the seven last words from the cross - university of toronto t … · 2010-11-05 · “the seven...

The Seven Last Words from the Cross

for Chorus, Soprano, Mezzo-soprano, Tenor and Baritone Soloists and Chamber Orchestra

by Tawnie Olson

A thesis submitted in conformity with the requirements

for the degree of Doctor of Music

Graduate Department of Music

University of Toronto

Duration: ca. 45:00

© Copyright by Tawnie Olson, 2009

“The Seven Last Words from the Cross” for chorus, soloists and chamber orchestra

by Olson, Tawnie, Mus.Doc., Faculty of Music, University of Toronto (Canada), 2009

Abstract

The Seven Last Words from the Cross is structured as a kind of loose double theme and

variations. Movements II, IV, VI, VIII, IX, XI and XII present Jesus’ words as recorded in the

four Gospels, and the remaining movements (which set related biblical and non-biblical texts)

treat related themes and serve as choral and orchestral responses to Jesus’ words. The Gospel

movements use a gradually expanding collection of pitches that frame a central pitch. This pitch

(with a few deliberate exceptions) is generally reserved for Jesus’ actual utterances, which are

sung by the four vocal soloists together, and which mostly use contrasting pitch material: a

quasi-diatonic collection presented as pairs of intervals that move in contrary motion around the

central pitch.

The movements that respond to the Gospel texts take these interval pairs as their primary musical

material, adapting them in symbolically and musically significant ways. The unison that is used

to set Christ’s words fractures into a minor second when sung by the chorus, and his minor

seventh expands to the more dissonant major seventh. The major third and perfect fifth,

however, are common to both versions of the primary intervallic material, and both are used in

shaping the large-scale form of these movements. Symmetry, both of pitch and rhythm, is also

important to these movements’ structures.

The opening and closing movements frame the main body of the work and are deliberately

linked in their texts and musical material. The text of the first movement deals with the problem

ii

of corporate and individual human sin, of God’s wrath at humankind’s misdeeds and our own

frustration and grief at our inability to consistently do what is right. The answer to this problem

of sin, Christians believe, is the cross, and so in the last movement God’s anger, which was

“poured out like fire” in the first movement, is quenched in a fountain of mercy. God’s rejection

of sinning humanity and our rejection of God are ended. The Lord hears his people and answers

them, and they in turn call out to him, acknowledging him as their God.

In the seventh movement, a setting of a portion of the Stabat mater, the verse “Tui Nati vulnerati/

tam dignati pro me pati/ poenas mecum divide” (in part, “Let me share the pains of your

wounded Son”) is given particular emphasis. The reason for this emphasis is explained in the

eighth movement, “My God, my God, why have you forsaken me?” in which the piece’s

previously established pattern breaks down. The words of Jesus are sung by the full chorus with

the soloists, instead of by the soloists alone, and use the more dissonant version of the paired

intervals, which was previously reserved for the response movements. The setting of the Gospel

text and its response (excerpts from Psalm 22) are also combined into one movement for the first

and only time in the piece. The purpose of these alterations was to draw a connection between

Jesus’ sense of abandonment by God, the psalmist he was quoting, and the universal experience

of human suffering.

iii

Acknowledgements

I am deeply indebted to my advisor, Chan Ka Nin, for wisely and patiently guiding me through

the process of composing this piece. I count myself fortunate in that, in addition to Prof. Chan, I

have had the opportunity to study with gifted mentors and teachers who helped me become a

better composer than I might otherwise be. Allan Bell, Martin Bresnick, David Eagle, Michael

Friedmann, William Jordan, Ezra Laderman, Janice McCubbin, Alexander Rapoport, Joseph

Schwantner and Evan Ziporyn deeply influenced the way I hear, understand and create music.

Any redeeming features of this composition may be attributed to their and Prof. Chan’s excellent

tutelage; its weaknesses are my own.

To friends and colleagues I owe another great debt of gratitude. Louise Campbell listened to

early drafts of the score and provided friendship and steadfast encouragement. Brigit Knecht and

Marvin Warshaw gave productive feedback about the string writing, and Richard Sholz offered

helpful comments about composing for brass instruments. David Heetderks shared penetrating

observations and thoughtful suggestions about the first and eighth movements.

Prof. Marguerite Brooks provided invaluable support throughout the composition process.

Without her commitment to this piece, offered while it was yet unwritten, it is unlikely that it

would have come into being at all. The members of her chorus, the Yale Camerata, its manager,

Rebecca Wexler, and its student conductors also provided unfailing encouragement. Their

kindness and their dedication to this score mean more to me than any words of my own could

adequately express.

Lastly, I would like to thank my family: Tom and Marcia Olson, Lindsay, Josh and Marcelo

Woitas, and Monte Stout for their love and support. Although we are not related by blood, I am

profoundly grateful to Jean Alexander, my “third grandmother,” for being the first to shine the

light of the Gospel into my life. Above all, I thank my husband, Michael Appleby, for his love

and patience.

iv

Contents

Performance Notes vi

I. Nahum 1

II.Father, forgive them 26

III. He has helped others 34

IV. Today you will be with me 56

V. Meditation and Prayer 68

VI. Woman, behold your son 78

VII. Eia mater, fons amoris 83

VIII. My God, my God why have you forsaken me? 95

IX. I Thirst 116

X. Ex Crucio 121

XI. It is finished 129

XII. Into thy hands I commend my spirit 134

XIII. Zechariah 140

v

Performance Notes: The Seven Last Words from the Cross

SATB Chorus, Soprano, Mezzo-soprano, Tenor and Baritone soloists, and Chamber Orchestra

Tawnie Olson

for Jean Alexander, with special thanks to the Yale Camerata and Marguerite Brooks, without

whose support this piece could not have been written

Duration: ca. 45:00

Instrumentation:

Flute/Bass Flute

Clarinet in B-flat/Bass Clarinet

Trumpet in C

Trombone

3 Percussion: marimba, vibraphone, glockenspiel, chimes, snare drum, bass drum, 2 timpani (28”

and 25”), whip, tam-tam, egg shaker, crystal goblet (or wine glass) tuned to D,

woodblocks, a medium-sized, clean garbage pail filled with water

In addition to the usual beaters the score also calls for: rute, a triangle beater, a

wire brush and a bow.

Piano

Strings

Notes: It is recommended that all string players be given 18-inch lengths of 1/4-inch dowel for use in the

col legno battuto section of X. Ex Crucio. Doweling may also be used for the col legno passage in II. Father, forgive, if the performers prefer.

In V. Meditation and Prayer, the indication “bow freely” means that each string player should change bows at a different time than his/her colleagues.

It is suggested (though by no means required) that the percussionists divide the parts as follows:

Mvt. Player One Player Two Player Three1 Timp. Marimba Bass Drum2 Timp. Mba., Glock. Bass Drum3 Snare/Egg shaker/Whip Mba. Bass Drum4 tacet Mba. Glock.5 Vib. Mba. tacet6 Vib. tacet tacet7 Vib. Crystal Goblet Glock.8 Timp./Bass Drum Goblet/Mba. Tam-tam, vibes9 tacet tacet tacet10 Chimes/T-t/Woodblocks Mba. Bass Drum11 Chimes Glock. Vib.12 tacet Mba. tacet13 Chimes Mba./Glock Vib.

Score in C

vi

Texts

Nahum

The LORD is a jealous God, and a taker of vengeance: yea, a taker of vengeance is the LORD,

and wrothful. The LORD takes vengeance on his enemies, and reserves displeasure for his

adversaries. The LORD is slow to anger, and great in power, and will not at all acquit the

wicked. (Nahum 1:2-3)

I know not what I do. For the good that I will, do I not, but the evil which I will not, that I do. O

wretched man that I am, who shall deliver me from this body of death? (Romans 7:15a, 19, 24)

The LORD goes forth in tempest and in the storm, the clouds are the dust of his feet. He rebukes

the sea and dries it up, and turns all the floods to dry land. Who may endure before his wrath?

Or who is able to abide his grim displeasure? His anger is poured out like fire, and the hard

rocks burst asunder before him. (Nahum 1:3, 4, 6)

Father, forgive them

And two others, which were misdoers, were led out also, to be put to death with him. And when

they came to the place which is called Calvary, they crucified him even there, and the two

misdoers with him, the one on the right hand, the other on the left. But Jesus said: “Father,

forgive them, for they know not what they do.” (Luke 23:33-34)

He has helped others

“He has helped others, let him help himself now, if he is Christ, the chosen of God.”

“If you are the king of the Jews, then help yourself.” (Luke 23:35, 36)

Today you will be with me

And one of the misdoers that hung there blasphemed him and said, “If you are Christ, then help

yourself and us.” Then answered the other, rebuked him, and said: “And do you not fear God

also, when you are suffering the same punishment? And truly we are rightly punished, since we

receive according to our deeds. As for this man, he has done nothing amiss.” And he said to

Jesus: “LORD, remember me when you come into your kingdom.” And Jesus said unto him:

“Verily I say unto you: today you will be with me in Paradise.” (Luke 23: 39-43)

Woman, behold your son

There stood by the cross of Jesus his mother, and his mother’s sister Mary, the wife of Cleophas,

and Mary Magdalen. Now when Jesus saw his mother, and the disciple standing by, whom he

loved, he said to his mother: “Woman, behold, that is your son.” Then said he to the disciple:

“behold, that is your mother.” And from that hour the disciple took her unto him.

(John 19: 26-27)

vii

Eia mater, fons amoris

Eia mater, fons amoris,! ! ! ! O mother, fount of love,

me sentire vim doloris!! ! ! ! make me to feel the force of grief,

fac, ut tecum lugeam.! ! ! ! ! that with you I might lament.

Fac ut ardeat cor meum! ! ! ! Make my heart so burn

in amando Christum Deum! ! ! ! with love for Christ [my] God

ut sibi complaceam.! ! ! ! ! that I might please him.

Sancta mater, istud agas,! ! ! ! Holy mother, doing this,

Crucifixi fige plagas! ! ! ! ! Drive the blows of the crucifixion

cordi meo valide.! ! ! ! ! into my heart.

Tui Nati vulnerati,! ! ! ! ! Share with me the pains

tam dignati pro me pati! ! ! ! Of your wounded Son

poenas mecum divide.!! ! ! ! Who deemed it worthwhile to suffer for me.

Fac me vere tecum flere,! ! ! ! Make me truly with you to weep,

Crucifixo condolere,! ! ! ! ! For the crucified to grieve with you

donec ego vixero.! ! ! ! ! As long as I shall live.

Iuxta crucem tecum stare! ! ! ! I wish to stand with you by the cross

ac me tibi sociare! ! ! ! ! And to share with you

in planctu desidero.! ! ! ! ! in wailing.

(from the Stabat mater)

My God, my God, why have you forsaken me?

And from the sixth hour there was darkness over the whole earth unto the ninth hour. And about

the ninth hour, Jesus cried with a loud voice and said, “Eli, Eli, Lamma asabthani?”

(Matt. 27: 45-46)

MY GOD, my God, why hast thou forsaken me?

I cry in the daytime, but thou hearest not

and in the night-season I take no rest.

Many oxen are come about me

fat bulls of Basan close me in on every side.

They gape upon me with their mouths

as it were a ramping and a roaring lion.

I am poured out like water, and all my bones are out of joint

my heart also in the midst of my body is even like melting wax.

My strength is dried up like a potsherd, and my tongue cleaveth to my gums

and thou shalt bring me into the dust of death.

They pierced my hands and my feet; I may tell all my bones

they stand staring and looking upon me.

viii

They part my garments among them

and cast lots upon my vesture.

But be not thou far from me, O Lord

thou art my succour, haste thee to help me.

(Ps. 22: 1-2, 12-19)

I thirst

When Jesus knew that all was performed, that the scripture might be fulfilled, he said: “I thirst.”

There stood a vessel full of vinegar. They filled a sponge with vinegar and wound it about with

hyssop, and held it to his mouth. (John 19:28-29)

It is finished

Now when Jesus had received the vinegar, he said: “It is finished.” (John 19:30)

Father, into thy hands I commend my spirit

And the sun was darkened, and the veil of the temple rent in two even through the midst. And

Jesus cried aloud, and said: “Father, into thy hands I commend my spirit.” And when he had so

said, he breathed his last. (Luke 23:45-46)

Zechariah

In that day there shall be a fountain opened to the house of David, and to the inhabitants of

Jerusalem, to wash away sin and uncleanness. Then shall they call upon my name, and I will

hear them; I will say: “it is my people.” And they shall say “LORD, my God.” (Zechariah 13:1,

9b)

(Biblical texts are adapted from Coverdale’s translation.)

ix

!!!!!!!!!!!!

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!!© Tawnie Olson - New Haven, 2009

Fierce, ca. q = 96

Fierce, ca. q = 96

Tawnie Olson

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The Seven Last Words from the Cross

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I. Nahum6

""

""

""

""""

""

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23 8"

8"

8"

8"8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

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Fl.

Cl.

C Tpt.

Tbn.

Timp.

Mar.

B. D.

Pno.

S.

A.

T.

B.

Vln. I

Vln. II

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Vc.

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I. Nahum7

""

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27 !"

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8"

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8"

8"

8"

""

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Fl.

Cl.

C Tpt.

Tbn.

Timp.

Mar.

B. D.

Pno.

S.

A.

T.

B.

Vln. I

Vln. II

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I. Nahum8

31 8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

Fl.

Mar.

B. D.

Pno.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

!

"

!"

#

#

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I. Nahum9

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

35 !"

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8"

8"

8"

8"

8"

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Fl.

Timp.

Mar.

B. D.

Pno.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

Cb.

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I. Nahum10

""

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39 ;"

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8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

Fl.

Cl.

C Tpt.

Timp.

Mar.

B. D.

Pno.

S.

A.

T.

B.

Vln. I

Vln. II

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I. Nahum11

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

43 ""

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E

E

Meno mosso q = 80

Meno mosso q = 80

Fl.

Cl.

C Tpt.

Tbn.

Timp.

Mar.

B. D.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

Cb.

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I. Nahum12

47 8"

8"

8"

8"

8"

8"

8"

Timp.

Mar.

T. Solo

Vln. I

Vln. II

Vla.

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53 ""

""

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""

8"

8"

8"

8"

8"

8"

8"

""

""

""

""

""

""

""

8"

8"

8"

8"

8"

8"

8"

Timp.

Mar.

T. Solo

Vln. I

Vln. II

Vla.

Vc.

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I. Nahum13

8"

8"

8"

8"

8"

8"

8"

58 ""

""

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""

""

""

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8"

8"

8"

8"

8"

8"

8"

Timp.

Mar.

T. Solo

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Vln. II

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8"

8"

8"

8"

8"

8"

8"

Timp.

Mar.

T. Solo

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Vln. II

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I. Nahum14

8"

8"

8"

8"

8"

8"

8"

8"

68 !"

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8"

8"

8"

8"

8"

8"

8"

8"

Timp.

Mar.

T. Solo

Vln. I

Vln. II

Vla.

Vc.

Cb.

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I. Nahum15

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

F

F

A tempo q = 96

A tempo q = 96

74 ""

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""

Fl.

Cl.

C Tpt.

Tbn.

Timp.

B. D.

Pno.

S.

A.

T.

B.

Vln. I

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&=' &2'* ) &=' &2' ) ( $ $ % ( &=' &2'* )

6f

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tutti&=' &2'* &2' &2' &=' &2' ) ( $ $ % : &2'* &2' &2' &=' &2' &2' &2'

4sempre f

tutti&='* &2' &2' &2' &=' &2' ) ( $ $ % : &2' &2' &2'* &=' &2' &2' &2'

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tutti

&=' &2'* &2' &2' &=' &2' ) ( $ $ % : &2'* &2' &2' &=' &2' &2' &2'6

sempre f

&2'5 ) &2'

5 ) ( $ $ % ) &2'*5 &2' &2'

I. Nahum16

78 8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

Fl.

Cl.

C Tpt.

Tbn.

Timp.

B. D.

Pno.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

Cb.

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"

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) ( ( $

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6 &/ &&&'&&&'

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5 &2' &2' ( ( $

I. Nahum17

83 ""

""

""

""

""

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""

""

""

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""

""

""

""

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8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

Fl.

Cl.

C Tpt.

Tbn.

Timp.

B. D.

Pno.

S.

A.

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Vln. I

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6 $ &2'* &2' ( % $ $

I. Nahum18

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

G

G

87

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Cl.

C Tpt.

Tbn.

Timp.

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Pno.

S.

A.

T.

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I. Nahum19

92

Fl.

Cl.

C Tpt.

Tbn.

Timp.

B. D.

Pno.

S.

A.

T.

Vln. I

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6 $ $ $ % ) &2'* &2' &=' &2'* &2' &2' ( (

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I. Nahum20

H97

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B. D.

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6 &&&& : & &/ & & & & & ) & & & & & & &/ & & & : & & & &/ & & & & & & : & & & & & & & & & & & & & & & & : & & & & & & &/

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6 &&&: & & & &/ & & & & & & ) & & & & & &/ & : & & & & & &/ & : & & & & & & & :ff sub.

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I. Nahum21

I

I

107 !"

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Cb.

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I. Nahum22

""

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112 8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

J

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Cl.

C Tpt.

Tbn.

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Pno.

S.

A.

T.

B.

Vln. I

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Vc.

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6 % : &'* &2' &2' &=' &2') $ )f

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I. Nahum23

116 8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

8"

Fl.

Cl.

C Tpt.

Tbn.

Timp.

Pno.

S.

A.

T.

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Vla.

Vc.

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6 &/ & & & & &'& & &'

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I. Nahum24

118 ""

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Fl.

Cl.

C Tpt.

Tbn.

Timp.

B. D.

Pno.

S.

A.

T.

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Vln. I

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Vla.

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Resolute q = 66

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24

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III. He has helped others35

48F

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53

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58

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!

"

!

"

!

"

##

! " # $ $flutter$% $$$$$&% $ $&% $ "

$ $

! " # # 'mp

$( $ $% $) $&% $) $&% $ $ $) ' #

* " " "Egg Shaker

# #mp

$ $

* $&% # # " " #

ff%$& $ #

! ' $( # $&%

$

$

$

$ # # " "

+ # # $% # # " "

!$% $ $ $ $ $ $ $ $ $ $% $ $ $ $ $ $ $ $% $ $% $ $&% $ $% $ # #

!sen-

$ $ $of God.

mf

$,% $ - & " "

!'

-of God.

mf

$,% $ - & " "

+ -of God.

mf$, $ -% & " "

! " # $ $ $% $ $&% $ $&% $ "$ $

!$% $ $ $ $ $ $ $ $ $ $% $ $

mp

$ $ $ $ $ $% $ $&% $ $&% $ $% $ # #

. " # # !(senza sord.)

'mf

$( $ $% $) $&% $) $&% $ $ $) ' # .


H

H

Cooly Mocking

Cooly Mocking

70

E.S.

Pno.

A.

T.

Vln. I

Vln. II

Vla.

Vc.

Cb.

!

"

!

"

#

! " " " """ " " " " "" " " """"" " " " " " " """"" " " " " " "

#p

"$% $ " $ "% $ & "$% " "% "$% "'( ")% "'%

( " " "% "

* + + + + , ,If

p

"%

*%

+ + + + , ,If

p

"

*pizz.

f poss.

"% $ " $gliss. "% , "% " "% "% ""( "% "% ( " , "% "

*pizz.

f poss.

"% $ " $gliss. "% , "% " "% "% "( "% "% ( " , "% "

-pizz.

ff

"% $ " $gliss. .% "% " "% "% "( "% "% ( " , "% "

# pizz. (senza sord.)

ff

"% $ " $gliss. .% "% " "% "% "( "% "% ( " , "% "

# pizz. (senza sord.)

ff

"% $ " $gliss. .% "% " "% "% "/ "% "%/ " , "% "


75

E.S.

Pno.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

Cb.

!

"

!

"

#

! """"" " " " " " " """ " " " " """ " "" " " " """"" " " " " " "

#"$ "%

& "' "$ & ( "%& "'$ "$ "%$ "%$ "$ " "% "$ " " "$ ")%$ "%

& "'$ "$ &

* + + +If

p"$you

,%$are...

"$ $ ( -

*you

"%$ $

are

"$ $the

"$king

"of the

" "$ "Jews,

,$ , $ " $ (If

"$

*%

you

"%$

are

" $the

"$king

"of the

" " "Jews,

, , $ " $ (If

"

# + + +If

p

"you

,%

are...

" $ ( -

* "$ "& " "$ & ( "& "$ "$ "$ "$ "$ " " "$ " " "$ "$ "& "$ "$ &

* "$ "& " "$ & ( "& "$ "$ "$ "$ "$ " " "$ " " "$ "$ "& "$ "$ &

. "$ "& " "$ & ( "& "$ "$ "$ "$ "$ " " "$ " " "$ "$ "& "$ "$ &

#"$ "& " "$ & ( "& "$ "$ "$ "$ "$ " " "$ " " "$ "$ "& "$ "$ &

# "$ "/ " "$/ ( "/ "$ "$ "$ "$ "$ " " "$ " " "$ "$ "/ "$ "$/


80

E.S.

Pno.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

Cb.

!

"

!

"

#

! " " " " " "" """ " " " " """"" " " " " " " " " "" """ " " " "

# $ "%&' "( "& "%

' "(& "%' " "& "(&

"")%&&$$ ""

'"" ""&& ""&&

"")%&&$$ ""

'""

* + + +then

mp

"&help

"&your

"&self.

f

-

"%& "& ,

p

*you

"%& $

are

"& $the

"&king

f

"% "&

of

"& " "the Jews,

p

"& "& " , $ ,help

mf

"&

*%

you

"%$

are

" $the

"&king

f

"% "of

" " "the Jews,

p

"& " " , $ ,help

mf

"

# + + +then

mp

"help

"your

"&self.

f

-

"%& "& ,p

* $ "' " "& "' "& "' $ "& ' "& "& $ "' - "& "& "& $ " $

* $ "' " "& "' "& "' $ "& ' "& "& $ "' - "& "& "& $ " $

. $ "' " "& "' "& "' $ "& ' "& "& $ "' - "& "& "& $ " $

# $ "' " "& "' "& "' $ "& ' "& "& $ "' - "& "& "& $ " $

# $ "/ " "& "/ "& "/ $ "&/ "& "& $ "/ - "& "& "& $ " $


85I

I

C Tpt.

Tbn.

E.S.

Pno.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

Cb.

!

"

!

"

!

"

#

! " " " " # $mf

%&'% %(' ) $

* " "mf

%&' % %(' # # " # %&' % %(' #

+ % % %%%%%%% % % % %%%%%% $ %) $ %) %%%% % %% $ %) $ %) %%%%%) $ % %

*%%'' %%'' %%( %%( %% %%'' %%(&

)%% $$

mf

%&'% %('

# # " # %&'% %('

#

! , $ , $ #If

mf

%'you

%&'are

% %' %the king,

%' %' , #

! %your

,'self.

f

-

%&' %' , " " "

!%

%your

,'self.

f

-

%&' % , " " "

* , $ , $ " -If

mf

%'you

%&' $

are

%'. %

! %' %' % % % %' % %' # %' # $ arco

mf

%&' % %' %' %( %&%(# "

! %' %' % % % %' % %' # %' # $ arco

mf

%&' % %' %' %( %&%(# "

/ %' %' % % % %' %) %' $ %' # $ arco

mf

%&' % %' %' %( %&%(# "

*%' %' % % % %' %) %' $ %' # # " "

* %' %' % % % %' %. %' $ %' # $ arco

mf

%&' % %' %' %( %&%( # "


90

C Tpt.

Tbn.

E.S.

Pno.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

Cb.

!

"

!

"

!

"

#

! " " # $ %& %' %(' ) $ "

* " " # # "%& %' %('

+ $ %) % % % % % % % % % % % % $ %) % % % % % % % % % % % % % % %

! " " #mp

%& %' %(' # "

* # $ %&' %' % % % % %(' %&'# # " # # $ %' %'

! #If

mf

%'you

%'are

%'the king,

%' %&' % % # # #

then

%'help

%'

!$

"If

mf

%'you

%'are

%'the king,

%' %&' , "

*the king,

%' %' , " " "

! $ %&' %' % % %( " "%& %( # # $ %' %'

! # $ %&' %' % % %( %&' %(' # # " $ %' %' % % % % %& %(

- # $ %&' %' % % %( %&' %(' # # " # $ %' %' % % % %

* # $arco

mf

%&' %' % % %( %&' %('# # " # $ %' %' % % % %

* $ %&' %' % % %( " "%& %( $ %' %' % % % % %& %(


94

Fl.

C Tpt.

Tbn.

E.S.

Pno.

S.

A.

T.

Vln. I

Vln. II

Vla.

Vc.

Cb.

!

"

!"

!

"

!

"

#

! " " " # #mf

$%

! " & $'%$ $(% ) & # " "

* " # # " "$'% $ $(%

+ $ $ $ $ $ $$$$ $$$$$ $ $ $ & $)$$$ $ $ $ $ $ $$ & $)

! " & $'% $ $(%, & # " "

*$% $% $% $ $% $$

$' $$(%%) & # # "$'%

$ $(%# & $% $% $ $ $ $

! " " " # #then

mf$%

!your

$ $% $self,

$%-

- #then

$%help

$% $your

$% ) $self,

-%-

!%

.then

$%help

$%your

$% $

self,-

$%, - #then

$%help

$%your

$%-

! $% $% $ $ $' $( # " # # &$% $% $% $% $ $ $' $

& #

! " " " & $% $% $ $$ $ $' $&

/ $' $(% # # " # # & $% $% $% $% $ $ $' $& #

* $' $(%# # " " # & $% $% $ $ $ $

* " " " & $% $% $ $$ $ $' $ &


J

J

98

Fl.

C Tpt.

Tbn.

E.S.

Pno.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

Cb.

!

"

!"

!

"

!

"

#

!" #$ "$ #$ #$ "$ " "$ "$

! % & "' "($ & & & %"' "($

) % & & * "'+ "($+ * & & & "'$ "$ """(+ *

, * "- " " ""* "- """"* "- * "- * "- * "- """" " """" " &

! % & "' "($ & & & "' "($ & & "'$ "$ "(

)"'$ "$ * & . "$ "$ " "' "($

& & * ""'-""($$- * & ""'

$$ ""$$ """"""(- * &

! "help

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cresc.

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self,-

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your

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! & . "$ "$ ""' "( & & %"' "($ & "'$ "$ """(- *

/ . "$ "$ ""' "( & & & "' "($ * "'- "($ - * "' "( & "'$ "$ """(- *

) "'$ "$ * & . " "" "' "($ & & * "'- "($ - * & "'$ "$ """(-

* &

) & . "$ "$ " %"' "( * "'+ "($+ * & "'$ "$ """(+ * &


102

Fl.

C Tpt.

Tbn.

E.S.

Pno.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

Cb.

!

"

!"

!

"

!

"

#

!cresc. poco a poco

"# $% %& "& " "& " " " %&

! "' "(& ) ) * * "'& "(& ) )

+ ) "' "(& ) * * *

, $ " " " " ) " " " " " " " " " " " " $ "- " " " " $ "- " " " "

! "' "(& ) ) ) "' "(& ) "'& "& " " " " " " *"' "(

+ ) ) $ ""'-

""(&&- $ "' "( ) * ) $ ""'

&&-""(&&- $

! "- $then

cresc. poco a poco%help

%&your

"&- self,

" "& "# $then

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%&

!help

poco a poco

"& $your self,

"& --

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then

cresc. poco a poco

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your

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. ) "' "(& $ "'- "(& - $ "' "(& ) * "'& "(& $ "'

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+ ) ) $ "'# "(&# $ ) "'& "& " " "(&# $ ) ) ) $ "'&# "(&# $


106

K

K

Fl.

C Tpt.

Tbn.

E.S.

Pno.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

Cb.

!

"

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!

"

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"

#

!"# "# " "# "# "# " "# " " " " " "# " "

! $ "%# "&# $ $ $ "% "&# $Set down tpt.

"% "&# $ '

( "% "&# $ $ $ "%# "&# $ "%# "&# "% "& $ $ $ )"%# "#

* " " " " ) "+ " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " "

! "% "&# $ ) "%+ "&# + ) $ "% "& $ ""

% ""&## $ '

( $ "%# "&#) "%, "&#, ) ""%

## ""&#"% "&

""%## ""&

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( $ "%# "&#$ $ "%# "&#

$ "%# "&# "% "&#$ '

( $ "%# "&# $ $ "%# "&# $ "%# "&# "%"&# $ $ $ ) "%# "#


110 !!

!!

!!

!!

!!

!!

!!

!!

!!

!!

!!

!!

Fl.

Tbn.

E.S.

Pno.

S.

A.

T.

B.

Vln. I

Vla.

Vc.

Cb.

!

"

!"

!"

!

"

#

"#$ # # #

f

# # %$ $ %$ $

& Set down tbn.#$ #$ #'( ( ) )

* # # # # # # # # # # # # # # # # # # # # # # #

&##$$ ##$$ ##'

( ( ( ( #$ #$ # # #$ #$ # # # # # # # # # #

"self, help

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help

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help

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your self

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& ) ) #-$ #$ # # # # # # # # # #

& #$ #$ #' ( ( ( ( #-$ #$ # # #$ #$ # # # # # # # # # #


!!

!!

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!!

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!!

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113

L

L

"!

"!

"!"!"!"!"!

"!

"!

"!

"!

"!

"!

"!

"!

"!

Fl.

Cl.

E.S.

B. D.

Mar.

Pno.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

Cb.

!

"

!

"

!

"

#

#

#$%

ff

$$&% set down flute

' (

# 'f

)*)))))))))))))))p

))))))))))))

( ) ) ) ) ) ) ) ) ) ) ) )To Whip

' ') ) ) )

( 'f

)*& + Set down mallet, '

# ' )*)))))))))))))))p

))))))))))))

# + )% )% ) ) ) ) ) )f

) ) ) ) ))-*%. / + , '

0)% )% )% ) ) ) ) ) ) ) ) )

f

) ) ) ) ))-*%. / + , '

#your

$%self!

più f$$&%- - - -

set down music folder '

# )your

1% 'self!

più f

$$&%- - -

set down music folder

'

#(

)your

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self!

più f$$&%- - -


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più f$$&%-


'

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f

) ) ) ) set down instrument ))-*%2 / + , '

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) ) ) ) set down instrument ))-*%2 / + , '

4 )% )% ) ) ) ) ) ) ) ) ) )f

) ) ) )set down instrument

))-*%. / + , '

0)% )% ) ) ) ) ) ) ) ) ) )

f

) ) ) )set bow down

))-*%. / + , '

0 )% )% ) ) ) ) ) ) ) ) ) )f

) ) ) )set bow down )-*%2 / + , '


116

Fl.

Cl.

C Tpt.

Tbn.

B.D.

Mar.

Vln. I

!

"!

"

!"

#

!clap

mf

" # # " # # " # # " # #

$"""""""" """" """""""""""" "% & """""""""" """" """"""""

!clap

mf

" # # " # # " # # " # #

!clap

mf

" # # " # # " # # " # #

!clap

mf

" # # " # # " # # " # #

$"""""""" """" """""""""""" """""""""""" """" """"""""

$ ' ' !clap

mf

" # # " # #

120M

M

Fl.

Cl.

C Tpt.

Tbn.

B.D.

Mar.

Pno.

Vln. I

Vln. II

Vla.

!

"!

"

!

"

#

#

! " # # " # # " # # " # #

$"""""""" """" """""""""""" """""""""""" """" """"""""

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! " # # " # # " # # " # #

$"""""""" """" """""""""""" """""""""""" """" """"""""

$ ' ' !clap

mf

" # # " # #

! " # # " # # " # # " # #

!clap

mf

" # # " # # " # # " # #

( ' ' !clap

mf

" # # " # #

$


124

Fl.

Cl.

C Tpt.

Tbn.

B.D.

Mar.

Pno.

B

Vln. I

Vln. II

Vla.

Vc.

Cb.

!"

!

"!

"

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$"% &"""""" """" """""""""""" """""""""""" """" """"""""

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! " # # " # # " # # " # #

$"""""""" """" """""""""""" """""""""""" """" """"""""

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! ' ' 'clap

mf

" # #

! " # # " # # " # # " # #

! " # # " # # " # # " # #

! " # # " # # " # # " # #

!clap

mf

" # # " # # " # # " # #

!clap

mf

" # # " # # " # # " # #


128

Fl.

Cl.

C Tpt.

Tbn.

B.D.

Mar.

Pno.

A

T

B

Vln. I

Vln. II

Vla.

Vc.

Cb.

!

"

!

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#

#

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$"""""""" """" "% & """""""""" """""""""""" """" """"""""

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! " # # " # # " # # " # #

! " # # " # # " # # " # #

$"""""""" """" """""""""""" """""""""""" """" """"""""

! " # # " # # " # # " # #

! ' ' 'clapmf

" # #

! 'clap

mf

" # # " # # " # #

! " # # " # # " # # " # #

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! " # # " # # " # # " # #

! " # # " # # " # # " # #

! " # # " # # " # # " # #

! " # # " # # " # # " # #


132

N

N

Fl.

Cl.

C Tpt.

Tbn.

B.D.

Mar.

Pno.

S

A

T

B

Vln. I

Vln. II

Vla.

Vc.

Cb.

!

"

!

"

!

"

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"

#

#

! " # #f

" # # $ " # #

%"""""""" """" "& ' """""""""" """""""""""" """" """"""""

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" # # $ " # #

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" # # $ " # #

%"""""""" """" """""""""""" """""""""""" """" """"""""

! " # #f

" # # $ " # #

! $clap

f

" # # $ " # #

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! " # #f

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! " # #f

" # # $ " # #

! " # #f

" # # $ " # #


136

Fl.

Cl.

C Tpt.

Tbn.

Whip

B.D.

Mar.

Pno.

S

A

T

B

Vln. I

Vln. II

Vla.

Vc.

Cb.

!

"

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#

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#% # $ $

&# # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # "# # # #

! " # $ $ "ff

#% # $ $

! " # $ $ "ff

#% # $ $

! " " "Whip

fff

#% $ $

! " # $ $ "ff

#% # $ $

&# # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # "# # # #

! " # $ $ "ff

#% # $ $

! " # $ $ "ff

#% # $ $

! " # $ $ "ff

#% # $ $

! " # $ $ "ff

#% # $ $

! " # $ $ "ff

#% # $ $

! " # $ $ "ff

#% # $ $

! " # $ $ "ff

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! " # $ $ "ff

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! " # $ $ "ff

#% # $ $

! " # $ $ "ff

#% # $ $


!!

!!

!!

Andante q = 88

Andante q = 88

IV. Today you will be with me

Bass Clarinetin Bb

Violoncello

Double Bass

!

"

!"" # # $ %

p

&' & & & (#)$gliss.

& &' * + % &' & & & (#)$

"pp

Like laboured breathing

&,-' &.( % ( %

pp

&,-' &.

/ &sim.

&,-' &.( /

"pp


&,- &.( % ( %

pp&,- &.

/ &sim.

&,- &.( /

6 0!

0!

0!

0!

0!

B. Cl.

T. solo

Vla.

Vc.

Db.

!

"

!"

!"

"& &

mp

&* + ('gliss.

& ( %ppp

# # # #

1&

$ %And

mp&'one

(of

&'the

&mis

&3

do

('- ers

&- that

&hung

gliss.& &'there

( % %blas phemed

gliss.&' &&& &'-

(

2 # %pp


&,-' &.( &

pp&,-' &.( /

sim.

&,-' &.( & &

,-' &.&

" & &,-' &.( & &

,- &.( & &

,- &.( / &

,- &.( & &- & &

" & &,- &.( & &

,-' &.( & &

,-' &.( / &

,-' &.( & &-' & &

'

56

12

A

A

!!

!!

!!

!!

!!

!!

!!

!!

"!

"!

"!

"!

"!

"!

"!

"!

B. Cl.

M-S. solo

T. solo

Vln. I

Vln. II

Vla.

Vc.

Db.

!

"

!"

!

"

# $ $ $ % %p

mocking& & && '() # *p

&+ & && &() ' %

, $ $ $ % %"If

mf with malicious anger

you

& & && '() #

are Christ,

&+ && & '() # %

,$

him

&- 'and

& '%+&said:

'- # & % % $ $

, $ $ %p


&.(- &/& ' # & &.(- &

/' & &.(- &

/'

, $ $ %p


&.(- &/& ' # & &

.(- &/' & &

.(- &/'

0 'poco

&- & & ' ' # $ $ $

# 'poco

& & & ' ' &1 *p

&.( &/- ' ' & &

.( &/- ' &

.( &/- &

# 'poco

&- & & ' ' &2 *p

&(. &/- ' ' & &(. &/- ' &(. &/- &

"!

"!

"!

"!

"!

"!

18 !!

!!

!!

!!

!!

!!

3!

3!

3!

3!

3!

3!

"!

"!

"!

"!

"!

"!

!!

!!

!!

!!

!!

!!

B. Cl.

M-S. solo

Vln. I

Vln. II

Vc.

Db.

!

"

!"

!"

# % &4 &- & & &4 '- & & & &+ & ') #

mf

& % $

,then help

&4 &- 'your self-

&4 &) 'and us!"

&+ & & & & ') #f

& % $

, ' # & &.(- &/

' 'mf

&.(- &/& ' &) #

&2 &

, ' # & &.(- &

/' '

mf

&.(- &

/& ' &- # &) 1 &

# ' # & # &.(1 '/- ' #

mf

&.( &

/) ' &) #

&2 &p

# ' # & # &(.2 '/- ' #mf

&(. &/- ' $

'


57

!!

!!

!!

!!

!!

!!

!!

B

B

23

B. Fl.

Mar.

T. solo

Vln. I

Vln. II

Vla.

Vc.

!

"

!"

!"

#

" #p poco cresc.

$% & $ '% $

( # !"

pp poco cresc.%%%$%

%%%& $

%%%'%

%%%$

"&

# ) *Then

mp

'%an

'swered

'+- the

'',(3

o ther,-

' ' ' *re

'buked

'%- him,

',

"p

'-.+ '/ & $pp poco cresc.

'-.+ '/ & $ sim.'-+ ' & ' '- $

" *p

'.- '/+ & '

.pp poco cresc.

'.- '/+ & '

sim.

'- '+ & ' '- &+ $

0p

'.-+ '/& $

pp poco cresc.

'.-+ '/& $

sim.

'-+ ' & ' '-+ $

( & ' '-.+ '/ &pp poco cresc.

'-.+ '/ ' &sim.

' '-+ ' & '-+ ' '


58

27

C

C

B. Fl.

Mar.

S. solo

M-S. solo

T. solo

Vln. I

Vln. II

Vla.

Vc.

!

"

!"

!

"

#

! "# "mf poco dim.

"$ % %

& $$$"#

$$$"

mp poco dim.

$$$"$

$$$%$

$$$%

! ' ' ("And

f outraged

do you not

)*$ )* )* %*$fear

)God

%*%#&al so,-

) )$3

!"If

p with quiet anger

you

) )) ) %*+ 'are Christ,

) ) )) %*+ 'thenhelp

), )$ %your self-

), )+ % ' (

!(

) -and

mf

said:

). ) ) ) ' ' '

! " )*$ ) %mp

) )* " )*$ ) % '

! " ) ) )$ %mp

) )* %$ ' ) )* )$ %

/ " )*$ ) %mp

) )* " )*$ ) % '

& " %mp

)*$ ) ) ) ' - 0 '


59

31D

D

B. Fl.

Mar.

S. solo

M-S. solo

Vln. I

Vln. II

Vla.

Vc.

!

"

!"

!

"

#

! " # $ " #$ $ %mp

%$ &

' %%%"

%%%# $

%%%"

%%%#$ $

%%%%$

p%%%%$ &

! # (when

")you are

"* $"suf

" ")f'ring-

" ") $" "the

")same

") "pu nish- ment?

" ") # $-

&

!and us!"

"&+' """" #$ mf

& & & &

! # "*) " " # $ " "*) # $ ") # #pp

"* ") # $

! # $ "* ") % " "* #$ $ #*$ $ " "pp

"*) " #

, # "*) " " # $ " "*) # $ " # #)pp

"*) " # $

' & & & & -pp

"* ") "

36

S. solo

M-S. solo

Vln. I

Vln. II

Vla.

Vc.

!

"

!

"

! -And

p remembering your sins

"tru

")ly-

".we

". "3 #

are

")right ly-

" $ ")pun

" "ished-

" ") $ " (since

poco cresc.

")we

"re

")ceive

"3

-

3

! & & - ("If"If

pp

you

bell-like" " " " #*$ $are

"+ " " "

! "* ") # $ " "* ") # # $ "* ") %

! " "*) " # # "*) " " % "*) " # $

, "*) " # $ " "*) " # # $ "*) " %

' # "* ") " # $ " "* %) # "* ") "

(


60

40 E

E

S. solo

M-S. solo

Vln. I

Vln. II

Vla.

Vc.

!

"

!

"

! "ac

"cor

"#- ding

"#- to

"3

"our

$ # "deeds.

$# # $ #f

% &

!Christ,

$'( %then help

" "'# $your self-

") "( " $and us!"

"$*% """" $( # mf

% &

! " "' $# #p

"' "# $ # "' "# $ # " "( # " #

mf

"' "# $ "' "

! $ "'# " " "p

"'# " $ " "'# " $ " " # "( #mf

"'( " $ "' "

+ " "'# $ #p

"'# " $ # "'# " $ # " "# # " #mf

" "' $# " "'

, $ " "' "# " #p

"'- $# $ # "' "# " "# # " # " +mf

"'# " $

45

B. Fl.

B. Cl.

Mar.

S. solo

M-S. solo

Vln. I

Vln. II

Vla.

Vc.

!

"

!

"

!

"

&

!mf

$# # " $ $# $ $# " % .

, & & & %mf

" " " " $'(

,mf''''$# #

'''"

''''$

''''$#

''''$#

'''$#

'''"# % .

! .As

f with conviction$#for

$this

$# "man,

$# # &

! & & &"If"If

f interjecting

you

" " " " $'( #

!$ "' "# " " "' "# $ "' "# $ "' " $ "' "# "

! $ "'( " " " "'( " $ "'( " $ "' " $ "'( " "

+ $# " "' " " # "'- $# " "' $# " "' $# " "' "

+ "'# " $ "' " $ "'# " " " "'# " $ "'# " $ " "'

(


61

49

B. Fl.

B. Cl.

Mar.

S. solo

M-S. solo

Vln. I

Vln. II

Vla.

Vc.

!

"

!

"

!

"

#

! " # $% $ $% $$&% $ ' $ $ ' & $%

( # $ $ $ $ ')* + " # $, $% ' $,$&% $% $

( " #'''$%

'''$%

'''$%

'''$$&% '''$ ''''' '''

$'''$

''''' &

'''$%

! " #he

$% $has

$done

$$&%noth

$% $ing

$- a

' ' &

miss."

$%- - -

!are Christ,

$ $ $ $ ')* # + " #then

mf

help

resentfully$, $% 'your self-

$,$&% $% $

!$ $) $% ' $) $% ' $) $ ' $) $% $ $ $) $% '

! $ $)* $ ' $)* $ ' $) $ ' $)* $ $ $ $)* $ '

- ' $) $% $ $ $) $% ' $) $% ' $) $ ' $) $% $

- ' & $)% $ $ & $)%. ' $ $)% ' $ $) ' $ $)% $


62

53

B. Fl.

B. Cl.

Mar.

S. solo

M-S. solo

T. solo

Vln. I

Vln. II

Vla.

Vc.

!

"

!

"

!

"

#

! " " # # #

$ %% % $

mf

%&' "# # #

$%%%%"&

%%%%"& # # #

! " " # # #

! %and

% % $us!"

%& ( "f

# # #

!&

# # # # )And

mf

%&he

%said

%

!%* %& + $ %* %& + $ %& $ %

'+

p

%*& % + % %* + $ %*& %

! %*, % + $ %*, % + $ %, $ %' +

p

%* % + % %* + $ %* %

- % %* %& + % %* %& + %, $! %' + %p

%*& % + % %*& + $

- % $ %*&' + + %*& % % %& $ %,' + %p

%*, % + % %*, + $


63

58 !"

!"

!"

!"

!"

!"

!"

F

F

Glock.

S. solo

T. solo

Vln. I

Vln. II

Vla.

Vc.

!

"

!

"

## $ $ %pp

gently

&&'' &&'' (( (( $$ &&'' &&'' (( (( $$ &&'' &&'' ((

% $ $ $ $ $ ) )Lord,

mf

&'with humble faith and longing

& $ *re

&'-

%%

&to

&Je

(+ &sus:

(+ $-

( $ $ $ $ $

%,

pp

&-' &' ( $ &-' &' ( ( $

ppp

gently, sul tasto

&' &' ( ( $ &' &' (

%,

pp

&- &' ( $div.

'' ''&- & (&-

& ( ( $( $ppp

gently, sul tasto

'' ''& & (& & ( ( $( $ '' ''& & (& & (

% &-+ & ( $pp

&-' & ( $ &-' &' ( ( $ppp

gently, sul tasto

&' &' ( ( $ &' &' (

. &-' & ( $pp

&-' &' ( $ $ $ $ $ $

65

Glock.

S. solo

Vln. I

Vln. II

Vla.

!

"

!"

#% (( $$ &&'' &&'' (( (( $$ &&'' &&'' (( (( && &&'' (('' $$ (( $$

%mem

&'ber

&'- me,

&'3 & & )re

&'mem

&'- ber

&'- me

&'3 & & )when

&'you

&'come

(' )in

&'to

&/- your

('king

&

%( $ &' &' ( ( $ &' &' ( ( & &' (' $ ( $

%( $( $ '' ''& & (& & ( ( $( $ '' ''& & (& & ( (( '' ''& & ( $& & ( $ ( $( $

% ( $ &' &' ( ( $ &' &' ( ( & &' (' $ ( $

&


64

72 !!

!!

!!

!!

!!

!!

!!

G

G

B. Fl.

Glock.

Mar.

S. solo

Vln. I

Vln. II

Vla.

!

"

!"

!"

#

#

" # # # # $mf

%&

" ''(( ''(( %% '' ''(( %%(( ''(( ''(( %% ''(( $$ ''%)&( $$ #

* # # # # $mp''''%&

" %dom."

'-

% $ # # #

"'( '( % ' '( %( '( '( % '( $ '( $


ord., with your former intensity

'+,& '-%)& % sim.' '+

" (( ((' ' %' ' % (( ((' ' %' ' % (( ((' ' %' ' % (( ' $' $ (' $' $



' &' '+,& %- $'

+,'-

%

" '( '( % ' '( %( '( '( % '( $ '%)& $ ' $



'+,. %-


65

77

B. Fl.

Mar.

T. solo

Vln. I

Vln. II

Vla.

Vc.

!

"

!"

!"

#

! " $ # " "$ " #$ $ #% # #&$ # "

'%%%%"$ $

%%%#

%%%%"

%%%%"$

%%%%"$

%%%#$ $ %%

#% %%%# #&$

%%#

%%%%"

!&

(And

#$Je

"$sus

#- said

"')(un

#to

#$- him:

" $ " *

!" $ #&$ # # $ #&$

%" #&$ # # # #& # "

molto

#&$ #$ #

!

sim.

$#sim.

$#& # "#&# " $#& # # $#

&# # #&$ + "# #

&$ # $# $#& # ##

&# # $# #& # "#

&%" $

molto

$#&$ # ##&#

! # $ sim.#&% " # #& " #& # # #& # # $ #&% " $molto

#& #

, - - - * ( 'mf

#& #


66

81G.P.

G.P.

!"

!"

!"

!"

!"

!"

!"

!"

!"

!"

H

H

Meno mosso

Meno mosso

""

""

""

""

""

""

""

""

""

""

!"

!"

!"

!"

!"

!"

!"

!"

!"

!"

""

""

""

""

""

""

""

""

""

""

B. Fl.

Mar.

S. solo

M-S. solo

T. solo

Bar. solo

Vln. I

Vln. II

Vla.

Vc.

!

"

!"

!

"

#

# $ $%& ' $ (ff

)* ) ) )

+ %%$ $%&%%%%' $

%%%%(

f

)* ) ) )

# ) ) )*"Ve

pp

ri

gently

- ly,

$ $ $ $-

, -I

poco cresc.

$say

'.un

$to

$- you:

' - -to

$-

# ) ) )*"Ve

pp

ri

gently

- ly,

$ $ $ $-

, -I

poco cresc.

$say

'un

$to

$- you:

' - -to

$-

#&

) ) )*"Ve

pp

ri

gently

- ly,

$ $ $ $-

, -I

poco cresc.

$say

'.un

$to

$- you:

' - -to

$-

+ ) ) )*"Ve

pp

ri

gently

- ly,

$ $ $ $-

, -I

poco cresc.$say

'un

$to

$- you:

' - -to

$-

#' $%& $& $ (

f

)* ) ) )

#'' && $

% $ $$%$ $ ((

f

)* ) ) )

# ' $% $ $ (f

)* ) ) )

+molto

' $% $ $ (f

)* ) ) )

""

""

""

""

87

S. solo

M-S. solo

T. solo

Bar. solo

!

"

#day

'you

'will

$be

$with

mp

'. $me

'in

$ $Pa

p

' $ $ra

'. $-

$dise."

'. $-

$pp

'*$

#day

'you'

will

$be

$with

mp

' $me

'in

$ $Pa

p

' $ $ra

$-

' $dise."

' $-

(* pp

#&

day

'you

'will

$be

$with

mp

'. $me

'in

$ $Pa

p

' $ $ra

'. $-

$dise."

'. $-

$pp

'*$

+day

'you

'will

$be

$with

mp

' $me

'in

$ $Pa

p

' $ $ra

$-

' $dise."

' $-

(*pp

'


67

!"

!"

q. = 60

V. Meditation and Prayer

Violin I

Violin II

!

"

#sempre ppp

con sord.bow freely

$ $% $$$$$$$$$$ $ $% $$$$$$$$$$ $ $% $$$$$$ $% $& $$ $% $$$$$$$$$$$

# 'sempre ppp

con sord. bow freely

$% $$$$$$$$$$$ $% $$$$$$$ $ $$$ $% $$$$$$$$$$$

5A

A

C Tpt.

Vln. I

Vln. II

!

"

!"# ' ' ' ( #

sempre cantabile e poco lontano

pp

Whispa mute *

$ #

# $% $$$$ $ $$$$$$ ) # $ # $ $$$$$ $$$$$$$ $$$$$

# $% $$$$ $% $& $$$$$ $ $% $$$$$$$$$$ $ $% $$$$$ # $ # $ $% $$$$

9

C Tpt.

Vln. I

Vln. II

!

"

!"# $ # $% $* $ $% $ $ $ # $ # ( $* $ $ $$ $+ $

# $ $$$$$$$ $% $$&% $$ $% $ $$$$ $ # $ $% $$$$$$$$$ $% $$$$$ $$$$$$

# $ $% $$$$$$ $ $$$ $ $% $$$$ $$$$$ $& ) # $$$$$$ $$$$$$

13

C Tpt.

Vln. I

Vln. II

!

"

!"# $ # $+ $ $ # $ $+ ) # $ # ( #

# $% $$$$$$$$$$$ $$$$$$$ $$$$$ $ $$$$$$$ $% $$$ $% $$$$ $ $$$$$$

# $$$$$$$$$$$$ $$$$$$$ $% $$$$ $ $% $$$$$$ $$$$ $ $% $$$ $& $ #

17

B

B

Tbn.

Vln. I

Vln. II

Vla.

!

"

!", ' '

Whispa mute*

p

) #sempre cantabile e poco lontano

$% $+ $ $ $ $

# $% $$$ # $ $$ $$$$$$$$$$$$ $$$$$$$$$$$$ $$$ $% $ $$$ $$$$

# $ $% $$$$$$$ $% $ $$$$$$$$$$ $$$$$$ '$$$$$$-

* If whispa is unavailable, trumpet should use lyric mute; trombone, harmon mute.

' ' 'sempre ppp

con sord. bow freely

$$$ $$$$$ $$$$

&

&

&

&

68

21

C Tpt.

Tbn.

Vln. I

Vla.

!

"

!

"

! " #p

(Whispa mute)

# # $ # #% # # # # # $ #

& # # # ' # # # # # # $( # # ' " #

! # #( ########## # #( ########## # #( ########## # #( ##########

) # ########### # # #( ######### #( ########### #( ###########

25

C Tpt.

Tbn.

Vln. I

Vln. II

Vla.

!

"

!

"

! #* ' ' " # #$+% # # # #( # # # #* # # # # #

& #( #* #* #( $ # $ # $ #

!# #( #### # # ############ ############ ############

! , , " #ppp

###### ############

) #( ##### ###### $ # # # " # ,

29

C Tpt.

Tbn.

Vln. I

Vln. II

!

"

!

"

! $ # , , ,& $ # , , ,

!### #( ######## # #( ########## # #( ####### #( ## # #( ##########

! ### ######### #( ########### #( ######## ### #( ###########

C

C

33

Fl.

Cl.

Vln. I

Vln. II

!

"

!

"

!p

cantabile$ # # # # # # # $ # # ' # #

!p

cantabile

$ # # # # # # # $ # #'

# #

!# #( ########## # #( ########## ############ #### #( #######

! #( ########### # ########### ############ #### ########

&

&

&

V. Meditation and Prayer69

37

Fl.

Cl.

Vln. I

Vln. II

!

"

!

"

! " # " # " # " # " # " "$ " # " "$ " #

!" # " # " # " # "

#" "% " # " "% " #

! "& """"""" """" "& """"""""""" "& " "& """"""""" " # "" "& """

! """""""" "& """ "& """"""""""" "& " """""""""" "& """""" #

41

Fl.

Cl.

Mar.

Vln. I

Vln. II

!

"

!

"

!' # ( ( (

! ' # ( ( (

! ( ( ( !"

niente

" " " " " " " " " " " "

! "& """"""""""" "& """" " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " "

! " # """""" """"" " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " "

45

Mar.

Vln. I

Vln. II

!

"

! " " " " " "pp

" " " " " " " " " " " " " " " " " " " " " " " " " " " " " "

!" " " " " " " " " " " " " " " " " "& "& " " " " " "& "& " " " " " " " " " "

! " " " " " "pppp

" " " " " " " " " " " " " " " " " " " " " " " "ppp

" " " " " "

$

$


48

D

D

C Tpt.

Tbn.

Mar.

Vib.

Vln. I

Vln. II

!

"

!

"

#

! " # $Harmon mute, stem out

p

$ $ $ $% $ $ & $

' " " " # $Harmon mute,stem in

p

$ $

!niente

$ $ ( ( # $ "niente

$ $) $$$$$$$$$$ $ $) $$$$$$$$$$

!!"

niente

$) $) $ $$$pp

$$$$$$ $) $) $$$$$$$$$$niente

$ $$$( # $ "

! $) $) $ $$$pppp

$$$$$$ $) $) $$$$ppp

$$$$$$ $ $$$$$$$$$$$ $ $$$$$$$$$$$

! $ $ $* $) $$$$$$$$ $ $) $$$$$$$$$$ $ $) $$$$$$$$$$ $ $) $$$$niente

$$$$$$

52

C Tpt.

Tbn.

Mar.

Vib.

Vln. I

Vln. II

Vla.

!

"

!

"

#

! # $% $ $ $+ $ $ $, $ $ $ $, $ $

' $ $, $ $ $ $ $ $ $, ( ( $ $, $ $ $ $

!p

$ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $niente

$ $ $ $ $ $ # $

! " " # $niente

$ $ $ $ $ $

! $ $ $ $ $ $ $ $ $ $ ( " "

! # $ # $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $

- (niente

$ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ppp

$ $ $ $ $ $ $ $ $ $ $ $

%


55

C Tpt.

Tbn.

Mar.

Vib.

Vln. II

Vla.

!

"

!

"

#

! " $ # $ $ " $ "% "& " $ " '

( " $ "' " $ ") "& " $ # $ " "& "& "

! $ $niente

") ") """""""""" """"""""""""

!p

" " " " " " " " " " " "niente

" " " " ' # $ $ $

!" " " " " " " " " " " " " " " " " " " "" " $ " "" ") """""""""""

*pppp

" " " " " " " " " " " "ppp

" " " " $ " $ ") ") """""""""" """"""""""""

59

C Tpt.

Tbn.

Mar.

Vib.

Vln. I

Vln. II

Vla.

!

"

!

"

#

! ' " "% $ "% $ " $ " $ " $ " $ + $

( " $ # $ $ $ $

!pp

"""""""""""" """"""niente

"""" ' $ $

! 'niente

"""""""""" """"""pp

"""""" """""""""""" """"" ") """"""

! $ $pppp

"""""""""""" """"" ")ppp

""""""

! ") """"""""""" """"""pppp

"""""" # $ppp

"""""" """"" """""""

*pppp

"""""""""""" """"""ppp

"""""" """""" # $ $

%


63E

E

Fl.

Cl.

Vib.

Vln. I

Vln. II

Vla.

Vc.

!

"

!

"

#

! " " " #p

$ $% $

! " # #mp

$% $ $ $ $% $$ $ $ $ $ $% # #

!niente

$ $& $$$$' $ " " "

! $ $& $$$$$$$$$ $ $ $& $$$$$$$$ $$ $ $& $$$$$$ $$$$ $$ $& $$$$$$$$$

! $ $$$$$$$$$$ $ $ $$$$$$$$$ $& $ $& $$$$$$$ $$$$ $& $ $$$$$$$$$$

( #pppp

$) $)ppp

$) $) $) $) $) $) $) $) $) $) $) $) $) $) $) $) $)& $) $) $) $)

* " ( # solo#mp

cantabile$% $ $ $ $% $$ $ $ $ $ $% # #

67

Fl.

Cl.

Vln. I

Vln. II

Vla.

Vc.

!

"

!

"

!$ $ $ $ $ $ $ $% #$ # $ $% $ $ $ $ $ $ $ $

% '

! ' $ # $ $ $ $ $ $ $ $% # $% $% $ $ $ $% $

! $& $$$$$$$$$$$ $& $ $$$$$$$$$$ $& $$$$$$$ $$$$ $$$$$$$$$$$$

! $& $$$$$$$$$$$ $$$$$$$$$$$$ $$$$$$$$ $$$$ $$$$$$$$$$$$

( $)& $) $) $) $) $) $)& $) $) $) $) $) $)& $) $) $) $) $) $) $) $) $) $) $)

( ' $ # $ $ $ $ $ $ $ $% # $% $% $ $ $ $% $

%


71

Fl.

Cl.

Vln. I

Vln. II

Vla.

Vc.

!

"

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"

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$# # # #

% # # # # #

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) #* #* #* #* #* #* #* #* #* #* #* #* #* #* #* #* #* #* # $ #* #* #*

) # # # # # #& # ' '

75

Fl.

Vln. I

Vln. II

Vla.

!

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# # # #%

" # # # #% $ $ '

!############ ##### #( #( ##### #( #( ########## #( #( # #########

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79F

F

Fl.

Tbn.

Vln. I

Vln. II

Vla.

Vc.

Db.

!

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! ' & # &pp

#% " # #% #( # #

+ & # &pp

#% " # #% #( # #

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pppp

) ' & # & +p

tutti,#%," ## ,#%

,#( ,# ##

+ ' & # &mp

#% " # #% #( # #

$

$


83

Fl.

Tbn.

Vln. I

Vln. II

Vc.

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# # # #$ % %' " # #$ % % # # #$ #& #$

# # # #$ % %

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' " # #$ % % # # #$ #& #$# # # #$ % %

87

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Tbn.

Vib.

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Vln. II

Vc.

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!

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&

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' % # #$ # #$ # # #$ # #$ #$ # # % * #$

! +con P

*sempre arco, sempre l.v.

sempre p

#$ # #' + +

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' %)# )#$

)# )#$)# )# )#$

)# )#$)#$ )# )# % *

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91

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Tbn.

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Vln. II

Vc.

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! + + * (arco, l.v.)

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)

)


95

Fl.

C Tpt.

Tbn.

Vib.

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Vln. II

Vc.

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#

! " $ppp

"# $ $ % % %

! % % % & $whispa mute

$pp

"' " $

ppp

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! % & $sim." $% % %

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ppp

*"# $ $ % % %' " $

ppp

"# $ $ % % %

G

G

99

C Tpt.

Vib.

Vln. I

Vln. II

!

"

!"

#

! " $ "+ " " "# " $ "# " " $ & $ " $

! & $ " $% % %, $%

! "( """"""""" $ " $# - "&)' """""" " " """"""""""" " """""""""""

! "( """"""""""" "( " " " " "( " "( """""""""" " "( """"""""""

103

C Tpt.

Vib.

Vln. I

Vln. II

!

"

!"

#

! " "# " $ "# " " $ "# $ $ " $ " "# " $

! % , $( %, $%

!, $ "

# -"( " " " " " " " " " "( " " " " " " " " " " " $

poco dim.

" $ "( " "

! " "( """""""""" , $ ". - "&)' " " " " " " " " " """""" " $

)

)


107

C Tpt.

Vib.

Vln. I

Vln. II

!

"

!"

#

! " # # " $ $ $ $ $%$

! & $" $%

' & $pp

" $% '%

!" "( " " " " " " " " " " " "( " " " " " " " " " " " "( " " " "

pppp

" " " " $ $%$

!poco dim.

" " " " " " " " " " " " " " " " " " " " " " "pppp

" " " " $ $%$


!"

!"

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Lento ca. q = 44

Lento ca. q = 44

VI. Woman, behold your son

Bass Flute

Vibraphone

Mezzo-soprano

Viola

Contrabass

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#

!"

!

"

#sf pp

$%& $& $$$ $' (sf pp

$%& $& $ $$ $' (sf pp

$%& $& $ $ $ $' (sf pp

$%& $& $$$ $' (sf pp

$%& $& $$$ $' (

#%

p

sempre arco (bow quickly)

)*

%)*

%)

# * + ,There

mp

stood

$&-' 'by the cross

$& $& $of Je

$ $sus-

$& $his moth

$ $& $ $& $& $- $.3

-

/ (sf

con sord.

pp

$%& $& $$ ,sf pp

$%& $& $$ $ $' (sf

$%&0

pp$& $$ $' ,

sf pp

$%& $& $$ $' , (sf pp

$%& $& $

1 pizz.

mp

$ $ $ $ $ $ $& $ $ $

6

B. Fl.

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M-S.

Vla.

Cb.

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#sf pp

$%& $& $ $sf

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#er,-

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$ $ $& $ry,

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3 ,the wife

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$ $&-'o- phas,-

$. $ $ ,and Ma

$& 'ry-

$& $

/ $& $& $ ,sf pp

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$%0

pp$& $& $ $ $ $ ,

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$%& $& $ $ $ $ $ $ (sf pp

$%& $& $ $ $ $ $

1 $ , $3 , $3 , $3 , $3 , $3 , $3 , $3 , $3 $3 ,

(

78

11A

A

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#"#"#"

#"

#"

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#"

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Vib.

M-S.

Vln. I

Vla.

Cb.

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$ %& %& %% %%' (sf pp

%)& %& % %%%% %& %& % % *sf pp

%)& %& %%%%%%%%%% '$sf

%)&+

pp

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$ %& % % % % $ % %meno p, %& $ %- . % % %

3

$ /%, %

mf

, %, $ %,

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% $ % %-

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mf%1when Je

% % %& $sus- saw

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con sord.

pp

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%& %& %)%%%%%%%%%sf pp

%& %)& %% % % %%

2 %& %& ('sf pp

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pp

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pp

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3 ' %1 %1 ' ' %1 'mp

%1% % * % % ' %1 ' %1 ' % % *

3

16

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Cl.

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M-S.

Vln. I

Vla.

Cb.

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%)+

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% %& %. 'and the dis ci

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% % % % % 'whom he

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pp%& %& % % % % % % %& %& ( '

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3poco cresc.

%1 %3

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(

VI. Woman, behold your son79

21 !"

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B

Poco Meno mosso

Poco Meno mosso

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#"

#"

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S.

M-S.

T.

Bar.

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Vla.

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%sf

&' &' &(pp

&) & & &sf

&' &' $pp sf

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%%/ %/ /

(damped)

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man,-

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C

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A tempo

28D

D

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35E

E

A tempo

A tempo

B. Fl.

Vib.

S.

M-S.

T.

Bar.

Vla.

"#

!

"

#

"#

/ , , , -5 & , , , , &pp

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arco

pcon P

',

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)


45F

F

B. Fl.

B. Cl.

Vib.

Vla.

Vc.

Cb.

!

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) %mp

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"'

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+",

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" "# " "# " & & "' " "# " " "$ " % & "$' "( ' &

) %pp

con sord.

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"# "# " " " ") * * % &

mp cresc.

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50 attacca

attacca

B. Fl.

B. Cl.

Vib.

Vla.

Vc.

Cb.

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mf

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f

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&


!!

!!

!!

!!

With Tender Devotion q = 88

VII. Eia mater, fons amoris

"!

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#!

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$!

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Glockenspiel

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%mp

&' &' ( ( ) " *") "p

) "+#( (, *"( ( (

+) #) ( ( ) )

%mpcon P

&&' &&

'( ( ) " ) "*"

p

+)) ""#$( (, *"(

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$

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A

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7 #!

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Glock.

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Pno.

S.

Vln. I

Vln. II

%&

!

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&

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% ) "# .p

& ), ) " ) " ( )) )) (( )

%))""#$

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p(ia

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83

13 !"

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Vln. I

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mp poco cresc.

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, + + ($divisi (senza sord.)

)pp

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VII. Eia mater, fons amoris84

18 !"

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% &' & & & & & & & & &' & & & & & &' & & & &' ( ( $

% &&'' && && && && &&&& && && &&'' && && && && && &&''

&& &&&& &&'' (( (( $

$

%&&'' && && && && &&

&& && && &&'' && && &&&&

&&&&''

&& &&&& &&'' (( ((

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mf&um

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23 #"

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A.

T.

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Cl.

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Glock.

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Pno.

S.

A.

T.

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32

Fl.

Cl.

C Tpt.

Vib.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

!

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35 !"

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Fl.

Cl.

C Tpt.

Vib.

S.

A.

T.

B.

Vln. I

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Vc.

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Vln. I

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42

Fl.

Cl.

C Tpt.

Vib.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

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45 !"

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A.

T.

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50

Glock.

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56 +"

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+ & $ & $ % % % % % % %.

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Lento misterioso q = 42

VIII. My God, my God, why hast thou forsaken me?

Timpani

Crystal Goblet

Soprano Solo

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Poco più mosso, ca. q = 96

Poco più mosso, ca. q = 96

23 -.-.#/

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Fl.

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B. D.

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S.

A.

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VIII. My God, my God, why hast thou forsaken me?96

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28 !"!"#$

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81

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90I

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105

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108

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!

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pp

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pp

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C

C

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IX. I Thirst117

D

D

26

M-S.

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Vla.

Vc.

Cb.

!

"

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"

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#$sponge

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* + ' 'ppp

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3 3 3

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30

M-S.

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Vla.

Vc.

Cb.

!

"

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poco

#& # "- with

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! # # # # # # #div.

## $# # ## # # ## # # ## # # # # ## # # ## # # # #3

3

3 3

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%# ## # # # # ## # # # % %%# # ## # # # # ## # # # ## # %%# # ## # # # # # "# # # "3

3

3

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IX. I Thirst118

33E

E

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3

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+ (,' % - -

#"

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36 ""

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M-S.

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3 3

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""

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37

M-S.

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!

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p

/

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& & & && & & & & & & & & & & && & & & & & & & & && & & & & & & & & & & && & & & & &6

6 6

6

6

6

$gradually shift to sul pont.

'' & & & & & && & & & & & & & & && & & & & & & & & & & && & & & & & & & & && & & & & &6 6

6

6 6

6

*gradually shift to sul pont.& & & & & & & & & & & & & & & & & & & & & &

6 6 6

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p

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IX. I Thirst119

attacca

38

Vln. I

Vln. II

Vla.

Vc.

!

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ff

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6 6

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6

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ff

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6

3

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% " " " " " " " " " " " " " " " " " " sul pont.

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ff

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IX. I Thirst120

!!

!!!!

!!

!!!!

!!

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!!

!!

!!

!!

!!

!!

Aggressive q = 80

Aggressive q = 80

X. Ex Crucio

Flute

Clarinet in Bb

Trumpet in C

Trombone

Chimes

Bass Drum

Marimba

Piano

Violin I

Violin II

Viola

Violoncello

Contrabass

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) #ff

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121

4A

A

Fl.

Cl.

C Tpt.

Tbn.

B. D.

Mar.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Cb.

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) "# "# "# "# "# "# "# "# "# % & ' "(# "(#$ %3

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X. Ex Crucio122

7

Fl.

Cl.

C Tpt.

Tbn.

T.-t.

Mar.

Pno.

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6

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X. Ex Crucio123

11 !"!"!"!"

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Fl.

Cl.

C Tpt.

Tbn.

T.-t.

Mar.

Pno.

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3 6 3 3 3 6

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# $ &'(&'(&'( &'( &'( &'( &'() &'( &'( &'( &'( &'( $ &'() &'(&'(&'( &'( &'( $ % &'(&'(&'(&'( &'( &'( &'( &'( &'(6 6 6 3 6

+ &'() &'(&'(&'(&'(&'($ % &'( &'( &'( &'( &'( &'(&'(&'(&'( $ &'( &'( &'( &'() &'(&'(*6

3 6 6

, * $ %scrape

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3

6

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13 ""

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BMich dürstet

Poco meno mosso

Fl.

Cl.

C Tpt.

T.-t.

B. D.

Mar.

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X. Ex Crucio124

18 !!!!

!!

!!

!!

!!

!!

!!

!!

C

C

A tempo

A tempo

Fl.

Cl.

T.-t.

B. D.

Vln. I

Vln. II

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Vc.

Cb.

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6 3

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col legno batt.

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. $ $ & *mf

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21

W.B.

Vln. I

Vln. II

Vla.

Vc.

Cb.

!"

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6 6

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6 6

%

X. Ex Crucio125

23

W.B.

Vln. I

Vln. II

Vla.

Vc.

Cb.

!

"

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6 6 3 6

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6 3

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$3 6 3 6 3

) & ""# " $poco cresc.

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6 6

3 6

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6 6

3 6

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3 6

X. Ex Crucio

126

25

Fl.

Cl.

C Tpt.

Tbn.

W.B.

Mar.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Cb.

!"

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6 6 6 6

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6 6 6

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) ' #ff

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3 6 6 6 6 6

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X. Ex Crucio127

27

Fl.

Cl.

C Tpt.

Tbn.

W.B.

Mar.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Cb.

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3 6 6

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X. Ex Crucio128

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XI. It is finishedAndante, ca. q = 88

Andante, ca. q = 88

Glockenspiel

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Tenor Solo

Viola

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)

129

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C Tpt.

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Glock.

Vib.

Chim.

Pno.

S. Solo

M-S. Solo

T. Solo

Bar. Solo

Vln. I

Vln. II

Vla.

Vc.

Cb.

!

"

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"

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# $ $pp

% $ %& $ %& $p

% $ $ $ $

' $ $pp

% $ %& $ %& $p

%& $ $ $ $

#p

((& %& $ $ $ $ $ $

%) )) * * $

#p

((& &% $ $ $ $ $

p)+ )+ ) ) )+ )+ %, $&

$

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% $ $ $ $

XI. It is finished130

24

C

C

Cl.

C Tpt.

Tbn.

Glock.

Vib.

Chim.

Pno.

S. Solo

M-S. Solo

T. Solo

Bar. Solo

Vln. I

Vln. II

Vla.

Vc.

Cb.

!

"

!"

!

"

#

!

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#

!

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! " "p# $ # $ # $

mp# $

" " "

! " "p# $ #$ $ #$ $

mp

# $ " " "

% " "p

# $ #$ $ #$ $mp

#$ $ " " "

! "mp

##& $$%& " " " "pp# $% " "

! "mp

## $$&% " " " "

p

' '$ '$ ' '$ ' &'$ ' ' ( ( "3

) "mp

# $% " " " " " " "

% "mp##$$ ##

$$

'(

" " " " " "

! " "it

mf

# $is

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ished,

# $-

" " "

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mf

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ished,

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!)

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mf

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ished,

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mf# $is

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ished,

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" " " " "pp

unis.' '$ # # $ # $

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$#' ' ' # $# $ # $# $

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div.

$' # $' ' # $ # $# $

% # $# $p

" " " " " " *pp

$# $' ' ' # # $# $3

% "mp

# $ # $ # $ # $ # $ppp

" " "

XI. It is finished131

33 D

D

E

E

Fl.

Cl.

Glock.

Vib.

Chim.

Pno.

S. Solo

M-S. Solo

T. Solo

Bar. Solo

Vln. I

Vln. II

Vla.

Vc.

Cb.

!

"

!

"

#

!

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# $ #$ $pp

#$ $ # $ # $pppp

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# $ # $pp

# $ # $ # $pppp

# $" "

! " ##% $$%& " " " " " " "

p

##% $$&%

# $&

! "pp

##$$&% " " " " " " "

p

# && ' #&

() "

pp

# $% " " " " " " "pp

# $% "

! " *p

# $ # $ # $ " " " " " " "

* " # $ # $ # $'(

" " " " " " "

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pp

# $is

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ppp

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pp

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!)

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pp

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pp

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" " " " " " " " " "

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unis.#+,

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unis.# $ # $ # $ # $ # $ # $ # $ # $ppp

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XI. It is finished

132

44

Glock.

Vib.

Vln. I

Vln. II

Vla.

Vc.

Cb.

!

"

#

!"

! " $ # $ % $ " %% $ %& $&

!%% '

%#( " "#) %

$%) $%

" "#* %

! " $ppp

#+,$$ %+ $$ #+ %+, %+ $$ %+ $$

!%- $ %- $ %- $ %- $ %- $

. %+ $$ %+ $$ %+ $$ %+ $$ %+ #+,

/ +% $$ +% $$ +% $$ +% $$ +%,&& $$

/%- $ %- $ %- $ %- $ %- $

49

Glock.

Vib.

Vln. I

Vln. II

Vla.

Vc.

Cb.

!

"

#

!"

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lunga

$1

! $ $ $% $ % lunga

$1

! %+ $$ %+ $$ %+ $$ %+ $$lunga

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niente

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niente

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niente

/%- $ %- $ %- $

niente

$ $1lunga

)

XI. It is finished

133

!"

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Largo q = 60

Largo q = 60

XII. Father, into thy hands I commend my spirit

Marimba

Piano

Violin I

Violin II

Violoncello

!

"

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con sord.

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+pp

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,ppp

solo-$%% %% -$ %% -$ %%

4

Mar.

Pno.

Bar. Solo

Vln. I

Vln. II

Vc.

!

"

#

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, -$ %% -$ %% -$ %%

(

134

7

Mar.

Pno.

Bar. Solo

Vln. I

Vln. II

Vc.

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3

7 6 3

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10

Mar.

Pno.

Bar. Solo

Vln. I

Vln. II

Vla.

Vc.

!

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(

XII. Father, into thy hands I commend my spirit135

13A

A

Cl.

Mar.

Bar. Solo

Vln. II

Vla.

Vc.

!

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$%

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mp

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# #3 6

' -$ $$ -$ $$

15 ..

..

..

..

..

..

..

Cl.

Mar.

Pno.

Bar. Solo

Vln. II

Vla.

Vc.

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3

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said:

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B

18 !"!"!"

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#"

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Fl.

C Tpt.

Tbn.

Mar.

S. Solo

M-S.

T. Solo

Bar. Solo

!"!

"

!

"

$mf

%& % ' ( %& %& %& # %& # ' ( %& % %& # %&) * *& *3 3

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3 3

$"Fa

f triumphant%&ther,

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f triumphant%&ther,

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!"

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C

C

23

Mar.

Pno.

Vln. I

Vln. II

!

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%0- %1- (3

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$ / ' 'pp

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'


26

Mar.

Pno.

Bar. Solo

Vln. I

Vln. II

!

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29 ,-

,-

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Mar.

Pno.

Bar. Solo

Vln. I

Vln. II

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32

D

D

Mar.

Pno.

Bar. Solo

Vln. I

Vln. II

Vla.

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35

Mar.

Vln. II

Vla.

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39 attacca

attacca

Mar.

Pno.

Vln. II

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p

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63

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!!!!

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!!

!!

!!

Andante q = 96

Andante q = 96

XIII. Zechariah

Flute

Vibraphone

Marimba

Piano

Violin I

Violin II

!

"

!"

#

" # # $p

crisp, rhythmic, delicate%&'( %& %& %& %& %&) ) $ *

%&( %& %&6 3

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sempre l.v.

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* $ #3 3

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crisp, rhythmic, delicatesenza sord.%&'( %& %& %& %& %&

$ #6

140

5 !"

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Vib.

Mar.

Pno.

S.

A.

T.

B.

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XIII. Zechariah141

8 !!

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Vib.

Mar.

Pno.

S.

A.

T.

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XIII. Zechariah142

10

Fl.

Vib.

Mar.

Pno.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

!

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3 6

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63

XIII. Zechariah143

12

A

A

Fl.

Mar.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

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XIII. Zechariah144

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14

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Cl.

Mar.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

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XIII. Zechariah145

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15

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Cl.

C Tpt.

Vib.

Mar.

Pno.

S.

A.

T.

B.

Vln. I

Vln. II

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XIII. Zechariah146

17 !"

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XIII. Zechariah154

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XIII. Zechariah156

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6

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XIII. Zechariah164

!"

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E

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Vib.

Chim.

Mar.

Pno.

S. Solo

M-S.

T. Solo

Bar. Solo

Vln. I

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Vla.

Vc.

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XIII. Zechariah165

56 !"!"

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Mar.

S. Solo

M-S.

T. Solo

Bar. Solo

Vln. I

Vln. II

Vc.

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XIII. Zechariah166

59

Vib.

Chim.

Mar.

Pno.

S. Solo

M-S.

T. Solo

Bar. Solo

Vln. II

Vla.

Vc.

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ple."

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&ple."

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* '($ '( '( '()'( '( '( '( '( '( '( '( " " +

tutti

mp

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6 3

6

6

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mp

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XIII. Zechariah167

62

Fl.

Vib.

Chim.

Mar.

Pno.

Vln. I

Vln. II

Vla.

Vc.

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! ( **' &&'(

(

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! )))*' &

)))*' &

)))*' &

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+ ( * &( (

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mp

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! #$' #$ #$ " ) ) ( (3

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, ( ) " #$%' #$' #$ (#$ #$ #$ #$ #$ #$3 6

65

Fl.

Mar.

Vln. I

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Vc.

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36

6 3

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6 3 3 6

, ( " #$% #$ #$ #$% #$ #$ #$%' #$& #$ #$ #$ #$ "3 6 3

, ) ) #$%' #$' #$ #$%' #$ #$ #$% #$' #$ #$ #$ #$ ) )6 6

*

XIII. Zechariah168

F

F

67

Fl.

Cl.

C Tpt.

Tbn.

Vib.

Chim.

Mar.

Pno.

Vln. I

Vln. II

Vla.

Vc.

!

"

!

"

!

"

#

#

! "mf

#$%& #$& #$ #$%& #$ #$ #$% #$ #$ #$ #$ #$" #$%& #$& #$ #$

%& #$ #$ #$% #$ #$ #$ #$ #$ " #$% #$' #$

3 6 36

6 3

! ( "mf

#$% #$ #$ #$% #$ #$ #$%& #$' #$ #$ #$ #$ "3 6 3

! ) "mp

#$% #$ #$ #$% #$ #$ #$%& #$' #$ #$ #$ #$ " ) )3 6 3

* ( ) "mp

#$% #$ #$ #$% #$ #$ #$%& #$' #$3 6

!f

++%& $$%& (

!f

+%& $ &(

! '''+& $

'''+& $

!f

+%& $% (

* ++%&& $

$&%

(

!#$% #$ #$ #$%& #$' #$ #$ #$ #$ " ) )

mf

#$%& #$& #$ #$%& #$ #$ #$% #$ #$ #$ #$ #$6 3 6 6

! #$& #$ #$ " ) "mf

#$% #$ #$ #$% #$ #$ #$%& #$' #$ #$ #$ #$ " )3 3 6 3

, ( ) )mf

#$%& #$& #$ #$%&

#$ #$6

, )mf

#$%& #$& #$ #$%& #$ #$ #$% #$ #$ #$ #$ #$ ) ) #$%& #$& #$ #$%& #$ #$6 6 6

XIII. Zechariah169

69

Fl.

Cl.

C Tpt.

Tbn.

Mar.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

!

"

!

"

!

"

!

"

!"#$ "# "# "#$% "#& "# "# "# "# '

"#$% "#% "# "#$% "# "# "#$ "#% "# "# "# "#( ' "#$ "# "#

6 3 6 6 3

! 'mp

"#$ "# "# "#$ "# "# "#$% "#& "# "# "# "# ' "#$% "#% "# "#$% "# "# "#$ "# "# "# "# "# (

3 6 36

6

! ( "#$%"#% "# "#$%

"# "# "#$ "# "# "# "# "# ( "#$ "##&$ "# "#$ "# "# "#$% "#& "# "# "# "#6

6

66

) "# "# "# ' ( ( ( ' "#$% "#% "# "#$ "# "# "#$ "# "#3 3 6

! %%%*% &

%%%*% &

!And

mp poco cresc.

*% &they

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!And

mp poco cresc.

*% &they

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!'

And

mp poco cresc.

*% &

they

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)And

mp poco cresc.

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they

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! '"#$% "#% "# "#$% "# "# "#$ "# "# "# "# "#

' ( ' "#$% "#% "# "#$% "# "# "#$ "# "#

3 6 3 3 6

+ "#$ "#% "# "# "# "# ( ' "#$ "# "# "#$ "# "# "#$% "#& "# "# "# "# ' (6

3 6 3

+ "#$ "#% "# "# "# "# ( ' "#$ "# "# "#$ "# "# "#$% "#& "# "# "# "# ' (6 3 6 3

XIII. Zechariah170

71

Fl.

Cl.

C Tpt.

Tbn.

Vib.

Chim.

Mar.

Pno.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

!

"

!

"!

"

#

#!

"

!"#$ "# "# "#$% "#& "# "# "# "# ' ' '

cresc. poco a poco

"#%( "#% "# "# "#$ "# "# "#$% "# "# "#$ "# "# "# "# "#'

6 3

3

6 6 3

! ' "#$ "# "# "#$ "# "# "#$% "#& "# "# "# "# ' ) 'cresc. poco a poco

"# "# "# "# "#% "# "# "#$ "# "#3 6 3

6

6

! ) "#$% "#% "# "#$% "# "# "#$ "# "# "# "# "# ) ' '

cresc. poco a poco

"#%( "# "# "# "#$ "# "#6

6

3

6

* "#% "# "# ' ) ) ) ) ' 'cresc. poco a poco

"#%(3

3

! )$%

mf

++% ,

! )%

p sempre

+% ,

! &&&+% '

&&&+% '

! ) $mf sempre

+% ,

* ) ++%%$% ,

!shall

+% 'say:

+% '

!shall

+% 'say:

+% '

!(

shall

+% 'say:

+% '

*shall

+ 'say:

+ '

! '"#$% "#% "# "#$% "# "# "#$ "# "# "# "# "#

' ' 'cresc. poco a poco

"#%( "# "# "# "#$ "# "# "#$% "# "# "#$ "# "#3 6 3

3

6 6

! "#% "# "# ' ) ) 'cresc. poco a poco

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6

6 6

- ) ' "#$ "# "# "#$ "# "# "#$% "#& "# "# "# "# ' ) 'cresc. poco a poco

"# "# "# "#3 6 3

6

- ) ' "#$ "# "# "#$ "# "# "#$% "#& "# "# "# "# ' ) 'cresc. poco a poco

"# "# "# "#3 6 3

6

XIII. Zechariah171

73

Fl.

Cl.

C Tpt.

Tbn.

Mar.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

!

"

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"

!

"

!

"

! " # $f

%& %& %& %& %&' %& %& %&( %& %&6

6

! %&(' %&) %& %& %& %& # $ $%&'* %&' %& %& %&( %& %& %&(' %& %& %&( %& %& %& %& %&

$6

3

6 6 3

! %&(' %&' %& %&( %& %& %& %& %& $ # # # $mf

%& %& %& %&6 3

6

+ %&' %& %& %&( %& %& %&(' %& %& %&( %& %& %& %& %& $ , $ %& %& %& %& %&' %& %& %&( %& %& %&(' %&) %& %& %& %&6 6 3

6

6 6

! ###-' $

###-' $

To Glock.

!mf

% # # "

!mf

% # # "

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mf% # # "

+mf

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$ # $ %& %& %& %& %&' %& %& %&( %& %& %&(' %&) %& %& %& %& #3

6

6 6

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$ $f

% % % %3

6 6 3

6

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6

6 6

, %&' %& %& %&( %& %& %&(' %&) %& %& %& %& # $ %&'* %& %& %& %& %& %& %&( %& %& %&(' %& %& %&( %& %&6 6

3

3 6 6

XIII. Zechariah172

75

G

G

Fl.

Cl.

C Tpt.

Tbn.

Vib.

Chim.

Pno.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

!

"

!

"

!

"

#

#!

"

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' '"%( " " " "$ " " "$% "% " "$ " " " " "

' )6

3

6 6 3

! ) 'f

" " " " "% " " "$ " " "$% "& " " " " ) ' '"%(6

6 6

3

! "#% "# "# "#$ "# "# "#$% "#& "# "# "# "# ) ' 'mf

"%( " " " "$ " " "$% " " "$ " "6 6

3

6 6

* ' 'mf

"%( " " " "$ " " "$% " " "$ " " "% " " ' ) ' " " " "3

6 6 3

6

!++$% $$%& ,

! ++$%% $

$%&

,

! +$% $% ,- ++

$%%

$$&%

,

! ,LORD,

f warm++ $$

! ,LORD,

f warm

+ $

!'

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f warm++ $$

- ,LORD,

f warm

++ $$

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6

6 6

6

6

!"% " " "$ " " "$% "& " " " "

) ' '"%( " " " "$ " " "$% " " "$ " "

6 6

3

6 6

! ) ' 'f

"%( " " " "$ " " "$% "% " "$ " " " " " ' )3

6 6 3

* ) ' 'f

"%( " " " "$ " " "$% "% " "$ " " " " " ' )3

6 6 3

XIII. Zechariah173

77

Fl.

Cl.

C Tpt.

Tbn.

Vib.

Chim.

Pno.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

!

"

!

"!

"

#

#!

"

! " " # $ $ $ $ $% $ $ $& $ $ $&% $' $ $ $ $ "6

6 6

!$% $ $ $& $ $ $&% $ $ $& $ $ $ $ $

# " " # $ $ $ $6 6 3

6

! $% $ $ # " # # $( $% $ $ $& $ $ $&% $ $ $& $ $ $ $ $ #3

3

6 6 3) $% $ $ $& $ $ $&% $' $ $ $ $ " " # # $%( $ $ $ $& $ $6 6

3

6

! * "++% $%

! * " ++%% %$

! * " $+%

, * " ++%%$%

! ++ && *

! + & *

!'

++ && *

, ++ && *

!$&% $' $ $ $ $

" # $ $ $ $ $% $ $ $& $ $ $&% $' $ $ $ $ "6

6

6 6

!$% $ $

# " " # #$%( $ $ $ $& $ $ $&% $ $ $& $ $

3

3

6 6

! # $ $ $ $ $% $ $ $& $ $ )$&% $' $ $ $ $ # $% $ $ $ $ $ $ $& $ $ !$&% $ $ $& $ $6

6 6

6

6 6

) # $ $ $ $ $% $ $ $& $ $ $&% $' $ $ $ $ # $% $ $ $ $ $ $ $& $ $ $&% $ $ $& $ $6

6 6

6

66

XIII. Zechariah174

79 !"

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!"

#"

#"

#"

#"

#"

#"

#"

#"

#"

#"

#"

#"

Fl.

Cl.

C Tpt.

Tbn.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

!

"

!

"

!

"

!

"

$ %& & & & &' & & &( & & &(' &) & & & &

% &( &' & &( & & & & &6

6 6 3 6

$ &' & & &( & & &(' &) & & & & * * &(+ & & &( & &6 6 6

$ * * % & & & & &' & & &( & & &(' &) & & & &6

6 6

, &(' &' & &( & & & & & % * * % -&( &' &6

3 3

$my

.. ## ..'

$my

. # .'

$$

my

.. ## ..'

-my

.. ## ..'

$ % %&'/ & & & &( & & &(' & & &( & & &' & &

% *3

6 6 3

$&' & &

% * * &(+ & & &( & & & & & &() & &3 6 6

$ * % & & & & &' & & &( & & &(' &) & & & & * ,6

6 6

, * % & & & & &' & & &( & & &(' &) & & & & *6

6 6

XIII. Zechariah175

!"

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81

Fl.

Cl.

C Tpt.

Tbn.

Vib.

Chim.

Pno.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

!

"

!

"

!

"

#

#!

"

# $%& $& $ $ $ $' $%( $ $ $% $ $ $ $ $ $% $ $ $ $ $ ) '

6 6 6 3

# $ $ $ $% $ $ $ $ $ ) ' ' ) $% $& $ $% $ $ $ $ $6 3 3 6

# ' ' ) $% $& $ $% $& $ $ $ $ $%& $ $ $ $ $ '3 6 6

* $% $& $ $ $ $ $%& $ $ $ $ $ ' $%( $ $ $% $ $ $ $ $ $%+ $ $ $ $ $ )6 6 6 6 3

# ',,%& $% -

# ' ,,%&& %$ -

# ' ,%& $ -

* ' %,,%&&$

-

#God,

,,& && ,, &&

#God,

,& & , &

#'

God,

,,& && ,, &&

*God,

,,& && ,, &&

# ) $% $& $ $% $ $ $ $ $ $%& $ $ $ $ $' ' $%( $ $ $% $ $

3 6 6 6

# $ $ $ ) ' ' ) $% $& $ $% $ $ $ $ $ $%& $ $ $ $ $3 3 6 6

. ' $%( $ $ $% $ $ $ $ $ $%+ $ $ $ $ $ ) ) $% $& $ $% $ $ $ $ $6 6 3

3 6

. ' $%( $ $ $% $ $ $ $ $ $%+ $ $ $ $ $ ) ) $% $& $ $% $ $ $ $ $6 6 3

3 6

XIII. Zechariah176

83

Fl.

Cl.

C Tpt.

Tbn.

Vib.

Chim.

Pno.

Vln. I

Vln. II

Vla.

Vc.

!

"

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"!

"

#

#

! " #$ #% # #$ # # # # # #$% # # # # #" #$ #% # #$ # # # # # #$% # # # # #

3 6 6 3 6 6

! #$% #% # # # #& & #$' # # #$ # # # # # #$( # # # # # "

6 6 6 3

! & #$' # # #$ # # # # # #$( # # # # # " & &6 63

) * " #$ #% # #$ # # # # # #$% # # # # #3 6 6

! & &$%##$%

*

! & & ##$%% %$ *

! & & $#$% *) & & %

$##$%% *

! # # # #$ # # # # # " & & " #$ #% # #$ # # # # #6 3 3 6

! & " #$ #% # #$ # # # # # #$% #% # # # #& &

3 6 6

+ #$% #% # # # # & #$' # # #$ # # # # # #$ # # # # # " " #$ #% #6

6 6 3

3

+ #$% #% # # # # & #$' # # #$ # # # # # #$ # # # # # " " #$ #% #6

6 6 33

XIII. Zechariah177

H

H

85

Fl.

Cl.

C Tpt.

Tbn.

Vib.

Chim.

Pno.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

!

"

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"!

"

#

#!

"

! " #$% # # #$ # # # # # #$& # # # # # ' #$( #& # # # # # # # '6 6 3 6 3

! ) #$ #( # # # # # # # # # #"

6 6

! " ' #$ #( # #$ # # # # # #$( #( # # # # ' #$ # # # # # # # #3 6 6 3 6

* ) #$% # # #$ # # # # # #$& # # # # # '6 6 3

! ) " $%++(

! ) " ++((%$

! ) " %+

* ) " %++$

!LORD,

f

++ && ++ &&

!LORD,

f

+ & + &

!'

LORD,

f++ && ++ &&

*LORD,

f

++ && ++ &&

! #$( #( # # # #' #$( #& # # # # # # # # # # ' " "

6 3 6 3

!#$ #( # # # # # # # # # #

" " #$ #( # # # # # # # # # #6 6 6 6

, #$ #( # # # # #$( # # # # # ' #$( #& # # # # # # # # # # ' "6 6

3 6 3

, #$ #( # # # # #$( # # # # # ' #$( #& # # # # # # # # # # ' "6 6 3 6 3

XIII. Zechariah178

87 !"

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!"

!"

!"

!"

#"

#"

#"

#"

#"

#"

#"

#"

#"

#"

#"

#"

Fl.

Cl.

C Tpt.

Tbn.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

!

"

!

"

!

"

!

"

$ % &' &( & & & & & & & & & &% )

3 6 3

$ * &'( &+ & & & & )& & & & & &6 6

$ &( & & % * * %dim. poco a poco

&' &( & & & & & & &3 3 6

, * * %&'( &+ &

dim. poco a poco

& & & & & & & & &%

3 6 3

$ )my

-

$ )my

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$#

)my

--

, )my

--

$ * &' &( & & & & & & & & & &* %

dim. poco a poco

&' &( &6 6 3

$ ) *dim. poco a poco

&'( &+ & & & &6

. &'( &+ & & & & & & & & & & *dim. poco a poco

&'( &+ & & & & & & & & & &6 6 6 6

. &'( &+ & & & & & & & & & & *dim. poco a poco

&'( &+ & & & & & & & & & &6 6 6 6

XIII. Zechariah179

!"!"!"!"

!"

!"!"!"!"

!"

!"

!"!"!"

!"

!"

89

Fl.

Cl.

C Tpt.

Tbn.

Vib.

Chim.

Pno.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

!

"

!

"

!

"

#

#!

"

#dim. poco a poco

$%& $' $ $ $ $ $ $ $ $ $ $ ( ( ( ) $*% $*& $*6 6 3

# (dim. poco a poco

$%& $' $ $ $ $ +$ $ $ $ $ $6 6

# $& $ $ ) ( ( +3

, ( ( ) $% $& $ $& $ $ $ $ $ $ $ $ ) (3 6 3

# (--& $% +

# ( --&& %$ +

# ( $- +

, ( $--% +

# - &God,

mf

-& &

# -& &God,

mf

-& &

#'

--& &&God,

mf

--& &&

, --& &&God,

mf

--& &&

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6 3 6 6

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. ( ) $% $& $ $ $ $ $ $ $ $& $ $ ) ) $*%& $*' $* $* $* $* $* $* $*3 6 3 3 6

XIII. Zechariah180

91

Fl.

Cl.

C Tpt.

Tbn.

Vib.

Chim.

Pno.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

!

"

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"

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"

#

#!

"

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% & & & % "#' "#$ "#6 3 3

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) & &mp

"#' "#$ "# "# "# "# "#$ "# "# "# "# "# & &6 6

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!'

++ && *

) ++ && *

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, "# "# "# % & "#' "#$ "# "# "# "# "#$ "# "# "# "# "# & % "#' "# "#3 6 6 3

, "# "# "# % & "#' "#$ "# "# "# "# "#$ "# "# "# "# "# & % "#' "# "#3

6 6 3

XIII. Zechariah181

93I

I

Fl.

Cl.

C Tpt.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

Cb.

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mf

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+ )mf

* #

XIII. Zechariah182

95

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Cl.

C Tpt.

Vib.

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Mar.

Pno.

S.

A.

T.

B.

Vln. I

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Vla.

Vc.

Cb.

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! ' " #$%& #$( #$ #$ #$ #$ #$ #$ #$ #$ #$ #$ " ' '3 6 3

! ) ' '##& $

%

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3 6 3

, " #$%& #$( #$ #$ #$ #$ #$ #$ #$ #$ #$ #$ " ' #$% #$& #$ #$ #$ #$ #$ #$ #$ #$ #$ #$3 6 3

6

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, " #$%& #$( #$ #$ #$ #$ #$ #$ #$ #$ #$ #$ " * ' " #$% #$& #$ #$ #$ #$ #$ #$ #$3 6 3 3 6

* + & + &

XIII. Zechariah183

97

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Cl.

S.

A.

T.

B.

Vln. I

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Vc.

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3

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XIII. Zechariah184

99

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Cl.

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T.

B.

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Cb.

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XIII. Zechariah185

102J

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XIII. Zechariah186

105

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Glock.

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XIII. Zechariah187

108

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XIII. Zechariah188

111

Fl.

Vib.

Chim.

Glock.

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S. Solo

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XIII. Zechariah189

114K

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XIII. Zechariah190

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XIII. Zechariah191

120

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XIII. Zechariah192

123

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XIII. Zechariah193

125

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XIII. Zechariah194

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