the god, the good, and the guillotine

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The God, the Good, and the Guillotine A concert ‘opera’ in 11 chapters Dr Jane Turner and Dr Martin Blain Department of Contemporary Art Manchester Metropolitan University

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The God, the Good, and the Guillotine. A concert ‘opera’ in 11 chapters. Dr Jane Turner and Dr Martin Blain Department of Contemporary Art Manchester Metropolitan University. The Collaborators. For information on the project see: http ://proto-type.org/category/news / - PowerPoint PPT Presentation

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Page 1: The God, the Good, and the Guillotine

The God, the Good, and the Guillotine

A concert ‘opera’ in 11 chapters

Dr Jane Turner and Dr Martin Blain

Department of Contemporary Art

Manchester Metropolitan University

Page 2: The God, the Good, and the Guillotine

The Collaborators

For information on the project see:http://proto-type.org/category/news/

For this project - Proto-type Theater:Peter Petralia (now an associate of the company): writer and directorAndrew ‘Wes’ Westerside: performer; latterly also directorGillian Lees: performerMMUle (Manchester Metropolitan University laptop ensemble)Martin Blain: composer and performerPaul J. Rogers: composer and performerNick Donovan: composer and performerAssociates:Adam York Gregory: animatorRebecca m.k. Makus: lighting designer

Page 3: The God, the Good, and the Guillotine

Working strategies• Displacement – of objects in the space, material

propositions being brought into space.• Defamiliarisation – spatial relationships and

dynamic relationships between performers, and performers and objects.

• Translation – Blog: space to translate rehearsal experience into reflective experience – and different sense of knowing

• Transformation – of proposed materials using interventions.

Page 4: The God, the Good, and the Guillotine

Rehearsal block 2Nick Donovan, Andrew ‘Wes’ Westerside and Martin Blain

Page 5: The God, the Good, and the Guillotine

Rehearsal block 2Gillian Lees, Nick Donovan, Andrew ‘Wes’ Westerside and Martin Blain

Page 6: The God, the Good, and the Guillotine

Rehearsal block 2Paul J. Rogers, Gillian Lees, Leentje Van de Cruys and Nick Donovan.

Page 7: The God, the Good, and the Guillotine

Rehearsal block 2Gillian Lees, Leentje Van de Cruys, Nick Donovan and Andrew ‘Wes’ Westerside; light objects by Rebecca m.k. Makus

Page 8: The God, the Good, and the Guillotine

John Cage on devising

We must construct, that is, gather together what exists in a dispersed state. As soon as we give it a try, we realize that everything already goes together. Things are gathered together before us; all we have done is to separate them. Our task henceforth, is to reunite them (quoted by Georg Laue, ‘…To Gather Together What Exists in a Dispersed State’ in Composed Theatre: Aesthetics, Practices, Processes edited by Matthias Rebstock and David Roesner, 2012: 136).

Page 9: The God, the Good, and the Guillotine

Re-configured space from block 3MMUle and Leentje Van de Cruys

Page 10: The God, the Good, and the Guillotine

Spatial configuration merging laptop and theatre performersProto-type Theater and MMUle

Page 11: The God, the Good, and the Guillotine

A set-up from block 3 work.Proto-type Theater and MMUle

Page 12: The God, the Good, and the Guillotine

Preview night at The TramwayJanuary 24th 2013

Page 13: The God, the Good, and the Guillotine

The arrival of the animations – The TramwayAnimator: Adam York Gregory

Page 14: The God, the Good, and the Guillotine

A critical magpie

• Performative polyphony• Technological uncanny• Aesthetic pleasure• Technological sublime• Technological heteronomy

Page 15: The God, the Good, and the Guillotine

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