terrain of freedom: american art and the civil war || front matter
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The Art Institute of Chicago
Front MatterSource: Art Institute of Chicago Museum Studies, Vol. 27, No. 1, Terrain of Freedom:American Art and the Civil War (2001), pp. 1-3Published by: The Art Institute of ChicagoStable URL: http://www.jstor.org/stable/4102834 .
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Terrain of Freedom AMERICAN ART AND THE CIVIL WAR
THE ART INSTITUTE OF CHICAGO
This content downloaded from 195.78.108.60 on Sat, 14 Jun 2014 08:17:32 AMAll use subject to JSTOR Terms and Conditions
Terrain of Freedom AMERICAN ART AND THE CIVIL WAR
THE ART INSTITUTE OF CHICAGO Museum Studies
This content downloaded from 195.78.108.60 on Sat, 14 Jun 2014 08:17:32 AMAll use subject to JSTOR Terms and Conditions
THE ART INSTITUTE OF CHICAGO Museum Studies
VOLUME 27, NO. I
? 2001 by The Art Institute of Chicago
ISSN 0069-3235
ISBN 0-86559-I86-5
Published semiannually by The Art Institute of Chicago, iii South Michigan Avenue, Chicago, Illinois 60603-6I10.
Regular subscription rates: $20 for members of the Art Institute, $25 for other individuals, and $40 for institutions.
Subscribers outside the U.S.A. should add $8 per year for postage. For more information, call (312) 443-3786 or
consult our Web site at www.artic.edu/aic/books.
For individuals, single copies are $I5 each. For institutions, all single copies are $19 each. For orders of single copies outside the U.S.A., please add $5 per copy. Back issues are available from The Art Institute of Chicago Museum Shop or from the Publications Department of the Art Institute at the address above.
Executive Director of Publications: Susan E Rossen; Editor of Museum Studies: Gregory Nosan; Photo Editor: Karen
Altschul; Designer: Ann M. Wassmann; Production: Sarah E. Guernsey; Subscription and Circulation Manager:
Bryan D. Miller.
Unless otherwise noted, all works in the Art Institute's collections were photographed by the Department of Imaging, Alan Newman, Executive Director.
Volume 27, no. i, was typeset in Stempel Garamond and Officina Sans by Z...Art & Graphics, Chicago; color
separations were made by Professional Graphics, Inc., Rockford, Illinois. The issue was printed by Meridian Printing, East Greenwich, Rhode Island, and bound by Midwest Editions, Minneapolis, Minnesota.
Front cover: top row: Daniel Chester French (American; 185o-1931). Abraham Lincoln, after I912 (detail; see p. 9);
Frederic Edwin Church (American; 1826-1900). Our Banner in the Sky, 1861 (detail; see p. 73); Constant Mayer
(American, born France; I829-1911). Love's Melancholy, 1866 (detail; see p. 24); bottom row: American. Freedom to
the Slave, c. I86o (detail; see p. 28); Samuel J. Miller (American; ?-i888). Frederick Douglass, 1847/52 (detail; see p. 18);
John Quincy Adams Ward (American; 183o-91io). The Freedman, 1863 (detail; see p. 29).
Back cover: George Cope (American; 1855-1929). Civil War Regalia of Major Levi Gheen McCauley, 1887 (see p. 4).
Ongoing support for Museum Studies has been provided by a grant for scholarly catalogues and publications from
The Andrew W. Mellon Foundation.
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CONTENTS
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a,
THE ART INSTITUTE OF CHICAGO
Museum Studies, VOLUME 27, NO. I
Terrain of Freedom: American Art and the Civil War
Introduction ................................................ 4
ANDREW WALKER, CLARE KUNNY
The Civil War and the Story of American Freedom ....................... 8
ERIC FONER
Molding Emancipation: John Quincy Adams Ward's The Freedman
and the Meaning of the CiviL War ................................ 26
KIRK SAVAGE
Albert Bierstadt, Landscape Aesthetics, and the Meanings of the West in the CiviL War Era................................. 40
ANGELA MILLER
The History in the Art: Painting the CiviL War ........................ 60
STEVEN CONN, ANDREW WALKER
Race Identity/Identifying Race: Robert S. Duncanson and
Nineteenth-Century American Painting .............................. 82
MARGARET ROSE VENDRYES
Notes ..................................................... 100
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