time tips tcere meager and he turned to song-tcriting to supplement his inc01ne. He struck gold tcith "The Last Round-Up" and "Wagon Wheels," then tcith "The Glory of Love" in 1936. In 1967 a new genera-tion discovered this song in the film Guess Who's Coming to Dinner.
Billy Hill
With an easy swing fl ~ ,__ . I 11 "' ,. ~-,~ L..J. - - - , -t- e.l "' ,.. r-r L...l-
' u ,..
mp t ~ :::::> t
... ,. "' ~ ~ "' L..J. ..-1 - - , - - e.l / ,. - - ,.. L..J. -' i ~ -r- r --r-~--r- rf ~ ~ u~ ~ --- ---- -t ~ t- t-t- ...-......_........
/ fl~ I I I. I I I l I Jtl~ " ' II. ..-1 ...... ...... .. ....
G - D7 mm G
mit
\ 1(. . "' - ' e.l :a :a ::a ::;;;, ;:;;,. '"" s .... --- r- r-' J _, r- r-: .-I ,....r~ u - I v D r= l ~ ~= ., II' II' II' ~
You've got to giv~ a lit - tie, take a lit - tie and let your poor heart
' I I J r-1 I I _l I
-'-'__!! - , - ~-- ~ .. "' e./ , - ~- -' r - ~-/ r - - \.. - ~ -t ~ r " -c m
r r C~dim G
m-sr,ml r r
D7
mm
That's the sto - ry That's The Glo - ry Of
r r r r r G D7 G - mm -fl~ I / 'J ~ "
\ ,.. , e.l ..... " '"" .co.- --..__. ,.. .. \,. "' - - ...... !-" r-: -u u- -e- - I v P r:
Love. You've got to laur1- a lit - tie, It ~ i I I -~ J I -- I I ,.~ - -.iii ... .... _L _!I!_ ~ -- IJ .. ... - - II-_/ - - .-I "\ - - - .. ,_ -- ... ' - r D r i i r i
CD 1936 Shapiro B.:-rnstc-tr. & Co. Copyright renewed 41
-
07
- G mm c m c:dim
t. -- I I> I l I I I I ~ Jl ~- ' -' -' .. .-1 ..1 _,. I "' I', _._. I ' .. s; s; 5 ~ a r,..,.. I r- ,... -'- ~ ~ .. -' !
t) l ~ r= .. ~ I ~ ~~ cry a lit - tle, Be -fore the clouds roll by a lit - tle:
~ I I I I ~--- - I_ - --.~ \Ill ....I .. ,. .... ,.. ;,- _ill!_ r~
/ - - ...._ - ---; ~ .. I I I - - - -.... i r r 07 G
mm
------------------
r
As as there's the two of us __ _ We've got
Bm7
1m B~dim - 07 ~ Fmo G7 mmmm !'lilt I I I I I " I ... 'il t11f ... .-1 ~"L l --" - - ... _ - -- .. _lr_ -,_ - - v:r- T r- _, - ,. -\,~ 1.. 1.. , - 111Cil. Ill ts.
~ i j r r- f I' I' l vr ~ r ( world and all its charms. when the world lS I ~
"-~-..-_ - - - ""- .... _tllf - - , - -- -/ -- -- 111...- .... ,. _, - - v ~, II - - -- -I I I I - I I I I -A7 07
-fl ,;;, I I I I I I - -'il- 7. _,
" - LJe e1 ... ... -' ... -- -., '"' - ,... :a ~ lli :15. ..1 ~ _'.,~ r- - ... till
-
G 07 G
mm m; mm fl ~ I I .. I I I I I
/ II tlflf " ' ... ... ... ....J ....
\ 1'1 ...... " ' e.{ ~ 5 ... Jllii. '"" Jllii. -I l I ,... ~ '"' l.f
r- l"'f .... ,.n ~ I v D f= l ~ r= ~ !I' ~
win a lit - tie, lose a lit - tie, And al - ways have the
' r-1! I I ~ I I I "',. ""' - ... - , - - ~o~~..-.. ""' - - il- ,... fill- Ill! / - ... \ - .r..~
f r r, I I -I c