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The Grapes of The Grapes of Wrath Wrath John John Steinbeck Steinbeck

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Page 1: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

The Grapes of The Grapes of WrathWrath

John John SteinbeckSteinbeck

Page 2: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

INTRODUCTIONINTRODUCTIONCritics have called John Steinbeck’s Critics have called John Steinbeck’s masterpiece masterpiece The Grapes of Wrath The Grapes of Wrath propaganda, sentimental, and obscenepropaganda, sentimental, and obscene—but half a century later, we are still —but half a century later, we are still moved by the story of the Joads and moved by the story of the Joads and the thousands like them who lost their the thousands like them who lost their land in the midst of the Great land in the midst of the Great Depression and the Dust Bowl of the Depression and the Dust Bowl of the mid-Thirties. Think about this mid-Thirties. Think about this happening today?????????????happening today?????????????

Page 3: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

In an age of concern over the plight of In an age of concern over the plight of America’s farmlands, earth’s fragile America’s farmlands, earth’s fragile environment, and the growing problem environment, and the growing problem of pollution, of pollution, The Grapes of Wrath The Grapes of Wrath is still is still relevant. In an age when Third World relevant. In an age when Third World peoples are the “new Okies,” when peoples are the “new Okies,” when people step over the sleeping homeless people step over the sleeping homeless in our major cities, and the gap between in our major cities, and the gap between rich and poor widens, rich and poor widens, The Grapes of The Grapes of Wrath Wrath is still relevant. The movement is still relevant. The movement from “I” to “we” (this novel’s major from “I” to “we” (this novel’s major theme) challenges every new theme) challenges every new generation of readers.generation of readers.

Page 4: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

VALUESVALUESAn appreciation for our common humanityAn appreciation for our common humanity

The need to work together to achieve a The need to work together to achieve a common goalcommon goal

The need for compassion and justice for the The need for compassion and justice for the oppressedoppressed

The importance of avoiding stereotypes and The importance of avoiding stereotypes and labelslabels

The need to share what we have with others, The need to share what we have with others, especially the poorespecially the poor

Page 5: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

VALUESVALUESThe importance of commitment to our The importance of commitment to our beliefsbeliefsA respect for our religious heritage and A respect for our religious heritage and that of othersthat of othersThe realization that change is part of the The realization that change is part of the human conditionhuman conditionThe importance of caring about the earth The importance of caring about the earth and our environmentand our environmentAn understanding of the role of technology An understanding of the role of technology in societyin society

Page 6: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

CONTROVERSIAL NOVELCONTROVERSIAL NOVELWhen first published, religious leaders When first published, religious leaders denounced it as obscene.denounced it as obscene.

Oklahomans resented the portrayal of Oklahomans resented the portrayal of their citizens and their state.their citizens and their state.

Californians insisted they were not as Californians insisted they were not as cruel as the picture Steinbeck painted cruel as the picture Steinbeck painted of them.of them.

Many people called Steinbeck a Many people called Steinbeck a Communist.Communist.

Page 7: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

SUPPORTERSSUPPORTERSBelieved his novel told the truth and Believed his novel told the truth and were concerned enough to demand were concerned enough to demand government actiongovernment action

As a novel of social protest, As a novel of social protest, The The Grapes of Wrath Grapes of Wrath was a great was a great success. As a movie, it is a classic. success. As a movie, it is a classic. In today’s catalog of literature, it In today’s catalog of literature, it ranks as a timeless work of art. ranks as a timeless work of art.

Page 8: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

STRUCTURESTRUCTUREThe novel is somewhat unusual in The novel is somewhat unusual in structure. The general story of the dust structure. The general story of the dust storms, the road west, shady business storms, the road west, shady business practices, and the migrant camps is told practices, and the migrant camps is told in chapters which alternate with the more in chapters which alternate with the more specific story of one particular migrant specific story of one particular migrant family, the Joads. You will receive a family, the Joads. You will receive a factual history along with a fictionalized factual history along with a fictionalized example of how the historic events example of how the historic events affected one family.affected one family.

Page 9: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

THE JOADSTHE JOADS

The Joads represent all The Joads represent all migrants—and in fact all poor, migrants—and in fact all poor, uneducated people—in 1930s uneducated people—in 1930s America.America.

Page 10: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

KEY FACTSKEY FACTSfull title · full title · The Grapes of WrathThe Grapes of Wrath author  · John Steinbeckauthor  · John Steinbeck  type of work  · Noveltype of work  · Novel  genre  · Epic; realistic fiction; social commentary; genre  · Epic; realistic fiction; social commentary; PROTEST NOVELPROTEST NOVEL  language  · Englishlanguage  · English  time and place written  · Late May–late October 1938, Los time and place written  · Late May–late October 1938, Los Gatos, CAGatos, CA  

Page 11: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

NARRATORNARRATOR

narrator  · An anonymous, all-narrator  · An anonymous, all-knowing, historically aware knowing, historically aware consciousness that is deeply consciousness that is deeply sympathetic, not only to the sympathetic, not only to the migrants but to workers, the migrants but to workers, the poor, and the dispossessed poor, and the dispossessed generally.generally.

Page 12: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

POINT OF VIEWPOINT OF VIEWThe narrative shifts dramatically between different points of The narrative shifts dramatically between different points of view. In some chapters the narrator describes events broadly, view. In some chapters the narrator describes events broadly, summarizing the experiences of a large number of people summarizing the experiences of a large number of people and providing historical analysis. Frequently, in the same and providing historical analysis. Frequently, in the same chapters, the narrator assumes the voice of a typical chapters, the narrator assumes the voice of a typical individual, such as a displaced farmer or a crooked used-car individual, such as a displaced farmer or a crooked used-car salesman, expressing that person's individual concerns. salesman, expressing that person's individual concerns. When the narrator assumes the voice of an anonymous When the narrator assumes the voice of an anonymous individual, the words sometimes sound like what an actual individual, the words sometimes sound like what an actual person might say, but sometimes they form a highly poetic person might say, but sometimes they form a highly poetic representation of the anonymous individual's thoughts and representation of the anonymous individual's thoughts and soul. The chapters focusing on the Joad family are narrated soul. The chapters focusing on the Joad family are narrated primarily from an objective point of view, representing primarily from an objective point of view, representing conversations and interactions without focusing on any conversations and interactions without focusing on any particular character. Here, the characters' actions are particular character. Here, the characters' actions are presented as an observer might witness them, without presented as an observer might witness them, without directly representing the characters' thoughts and directly representing the characters' thoughts and motivations. At certain points, however, the narrator shifts motivations. At certain points, however, the narrator shifts and presents the Joads from an omniscient point of view, and presents the Joads from an omniscient point of view, explaining their psychologies, characters, and motivations in explaining their psychologies, characters, and motivations in intimate detail. intimate detail.

Page 13: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

KEY FACTSKEY FACTS

tone tone  · Mournful, awed, enraged, sympathetic · Mournful, awed, enraged, sympathetic

tense tense  · Mainly past · Mainly past

setting (time) setting (time)  · Late 1930s · Late 1930s

setting (place) setting (place)  · Oklahoma, California, and  · Oklahoma, California, and points along the waypoints along the way

protagonist protagonist  · Tom Joad · Tom Joad

Page 14: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

MAJOR CONFLICTMAJOR CONFLICTThe disastrous drought of the 1930s The disastrous drought of the 1930s forces farmers to migrate westward to forces farmers to migrate westward to California, pitting migrants against California, pitting migrants against locals and property owners against the locals and property owners against the destitute. Moreover, Tom Joad's story destitute. Moreover, Tom Joad's story dramatizes a conflict between the dramatizes a conflict between the impulse to respond to hardship and impulse to respond to hardship and disaster by focusing on one's own disaster by focusing on one's own needs and the impulse to risk one's needs and the impulse to risk one's safety by working for a common good. safety by working for a common good.

Page 15: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

RISING ACTIONRISING ACTIONTom is released from prison, Tom is released from prison, determined to mind his own determined to mind his own business; Tom encounters the business; Tom encounters the devastation of the Dust Bowl; Casy devastation of the Dust Bowl; Casy presents Tom with his philosophy presents Tom with his philosophy of the holiness of human beings in of the holiness of human beings in general; Tom is drawn into the general; Tom is drawn into the workers' movement.workers' movement.

Page 16: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

THEMES AND MOTIFSTHEMES AND MOTIFS

THEMESTHEMESMan's inhumanity to man;Man's inhumanity to man; the saving power of family and fellowship; the saving power of family and fellowship; the dignity of wrath; the multiplying effects the dignity of wrath; the multiplying effects of altruism and selfishnessof altruism and selfishness

MOTIFMOTIF· Improvised leadership structures· Improvised leadership structures

Page 17: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

MAIN THEMES AND IDEASMAIN THEMES AND IDEAS

1.1. RELIGIONRELIGION

2.2. TRANSCENDENTALISMTRANSCENDENTALISM

3.3. AGRARIANISM (AGRICULTURE)AGRARIANISM (AGRICULTURE)

4.4. COMMUNISMCOMMUNISM

5.5. ISOLATION AND LONELINESS ISOLATION AND LONELINESS

6.6. FAMILY AND THE EDUCATION OF FAMILY AND THE EDUCATION OF THE HEARTTHE HEART

Page 18: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

TitleTitle

The novel’s title is taken from The novel’s title is taken from Julia Ward Howe’s “Battle Julia Ward Howe’s “Battle Hymn of the Republic” (second Hymn of the Republic” (second stanza) with its militant spirit stanza) with its militant spirit that urges an oppressed group that urges an oppressed group to strive for victory over its to strive for victory over its oppressors.oppressors.

Page 19: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

TITLETITLEBattle Hymn of the RepublicBattle Hymn of the Republic

Julia Ward HoweJulia Ward HoweMine eyes have seen the glory of the coming of the Mine eyes have seen the glory of the coming of the

Lord:Lord:He is trampling out the vintage where the grapes of wrath He is trampling out the vintage where the grapes of wrath are stored;are stored;He hath loosed the fateful lightning of His terrible swift He hath loosed the fateful lightning of His terrible swift sword:sword:                       His truth is marching on.                       His truth is marching on.

I have seen Him in the watch-fires of a hundred circling I have seen Him in the watch-fires of a hundred circling camps,camps,They have builded Him an altar in the evening dews and They have builded Him an altar in the evening dews and damps;damps;I can read His righteous sentence by the dim and flaring I can read His righteous sentence by the dim and flaring lamps:lamps:                       His day is marching on.                       His day is marching on.

Page 20: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

TITLE – SYMBOLIC LEVELTITLE – SYMBOLIC LEVEL

MIGRANTS CLUSTER TOGETHER MIGRANTS CLUSTER TOGETHER LIKE GRAPES, IN THEIR SHARED LIKE GRAPES, IN THEIR SHARED MISERY AND ANGER (WRATH). MISERY AND ANGER (WRATH). THEY SURVIVE PERSECUTION, THEY SURVIVE PERSECUTION, HARDSHIPS, AND EXPLOITATION HARDSHIPS, AND EXPLOITATION ONLY BECAUSE OF THEIR ONLY BECAUSE OF THEIR INVINCIBLE COURAGE.INVINCIBLE COURAGE.

Page 21: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

TITLE – RELIGIOUS LEVELTITLE – RELIGIOUS LEVEL

REVELATION – THE EVIL PEOPLE WHO REVELATION – THE EVIL PEOPLE WHO FOLLOW AFTER BABYLON FOLLOW AFTER BABYLON (WICKEDNESS) WILL “DRINK OF THE (WICKEDNESS) WILL “DRINK OF THE WINE OF THE WRATH OF GOD” AND WINE OF THE WRATH OF GOD” AND WILL BE TORMENTED. IN THE NOVEL, WILL BE TORMENTED. IN THE NOVEL, THIS HAPPENS TO THE WEALTHY THIS HAPPENS TO THE WEALTHY LANDOWNERS IN CALIFORNIA, LANDOWNERS IN CALIFORNIA, WHOSE EXPLOITATION OF THE WHOSE EXPLOITATION OF THE MIGRANTS LEADS TO WORKERS’ MIGRANTS LEADS TO WORKERS’ PROTEST AND STRIKES.PROTEST AND STRIKES.

Page 22: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

TITLE – RELIGIOUS LEVELTITLE – RELIGIOUS LEVEL

GRAPES ARE A SYMBOL OF GRAPES ARE A SYMBOL OF FRUITFULNESS, BOUNTY, AND FRUITFULNESS, BOUNTY, AND PROMISE FOR THE FUTURE. PROMISE FOR THE FUTURE. GRAMPA SAYS, “GRAPES. GRAMPA SAYS, “GRAPES. THERE’S ONE THING I AIN’T THERE’S ONE THING I AIN’T NEVER HAD ENOUGH OF.”NEVER HAD ENOUGH OF.”

Page 23: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

SYMBOLSSYMBOLSThe Grapes of WrathThe Grapes of Wrath

Christian symbolismChristian symbolism

Page 24: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

SYMBOLSSYMBOLSRose of Sharon's Rose of Sharon's pregnancy; pregnancy;

the death of the Joads' the death of the Joads' dog dog

The TractorsThe Tractors

Page 25: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

A TIME OF CHANGE: MOTIFS IN THE A TIME OF CHANGE: MOTIFS IN THE NOVELNOVEL

Think about the role of technology in your life Think about the role of technology in your life today????today????Think about technology in manufacturing, Think about technology in manufacturing, medicine, and information medicine, and information accessibility????????accessibility????????Steinbeck wrote this novel before the Steinbeck wrote this novel before the computer revolution, but he was never an computer revolution, but he was never an anti-machine agrarian purist.anti-machine agrarian purist.He saw machines as offering possibilities for He saw machines as offering possibilities for a better life for all people.a better life for all people.

Page 26: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

MACHINE AGE COMES TO OKMACHINE AGE COMES TO OK““The family met at the most important The family met at the most important place, near the truck.” chapter 10place, near the truck.” chapter 10

The novel began with a poetic tribute to The novel began with a poetic tribute to the land and its people. the land and its people.

Chapter 2 – the red, living earth is Chapter 2 – the red, living earth is replaced by a roaring, huge red truck.replaced by a roaring, huge red truck.

Every chapter but 4 contains references Every chapter but 4 contains references to cars, trucks, or tractors (all negative to cars, trucks, or tractors (all negative except for the above passage).except for the above passage).

Page 27: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

MACHINE AGE COMES TO OKMACHINE AGE COMES TO OKMachines are replacing the land and the Machines are replacing the land and the farm as America becomes a nation on farm as America becomes a nation on the move.the move.What does it mean to be human in a What does it mean to be human in a world that is becoming increasingly world that is becoming increasingly mechanized? mechanized? Chapter 11 (the 1Chapter 11 (the 1stst paragraph) says the paragraph) says the new MACHINE MAN has no “wonder” in new MACHINE MAN has no “wonder” in his work, loses understanding of his work, loses understanding of relationship between people and land, relationship between people and land, is contemptuous of the land and of is contemptuous of the land and of himself.-*himself.-*

Page 28: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

CHANGESCHANGES““Times are changing, mister, don’t you Times are changing, mister, don’t you know?” chapter 5know?” chapter 5

““Seems to me we don’t never come to nothin’. Seems to me we don’t never come to nothin’. Always on the way.” chap. 13 Always on the way.” chap. 13

““Thus they changed their social life—changed Thus they changed their social life—changed as in the whole universe only man can as in the whole universe only man can change.”change.”

““The Western land, nervous under the The Western land, nervous under the beginning change. The Western States beginning change. The Western States nervous as horses before a thunder storm. nervous as horses before a thunder storm. The great owners, nervous, sensing a change, The great owners, nervous, sensing a change, knowing nothing of the nature of the change.” knowing nothing of the nature of the change.” chapter 14 chapter 14

Page 29: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

CONT.CONT.““They’re gonna come a thing that’s They’re gonna come a thing that’s gonna change the whole country.” gonna change the whole country.” chapter 16chapter 16

““For here ‘I lost my land’ is For here ‘I lost my land’ is changed: a cell is split and from its changed: a cell is split and from its splitting grows the thing you hatesplitting grows the thing you hate—’We lost our land’. . .This is the —’We lost our land’. . .This is the beginning—from ‘I’ to ‘we.’” beginning—from ‘I’ to ‘we.’” chapter 14chapter 14

Page 30: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

FROM “I” TO “WE”FROM “I” TO “WE”From the first pages of this novel, the From the first pages of this novel, the reader senses a change has come over reader senses a change has come over the land. The red earth is turned to gray the land. The red earth is turned to gray dust. The tenant farmers are pushed off dust. The tenant farmers are pushed off their land and onto Highway 66 by their land and onto Highway 66 by debts and greedy owners. We see debts and greedy owners. We see characters change, such as the service characters change, such as the service station owner of chapter 13, who begins station owner of chapter 13, who begins as a whining worrier and ends up as a whining worrier and ends up showing compassion when the Joads’ showing compassion when the Joads’ dog is run over, offering to “bury ‘im dog is run over, offering to “bury ‘im out in the corn field.”30out in the corn field.”30

Page 31: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

CHANGE IN THE “FAMBLY”CHANGE IN THE “FAMBLY”One of the biggest changes is One of the biggest changes is in the “fambly.”in the “fambly.”

They have to leave their farm They have to leave their farm and Oklahoma.and Oklahoma.

They have added Casey and They have added Casey and Wilsons to the “extended Wilsons to the “extended family.”family.”

Grampa dies.Grampa dies.

Their pet dog is hit by a CAR.Their pet dog is hit by a CAR.

Page 32: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

CHANGES IN ATTITUDES (JOADS)CHANGES IN ATTITUDES (JOADS)

Ma seems to be opening her Ma seems to be opening her concept of family by allowing concept of family by allowing Casy and the Wilsons in.Casy and the Wilsons in.

Tom seems to be reflecting on Tom seems to be reflecting on Casy’s message of universal Casy’s message of universal compassion for fellow human compassion for fellow human beings.beings.

Page 33: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

THEME – FROM “I” TO “WE”THEME – FROM “I” TO “WE”

Our only way to survive as a Our only way to survive as a human race is to shift from human race is to shift from total independence to inter-total independence to inter-dependence.dependence.

John Steinbeck

Page 34: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

RELIGIONRELIGION

Traditional, orthodox religion is seen in a Traditional, orthodox religion is seen in a negative light since it encourages individuals negative light since it encourages individuals to remain isolated and self-centered. Uncle to remain isolated and self-centered. Uncle John is preoccupied with guilt over his role in John is preoccupied with guilt over his role in the death of his wife; a migrant woman sees the death of his wife; a migrant woman sees everything in terms of sin and punishment. everything in terms of sin and punishment. Casey abandons orthodox religion in hopes Casey abandons orthodox religion in hopes of finding a deeper awareness of life and the of finding a deeper awareness of life and the universe. The understanding that he finally universe. The understanding that he finally achieves is not “anti-religion,” but rather a achieves is not “anti-religion,” but rather a way of translating religion into responsible, way of translating religion into responsible, humane action.humane action.

Page 35: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

Christian Symbolism Christian Symbolism The JoadsThe Joads – – oppressed, homeless group (Israelites) oppressed, homeless group (Israelites) in search of the Promised Landin search of the Promised LandJim Casy – withdrawn from the church as Christ Jim Casy – withdrawn from the church as Christ withdrew from the old religionwithdrew from the old religionCasy went into the wilderness like Jesus to figure out Casy went into the wilderness like Jesus to figure out something and form a new set of beliefs based on something and form a new set of beliefs based on love and unity among humanslove and unity among humansCasy has the same initials as Christ, feels the same Casy has the same initials as Christ, feels the same zest for teaching, gives himself as a sacrifice when zest for teaching, gives himself as a sacrifice when Tom is about to be arrested, and is killed in the Tom is about to be arrested, and is killed in the middle of a river as in the biblical crossing over middle of a river as in the biblical crossing over Jordan. Jordan. Christ’s last words before dying were: “Father Christ’s last words before dying were: “Father forgive them; they know not what they do.” Casy’s forgive them; they know not what they do.” Casy’s last words were: “You fellas don’t know what you’re last words were: “You fellas don’t know what you’re doin.” doin.”

Page 36: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

Biblical ImageryBiblical ImageryThe novel’s three sections (drought, The novel’s three sections (drought, journey, and California) correspond journey, and California) correspond to the Israelites’ oppression in to the Israelites’ oppression in Egypt, the exodus, and the sojourn Egypt, the exodus, and the sojourn in the land of Canaan.in the land of Canaan.

Instead of peace and prosperity, the Instead of peace and prosperity, the Joads are met with hunger and Joads are met with hunger and violence in California. They never violence in California. They never get the “promised land.”get the “promised land.”

Page 37: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

Rose of SharonRose of SharonRose of Sharon’s name comes from “I (Christ) Rose of Sharon’s name comes from “I (Christ) am the rose of Sharon and the lily of the am the rose of Sharon and the lily of the valley.” “This thy stature is like to a palm tree valley.” “This thy stature is like to a palm tree and thy breasts to clusters of grapes.” and thy breasts to clusters of grapes.” Christians believe that Christ gives himself, Christians believe that Christ gives himself, body and blood, in the form of bread and body and blood, in the form of bread and wine. wine. Rose of Sharon truly gives of herself to bring Rose of Sharon truly gives of herself to bring life to the dying man, who would die without life to the dying man, who would die without the nourishment. Christ says, “I am the Bread the nourishment. Christ says, “I am the Bread of Life.” (John 6:35)of Life.” (John 6:35)

Page 38: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

ThemeTheme

One of Steinbeck’s major themes (One of Steinbeck’s major themes (Of Of Mice and Men Mice and Men also) is humankind’s also) is humankind’s search for the Promise Land, a Garden search for the Promise Land, a Garden of Eden, “flowing with milk and honey.” of Eden, “flowing with milk and honey.”

Concerning Tom and the snake, the Concerning Tom and the snake, the devil took the form of a serpent in the devil took the form of a serpent in the Garden of Eden in Genesis. The snake Garden of Eden in Genesis. The snake here is an omen that California will not here is an omen that California will not be a Paradise for them.be a Paradise for them.

Page 39: The Grapes of Wrath John Steinbeck. INTRODUCTION Critics have called John Steinbeck’s masterpiece The Grapes of Wrath propaganda, sentimental, and obscene—but

TRANSCENDENTALISMTRANSCENDENTALISM When Casy says that “maybe all men got one When Casy says that “maybe all men got one big soul ever’body’s a part of,” he argues that big soul ever’body’s a part of,” he argues that human kind as a whole is more important human kind as a whole is more important than any one individual. Casy goes so far as than any one individual. Casy goes so far as to argue that perhaps there is no sin, that to argue that perhaps there is no sin, that everything people do is “holy.” everything people do is “holy.” Transcendentalists believe that a collective Transcendentalists believe that a collective unity of souls transcends or goes beyond the unity of souls transcends or goes beyond the individual soul. Casy comes to believe that individual soul. Casy comes to believe that people discover life’s true meaning only when people discover life’s true meaning only when they see their connection to other people and they see their connection to other people and learn to love them. Casy’s belief is expressed learn to love them. Casy’s belief is expressed in the growing sense of unity among the in the growing sense of unity among the migrants and other dispossed people.migrants and other dispossed people.

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AGARIANISMAGARIANISMThe novel reaffirms Thomas Jefferson’s The novel reaffirms Thomas Jefferson’s belief that “those who labor in the earth belief that “those who labor in the earth are the chosen people of God.” are the chosen people of God.” Steinbeck emphasizes the importance Steinbeck emphasizes the importance of a unified, sharing attitude between of a unified, sharing attitude between humans and the earth. Tractors, land humans and the earth. Tractors, land corporations, and bankers reflect the corporations, and bankers reflect the alienation and corruption that result alienation and corruption that result when landownership and farming when landownership and farming become a business. Migrants believed become a business. Migrants believed that the land belongs to those who work that the land belongs to those who work it; landowners allowed their lands to lie it; landowners allowed their lands to lie dormant while other were hungry.dormant while other were hungry.

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COMMUNISMCOMMUNISM Throughout the novel, migrants are Throughout the novel, migrants are wrongly accused of being “Reds,” or wrongly accused of being “Reds,” or Communists. There is no direct Communists. There is no direct evidence in the novel that a larger evidence in the novel that a larger political influence lies behind the political influence lies behind the migrants’ attempts to organize and migrants’ attempts to organize and protect themselves. Their ideal is NOT protect themselves. Their ideal is NOT communism, but a communalism or a communism, but a communalism or a vague form of Christian socialism vague form of Christian socialism where people work together for the where people work together for the benefit of all. benefit of all.

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ISOLATION & LONELINESSISOLATION & LONELINESSHaving been isolated in prison, Tom Having been isolated in prison, Tom continues through most of the novel as a continues through most of the novel as a “loner.”“loner.”

Casy feels that his life as a preacher has Casy feels that his life as a preacher has isolated him from the real meaning of life.isolated him from the real meaning of life.

Muley Graves is “just wanderin’ around Muley Graves is “just wanderin’ around like a. . .graveyard ghost.”like a. . .graveyard ghost.”

Uncle John is described as “the loneliest. . Uncle John is described as “the loneliest. . .man in the world.”.man in the world.”

Steinbeck uses the backdrop of the larger Steinbeck uses the backdrop of the larger isolation of the migrants as a whole.isolation of the migrants as a whole.

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PUTTING THE PIECES TOGETHERPUTTING THE PIECES TOGETHER

Animals and machines are an important Animals and machines are an important part of the novel both at a literal and a part of the novel both at a literal and a symbolic level. They unify the novel, symbolic level. They unify the novel, help us understand characters, and help us understand characters, and point out major themes in the work.point out major themes in the work.

Animals and characters: The people Animals and characters: The people are reduced to animal level by the are reduced to animal level by the banks and owners; the people are close banks and owners; the people are close to nature, one with the land they to nature, one with the land they farmed.farmed.

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PUTTING THE PIECES TOGETHERPUTTING THE PIECES TOGETHER

In the novel, it is not MACHINES that In the novel, it is not MACHINES that are evil, but the system that allows only are evil, but the system that allows only the wealthy to own the tractors.the wealthy to own the tractors.

The truck continues to break down and The truck continues to break down and is eventually stopped, as it the Joads.is eventually stopped, as it the Joads.

Life would have been easier if farmers Life would have been easier if farmers had access to tractors. The problem had access to tractors. The problem was that they had no money and could was that they had no money and could not compete with farmers who did own not compete with farmers who did own machines.machines.