the baroque - art history 101 basics

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Search... About.com About Education Art History Medieval to Early Renaissance Art History By Shelley Esaak Art History Expert Ads Baroque Sculpture Art Galleries American Art Art Shows Renaissance Art Irish History Timeline Artist S Art Of Art and Artists The The Baroque - Art History 101 Basics 16001750 ART HISTORY CATEGORIES Artists A to Z Art History 101 Timelines of Art History Ancient Art History Medieval to Early Renaissance Art History Renaissance to Early Modern Art History Modern Art History Contemporary Art History Art Images and Picture Galleries Types of Visual Art Art History by Location / Culture / Group Art Museums and Galleries Blog Visual Artists Throughout History Visual Art Across the Ages Works of Art Updated Articles and Resources FREE EMAIL NEWSLETTER Let About.com send you the latest from our Art History Expert. Your email address here SIGN UP You can optout at any time. Please refer to our privacy policy for contact information. SHARE ON FACEBOOK PIN TO PINTEREST Related Articles By Gra Ex By Co By Bio By Cla By Dis TODAY'S TOP EDUCAT VIEW MORE IN E Share this Ads Download a Free Audiobook audible.com/FreeTrial Join Today & Get a Free Audiobook. Listen on Your iPhone or Android! Bestselling Books Free www.readingfanatic.com Choose From 1 Million Free Titles Download Now for Free eBooks! Free Bible Download www.dailybibleguide.com Find Daily Quotes, Choose Passages & More w/ Free Bible Toolbar! Baroque Sculpture Art Galleries American Art Art Shows Renaissance Art Ads Online MBA Scholarships www.unicaf.org/MBA/Scholarship in Zimbabwe Accredited European MBA Apply &Find Out If You Are Eligible 6 Centuries of Engravings www.gelonchviladegut.com Perhaps, the best website on engravings worldwide. A term now generally used to describe art in Europe between ca. 1600 and ca. 1750. It is broadly accepted today that 'Baroque' implies dynamism and movement (particularly in architecture and sculpture), and a theatricality dependent on a mastery of space and geometry. The illusionism of Baroque painting is, nevertheless, founded on the ability to depict reality. All Baroque art, however outwardly dissimilar it may appear, is indebted to the technical achievements of the Renaissance . The term itself originated in the mid18th century when used by Johann Joachim Winckelmann (171768) in a derogatory sense, to describe the allegedly excessive art of the preceding era. The word 'Baroque' was claimed to derive from the Portuguese barroco meaning a 'pearl or tooth of unequal size.' It therefore implied imbalance and ugliness, as opposed to the ideal beauty and perfection sought by Winckelmann through the imitation of ancient, more particularly Greek, art. It was not until the later 19th century that 'Baroque,' through the writings of a series of distinguished German art historians, lost its pejorative connotations and was considered as an art that was vital and distinct from that of the hallowed Renaissance. The Baroque was originally associated with postCounter Reformation Italy and with the concept of the unity of the arts, best exemplified in the work of Gianlorenzo Bernini (15981680), architect, sculptor, theatre set designer, and painter and the presiding artistic genius of 17thcentury Rome. Essentially a Catholic art, the Baroque spread from Italy to Spain, the Spanish Netherlands, and later to southern Germany, numbering among its many masters such diverse figures as Borromini, Pietro da Cortona, and Rubens. 5 20 Mi En 4 10 on Ca 3 10 Th 2 W Re 1 Fr Cl Ta VIDEOS ABOUT.COM FOOD HEALTH HOME MONEY STYLE TECH TRAVEL MORE

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    About.com AboutEducation ArtHistory MedievaltoEarlyRenaissanceArtHistory

    ByShelleyEsaakArtHistoryExpert

    Ads Baroque SculptureArtGalleries AmericanArt ArtShows RenaissanceArt IrishHistoryTimeline ArtistSArt OfArtandArtistsThe

    The Baroque - Art History 101 Basics16001750

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    AtermnowgenerallyusedtodescribeartinEuropebetweenca.1600andca.1750.Itisbroadlyacceptedtodaythat'Baroque'impliesdynamismandmovement(particularlyinarchitectureandsculpture),andatheatricalitydependentonamasteryofspaceandgeometry.TheillusionismofBaroquepaintingis,nevertheless,foundedontheabilitytodepictreality.AllBaroqueart,howeveroutwardlydissimilaritmayappear,isindebtedto

    thetechnicalachievementsoftheRenaissance.Thetermitselforiginatedinthemid18thcenturywhenusedbyJohannJoachimWinckelmann(171768)inaderogatorysense,todescribetheallegedlyexcessiveartoftheprecedingera.Theword'Baroque'wasclaimedtoderivefromthePortuguesebarrocomeaninga'pearlortoothofunequalsize.'Itthereforeimpliedimbalanceandugliness,asopposedtotheidealbeautyandperfectionsoughtbyWinckelmannthroughtheimitationofancient,moreparticularlyGreek,art.Itwasnotuntilthelater19thcenturythat'Baroque,'throughthewritingsofaseriesofdistinguishedGermanarthistorians,lostitspejorativeconnotationsandwasconsideredasanartthatwasvitalanddistinctfromthatofthehallowedRenaissance.TheBaroquewasoriginallyassociatedwithpostCounterReformationItalyandwiththeconceptoftheunityofthearts,bestexemplifiedintheworkofGianlorenzoBernini(15981680),architect,sculptor,theatresetdesigner,andpainterandthepresidingartisticgeniusof17thcenturyRome.EssentiallyaCatholicart,theBaroquespreadfromItalytoSpain,theSpanishNetherlands,andlatertosouthernGermany,numberingamongitsmanymasterssuchdiversefiguresasBorromini,PietrodaCortona,andRubens.

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