textile restoration report aishah

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    DEPARTMENT OF APPLIED ARTS AND DESIGN,KULIYYAH OF ARCHITECTURE AND ENVIRONMENTAL DESIGN,

    INTERNATIONAL ISLAMIC UNIVERSITY MALAYSIA

    CONSERVATION REPORT

    SERIAL NO: Textile / 1 / 10 January 2011

    1. IDENTIFICATION

    NAME OF OBJECT : Batik Malaysia

    DATE OBSERVES : 10 January 2011

    OWNER : Mariyam binti Din @ Ariffin

    TYPE OF OBJECT : Batik Sarong

    2. OBJECT HISTORY

    DATE/ PERIOD : 1998

    CONCEPT : Malay Traditional

    3. DESCRIPTION

    MATERIAL : Textile; Cotton

    TECHNIQUES : Stamp technique

    Size : 1050mm (Width) x 840mm (Height)

    4. PROBLEM IDENTIFICATION:

    1. Loose Thread2. Substandard Repair3. Holes

    4. Creases

    Refer to Appendix

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    DEPARTMENT OF APPLIED ARTS AND DESIGN,KULIYYAH OF ARCHITECTURE AND ENVIRONMENTAL DESIGN,

    INTERNATIONAL ISLAMIC UNIVERSITY MALAYSIA

    CONSERVATION REPORT

    5. CONSERVATION PROPOSAL

    RESTORATIONPROCESS

    1. Observation and documentation

    i) Recording the object description and properties

    ii) Identifying problems

    iii) Photo taking before, during and after restoration process

    1. Material Identification

    i) Burning Test

    -This is a destructive method of identifying fibre.

    ii) Colour Bleeding Test

    -Testing using distilled water and cotton bud to see bleeding possibility

    1. Treatment

    i) Couching

    ii) Back Stitch

    iii) Colour Touch-up using colour pencils

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    DEPARTMENT OF APPLIED ARTS AND DESIGN,KULIYYAH OF ARCHITECTURE AND ENVIRONMENTAL DESIGN,

    INTERNATIONAL ISLAMIC UNIVERSITY MALAYSIA

    CONSERVATION REPORT5. DESCRIPTION OF RESTORATION PROCESS

    1. Observation and documentation of object2. Testing colour bleeding using distilled

    water

    3. Conducting burning test to identify type offibre.

    4. Place lining cloth under the part. Selectionof lining cloth is according to colour and

    texture of textile which is closely the same.

    Repairing Loose Thread Damage

    5. Stitching back stitch around the damagepart

    6. Stitching using couching technique to backup the loose thread part.

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    7. Touching up back the colour by referringexisting motif using pencil colour.

    8. Finished repaired part.

    Substandard Repair

    9. Unstitching previous repair 10. Stitching using back stitch and couching

    11. Touching up back the colour 12. Finished repaired part

    Creases

    13. Ironing using low temperature and under alayer of damp fabric 14. Finished repaired part

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    DEPARTMENT OF APPLIED ARTS AND DESIGN,KULIYYAH OF ARCHITECTURE AND ENVIRONMENTAL DESIGN,

    INTERNATIONAL ISLAMIC UNIVERSITY MALAYSIA

    CONSERVATION REPORT

    15. RESTORATION DOCUMENTATION

    Problems Before During After

    Loose

    Thread

    Substandard

    Repair

    Holes

    Creases

    EQUIPMENT(S) AND MATERIALS USED:

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    i. Lighter (Fire Source)

    ii. Scalpel

    iii. Distilled Water

    iv. Cotton Budd

    v. No.12 Needle

    vi. Thread

    vii. Lining cloth

    viii. Scissor

    ix. Colour Pencils

    1. RECOMMENDATION AND REMARKS:

    1. Display

    For displaying this object, avoid it from being hung because this will create too muchtension to this object. The best way is to display it in flat method where the tension ofgravity is spread evenly to all part of the object.

    This object should also be displayed in case or within glazed frame to avoid outsidepollution and dust. However, the display case must not be tight where this may lead to

    excess humidity.

    Light exposure at the display area should be kept in low level; around 50lux becauselight is one of the source of heat and this may cause fading and make object dry andbrittle. If possible, use automatic light which only turns on as people approach thedisplay area and turns off when people move on.

    The RH reading and temperature should be kept in constant at all the time.

    2. Storage

    This textile object can be either store in flat storage or to be rolled to a tube. In using

    any of this method, be sure not to put any direct contact of object to the storage parts.

    The object must be layered with acid-free paper to keep it away from any exposure to

    further damages.

    The environment of the storage should be around 60% +/- 5% of RH, 20 degree

    Celsius +/- 2 degree Celsius and proper maintenance from time to time.

    The storage should be in total darkness, which mean to avoid any light in order to keep

    it in best condition.

    WORK CARRIED OUT BY : Aishah binti Abd RahimSTARTING DATE : 14 January 2011

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    FINISHING DATE : 16 January 2011

    LECTURER SIGNATURE :

    DATE :

    Appendix

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    Problems Identification

    Size:1050mm (Width) x 840mm (Height)

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    Substandard Repair

    Loose Thread

    Holes