the cleveland orchestra april 24, 26 concerts

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April 24, 26JANE GLOVER CONDUCTS BACH, BEETHOVEN, AND HAYDN

18 East Orange StreetChagrin Falls, Ohio(440) 247-2828

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Proud supporters of The Cleveland Orchestra’s music education programs for children, making possible the rewards and benefits of music in their lives.

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T A B L E O F C O N T E N T S

THIS WEEK T H E C L E V E L A N D O R C H E S T R A

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7 In the News From the Executive Director . . . . . . . . . . . . . . . . . . 7 Orchestra News . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

8 About the Orchestra About the Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . 8 Musical Arts Association . . . . . . . . . . . . . . . . . . . . . 11 Music Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 The Cleveland Orchestra . . . . . . . . . . . . . . . . . . . . 22 Young Audiences . . . . . . . . . . . . . . . . . . . . . . . . . . . 59 Education and Community . . . . . . . . . . . . . . . . . . 61 Severance Hall . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88 Guest Information . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

35 Concerts — Week 18 Concert Previews . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Classical Program: April 24, 26 . . . . . . . . . . . . 35 Introducing the Concerts . . . . . . . . . . . . . . . . . . . . 37 C.P.E. BACH Sinfonia No. 2 in E-fl at major . . . . . . . . . . . . . . 41 BEETHOVEN Piano Concerto No. 1 . . . . . . . . . . . . . . . . . . . . . 44 VAŇHAL Sinfonia in G minor, Bg1 . . . . . . . . . . . . . . . . . . 51 HAYDN Symphony No. 103 (“Drum Roll”) . . . . . . . . . . 55

Conductor: Jane Glover . . . . . . . . . . . . . . . . . . . . . . 39 Solist: Imogen Cooper . . . . . . . . . . . . . . . . . . . . . . . 47

48 Support Sound for the Centennial . . . . . . . . . . . . . . . . . . . . 48 Heritage Society . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64 Endowed Funds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69 Corporate Annual Support . . . . . . . . . . . . . . . . . . . 73 Foundation / Government Annual Support . . . 75 Individual Annual Support . . . . . . . . . . . . . . . . . . 76

90 Future Concerts Concert Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Upcoming Concerts . . . . . . . . . . . . . . . . . . . . . . . . 94

This program book isprinted on paper thatincludes 50% recycled post-consumer content.

All unused books are recycled as part of theOrchestra’s regular busi-ness recycling program.

These books are printed with EcoSmart certifi ed inks, containing twice the vegetable-based material and one-tenth the petroleum oil content of standard inks, and producing 10% of the volatile organic compounds.

50%

WEEK 18COVER PHOTOGRAPHY BY ROGER MASTROIANNI

Copyright © 2014 by The Cleveland Orchestra and the Musical Arts Association

Eric Sellen, Program Book Editor E-MAIL: [email protected]

Program books for Cleveland Orchestra concerts are produced by The Cleveland Orchestra and are distributed free to attending audience members.

Program book advertising is sold through Live Publishing Company at 216-721-1800

The Cleveland Orchestra is grateful to the following organizations for their ongoing generous support of The Cleveland Orchestra: National Endowment for the Arts, the State of Ohio and Ohio Arts Council, and to the residents of Cuyahoga County through Cuyahoga Arts and Culture.

The Cleveland Orchestra is proud of its long-term partnership with Kent State University, made possible in part through generous funding from the State of Ohio.

The Cleveland Orchestra is proud to have its home, Severance Hall, located on the campus of Case Western Reserve University, with whom it has a long history of collaboration and partnership.

NATIONAL ENDOWMENT

FOR THE ARTS

4 The Cleveland OrchestraTable of Contents

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Judson Manor resident Jordan Perlman has amassed over 8,000 volunteer hours at Cleveland Clinic, greeting patients and guests. “I answer about 80 questions a day,” he says.

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Perspectives from the Executive Director

7Severance Hall 2013-14 7

Spring 2014

Two of this season’s major projects take place in May — following many months of planning and much preparation. The fi rst is the pre-miere here at Severance Hall of our brand-new, made-for-Cleveland production of Leoš Janáček’s opera The Cunning Little Vixen, with eve-ning performances on May 17, 20, and 22, and a special matinee on Saturday, May 24. At the same time, from May 17 to 24, the Orchestra

is celebrating a week of musicmaking in Lakewood during our second “At Home” neighbor-hood residency. Together, these two projects showcase our commitment to serving the community with diverse performances and collaborative partnerships.

Franz Welser-Möst is at the center of both projects. In addition to leading the performances of Vixen, he will conduct an Education Concert for Lakewood High School students on May 23 and the culminating free public concert of our “At Home” in Lakewood residency on Saturday evening, May 24, bringing to a close an action-packed week of music performances, commu-nity activities, and public musical get-togethers. Every day of that week, Cleveland Orchestra musicians are involved in exciting and sometimes unexpected ways to bring music to the streets and homes of Lakewood, and into the lives of its citizens. The week’s presentations and collaborations also bring to a close the residency’s special semester-long involvement with Lakewood’s music education programs.

Franz has also been instrumental in integrating opera into The Cleveland Orchestra’s annual schedule at Severance Hall. This season, with The Cunning Little Vixen, we are creating our own brand-new operatic production for the fi rst time since the mid-1980s. For this, we are jumping forward with technology, to create a presentation that compellingly combines live action with projected video animation. Working with director Yuval Sharon and the creative team at Ro-bot Studios in Los Angeles, we are building this innovative production from the ground up.

Because of the unique nature of this opera production for The Cleveland Orchestra and Northeast Ohio, we are using new ways to communicate the excitement of this undertaking. A series of video “Production Diaries” about The Making of The Cunning Little Vixen is unfold-ing online. These videos feature behind-the-scenes looks at the creative team and processes in motion. I hope that you will take a few minutes to see what’s in store for you at Severance Hall in May. Visit clevelandorchestra.com to view these using the homepage link.

It takes concentrated eff ort, many hands, and dedicated focus to do all of this. Not just from the Orchestra musicians, staff , trustees and other volunteers, but from the community surrounding us, supporting us, and collaborating with us. Our neighborhood residencies are created at the grassroots level. This year’s partnerships with businesses, schools, and organizations from across Lakewood have been stimulating and creative. The opera pro-duction is also possible only through the collaboration of many, with support from gener-ous donors, including The Andrew W. Mellon Foundation and a group of local donors who have responded to this Foundation’s matching gift challenge to support our ongoing opera presentations. Thank you to everyone involved.

Gary Hanson

I N P E R F O R M A N C E S A T H O M E and around the globe, Th e Cleveland Orch-estra remains Northeast Ohio’s most visible international ambassador and one of the most sought-aft er performing ensembles in the world. In concerts at its winter home at Severance Hall and at each summer’s Blossom Music Festival, in residencies from Miami to Vienna, and on tour around the world, Th e Cleveland Orchestra sets standards of artistic excellence, creative programming, and active community engagement. With the 2013-14 season, Franz Welser-Möst marks his twelft h year leading the ensemble, with a commitment extending to the Or-chestra’s centennial in 2018. Th is artistic partnership continues to move the en-semble forward through a series of new and ongoing initiatives, including: expansion of education and community programs in Northeast Ohio to fea-

ture music as an integral and regular part of everyday life for more people, in-cluding the launch in 2013 of an “At Home” neighborhood residency program that brings Th e Cleveland Orchestra to a single neighborhood or town for an intensive period of special activities and performances, as well as the broaden-

About the Orchestra8 The Cleveland Orchestra

Photo of the Week

SEVERANCE HALL 1974 — Composer Aaron Copland rehearsing The Cleveland Orchestra at Severance Hall in November 1974, one of fi ve times he came to Cleveland as guest conductor.

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follow the Orchestra on Facebook for more archival photos

ing of the Orchestra’s ongoing education and community engagement initiatives to include Make Music!, a program of active and participatory experience and learning;

the establishment of residencies around the world, fostering creative artistic growth and an expanded fi nancial base — including ongoing residencies at the

Vienna Musik verein (the fi rst of its kind by an American orchestra) and in Florida under the name Cleveland Orch estra Miami (featuring an annual series of con-certs and community activities, coupled with educational presentations and col-laborations based on programs pioneered at home in Cleveland);

creative new artistic collaborations with arts institutions in Northeast Ohio, including staged works, concerts, and chamber music performances; a concentrated and successful eff ort to develop future generations of audiences

for Cleveland Orchestra concerts in Northeast Ohio, through research, targeted discounts, social media promotion, and student ticket programs, with demonstrat-ed results at Severance Hall and Blossom;

a variety of new concert off erings (including staged opera and ballet, as well as KeyBank Fridays@7 and Celebrity Series at Severance Hall and movie, themed, and family presentations at Blossom) to play more music for more people;

continuing and expanded educational partnerships with schools, colleges, and universities across Northeast Ohio and beyond;

ongoing recording activities, including new releases under the direction of Franz Welser-Möst, Mitsuko Uchida, and Pierre Boulez, as well as a series of acclaimed DVD concert presentations of symphonies by Anton Bruckner led by Welser-Möst.

Th e Cleveland Orchestra was founded in 1918 by a group of local citizens intent on creating an ensemble worthy of joining America’s ranks of major symphony or-chestras. Over the ensuing decades, the Orchestra quickly grew from a fi ne regional organization to being one of the most admired symphony orchestras in the world. Seven music directors have guided and shaped the ensemble’s growth and sound: Nikolai Soko loff , 1918-33; Artur Rodzinski, 1933-43; Erich Leins dorf, 1943-46; George Szell, 1946-70; Lorin Maazel, 1972-82; Christoph von Dohnányi, 1984-2002; and Franz Welser-Möst, since 2002. Th e opening in 1931 of Severance Hall as the Orches-tra’s permanent home, with later acoustic refi nements and remodeling of the hall un-der Szell’s guidance, brought a special pride to the ensemble and its hometown, as well as providing an enviable and intimate acoustic environment in which to develop and refi ne the Orchestra’s artistry. Touring performances throughout the United States and, beginning in 1957, to Europe and across the globe have confi rmed Cleveland’s place among the world’s top orchestras. Year-round performances became a reality in 1968 with the opening of Blossom Music Center, one of the most beautiful and acous-tically admired outdoor concert facilities in the United States.

The Orchestra Today 9Severance Hall 2013-14

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TRUSTEES EX-OFFICIO Faye A. Heston, President, Volunteer Council of Th e Cleveland Orchestra Shirley B. Dawson, President, Women’s Committee of Th e Cleveland Orchestra Claire Frattare, President, Blossom Women’s Committee

Carolyn Dessin, Chair, Cleveland Orchestra Chorus Operating Committee Dr. Lester Lefton, President, Kent State University Barbara R. Snyder, President, Case Western Reserve University

PAST PRESIDENTS D. Z. Norton 1915-21 John L. Severance 1921-36 Dudley S. Blossom 1936-38 Thomas L. Sidlo 1939-53

Percy W. Brown 1953-55 Frank E. Taplin, Jr. 1955-57 Frank E. Joseph 1957-68 Alfred M. Rankin 1968-83

Ward Smith 1983-95Richard J. Bogomolny 1995-2002, 2008-09James D. Ireland III 2002-08

HONORARY TRUSTEES FOR LIFE Gay Cull Addicott Oliver F. Emerson Allen H. Ford

Robert W. GillespieDorothy Humel HovorkaRobert F. Meyerson

TRUSTEES EMERITI Clifford J. Isroff Samuel H. Miller David L. Simon

RESIDENT TRUSTEES George N. Aronoff Dr. Ronald H. Bell Richard J. Bogomolny Charles P. Bolton Jeanette Grasselli Brown Helen Rankin Butler Scott Chaikin Paul G. Clark Owen M. Colligan Robert D. Conrad Matthew V. Crawford Alexander M. Cutler Hiroyuki Fujita Paul G. Greig Robert K. Gudbranson Iris Harvie Jeffrey A. Healy Stephen H. Hoffman David J. Hooker Michael J. Horvitz Marguerite B. Humphrey David P. Hunt Christopher Hyland James D. Ireland III

Trevor O. Jones Betsy Juliano Jean C. Kalberer Nancy F. Keithley Christopher M. Kelly Douglas A. Kern John D. Koch S. Lee Kohrman Charlotte R. Kramer Dennis W. LaBarre Norma Lerner Virginia M. Lindseth Alex Machaskee Robert P. Madison Milton S. Maltz Nancy W. McCann Thomas F. McKee Beth E. Mooney John C. Morley Donald W. Morrison Meg Fulton Mueller Gary A. Oatey Katherine T. O’Neill The Honorable John D. Ong

Larry Pollock Alfred M. Rankin, Jr. Clara T. RankinAudrey Gilbert Ratner Charles A. RatnerJames S. Reid, Jr.Barbara S. Robinson Paul RoseSteven M. RossRaymond T. SawyerLuci ScheyHewitt B. Shaw, Jr. Richard K. SmuckerR. Thomas StantonDaniel P. WalshThomas A. WaltermireGeraldine B. WarnerJeffrey M. WeissNorman E. WellsPaul E. Westlake Jr.David A. Wolfort

OFFICERS AND EXECUTIVE COMMITTEE Dennis W. LaBarre, President Richard J. Bogomolny, Chairman The Honorable John D. Ong, Vice President

Norma Lerner, Honorary Chair Hewitt B. Shaw, Jr., Secretary Beth E. Mooney, Treasurer

Jeanette Grasselli Brown Alexander M. Cutler Matthew V. Crawford David J. Hooker Michael J. Horvitz

Douglas A. Kern Virginia M. Lindseth Alex Machaskee Nancy W. McCann John C. Morley

Larry PollockAlfred M. Rankin, Jr.Audrey Gilbert RatnerBarbara S. RobinsonRaymond T. Sawyer

THE MUSICAL ARTS ASSOCIATION as of March 2014

operating Th e Cleveland Orchestra, Severance Hall, and Blossom Music Festival

THE CLEVELAND ORCHESTRA Franz Welser-Möst, Music Director Gary Hanson, Executive Director

Musical Arts Association 11Severance Hall 2013-14 11

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SEVERANCE HALL

May 17 . 20 . 22 . 24

A NEW PRODUCTION CREATED FOR CLEVELAND WITH

DIGITAL ANIMATION ON THREE GIANT 25-FOOT SCREENS

TOGETHER WITH LIVE ACTION AND SINGING

BY AN INTERNATIONALLY-ACCLAIMED CAST!

SUNG IN CZECH WITH ENGLISH SUPERTITLES

THE CLEVELAND ORCHESTRA conducted by Franz Welser-Möst

Don’t miss this unique, made-for-Cleveland opera presentation! Staged at Severance Hall with an international cast and innovative, original animated projections. While plumbing the

depths of human experience, The Cunning Little Vixen tells a charmingly bittersweet tale of love, peril, freedom, and family. The opera’s title character, portrayed by Czech

soprano Martina Janková, wends her way through life’s cycles of learning and danger, love and happiness. Janáček’s score mixes lyrical symphonic writing

with the songful serenity and energetic pulse of Moravian folk music.

This Cleveland Orchestra opera presentation is supported in part by The Andrew W. Mellon Foundation

and by the National Endowment for the Arts

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SEVE

May 17.

A NEW PRODUCTION CREAT

DIGITAL ANIMATION ON THREE DIGITAL ANIMATION ON THREE

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Franz Welser-Möst Music Director Kelvin Smith Family Endowed Chair The Cleveland Orchestra

T H E 2 01 3 -1 4 S E A S O N marks Franz Welser-Möst’s twelft h year as music director of Th e Cleveland Or-chestra, with a long-term commitment extending to the Orchestra’s centennial in 2018. Under his di-rection, the Orchestra is acclaimed for its continu-ing artistic excellence, is extending and enhancing its community programming at home in Northeast Ohio, is presented in a series of ongoing residencies in the United States and Europe, continues its his-toric championship of new composers through com-missions and premieres, and has re-established itself as an important operatic ensemble. Concurrently with his post in Cleveland, Mr. Welser-Möst is general music director of the Vienna State Opera. With a committed focus on music education in Northeast Ohio, Franz Welser-Möst has taken Th e Cleveland Orchestra back into public schools with per-formances in collaboration with the Cleveland Metropolitan School District. Mr. Welser-Möst’s championship of community music-making expands upon his active participation in educational programs and collaborative programming, including the Cleveland Orchestra Youth Orchestra and partnerships with music conservato-ries, universities, and other arts institutions across Northeast Ohio. Under Mr. Welser-Möst’s leadership, Th e Cleveland Orchestra has established an ongoing biennial residency in Vienna at the famed Musikverein concert hall and another at Switzerland’s Lucerne Festival. Together, they have appeared in residence at Suntory Hall in Tokyo, Japan, and at the Salzburg Festival, where a 2008 residency included fi ve sold-out performances of a staged production of Dvořák’s opera Rusalka. In the United States, Mr. Welser-Möst has established an annual multi-week Cleveland Orch estra residency in Florida under the name Cleveland Orchestra Miami and, in 2011, launched a regular new residency at New York’s Lincoln Center Festival. To the start of this season, Th e Cleveland Orchestra has performed fourteen world and fi ft een United States premieres under Franz Welser-Möst’s direction. Th rough the Roche Commissions project, he and the Orchestra have premiered works by Harrison Birtwistle, Chen Yi, Hanspeter Kyburz, George Benjamin, Toshio Hosokawa, and Matthias Pintscher in partnership with the Lucerne Festi-val and Carnegie Hall. In addition, the Daniel R. Lewis Young Composer Fellow program has brought new voices to the repertoire, including Pintscher, Marc-An-dré Dalbavie, Susan Botti, Julian Anderson, Johannes Maria Staud, Jörg Widmann, Sean Shepherd, and Ryan Wigglesworth. Franz Welser-Möst has led a series of opera performances during his tenure

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Music Director 15Severance Hall 2013-14 15

Music Director

in Cleveland, re-establishing the Orchestra as an important oper-atic ensemble. Following six seasons of opera-in-concert presen-tations, he brought fully staged opera back to Severance Hall with a three-season cycle of Zurich Opera productions of the Mozart-Da Ponte operas. He led concert performances of Strauss’s Sa-lome at Severance Hall and at Carnegie Hall in May 2012 and in May 2014 leads an innovative made-for-Cleveland production of Leoš Janáček’s Th e Cunning Little Vixen at Severance Hall. Franz Welser-Möst became general music director of the Vienna State Opera in 2010. His long partnership with the com-pany has included acclaimed performances of Tristan and Isol-de, a new production of Wagner’s Ring cycle with stage director

Sven-Eric Bechtolf, and critically praised new productions of Hindemith’s Cardillac and Janáček’s Katya Kabanova and From the House of the Dead. During the 2013-14 season, his Vienna schedule includes a new production of Puccini’s Th e Girl of the Golden West, as well as performances of Tristan and Isolde, Verdi’s Don Carlo, Beethoven’s Fidelio, and Richard Strauss’s Ariadne auf Naxos and Der Rosenkavalier. Mr. Welser-Möst also maintains an ongoing relationship with the Vienna Phil-harmonic. Recent performances with the Philharmonic include appearances at New York’s Carnegie Hall, in concert at La Scala Milan, and in opera presentations at the Salzburg Festival. He also led the Philharmonic’s New Year’s Day concert, viewed by telecast in seventy countries worldwide in 2011 and again in 2013. Across a decade-long tenure with the Zurich Opera, culminating in three seasons as general music di-rector (2005-08), Mr. Welser-Möst led the company in more than 40 new productions. Franz Welser-Möst’s recordings and videos have won major awards, including the Gramophone Award, Diapason d’Or, Japanese Record Academy Award, and two Grammy nominations. With Th e Cleveland Orchestra, he has created DVD re-cordings of live performances of fi ve of Bruckner’s symphonies, presented in three acoustically distinctive venues (the Abbey of St. Florian in Austria, Vienna’s Musik-verein, and Severance Hall). With Cleveland, he has also released a recording of Beethoven’s Ninth Symphony as well as an all-Wagner album featuring soprano Measha Brueggergosman. DVD releases on the EMI label have included Mr. Wels-er-Möst leading Zurich Opera productions of Th e Marriage of Figaro, Così fan tutte, Don Giovanni, Der Rosenkavalier, Fierrabras, and Peter Grimes. For his talents and dedication, Mr. Welser-Möst has received honors that include recognition from the Western Law Center for Disability Rights, honor-ary membership in the Vienna Singverein, appointment as an Academician of the European Academy of Yuste, a Gold Medal from the Upper Austrian government for his work as a cultural ambassador, a Decoration of Honor from the Republic of Austria for his artistic achievements, and the Kilenyi Medal from the Bruckner So-ciety of America. He is the co-author of Cadences: Observations and Conversations, published in a German edition in 2007.

16 The Cleveland Orchestra

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Franz Welser-Möst and The Cleveland Orchestra, performing Bruckner’s Fourth Symphony in concert at Severance Hall in April 2012.

FIRST VIOLINSWilliam PreucilCONCERTMASTER

Blossom-Lee ChairYoko MooreASSISTANT CONCERTMASTER

Clara G. and George P. Bickford Chair

Peter OttoFIRST ASSOCIATE CONCERTMASTER

Jung-Min Amy LeeASSOCIATE CONCERTMASTER

Gretchen D. and Ward Smith Chair

Alexandra PreucilASSISTANT CONCERTMASTER

Dr. Jeanette Grasselli Brownand Dr. Glenn R. Brown Chair

Takako MasamePaul and Lucille Jones Chair

Wei-Fang GuDrs. Paul M. and Renate H. Duchesneau Chair

Kim GomezElizabeth and Leslie Kondorossy Chair

Chul-In ParkHarriet T. and David L.Simon Chair

Miho HashizumeTh eodore Rautenberg Chair

Jeanne Preucil RoseDr. Larry J.B. and Barbara S. Robinson Chair

Alicia KoelzOswald and Phyllis Lerner Gilroy Chair

Yu YuanPatty and John Collinson Chair

Isabel TrautweinTrevor and Jennie Jones Chair

Mark DummGladys B. Goetz Chair

Katherine Bormann

SECOND VIOLINSStephen Rose*

Alfred M. and Clara T. Rankin Chair

Emilio Llinas 2

James and Donna Reid ChairEli Matthews 1

Patricia M. Kozerefski and Richard J. Bogomolny Chair

Elayna DuitmanIoana MissitsCarolyn Gadiel WarnerStephen WarnerSae ShiragamiVladimir DeninzonSonja Braaten MolloyScott WeberKathleen CollinsBeth WoodsideEmma ShookJeffrey Zehngut

Yun-Ting Lee

VIOLASRobert Vernon*

Chaillé H. and Richard B. Tullis Chair

Lynne Ramsey1

Charles M. and Janet G. Kimball Chair

Stanley Konopka 2

Mark JackobsJean Wall Bennett Chair

Arthur KlimaRichard WaughLisa BoykoLembi VeskimetsEliesha NelsonJoanna Patterson ZakanyPatrick Connolly

CELLOSMark Kosower*

Louis D. Beaumont ChairRichard Weiss1

Th e GAR Foundation ChairCharles Bernard2

Helen Weil Ross ChairBryan Dumm

Muriel and Noah Butkin ChairTanya EllRalph CurryBrian ThorntonDavid Alan HarrellPaul KushiousMartha BaldwinThomas Mansbacher

BASSESMaximilian Dimoff *

Clarence T. Reinberger ChairKevin Switalski 2

Scott Haigh1

Mary E. and F. Joseph Callahan Chair

Mark AthertonThomas SperlHenry Peyrebrune S

Charles Barr Memorial ChairCharles CarletonScott DixonDerek Zadinsky

HARPTrina Struble*

Alice Chalifoux Chair

F R A N Z W E L S E R - M Ö S T M U S I C D I R E C T O R Kelvin Smith Family Chair

The Orchestra

T H E C L E V E L A N D


FLUTESJoshua Smith*

Elizabeth M. andWilliam C. Treuhaft Chair

Saeran St. ChristopherMarisela Sager 2

Austin B. and Ellen W. Chinn ChairMary Kay Fink

PICCOLOMary Kay Fink

Anne M. and M. Roger Clapp Chair

OBOESFrank Rosenwein*

Edith S. Taplin ChairMary LynchJeffrey Rathbun 2

Everett D. and Eugenia S. McCurdy Chair

Robert Walters

ENGLISH HORNRobert Walters

Samuel C. and Bernette K. Jaff e Chair

CLARINETSFranklin Cohen*

Robert Marcellus ChairRobert WoolfreyDaniel McKelway 2

Robert R. and Vilma L. Kohn Chair

Linnea Nereim

E-FLAT CLARINETDaniel McKelway

Stanley L. and Eloise M. Morgan Chair

BASS CLARINETLinnea Nereim

BASSOONSJohn Clouser *

Louise Harkness Ingalls ChairBarrick Stees2

Sandra L. Haslinger ChairJonathan Sherwin

CONTRABASSOONJonathan Sherwin

HORNSRichard King *

George Szell Memorial ChairMichael Mayhew §

Knight Foundation ChairJesse McCormickHans ClebschAlan DeMattia

TRUMPETSMichael Sachs*

Robert and Eunice Podis Weiskopf Chair

Jack SutteLyle Steelman2

James P. and Dolores D. Storer Chair

Michael Miller

CORNETSMichael Sachs*

Mary Elizabeth and G. Robert Klein Chair

Michael Miller

TROMBONESMassimo La Rosa*

Gilbert W. and Louise I. Humphrey Chair

Richard StoutAlexander andMarianna C. McAfee Chair

Shachar Israel2

BASS TROMBONEThomas Klaber

EUPHONIUM AND BASS TRUMPETRichard Stout

TUBAYasuhito Sugiyama*

Nathalie C. Spence and Nathalie S. Boswell Chair

TIMPANIPaul Yancich*

Otto G. and Corinne T. Voss ChairTom Freer 2

PERCUSSIONMarc Damoulakis°

Margaret Allen Ireland ChairDonald MillerTom Freer

KEYBOARD INSTRUMENTSJoela Jones*

Rudolf Serkin ChairCarolyn Gadiel Warner

Marjory and Marc L. Swartzbaugh Chair

LIBRARIANSRobert O’Brien

Joe and Marlene Toot ChairDonald Miller

ORCHESTRA PERSONNELKaryn GarvinDIRECTOR

Christine HonolkeMANAGER

ENDOWED CHAIRS CURRENTLY UNOCCUPIEDSidney and Doris Dworkin ChairSunshine Chair

* Principal ° Acting Principal § Associate Principal 1 First Assistant Princi pal 2 Assistant Principal S On sabbatical

CONDUCTORSChristoph von DohnányiMUSIC DIRECTOR LAUREATE

Giancarlo GuerreroPRINCIPAL GUEST CONDUCTOR,CLEVELAND ORCHESTRA MIAMI

Brett MitchellASSISTANT CONDUCTOR

Elizabeth Ring and William Gwinn Mather Chair

Robert PorcoDIRECTOR OF CHORUSES

Frances P. and Chester C. Bolton Chair

The Orchestra

O R C H E S T R A


The Cleveland Orchestra is an extraordinary engine of promotion and a tremendous source of great civic pride. Every year The Cleveland Orchestra draws a local, national and international audience to Severance Hall to hear

“the sound the world is talking about.”

We invite you to be a part of this amazing experience by advertising in the Severance Hall printed programs. It’s a smart way to put yourself in front of 150,000+ of northeast Ohio’s most influential consumers and business

decision-makers.

Call 216-721-4300 or email [email protected]

WHY ISN’T YOUR AD HERE?ADVERTISE IN THE CLEVELAND ORCHESTRA SEVERANCE HALL PROGRAM BOOKS

PLACE YOUR AD:HERE,HERE,HERE,HERE,HERE,HERE,HERE,HERE,HERE,& HERE

photo: Roger Mastroianni


The Cleveland Orchestra and the Lakewood community are joining together to pres-ent “The Cleveland Orchestra at Home in Lakewood,” a neighborhood residency that features an intensive week of free public performances and events May 17-24. A se-ries of prepartory events in partnership with Lakewood schools began in February and continue through the public residency week. The centerpiece of the Orchestra’s activities in Lakewood will be a free Cleve-land Orchestra concert led by Music Direc-tor Franz Welser-Möst at Lakewood Civic Auditorium on Saturday evening, May 24, at 7:30 p.m. Tickets will be distributed at locations throughout Lakewood beginning on Saturday, April 26. (A delayed telecast of the concert will be presented by WVIZ/PBS ideastream; the concert will be broadcast live on radio by WCLV 104.9 ideastream. The television broadcast will feature a compos-ite of community collaborations, musical performances, and joint events and activi-ties throughout Lakewood.) “Creating a ‘grass roots’ opportunity for Lakewood to experience perhaps the greatest orchestra in the world at a very personal level is a cultural experience that we will remember for years to come,” commented Michael P. Summers, Lakewood’s mayor, in announc-ing resdiency details. “Our increasingly vibrant commercial corridors and neighbor-hoods will be made ever-more-so by the music and the musicians.” Ian Andrews, executive director of LakewoodAlive, Lakewood’s non-profi t economic development organization, said, “We are ecstatic to have been chosen as The Cleveland Orchestra’s destination for immersion into a Northeast Ohio community.

Lakewood is known for its commitment to the arts. The Orchestra’s events will strengthen this commitment and showcase the city’s great quality of life, local organizations, restaurants, schools, and busi-nesses that make our community special.” The Cleveland Orchestra introduced neighborhood residencies in May 2013 in the Gordon Square community of Cleve-land. The activities, including a Cleveland Orchestra Concert at Saint Colman Catholic Church, were taped and aired by WVIZ/PBS ideastream. WCLV 104.9 also broadcast the concert on radio. The goals of the neighborhood resi-dencies are to bring increased visibility and vibrancy to greater Cleveland’s neighbor-hoods, build community through arts and culture in tandem with local partners, and off er more people the opportunity to en-gage with the music and the musicians of The Cleveland Orch estra. The culminating residency week of activities will include solo and chamber music performances in unique locations, educational programs at local schools, and new artistic collaborations with neighborhood arts and cultural organiza-tions — all in partnership with local busi-nesses and community groups. Complete “at Home in Lakewood” de-tails can be found at clevelandorchestra.com.

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Cleveland Orchestra News

Details of Orchestra’s “At Home” in Lakewood neighborhood residency announced for May 17-24Four months of education activities presented in partnership with Lakewood schools lead up to an intensive week of free public performances and events, including Orchestra concert on May 24

NewsNewsNews

Orchestra News


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Women’s Committee’s spring fundraiser on April 25 The volunteers of the Women’s Com-mittee of The Cleveland Orchestra are hold-ing their spring benefi t evening of music and friendship on Friday, April 25, at Shaker Heights Country Club. The evening features an audience participation performance by Dueling Pianos with The Rocket Men. For more information or reservations, please call 440-946-6189.

Next “Meet the Artist” luncheon on Friday, May 2, previews opera production of “Vixen” The Women’s Committee’s next “Meet the Artist” luncheon features a preview of behind-the-scene de-tails of The Cleveland Orchestra’s new opera pro - duction in May. The May 2 preview event features Mark Williams, the Orchestra’s direc-tor of artistic planning, and Julie Kim, director of operations, discussing details of prepara-tions and the creation of animated scenery, lighting, and costumes, plus other details for Leoš Janáček’s The Cunning Little Vixen, being performed at Severance Hall May 17 to 24. The luncheon takes place at Acacia Reserva-tion on Cedar Road in Lyndhurst, and includes a reception beginning at 11:30, lunch at noon, and the presentation and discussion about the opera at 1:00 p.m. Reservations can be made through the Severance Hall Ticket Offi ce by calling 216-231-1111. $38 for the general pub-lic, and $35 for Women’s Committee members.

Silence is golden As a courtesy to the performers onstage and the audience around you, all patrons are reminded to turn off cell phones and to dis-engage electronic watch alarms prior to each concert.

Orchestra NewsNews


The Musical Arts Association gratefully acknow ledges the artistry and dedication of all the musicians of The Cleveland Or-chestra. In addition to rehearsals and con-certs throughout the year, many musicians donate performance time in support of community engagement, fundraising, edu-cation, and audience development activi-ties. We are pleased to recognize these mu-sicians, listed below, who have volunteered for such events and presentations during the 2012-13 and 2013-14 seasons.

Mark AthertonMartha BaldwinCharles BernardKatherine BormannLisa BoykoCharles CarletonJohn ClouserKathleen CollinsPatrick ConnollyRalph CurryMaximilian Dimoff Bryan DummTanya EllKim GomezDavid Alan HarrellMiho HashizumeShachar IsraelJoela JonesAlicia KoelzStanley KonopkaMark KosowerPaul KushiousJung-Min Amy LeeMary LynchThomas MansbacherTakako MasameEli MatthewsJesse McCormickDaniel McKelwaySonja Braaten Molloy

Eliesha NelsonChul-In ParkJoanna Patterson ZakanyAlexandra PreucilWilliam PreucilLynne RamseyJeff rey RathbunJeanne Preucil RoseStephen RoseFrank RosenweinJonathan SherwinSae ShiragamiEmma ShookJoshua SmithSaeran St. ChristopherBarrick SteesJack SutteBrian ThorntonIsabel TrautweinLembi VeskimetsCarolyn Gadiel WarnerStephen WarnerRichard WeissBeth WoodsideRobert WoolfreyPaul YancichDerek ZadinskyJeff rey Zehngut

M.U.S . I .C . I .A .N S .A .L .U .T .E

May , pduction of “Vixen”’s

ew of ne de-eland opera pro-

27Severance Hall 2013-14 27Cleveland Orchestra News

May 16 and 17 mark the fi nal perfor-mances of this season’s PNC Musical Rainbows series, with a program titled “Heavenly Harps.”Sponsored by PNC Bank, Musical Rainbows concerts for pre-K to Grade 1 students take place in Reinberger Chamber Hall and intro-duce specifi c instruments and instrument families. With animated support from host Maryann Nagel, Cleveland Orchestra musi-cians bring their instruments, talk about them, and play short selections. Concerts feature a mix of serious pieces and age-appropriate mu-sic from “Old MacDonald” to the “Bingo” song. PNC Bank has provided more than $5 mil-lion in grants for local preschool education in recent years, including $2.5 million to support programs developed by The Cleveland Orch-estra, Cleveland Museum of Art, Playhouse-Square, and the Rock and Roll Hall of Fame and Museum.

Mahler, in a photograph taken in 1909 in New York

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Support from PNC Bank also enables the Orchestra to engage young children in music and learning, right from the start, with PNC Grow Up Great. This pre-school program uses music to help children develop basic skills like counting and following instructions — neces-sary for success in kindergarten and beyond. According to PNC Regional President Paul Clark, the results have been more than gratify-ing. “We have been so impressed with the positive results these programs have delivered for teachers, parents, and students,” he says. “Teachers report that they are more confi dent and creative in their ability to teach the arts, parents have become more likely to spend time engaging with their children and arts, and students who participate are receiving higher scores in music and imaginative play — with a positive impact on their cognitive, social, and academic development.”

PNC helps introduce children to music and more . . .

Indoors and Out,PlayhouseSquare

Tri-C JazzFest ClevelandJune 26-28, 2014

SPONSORS:

Alcoa | the Cleveland Foundation | Cuyahoga Arts & Culture | Dominion Resources

Great Lakes Brewing Co. | Mitchell’s Ice Cream | National Endowment for the Arts

Ohio Arts Council | RTA | Strassman Insurance Services, Inc. | Wyndham


Orchestra NewsNews

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I .N M.E .M.O.R. I .A .M The Cleveland Orchestra notes the death on March 11 of retired Orchestra horn player Albert Schmitter at the age of 81. He served

as a member of the Orchestra for 29 years, retiring in 1995. Schmitter was a graduate of J.F. Rhodes High School in Cleveland and of the United States Military Academy at West Point. He also attended Baldwin Wallace College. The entire Orchestra family ex-tends its condolences to his family and friends.

Special thanks to Cleveland Orchestra musicians The Board of Trustees extends specialthanks to the members of The Cleveland Orch estra for donating their services for four performances this season as part of the musi-cians’ ongoing commitment to provide ad-ditional revenue-generating opportunities to benefi t the institution. These four concerts in-clude the Severance Hall Gala with Itzhak Perl-man in September 2013 and a benefi t concert in Palm Beach, Florida, in January 2014, along with performances at New York’s Lincoln Cen-ter and in Cologne, Germany, as part of the Orchestra’s touring this past autumn. “These and other donated services eachyear are a meaningful demonstration of themusicians’ commitment to this institution’sfuture,” notes Gary Hanson, executive direc-tor. “The members of The Cleveland Or-chestra are committed to ensuring that the Orchestra can present music as an important and vital part of life.”

Committed to Accessibility Severance Hall is committed to making performances and facilities accessible to all patrons. For information about accessibility or for assistance, call the House Manager at 216-231-7425.

Donors make plans to endow Orchestra’s librarian chair The Cleveland Orchestra is pleased to announce the creation of the Joe and Marlene Toot Head Librarian Endowed Chair through a legacy gift to the Orchestra. “The Head Li-brarian is a critically essential member of the Orchestra — as integral to our musical success as any instrumentalist,” says Gary Hanson. “It is with deep gratitude that I thank Joe and Marlene Toot for making such a generous commitment through their estate.” The current head librarian, Robert O’Brien, is the ninth in that position since the Orchestra’s founding in 1918. He has served as head librarian since 2008. In this role, O’Brien ensures that each musician has the right music on the right music stand at the right time for every rehearsal and concert. He makes all scores available to every musician for individual practice, and ensures that every part and each marking matches the conduc-tor’s needs. He catalogs and maintains the Orchestra’s extensive collection of musical scores — those that are part of the Sever-ance Hall music library and those rented for particular performances. He daily works with tempo markings and musical scores in multi-ple languages, from German to French, Italian to English, and more. The gift from Joe and Marlene Toot will support the funding of The Cleveland Orchestra’s Head Librarian position in per-petuity. Thousands of generous individuals have made a commitment to the Orchestra through outright endowment gifts or legacy plans, through the annual fund and special project support. To learn more about includ-ing the Orchestra in your estate plans, please contact Bridget Mundy at 216-231-8006.

Comings and goings As a courtesy to the performers onstage and the entire audience, late-arriving patrons cannot be seated until the fi rst break in the musical program.


The Cleveland Orchestra has announced a new group called The Circle, welcoming young professionals ages 21-40. The group is designed for those who share a love of music and an interest in supporting The Cleveland Orchestra in a new and dynamic way. The Circle provides members exclusive access to the Orchestra, with opportunities to meet musicians, and socialize at Severance Hall and at Blossom Music Festival events. Member-ships include bi-monthly concert tickets along with opportunities to attend social gatherings to network with friends and cultural business leaders of Northeast Ohio. The objectives of The Circle are to increase engagement op-portunities for young people ages 21-40 and to help develop future volunteer community leaders and arts advocates. The Circle was launched at a Cleveland

Mahler, in a photograph taken in 1909 in New York

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Orchestra concert in January, and is continu-ing to grow. Plans for events throughout the spring are posted on the orchestra’s website, including concert receptions, a tour of Sever-ance Hall, and more. Cost of membership in The Circle is $15 per month for one membership and $20 per month for two memberships and includes bi-monthly tickets. New members join for a minimum of six months. For additional information, visit clevelandorchestra.com or send an email to [email protected].

Cleveland Orchestra launches new group for networking and socializing with dynamic young professionals


CMA Performing Arts Series

Roby LakatosFriday, May 2, 7:30 p.m.

Come see amazing.

www.clevelandart.org/performingartsTickets on sale now

“Virtuoso is an overused term these days but in Roby Lakatos’s case, it may be an understatement.” —Glasgow Herald (Scotland)

Come see Roby Lakatos, “King of Gypsy Violinists,” defy definition in an extraordinarily stylistic performance. Lakatos performs with his ensemble.


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Chorus auditions announced for children,youth, and adult singers for Blossom and 2014-15 Spring audition dates for the choral groups sponsored by The Cleveland Orchestra have been announced. The auditions — for adults, youth, and children — are for membership in groups singing during the 2014 Blossom Music Festival and the 2014-15 Season at Severance Hall. Auditions will take place in May and June. The Cleveland Orchestra Choruses embody a long-standing commitment to choral music in which community members of all ages have the opportunity to participate. The Cleveland Orchestra Children’s Chorus is open to students in grades 6-8 and directed by Ann Usher, and the Cleveland Or-chestra Children’s Preparatory Chorus is open to students in grades 5-8 and directed by Suzanne Walters. Both groups are holding auditions on June 2, June 7, and June 14. The Children’s Cho-rus, formed in 1967, provides musical training in vocal production and choral performance skills. The Children’s Preparatory Chorus provides children with initial choral experiences to which younger singers may not have been exposed, while establishing a solid foundation in vocal production techniques. To audition, children must sing one verse of “America” (My Country, ’Tis of Thee) with piano ac-companiment in the key of his or her choice and one verse of “America the Beautiful” (Oh beauti-ful, for spacious skies) without accompaniment in the key of D. Singing scales and doing some rhythmic exercises may also be included in the audition, for which an accompanist is provided. Students in grades 9-12 are welcome to audition for the Cleveland Orchestra Youth Chorus, directed by Lisa Wong, on May 3, May 11, or June 11. Created in 1991, the Youth Chorus helps raise awareness of choral music-making in the schools of Northeast Ohio and encour-ages students to continue their choral activities through college and into adulthood. The Youth Chorus collaborates each season in performance with the Cleveland Orch estra Youth Orchestra. Youth Chorus audition requirements are to pre-pare a piece from the OMEA Solo & Ensemble list,

or an equivalent classical solo piece; Broadway or “pop” tunes are not acceptable. In addition to the prepared piece, students will be asked to sight-read and demonstrate their vocal range. An accompanist is provided at the audition. The Cleveland Orchestra Chorus is one of the few professionally trained, all-volunteer cho-ruses sponsored by a major American orchestra. Coming from nearly fi fty Northeast Ohio com-munities, members of the Chorus perform with The Cleveland Orchestra in subscription and Christmas concerts each year. Previous choral experience and sight-reading skills are required. The Blossom Festival Chorus includes many members of the Cleveland Orchestra Chorus and other Northeast Ohio choral groups. It has established itself as a permanent annual part of the summertime Blossom Festival and has sung in more than 100 concerts since its 1968 debut. Both groups are directed by Robert Porco. Auditions for the Cleveland Orchestra Cho-rus and Blossom Festival Chorus were held in mid-April. Those interested can inquire about future audition dates. Those auditioning are asked to prepare two pieces from the classical literature, one of which should be in a foreign language. Each piece should be approximately two minutes in length. Previous choral experi-ence and sight-reading skills are required. An accompanist is usually provided at the audition. To schedule an audition, call the Chorus Offi ce at 216-231-7374, or send an email to [email protected].


Dwight Oltman, conductor

Farewell Concert Friday, May 2, at 8 p.m. Symphony Orchestra

Beethoven’s Egmont OvertureThe Barber Adagio for Strings

March to the Scaffold by Berlioz

Symphonic Wind Ensemble Paris Sketches by Ellerby

Selections from Bernstein’s Westside StorySousa’s Stars and Stripes Forever

Gamble AuditoriumKulas Musical Arts Building

96 Front Street, Berea

Tickets: $20 for adults, $5 for studentsPurchase tickets online:www.bw.edu/tickets

Proceeds benefit the Oltman Family Instrumental Performance PrizeFor more information about the Prize, contact

Debbie Sprang at 440-826-2057 or [email protected].

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Concert Previews Cleveland Orchestra Concert Previews are presented before every regular subscription con-cert, and are free to all ticketholders to that day’s performance. Previews are designed to enrich the concert-going experience for audience members of all levels of musical knowledge through a vari-ety of interviews and through talks by local and national experts. Concert Previews are made possible by a generous endowment gift from Dorothy Humel Hovorka.

April 17, 19“Bittersweet Farewells” with Rose Breckenridge, Cleveland Orchestra Music Study Groups administrator and lecturer

April 24, 26“Bach’s Son, Papa Haydn, and Beethoven” with Pierre van der Westhuizen, president and chief executive offi cer of the Cleveland International Piano Competition

May 1, 3, 4“Meet the Composer” with Gabriela Lena Frank in conversation with Jason Harris, followed by a talk about the entire concert:

“Mozart’s Requiem” with Jason Harris, assistant professor of choral conducting, Oberlin College Conservatory of Music

May 8, 10“Nordic Notions” with Jerry Wong, associate professor of piano, Kent State University

LEARNING MORE ABOUT THE MUSIC

The Cleveland Orchestra off ers a vari-ety of options for learning more about the music before each concert begins. For each concert, the program book includes program notes commenting on and providing background about the composer and his or her work being performed that week, along with biographies of the guest artists and other information. You can read these before the concert, at intermis-sion, or afterward. (Program notes are also posted ahead of time online at clevelandorchestra.com, usually by the Monday directly preceding the concert.) The Orchestra’s Music Study Groups also provide a way of explor-ing the music in more depth. These classes, professionally led by Dr. Rose Breckenridge, meet weekly in locations around Cleveland to explore the music being played each week and the sto-ries behind the composers’ lives. Free Concert Previews are pre-sented one hour before most subscrip-tion concerts throughout the season at Severance Hall. The previews (see listing at right) feature a variety of speakers and guest artists speaking or conversing about that weekend’s program, and often include the op-portunity for audience members to ask questions.

Concert Previews

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35Severance Hall 2013-14

T H E C L E V E L A N D O R C H E S T R A F R A N Z W E L S E R - M Ö S T M U S I C D I R E C T O R

Concert Program — Week 18

Severance HallThursday evening, April 24, 2014, at 7:30 p.m.Saturday evening, April 26, 2014, at 8:00 p.m.

Jane Glover, conductor

c.p.e. bach Sinfonia No. 2 in E- at major, Wq183.2(1714-1788) 1. Allegro di molto 2. Larghetto 3. Allegretto

ludwig van beethoven Piano Concerto No. 1 in C major, Opus 15(1770-1827) 1. Allegro con brio 2. Largo 3. Rondo: Allegro

IMOGEN COOPER, piano

INTERMISSION jan krV titel vanV hal Sinfonia in G minor, Bg1 (1739-1813) 1. Allegro moderato 2. Andante cantabile 3. Menuetto — Trio 4. Finale: Allegro

f. joseph haydn Symphony No. 103 (“Drum Roll”)(1732-1809) 1. Adagio — Allegro con spirito 2. Andante più tosto allegretto 3. Menuet — Trio 4. Finale: Allegro con spirito

Thursday’s concert is sponsored by Hahn Loeser & Parks LLP.

Imogen Cooper’s appearance with The Cleveland Orchestra is made possible by a contribution to the Orchestra’s Guest Artist Fund from The Gerhard Foundation, Inc.

The concert will end on Thursday evening at about 9:35 p.m.and on Saturday evening at approximately 10:05 p.m.

CLEVELAND ORCHESTRA RADIO BROADCASTS Current and past Cleveland Orchestra concerts are broadcast as part of regular weekly programming on WCLV (104.9 FM), Saturday evenings at 8:00 p.m. and Sunday afternoons at 4:00 p.m.


T H R E E SY M P H O N I E S and a concerto, all from the late 18th century, give us a fi ne sampling of the music of that great age. We call it the Classic period, but to musicians and audiences of the time what they heard was modern and oft en experimental.

Th is was a time when a sophisticated musical language was shared and understood by all European composers, and a balance had been achieved between the claims of vocal and instrumental music. While Italy was the guid-ing spirit in opera, orchestral and instrumental

music was brought to a high point of cul-tivation north of the Alps. Th is week’s Cleveland Orchestra concerts feature music from Austria and Germany composed between 1768 and 1798. Among them, we catch a sense of the diff erences between northern and southern Germanic tastes. We also can

literally hear the expansion and diversifi cation that music expe-rienced across the period, with the young Beethoven taking over where the elderly Haydn left off . —Hugh Macdonald

Introducing the Concerts

I N T R O D U C I N G T H E C O N C E R T S

Symphonic Evolution

C.P.E. Bach, Beethoven, and Haydn

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Jane GloverIn great demand on the international opera stage, British conductor and music scholar Jane Glover has served as music director of Chicago’s Music of the Baroque since 2002. As a guest conductor, she appears in opera and concert venues around the world. She is making her Cleve-land Orchestra debut with this weekend’s concerts. After studying music at the University of Oxford, Jane Glover completed her doctorate with research and writ-ing about 17th-century Venetian opera. She subsequently served as music director of the Glyndebourne Touring Op-era (1981-85) and of the London Mozart Players (1984-91). Known as a Mozart specialist, Ms. Glover also regu-larly conducts works by Handel, Monteverdi, and Benja-min Britten (with whom she worked when she was 16). She has led performances with many opera companies around the world, including the Berlin Staatsoper, Chicago Lyr-ic Opera, English National Opera, Glimmerglass Opera, Glyndebourne, Metropolitan Opera, New York City Opera, London’s Royal Opera House, Opéra National de Bordeaux, Opéra National du Rhin, Opera Th eatre of Saint Louis, Royal Danish Opera, Opera Australia, and the Teatro La Fenice. In addition to Great Britain’s major symphony and chamber orchestras, Jane Glover has conducted ensembles across North America, including the orchestras of Houston, St. Louis, San Francisco, and Toronto, and has also led performances with the Academy of St. Martin in the Fields, City of London Sinfonia, Boston’s Handel & Haydn Society, Orchestra of St Luke’s, London Philharmonia, and the Philharmonia Baroque. She also frequently collaborates with the Mark Morris Dance Group. Ms. Glover’s discography features symphonies by Mozart and Haydn with the London Mozart Players. With the London Philharmonic, Royal Philharmon-ic, and the BBC Singers, she has recorded music of Britten, Haydn, Mendelssohn, Mozart, Schubert, and Walton. Her recent albums include Haydn’s masses for Naxos, and Handel’s Messiah for Signum. Jane Glover’s book, Mozart’s Women: His Family, His Friends, His Music, was published in 2005 and nominated for both the Samuel Johnson Prize and the Whitbread Prize for Non-Fiction. She holds a professorship at the University of London and is a fellow of the Royal College of Music. Her talents and scholarship have been recognized with honorary degrees from several universities. In 2003, she was named a Commander of the Most Excellent Order of the British Empire. For more information, visit www.janeglover.co.uk.

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Sinfonia No. 2 in E-fl at major, Wq183.2composed 1775-76

COMPARE D WITH that of his younger colleagues in southern Germany, C. P. E. Bach’s output of symphonies was modest, two dozen at the most. Th is is partly because the tastes of Berlin and Hamburg, where his career evolved, were never so fi xated on symphonies as those within the ambit of Vienna. And partly because as a keyboard player he preferred to present himself as a solo performer or as a concerto soloist. Hence the great number of piano concertos by him. Although grounded in the incomparable teaching of his father, Johann Sebastian Bach, C.P. Emanuel Bach was a pio-neer in a new style that placed more emphasis on melody and expression, and less on fugal counterpoint. By the time he wrote the set of four symphonies from which this E-fl at major symphony is drawn, in the years 1775-76, he was the most re-spected and infl uential composer in Germany, with a reputa-tion for individuality, even eccentricity. Beethoven, growing up in Bonn, felt the essence of C. P. E. Bach’s music at least as strongly as that of Haydn’s. Th ese symphonies, unlike their southern counterparts, have no minuet movement. Bach, furthermore, liked to merge movements together, so that in this symphony the three move-ments run continuously without a break. He was also less wed-ded to the sonata formula (for the order, pattern, repetition, and evolution of musical themes, especially in a symphony’s fi rst and last movements) that was already standard in works by Haydn and Vaňhal — or, at the very least, Bach’s sonata treatment was always bold and individual. Here, in the E-fl at symphony, the fi nale conforms to the standard pattern of the time, but the fi rst movement disregards the formula almost entirely, simply preserving a recognizable moment when the opening passage returns in full. A prominent feature of the fi rst movement is the series of trills in the strings, almost manic in their persistence. Another is the playful writing for fl utes, answered by plaintive writing for oboes, exactly matching their conventional instrumental character. Th e opening movement leads directly into the middle-movement Larghetto, which starts well with a series of elegant wind phrases, but then moves abruptly off into the third move-

by Carl Philipp EmanuelBACHborn March 8, 1714Weimar, Germany

diedDecember 14, 1788Hamburg

About the Music

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43Severance Hall 2013-14 About the Music

ment, so that the second movement turns out to be only, af-terall, a short link to the fi nale. Perhaps Bach was deliberately creating expectations in his listeners only to snatch them away, a well-planned “unkind” gesture that Beethoven enjoyed imi-tating from time to time also. Th is E-fl at major work is from a set of four symphonies composed in the years 1775-76 in response to a commission, although the patron’s identity is not known. Th ey were later dedicated to Crown Prince Frederick of Prussia, nephew of Bach’s earlier employer, Frederick the Great, and they have re-mained occasionally featured in concert programs ever since.

—Hugh Macdonald © 2014

Hugh Macdonald is Avis H. Blewett Professor Emeritus of Music at Washington University in St. Louis and is a noted authority on French

music. He has written books on Beethoven, Berlioz, and Scriabin.

C.P.E. Bach (the fi fth child and second surviving son of Johann Sebastian Bach and his fi rst wife, Maria Bar-bara) wrote this E-fl at major symphony as the second in a set of four symphonies created on a commission in 1775-76. Who asked for the set is unknown. The fi rst performance is believed to have been on August 16 or 17, 1776, at the Konzertsaal auf dem Kamp in Hamburg, conducted by the composer. This symphony runs about 15 minutes in perfor-mance. Bach scored it for 2 fl utes, 2 oboes, bassoon, 2 horns, and strings. The Cleveland Orchestra is performing this symphony for the fi rst time with this weekend’s concerts.

ABOVE: A painting circa 1730 of Johann Sebastian Bach and three of his sons, Gottfried Heinrich, Carl Philipp Emanuel, and Wilhelm Friedemann. RIGHT: C.P. Emanuel in a lithograph circa 1770s, when he was the most celebrated composer in Germany.

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Piano Concerto No. 1 in C major, Opus 15composed circa 1797-98, or possibly 1793-95

IN THE Y E AR 1798 , the Czech composer Václav Tomášek was a young law student at Prague University when Beethoven visited the city. At 27, Beethoven was young, too, and already a celebrated pianist — and his concerts in the city confi rmed Tomášek in his ambition to become a composer himself. We do not know quite when the visit took place, nor who arranged it, but Beethoven already had good contacts in Vienna with the Austrian and Bohemian nobility and had already played in front of the King of Prussia in Berlin. No signs of deafness had yet affl icted him, and he was far from being the gruff , lonely fi gure of later years. It is generally believed that the First Piano Concerto re-ceived its fi rst performance in Prague in 1798, although it may have had its premiere three years earlier. Regardless, the con-certo was not in fact Beethoven’s fi rst piano concerto. Th ere is a teenage work in E-fl at major, which he never completed, and what we know as the Concerto No. 2 in fact preceded No. 1 by several years (but was later judged by Beethoven to be less worthy). Th e incorrect numbering arose from the reversed order of publication, the “First” appearing in 1801 as Opus 15 and the “Second” later in the same year as Opus 19. Th e First was dedicated to one of Beethoven’s students, a Hungarian Countess named Babette de Keglevics, who by 1801 had become Princess d’Erba-Odescalchi. It was a happy patronage, for she also received the dedications of a piano sonata and two sets of piano variations — such were the circles in which Beethoven clearly liked to move. Th e Concerto No. 1 is full of positive affi rmation, a by- product of its primal key, C major, and the presence of trumpets and drums in the orchestra. Th ese instruments may be respon-sible for the martial character of the opening theme, although Beethoven displays great shrewdness in starting the movement pianissimo and keeping his louder and more forthright decla-rations for the next full statement of the musical theme. Another mark of the composer’s originality is his handling of the second theme. Although its key is carefully prepared, it arrives in the “wrong” key, then immediately applies a correc-tion, only to still sound wrong. A second correction produces the correct key, but in minor mode. Its full form is not heard

by Ludwig vanBEETHOVENborn December 16, 1770Bonn

diedMarch 26, 1827Vienna

About the Music


until aft er the piano has made its entrance, and even then the version given out by fl ute and fi rst violins is not quite complete — the soloist has the job of laying out that theme in its glorious full extension. As this theme illustrates, Beethoven had a fl u-ent melodic gift in his early years, which was later submerged in his “heroic period,” when dramatic gestures and profound argument came to dominate his musical language. Beethoven wrote three diff erent cadenzas for the fi rst movement, the last two in later years when the piano as an instrument had acquired some extra notes in its upper range. Although we do not have details of later performances, these cadenzas are enough to confi rm that the concerto was always popular, whether played by Beethoven himself or not. By resting the fl ute, oboes, trumpets, and drums, Beethoven gives the middle slow movement the character of chamber music, with the clarinets and bassoons elegantly prominent. Th is is a movement of marvelous warmth, no longer so close to the model of Mozart but leaning towards a romantic mode of expression. Th e third-movement fi nale is a rondo (built on varia-tions) of irrepressibly lively character. Among its many catchy tunes, one is supported by a rollicking left hand, half-Turkish, half-Hungarian in character. Was Beethoven’s tongue in his cheek? We as listeners are nevertheless delighted. Many years later, in 1814, Tomášek was visiting Vienna, where he attended a concert given by a very diff erent Beethoven. Th e program included the Seventh Symphony, which Tomášek did not like at all: “Michael Umlauf conducted,” he wrote in his memoirs. “Beethoven stood next to him, conducting also, but owing to the fact that he was deaf he frequently beat incorrectly. Th is did not obstruct the orchestra for they kept their eyes on Umlauf ’s baton. I was happy to get out, being completely deaf-ened by the torrent of sound.”


Exactly when Beethoven wrote his C-major Piano Concerto is unknown. He may have started as early as 1793, although it is generally thought that he wrote most of it in 1797 and 1798, with extensive revisions prior to publication in 1801. There is also continuing uncertainty as to when the concerto was fi rst performed. Several possibilities are most likely, beginning with a handful of concert dates in 1798 in Prague. It is also possible that it was presented on one of three dates in 1795, although this would require that Beethoven had com-pleted the work much earlier than some sources indicate. At each of these concerts, in 1795 and 1798, Beethoven played one of his own piano concertos. Contemporary documents (newspaper notices and reviews, letters, etc.) do not consistently dis-tinguish between his C-major (No. 1) and B-fl at major (No. 2) concertos, however. The two concertos were not numbered until they were published in 1801. Beethoven’s Piano Concerto No. 1 runs about 35 minutes in performance. Beethoven scored it for fl ute, 2 oboes, 2 clarinets, 2 bas-soons, 2 horns, 2 trumpets, timpani, and strings, in addi-tion to the solo fortepiano.

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Imogen CooperAcclaimed for her virtuosity and poise, British pianist Imo-gen Cooper is recognized for her artistry in performing works across the classical repertoire. She is making her Cleveland Orchestra debut with this weekend’s concerts. Imogen Cooper’s honors include a Commander of the Most Excellent Order of the British Empire given in 2007 and recognition from the Royal Philharmonic Society the fol-lowing year. She holds honorary membership in the Royal Academy of Music, and was made a Doctor of Music by Exeter University. Ms. Cooper was the Humanitas visiting profes-sor in classical music and music education at the University of Oxford from 2012 to 2013. Ms. Cooper has appeared with major orchestras around the world, includ-ing engagements with the Deutsche Symphonie-Orchester, Leipzig Gewandhaus Orchestra, London Symphony Orchestra, New York Philharmonic, Tokyo’s NHK Symphony Orchestra, Philadelphia Orchestra, Amsterdam’s Royal Concertgebouw Orchestra, Budapest Festival Orchestra, and the Vienna Philharmonic. She has per-formed with all the major British orchestras and has close relationships with both the Royal Northern Sinfonia and Britten Sinfonia. Ms. Cooper has toured with the Australian Chamber Orchestra, Camerata Salzburg, and the Orpheus Chamber Or-chestra, and presented recitals in London, New York, Paris, Prague, Tokyo, and Vi-enna, and at the Schubertiade in Schwarzenberg. She has celebrated the centenary of Benjamin Britten’s birth by performing two of his song cycles in recital with Christi-anne Stotijn. An advocate of new music, Imogen Cooper’s premieres have included two works at the Cheltenham International Festival, Traced Overhead by Th omas Adéès and Decorated Skin by Deirdre Gribbin. She also collaborated with members of the Berlin Philharmonic in the premiere of the quintet Voices for Angels by Brett Dean. As a chamber musician, Imogen Cooper performs regularly with the Belcea Quartet and cellist Sonia Wieder-Atherton. As a song recitalist, she has collabo-rated with Wolfgang Holzmair in both the concert hall and recording studio (Phil-ips). Her discography also includes Mozart concertos with the Royal Northern Sinfonia on Avie, a solo recital at Wigmore Hall on Wigmore Live, and solo works by Schubert recorded live and released on the Schubert Live label. Her fi rst recording for Chandos Records features music by Brahms and Schumann. For more information, visit www.imogen-cooper.com.

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In anticipation of The Cleveland Orchestra’s 100th anniversary in 2018, we have embarked on the most ambitious fundraising campaign in our history. The Sound for the Centennial Campaign seeks to build the Orchestra’s Endowment through cash gifts and legacy commitments, while also securing broad-based and increas-ing annual support from across Northeast Ohio. The generous individuals and organizations listed on these pages have made

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IF YOU WE RE A KE E N MUSICLOVE R in Vienna or Prague in the 1770s, you would have been as familiar with Vaňhal’s music as with Haydn’s. Th e central European taste for sym-phonies was at its height, with thousands (literally) of these works being copied, performed, and occasionally published in the far-fl ung lands of the Austrian Empire, and oft en reaching Paris and London, too. Although the symphony’s roots were in Italy, it was north of the Alps that it fl ourished, eventually to be regarded as the epitome of “Viennese” classicism in the hands of Haydn, Mozart, and Beethoven. Vaňhal was a little younger than Haydn, and like Haydn he lived on into older age. His output of about seventy-six sym-phonies does not match Haydn’s impressive hundred, in part, because his career faded in middle age. Vaňhal also seems to have been affl icted with an unnamed disability that checked what had in his early years been a torrential fl ood of music. Vaňhal’s symphonies were nearly all composed between 1762 and 1780, the period of Haydn’s symphonies numbered ap-proximately 15 to 70. Born in Bohemia, Vaňhal moved, liked so many of his talented countrymen, to Vienna, where the greater part of his life was spent, aside from one extended trip to Italy. Th e historian Charles Burney visited him in his Viennese gar-ret in 1772 and found him to be “a civil young man,” modestly shunning the fashionable houses where music was cultivated. Nonetheless his music was popular and widely circulated. Not surprisingly given the German snobbery of the Imperial Court, he went most oft en by his Latinized name, Johann Baptist Van-hal (or Wanhal), rather than his original Czech birthname, Jan Křtitel Vaňhal. Like most symphonies of the time, this symphony in G minor is in four movements, with the minuet and trio placed third. In Classical tonal language, the special requirements of minor keys are better supported with two pairs of horns than with one, which is one explanation for the scoring of this symphony, although no composer could be unaware of the added sonority that the second pair of horns brings. Haydn, normally content with two horns, did the same when he wrote his G-minor Sym-phony (No. 39) in the same years (late 1760s) as Vaňhal’s. Th e fi rst movement illustrates the style’s fondness for ac-

Sinfonia in G minor, Bg1composed late 1760s

by Jan KřtitelVAŇHALborn May 12, 1739Nechancie, Bohemia

diedAugust 20, 1813Vienna


companiment fi gures based on repeated notes, a style which distinguishes it wholly from that of Handel and Bach. While the opening theme seems fragmented, the second subject fl ows melodiously. Th e second movement features an elegant violin solo. Th e oboes’ most prominent moment is in this movement’s Trio section, enclosed within the Menuetto. Th e third-movement fi nale confi rms the vigorous action of the minor key. And it should be noted that no one in the 1760s interpreted minor-key music as in the least depressive — the notion of a triumphant switch to the major for a peroration could not have been further from Vaňhal’s mind. Th is was simply the form and format of what a minor-key symphony must do.


About the Music

Vaňhal wrote this Sinfonia in G minor in the late 1760s in Vienna, where, it is assumed, the fi rst performance took place. This symphony runs about 15 minutes in perfor-mance. Vaňhal scored it for 2 oboes, 4 horns, and strings. The Cleveland Orchestra is performing this symphony for the fi rst time with this weekend’s concerts.

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All concerts begin at 3:00 pm in Cleveland State University’s WaetjenAuditorium, Euclid Ave. and E. 21st St.For more information call 216.687.5018or visit www.csuohio.edu/concertseries/kc

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BE T WE E N FE BRUARY 1792 AND MAY 1795 , Haydn pre-sented twelve new symphonies to the London public, the most advanced and sophisticated orchestral music that anyone had ever heard. He was at this time without a rival as Europe’s leading composer, and he was treated by the London public accordingly. Aft er many years of seclusion working for the Es-terházy family at their country estates in Central Europe, the bustling cultural life of London came as a total contrast — and he liked it. He was busy enough with all those new symphonies to write, but he was in demand too from hostesses as a celebrity guest and from publishers as a source of profi t. And although he never managed to learn much English, he enjoyed himself and made a handsome amount of money. On the second visit, which lasted from February 1794 to August 1795, he was fi nally introduced to King George III, who, with typical royal vagueness, addressed him with the safe words “Dr. Haydn, you have written a great deal.” Th e royal family liked him as a “good, honest German,” and tried to persuade him to stay on indefi nitely. But the lure of his little house just outside Vienna was strong, and at the moment when a decision had to be made, a new Prince Esterházy succeeded to the title, much more sympathetic to Haydn than the previous one, so that the composer was returning to an excellent working ar-rangement with his new patron. Although he lived on until 1809, Haydn never wrote any more symphonies. Th e twelve London symphonies are all in four movements, and they all employ the same orchestral resources, but they are all nevertheless distinct in character and content. No. 103 earns its nickname, the “Drumroll,” from the star-tling idea of an isolated drumroll at the very beginning, loud or soft according to the conductor’s whim (perhaps the audience needed shushing). Th is precedes a solemn introduction to the opening movement, in which the bassoons, cellos, and basses all play a dark, low unison theme. Hold on to this melody, because it will return briefl y in the middle of the movement’s Allegro section, and then in its original slow, low form at the end of the movement — a surprisingly dramatic gesture, since slow introductions had never been treated before in this way

by F. JosephHAYDNborn March 31, 1732Rohrau, Austria

diedMay 31, 1809Vienna

Symphony No. 103 (“Drum Roll”)in E-fl at majorcomposed 1794-95

About the Music


(invited to return for an encore, as it were). And to conclude the movement the same theme is heard briefl y but fi rmly at the faster Allegro tempo, and with the full weight of the strings. Haydn’s slow movement is an ingenious double variation form, which has two themes and their respective variations in alternation. One theme is in the minor mode, the other in the major. Th is makes it easy to follow the pattern, but each tune will get only two variations as a result. Th e major-key tune has, on the whole, the more fanciful variations, with a violin solo as the fi rst variation, and at the end a coda attempts to reconcile the two types of material, settling fi rmly in the major mode with some help from trumpets and drums. Aft er the third-movement minuet and its Trio section, Haydn introduces his last movement with a surprise, as in the fi rst. Two horns give out what turns out to be the accom-paniment to the opening tune. It is as if the violins forget to come in the fi rst time, so the music has to stop and start again. Haydn was always ready to play tricks of this kind with music, a delicate form of humor that suggests he was a most conge-nial man — as if the high spirits of this movement did not tell us in no uncertain terms that the music was as much a delight to him as it is to us. It drove those London audiences of 1795 wild with excitement.


Haydn wrote this symphony in E-fl at major in 1794; it was created as part of a set of three symphonies to be presented during the 1794-95 concert season in London. The Symphony in E-fl at ma-jor was premiered on March 2, 1795. It was revised back in Austria later that year, and then re-introduced on September 21 in Vienna. It was subsequently published as the fi fth of his fi nal six “London” symphonies (three additional new symphonies had been premiered the pre-vious season) and designat-ed as “No. 103.” The earliest known performance in the United States was given on May 29, 1823, in Boston by A. P. Heinrich and the orchestra of the Philharmonic Handel & Haydn Societies. This symphony runs about 30 minutes in perfor-mance. Haydn scored it for 2 fl utes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trum-pets, timpani, and strings.

At a Glance

About the Music

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The Benjamin Rose Institute on Aging is a nationally recognized leader addressing the most important issues of aging through service, research and advocacy. How may we help you?

… for the love of learning

www.cwru.edu/lifelonglearning

To register for any or all of these programs visit: www.cwru.edu/lifelonglearning or call 216.368.2091.

Find us on Facebook

MONDAY, APRIL 287:00 PM, Siegal Beachwood Facility

Letting it Go: An Evening with Biographical Comic Artist Miriam KatinAn exploration of the serious ways trauma affects daily existence for

TUESDAY, MAY 1312:00 PM, Siegal Beachwood Facility

Gender and Jewish History with Deborah Dash Moore

An exploration of women’s history and Jewish

and social change.

TUESDAY, MAY 137:00 PM, Siegal Beachwood Facility

GI Jews: How World War II Changed a Generationwith Deborah Dash Moore,

Director of the Frankel Center for

Judaic Studies at the University

of Michigan

An account of fifteen young Jewish men as they

meant to be American and a Jew.

WEDNESDAY, MAY 147:00 PM, The Park Synagogue - Main

3300 Mayfield Rd., Cleveland Hts., OH 44118

When a Public Intellectual Confronts Personal Tragedy: An Evening with David Grossman,

MONDAY, MAY 197:00 PM, Siegal Beachwood Facility

How Toddlers Thrive: What Parents Can Do Today to Plant the Seeds of Lifelong Successwith Tovah Klein, Director of the

Barnard College Center for Toddler

Development and Associate

Professor of Psychology

THURSDAY, MAY 297:00 PM, Siegal Beachwood Facility

A Modern Heretic and a Traditional Community: Rabbi Mordecai M. Kaplan, Orthodoxy and American Judaismwith Jeffrey S. Gurdock, Libby M. Klaperman

Professor of Jewish History at Yeshiva University

FRIDAY, MAY 3012:00 PM, Siegal Beachwood Facility

Working with Kaplan’s Journals to Answer a Historian’s Questionwith Jeffrey S. Gurdock

American Judaism.

SIEGAL LIFELONG LEARNING’S DISTINGUISHED LECTURE SERIES

(All evening lectures are free, but reserved seating can be purchased for $18)


The Cleveland Orchestra guide to

Fine Shops & ServicesThe World’s Finest Chamber Music

eighth blackbird 29 April 2014

CSU’s Waetjen Auditorium, Euclid Ave. & E. 21st St.,Cleveland, OH 44115

Young Artists Showcase 4 May 2014First Unitarian Church, 21600 Shaker Blvd.Shaker Heights, OH 44122

THE CLEVELAND CHAMBER MUSIC SOCIETYwww.ClevelandChamberMusic.org • 216.291.2777

Appraiser of Fine Art and Antiques

Certified Appraisals for:Insurance

Charitable Donation Equitable Family Division

[email protected](216) 501-0666

Member, International Society of Appraisers

Gabrielle A. GoodmanISA USPAP

Michael Hauser DMD MDImplants and Oral Surgery

For Music LoversBeachwood 216-464-1200

www.drhauser.com

216-952-9801 www.rbschwarzinc.com

Retailer text can gowww.nameofretaile

Let Linn of Scotland bring concert hall quality music to

LINNCRAFT John UlizziFine Audio in Cleveland since 1995216-486-9371 / linncraft.com

Where people with disabilities thrive216.662.1880 ncch.org


Student attendance continuesto grow at Severance Hall

As Th e Cleveland Orchestra’s 2013-14 season has progressed, more Student Ad-vantage Members, Frequent Fan Card holders, Student Ambassadors, and stu-dent groups are contributing to the continued success of these programs. Th e Orchestra’s ongoing Student Advantage Program provides opportu-nities for students to attend concerts at Severance Hall and Blossom through discounted ticket off ers. Membership is free to join and rewards members with discounted ticket purchases. For this season, a record 6,000 students have joined. Th e Student Frequent Fan Card was introduced a year ago with great suc-cess. Th e program is continuing to grow, with the number of Frequent Fan Card holders tripling so far this season over 2012-13. Priced at $50, the Fan Card off ers students unlimited single tickets (one ticket per card holder) to weekly classical subscription concerts all season long. Th e Student Ambassador program is also growing. Th ese young volun-teers help to promote the Orchestra’s concert off erings and student programs directly on campuses across Northeast Ohio. Also this year, a group of Student Marketing Advisors was formed to help the Orchestra incorporate student feedback and insight to programs, and give local marketing majors a chance to work closely with the Orchestra’s sales team. In addition, attendance through Student Group sales are also bringing in more and more young people to Cleveland Orchestra concerts. From as far as Toronto and Nashville, these groups make up an integral part of the overall suc-cess toward generating participation and interest among young people. All of these programs are supported by Th e Cleveland Orchestra’s Center for Future Audiences, through the Alexander and Sarah Cutler Fund for Student Audiences. Th e Center for Future Audiences was created with a $20 million lead endowment gift from the Maltz Family Foundation to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio.

Student Attendance


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Join us for dinner before or after the orchestra.

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In the heart of Little Italy!WWW.CLUBISABELLA.COM

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KITCHEN OPEN DAILYFRIDAYS & SATURDAYS KITCHEN OPEN ’TIL 11 PMjoin us before & after the concert

The Cleveland Carousel Society is bringing back the Grand Carousel from Euclid Beach

Park’s historic past for all to ride again.

Go to: www.clevelandcarousel.org

Or call: 216-752-1505

Part Emotion, Part Memory

All Magic

You can be a part of

this historic restoration by becoming a

member, naming donor or sponsor of the Carousel horses right

now.

The Cleveland Orchestra

Guide to Fine Schools

Other fine schools advertising in The Cleveland Orchestra’s Severance Hall programs include:

216-898-8300www.berea.k12.oh.us

Consistently ranked among“Best Communities for Music Education”

in the Nation!

Baldwin Wallace University Conservatory of Music

440-826-2369Cleveland Institute of Music

216-791-5000Cleveland State University

Kulas Series of Keyboard Conversations with Jeffrey Siegel

216-687-5018Lake Erie College1-855-GO-STORM


PH

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HY

BY

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Education & Community

Education and Music Serving the Community Th e Cleveland Orchestra draws together traditional and new programs in music education and community involvement to deepen connections with audiences throughout Northeast Ohio

THE CLE VE L AND ORCHE STRA has a long and proud history of sharing the value and joy of music with citizens throughout Northeast Ohio. Education and community programs date to the Orchestra’s founding in 1918 and have remained a central focus of the ensemble’s activities for over ninety years. Today, with the support of many generous individual, foundation, corporate, and governmental funding partners, the Orchestra’s educational and community programs reach more than 60,000 young people and adults annually, helping to foster a love of music and a lifetime of involvement with the musical arts. On these pages, we share photo graphs from a sampling of these many programs. For additional in-formation about these and other programs, visit us at clevelandorchestra.com or contact the Education & Community Programs Offi ce by calling 216-231-7355.

Franz Welser-Möst leads a concert at John Adams High School. Through such In-School Performances and Education Concerts at Severance Hall, The Cleveland Orchestra introduced more than 4 million young people to symphonic music over the past nine decades.




Cleveland Orchestra bassist Mark Atherton with classroom students at Cleveland’s Mayfair Elementary School, part of the Learning Through Music program, which fosters the use of music and the arts to support general classroom learning.

Through the PNC Musical Rainbows series at Severance Hall, Cleveland Orchestra musicians introduce nearly 10,000 preschoolers each year to the instruments of the orchestra.

Each season’s Family Concert series at Severance Hall off ers world-class music with outstanding singers, actors, mimes, and more to families from across Northeast Ohio. Last season’s “Under the Sea” concert featured music from Disney’s The Little Mermaid with The Singing Angels.


O R C H E S T R A

Cleveland Orchestra fl utist Marisela Sager working with pre-school students as part of PNC Grow Up Great, a program utilizing music to support pre-literacy and school readiness skills.


More than 1,250 talented youth musicians have performed as members of the Cleve- land Orchestra Youth Orchestra in the quarter century since the ensemble’s founding in 1986. Many have gone on to careers in professional orchestras around the world, including four current members of The Cleveland Orchestra.

T H A N K Y O UThe Cleveland Orchestra’s Education & Community programs are made

possible by many generous individuals and organizations, including:

PROGRAM FUNDERSThe Abington Foundation

The Eva L. and Joseph M. Bruening FoundationCleveland Clinic

The Cleveland FoundationConn-Selmer, Inc.

Cuyahoga Arts & CultureDominion Foundation

The Harry K. Fox and Emma R. Fox Charitable FoundationThe Giant Eagle Foundation

Muna & Basem Hishmeh FoundationMartha Holden Jennings Foundation

KeyBankThe Laub Foundation

The Lubrizol CorporationMacy’s

The Music and Drama ClubThe Nord Family Foundation

NordsonOhio Arts Council

Ohio Savings Bank, A Division of New York Community BankPNC

The Reinberger FoundationAlbert G. & Olive H. Schlink Foundation

Harold C. Schott FoundationThe Sherwin-Williams Foundation

Surdna FoundationTarget

Thomas H. White Foundation, a KeyBank TrustThe Edward & Ruth Wilkof Foundation

Women’s Committee of The Cleveland Orchestra

ENDOWMENT FUNDS AND FUNDERSHope and Stanley I. Adelstein

Kathleen L. BarberMr. Roger G. Berk

In memory of Anna B. BodyIsabelle and Ronald Brown

Dr. Jeanette Grasselli Brown and Dr. Glenn R. BrownRoberta R. Calderwood

Alice H. Cull Memorial FundMr. and Mrs. Charles R. Emrick, Jr.

Charles and Marguerite C. GalanieMr. David J. Golden

The George Gund FoundationDorothy Humel Hovorka

Mr. James J. HummerFrank and Margaret Hyncik

Walter and Jean Kalberer FoundationAlfred Lerner In-School Performance Fund

Machaskee Fund for Community ProgrammingMr. and Mrs. Stanley A. Meisel

Christine Gitlin MilesMr. and Mrs. David T. Morganthaler

Morley Fund for Pre-School EducationThe Eric & Jane Nord Family Fund

Pysht FundThe Ratner, Miller, and Shafran Families

and Forest City Enterprises, Inc.In memory of Georg Solti

The William N. Skirball EndowmentJules and Ruth Vinney Youth Orchestra Touring Fund

Anonymous

64 The Cleveland OrchestraLegacy Giving

Lois A. AaronLeonard AbramsShuree Abrams*Gay Cull AddicottStanley and Hope AdelsteinSylvia K. Adler*Gerald O. Allen*Norman and Marjorie* AllisonGeorge N. Aronoff Herbert Ascherman, Jr.Jack and Darby AshelmanMr. and Mrs. William W. BakerRuth Balombin*Mrs. Louis W. Barany*D. Robert* and Kathleen L. BarberJack L. BarnhartMargaret B. and Henry T.* BarrattNorma E. Battes*Rev. Thomas T. Baumgardner and Dr. Joan BaumgardnerFred G. and Mary W. BehmBertram H. Behrens*Dr. Ronald and Diane BellBob BellamyJoseph P. BennettIla M. BerryHoward R. and Barbara Kaye BesserDr.* and Mrs. Murray M. BettDr. Marie BielefeldRaymond J. Billy (Biello)Dr. and Mrs. Harold B. Bilsky*Robert E. and Jean Bingham*Claudia BjerreMr. William P. Blair IIIMrs. Flora BlumenthalMr. Richard J. Bogomolny and Ms. Patricia M. KozerefskiMr. and Mrs. Charles P. BoltonKathryn Bondy*Loretta and Jerome* BorsteinMr. and Mrs.* Otis H. Bowden IIRuth Turvy Bowman*Drs. Christopher P. Brandt and Beth Brandt SersigMr. D. McGregor Brandt, Jr.David and Denise BrewsterRichard F. Brezic*Robert W. BriggsDr. Jeanette Grasselli Brown and Dr. Glenn R. BrownRonald and Isabelle Brown*Mr. and Mrs. Clark E. Bruner*Mr. and Mrs.* Harvey Buchanan

Rita W. Buchanan*Joan and Gene* BuehlerGretchen L. BurmeisterStanley and Honnie* BuschMilan and Jeanne* BustaMrs. Noah L. Butkin*Mr. and Mrs. William C. ButlerMinna S. Buxbaum*Gregory and Karen CadaRoberta R. Calderwood*Jean S. Calhoun*Harry and Marjorie M. CarlsonJanice L. CarlsonDr. and Mrs. Roland D. CarlsonMr. and Mrs. George P. Carmer*Barbara A. Chambers, D. Ed.Arthur L. Charni*Ellen Wade Chinn*NancyBell CoeKenneth S. and Deborah G. CohenRalph M. and Mardy R. CohenVictor J. and Ellen E. CohnRobert and Jean* ConradMr. and Mrs. Gerald A. ConwayJames P. and Catherine E. Conway*Rudolph R. Cook*The Honorable Colleen Conway CooneyJohn D. and Mary D.* CorryDr. and Mrs. Frederick S. Cross*Martha Wood CubberleyDr. William S. Cumming*In Memory of Walter C. and Marion J. CurtisWilliam and Anna Jean CushwaHoward CutsonMr.* and Mrs. Don C. DanglerMr. and Mrs. Howard J. DanzingerBarbara Ann DavisCarol J. DavisCharles and Mary Ann DavisWilliam E. and Gloria P. Dean, Jr.Mary Kay DeGrandis and Edward J. DonnellyNeeltje-Anne DeKosterCarolyn L. DessinWilliam R. Dew*Mrs. Armand J. DiLellioJames A. Dingus, Jr.Dr. and Mrs. Richard C. DistadMaureen A. Doerner and Geoff rey T. WhiteHenry and Mary DollGerald and Ruth DombcikMr.* and Mrs. Roland W. DonnemNancy E. and Richard M. Dotson

Mrs. John DrollingerDrs. Paul M.* and Renate H. DuchesneauGeorge* and Becky DunnWarren and Zoann Dusenbury*Mr. and Mrs. Robert DuvinPaul and Peggy EdenburnRobert and Anne Eiben*Mr. and Mrs. Alfred M. Eich, Jr.Mr. and Mrs. Ramon Elias*Roger B. EllsworthOliver and Mary EmersonLois Marsh EppPatricia EspositoMargaret S. Estill*Dr. Wilma McVey Evans*C. Gordon and Kathleen A.* EwersPatricia J. FactorSusan L. Faulder*Dr. and Mrs. Frederick Fennell*Mrs. Mildred FieningGloria and Irving B. FineJules and Lena Flock*Joan Alice FordDr. and Mrs. William E. Forsythe*Mr.* and Mrs. Ralph E. FountainGil and Elle FreyArthur and Deanna FriedmanMr.* and Mrs. Edward H. FrostDawn FullHenry S. FusnerDr. Stephen and Nancy GageCharles and Marguerite C. Galanie*Barbara and Peter GalvinMr. and Mrs. Steven B. GarfunkelDonald* and Lois GaynorBarbara P. Geismer*Albert I. and Norma C. GellerCarl E. Gennett*Dr. Saul GenuthJohn H.* and Ellen P. GerberFrank and Louise GerlakDr. James E. GibbsIn Memory of Roger N. Giff ordDr. Anita P. Gilger*S. Bradley GillaughMr.* and Mrs. Robert M. GinnFred and Holly GlockRonald* and Carol GodesWilliam H. Goff Mr. and Mrs. Henry J. GoodmanJohn and Ann GoskyMrs. Joseph B. Govan*Elaine Harris Green

Th e Heritage Society honors those individuals who are helping to ensure the future of Th e Cleveland Orchestra with a Legacy gift . Legacy gift s come in many forms, including bequests, charitable gift annuities, and insurance policies. Th e following listing of members is current as of March 2014. For more information, please call Bridget Mundy, Legacy Giving Offi cer, at 216-231-8006.


H E R I T A G E S O C I E T Y

Legacy & Planned GivingLegacy & Planned Giving

65Severance Hall 2013-14 Legacy Giving

Tom and Gretchen GreenRichard and Ann GridleyNancy Hancock Griffi thDavid E.* and Jane J. Griffi thsDavid G. Griffi ths*Ms. Hetty Griffi thsMargaret R. Griffi ths*Bev and Bob GrimmJudd and Zetta Gross*Candy and Brent GroverMrs. Jerome E. Grover*Thomas J.* and Judith Fay GruberMr. and Mrs. David H. GunningMr. and Mrs. William E. GuntonJoseph E. Guttman*Mrs. John A Hadden Jr.Richard* and Mary Louise HahnJames J. HamiltonKathleen E. HancockDouglas Peace Handyside*Holsey Gates HandysideNorman C. and Donna L. HarbertMary Jane HartwellWilliam L.* and Lucille L. HasslerPeter and Gloria Hastings*Mrs. Henry Hatch (Robin Hitchcock)Virginia and George HavensGary D. HelgesenClyde J. Henry, Jr.Ms. M. Diane HenryWayne and Prudence HeritageRice Hershey*T. K. and Faye A. HestonGretchen L. HickokMr. and Mrs.* Daniel R. HighEdwin R. and Mary C. Hill*Ruth Hirshman-von Baeyer*Mr. and Mrs. D. Craig Hitchcock*Bruce F. HodgsonGoldie Grace Hoff man*Mary V. Hoff manFeite F. Hofman MD*Mrs. Barthold M. HoldsteinLeonard* and Lee Ann HolsteinDavid and Nancy HookerGertrude S. Hornung*Patience Cameron HoskinsElizabeth HosmerDorothy Humel HovorkaDr. Christine A. Hudak, Mr. Marc F. CymesDr. Randal N. Huff Mrs. Marguerite B. HumphreyAdria D. Humphreys*Ann E. Humphreys and Jayne E. SissonKaren S. HuntMr. and Mrs. G. Richard HunterRuth F. IhdeMr. and Mrs. Jonathan E. IngersollPamela and Scott IsquickMr. and Mrs.* Cliff ord J. Isroff Mr. and Mrs. Donald M. Jack, Jr.Carol S. JacobsMilton* and Jodith Janes

Alyce M. Jarr*Jerry and Martha* JarrettMerritt JohnquestAllan V. JohnsonE. Anne JohnsonNancy Kurfess Johnson, M.D.Paul and Lucille Jones*Mrs. R. Stanley Jones*William R. Joseph*David and Gloria KahanJulian and Etole KahanDrs. Julian* and Aileen KassenMilton and Donna* KatzPatricia and Walter* KelleyBruce and Eleanor KendrickMalcolm E. KenneyNancy H. Kiefer*Charles M. and Janet G. Kimball*James and Gay* KitsonMr. Clarence E. Klaus, Jr.Mary Elizabeth and G. Robert Klein*Julian H. and Emily W. Klein*Thea Klestadt*Paul and Cynthia KlugMartha D. KnightMr. and Mrs. Robert KochDr. Vilma L. KohnElizabeth Davis Kondorossy*Mr. Clayton KoppesMr.* and Mrs. James G. Kotapish, Sr.LaVeda Kovar*Margery A. KowalskiBruce G. Kriete*Mr. and Mrs. Gregory G. KruszkaThomas and Barbara KubyEleanor and Stephen KushnickMr. and Mrs. Dennis W. LaBarreJames I. LaderMr. and Mrs. David A. LambrosDr. Joan P. Lambros*Mrs. Carolyn LamplMarjorie M. LamportLouis LaneKenneth M. Lapine and Rose E. MillsCharles K. László and Maureen O’Neill-LászlóAnthony T. and Patricia LauriaCharles and Josephine Robson Leamy FundTeela C. LelyveldMr. and Mrs. Roger J. LerchJudy D. LevendulaGerda LevineDr. and Mrs. Howard LevineBracy E. LewisMr. and Mrs.* Thomas A. LiederbachRollin and Leda LindermanRuth S. LinkDr. and Mrs. William K. LittmanJeff and Maggie LoveDr. Alan and Mrs. Min Cha LubinAnn B. and Robert R. Lucas*Linda and Saul LudwigKate LunsfordMr. and Mrs. Thomas E. Lynch*

Patricia MacDonaldAlex and Carol MachaskeeJerry MaddoxMrs. H. Stephen MadsenAlice D. MaloneMr. and Mrs. Donald Malpass, Jr.Lucille Harris MannMr. and Mrs. Richard A. ManuelClement P. MarionMr. Wilbur J. Markstrom*Dr. and Mrs. Sanford E. MarovitzDavid C.* and Elizabeth F. MarshDuane and Joan* MarshFlorence Marsh, Ph.D.*Mr. and Mrs. Anthony M. MartincicKathryn A. MatesDr. Lee Maxwell and Michael M. PruntyAlexander and Marianna* McAfeeNancy B. McCormackMr. William C. McCoyMarguerite H. McGrath*Dorothy R. McLeanJim and Alice Mecredy*James and Virginia MeilMr. and Mrs.* Robert F. MeyersonBrenda Clark MikotaChristine Gitlin MilesChuck and Chris MillerEdith and Ted* MillerLeo Minter, Jr.Mr. and Mrs. William A. MitchellRobert L. MoncriefMs. Beth E. MooneyBeryl and Irv MooreAnn Jones MorganMr. and Mrs. Stanley L. Morgan*George and Carole MorrisMr. and Mrs. Thomas W. MorrisMr. and Mrs.* Donald W. MorrisonJoan R. Mortimer, PhDFlorence B. MossSusan B. MurphyDr. and Mrs. Clyde L. Nash, JrDeborah L. NealeMrs. Ruth NeidesDavid and Judith NewellDr.* and Mrs. S. Thomas NiccollsRussell H. Nyland*Katherine T. O’NeillThe Hon. and Mrs. John Doyle OngAurel Fowler-Ostendorf*Mr. J. William and Dr. Suzanne PalmerR. Neil Fisher and Ronald J. ParksNancy* and W. Stuver ParryMrs. John G. Pegg*Dr. and Mrs. Donald PensieroMary Charlotte PetersMr. and Mrs. Peter Pfouts*Janet K. Phillips*Florence KZ PollackJulia and Larry PollockVictor and Louise PreslanMrs. Robert E. Price*




LISTING CONTINUES


Lois S.* and Stanley M. ProctorMr. David C. PrughLeonard and Heddy RabeM. Neal RainsMr. George B. RamsayerJoe L. and Alice Randles*Mrs. Alfred M. Rankin, Sr.Mrs. Theodore H. Rautenberg*James and Donna ReidMrs. Hyatt Reitman*Mrs. Louise Nash Robbins*Dr. Larry J.B.* and Barbara S. RobinsonDwight W. RobinsonMargaret B. Babyak* and Phillip J. RoscoeAudra and George RoseDr. Eugene and Mrs. Jacqueline RossHelen Weil Ross*Robert and Margo RothMarjorie A. RottHoward and Laurel RowenProfessor Alan Miles Ruben and Judge Betty Willis RubenFlorence Brewster RutterMr. James L. Ryhal, Jr.Renee SabreenMarjorie Bell SachsDr. Vernon E. Sackman and Ms. Marguerite PattonSue SahliMr. and Mrs. James A. SaksMr. and Mrs. Sam J. SanFilipo*Larry J. SantonStanford and Jean B. SarlsonSanford Saul FamilyJames Dalton SaundersPatricia J. SawvelRay and Kit SawyerRichard Saxton*Alice R. SayreIn Memory of Hyman and Becky SchandlerRobert ScherrerSandra J. SchlubMs. Marian SchluembachRobert and Betty SchmiermundMr.* and Mrs. Richard M. SchneiderLynn A. Schreiber*Jeanette L. SchroederFrank SchultzCarol* and Albert SchuppRoslyn S. and Ralph M. SeedNancy F. SeeleyEdward SeelyOliver E. and Meredith M. SeikelRussell Seitz*Reverend Sandra SelbyEric SellenAndrea E. SenichThomas and Ann SepúlvedaElsa Shackleton*B. Kathleen ShampJill Semko Shane

David ShankDr. and Mrs. Daniel J. ShapiroNorine W. SharpNorma Gudin ShawElizabeth Carroll ShearerDr. and Mrs. William C. SheldonFrank* and Mary Ann SherankoKim SherwinMr. and Mrs. Michael SherwinReverend and Mrs. Malcolm K. ShieldsRosalyn and George SievilaMr. and Mrs. David L. SimonDr.* and Mrs. John A. SimsNaomi G. and Edwin Z. SingerLauretta SinkoskyH. Scott Sippel and Clark T. KurtzEllen J. SkinnerRalph* and Phyllis SkufcaJanet Hickok SladeAlden D. and Ellen D. Smith*Mr.* and Mrs. Ward SmithM. Isabel Smith*Nathan Snader*Sterling A. and Verdabelle Spaulding*Barbara J. Stanford and Vincent T. LombardoSue Starrett and Jerry SmithLois and Tom Stauff erWillard D. Steck*Merle SternDr. Myron Bud and Helene* SternMr. and Mrs. John M. StickneyNora and Harrison Stine*Mr. and Mrs. Stanley M. StoneMr.* and Mrs. James P. StorerRalph E. and Barbara N. StringThe Irving Sunshine FamilyVernette M. Super*Mr. and Mrs. Herbert J. Swanson*In Memory of Marjory SwartzbaughLewis Swingley*Lorraine S. SzaboNorman V. TagliaferriSusan and Andrew Talton*Frank E. Taplin, Jr.*Charles H. Teare* and Cliff ord K. Kern*Mr. Ronald E. TearePauline Thesmacher*Dr. and Mrs. Friedrich ThielMrs. William D. Tibbetts*Mr. and Mrs. William M. Toneff Marlene and Joe TootAlleyne C. ToppinJanice and Leonard TowerDorothy Ann TurickMr. and Mrs. Robert A. UrbanRobert and Marti VagiRobert A. ValenteJ. Paxton Van SweringenMary Louise and Don VanDykeElliot Veinerman*Nicholas J. Velloney*Steven Vivarronda

Hon. William F.B. VodreyPat and Walt* WahlenMrs. Clare R. WalkerJohn and Deborah WarnerMr. and Mrs. Russell WarrenJoseph F. and Dorothy L. WasserbauerCharles D. Waters*Reverend Thomas L. WeberEtta Ruth WeiglLucile WeingartnerEunice Podis Weiskopf*Max W. WendelWilliam Wendling and Lynne WoodmanMarilyn J. WhiteRobert and Marjorie Widmer*Yoash and Sharon WienerAlan H. and Marilyn M. WildeElizabeth L. Wilkinson*Helen Sue* and Meredith WilliamsCarter and Genevieve* WilmotMiriam L. and Tyrus W.* WilsonMr. Milton Wolfson* and Mrs. Miriam Shuler-WolfsonNancy L. WolpeMrs. Alfred C. WoodcockKatie and Donald WoodcockDr.* and Mrs. Henry F. Woodruff Marilyn L. WozniakNancy R. WurzelMichael and Diane WyattMary YeeEmma Jane Yoho, M.D.Libby M. YungerDr. Norman Zaworski*William L. and Joan H. Ziegler*Carmela Catalano Zoltoski*Roy J. Zook*Anonymous (103)




LISTING CONTINUED

Th e lotus blossom is the symbol of the Heritage Society.

It represents eternal life and recognizes the permanent

benefi ts of legacy gift s to Th e Cleveland Orchestra’s

endowment. Said to be Elisabeth Severance’s favorite fl ower, the lotus is found as a

decorative motif in nearly every public area of Severance Hall.

*deceased

Legacy Giving

Tones sound and roar and storm about me until I have set them down in notes.

—Ludwig van Beethoven

Ludwig van Beethoven, 1818, pencil drawing by August von Klöber


The Cleveland OrchestraCenter for Future AudiencesTHE CLE VE L AND ORCHE STRA’s Center for Future Audiences was estab-lished to fund programs to develop new generations of audiences for Cleveland Orch estra concerts in Northeast Ohio. Th e Center was created in 2010 with a $20 million lead endowment gift from the Maltz Family Foundation. Center-funded programs focus on addressing economic and geographic barriers to attending Cleveland Orch estra concerts at Severance Hall and Blossom Music

Center. Programs include research, introductory off ers, targeted dis-counts, student ticket programs, and integrated use of new technologies. Th e goal is to create one of the young-est audiences of any symphony or-chestra in the country. For additional information about these plans and pro-grams, call us at 216-231-7464.

Center for Future Audiences

E N DOWE D FU N DS

Maltz Family FoundationMr. and Mrs. Alexander M. Cutler

THANK YOU�for helping develop ��tomorrow’s audiences today.

For information about contributing to this major endowment initiative, please contact the Orchestra’s Philanthropy & Advancement Department by calling Jon Limbacher, Chief Development Offi cer, at 216-231-7520.

69Severance Hall 2013-14 Endowed Funds

Th e generous donors listed here have made endowment gift s to support specifi c artistic initiatives, education and community programming and performances, facilities main-tenance costs, touring and residencies, and more. (Additional endowment funds are recognized through the naming of Orchestra chairs, listed on pages 22-23.) Named funds can be established with new gift s of $250,000 or more. For information about making your own endowment gift to Th e Clevelamd Orchestra, please call 216-231-7438.

Endowed Funds funds established as of August 2013

ARTISTIC endowed funds support a variety of programmatic initiatives ranging from guest artists and radio broadcasts to the all-volunteer Cleveland Orchestra Chorus.

Artistic ExcellenceGeorge Gund III Fund

Artistic CollaborationJoseph P. and Nancy F. Keithley

Artist-in-ResidenceMalcolm E. Kenney

Young ComposersJan R. and Daniel R. Lewis

Friday Morning ConcertsMary E. and F. Joseph Callahan Foundation

Radio BroadcastsRobert and Jean ConradDr. Frederick S. and Priscilla Cross

Cleveland Orchestra Chorus Jerome and Shirley GroverMeacham Hitchcock and Family

American Conductors FundDouglas Peace HandysideHolsey Gates Handyside

Severance Hall Guest ConductorsRoger and Anne ClappJames and Donna Reid

Cleveland Orchestra SoloistsJulia and Larry Pollock Family

Guest Artists FundThe Eleanore T. and Joseph E. Adams FundMrs. Warren H. CorningThe Gerhard Foundation, Inc.Margaret R. Griffi ths TrustThe Virginia M. and Newman T. Halvorson FundThe Hershey FoundationThe Humel Hovorka FundKulas FoundationThe Payne FundElizabeth Dorothy RobsonDr. and Mrs. Sam I. SatoThe Julia Severance Millikin FundThe Sherwick FundMr. and Mrs. Michael SherwinSterling A. and Verdabelle SpauldingMr. and Mrs. James P. StorerMrs. Paul D. Wurzburger

Concert PreviewsDorothy Humel Hovorka

International TouringFrances Elizabeth Wilkinson

UnrestrictedArt of Beauty Company, Inc.William P. Blair III Fund for Orchestral ExcellenceJohn P. Bergren and Sarah S. EvansNancy McCannMargaret Fulton-Mueller Virginia M. and Jon A. Lindseth

CENTER FOR FUTURE AUDIENCES — Th e Cleveland Orchestra’s Center for Future Audiences, created with a lead gift from the Maltz Family Foundation, is working to develop new generations of audiences for Th e Cleveland Orchestra.

Center for Future AudiencesMaltz Family Foundation

Student AudiencesAlexander and Sarah Cutler

Endowed Funds listing continues


70 The Cleveland OrchestraEndowed Funds

SEVERANCE HALL endowed funds support maintenance of keyboard instruments and the facilities of the Orchestra’s concert home, Severance Hall.

Keyboard MaintenanceWilliam R. DewThe Frederick W. and Janet P. Dorn FoundationMr. and Mrs. Richard A. ManuelVincent K. and Edith H. Smith Memorial Trust

OrganD. Robert and Kathleen L. BarberArlene and Arthur HoldenKulas FoundationDescendants of D.Z. NortonOglebay Norton Foundation

Severance Hall PreservationSeverance family and friends

EDUCATION AND COMMUNITY endowed funds help support programs that deepen con-nections to symphonic music at every age and stage of life, including training, performances, and classroom resources for thousands of students and adults each year.

Education ProgramsAnonymous, in memory of Georg SoltiHope and Stanley I. AdelsteinKathleen L. BarberIsabelle and Ronald BrownDr. Jeanette Grasselli Brown and Dr. Glenn R. BrownAlice H. Cull MemorialFrank and Margaret HyncikJunior Committee of The Cleveland OrchestraMr. and Mrs. David T. MorgenthalerJohn and Sally MorleyThe Eric & Jane Nord Family FundThe William N. Skirball Endowment

Education Concerts WeekThe Max Ratner Education Fund, given by the Ratner, Miller, and Shafran

families and by Forest City Enterprises, Inc.

In-School PerformancesAlfred M. Lerner Fund

Classroom ResourcesCharles and Marguerite C. Galanie

Cleveland Orchestra Youth Orchestra The George Gund FoundationChristine Gitlin Miles, in honor of Jahja LingJules and Ruth Vinney Touring Fund

Musical RainbowsPysht Fund

Community ProgrammingAlex and Carol Machaskee

Endowed Funds continued from previous page

BLOSSOM MUSIC CENTER and BLOSSOM FESTIVAL endowed funds support the Orchestra’s summer performances and maintenance of Blossom Music Center.

Blossom Festival Guest ArtistDr. and Mrs. Murray M. BettThe Hershey FoundationThe Payne FundMr. and Mrs. William C. Zekan

Blossom Festival Family ConcertsDavid E. and Jane J. Griffi ths

Landscaping and MaintenanceThe Bingham FoundationEmily Blossom family members and friendsThe GAR FoundationJohn S. and James L. Knight Foundation


Act one begins

... WITH INVESTMENT BY CUYAHOGA ARTS & CULTURE

Cuyahoga Arts & Culture (CAC) uses public dollars approved by you to bring arts and culture to every corner of our County. From grade schools to senior centers to large public events and investments to small neighborhood art projects and educational outreach, we are leveraging your investment for everyone to experience.

Visit cacgrants.org/impact to learn more.

Your Investment: Strengthening Community

Beck Center for the Arts

Th e Partners in Excellence program salutes companies with annual contri-butions of $100,000 and more, exem-plifying leadership and commitment to artistic excellence at the highest level.

PARTNERS IN EXCELLENCE$300,000 AND MORE

Hyster-Yale Materials HandlingNACCO Industries, Inc.KeyBankThe Lubrizol CorporationRaiff eisenlandesbank Oberösterreich (Europe) The J. M. Smucker Company

PARTNERS IN EXCELLENCE$200,000 TO $299,999BakerHostetlerEatonFirstEnergy FoundationForest City Enterprises, Inc.PNC BankThompson Hine LLP

PARTNERS IN EXCELLENCE$100,000 TO $199,999The Cliff s FoundationGoogle, Inc.Medical Mutual of OhioNordson Corporation and Foundation Parker Hannifi n Corporation

$50,000 TO $99,999

Jones DayQuality Electrodynamics (QED)voestalpine AG (Europe)Anonymous

$25,000 TO $49,999Charter OneDix & EatonThe Giant Eagle FoundationGreenberg Traurig (Miami)Litigation Management, Inc.Northern Trust Bank of Florida (Miami)Park-Ohio Holdings Corp.The Plain DealerRPM International Inc.Squire Sanders (US) LLP

$2,500 TO $24,999AdCom CommunicationsAkron Tool & Die CompanyAkronLife MagazineAmerican Fireworks, Inc.American Greetings CorporationBank of AmericaBDIBrothers Printing Co., Inc.Brouse McDowellEileen M. Burkhart & Co LLCBuyers Products CompanyCalfee, Halter & Griswold LLPCleveland ClinicThe Cleveland Wire Cloth & Mfg. Co.Cohen & Company, CPAsCommunity Behavioral Health CenterConn-Selmer, Inc.Consolidated SolutionsDollar BankDominion FoundationErnst & Young LLPEvarts TremaineFeldman Gale, P.A. (Miami)Ferro CorporationFirstMerit BankFrantz Ward LLPVictor Kendall, Friends of WLRNGallagher Benefi t ServicesGreat Lakes Brewing CompanyGross BuildersHahn Loeser + Parks LLPHyland SoftwareThe Lincoln Electric FoundationLittler Mendelson, P.C.C. A. Litzler Co., Inc.Live Publishing CompanyMacy’sMaterion CorporationMiba AG (Europe)MTD Products, Inc.North Coast Container Corp.Northern HaserotOatey Co.Ohio CATOhio Savings Bank, A Division of New York Community BankOlympic Steel, Inc.Oswald CompaniesPolyOne CorporationPricewaterhouse Coopers LLPThe Prince & Izant CompanyThe Sherwin-Williams CompanyStern Advertising AgencySwagelok CompanyTucker EllisUlmer & Berne LLPUniversity HospitalsVer Ploeg & Lumpkin, P.A. (Miami)WCLV Foundation Westlake Reed LeskoskyAnonymous (2)

Annual Supportgifts of $2,500 or more during the past year, as of March 20, 2014

Cumulative GivingJOHN L. SEVERANCE SOCIETY$5 MILLION AND MORE

KeyBankPNC Bank

$1 MILLION TO $5 MILLION

BakerHostetlerBank of AmericaEatonFirstEnergy FoundationForest City Enterprises, Inc.The Goodyear Tire & Rubber CompanyHyster-Yale Materials HandlingNACCO Industries, Inc.The Lubrizol Corporation / The Lubrizol FoundationMerrill LynchParker Hannifi n CorporationThe Plain DealerPolyOne CorporationRaiff eisenlandesbank Oberösterreich (Europe) The J. M. Smucker Company

Th e Severance Society recognizes generous contributors of $1 million or more in cumulative giving to Th e Cleveland Orchestra. Listing as of March 2014.

Corporate Annual Support

Th e Cleveland Orchestra gratefully acknowledges and salutes these corporations for their generous support toward the Orchestra’s Annual Fund, benefi t events, tours and residencies, and special projects.

Corporate Support



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Foundation/Government Annual Support

$1 MILLION AND MORE

The Cleveland FoundationCuyahoga County residents through

Cuyahoga Arts & CultureThe Andrew W. Mellon FoundationThe Kelvin and Eleanor Smith Foundation

$500,000 TO $999,000The George Gund Foundation

$250,000 TO $499,000Kulas FoundationJohn P. Murphy FoundationThe Eric & Jane Nord Family FundOhio Arts Council

$100,000 TO $249,999The George W. Codrington Charitable FoundationSidney E. Frank FoundationGAR FoundationElizabeth Ring Mather and William Gwinn Mather FundDavid and Inez Myers Foundation

$50,000 TO $99,999Ann and Gordon Getty FoundationThe Hearst FoundationsMartha Holden Jennings FoundationMyra Tuteur Kahn Memorial Fund of The Cleveland FoundationMarlboro 2465 FoundationMiami-Dade County Department of Cultural Aff airs (Miami)Donald and Alice Noble Foundation, Inc. The Nord Family FoundationThe Payne FundThe Sage Cleveland FoundationSurdna Foundation

$20,000 TO $49,999The Helen C. Cole Charitable TrustThe Mary S. and David C. Corbin FoundationThe Gerhard Foundation, Inc.The Helen Wade Greene Charitable TrustJohn S. and James L. Knight FoundationThe Margaret Clark Morgan FoundationNational Endowment for the ArtsThe Frederick and Julia Nonneman FoundationWilliam J. and Dorothy K. O’Neill FoundationPeacock Foundation, Inc. (Miami)Polsky Fund of Akron Community FoundationThe Reinberger FoundationThe Sisler McFawn Foundation

Annual Support gifts of $2,000 or more during the past year, as of March 20, 2014

Th e Cleveland Orchestra gratefully acknowledges and salutes these Foundations and Government agencies for their generous support toward the Orchestra’s Annual Fund, benefi t events, tours and residencies, and special projects.

$2,000 TO $19,999The Abington FoundationAyco Charitable Foundation The Ruth and Elmer Babin FoundationThe Batchelor Foundation, Inc. (Miami)Dr. NE & JZ Berman FoundationThe Bernheimer Family Fund of the Cleveland FoundationBicknell FundEva L. and Joseph M. Bruening FoundationThe Conway Family FoundationMary and Dr. George L. Demetros Charitable TrustThe Fogelson FoundationThe Harry K. Fox and Emma R. Fox Charitable FoundationThe William O. and Gertrude Lewis Frohring FoundationFunding Arts Network (Miami)The Hankins FoundationThe Muna & Basem Hishmeh FoundationRichard H. Holzer Memorial FoundationThe Jean Thomas Lambert FoundationThe Laub FoundationVictor C. Laughlin, M.D. Memorial Foundation TrustThe G. R. Lincoln Family FoundationThe Mandel Foundation The McGregor FoundationBessie Benner Metzenbaum FoundationM.G. O’Neil FoundationPaintstone FoundationThe Charles E. & Mabel M. Ritchie Memorial FoundationThe Leighton A. Rosenthal Family FoundationSCH FoundationAlbert G. & Olive H. Schlink FoundationHarold C. Schott FoundationJean C. Schroeder FoundationKenneth W. Scott FoundationThe Sherwick FundLloyd L. and Louise K. Smith Memorial FoundationThe South Waite FoundationThe Veale FoundationThe George Garretson Wade Charitable TrustThe S. K. Wellman FoundationThe Welty Family FoundationThomas H. White Foundation, a KeyBank TrustThe Edward and Ruth Wilkof FoundationThe Wuliger FoundationAnonymous (2)

Cumulative GivingJOHN L. SEVERANCE SOCIETY$10 MILLION AND MORE

The Cleveland FoundationCuyahoga County residents through Cuyahoga Arts & CultureKulas FoundationMaltz Family FoundationState of OhioOhio Arts CouncilThe Kelvin and Eleanor Smith Foundation


The George Gund FoundationKnight Foundation (Cleveland, Miami)The Andrew W. Mellon FoundationJohn P. Murphy Foundation


The William Bingham FoundationThe George W. Codrington Charitable Foundation GAR FoundationAnn and Gordon Getty FoundationThe Louise H. and David S. Ingalls FoundationMartha Holden Jennings FoundationElizabeth Ring Mather and William Gwinn Mather FundDavid and Inez Myers FoundationNational Endowment for the ArtsThe Eric & Jane Nord Family FundThe Payne FundThe Reinberger FoundationThe Sage Cleveland Foundation

Th e Severance Society recognizes generous contributors of $1 million or more in cumulative giving to Th e Cleveland Orchestra. Listing as of March 2014.


Foundation & Government Support


INDIVIDUAL GIFTS OF $500,000 AND MORE

Daniel R. and Jan R. Lewis (Miami) Peter B. Lewis* and Janet Rosel Lewis (Miami) Mr. and Mrs. Albert B. Ratner

INDIVIDUAL GIFTS OF $200,000 TO $499,999

Irma and Norman Braman (Miami) David and Francie Horvitz Family Foundation (Miami) The Walter and Jean Kalberer Foundation Mrs. Norma Lerner and The Lerner Foundation Susan Miller (Miami)


James D. Ireland III Mr. and Mrs. Joseph P. KeithleyDr. and Mrs. Herbert Kloiber (Europe)Mrs. Elizabeth R. Koch Mrs. Emma S. LincolnElizabeth F. McBride Ms. Ginger Warner (Cleveland, Miami) Mr. and Mrs. Franz Welser-Möst Janet* and Richard Yulman (Miami)


Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Mr. and Mrs. Douglas A. Kern Mr. and Mrs. Dennis W. LaBarre The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. Mary M. Spencer (Miami)


Sheldon and Florence Anderson (Miami) Mr. William P. Blair III Mr. Allen H. FordHector D. Fortun (Miami) Mr. and Mrs. Michael J. HorvitzElizabeth B. Juliano (Cleveland, Miami) R. Kirk Landon and Pamela Garrison (Miami) Toby Devan Lewis

Individual Support

Th e Cleveland Orchestra and Musical Arts Association gratefully recognize the individuals listed here, who have provided generous gift s of cash or pledges of $2,500 or more to the Annual Fund, benefi t events, tours and residencies, and special annual donations.


Lifetime Giving JOHN L. SEVERANCE SOCIETY

$10 MILLION AND MORE

Daniel R. and Jan R. Lewis (Miami, Cleveland)


Mr. Richard J. Bogomolny and Ms. Patricia M. KozerefskiMr. and Mrs. Alexander M. CutlerMrs. Norma Lerner and The Lerner FoundationMrs. Alfred M. Rankin, Sr. Mr. and Mrs. Albert B. Ratner


Irma and Norman Braman (Miami) Mr. Francis J. Callahan*Mrs. M. Roger ClappMr. George Gund III*Francie and David Horvitz (Miami)Mr. and Mrs. Michael J. Horvitz Mr. James D. Ireland III The Walter and Jean Kalberer Foundation Mr. and Mrs. Joseph P. Keithley Mr. and Mrs. Dennis W. LaBarre Susan Miller (Miami) Sally S. and John C. Morley The Family of D. Z. NortonThe Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr.Charles and Ilana Horowitz RatnerJames and Donna Reid Barbara S. Robinson The Ralph and Luci Schey FoundationMr.* and Mrs. Ward SmithAnonymous (2)

Th e Severance Society recognizes generous contributors of $1 million or more in lifetime giving to Th e Cleveland Orchestra. As of March 2014.

Annual Supportgifts during the past year, as of March 20, 2014

Individual Annual Support76 The Cleveland Orchestra

Individual Annual Support

Mr. and Mrs. Edward A. LozickRobert M. Maloney and Laura Goyanes Ms. Beth E. Mooney Mr. Patrick Park (Miami)Mrs. Alfred M. Rankin, Sr.Charles and Ilana Horowitz Ratner James and Donna ReidBarbara S. Robinson Sally and Larry Sears Hewitt and Paula Shaw Mr. and Mrs. Richard K. Smucker Barbara and David Wolfort Anonymous


Mr. and Mrs. Daniel M. Bell (Miami) Dr. and Mrs. Wolfgang Berndt (Europe) Blossom Women’s CommitteeMr. and Mrs. Charles P. Bolton The Brown and Kunze FoundationJeanette Grasselli Brown and Glenn R. Brown Judith and George W. Diehl Mr. and Mrs. Geoff rey Gund George Gund*Trevor and Jennie Jones Giuliana C. and John D. KochDr. Vilma L. KohnCharlotte R. KramerVirginia M. and Jon A. LindsethMs. Nancy W. McCann Sally S. and John C. Morley Mrs. Jane B. NordLuci and Ralph* Schey Rachel R. Schneider Richard and Nancy Sneed (Cleveland, Miami) R. Thomas and Meg Harris Stanton


Martha and Bruce Clinton (Miami)Robert and Jean* Conrad Mr. and Mrs. Gerald A. ConwayDo Unto Others Trust (Miami)George* and Becky DunnDr. and Mrs. Hiroyuki Fujita Gary Hanson and Barbara Klante Mr. and Mrs. Jeff rey Healy Mrs. Marguerite B. Humphrey Junior Committee of The Cleveland OrchestraDr. David and Janice LeshnerMilton and Tamar MaltzMargaret Fulton-Mueller William J. and Katherine T. O’Neill Julia and Larry Pollock

Mr. and Mrs. James A. RatnerMr. and Mrs. James A. Saks Paul and Suzanne Westlake


Gay Cull Addicott Mr. and Mrs. William W. Baker Randall and Virginia BarbatoMr. and Mrs. Matthew V. Crawford Esther L. and Alfred M. Eich, Jr. Jeff rey and Susan Feldman (Miami)Dr. Edward S. Godleski Andrew and Judy Green Mr. and Mrs. Jack HoeschlerRichard and Erica Horvitz (Cleveland, Miami)Mr. and Mrs. Christopher Kelly Jonathan and Tina Kislak (Miami) Joy P. and Thomas G. Murdough, Jr. (Miami)Marc and Rennie SaltzbergRaymond T. and Katherine S. SawyerMr. and Mrs. Donald Stelling (Europe)Mr. Joseph F. TetlakTom and Shirley Waltermire Mr. Gary L. Wasserman and Mr. Charles A. Kashner (Miami) The Denise G. and Norman E. Wells, Jr. Family Foundation Women’s Committee of The Cleveland OrchestraAnonymous gift from Switzerland (Europe)


Dr. Christopher P. Brandt and Dr. Beth Sersig Mr. and Mrs. David J. Carpenter Scott Chaikin and Mary Beth Cooper Jill and Paul Clark Mr. Peter and Mrs. Julie Cummings (Miami)Mr. and Mrs. Peter O. DahlenColleen and Richard Fain (Miami) Joyce and Ab* GlickmanRichard and Ann Gridley Mrs. John A Hadden Jr.Jack Harley and Judy ErnestMary and Jon Heider (Cleveland, Miami)David and Nancy Hooker Mr. and Mrs. Donald M. Jack, Jr.

listings continue

Leadership Council Th e Leadership Council salutes those extraordinary donors who have pledged to sustain their annual giving at the highest level for three years or more. Leadership Council donors are recognized in these Annual Support listings with the Leadership Council symbol next to their name:




Andrew and Katherine KartalisTati and Ezra Katz (Miami) Mr.* and Mrs. Arch J. McCartneyMr. Thomas F. McKee Mr. and Mrs. Stanley A. MeiselLucia S. NashMr. Gary A. Oatey (Cleveland, Miami) Claudia and Steven Perles (Miami)Steven and Ellen Ross Mr. and Mrs. David A. RuckmanMrs. David Seidenfeld Dr. and Mrs. Neil SethiDavid and Harriet SimonRick, Margarita and Steven Tonkinson (Miami) Mr. and Mrs. Jeff rey M. Weiss Anonymous


Mr. and Mrs. William E. Conway Ms. Dawn M. FullRobert K. Gudbranson and Joon-Li Kim Tim and Linda Koelz Mr.* and Mrs. Richard A. ManuelMr. Larry J. Santon Mr. and Mrs. Oliver E. SeikelKim Sherwin Mr. and Mrs. Alfred Umdasch (Europe)

listings continue


INDIVIDUAL GIFTS OF $10,000 TO $12,499 Mr. and Mrs. George N. Aronoff Jayusia and Alan Bernstein (Miami) Marsha and Brian Bilzin (Miami) Mr. and Mrs. Richard L. BowenMr. D. McGregor Brandt, Jr.Paul and Marilyn* BrentlingerAugustine* and Grace CaliguireRichard J. and Joanne ClarkMrs. Barbara CookMrs. Barbara Ann Davis Mr. and Mrs. Robert P. Duvin Mike S. and Margaret Eidson (Miami) Dr. and Mrs. Lloyd H. Ellis Jr.Mr. Neil FlanzraichMr. Monte Friedkin (Miami) Francisco A. Garcia and Elizabeth Pearson (Miami)Mr. and Mrs. Richard T. GarrettAlbert I. and Norma C. Geller Mr. and Mrs. Robert W. GillespieMr. David J. GoldenElaine Harris GreenSondra and Steve HardisMichael L. HardyMr. and Mrs. James A. Haslam IIMr. and Mrs. James A. Haslam IIIT. K. and Faye A. Heston Joan and Leonard HorvitzPamela and Scott Isquick Allan V. Johnson Janet and Gerald Kelfer (Miami) Mr. Jeff LitwillerMr. and Mrs. Thomas B. McGowanEdith and Ted* MillerMr. Donald W. Morrison Elisabeth and Karlheinz Muhr (Europe)Brian and Cindy MurphyMr. Raymond M. Murphy Donald and Alice Noble Foundation, Inc.Mr. and Mrs. William M. Osborne, Jr. Brian and Patricia RatnerAudra and George Rose Dr. Tom D. Rose Dr. and Mrs. Ronald J. Ross Dr. Isobel RutherfordCarol* and Albert SchuppDr. Gerard and Phyllis Seltzer and the Dr. Gerard and Phyllis Estelle Seltzer FoundationMrs. Gretchen D. SmithJim and Myrna SpiraLois and Tom Stauff er Charles B. and Rosalyn Stuzin (Miami) Mrs. Jean H. TaberDr. Russell A. TrussoSandy and Ted Wiese Anonymous (4)*

INDIVIDUAL GIFTS OF $7,500 TO $9,999 Mr. and Mrs. Dean Barry Mr. William BergerLaurel Blossom Mr. Robert W. BriggsDr. and Mrs. Jerald S. BrodkeyDr. Ben H. and Julia Brouhard

listings continued

Gay Cull AddicottWilliam W. BakerRonald H. BellHenry C. DollJudy ErnestNicki Gudbranson

Jack Harley Iris HarvieBrinton L. HydeRandall N. Huff David C. LambRaymond T. Sawyer

Barbara Robinson, chairRobert Gudbranson, vice chair

Ongoing annual support gift s are a critical compo-nent toward sustaining Th e Cleveland Orchestra’s eco nomic health. Ticket revenues pro vide only a small portion of the funding needed to support the Orchestra’s outstanding perform ances, education ac-tivities, and community projects.

Th e Leadership Patron Program recognizes generous donors of $2,500 or more to the Orchestra’s Annual Campaign. For more information on the benefi ts of playing a supporting role each year, please contact Elizabeth Arnett, Manager, Leadership Giving, by calling 216-231-7522.

Leadership Annual Campaign Patrons

Gifts to University Hospitals

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Ellen E. & Victor J. Cohn Supporting Foundation Henry and Mary Doll Nancy and Richard DotsonHarry and Joyce Graham Mr. Paul Greig Kathleen E. HancockMary Jane Hartwell Iris and Tom Harvie Mrs. Sandra L. HaslingerAmy and Stephen Hoff man Joela Jones and Richard Weiss Kenneth M. Lapine and Rose E. Mills Judith and Morton Q. Levin Mr. and Mrs.* Robert P. Madison Mr. J. William and Dr. Suzanne Palmer Pannonius Foundation Douglas and Noreen PowersPaul A. and Anastacia L. Rose Rosskamm Family TrustPatricia J. Sawvel Drs. Daniel and Ximena Sessler Naomi G. and Edwin Z. Singer Family Fund Dr. and Mrs. Frank J. StaubMr. and Mrs. Donald W. Strang, Jr.Mrs. Marie S. Strawbridge*Bruce and Virginia Taylor Dr. Gregory Videtic Anonymous (2)

INDIVIDUAL GIFTS OF $5,000 TO $7,499 Norman and Helen Allison Susan S. AngellMr.* and Mrs. Albert A. AugustusMr. and Mrs. Robert H. Baker Stephen Barrow and Janis Manley (Miami) Fred G. and Mary W. BehmDr. Ronald and Diane Bell Drs. Nathan A. and Sosamma J. Berger Dr. and Mrs. Eugene H. BlackstoneFrank and Leslie Buck Mr. and Mrs. William C. Butler Ms. Maria Cashy Drs. Wuu-Shung and Amy Chuang Dr. William and Dottie Clark Mrs. Lester E. Coleman Mr. Owen ColliganMarjorie Dickard ComellaCorinne L. Dodero Foundation for the Arts and Sciences Mr. and Mrs. Ralph DaugstrupMr. and Mrs. Edward B. DavisMr. and Mrs. Thomas S. DavisPete and Margaret Dobbins Mr. and Mrs. Terry C. Z. EggerDr. and Mrs. Robert ElstonMary and Oliver Emerson Mr. and Mrs. Alex Espenkotter (Miami)Dr. D. Roy and Diane A. FergusonChristopher Findlater (Miami)Barbara and Peter GalvinJoy E. GarapicBrenda and David GoldbergMr. and Mrs. Henry J. GoodmanMr. and Mrs. Randall J. GordonRobert N. and Nicki N. Gudbranson David and Robin Gunning

Clark Harvey and Holly SelvaggiHenry R. Hatch Robin Hitchcock Hatch Barbara Hawley and David GoodmanJanet D. Heil*Anita and William HellerThomas and Mary Holmes Mr. and Mrs. John Hudak (Miami)Bob and Edith Hudson (Miami)Ms. Charlotte L. HughesMr. James J. Hummer Mr. and Mrs. Brinton L. HydeMr. and Mrs. Christopher Hyland Donna L. and Robert H. JacksonMr. and Mrs. Richard A. JanusRudolf D. and Joan T. KamperMilton and Donna* Katz Dr. Richard and Roberta KatzmanDr. and Mrs. William S. KiserMr. and Mrs.* S. Lee KohrmanMrs. Justin Krent Mr. Donald N. KrosinMr. and Mrs. Peter A. Kuhn Mr. and Mrs. Arthur J. Lafave, Jr.Mr. Brian J. LambDavid C. Lamb Shirley and William Lehman (Miami) Mr. Lawrence B. and Christine H. LeveyMr. and Mrs. Adam LewisMr. Dylan Hale Lewis (Miami)Ms. Marley Blue Lewis (Miami)Mr. Jon E. Limbacher and Patricia J. LimbacherElsie and Byron LutmanMr. and Mrs. Alex Machaskee Ms. Jennifer R. MalkinMr. and Mrs. Morton L. MandelAlan Markowitz M.D. and Cathy PollardAlexander and Marianna C.* McAfee Ms. Maureen M. McLaughlin (Miami)James and Virginia Meil Claudia Metz and Thomas Woodworth Mr. and Mrs. Abraham C. Miller (Miami)Drs. Terry E. and Sara S. MillerDavid and Leslee MiraldiMr. and Mrs. William A. MitchellAnn Jones MorganRichard and Kathleen NordMr. Henry Ott-HansenNan and Bob Pfeifer Mr. and Mrs. John S. Piety Dr. and Mrs. John N. Posch William and Gwen PreucilLois S.* and Stanley M. ProctorMr. and Mrs. Thomas A. QuintrellDrs. Raymond R. Rackley and Carmen M. Fonseca Mr. and Mrs. Roger F. RankinMs. Deborah ReadMr. William J. RossMr. and Mrs. Robert C. RuhlMrs. Florence Brewster Rutter Mr. and Mrs. David R. SawyierBob and Ellie Scheuer David M. and Betty SchneiderLinda B. SchneiderDr. and Mrs. James L. SechlerLee G. and Jane SeidmanCharles Seitz (Miami) listings continue


listings continued


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Ms. Nancy A. Adams Dr. and Mrs. D. P. AgamanolisMrs. Joanne M. Bearss Mr. and Mrs. Jules BelkinHoward R. and Barbara Kaye BesserSuzanne and Jim BlaserMs. Mary R. Bynum and Mr. J. Philip Calabrese Dr. and Mrs. William E. Cappaert Mrs. Millie L. CarlsonMr. and Mrs. Frank H. CarpenterMr.* and Mrs. Robert A. ClarkDrs. Mark Cohen and Miriam Vishny Diane Lynn Collier Thomas and Dianne CoscarelliMs. Maureen A. Doerner and Mr.

Geoff rey T. WhitePeter and Kathryn Eloff Mr. Brian L. Ewart and Mr. William McHenryDavid and Margaret EwartMr. and Mrs. John R. FraylickPeggy and David* FullmerDr. and Mrs. Ronald L. Gould Nancy and James GrunzweigMr. Robert D. HartHazel Helgesen* and Gary D. Helgesen

Mr. David and Mrs. Dianne Hunt Dr. and Mrs. Scott R. InkleyHelen and Erik JensenBarbara and Michael J. KaplanMr. James and Mrs. Gay* Kitson Dr. Gilles and Mrs. Malvina KlopmanMr. Thomas and Mrs. Deborah KniesnerCynthia Knight (Miami)Mr. and Ms. James KoenigMarion KonstantynovichJudy and Donald Lefton (Miami) Ronald and Barbara Leirvik Mr. and Mrs. Irvin A. Leonard Dr. Alan and Mrs. Joni Lichtin Anne R. and Kenneth E. LoveRobert and LaVerne* LugibihlJoel and Mary Ann MakeeMartin and Lois MarcusWilliam and Eleanor* McCoyDr. Susan M. MerzweilerBert and Marjorie MoyarRichard B. and Jane E. Nash Mr. and Mrs. Peter R. OsenarDr. Lewis and Janice B. PattersonMr. Robert S. PerryMr. and Mrs. Richard W. Pogue In memory of Henry Pollak

Dr. Robert W. ReynoldsMrs. Charles RitchieAmy and Ken Rogat Carol Rolf and Steven AdlerFred Rzepka and Anne Rzepka Family FoundationDr. and Mrs. Martin I. Saltzman Mr. Paul H. ScarbroughGinger and Larry ShaneMs. Frances L. SharpMr. Richard Shirey Howard and Beth SimonMr. and Mrs. William E. Spatz Mr. Taras G. Szmagala, Jr.Mr. Karl and Mrs. Carol TheilMr. and Mrs. Lyman H. TreadwayDrs. Anna* and Gilbert TrueMiss Kathleen Turner Mr. and Mrs. Mark Allen Weigand Richard Wiedemer, Jr. Nancy V. and Robert L. Wilcox Mr. and Dr. Ann WilliamsTony and Diane Wynshaw-BorisAnonymous

Mr. Eric Sellen and Mr. Ron SeidmanMrs. Frances G. ShoolroyMarjorie B. Shorrock David Kane Smith Dr. Marvin and Mimi Sobel George and Mary Stark Howard Stark M.D. and Rene Rodriguez (Miami)Stroud Family TrustDr. Elizabeth Swenson Ms. Lorraine S. Szabo Mr. and Mrs. Paul A. Teel, Jr. Mr. and Mrs. Bill Thornton Mr.* and Mrs. Robert N. Trombly

Robert and Marti Vagi Don and Mary Louise Van Dyke Bill Appert and Chris Wallace (Miami)Mr. and Mrs. Fred A. Watkins Robert C. Weppler Dr. Edward L. and Mrs. Suzanne WestbrookTom and Betsy WheelerSandy Wile and Susan NamenFred* and Marcia Zakrajsek Anonymous (4)



Mr. and Mrs. Charles Abookire, Jr. Nancy L. Adams, PhD Stanley I. and Hope S. AdelsteinMr. and Mrs. Monte AhujaMr. and Mrs. Robert J. AmsdellMr. and Mrs. Jeff rey R. AppelbaumDr. Mayda AriasMr. and Mrs. James B. Aronoff Agnes ArmstrongGeraldine and Joseph BabinMs. Delphine BarrettEllen and Howard BenderMr. Roger G. BerkKerrin and Peter Bermont (Miami)Barbara and Sheldon BernsMargo and Tom BertinJulia and David Bianchi (Cleveland, Miami) Carmen Bishopric (Miami)Bill* and Zeda Blau

Doug and Barbara BletcherDennis and Madeline BlockMr. and Mrs. Richard H. BoleJohn and Anne BourassaLisa and Ron BoykoMr. and Mrs. David BriggsMrs. Ezra BryanJ. C. and Helen Rankin ButlerLeigh CarterMr. and Mrs. James B. ChaneyDr. and Mrs. Ronald ChapnickMs. Mary E. ChilcoteMr. and Mrs. Homer D. W. ChisholmDaniel D. Clark and Janet A. Long Mr. and Mrs. Stanley Cohen (Miami)Dr. Dale and Susan Cowan Mr. and Mrs. Manohar DagaMrs. Frederick F. DannemillerCharles and Fanny Dascal (Miami)Jeff rey and Eileen Davis

Mrs. Lois Joan DavisDr. and Mrs. Richard C. DistadDr. M. Meredith Dobyns Mr. George and Mrs. Beth DownesHarry and Ann FarmerDr. Aaron Feldman and Mrs. Margo HarwoodMs. Karen FethCarl and Amy FischerMr. Isaac FisherScott Foerster, Foerster and BohnertJoan Alice FordMrs. Amasa B. FordMr. Randall and Mrs. Patrice FortinMarvin Ross Friedman and Adrienne bon Haes (Miami)Arthur L. FullmerJeanne GallagherMarilee L. Gallagher


listings continue


listings continued

INDIVIDUAL GIFTS OF $5,000 TO $7,499 CONTINUED



Mrs. Georgia T. GarnerLoren and Michael GarrutoMr. Wilbert C. Geiss, Sr.Anne and Walter GinnMr. and Mrs. David A. Goldfi nger Mr. and Mrs. Robert T. GrafThe Thomas J. and Judith Fay Gruber

Charitable Foundation Mr. Davin and Mrs. Jo Ann GustafsonDr. Phillip M. and Mrs. Mary HallNorman C. and Donna L. Harbert Mr. and Mrs. Donald F. Hastings Sally and Oliver HenkelMr. and Mrs. Jerry HerschmanMr. Robert T. HexterDr. and Mrs. Robert L. HinnesDr. Feite F. Hofman*Dr.* and Mrs. George H. HokePeter A. and Judith HolmesDr. Keith A. and Mrs. Kathleen M. HooverDr. Randal N. Huff and Ms. Paulette Beech Ms. Carole HughesMs. Luan K. Hutchinson Ruth F. Ihde Ms. LaVerne JacobsonDr. Michael and Mrs. Deborah JoyceRev. William C. Keene Angela Kelsey and Michael Zealy (Miami)The Kendis Family Trust: Hilary & Robert Kendis and Susan & James KendisBruce and Eleanor KendrickFred and Judith KlotzmanMr. Ronald and Mrs. Kimberly KolzJacqueline and Irwin Kott (Miami)Ellen Brad and Bart KovacDr. Ronald H. Krasney and Ms.* Sherry Latimer Marcia Kraus Mr. James Krohngold Mr. and Mrs. S. Ernest KulpMrs. Carolyn LamplMr. and Mrs. John J. LaneAnthony T. and Patricia A. Lauria Mr. Jin-Woo LeeIvonete Leite (Miami)Michael and Lois A. LemrDr. Edith LernerDr. Stephen B. and Mrs. Lillian S. Levine Robert G. Levy Mr. Rudolf and Mrs. Eva LinnebachMartha Klein LottmanMs. Mary Beth LoudHerbert L. and Rhonda MarcusDr. and Mrs. Sanford E. Marovitz David* and Elizabeth MarshDr. Ernest and Mrs. Marian MarsolaisMr. Julien L. McCallMs. Nancy L. MeachamMr. James E. Menger

Stephen and Barbara Messner Ms. Betteann MeyersonMr. and Mrs. Roger Michelson (Miami)Curt and Sara MollSusan B. MurphyJoan Katz Napoli and August NapoliMr. David and Mrs. Judith NewellMarshall I. Nurenberg and Joanne KleinRichard and Jolene O’Callaghan Harvey and Robin OppmannNedra and Mark Oren (Miami)Mr. and Mrs. Robert D. PaddockMr. and Mrs. Christopher I. Page Deborah and Zachary ParisMr. Thomas and Mrs. Tommie PattonMrs. Ingrid PetrusDrs. John Petrus and Sharon DiLauroDr. Roland S. Philip and Dr. Linda M. Sandhaus Dale and Susan PhillipMs. Maribel Piza (Miami)Dr. Marc and Mrs. Carol PohlMs. Carolyn PriemerMr. Richard and Mrs. Jenny Proeschel Kathleen PudelskiMs. Rosella PuskasDr. James and Lynne Rambasek Ms. C. A. ReaganAlfonso Conrado Rey (Miami)David and Gloria RichardsMichael Forde RipichMs. Linda M. RocchiRobert and Margo RothMiss Marjorie A. RottMichael and Roberta RusekDr. Lori RusterholtzDr. Harry S. and Rita K. Rzepka Ms. Patricia E. SayMr. James Schutte Ms. Adrian L. ScottDr. John Sedor and Ms. Geralyn PrestiHarry and Ilene ShapiroMs. Marlene SharakNorine W. SharpDr. and Mrs. William C. Sheldon Mr. and Mrs. Reginald Shiverick, Jr. Grover Short Laura and Alvin A. SiegalRobert and Barbara SlaninaMs. Donna-Rae SmithMr. and Mrs. Richey SmithMr. and Mrs.* Jeff rey H. SmytheMrs. Virginia SnappMs. Barbara SnyderLucy and Dan SondlesMr. John C. Soper* and Dr. Judith S. Brenneke Mr. John D. SpechtMr.* and Mrs.* Lawrence E. StewartMr. Joseph StroudKen and Martha Taylor

Greg and Suzanne ThaxtonDr. and Mrs. Thomas A. TimkoSteve and Christa TurnbullMrs. H. Lansing Vail, Jr.Robert A. ValenteBrenton Ver Ploeg (Miami)Mr. and Mrs. Joaquin Vinas (Miami)Mr. and Mrs. Les C. Vinney Dr. Michael Vogelbaum and Mrs. Judith RosmanMs. Laure A. WasserbauerPhilip and Peggy WasserstromEric* and Margaret WayneMr. and Mrs. Jerome A. WeinbergerDr. Paul R. and Catherine WilliamsRichard and Mary Lynn WillsMichael H. Wolf and Antonia Rivas-WolfMr. Robert Wolff and Dr. Paula SilvermanKatie and Donald WoodcockKay and Rod WoolseyElizabeth B. Wright Rad and Patty YatesDr. William ZeleiMr. Kal Zucker and Dr. Mary Frances HaerrAnonymous (7) *

INDIVIDUAL GIFTS OF $2,500 TO $3,499 CONTINUED


listings continued

member of the Leadership Council (see page 77)

* deceased

Th e Cleveland Orchestra is sustained through the support of thousands of generous patrons, including members of the Leadership Patron Program listed on these pages. Listings of all annual donors of $300 and more each year are published in the Orchestra’s Annual Report, which can be viewed online at CLEVELANDORCHESTRA.COM

For information about how you can play a supporting role with Th e Cleveland Orch estra, please contact our Philanthropy & Advancement Offi ce by calling 216-231-7545.


New. Every Day.

Rites of SpringArbor Day

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We believe in working for the greater good of all and

we are proud to support any organization that shares this value.

We thank The Cleveland Orchestra for its commitment to excellence!

Ken Lanci, Chairman & CEOConsolidated Solutions

For a complete list of CIM concerts and events, visit cim.edu/calendar.

11021 East Boulevard | Cleveland, OH 44106

SPRING AT CIMPianist and student Daniil Trifonov will premiere his first original concerto at a benefit concert at CIM, April 23 at 8pm. Tickets at: cim.edu or call 216.795.3211.

SUMMER AT CIMAlumni will present their Lunch & Listen concert series this July in Mixon Hall. Join us Tuesdays in July for these free, one-hour recitals, starting at 12:30pm.

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Your Role . . . in The Cleveland Orchestra’s Future Genera ons of Clevelanders have supported the Orchestra and enjoyed its concerts. Tens of thousands have learned to love music through its educa on programs, celebrated im-portant events with its music, and shared in its musicmaking — at school, at Severance Hall, at Blossom, downtown at Public Square, on the radio, and with family and friends. Ticket sales cover less than half the cost of presen ng The Cleveland Orchestra’s season each year. To sustain its ac vi es here in Northeast Ohio, the Orchestra has undertaken the most ambi ous fundraising campaign in our history: the Sound for the Centennial Cam-paign. By making a dona on, you can make a crucial diff erence in helping to ensure that future genera ons will con nue to enjoy the Orchestra’s performances, educa on pro-grams, and community ac vi es and partnerships. To make a gi to The Cleveland Orches-tra, please visit us online, or call 216-231-7562.

clevelandorchestra.com

H A I L E D A S O N E O F the world’s most beautiful concert halls, Severance Hall has been home to Th e Cleveland Or-chestra since its opening on February 5, 1931. Aft er that fi rst concert, a Cleve-land newspaper editorial stated: “We believe that Mr. Severance intended to build a temple to music, and not a temple to wealth; and we believe it is his intention that all music lovers should be welcome there.” John Long Severance (president of the Musical Arts Associa-tion, 1921-1936) and his wife, Elisabeth, donated most of the funds necessary to erect this magnifi cent building. De-signed by Walker & Weeks, its elegant

Georgian exterior was constructed to harmonize with the classical architec-ture of other prominent buildings in the University Circle area. Th e interior of the building refl ects a combination of design styles, including Art Deco, Egyptian Revival, Classicism, and Mod-ernism. An extensive renovation, resto-ration, and expansion of the facility was completed in January 2000. In addition to serving as the home of Th e Cleveland Orchestra for concerts and rehearsals, the building is rented by a wide variety of local organizations and private citi-zens for performances, meetings, and gala events each year.

11001 Euclid AvenueCleveland, Ohio 44106C L E V E L A N D O R C H E S T R A . C O M

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Severance Hall88 The Cleveland Orchestra

Situated on a 32-acre private estate, with views of Lake Erie and walk-out gardens,

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“Ask Our Experts” Panel Discussion & DinnerThursday, June 5, 5:00 PM-8:00 PM

Panel discussion with experts in Health Care, Physicians, Business, Elder Law, and Supportive Services. The audience chooses the topics.

Panelists discuss their specialties and answer questions from the audience. Vendors/Exhibits and Dinner. Cost: $15.

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C O N C E R T C A L E N D A R


90 The Cleveland OrchestraConcert Calendar

lec.edu1.855.GO.STORM

Cleveland OrchestraYouth OrchestraFriday May 9 at 8:00 p.m. <18s

CLEVELAND ORCHESTRA YOUTH ORCHESTRABrett Mitchell, conductorAnn Yu, violin

TORKE Bright Blue Music PROKOFIEV Violin Concerto No. 2 BERLIOZ Symphonie fantastique

Friday May 16 at 10:00 a.m. <18s

Saturday May 17 at 10:00 a.m. <18s

Saturday May 17 at 11:00 a.m. <18s

PNC MUSICAL RAINBOW HEAVENLY HARPS

30-minute programs for ages 3 to 6.

Family Concert — The Composer Is DeadFriday May 16 at 7:30 p.m. <18s

THE CLEVELAND ORCHESTRABrett Mitchell, conductorNathaniel Stookey, narrator

There’s dreadful news from Severance Hall — the composer is dead! The musicians are most certainly guilty of some-thing. Where were the violins on the night in question? Did anyone see the harp? Is the trumpet protesting a bit too boisterously? Everyone seems to have a motive, everyone has an alibi, and nearly everyone is a musical instrument. Join the Inspector as he interrogates all the unusual sus-pects in a concert based on the book by Lemony Snicket with the music of Nathaniel Stookey.

Sponsor: The Giant Eagle Foundation

The Cleveland Orchestra at Home in LakewoodMay 17-24

The Cleveland Orchestra, in partnership with businesses, schools, and organizations of Lakewood, puts a spotlight on this near westside community and its excellent music education programs, culminating in a week of residency May 17 through May 24. Highlights of this neighborhood residency are three free Orchestra concerts — one for the public led by the Orchestra’s music director Franz Welser-Möst on Saturday, May 24, at 7:30 p.m., and two for school students. Visit clevelandorchestra.com for complete details.

S P R I N G S E A S O NBeethoven’s First Piano ConcertoThursday April 24 at 7:30 p.m.Saturday April 26 at 8:00 p.m.THE CLEVELAND ORCHESTRAJane Glover, conductorImogen Cooper, piano

C.P.E. BACH Sinfonia No. 2 BEETHOVEN Piano Concerto No. 1 VANHAL Sinfonia in G minor HAYDN Symphony No. 103 (“Drum Roll”)

Mozart’s RequiemThursday May 1 at 7:30 p.m.Friday May 2 at 7:00 p.m. <18s

Saturday May 3 at 8:00 p.m.Sunday May 4 at 3:00 p.m. <18s

THE CLEVELAND ORCHESTRADavid Robertson, conductorMary Kay Fink, piccolo*Jessica Rivera, sopranoElizabeth DeShong, mezzo-sopranoGarrett Sorenson, tenorJohn Relyea, bass-baritoneCleveland Orchestra Chorus

ROUSE Rapture FRANK Will-o’-the-Wisp: Tone Poem for Piccolo and Orchestra* MOZART Requiem * not part of KeyBank Fridays@7 concert

Ohlsson Plays GriegThursday May 8 at 7:30 p.m.Saturday May 10 at 8:00 p.m.THE CLEVELAND ORCHESTRAOsmo Vänskä, conductorGarrick Ohlsson, piano

SALLINEN Symphony No. 1 GRIEG Piano Concerto SIBELIUS Symphony No. 5 Sponsor: Jones Day

CLEVELAND ORCHESTRA TICKETS PHONE 216-231-1111 800-686-1141 clevelandorchestra.com

O R C H E S T R A

I N T H E S P O T L I G H T

91Severance Hall 2013-14 91Concert Calendar

FAMILY CONCERTThe Composer Is DeadFriday May 16 at 7:30 p.m.THE CLEVELAND ORCHESTRABrett Mitchell, conductorNathaniel Stookey, narrator

Oh, dear! There’s dreadful news from Severance Hall — the composer is dead! The musicians are most certainly guilty of something. Where were the violins on the night in question? Everyone seems to have a motive, everyone has an alibi, and nearly everyone is a musical instrument. Join the Inspector as he interrogates all the unusual suspects in a concert based on the book by Lemony Snicket and with music by Nathan-iel Stookey.

Sponsor: The Giant Eagle Foundation

Leoš Janá ek’sTHE CUNNING LITTLE VIXENSaturday May 17 at 8:00 p.m.Tuesday May 20 at 7:30 p.m. <18s

Thursday May 22 at 7:30 p.m.Saturday May 24 at 2:00 p.m. <18s

Martina Janková, sopranoAlan Held, bass-baritoneJennifer Johnson Cano, mezzo-sopranoRaymond Aceto, bassJulie Boulianne, sopranoDashon Burton, bass-baritoneDavid Cangelosi, tenorand theCleveland Orchestra ChorusCleveland Orchestra Children’s ChoruswithTHE CLEVELAND ORCHESTRA conducted by Franz Welser-Möst

Don’t miss the opera event of the season! With this brand-new, made-for-Cleveland production of Leoš Janá ek’s The Cunning Little Vixen. Presented with innovative and original animation, this world premiere production places a new perspective on the opera, plumbing the depths of human experience in a charming tale of love, peril, freedom, and family. On the surface, the story is about childish things, but underneath, human emotions boil over and burst apart between the “animals of the forest” and their human interlocutors. (Opera sung in Czech with projected English supertitles.) Directed by Yuval Sharon. Animation by Bill Barminski and Christopher Louie — Walter Robot Studios.Projection and lighting design by Jason Thompson. Cos-tumes and makeup by Ann Closs-Farley.

Presented with support from The Andrew W. Mellon Foundation and the National Endowment for the Arts.

<18sUnder 18s Free FOR FAMILIES

Concerts with this symbol are eligible for "Under 18s Free" ticketing. The Cleveland Orchestra is committed to developing the youngest audience of any orchestra in the United States. Our "Under 18s Free" program off ers free tickets for young people attending with their families (one per paid adult admission).

For a complete schedule of future events and performances, or to purchase tickets online 24/ 7 for Cleveland Orchestra concerts, visit www.clevelandorchestra.com.

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92 The Cleveland Orchestra92 The Cleveland Orchestra

11001 Euclid Avenue, Cleveland, Ohio 44106 C L E V E L A N D O R C H E S T R A . C O M

AT SEVERANCE HALLCONCERT DINING AND CONCESSION SERVICE Severance Restaurant at Severance Hall is open for pre-concert dining. For reservations, call 216-231-7373, or make your plans on-line by visit-ing clevelandorchestra.com. Concert concession service of beverages and light refreshments is available before most concerts and at intermissions in the Smith Lobby on the street level, in the Bogomolny-Kozerefski Grand Foyer, and in the Dress Circle Lobby.

FREE PUBLIC TOURS Free public tours of Severance Hall are offered on select Sundays during the year. Free public tours of Severance Hall this season are on October 13, December 1, January 12, February 16, March 30, and May 4. For more information or to make a reserva-tion for these tours, please call the Severance Hall Ticket Offi ce at 216-231-1111. Private tours can be arranged for a fee by calling 216-231-7421.

THE CLEVELAND ORCHESTRA STORE A wide variety of items relating to The Cleve-land Orchestra — including logo apparel, compact disc recordings, and gifts — are available for pur-chase at the Cleveland Orchestra Store before and after concerts and during intermission. The Store is also open Tuesday through Friday from 11 a.m. to 6 p.m. Cleveland Orchestra subscribers receive a 10% discount on most items purchased. Call 216-231-7478 for more information, or visit the Store online at clevelandorchestra.com

ATM — Automated Teller Machine For our patrons’ convenience, an ATM is located in the Lerner Lobby of Severance Hall, across from the Cleveland Orchestra Store on the ground fl oor.

QUESTIONS If you have any questions, please ask an usher or a staff member, or call 216-231-7300 during regular weekday business hours, or email to [email protected]

RENTAL OPPORTUNITIES Severance Hall, a Cleveland landmark and home of the world-renowned Cleveland Orchestra, is the perfect location for business meetings and confer-ences, pre- or post-concert dinners and receptions, weddings, and social events. Catering provided by Marigold Catering. Premium dates are available. Call the Facility Sales Offi ce at 216-231-7420 or email to [email protected]

BEFORE THE CONCERTGARAGE PARKING AND PATRON ACCESS Pre-paid parking for the Campus Center Ga-rage can be purchased in advance through the Tick-et Offi ce for $15 per concert. This pre-paid parking ensures you a parking space, but availability of pre-paid parking passes is limited. To order pre-paid parking, call the Severance Hall Ticket Offi ce at 216-231-1111. Parking can be purchased for the at-door price of $11 per vehicle when space in the Campus Cen-ter Garage permits. However, the garage often fi lls up well before concert time; only ticket holders who purchase pre-paid parking passes are ensured a parking space. Overfl ow parking is available in CWRU Lot 1 off Euclid Avenue, across from Sever-ance Hall; University Circle Lot 13A on Adelbert Road; and the Cleveland Botanical Garden.

FRIDAY MATINEE PARKING Due to limited parking availability for Friday Matinee performances, patrons are strongly en-couraged to take advantage of convenient off-site parking and round-trip shuttle services available from Cedar Hill Baptist Church (12601 Cedar Road). The fee for this service is $10 per car.

CONCERT PREVIEWS Concert Previews at Severance Hall are present-ed in Reinberger Chamber Hall on the ground fl oor (street level), except when noted, beginning one hour before most Cleveland Orchestra concerts.

Guest Information

9393Severance Hall 2013-14 93Guest Information

AT THE CONCERTCOAT CHECK Complimentary coat check is available for concertgoers. The main coat check is located on the street level midway along each gallery on the ground fl oor.

PHOTOGRAPHY, VIDEO, AND AUDIO RECORDING Audio recording, photography, and videogra-phy are strictly prohibited during performances at Severance Hall. As courtesy to others, please turn off any phone or device that makes noise or emits light.

REMINDERS Please disarm electronic watch alarms and turn off all pagers, cell phones, and mechanical devices before entering the concert hall. Patrons with hearing aids are asked to be attentive to the sound level of their hearing devices and adjust them accordingly. To ensure the listening pleasure of all patrons, please note that anyone creating a disturbance of any kind may be asked to leave the concert hall.

LATE SEATING Performances at Severance Hall start at the time designated on the ticket. In deference to the comfort and listening pleasure of the audience, late-arriving patrons will not be seated while music is being performed. Latecomers are asked to wait quietly until the fi rst break in the program, when ushers will assist them to their seats. Please note that performances without intermission may not have a seating break. These arrangements are at the discretion of the House Manager in consulta-tion with the conductor and performing artists.

SERVICES FOR PERSONS WITH DISABILITIES

Severance Hall provides special seating op-tions for mobility-impaired persons and their com-panions and families. There are wheelchair- and scooter-accessible locations where patrons can remain in their wheelchairs or transfer to a concert seat. Aisle seats with removable armrests are also available for persons who wish to transfer. Tickets for wheelchair accessible and companion seating can be purchased by phone, in person, or online. As a courtesy, Severance Hall provides wheel-chairs to assist patrons in going to and from their seats. Patrons can arrange a loan by calling the House Manager at 216-231-7425 TTY line access is available at the public pay phone located in the Security Offi ce. Infrared As-sistive Listening Devices are available from a Head Usher or the House Manager for most performanc-

es. If you need assistance, please contact the House Manager at 216-231-7425 in advance if possible. Service animals are welcome at Severance Hall. Please notify the Ticket Offi ce when purchasing tickets.

IN THE EVENT OF AN EMERGENCY Emergency exits are clearly marked throughout the building. Ushers and house staff will provide instructions in the event of an emergency. Contact an usher or a member of the house staff if you re-quire medical assistance.

SECURITY For security reasons, backpacks, musical instru-ment cases, and large bags are prohibited in the concert halls. These items must be checked at coat check and may be subject to search. Severance Hall is a fi rearms-free facility. No person may possess a fi rearm on the premises.

CHILDREN Regardless of age, each person must have a ticket and be able to sit quietly in a seat through-out the performance. Season subscription concerts are not recommended for children under the age of seven. However, Family Concerts and Musical Rainbow programs are designed for families with young children. Cleveland Orchestra Youth Orchestra performances are recommended for older children.

TICKET SERVICESTICKET EXCHANGES Subscribers unable to attend on a particular concert date can exchange their tickets for a dif-ferent performance of the same week’s program. Subscribers may exchange their subscription tickets for another subscription program up to fi ve days prior to a performance. There will be no service charge for the fi ve-day advance ticket exchanges. If a ticket exchange is requested within 5 days of the performance, there is a $10 service charge per concert. Visit clevelandorchestra.com for details and blackout dates.

UNABLE TO USE YOUR TICKETS? Ticket holders unable to use or exchange their tickets are encouraged to notify the Ticket Offi ce so that those tickets can be resold. Because of the demand for tickets to Cleve land Orchestra perfor-mances, “turnbacks” make seats available to other music lovers and can provide additional income to the Orchestra. If you return your tickets at least 2 hours before the concert, the value of each ticket will be treated as a tax-deductible contribution. Patrons who turn back tickets receive a cumulative donation acknowledgement at the end of each cal-endar year.

U P C O M I N G C O N C E R T S


CLEVELANDORCHESTRAYOUTH ORCHESTRAFriday May 9 at 7:30 p.m. <18s

THE CLEVELAND ORCHESTRABrett Mitchell, conductorAnn Yu, violin

Now in its 28th season, the Cleveland Orch-estra Youth Orchestra is a full symphony orchestra comprised of some of Northeast Ohio’s best and brightest young musicians. Each season, this acclaimed training ensemble presents concerts of traditional and newer works, fi lled with an enthusiasm and interest that can rival that of their teachers and men-tors. “A gripping performance,” commented the Cleveland Plain Dealer of a recent concert, “one that would have been the envy of an adult ensemble.”

See also the concert calendar listing on pages 90-91, or visit The Cleveland Orchestra online for a complete schedule of future events and performances, or to purchase tickets online 24/ 7 for Cleveland Orchestra concerts.

TICKETS 216-231-1111 clevelandorchestra.com

AT SEVERANCE HALL . . .

94 The Cleveland OrchestraUpcoming Concerts

PROKOFIEV’SCINDERELLAThursday May 29 at 7:30 p.m.Friday May 30 at 11:00 a.m.* <18s

Saturday May 31 at 8:00 p.m.THE CLEVELAND ORCHESTRAVladimir Jurowski, conductorJanine Jensen, violin*

Prokofi ev’s Cinderella is a fairytale score, delicate and charming. But like all fairytales, a dark undercurrent runs beneath. In this score, the chiming of a clock can sound like a thunderous battlefi eld, while the waltzes and love scenes sing. Benjamin Britten’s charming Violin Concerto* and Stravinsky’s explosive Scherzo fantastique round out this weekend’s season-ending concerts with guest conductor Vladimir Jurowski and violinst Janine Jensen.

Sponsor: Baker Hostetler

* Not part of the Friday Morning concert.

Vladimir Jurowski

the cleveland orchestra april 24, 26 concerts

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