traditional logic ii - memoria pressa syllogism is either valid or invalid. if it is not invalid,...

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1 Traditional Logic II Martin Cothran Instructor Indirect Reduction of Syllogisms Review of Reduction Explanation of Indirect Reduction Indirect Reduction of BAROCO The Three Steps of Reduction A Review of Contradictory Statements Indirect Reduction of BOCARDO The Three Steps for Reducing a BOCARDO Review of Chapter

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1

Traditional Logic II

Martin Cothran

Instructor

Indirect Reduction of Syllogisms

Review of ReductionExplanation of Indirect ReductionIndirect Reduction of BAROCOThe Three Steps of Reduction

A Review of Contradictory StatementsIndirect Reduction of BOCARDO

The Three Steps for Reducing a BOCARDO Review of Chapter

2

Reduction of Syllogisms

Review of ReductionExplanation of Indirect ReductionIndirect Reduction of BAROCOThe Three Steps of Reduction

A Review of Contradictory StatementsIndirect Reduction of BOCARDO

The Three Steps for Reducing a BOCARDO Review of Chapter

What is Reduction?

Reduction of a syllogism is the process of changing a 2nd, 3rd, or 4th Figure syllogism into a

syllogism of the 1st Figure

3

Two Methods for Reducing Syllogisms

Direct Reduction

Indirect Reduction

BARBARA, CELARENT, DARII, FERIOqueprioris;

CESARE, CAMESTRES, FESTINO, BAROCO secundae;

Tertia; DARAPTI, DISAMIS, DATISI, FELAPTON, BOCARDO, FERISON habet;

Quarta insuper addit; BRAMANTIP, CAMENES, DIMARIS, FESAPO, FRESISON

The Mnemonic Verse

4

BARBARA, CELARENT, DARII, FERIOqueprioris;

CESARE, CAMESTRES, FESTINO, BAROCOsecundae;

Tertia; DARAPTI, DISAMIS, DATISI, FELAPTON, BOCARDO, FERISON habet;

Quarta insuper addit; BRAMANTIP, CAMENES, DIMARIS, FESAPO, FRESISON

The Mnemonic Verse

BARBARA, CELARENT, DARII, FERIOqueprioris;

CESARE, CAMESTRES, FESTINO, BAROCO secundae;

Tertia; DARAPTI, DISAMIS, DATISI, FELAPTON, BOCARDO, FERISON habet;

Quarta insuper addit; BRAMANTIP, CAMENES, DIMARIS, FESAPO, FRESISON

The Mnemonic Verse

5

BARBARA, CELARENT, DARII, FERIOqueprioris;

CESARE, CAMESTRES, FESTINO, BAROCOsecundae;

Tertia; DARAPTI, DISAMIS, DATISI, FELAPTON, BOCARDO, FERISON habet;

Quarta insuper addit; BRAMANTIP, CAMENES, DIMARIS, FESAPO, FRESISON

The Mnemonic Verse

BARBARA, CELARENT, DARII, FERIOqueprioris;

CESARE, CAMESTRES, FESTINO, BAROCO secundae;

Tertia; DARAPTI, DISAMIS, DATISI, FELAPTON, BOCARDO, FERISON habet;

Quarta insuper addit; BRAMANTIP, CAMENES, DIMARIS, FESAPO, FRESISON

The Mnemonic Verse

6

BARBARA, CELARENT, DARII, FERIOqueprioris;

CESARE, CAMESTRES, FESTINO, BAROCO secundae;

Tertia; DARAPTI, DISAMIS, DATISI, FELAPTON, BOCARDO, FERISON habet;

Quarta insuper addit; BRAMANTIP, CAMENES, DIMARIS, FESAPO, FRESISON

The Mnemonic Verse

BARBARA, CELARENT, DARII, FERIOqueprioris;

CESARE, CAMESTRES, FESTINO, BAROCO secundae;

Tertia; DARAPTI, DISAMIS, DATISI, FELAPTON, BOCARDO, FERISON habet;

Quarta insuper addit; BRAMANTIP, CAMENES, DIMARIS, FESAPO, FRESISON

The Mnemonic Verse

7

BARBARA, CELARENT, DARII, FERIOqueprioris;

CESARE, CAMESTRES, FESTINO, BAROCOsecundae;

Tertia; DARAPTI, DISAMIS, DATISI, FELAPTON, BOCARDO, FERISON habet;

Quarta insuper addit; BRAMANTIP, CAMENES, DIMARIS, FESAPO, FRESISON

The Mnemonic Verse

BARBARA, CELARENT, DARII, FERIOqueprioris;

CESARE, CAMESTRES, FESTINO, BAROCOsecundae;

Tertia; DARAPTI, DISAMIS, DATISI, FELAPTON, BOCARDO, FERISON habet;

Quarta insuper addit; BRAMANTIP, CAMENES, DIMARIS, FESAPO, FRESISON

The Mnemonic Verse

8

Reduction of Syllogisms

Review of ReductionExplanation of Indirect ReductionIndirect Reduction of BAROCOThe Three steps of Reduction

A Review of Contradictory StatementsIndirect Reduction of BOCARDO

The Three Steps for Reducing a BOCARDOReview of Chapter

S: Simple conversion of the proposition signified by the preceding vowel

P: Per accidens, or partial conversion of the proposition signified by the preceding vowel

M: Mutatio, or transposition of the premises; make the minor premise the major, and the major the minor

C: Reduction by contradiction. This is the indirect method of reduction through (rather than to) BARBARA. It is signified by a non-initial c and is applied only to BAROCO AND BOCARDO

Rules for Reduction

9

S: Simple conversion of the proposition signified by the preceding vowel

P: Per accidens, or partial conversion of the proposition signified by the preceding vowel

M: Mutatio, or transposition of the premises; make the minor premise the major, and the major the minor

C: Reduction by contradiction. This is the indirect method of reduction through (rather than to) BARBARA. It is signified by a non-initial c and is applied only to BAROCO AND BOCARDO

Rules for Reduction

BARBARA, CELARENT, DARII, FERIOqueprioris;

CESARE, CAMESTRES, FESTINO, BAROCO secundae;

Tertia; DARAPTI, DISAMIS, DATISI, FELAPTON, BOCARDO, FERISON habet;

Quarta insuper addit; BRAMANTIP, CAMENES, DIMARIS, FESAPO, FRESISON

The Mnemonic Verse

10

What is Indirect Reduction?

Indirect reduction is the process of showing that an argument form

is valid by showing that it is impossible for it to be invalid

What does this mean?

A syllogism is either valid or invalid. If it is not invalid, then it

must be valid.

11

The Principle Behind Indirect Reduction

In a valid syllogism, if the conclusion is false, then at least one of the

premises must be false

An Example of the Principle

All plants are animalsThe daisy is a plant

The daisy is an animal

12

An Example of the Principle

All plants are animalsThe daisy is a plant

The daisy is an animal

sub-prae (1st Figure)

An Example of the Principle

All plants are animalsThe daisy is a plant

The daisy is an animal

sub-prae (1st Figure)

A:A:A:

13

BARBARA, CELARENT, DARII, FERIOqueprioris;

CESARE, CAMESTRES, FESTINO, BAROCO secundae;

Tertia; DARAPTI, DISAMIS, DATISI, FELAPTON, BOCARDO, FERISON habet;

Quarta insuper addit; BRAMANTIP, CAMENES, DIMARIS, FESAPO, FRESISON

The Mnemonic Verse

BARBARA, CELARENT, DARII, FERIOqueprioris;

CESARE, CAMESTRES, FESTINO, BAROCO secundae;

Tertia; DARAPTI, DISAMIS, DATISI, FELAPTON, BOCARDO, FERISON habet;

Quarta insuper addit; BRAMANTIP, CAMENES, DIMARIS, FESAPO, FRESISON

The Mnemonic Verse

14

BARBARA, CELARENT, DARII, FERIOqueprioris;

CESARE, CAMESTRES, FESTINO, BAROCO secundae;

Tertia; DARAPTI, DISAMIS, DATISI, FELAPTON, BOCARDO, FERISON habet;

Quarta insuper addit; BRAMANTIP, CAMENES, DIMARIS, FESAPO, FRESISON

The Mnemonic Verse

BARBARA, CELARENT, DARII, FERIOqueprioris;

CESARE, CAMESTRES, FESTINO, BAROCO secundae;

Tertia; DARAPTI, DISAMIS, DATISI, FELAPTON, BOCARDO, FERISON habet;

Quarta insuper addit; BRAMANTIP, CAMENES, DIMARIS, FESAPO, FRESISON

The Mnemonic Verse

15

An Example of the Principle

All plants are animalsThe daisy is a plant

The daisy is an animal

BARBARA

An Example of the Principle

All plants are animalsThe daisy is a plant

The daisy is an animal

BARBARA

16

The Principle Behind Indirect Reduction

In a valid syllogism, if the conclusion is false, then at least one of the

premises must be false

An Example of the Principle

All plants are animalsThe daisy is a plant

The daisy is an animal

BARBARA

17

An Example of the Principle

All plants are animalsThe daisy is a plant

The daisy is an animal

BARBARA

An Example of the Principle

All plants are animalsThe daisy is a plant

The daisy is an animal

BARBARA

18

Indirect Reduction of BAROCO

All collies are dogsSome animals are not dogsSome animals are not collies

Indirect Reduction of BAROCO

All collies are dogsSome animals are not dogsSome animals are not collies

19

BARBARA, CELARENT, DARII, FERIOqueprioris;

CESARE, CAMESTRES, FESTINO, BAROCO secundae;

Tertia; DARAPTI, DISAMIS, DATISI, FELAPTON, BOCARDO, FERISON habet;

Quarta insuper addit; BRAMANTIP, CAMENES, DIMARIS, FESAPO, FRESISON

The Mnemonic Verse

BARBARA, CELARENT, DARII, FERIOqueprioris;

CESARE, CAMESTRES, FESTINO, BAROCOsecundae;

Tertia; DARAPTI, DISAMIS, DATISI, FELAPTON, BOCARDO, FERISON habet;

Quarta insuper addit; BRAMANTIP, CAMENES, DIMARIS, FESAPO, FRESISON

The Mnemonic Verse

20

Indirect Reduction of BAROCO

All collies are dogsSome animals are not dogsSome animals are not collies

A:O:O:

prae-prae (2nd Figure)

BARBARA, CELARENT, DARII, FERIOqueprioris;

CESARE, CAMESTRES, FESTINO, BAROCOsecundae;

Tertia; DARAPTI, DISAMIS, DATISI, FELAPTON, BOCARDO, FERISON habet;

Quarta insuper addit; BRAMANTIP, CAMENES, DIMARIS, FESAPO, FRESISON

The Mnemonic Verse

21

Indirect Reduction of BAROCO

All collies are dogsSome animals are not dogsSome animals are not collies

BAROCO

The Principle

In a valid syllogism, if the conclusion is false, then at least one of the

premises must be false

22

The PrincipleApplied

If the syllogism is valid, then when we deny the conclusion we should end up with a

denial of one of the premises.

Indirect Reduction of Syllogisms

Review of ReductionExplanation of Indirect ReductionIndirect Reduction of BAROCO

The Three Steps for Reducing a BAROCOA Review of Contradictory Statements

Indirect Reduction of BOCARDO The Three Steps for Reducing a BOCARDO

Review of Chapter

23

The Three Steps for Reducing a BAROCO

STEP #1: Retain the original major premise

STEP #2: Use the contradiction of the original conclusion as the new minor

premiseSTEP #3: Derive the new conclusion, which, if the original syllogism is valid,

should be the contradiction of the original minor premise

The Three Steps for Reducing a BAROCO

STEP #1: Retain the original major premise

STEP #2: Use the contradiction of the original conclusion as the new minor

premiseSTEP #3: Derive the new conclusion, which, if the original syllogism is valid,

should be the contradiction of the original minor premise

24

The Three Steps for Reducing a BAROCO

STEP #1: Retain the original major premise

STEP #2: Use the contradiction of the original conclusion as the new minor

premiseSTEP #3: Derive the new conclusion,

which, if the original syllogism is valid, should be the contradiction of the original

minor premise

The Three Steps for Reducing a BAROCO

STEP #1: Retain the original major premise

STEP #2: Use the contradiction of the original conclusion as the new minor

premiseSTEP #3: Derive the new conclusion,

which, if the original syllogism is valid, should be the contradiction of the original

minor premise

25

Indirect Reduction of BAROCO

All collies are dogsSome animals are not dogsSome animals are not collies

BAROCO

Indirect Reduction of BAROCO

All collies are dogsSome animals are not dogsSome animals are not collies

BAROCO

26

Indirect Reduction of BAROCO

All collies are dogsSome animals are not dogsSome animals are not collies

BAROCO

Indirect Reduction of BAROCO

All collies are dogsSome animals are not dogsSome animals are not collies

BAROCO

27

The Three Steps of Indirect Reduction

Retain the original major premiseUse the contradiction of the original

conclusion as the new minor premiseDerive the new conclusion, which, if

the original syllogism is valid, should be the contradiction of the original

minor premise

Four Kinds of Opposition

ContradictoryContrary

SubcontrarySubaltern

28

Four Kinds of Opposition

ContradictoryContrary

SubcontrarySubaltern

Rule of Contradiction

Contradictory statements are statements that differ in both

quality and quantity.

29

Quantity and Quality of the Four Categorical Statements

Quality

Affirmative Negative

Universal A E

Quantity

Particular I O

The First Law of Opposition

Contradictories cannot at the same time be true nor at the

same time false.

30

Quantity and Quality of the Four Categorical Statements

Quality

Affirmative Negative

Universal A E

Quantity

Particular I O

Contradictory Statements

A: All men are mortalO: Some men are not

mortal

31

Quantity and Quality of the Four Categorical Statements

Quality

Affirmative Negative

Universal A E

Quantity

Particular I O

Contradictory Statements

E: No men are godsI: Some men are gods

32

The Three Steps of Indirect Reduction

Retain the original major premiseUse the contradiction of the original

conclusion as the new minor premiseDerive the new conclusion, which, if

the original syllogism is valid, should be the contradiction of the original

minor premise

Indirect Reduction of BAROCO

All collies are dogsSome animals are not dogsSome animals are not collies

BAROCO

33

What statement is the contradictory of this

statement?

Some animals are not collies

We first change the quantity

Some animals are not collies

No animals are collies

FROM:

34

We first change the quantity

Some animals are not collies

No animals are colliesTO:

We then change the quality

No animals are collies

All animals are collies

FROM:

35

We then change the quality

No animals are collies

All animals are colliesTO:

Indirect Reduction of BAROCO

All collies are dogsSome animals are not dogsSome animals are not collies

BAROCO

36

Indirect Reduction of BAROCO

All collies are dogsAll animals are collies

Some animals are not collies

The Three Steps of Indirect Reduction

Retain the original major premiseUse the contradiction of the original

conclusion as the new minor premiseDerive the new conclusion, which, if

the original syllogism is valid, should be the contradiction of the original

minor premise

37

Indirect Reduction of BAROCO

All collies are dogsAll animals are collies

?

Indirect Reduction of BAROCO

All collies are dogsAll animals are colliesAll animals are dogs

38

The PrincipleApplied

If the syllogism is valid, then when we deny the conclusion we should end up with a

denial of one of the premises.

Indirect Reduction of BAROCO

All collies are dogsSome animals are not dogsSome animals are not collies

BAROCO

39

Indirect Reduction of BAROCO

All collies are dogsAll animals are colliesAll animals are dogs

The Three Steps of Indirect Reduction

Retain the original major premiseUse the contradiction of the original

conclusion as the new minor premiseDerive the new conclusion, which, if

the original syllogism is valid, should be the contradiction of the original

minor premise

40

Is the new conclusion contradictory to the original

minor premise?

All animals are dogs

Some animals are not dogs

Is the new conclusion contradictory to the original

minor premise?

All animals are dogs

Some animals are not dogs

A:

O:

41

Indirect Reduction of BAROCO

O: Some animals are not dogsvs.

A: All animals are dogs

Indirect Reduction of BAROCO

All collies are dogsAll animals are colliesAll animals are dogs

BARBARA

42

Reduction of Syllogisms

Review of ReductionExplanation of Indirect ReductionIndirect Reduction of BAROCOThe Three Steps of Reduction

A Review of Contradictory StatementsIndirect Reduction of BOCARDO

Review of Chapter

Indirect Reduction of BOCARDO

Some dogs are not collies All dogs are animals

Some animals are not collies

43

Indirect Reduction of BOCARDO

Some dogs are not collies All dogs are animals

Some animals are not collies

BARBARA, CELARENT, DARII, FERIOqueprioris;

CESARE, CAMESTRES, FESTINO, BAROCO secundae;

Tertia; DARAPTI, DISAMIS, DATISI, FELAPTON, BOCARDO, FERISON habet;

Quarta insuper addit; BRAMANTIP, CAMENES, DIMARIS, FESAPO, FRESISON

The Mnemonic Verse

44

BARBARA, CELARENT, DARII, FERIOqueprioris;

CESARE, CAMESTRES, FESTINO, BAROCO secundae;

Tertia; DARAPTI, DISAMIS, DATISI, FELAPTON, BOCARDO, FERISON habet;

Quarta insuper addit; BRAMANTIP, CAMENES, DIMARIS, FESAPO, FRESISON

The Mnemonic Verse

Indirect Reduction of BOCARDO

Some dogs are not collies All dogs are animals

Some animals are not collies

O:A:O:

45

BARBARA, CELARENT, DARII, FERIOqueprioris;

CESARE, CAMESTRES, FESTINO, BAROCO secundae;

Tertia; DARAPTI, DISAMIS, DATISI, FELAPTON, BOCARDO, FERISON habet;

Quarta insuper addit; BRAMANTIP, CAMENES, DIMARIS, FESAPO, FRESISON

The Mnemonic Verse

Indirect Reduction of BOCARDO

Some dogs are not collies All dogs are animals

Some animals are not collies

BOCARDO

46

The Principle

In a valid syllogism, if the conclusion is false, then at least one of the

premises must be false

The PrincipleApplied

If the syllogism is valid, then when we deny the conclusion we should end up with a

denial of one of the premises.

47

Reduction of Syllogisms

Review of ReductionExplanation of Indirect ReductionIndirect Reduction of BAROCOThe Three Steps of Reduction

A Review of Contradictory StatementsIndirect Reduction of BOCARDO

The Three Steps of ReductionReview of Chapter

The Three Steps for Reducinga BOCARDO

Retain the original minor premiseUse the contradiction of the original

conclusion as the new major premiseDerive the new conclusion, which, if

the original syllogism is valid, should be the contradiction of the original

major premise

48

The Three Steps for Reducinga BOCARDO

Retain the original minor premiseUse the contradiction of the original

conclusion as the new major premiseDerive the new conclusion, which, if

the original syllogism is valid, should be the contradiction of the original

major premise

Indirect Reduction of BOCARDO

Some dogs are not collies All dogs are animals

Some animals are not collies

BOCARDO

49

Indirect Reduction of BOCARDO

Some dogs are not collies All dogs are animals

Some animals are not collies

BOCARDO

Indirect Reduction of BOCARDO

Some dogs are not collies All dogs are animals

Some animals are not collies

BOCARDO

50

Indirect Reduction of BOCARDO

Some dogs are not collies All dogs are animals

Some animals are not collies

BOCARDO

The Three Steps of Indirect Reduction

Retain the original minor premiseUse the contradiction of the original

conclusion as the new major premiseDerive the new conclusion, which, if

the original syllogism is valid, should be the contradiction of the original

major premise

51

Indirect Reduction of BOCARDO

Some dogs are not collies All dogs are animals

Some animals are not collies

BOCARDO

What statement is the contradictory of this

statement?

Some animals are not collies

52

We first change the quantity

Some animals are not collies

No animals are collies

FROM:

We first change the quantity

Some animals are not collies

No animals are colliesTO:

53

We then change the quality

No animals are collies

All animals are collies

FROM:

We then change the quality

No animals are collies

All animals are colliesTO:

54

Indirect Reduction of BOCARDO

Some dogs are not collies All dogs are animalsAll animals are collies

Indirect Reduction of BOCARDO

All animals are colliesAll dogs are animalsAll animals are collies

55

The Three Steps of Indirect Reduction

Retain the original minor premiseUse the contradiction of the original

conclusion as the new major premiseDerive the new conclusion, which, if

the original syllogism is valid, should be the contradiction of the original

major premise

Indirect Reduction of BOCARDO

All animalsM are colliesP

All dogsS are animalsM

?

56

Indirect Reduction of BOCARDO

All animalsM are colliesP

All dogsS are animalsM

All dogsS are __________P

BARBARA

Indirect Reduction of BOCARDO

All animalsM are colliesP

All dogsS are animalsM

All dogsS are colliesP

BARBARA

57

The Three Steps of Indirect Reduction

Retain the original major premiseUse the contradiction of the original

conclusion as the new minor premiseDerive the new conclusion, which, if

the original syllogism is valid, should be the contradiction of the original

minor premise

Is the new conclusion contradictory to the original

minor premise?

All dogs are collies

Some dogs are not collies

58

Is the new conclusion contradictory to the original

minor premise?

All dogs are collies

Some dogs are not collies

A:

O:

All dogs are collies

Some dogs are not collies

A:

O:

Is the new conclusion contradictory to the original

minor premise?

59

The Three Steps of Indirect Reduction

Retain the original major premiseUse the contradiction of the original

conclusion as the new minor premiseDerive the new conclusion, which, if

the original syllogism is valid, should be the contradiction of the original

minor premise

Indirect Reduction of BOCARDO

All animals are colliesAll dogs are animalsAll dogs are collies

BARBARA

60

Reduction of Syllogisms

Review of ReductionExplanation of Indirect ReductionIndirect Reduction of BAROCOThe Three Steps of Reduction

A Review of Contradictory StatementsIndirect Reduction of BOCARDO

Review of Chapter

Indirect ReductionIndirect Reduction (IR) shows the validity of syllogisms

by showing that it is impossible for it to be invalid.

IR of BAROCO involves keeping the original majorpremise and replacing the minor premise with the

contradiction of the conclusion, which should yield the contradiction of the original minor premise.

IR of BOCARDO involves keeping the original minorpremise and replacing the major premise with the

contradiction of the conclusion, which should yield the contradiction of the original major premise.

61

Review of Exercises

How to create a syllogism

A review of Direct Reduction

Exercises 25-43

Creating your own syllogisms

62

Creating a Syllogism

Step #1: Construct your conclusion 1st. Step #2: Provide the correct quantifiers for the premises.Step #3: Determine the location of the middle terms.Step #4: Identify major & minor terms.Step #5: Fill in the middle terms.

Exercises 26

Creating your own CELARENT

63

Creating a Syllogism

Step #1: Construct your conclusion 1st.Step #2: Provide the correct quantifiers for the premises.Step #3: Determine the location of the middle terms.Step #4: Identify major & minor terms.Step #5: Fill in the middle terms.

Step #1: Begin with a Conclusion

Make sure it is the correct quantity and quality

64

Exercises 26

Creating your own CELARENT

Exercises 26

Creating your own CELARENT

65

Step #1: Begin with a Conclusion

No _________ is a ____________

Step #1: Begin with a Conclusion

No _________ is a ____________

66

Step #1: Begin with a Conclusion

No _________ is ____________

Step #1: Begin with a Conclusion

No _________ is ____________

67

Step #1: Begin with a Conclusion

No Sneetch is a Lorax

Step #1: Begin with a Conclusion

No Sneetch is a Lorax

68

Creating a Syllogism

Step #1: Construct your conclusion 1st. Step #2: Provide the correct quantifiers for the premises.Step #3: Determine the location of the middle terms.Step #4: Identify major & minor terms.Step #5: Fill in the middle terms.

Exercises 26

Creating your own CELARENT

69

Exercises 26

Creating your own CELARENT

Exercises 26

Creating your own CELARENT

70

Exercises 26

Creating your own CELARENT

Step #2: Provide Correct Quantifiers for Premises

No ________ is ____________All ________ is ____________

No Sneetch is a Lorax

71

Creating a Syllogism

Step #1: Construct your conclusion 1st. Step #2: Provide the correct quantifiers for the premises.Step #3: Determine the location of the middle terms.Step #4: Identify major & minor terms.Step #5: Fill in the middle terms.

BARBARA, CELARENT, DARII, FERIOqueprioris;

CESARE, CAMESTRES, FESTINO, BAROCO secundae;

Tertia; DARAPTI, DISAMIS, DATISI, FELAPTON, BOCARDO, FERISON habet;

Quarta insuper addit; BRAMANTIP, CAMENES, DIMARIS, FESAPO, FRESISON

The Mnemonic Verse

72

BARBARA, CELARENT, DARII, FERIOqueprioris;

CESARE, CAMESTRES, FESTINO, BAROCO secundae;

Tertia; DARAPTI, DISAMIS, DATISI, FELAPTON, BOCARDO, FERISON habet;

Quarta insuper addit; BRAMANTIP, CAMENES, DIMARIS, FESAPO, FRESISON

The Mnemonic Verse

Step #3: Determine Location of Middle Terms

No ________ is ____________All ________ is ____________

No Sneetch is a Lorax

73

Step #3: Determine Location of Middle Terms

No ________M is ____________All ________ is ____________

No Sneetch is a Lorax

Step #3: Determine Location of Middle Terms

No ________M is ____________All ________ is ____________M

No Sneetch is a Lorax

74

Creating a Syllogism

Step #1: Construct your conclusion 1st. Step #2: Provide the correct quantifiers for the premises.Step #3: Determine the location of the middle terms.Step #4: Identify major & minor terms.Step #5: Fill in the middle terms.

Step #4: Identify Major & Minor Terms

No ________M is ____________All ________ is ____________M

No SneetchS is a LoraxP

75

Step #4: Identify Major & Minor Terms

No ________M is ____________All ________ is ____________M

No SneetchS is a LoraxP

Step #4: Identify Major & Minor Terms

No ________M is ____________All ________ is ____________M

No SneetchS is a LoraxP

76

Step #4: Identify Major & Minor Terms

No ________M is a LoraxP

All ________ is ____________M

No SneetchS is a LoraxP

Step #4: Identify Major & Minor Terms

No ________M is a LoraxP

All ________ is ____________M

No SneetchS is a LoraxP

77

Step #4: Identify Major & Minor Terms

No ________M is a LoraxP

All SneetchesS are ____________M

No SneetchS is a LoraxP

Step #4: Identify Major & Minor Terms

No ________M is a LoraxP

All SneetchesS are ____________M

No SneetchS is a LoraxP

78

Creating a Syllogism

Step #1: Construct your conclusion 1st. Step #2: Provide the correct quantifiers for the premises.Step #3: Determine the location of the middle terms.Step #4: Identify major & minor terms.Step #5: Fill in the middle term.

Rule #1 for Determining the Middle Term

If the quality of the conclusion is affirmative, then pick something the things signified by the major

and minor terms have in common.

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Rule #2 for Determining the Middle Term

If the quality of the conclusion is negative, then pick something the things signified by the major and

minor terms do NOT have in common.

Step #5: Fill in theMiddle Term

No ________M is a LoraxP

All SneetchesS are ____________M

No SneetchS is a LoraxP

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Step #5: Fill in theMiddle Term

No ________M is a LoraxP

All SneetchesS are ____________M

No SneetchS is a LoraxP

Step #5: Fill in theMiddle Term

No ________M is a LoraxP

All SneetchesS are ____________M

No SneetchS is a LoraxP

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Step #5: Fill in theMiddle Term

No feathered thingM is a LoraxP

All SneetchesS are ____________M

No SneetchS is a LoraxP

Step #5: Fill in theMiddle Term

No feathered thingM is a LoraxP

All SneetchesS are feathered thingsM

No SneetchS is a LoraxP

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Step #5: Fill in theMiddle Term

No feathered thingM is a LoraxP

All SneetchesS are feathered thingsM

No SneetchS is a LoraxP

Exercises 33

Creating your own DARAPTI

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Creating a Syllogism

Step #1: Construct your conclusion 1st.Step #2: Provide the correct quantifiers for the premises.Step #3: Determine the location of the middle terms.Step #4: Identify major & minor terms.Step #5: Fill in the middle terms.

Exercises 33

Creating your own DARAPTI

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Step #1: Begin with a Conclusion

Some _________ are ____________

Step #1: Begin with a Conclusion

Some things are things that can sing

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Creating a Syllogism

Step #1: Construct your conclusion 1st. Step #2: Provide the correct quantifiers for the premises.Step #3: Determine the location of the middle terms.Step #4: Identify major & minor terms.Step #5: Fill in the middle terms.

Exercises 33

Creating your own DARAPTI

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Step #2: Provide Correct Quantifiers for Premises

All ________ is ____________All ________ is ____________

Some things are things that can sing

Creating a Syllogism

Step #1: Construct your conclusion 1st. Step #2: Provide the correct quantifiers for the premises.Step #3: Determine the location of the middle term.Step #4: Identify major & minor terms.Step #5: Fill in the middle terms.

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Exercises 33

Creating your own DARAPTI

BARBARA, CELARENT, DARII, FERIOqueprioris;

CESARE, CAMESTRES, FESTINO, BAROCO secundae;

Tertia; DARAPTI, DISAMIS, DATISI, FELAPTON, BOCARDO, FERISON habet;

Quarta insuper addit; BRAMANTIP, CAMENES, DIMARIS, FESAPO, FRESISON

The Mnemonic Verse

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Step #3: Determine Location of Middle Term

All ________ is ____________All ________ is ____________

Some things are things that can sing

Step #3: Determine Location of Middle Term

All ________M is ____________All ________M is ____________

Some things are things that can sing

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Creating a Syllogism

Step #1: Construct your conclusion 1st. Step #2: Provide the correct quantifiers for the premises.Step #3: Determine the location of the middle terms.Step #4: Identify major & minor terms.Step #5: Fill in the middle terms.

Step #4: Identify Major and Minor Terms

All ________M is ____________All ________M is ____________

Some things are things that can singP

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Step #4: Identify Major and Minor Terms

All ________M is ____________All ________M is ____________

Some thingsS are things that can singP

Step #4: Identify Major and Minor Terms

All ________M is ____________All ________M is ____________

Some thingsS are things that can singP

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Step #4: Identify Major and Minor Terms

All ________M are things that can singP

All ________M is ____________Some thingsS are things that can singP

Step #4: Identify Major and Minor Terms

All ________M are things that can singP

All ________M are thingsS

Some thingsS are things that can singP

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Step #4: Identify Major and Minor Terms

All ________M are things that can singP

All ________M are thingsS

Some thingsS are things that can singP

Creating a Syllogism

Step #1: Construct your conclusion 1st. Step #2: Provide the correct quantifiers for the premises.Step #3: Determine the location of the middle term.Step #4: Identify major & minor terms.Step #5: Fill in the middle term.

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Rule #1 for Determining the Middle Term

If the quality of the conclusion is affirmative, then pick something the things signified by the major

and minor terms have in common.

Step #5: Fill in theMiddle Term

All YingsM are things that can singP

All YingsM are thingsS

Some thingsS are things that can singP

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Step #5: Fill in theMiddle Term

All YingsM are things that can singP

All YingsM are thingsS

Some thingsS are things that can singP

Reducing a BRAMANTIP

All dogs are mammalsAll mammals are animalsSome animals are dogs

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Reducing a BRAMANTIP

All dogs are mammalsAll mammals are animalsSome animals are dogs

Reducing a BRAMANTIP

All dogs are mammalsAll mammals are animalsSome animals are dogs

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Reducing a BRAMANTIP

All dogs are mammalsAll mammals are animalsSome animals are dogs

Reducing a BRAMANTIP

All mammals are animalsSome animals are dogs

All dogs are mammals

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Reducing a BRAMANTIP

All dogs are mammalsSome animals are dogs

All dogs are mammals

Reducing a BRAMANTIP

All dogs are mammalsSome animals are dogs

All dogs are mammals

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Reducing a BRAMANTIP

All mammals are animalsAll dogs are mammalsSome animals are dogs

Reducing a BRAMANTIP

All mammals are animalsAll dogs are mammalsSome animals are dogs

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BARBARA, CELARENT, DARII, FERIOqueprioris;

CESARE, CAMESTRES, FESTINO, BAROCO secundae;

Tertia; DARAPTI, DISAMIS, DATISI, FELAPTON, BOCARDO, FERISON habet;

Quarta insuper addit; BRAMANTIP, CAMENES, DIMARIS, FESAPO, FRESISON

The Mnemonic Verse

Reducing a BRAMANTIP

All mammals are animalsAll dogs are mammalsSome animals are dogs

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Review of Partial Conversion

Change the quantity

Switch the terms

Review of Partial Conversion

All men are mortal

Some mortal things are men

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Review of Partial Conversion

Some men are vicious

All vicious things are men

Reducing a BRAMANTIP

All mammals are animalsAll dogs are mammalsSome animals are dogs

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Reducing a BRAMANTIP

All mammals are animalsAll dogs are mammalsSome animals are dogs

Reducing a BRAMANTIP

All mammals are animalsAll dogs are mammalsSome animals are dogs

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Reducing a BRAMANTIP

All mammals are animalsAll dogs are mammalsSome animals are dogs

Reducing a BRAMANTIP

All mammals are animalsAll dogs are mammalsAll animals are dogs

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Reducing a BRAMANTIP

All mammals are animalsAll dogs are mammalsAll animals are dogs

Reducing a BRAMANTIP

All mammals are animalsAll dogs are mammalsAll dogs are animals

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Traditional Logic II

Martin Cothran

Instructor