tps presentation pdf
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CREATIVE AGENCY &
PRODUCTION COMPANY
OUR SUCCESS
Best Comedy Emmyfor a narrative short
175 million-plus views between theatrical, cable and online
audiences
2013 Cannes Gold and Silver Lion award
winners
2012 Silver EffieContent featured on
MTV, MTVU, Spike TV,Hulu, Break Media
and more
MTV EMAnominated content
WE ARE
Here at TPS we have two divisions
TPS Corporate + TPS Creative
CORPORATE PRODUCTION SERVICES
TPS Corporate specializes in high quality production services for large corporations.
Our Services include - but are not limited to:
INTERVIEWS
PROMOS
BEHIND-THE-SCENES
SIZZLE
REELS
RECRUITMENT
VIDEOS
EVENT COVERAGE
MULTIMEDIA PRODUCTION COMPANYAND AGENCY
TPS Creative, is a multimedia production company andcreative agency that focuses on creating projects that
tell a story and generates a feeling.
TPS Corporate +
TPS CreativeClients
CONNECT
We don’t only produce content, we form connections.
Both divisions of TPS build creative and transparent partnerships with our clients.
We want their experience to be exciting and rewarding while making their projects compelling and entertaining.
OUR SERVICES
...and more
BRANDINGCREATIVE CONTENT
ADSWEBSITESPRINT
VIDEO PRODUCTIONPOST PRODUCTIONPOST PRODUCTION
LOGO DESIGN
MARKETING INITIATIVESVIRAL CONTENT
DIGITAL COMMERCIALSDIGITAL SERIES
TALENT ALIGNMENTPROMOSRECAPSRECAPS
INTERACTIVE BROCHURES
AN EXPERIENCED PARTNER
WHO WE AREWE ARE...
DESIGNERS COLORIST ANIMATORS VISUAL EFFECTARTIST
PRODUCERSDIRECTORSCINEMATO-GRAPHERS
WRITERS
WE WORK WITH
WE WORK WITH
who trust us to bring their ideas to life. We value our relationships with ourclients and pride ourselves on a transparent work flow and account services.
MARKETINGAGENCIES
GLOBALBRANDS
TELEVISIONNETWORKS
PRODUCTIONCOMPANIES
DIGITALNETWORKS
OUR LAB
OUR LAB provides full constancy and processing for all digital acquisition types including
OUR TEAM uses the latest industry tools to handle all post production needs including
Our bays are fine tuned with broadcast quality hardware in order to provide the
highest quality possible
Avid Media Composer 6.5Final Cut StudioPro Tools 10
Davinci ResolveAdobe Production Premium
Nuke3D Studio Max
TPS Creatives’ work
BEHIND THE LIGHTS
Produced & directed forDefy Media
Series has over 10 millionviews
T-Mobile & Ford titlesponsorssponsors
TPS Creatives’ work
AXE: NOTHING BEATS AN ASTRONAUT
Directed for Unilever/AXE
National Commercial
Won 2013 Cannes Gold andSilver Lions.
TPS Creatives’ work
PORSCHE: IT’S A MAGICAL LIFE
Produced & directed for Porsche,Reelz Channel, Spotlight CinemaNetworks
Winner of 2012 Silver Effie Award
Shortlisted for 2012 Cannes Media LionLion
TPS Creatives’ work
COOKING WITH SNOOP,SNOOP’S X-MAS STORY ANDSNOOP VALENTINE’S DAY
Directed for Pepsi Max / TBWA /Chiat / Day & Notorious LA
Project doubled Facebook and Twittermembership for Pepsi Maxmembership for Pepsi Maxsurpassing direct competitor CokeZero
SNOOP DOGG
TPS Creatives’ work
JAGUAR VS. CHICKEN
Directed for Jaguar USA
Response to the Mercedes MagicMobility chicken commercial
Commercial had over 2 million views online in the first week published
TPS Creatives’ work
DAWN RICHARD & BEN BALLER GALAXY SII
Directed and produced forComplex Media & Samsung
Key component of the launch campaignfor the Samsung Galaxy SII
TPS Creatives’ work
ALPHA VENICE GYM
Directed for Nike
Commercial created for the Alpha Venice, a Nike Training Club feating Joselynne Boschen
TPS Creatives’ work
WHY WE LOVE FOOTBALL
Directed and produced for Nike
Promo featured the top high schools inCalifornia celebrating Nike securing the NFL apparel partnership
TPS Creatives’ work
CASTLEVANIA: LORD OF SHADOWS
Directed and produced for Konami
Digital series was an integral part of the launchand featured exclusive game play footage
ScionInteractive Brochure
TPS Creatives’ work
Directed and produced for Scion and Bon Agency
Created three experimental interactivebrochure commercials.
All produced and directed in six hours.
TPS Creatives’ work
THAT TREE FEAT. KID CUDI
Directed for EMI/Capital andSnoop Dogg
5 million plus views on MTV.com
6 million plus views on YouTube
Music video premiered on MTVMTV Jams and MTVUMTV Jams and MTVU
I WANNA ROCK
Directed for EMI/Capital andSnoop Dogg
6 million plus views on MTV.com
2.5 million plus views on YouTube
Music video premiered on MTVMTV Jams, MTVU and BETMTV Jams, MTVU and BET
SNOOP DOGG
TPS Creatives’ work
I WANNA ROCK REMIX FEAT. JAY-Z
Directed for EMI/Capital and
Snoop Dogg
Docu-style music video based on a
day in the life of Los Angeles kids
2 million plus views online
PRONTO FEAT. SOULJA BOY TELL ‘EM
Directed for EMI/Capital and
Snoop Dogg and PRONTO
Concept created to fit in with the movie
Snoop Dogg’s “Malice N’ Wonderland”
featuring Snoop and Soulja Boy lounge
singingsinging
4 million plus views online
UPSIDE DOWN
Directed for EMI/Capital and
Snoop Dogg
Created from a scene in Snoop Dogg’s
“Malice N’ Wonderland”
KIRKO BANGZ
TPS Creatives’ work
WHAT YOUR NAME IZ
Directed for Warner Brothers andKirko Bangz
Premiered on MTV, MTV Jams and MTVU
8 million plus views online
YELAWOLF
TPS Creatives’ work
NO HANDS
Directed for EMI/Capital and Yelawolf
Partnered with Complex Media to direct and develop an innovative digital promo/musicvideo for Ubisoft’s Driver: San Franciscovido gamevido game
4 million plus views online
CLIENT:
T-Mobile USAFord CanadaDefy Media
CASE STUDYBEHIND THE LIGHTS
be limited to one sport or season
limit engagement to only a sports demographic
not be evergreen content
1
2
3
CASE STUDYBEHIND THE LIGHTS
CHALLENGE
T-Mobile USA and Ford Canada wanted a creative way to connect with millennials, drive engagement and amplifyits brand message. Project needed to leverage ambassadors and activate all social media platforms.
Distribution should run across all platforms and devices. Both clients were elated with the idea of a seriesaround professional and collegiate sports,but the series could not
MINDSET
We believed we still had to create a series that resonated with the die hard sports fan, but also transversed a variety ofdemographics.T-Mobile was the veteran in the branded space and Ford Canada was a first timer.
CHALLENGE
T-Mobile USA and Ford Canada wanted a creative way to connect with millennials, drive engagement and amplifyits brand message. Project needed to leverage ambassadors and activate all social media platforms.
Distribution should run across all platforms and devices. Both clients were elated with the idea of a seriesaround professional and collegiate sports,but the series could not
MINDSET
We believed we still had to create a series that resonated with the die hard sports fan, but also transversed a variety ofdemographics.T-Mobile was the veteran in the branded space and Ford Canada was a first timer.
WHAT WE DID
Solution: Behind The Lights: "It's everything in sports you've never seen."
CASE STUDYBEHIND THE LIGHTS
TALENT ALIGNMENT
CONTENT DEVELOPMENT
CONTENT MANAGEMENT
ACCOUNT MANAGEMENT
CREATIVE NARRATIVE
BRAND INTEGRATION
PRODUCTION LOGISTICS
WHAT WE DID - SERVICES
CASE STUDYBEHIND THE LIGHTS
CASE STUDYBEHIND THE LIGHTS
TALENT ALIGNMENT CONTENT DEVELOPMENT ACCOUNT MANAGEMENT
Hired Andrew Santino (ABC's Mixology, The Office, Arrested Development, Punk’d), a comedian who resonated with millennials and more.
We managed a team of executives from both T-Mobile and Ford, three agencies, distributor and a network who owned the television rights to the content.
We developed a digital series that took a fascinating insiderfascinating insider’s look into the unseen jobs of professional and collegiate sports. It went behind the scenes in professional and collegiate sports and we provided access that was unseen and untapped in the digital space for brands. We did this by utilizing, maintaining and developing developing relationships with key organizations such as MLB, NHL, Oakland A’s, San Diego Padres, Los Angeles Kings, CFL, Calgary Stampede and Stanford University to execute
10 million plus unique views
across Defy Media’s (formerly Break Media)
digital network
1 million plus shares
of content via social media worldwide
30 million plus brand impressionsSeries featured
by a variety of national media including
USA Today, NY Daily News, LA Times, Variety ...
CASE STUDYBEHIND THE LIGHTS
CLIENT:
Red Bull
CASE STUDYRED BULL
CASE STUDYRED BULL
CHALLENGE
Red Bull wanted a creative way to promote and encourage the development of municipal skate parks aroundthe country. They needed a digital & social component to the campaign.
Working with the client’s idea to build a floating skate park and sail it down the Mississippi river on a 195-foot barge, we wanted to create a robust digital destination that would give the audience a peek into what was happening on the
barge. We also wanted to encourage repeat visits by baiting fans via social media and publicizing the future destinations of the barge as it floated down the river.
CHALLENGE
Red Bull wanted a creative way to promote and encourage the development of municipal skate parks aroundthe country. They needed a digital & social component to the campaign.
MINDSET
CASE STUDYRED BULL
CAMPAIGN STRATEGY
ONLINE CAMPAIGN PORTAL
USER GENERATED CONTENT
CONTENT DEVELOPMENT
INTERACTIVE NARRATIVE
CONTENT MANAGEMENT
SOCIAL CONTENT MANAGEMENT
REPEAT ENGAGEMENT
CURATED VIDEO CONTENT
WHAT WE DID - SERVICES
CASE STUDYRED BULL
HOW WE DID IT - Digital Campaign Portal
We developed a digital campaign portal that featured information on how to get involved in the contest, information on the main events along the way, articles about the project, features on the riders involved, integrated Twitter andInstagram feed touting the conceptualization and construction of this one-of-a-kind skatepark.construction of this one-of-a-kind skatepark.
CASE STUDYRED BULL
HOW WE DID IT - Interactive Narrative
We created a journalistic “ships logbook’ which was easily updated by staff on the barge.
This allowed us to supply real-time updates of what was happening on the barge to the public via the digital portal and social media outlets.
Fans were also able to track the barge’s current location via a map detailing the exact location of the location via a map detailing the exact location of the barge along the river.
CASE STUDYRED BULL
HOW WE DID IT - Social Content Management & Engagement
We used social media outlets as a way to maintain on-going engagement with our fans throughout thecampaign.
Fans were notified of next destinations, video uploads of demos filmed between landings and we also used social media to promote opportunities for fans to win a trip aboard the barge at the next stop.
CASE STUDYRED BULL
HOW WE DID IT - Curated Video Content
To develop curated content for the digital campaign portal, we engaged local skate shops near each destination to come aboard the barge and film demo reels.
Video clips were then uploaded, viewable and sharable via the campaign portal.
1,357,500 Brand Impressions (Domestic)
32,624Unique Visitors to Online
Campaign Portal
+28,000 Shares of Content via
Social Media Worldwide
CASE STUDYRED BULL
HOW IT TURNED OUT
PLAY WELL
ERICK PEYTONOwner/Creative Director
Three-Point Stance
3384 Robertson Pl #103
LOS ANGELES, CA 90034
c: 323.899.5748
o: 310.957.2814 Ext. 1o: 310.957.2814 Ext. 1
www.three-pointstance.com