the great escape from the prison house of language: games, production studies, and the humanities

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the great escape from the prisonhouse of language Sebastian Deterding (@dingstweets) Digital Creativity Labs, University of York DiGRA/FDG 2016, August 3, 2016 cb

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Page 1: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

the great escape from the prisonhouse

of language Sebastian Deterding (@dingstweets)

Digital Creativity Labs, University of York DiGRA/FDG 2016, August 3, 2016

cb

Page 2: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

know, dear reader, that i, too was once a young humanities scholar …

Page 3: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

… taught by my mentors …

Page 4: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

… that all possible knowledge is already contained within the walls of the library.

Page 5: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

to venture into the world outside the library was to flirt with temptation and the eternal damnation of my very soul.

Page 6: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

out there were the people that our texts referred to.

Page 7: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

the people that read our texts.

Page 8: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

the people that wrote our texts.

Page 9: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

but we must be wary never to speak with these people. for the meaning and truth of our texts never be revealed by the people; they are revealed only by other texts.

Page 10: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

this my mentors and their texts taught me.

Wimsat & Beardsley, 1949 Barthes, 1967 Foucault, 1969

Page 11: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

meaning

a simple model

author text

writes

intends

reader

interp

rets

is read by

Page 12: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

meaning

new criticism, formalism, structuralism: the meaning is in the text (form)

text

Page 13: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

meaning

discourse analysis, new historicism: the meaning is in other texts

textcontextcontext contextcontext

contextcontext contextcontext

Page 14: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

meaning

deconstruction: you will never reach meaning outside texts

texttext text…

Page 15: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

all of which is true

iff …

Page 16: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

all of which is true

you never dare to venture outside the library.

iff …

Page 17: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

the great taboo: is the practice of solitary reading and writing in the library necessary and sufficient to understand cultural meaning-making?

Page 18: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

the beauties outside the library.

Page 19: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

(just speaking of and with authors, for now.)

author

Page 20: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

understanding the effectiveness of persuasive communication

author text reader

Page 21: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

meaning

understanding and improving creative practice

author text

Page 22: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

constraining spurious contextualising readings

author text

context

context

context

Page 23: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

discovering new contextual readings

author text

context

context

context

context

Page 24: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

discovering new contextual readings

author text

context

context

context

context

Page 25: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

understanding how contexts affect texts

author textcontext

Page 26: The Great Escape from the Prison House of Language: Games, Production Studies, and the Humanities

meaning

understanding the gaps and relations of meaning-making

author text

writes

intends

reader

is read by

interp

rets

scholar