sundance film festival

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In 1981, Robert Redford gathered a group of his friends and colleagues in the mountains of Utah to create an environment designed to foster independ- ence, discovery, and new voices in American film. That spring, ten emerging filmmakers were invited to the first Sundance Institute Filmmakers/Directors Lab where they worked with leading writers and directors to develop their original independent film projects. In the remote natural setting and removed from the pressures of the marketplace, each emerg- ing artist was encouraged to take creative risks and to craft a film true to their own, unique vision. In 1984, the Institute's activities expanded to include development programs for theatre when the Utah Playwrights Conference became the Sundance Playwrights Lab. Since those first Labs, the Institute has grown into an internationally recognized resource for thousands of independent film, theatre, and music artists. The programs of Sundance Institute include the annual Sundance Film Festival, held in and around Park City, Utah, each January. Widely considered the premier platform for American and international independent film, the Festival has introduced audiences to some of the most original stories of the last three decades including Reservoir Dogs, Hedwig and the Angry Inch, American Splendor, An Inconvenient Truth, Little Miss Sunshine, and The Cove. Through year-round support and a series of Labs and Fellowships for screenwriters, directors, and produc- ers, the Institute's Feature Film Program has supported more than 300 feature films, including Rob Epstein and Jerey Friedman's HOWL, Cherien Dabis' Amreeka, Cary Joji Fukunaga's Sin Nombre, Miranda July's Me and You and Everyone We Know, and Walter Salles's Central Station. Documentaries ranging from Tia Lessin and Carl Deal's Trouble the Water to Laura Poitras' The Oath to Ross Kaufman and Zana Briski's Born into Brothels are among the 500 films that have been supported by the Documentary Film Program, which oers grants from the Sundance Institute Documentary Fund along with a series of Labs in editing and storytelling. Sundance Institute also continues to support film and theatre artists beyond their participation in our Artist Programs through a commitment to building audiences for their work. In order to create a record of cultural history, the Sundance Institute Archives preserves the organization's history and documents the creative processes of the artists we support. The Sundance Institute Collection at UCLA provides a ground-breaking educational archive devoted to the collection and preservation of independent cinema. The Alumni Initiative cultivates connections with our alumni to foster a continued relationship between the Institute and the artists who have developed or shown work through the Institute's programs. The Art House Project is a collaboration with art house cinemas in cities around the country to create specialized screening programs of Sundance Institute and Sundance Film Festival-supported films for local audiences and our Community Programs are a series of Utah-based activities that oer many free and open to the public events for more than 25,000 Utah residents each year. V V V V V V B + + + + + + P P P P P T T T V P T T T T V V B T B T V B P + Theters Venues Box Oces Prking/Trnsit Points of Interest Thetre Loop Loctions Festivl Shutter Routes Beats, Rhymes & Life: The Travels of A Tribe Called Quest ZƵŶ ƟŵĞ ϵϱ ŵŝŶ h^ ĐŽůŽƌ ,ĂǀŝŶŐ ĨŽƌŐĞĚ Ă ϮϬͲLJĞĂƌ ƌƵŶ ĂƐ ŽŶĞ ŽĨ ƚŚĞ ŵŽƐƚ ŝŶŶŽǀĂƟǀĞ ĂŶĚ ŝŶŇƵĞŶƟĂů ŚŝƉͲŚŽƉ ďĂŶĚƐ ŽĨ Ăůů ƟŵĞ dƌŝďĞ ĂůůĞĚ YƵĞƐƚ ŚĂƐ ŬĞƉƚ Ă ŐĞŶĞƌĂƟŽŶ ŚƵŶŐƌLJ ĨŽƌ ŵŽƌĞ ŽĨ ŝƚƐ ŐƌŽƵŶĚďƌĞĂŬŝŶŐ ŵƵƐŝĐ ƐŝŶĐĞ ƚŚĞ ŐƌŽƵƉƐ ŵƵĐŚͲƉƵďůŝĐŝnjĞĚ ďƌĞĂŬƵƉ ŝŶ ϭϵϵϴ dŚĞ ďĂŶĚ ƐŚĂƉĞĚ Ă ƵŶŝƋƵĞ ƐŽƵŶĚ ďLJ ǁĞĚĚŝŶŐ ũĂnjnjͲŝŶĨƵƐĞĚ ŵƵƐŝĐƐĐĂƉĞƐ ƚŽ ĨƌŽĐĞŶƚƌŝĐ ƌŚLJŵĞƐ ĞƐƉŽƵƐŝŶŐ ƵŶŝƚLJ ĂŶĚ ĐŽŵŵƵŶŝƚLJ /ƚƐ ŵƵƐŝĐ ďĞĐĂŵĞ ƚŚĞ ĂŶƚŚĞŵ ĨŽƌ ĐŽŽů ĂŶĚ ďƌŽŬĞ ĚŽǁŶ ďĂƌƌŝĞƌƐ ĨŽƌ ƉĞŽƉůĞ ǁŚŽ ŚĂĚ ŶĞǀĞƌ ďĞĨŽƌĞ ĐŽŶŶĞĐƚĞĚ ǁŝƚŚ ŚŝƉͲŚŽƉ /Ŷ ƐƉŝƚĞ ŽĨ ƵŶƉĂƌĂůůĞůĞĚ ĂƌƟƐƟĐ ƐƵĐĐĞƐƐ ŚŽǁĞǀĞƌ ƚŚĞ ŐƌŽƵƉ ĞŶĐŽƵŶƚĞƌĞĚ ƉŝƞĂůůƐ ƚŚĂƚ ĞǀĞŶƚƵĂůůLJ ĐĂƵƐĞĚ ŝƚƐ ƚƵŵƵůƚƵŽƵƐ ďƌĞĂŬƵƉ BEING ELMO: A Puppeteer's Journey ZƵŶ ƟŵĞ ϳϲ ŵŝŶ h^ ĐŽůŽƌ ĂĐŚ ĂŶĚ ĞǀĞƌLJ ĚĂLJ ŵŝůůŝŽŶƐ ŽĨ ŬŝĚƐ ƚƵŶĞ ŝŶ ƚŽ ^ĞƐĂŵĞ ^ƚƌĞĞƚ ƚŽ ƐĞĞ ŽŶĞ ŽĨ ƚŚĞ ǁŽƌůĚƐ ŵŽƐƚ ĂĚŽƌĞĚ ĂŶĚ ƌĞĐŽŐŶŝnjĂďůĞ ĐŚŝůĚƌĞŶƐ ĐŚĂƌĂĐƚĞƌƐ Ă ĨƵƌƌLJ ƌĞĚ ŵŽŶƐƚĞƌ ŶĂŵĞĚ ůŵŽ zĞƚ ǁŝƚŚ Ăůů ŽĨ ůŵŽƐ ĨĂŵĞ ƚŚĞ ŵĂŶ ďĞŚŝŶĚ ƚŚĞ DƵƉƉĞƚ ŝƐ ĂďůĞ ƚŽ ǁĂůŬ ĚŽǁŶ ƚŚĞ ƐƚƌĞĞƚ ǁŝƚŚŽƵƚ ďĞŝŶŐ ƌĞĐŽŐŶŝnjĞĚ DĞĞƚ <ĞǀŝŶ ůĂƐŚ Ɛ ĂŶ ĂǀĞƌĂŐĞ ƚĞĞŶĂŐĞƌ ŐƌŽǁŝŶŐ ƵƉ ŝŶ ĂůƟŵŽƌĞ ŝŶ ƚŚĞ ϭϵϳϬƐ <ĞǀŝŶ ŚĂĚ ǀĞƌLJ ĚŝīĞƌĞŶƚ ĂƐƉŝƌĂƟŽŶƐ ĨƌŽŵ ŚŝƐ ĐůĂƐƐŵĂƚĞƐͶŚĞ ǁĂŶƚĞĚ ƚŽ ďĞ Ă ƉƵƉƉĞƚĞĞƌ DŽƌĞ ƐƉĞĐŝĮĐĂůůLJ ŚĞ ǁĂŶƚĞĚ ƚŽ ďĞ ƉĂƌƚ ŽĨ :ŝŵ ,ĞŶƐŽŶƐ ƚĞĂŵ ŽĨ DƵƉƉĞƚĞĞƌƐ ƚŚĞ ĐƌĞĂƟǀĞ ĨŽƌĐĞ ƌĞƐƉŽŶƐŝďůĞ ĨŽƌ ĚĞůŝǀĞƌŝŶŐ ƚŚĞ ŵĂŐŝĐ ŽĨ ^ĞƐĂŵĞ ^ƚƌĞĞƚ ŽŶ Ă ĚĂŝůLJ ďĂƐŝƐ Buck ZƵŶ ƟŵĞ ϴϴ ŵŝŶ h^ ĐŽůŽƌ ůŝǀŝŶŐ ůĞŐĞŶĚ ŝŶ ƚŚĞ ŚŽƌƐĞ ǁŽƌůĚ ƵĐŬ ƌĂŶŶĂŵĂŶ ǁĂƐ ƚŚĞ ŝŶƐƉŝƌĂƟŽŶ ĨŽƌ dŚĞ ,ŽƌƐĞ tŚŝƐƉĞƌĞƌ &Žƌ ƚŚŝƐ ƚƌƵĞ ĐŽǁďŽLJ ŚŽƌƐĞƐ ĂƌĞ Ă ŵŝƌƌŽƌ ŽĨ ƚŚĞ ŚƵŵĂŶ ƐŽƵů ZĞĂƌĞĚ ďLJ ĂŶ ĂďƵƐŝǀĞ ĨĂƚŚĞƌ ƵĐŬ ĞƐĐŚĞǁƐ ǀŝŽůĞŶĐĞ LJ ƚĞĂĐŚŝŶŐ ƉĞŽƉůĞ ƚŽ ĐŽŵŵƵŶŝĐĂƚĞ ǁŝƚŚ ŚŽƌƐĞƐ ƚŚƌŽƵŐŚ ŝŶƐƟŶĐƚ ŶŽƚ ƉƵŶŝƐŚŵĞŶƚ ŚĞ ĨƌĞĞƐ ƚŚĞ ƐƉŝƌŝƚ ŽĨ ƚŚĞ ŚŽƌƐĞ ĂŶĚ ŝƚƐ ŚƵŵĂŶ ĐŽŵƌĂĚĞ ƌŝƐƐĐƌŽƐƐŝŶŐ ƚŚĞ ǁŽƌůĚ ǁŝƚŚ ĞŶůŝŬĞ ǁŝƐĚŽŵ ƵĐŬ ƉƌŽŵƵůŐĂƚĞƐ ŐƌĂĐĞ ŝŶ ƚŚĞ ďŽŶĚ ďĞƚǁĞĞŶ ŵĂŶ ĂŶĚ ŚŽƌƐĞ dŚĞ ĂŶŝŵĂůͲŚƵŵĂŶ ƌĞůĂƟŽŶƐŚŝƉ ďĞĐŽŵĞƐ Ă ƉĞƌĨĞĐƚ ŵĞƚĂƉŚŽƌ ĨŽƌ ŵĞĞƟŶŐ ƚŚĞ ĐŚĂůůĞŶŐĞƐ ŽĨ ĚĂŝůLJ ůŝĨĞ ǁŚĞƚŚĞƌ ƚŚĞLJ ĐŽŶƐŝƐƚ ŽĨ ƌĂŝƐŝŶŐ ŬŝĚƐ ƌƵŶŶŝŶŐ Ă ďƵƐŝŶĞƐƐ Connected: An Autoblogography about Love, Death ZƵŶ ƟŵĞ ϴϮ ŵŝŶ h^ ĐŽůŽƌ tŝƚŚ ǁŽŶĚĞƌĨƵů ŚĞĂƌƚ ĂŶĚ ĂŶ ŝŵƉƌĞƐƐŝǀĞ ƐĞŶƐĞ ŽĨ ƐĐĂůĞ dŝīĂŶLJ ^ŚůĂŝŶƐ ǀŝďƌĂŶƚ ĂŶĚ ŝŶƐŝŐŚƞƵů ĚŽĐƵŵĞŶƚĂƌLJ ŽŶŶĞĐƚĞĚ ĞdžƉůŽƌĞƐ ƚŚĞ ǀŝƐŝďůĞ ĂŶĚ ŝŶǀŝƐŝďůĞ ĐŽŶŶĞĐƟŽŶƐ ůŝŶŬŝŶŐ ŵĂũŽƌ ŝƐƐƵĞƐ ŽĨ ŽƵƌ ƟŵĞͶƚŚĞ ĞŶǀŝƌŽŶŵĞŶƚ ĐŽŶƐƵŵƉƟŽŶ ƉŽƉƵůĂƟŽŶ ŐƌŽǁƚŚ ƚĞĐŚŶŽůŽŐLJ ŚƵŵĂŶ ƌŝŐŚƚƐ ƚŚĞ ŐůŽďĂů ĞĐŽŶŽŵLJͶǁŚŝůĞ ƐĞĂƌĐŚŝŶŐ ĨŽƌ ŚĞƌ ƉůĂĐĞ ŝŶ ƚŚĞ ǁŽƌůĚ ĚƵƌŝŶŐ Ă ƚƌĂŶƐĨŽƌŵĂƟǀĞ ƟŵĞ ŝŶ ŚĞƌ ůŝĨĞ ŵƉůŽLJŝŶŐ Ă ƐƉůĞŶĚŝĚůLJ ŝŵĂŐŝŶĂƟǀĞ ĐŽŵďŝŶĂƟŽŶ ŽĨ ĂŶŝŵĂƟŽŶ ĂŶĚ ĂƌĐŚŝǀĂů ĨŽŽƚĂŐĞ ƉůƵƐ ƐĞǀĞƌĂů ƐƵƌƉƌŝƐĞƐ ^ŚůĂŝŶ ĐŽŶƐƚƌƵĐƚƐ Ă ĐŚƌŽŶŽůŽŐŝĐĂů ƚŽƵƌ ŽĨ tĞƐƚĞƌŶ ŵŽĚĞƌŶŝnjĂƟŽŶ ƚŚƌŽƵŐŚ ƚŚĞ ǁŽƌŬ ŽĨ ŚĞƌ ůĂƚĞ ĨĂƚŚĞƌ >ĞŽŶĂƌĚ ^ŚůĂŝŶ ƌŝŵĞ ŌĞƌ ƌŝŵĞ ZƵŶ ƟŵĞ ϵϰ ŵŝŶ h^ ĐŽůŽƌ /Ŷ ϭϵϴϯ ĞďŽƌĂŚ WĞĂŐůĞƌ Ă ǁŽŵĂŶ ďƌƵƚĂůůLJ ĂďƵƐĞĚ ďLJ ŚĞƌ ďŽLJĨƌŝĞŶĚ ǁĂƐ ƐĞŶƚĞŶĐĞĚ ƚŽ Ϯϱ LJĞĂƌƐͲƚŽͲůŝĨĞ ĨŽƌ ŚĞƌ ĐŽŶŶĞĐƟŽŶ ƚŽ ŚŝƐ ŵƵƌĚĞƌ dǁĞŶƚLJ LJĞĂƌƐ ůĂƚĞƌ ĂƐ ƐŚĞ ůĂŶŐƵŝƐŚĞĚ ŝŶ ƉƌŝƐŽŶ Ă ĂůŝĨŽƌŶŝĂ ůĂǁ ĂůůŽǁŝŶŐ ŝŶĐĂƌĐĞƌĂƚĞĚ ĚŽŵĞƐƟĐͲǀŝŽůĞŶĐĞ ƐƵƌǀŝǀŽƌƐ ƚŽ ƌĞŽƉĞŶ ƚŚĞŝƌ ĐĂƐĞƐ ǁĂƐ ƉĂƐƐĞĚ ŶƚĞƌ Ă ƉĂŝƌ ŽĨ ƌŽŽŬŝĞ ůĂŶĚͲƵƐĞ ĂƩŽƌŶĞLJƐ ĐŽŶǀŝŶĐĞĚ ƚŚĂƚ ǁŝƚŚ ƚŚĞ ŝŶĐŽŶƚƌŽǀĞƌƟďůĞ ĞǀŝĚĞŶĐĞ ƚŚĂƚ ĞdžŝƐƚĞĚ ƚŚĞLJ ĐŽƵůĚ ĨƌĞĞ ĞďŽƌĂŚ ŝŶ Ă ŵĂƩĞƌ ŽĨ ŵŽŶƚŚƐ tŚĂƚ ƚŚĞLJ ĚŝĚŶƚ ŬŶŽǁ ǁĂƐ ƚŚĞ ĚĞƉƚŚ ŽĨ ĐŽƌƌƵƉƟŽŶ ĂŶĚ ƉŽůŝƟĐĂůůLJ ĚƌŝǀĞŶ ƌĞƐŝƐƚĂŶĐĞ ƚŚĞLJĚ ĞŶĐŽƵŶƚĞƌ ƐĞŶĚŝŶŐ ƚŚĞŵ ĚŽǁŶ Ă ŶŝŐŚƚŵĂƌŝƐŚ ďƵƌĞĂƵĐƌĂƟĐ ƌĂďďŝƚ ŚŽůĞ ŽĨ ŝŶũƵƐƟĐĞ ,Žƚ ŽīĞĞ ZƵŶ ƟŵĞ ϴϴ ŵŝŶ h^ ĐŽůŽƌ &Žƌ ŵĂŶLJ ŵĞƌŝĐĂŶƐ ƚŚĞ ĨĂŵŽƵƐ DĐŽŶĂůĚƐ ĐŽīĞĞ ĐĂƐĞ ŚĂƐ ďĞĐŽŵĞ ĞŵďůĞŵĂƟĐ ŽĨ ƚŚĞ ĨƌŝǀŽůŽƵƐ ůĂǁƐƵŝƚƐ ƚŚĂƚ ĐůŽŐ ŽƵƌ ĐŽƵƌƚƐ ĂŶĚ ƐƚĂůů ŽƵƌ ũƵƐƟĐĞ ƐLJƐƚĞŵ Kƌ ŝƐ ƚŚĂƚ ĞdžĂĐƚůLJ ǁŚĂƚ DĐŽŶĂůĚƐ ǁĂŶƚƐ ƵƐ ƚŽ ƚŚŝŶŬ ŶƚĞƌ ŝŶƚƌĞƉŝĚ ĮůŵŵĂŬĞƌ ^ƵƐĂŶ ^ĂůĂĚŽī hƐŝŶŐ ƚŚĞ ŶŽǁͲŝŶĨĂŵŽƵƐ ůĞŐĂů ďĂƩůĞ ŽǀĞƌ Ă ƐƉŝůůĞĚ ĐƵƉ ŽĨ ĐŽīĞĞ ĂƐ Ă ƐƉƌŝŶŐďŽĂƌĚ ŝŶƚŽ ŝŶǀĞƐƟŐĂƟŶŐ ŽƵƌ ĐŝǀŝůͲũƵƐƟĐĞ ƐLJƐƚĞŵ ^ĂůĂĚŽī ĞdžƉŽƐĞƐ ƚŚĞ ǁĂLJ ĐŽƌƉŽƌĂƟŽŶƐ ŚĂǀĞ ƐƉĞŶƚ ŵŝůůŝŽŶƐ ĚŝƐƚŽƌƟŶŐ ƚŚŝƐ ĐĂƐĞ ƚŽ ƉƌŽŵŽƚĞ ƚŽƌƚ ƌĞĨŽƌŵ ŝŐ ďƵƐŝŶĞƐƐ ŚĂƐ ďƌĞǁĞĚ ĂŶ ŝŶƐŝĚŝŽƵƐ ĐŽŶĐŽĐƟŽŶ ŽĨ ŵĂŶŝƉƵůĂƟŽŶ ĂŶĚ ůŝĞƐ ƚŽ ƉƌŽƚĞĐƚ ŝƚƐ ŝŶƚĞƌĞƐƚƐ ĂŶĚ ŵĞĚŝĂ ůĂƉĚŽŐƐ ŚĂǀĞ ƐƟƌƌĞĚ ƚŚĞ ĐƵƉ How to Die in Oregon ZƵŶ ƟŵĞ ϭϬϳ ŵŝŶ h^ ĐŽůŽƌ &ƌŽŵ ŝƚƐ ŽƉĞŶŝŶŐ ƐĐĞŶĞ ǁŚĞƌĞ Ă ƚĞƌŵŝŶĂůůLJ ŝůů ĐĂŶĐĞƌ ƉĂƟĞŶƚ ƚĂŬĞƐ Ă ůĞƚŚĂů ĚŽƐĞ ŽĨ ^ĞĐŽŶĂů ĂŶĚ ůŝƚĞƌĂůůLJ ĚŝĞƐ ŽŶ ĐĂŵĞƌĂ ŝƚ ďĞĐŽŵĞƐ ƐŚŽĐŬŝŶŐůLJ ĐůĞĂƌ ƚŚĂƚ ,Žǁ ƚŽ ŝĞ ŝŶ KƌĞŐŽŶ ŝƐ Ă ƐƉĞĐŝĂů Įůŵ /Ŷ ϭϵϵϰ KƌĞŐŽŶ ďĞĐĂŵĞ ƚŚĞ ĮƌƐƚ ƐƚĂƚĞ ƚŽ ůĞŐĂůŝnjĞ ƉŚLJƐŝĐŝĂŶͲĂƐƐŝƐƚĞĚ ƐƵŝĐŝĚĞ Ɛ Ă ƌĞƐƵůƚ ĂŶLJ ŝŶĚŝǀŝĚƵĂů ǁŚŽŵ ƚǁŽ ƉŚLJƐŝĐŝĂŶƐ ĚŝĂŐŶŽƐĞ ĂƐ ŚĂǀŝŶŐ ůĞƐƐ ƚŚĂŶ Ɛŝdž ŵŽŶƚŚƐ ƚŽ ůŝǀĞ ĐĂŶ ůĂǁĨƵůůLJ ƌĞƋƵĞƐƚ Ă ĨĂƚĂů ĚŽƐĞ ŽĨ ďĂƌďŝƚƵƌĂƚĞ ƚŽ ĞŶĚ ŚŝƐ Žƌ ŚĞƌ ůŝĨĞ ^ŝŶĐĞ ϭϵϵϰ ŵŽƌĞ ƚŚĂŶ ϱϬϬ KƌĞŐŽŶŝĂŶƐ ŚĂǀĞ ƚĂŬĞŶ ƚŚĞŝƌ ŵŽƌƚĂůŝƚLJ ŝŶƚŽ ƚŚĞŝƌ ŽǁŶ ŚĂŶĚƐ /Ĩ Ă dƌĞĞ &ĂůůƐ ^ƚŽƌLJ ŽĨ ƚŚĞ ĂƌƚŚ >ŝďĞƌĂƟŽŶ &ƌŽŶƚ ZƵŶ ƟŵĞ ϴϱ ŵŝŶ h^ ĐŽůŽƌ DĂƌƐŚĂůů ƵƌƌLJƐ ĚŽĐƵŵĞŶƚĂƌLJ ƚĞůůƐ Ă ƟŵĞůLJ ƐƚŽƌLJ ŽĨ ƉŽůŝƟĐĂů ĂĐƟŽŶ ĂŶĚ ĞŶǀŝƌŽŶŵĞŶƚĂů ďĞůŝĞĨƐ Ăƚ ůŽŐŐĞƌŚĞĂĚƐ ,ŝƐ ƌĞĐŽŶƐƚƌƵĐƟŽŶ ŽĨ ƚŚĞ ƌĞĐĞŶƚ ŚŝƐƚŽƌLJ ĂŶĚ ƵŶƌĂǀĞůŝŶŐ ŽĨ ƚŚĞ ĂƌƚŚ >ŝďĞƌĂƟŽŶ &ƌŽŶƚ ;>&Ϳ ŝƐ Ă ĨĂƐĐŝŶĂƟŶŐ ĞdžƉůŽƌĂƟŽŶ ŽĨ Ă ŵŽĚĞƌŶ ƌĞǀŽůƵƟŽŶĂƌLJ ŵŽǀĞŵĞŶƚ ĂŶĚ ŝƚƐ ĞĸĐĂĐLJ The Last Moutain ZƵŶ ƟŵĞ ϵϱ ŵŝŶ h^ ĐŽůŽƌ /ƚƐ ĞĂƐLJ ƚŽ ĨŽƌŐĞƚ ƚŚĂƚ ĞĂĐŚ ƟŵĞ ǁĞ ƚƵƌŶ ŽŶ Ă ůŝŐŚƚ ǁĞ ĂƌĞ ĐŽŶƚƌŝďƵƟŶŐ ƚŽ ƚŚĞ ĞĐŽůŽŐŝĐĂů ĚĂŵĂŐĞ ĐĂƵƐĞĚ ďLJ ƚŚĞ ĐŽĂů ƚŚĂƚ ŐĞŶĞƌĂƚĞƐ ĞůĞĐƚƌŝĐŝƚLJ ŝŶ ƚŚŝƐ ĐŽƵŶƚƌLJ dŚĞ >ĂƐƚ DŽƵŶƚĂŝŶ ŐŝǀĞƐ ƵƐ ƉůĞŶƚLJ ŽĨ ƌĞĂƐŽŶƐ ƚŽ ƌĞŵĞŵďĞƌ ŽŶƚĂŵŝŶĂƚĞĚ Ăŝƌ ƐŽŝů ĂŶĚ ǁĂƚĞƌ ĐŽĂů ĚƵƐƚ ĐĂŶĐĞƌ ĐůƵƐƚĞƌƐ ĂŶĚ ƚŽdžŝĐ ƐůƵĚŐĞ ĂƌĞ Ăůů ďLJͲƉƌŽĚƵĐƚƐ ŽĨ ƚŚŝƐ ǁŝĚĞƐƉƌĞĂĚ ĞŶĞƌŐLJ ƐŽƵƌĐĞ Beats, Rhymes & Life: The Travels of A Tribe Called Quest ZƵŶ ƟŵĞ ϴϵ ŵŝŶ h^ ĐŽůŽƌ >ŝŬĞ ĚƌĂǁŝŶŐ ďĂĐŬ Ă ĐƵƌƚĂŝŶ ƚŽ ůĞƚ ďƌŝŐŚƚ ůŝŐŚƚ ƐƚƌĞĂŵ ŝŶ DŝƐƐ ZĞƉƌĞƐĞŶƚĂƟŽŶ ƵŶĐŽǀĞƌƐ Ă ŐůĂƌŝŶŐ ƌĞĂůŝƚLJ ǁĞ ůŝǀĞ ǁŝƚŚ ĞǀĞƌLJ ĚĂLJ ďƵƚ ĨĂŝů ƚŽ ƐĞĞ /ƚƐ ĐůĞĂƌ ƚŚĞ ŵĂŝŶƐƚƌĞĂŵ ŵĞĚŝĂ ŽďũĞĐƟĮĞƐ ǁŽŵĞŶ ďƵƚ ǁŚĂƚ ŵŽƐƚ ƉĞŽƉůĞ ĚŽŶƚ ƌĞĂůŝnjĞ ŝƐ ƚŚĞ ŵĂŐŶŝƚƵĚĞ ŽĨ ƚŚĂƚ ƉŚĞŶŽŵĞŶŽŶ ĂŶĚ ƚŚĞ ǁĂLJ ŽďũĞĐƟĮĐĂƟŽŶ ŐĞƚƐ ŝŶƚĞƌŶĂůŝnjĞĚͶĂ ƐLJŵďŽůŝĐ ĂŶŶŝŚŝůĂƟŽŶ ŽĨ ƐĞůĨͲǁŽƌƚŚͶĂŶĚ ŝŵƉĞĚĞƐ ŐŝƌůƐ ĂŶĚ ǁŽŵĞŶ ĨƌŽŵ ƌĞĂůŝnjŝŶŐ ƚŚĞŝƌ ĨƵůů ƉŽƚĞŶƟĂů dŚĞ ZĞĚĞŵƉƟŽŶ ŽĨ 'ĞŶĞƌĂů ƵƩ EĂŬĞĚ ZƵŶ ƟŵĞ ϴϰ ŵŝŶ h^ ĐŽůŽƌ :ŽƐŚƵĂ DŝůƚŽŶ ůĂŚLJŝ ĂŬĂ 'ĞŶĞƌĂů ƵƩ EĂŬĞĚ ŵƵƌĚĞƌĞĚ ƚŚŽƵƐĂŶĚƐ ĚƵƌŝŶŐ >ŝďĞƌŝĂƐ ŚŽƌƌŝĮĐ ϭϰͲLJĞĂƌ Đŝǀŝů ǁĂƌ dŽĚĂLJ ƚŚŝƐ ŽŶĐĞͲďƌƵƚĂů ǁĂƌůŽƌĚ ŚĂƐ ƌĞŶŽƵŶĐĞĚ ŚŝƐ ƐĂĚŝƐƟĐ ƉĂƐƚ ĂŶĚ ƌĞŝŶǀĞŶƚĞĚ ŚŝŵƐĞůĨ ĂƐ ĞǀĂŶŐĞůŝƐƚ :ŽƐŚƵĂ DŝůƚŽŶ ůĂŚLJŝ /Ŷ Ă ƌŝǀĞƟŶŐ ĐŝŶĞŵĂ ǀĠƌŝƚĠ ũŽƵƌŶĞLJ ƚŚĂƚ ƵŶĨŽůĚƐ ŽǀĞƌ ƚŚĞ ĐŽƵƌƐĞ ŽĨ ĮǀĞ LJĞĂƌƐ ĮůŵŵĂŬĞƌƐ ƌŝĐ ^ƚƌĂƵƐƐ ĂŶĚ ĂŶŝĞůĞ ŶĂƐƚĂƐŝŽŶ ĨŽůůŽǁ ůĂŚLJŝƐ ƵŶƌĞůĞŶƟŶŐ ĐƌƵƐĂĚĞ ƚŽ ƌĞĚĞĞŵ ŚŝƐ ůŝĨĞ &ĂĐŝŶŐ ƚŚŽƐĞ ŚĞ ŽŶĐĞ ƚĞƌƌŽƌŝnjĞĚ ƉƌĞĂĐŚŝŶŐ ǁŚĞƌĞ ŚĞ ŽŶĐĞ ŵƵƌĚĞƌĞĚ ůĂŚLJŝ ŝƐ ŽŶ Ă ƋƵĞƐƚ ƚŽ ƐĂǀĞ ŚŝƐ ƐŽƵů Resurrect Dead: The Mystery of the Toynbee Tiles ZƵŶ ƟŵĞ ϴϱ ŵŝŶ h^ ĐŽůŽƌ dŽLJŶďĞĞ /ĚĞĂ ŝŶ DŽǀŝĞ ϮϬϬϭ ZĞƐƵƌƌĞĐƚ ĞĂĚ ŽŶ WůĂŶĞƚ :ƵƉŝƚĞƌ ĞŐŝŶŶŝŶŐ ŝŶ ƚŚĞ ĞĂƌůLJ ϭϵϴϬƐ ŚƵŶĚƌĞĚƐ ŽĨ ƟůĞƐ ĐĂƌƌLJŝŶŐ ƚŚŝƐ ĐƌLJƉƟĐ ŵĞƐƐĂŐĞ ǁĞƌĞ ĨŽƵŶĚ ĞŵďĞĚĚĞĚ ŝŶ ƚŚĞ ĂƐƉŚĂůƚ ŽĨ ĐŝƚLJ ƐƚƌĞĞƚƐ ĂƐ ĨĂƌ ĂƉĂƌƚ ĂƐ EĞǁ zŽƌŬ WŚŝůĂĚĞůƉŚŝĂ ^ƚ >ŽƵŝƐ ^ĂŶƟĂŐŽ ĂŶĚ ƵĞŶŽƐ ŝƌĞƐ ^ƚƌĞĞƚ Ăƌƚ ƉƌĂŶŬ ŵĞƐƐĂŐĞ ĨƌŽŵ ƐƉĂĐĞ &ŝůŵŵĂŬĞƌ :ŽŶ &ŽLJ ƌĞĐŽƵŶƚƐ ŚŽǁ LJŽƵŶŐ ĂƌƟƐƚ :ƵƐƟŶ ƵĞƌƌ ďĞĐĂŵĞ ĨĂƐĐŝŶĂƚĞĚ ǁŝƚŚ ƚŚĞ ƐƚƌĂŶŐĞ ƉůĂƋƵĞƐ ĂŶĚ ǁŝƚŚ ƚǁŽ ŽƚŚĞƌ ΗdŽLJŶďĞĞ ƟůĞΗ ĞŶƚŚƵƐŝĂƐƚƐ ^ƚĞǀĞ tĞŝŶŝŬ ĂŶĚ ŽůŝŶ ^ŵŝƚŚ ƐƉĞŶƚ LJĞĂƌƐ ƚƌLJŝŶŐ ƚŽ ĚŝƐĐŽǀĞƌ ǁŚĂƚ ƚŚĞLJ ŵĞĂŶƚ ĂŶĚ ǁŚŽ ŵĂĚĞ ƚŚĞŵ Sing Your Song ZƵŶ ƟŵĞ ϭϬϯ ŵŝŶ h^ ĐŽůŽƌ tŽŶĚĞƌĨƵůůLJ ĂƌĐŚŝǀĞĚ ĂŶĚ ƚŽůĚ ǁŝƚŚ Ă ƌĞŵĂƌŬĂďůĞ ƐĞŶƐĞ ŽĨ ŝŶƟŵĂĐLJ ǀŝƐƵĂů ƐƚLJůĞ ĂŶĚ ŵƵƐŝĐĂů ƉĂŶĂĐŚĞ ^ƵƐĂŶŶĞ ZŽƐƚŽĐŬƐ ŝŶƐƉŝƌŝŶŐ ďŝŽŐƌĂƉŚŝĐĂů ĚŽĐƵŵĞŶƚĂƌLJ ^ŝŶŐ zŽƵƌ ^ŽŶŐ ƐƵƌǀĞLJƐ ƚŚĞ ůŝĨĞ ĂŶĚ ƟŵĞƐ ŽĨ ƐŝŶŐĞƌĂĐƚŽƌĂĐƟǀŝƐƚ ,ĂƌƌLJ ĞůĂĨŽŶƚĞ &ƌŽŵ ŚŝƐ ƌŝƐĞ ƚŽ ĨĂŵĞ ĂƐ Ă ƐŝŶŐĞƌ ŝŶƐƉŝƌĞĚ ďLJ WĂƵů ZŽďĞƐŽŶ ĂŶĚ ŚŝƐ ĞdžƉĞƌŝĞŶĐĞƐ ƚŽƵƌŝŶŐ Ă ƐĞŐƌĞŐĂƚĞĚ ĐŽƵŶƚƌLJ ƚŽ ŚŝƐ ƉƌŽǀŽĐĂƟǀĞ ĐƌŽƐƐŽǀĞƌ ŝŶƚŽ ,ŽůůLJǁŽŽĚ ĞůĂĨŽŶƚĞƐ ŐƌŽƵŶĚďƌĞĂŬŝŶŐ ĐĂƌĞĞƌ ƉĞƌƐŽŶŝĮĞƐ ƚŚĞ ŵĞƌŝĐĂŶ Đŝǀŝů ƌŝŐŚƚƐ ŵŽǀĞŵĞŶƚ ĂŶĚ ŝŵƉĂĐƚĞĚ ŵĂŶLJ ŽƚŚĞƌ ƐŽĐŝĂůͲũƵƐƟĐĞ ŵŽǀĞŵĞŶƚƐ Troubadours ZƵŶ ƟŵĞ ϵϭ ŵŝŶ h^ ĐŽůŽƌ &ƌĂŵĞĚ ďLJ ƚŚĞ ŝůůƵƐƚƌŝŽƵƐ ĐĂƌĞĞƌƐ ŽĨ :ĂŵĞƐ dĂLJůŽƌ ĂŶĚ ĂƌŽůĞ <ŝŶŐ dƌŽƵďĂĚŽƵƌƐ ĚĞůǀĞƐ ŝŶƚŽ ƚŚĞ ƋƵŝĞƚůLJ ĞdžƉůŽƐŝǀĞ ƐŝŶŐĞƌͲƐŽŶŐǁƌŝƚĞƌ ŵŽǀĞŵĞŶƚ ŝŶ >ŽƐ ŶŐĞůĞƐ ĚƵƌŝŶŐ ƚŚĞ ĞĂƌůLJ ϭϵϳϬƐ &ƌŽŵ ƚŚĞŝƌ ŚŽŵĞ Ăƚ ŝŵƉƌĞƐĂƌŝŽ ŽƵŐ tĞƐƚŽŶƐ dƌŽƵďĂĚŽƵƌ ĐůƵď ŝŶ tĞƐƚ ,ŽůůLJǁŽŽĚ ĂƌƟƐƚƐ ůŝŬĞ dĂLJůŽƌ <ŝŶŐ ĂǀŝĚ ƌŽƐďLJ :ĂĐŬƐŽŶ ƌŽǁŶĞ :ŽŶŝ DŝƚĐŚĞůů ĂŶĚ <ƌŝƐ <ƌŝƐƚŽīĞƌƐŽŶ ;ƚŚĞ ůŝƐƚ ŐŽĞƐ ŽŶͿ ǁƌŽƚĞ ĂŶĚ ƉĞƌĨŽƌŵĞĚ ƐŽŶŐƐ ǁŝƚŚ ŝŶƟŵĂƚĞůLJ ƉĞƌƐŽŶĂů ůLJƌŝĐƐ ŵĂƌŬŝŶŐ Ă ƚƌĂŶƐŝƟŽŶ ĨƌŽŵ ƚŚĞ ƉŽůŝƟĐĂůůLJ ĨŽĐƵƐĞĚ ƐŽŶŐƐ ŽĨ ƚŚĞ ϲϬƐ We Were Here ZƵŶ ƟŵĞ ϵϬ ŵŝŶ h^ ĐŽůŽƌ /Ŷ ƚŚĞ ĞĂƌůLJ ϭϵϳϬƐ ŝŶ ƚŚĞ ƐŚĂĚŽǁ ŽĨ ƚŚĞ ^ƚŽŶĞǁĂůů ƌŝŽƚƐ ĂŶĚ ƚŚĞ ĨƌĞĞͲůŽǀĞ ŵŽǀĞŵĞŶƚ ŐĂLJ ŵĞŶ ĂŶĚ ůĞƐďŝĂŶƐ ŇŽĐŬĞĚ ƚŽ ^ĂŶ &ƌĂŶĐŝƐĐŽ ƚŽ ĮŶĚ ĂĐĐĞƉƚĂŶĐĞ dŚĞLJ ĨŽƌŵĞĚ Ă ƚŚƌŝǀŝŶŐ ƟŐŚƚͲŬŶŝƚ ĐŽŵŵƵŶŝƚLJ ƵŶƟů ƚŚĞ ĂƌƌŝǀĂů ŽĨ /^ ŝŶ ƚŚĞ ĞĂƌůLJ ϭϵϴϬƐ ĚƌŽǀĞ ƚŚĞŵ ƵŶĚĞƌ ƐŝĞŐĞ ŝƌĞĐƚŽƌ ĂǀŝĚ tĞŝƐƐŵĂŶ ;dŚĞ ŽĐŬĞƩĞƐ ƐĐƌĞĞŶĞĚ Ăƚ ƚŚĞ ϮϬϬϮ ^ƵŶĚĂŶĐĞ &ŝůŵ &ĞƐƟǀĂůͿ ĐŚƌŽŶŝĐůĞƐ ƚŚŝƐ ƚƌĂŶƐĨŽƌŵĂƟǀĞ ĞƌĂ ƚŚƌŽƵŐŚ ƚŚĞ ƐƚŽƌŝĞƐ ŽĨ ĮǀĞ ŝŶĚŝǀŝĚƵĂůƐ ǁŚŽ ůŝǀĞĚ ƚŚƌŽƵŐŚ ƚŚĞ ďĞƐƚ ĂŶĚ ƚŚĞ ǁŽƌƐƚ ŽĨ ŝƚ Page One: A Year Inside the iNew York Times/i ZƵŶ ƟŵĞ ϴϴ ŵŝŶ h^ ĐŽůŽƌ tŝƚŚ ƚŚĞ /ŶƚĞƌŶĞƚ ƐƵƌƉĂƐƐŝŶŐ ƉƌŝŶƚ ĂƐ ŽƵƌ ŵĂŝŶ ŶĞǁƐ ƐŽƵƌĐĞ ŶĞǁƐƉĂƉĞƌƐ ŐŽŝŶŐ ďĂŶŬƌƵƉƚ ĂŶĚ ŽƵƚůĞƚƐ ĨŽĐƵƐŝŶŐ ŽŶ ĐŽŶƚĞŶƚ ƚŚĞLJ ĐůĂŝŵ ĂƵĚŝĞŶĐĞƐ ;Žƌ ŝƐ ŝƚ ĂĚǀĞƌƟƐĞƌƐͿ ǁĂŶƚ WĂŐĞ KŶĞ ĐŚƌŽŶŝĐůĞƐ ƚŚĞ ŵĞĚŝĂ ŝŶĚƵƐƚƌLJƐ ƚƌĂŶƐĨŽƌŵĂƟŽŶ ĂŶĚ ĂƐƐĞƐƐĞƐ ƚŚĞ ŚŝŐŚ ƐƚĂŬĞƐ ĨŽƌ ĚĞŵŽĐƌĂĐLJ ŝĨ ŝŶͲĚĞƉƚŚ ŝŶǀĞƐƟŐĂƟǀĞ ƌĞƉŽƌƟŶŐ ďĞĐŽŵĞƐ ĞdžƟŶĐƚ dŚĞ Įůŵ ĚĞŌůLJ ŵĂŬĞƐ Ă ďĞĞůŝŶĞ ĨŽƌ ƚŚĞ ĞLJĞ ŽĨ ƚŚĞ ƐƚŽƌŵ Žƌ ĚĞƉĞŶĚŝŶŐ ŽŶ ŚŽǁ LJŽƵ ůŽŽŬ Ăƚ ŝƚ ƚŚĞ ŝŶŶĞƌ ƐĂŶĐƚƵŵ ŽĨ ƚŚĞ ŵĞĚŝĂ ŐĂŝŶŝŶŐ ƵŶƉƌĞĐĞĚĞŶƚĞĚ ĂĐĐĞƐƐ ƚŽ ƚŚĞ EĞǁ zŽƌŬ dŝŵĞƐ ŶĞǁƐƌŽŽŵ ĨŽƌ Ă LJĞĂƌ Another Earth ZƵŶ ƟŵĞ ϵϮ ŵŝŶ h^ ĐŽůŽƌ ZŚŽĚĂ tŝůůŝĂŵƐ Ă ďƌŝŐŚƚ LJŽƵŶŐ ǁŽŵĂŶ ƌĞĐĞŶƚůLJ ĂĐĐĞƉƚĞĚ ŝŶƚŽ D/dΖƐ ĂƐƚƌŽƉŚLJƐŝĐƐ ƉƌŽŐƌĂŵ ĂƐƉŝƌĞƐ ƚŽ ĞdžƉůŽƌĞ ƚŚĞ ĐŽƐŵŽƐ :ŽŚŶ ƵƌƌŽƵŐŚƐ Ă ďƌŝůůŝĂŶƚ ĐŽŵƉŽƐĞƌ ŚĂƐ ũƵƐƚ ƌĞĂĐŚĞĚ ƚŚĞ ƉŝŶŶĂĐůĞ ŽĨ ŚŝƐ ƉƌŽĨĞƐƐŝŽŶ ĂŶĚ ŝƐ ĂďŽƵƚ ƚŽ ŚĂǀĞ Ă ƐĞĐŽŶĚ ĐŚŝůĚ ǁŝƚŚ ŚŝƐ ůŽǀŝŶŐ ǁŝĨĞ KŶ ƚŚĞ ĞǀĞ ŽĨ ƚŚĞ ĚŝƐĐŽǀĞƌLJ ŽĨ Ă ĚƵƉůŝĐĂƚĞ ĂƌƚŚ ƚƌĂŐĞĚLJ ƐƚƌŝŬĞƐ ĂŶĚ ƚŚĞ ůŝǀĞƐ ŽĨ ƚŚĞƐĞ ƐƚƌĂŶŐĞƌƐ ďĞĐŽŵĞ ŝƌƌĞǀŽĐĂďůLJ ŝŶƚĞƌƚǁŝŶĞĚ ƐƚƌĂŶŐĞĚ ĨƌŽŵ ƚŚĞ ǁŽƌůĚ ĂŶĚ ƚŚĞ ƐĞůǀĞƐ ƚŚĞLJ ŽŶĐĞ ŬŶĞǁ ƚŚĞ ƚǁŽ ŽƵƚƐŝĚĞƌƐ ďĞŐŝŶ ĂŶ ƵŶůŝŬĞůLJ ůŽǀĞ ĂīĂŝƌ ǁŚŝĐŚ ƌĞĂǁĂŬĞŶƐ ƚŚĞŵ ƚŽ ůŝĨĞ Ƶƚ ǁŚĞŶ ŽŶĞ ŽĨ ƚŚĞŵ ŝƐ ƉƌĞƐĞŶƚĞĚ ǁŝƚŚ ƚŚĞ ŽƉƉŽƌƚƵŶŝƚLJ ƚŽ ƚƌĂǀĞů ƚŽ ƚŚĞ ŽƚŚĞƌ ĂƌƚŚ ĂŶĚ ĞŵďƌĂĐĞ ĂŶ ĂůƚĞƌŶĂƟǀĞ Another Happy day ZƵŶ ƟŵĞ ϭϭϱ ŵŝŶ h^ ĐŽůŽƌ ǁĞĚĚŝŶŐ Ăƚ ŚĞƌ ƉĂƌĞŶƚƐ ŶŶĂƉŽůŝƐ ĞƐƚĂƚĞ ŚƵƌůƐ ŚŝŐŚͲƐƚƌƵŶŐ >LJŶŶ ŝŶƚŽ ƚŚĞ ĮƌĞ ŽĨ ƉƌŝŵĂů LJnjĂŶƟŶĞ ĨĂŵŝůLJ ĚLJŶĂŵŝĐƐ /ƚƐ ƚŚĞ ǁĞĚĚŝŶŐ ŽĨ >LJŶŶƐ ƐŽŶ ǁŚŽŵ ƐŚĞ ǁĂƐ ĚĞƉƌŝǀĞĚ ŽĨ ƌĂŝƐŝŶŐ ďĞĐĂƵƐĞ ŽĨ ŚĞƌ ĂĐƌŝŵŽŶŝŽƵƐ ĚŝǀŽƌĐĞ ĂŶĚ Ă ĨĞƵĚ ƐƟůů ƌĂŐĞƐ ďĞƚǁĞĞŶ >LJŶŶ ĂŶĚ ŚĞƌ ĞdžͲŚƵƐďĂŶĚƐ ŚŽƚͲƚĞŵƉĞƌĞĚ ǁŝĨĞ DĞĂŶǁŚŝůĞ ƚŚĞ ƚŚƌĞĞ ĐŚŝůĚƌĞŶ >LJŶŶ ĚŝĚ ƌĂŝƐĞ ĚŝƐƉůĂLJ Ă ƉĂŶŽƉůLJ ŽĨ ĚŝƐƚƵƌďŝŶŐ ďĞŚĂǀŝŽƌƐ ůŝŬĞ ĐƵƫŶŐ ĂŶĚ ĚƌƵŐ ĂĚĚŝĐƟŽŶ ǁŚŝĐŚ >LJŶŶƐ ŵŽƚŚĞƌ ĂŶĚ ƐŝƐƚĞƌƐ ĂůƚĞƌŶĂƚĞůLJ ƌŝĚŝĐƵůĞ ĂŶĚ ďůĂŵĞ ŚĞƌ ĨŽƌ Ɛ >LJŶŶ ĂƩĞŵƉƚƐ ĐĂƚŚĂƌƐŝƐ ŚĞƌ ŵŽƚŚĞƌ ƐǁĞĞƉƐ ŝƐƐƵĞƐ ƵŶĚĞƌ ƚŚĞ ƌƵŐ ďƵƚ ƉĂŝŶĨƵů ƚƌƵƚŚƐ ďƵďďůĞ ĂŶĚ ƐƉƵƌƚ Benavides Born ZƵŶ ƟŵĞ ϵϭ ŵŝŶ h^ ĐŽůŽƌ /Ŷ Ă ƐŵĂůů ƐŽƵƚŚ dĞdžĂƐ ƚŽǁŶ ƚŚĞƌĞ ĂƌĞŶƚ ŵĂŶLJ ĐĂƌĞĞƌ ŽƉƟŽŶƐ ĨŽƌ LJŽƵŶŐ ƉĞŽƉůĞ ďĞƐŝĚĞƐ Žŝů ƌŝŐƐ ƚŚĞ ŵŝůŝƚĂƌLJ Žƌ ĨĂƐƚͲĨŽŽĚ ƌĞƐƚĂƵƌĂŶƚƐ >Ƶnj 'ĂƌĐŝĂ Ă ĮĞƌLJ ŚŝŐŚͲƐĐŚŽŽů ĂƚŚůĞƚĞ ŝƐ ĚĞƚĞƌŵŝŶĞĚ ƚŽ ĨŽƌŐĞ Ă ĚŝīĞƌĞŶƚ ĨƵƚƵƌĞ ƐŚĞƐ ŐĂŝŶĞĚ ĂĚŵŝƐƐŝŽŶ ƚŽ ƚŚĞ hŶŝǀĞƌƐŝƚLJ ŽĨ dĞdžĂƐ Ăƚ ƵƐƟŶ dŚĞ ƉƌŽďůĞŵ ŝƐ ƐŚĞ ĐĂŶƚ ĂīŽƌĚ ƚŽ ŐŽ tŝƚŚ ŚĞƌ ŽŶĞ ƐŚŽƚ Ăƚ Ă ƐĐŚŽůĂƌƐŚŝƉ ƌŝĚŝŶŐ ŽŶ ƚŚĞ ƐƚĂƚĞ ƉŽǁĞƌůŝŌŝŶŐ ĐŚĂŵƉŝŽŶƐŚŝƉ ƐŚĞ ƐĞĞƐ ŶŽ ĐŚŽŝĐĞ ďƵƚ ƚŽ ďĞŶĚ ƚŚĞ ƌƵůĞƐ ƚŽ ĞŶƐƵƌĞ ŚĞƌ ǀŝĐƚŽƌLJ ůƚŚŽƵŐŚ >ƵnjƐ ƌĂƐŚŶĞƐƐ ĂŶĚ ĨƌƵƐƚƌĂƟŽŶ ůĂŶĚ ŚĞƌ ŝŶ ŝŶĐƌĞĂƐŝŶŐůLJ ŚŽƩĞƌ ǁĂƚĞƌ ƚŚĞLJ ĂůƐŽ ĨƵĞů ŚĞƌ ǁŝƚŚ ĐŽƵƌĂŐĞ ĂŶĚ ĞŵƉŽǁĞƌŵĞŶƚ Circumstance ZƵŶ ƟŵĞ ϭϬϱ ŵŝŶ h^ ĐŽůŽƌ dĞĞŶĂŐĞƌƐ ƚĂĨĞŚ ĂŶĚ ŚĞƌ ďĞƐƚ ĨƌŝĞŶĚ ^ŚŝƌĞĞŶ ĂƌĞ ĞdžƉĞƌŝŵĞŶƟŶŐ ǁŝƚŚ ƚŚĞŝƌ ďƵƌŐĞŽŶŝŶŐ ƐĞdžƵĂůŝƚLJ ĂŵŝĚƐƚ ƚŚĞ ƐƵďĐƵůƚƵƌĞ ŽĨ dĞŚƌĂŶƐ ƵŶĚĞƌŐƌŽƵŶĚ Ăƌƚ ƐĐĞŶĞ ǁŚĞŶ ƚĂĨĞŚƐ ďƌŽƚŚĞƌ DĞŚƌĂŶ ƌĞƚƵƌŶƐ ŚŽŵĞ ĨƌŽŵ ĚƌƵŐ ƌĞŚĂď ĂƐ ƚŚĞ ƉƌŽĚŝŐĂů ƐŽŶ ĂƩůŝŶŐ ŚŝƐ ĚĞŵŽŶƐ DĞŚƌĂŶ ǀĞŚĞŵĞŶƚůLJ ƌĞŶŽƵŶĐĞƐ ŚŝƐ ĨŽƌŵĞƌ ůŝĨĞ ĂƐ Ă ĐůĂƐƐŝĐĂů ŵƵƐŝĐŝĂŶ ĂŶĚ ũŽŝŶƐ ƚŚĞ ŵŽƌĂůŝƚLJ ƉŽůŝĐĞ ,Ğ ĚŝƐĂƉƉƌŽǀĞƐ ŽĨ ŚŝƐ ƐŝƐƚĞƌƐ ĚĞǀĞůŽƉŝŶŐ ŝŶƟŵĂƚĞ ƌĞůĂƟŽŶƐŚŝƉ ǁŝƚŚ ^ŚŝƌĞĞŶ ĂŶĚ ďĞĐŽŵĞƐ ŽďƐĞƐƐĞĚ ǁŝƚŚ ƐĂǀŝŶŐ ^ŚŝƌĞĞŶ ĨƌŽŵ ƚĂĨĞŚƐ ŝŶŇƵĞŶĐĞ ^ƵĚĚĞŶůLJ ƚŚĞ ƚǁŽ ƐŝďůŝŶŐƐ ǁŚŽ ǁĞƌĞ ĐůŽƐĞ ĐŽŶĮĚĂŶƚƐ ĂƌĞ ĞŶƚĂŶŐůĞĚ ŝŶ Ă ƚƌŝĂŶŐůĞ ŽĨ ƐƵƐƉĞŶƐĞ Gun Hill Road ZƵŶ ƟŵĞ ϴϴ ŵŝŶ h^ ĐŽůŽƌ ŌĞƌ ƚŚƌĞĞ LJĞĂƌƐ ŝŶ ƉƌŝƐŽŶ ŵĂĐŚŽ ŶƌŝƋƵĞ ;ƐĂŝ DŽƌĂůĞƐͿ ƌĞƚƵƌŶƐ ŚŽŵĞ ƚŽ ƚŚĞ ƌŽŶdž ĂŶĚ ĮŶĚƐ ƚŚŝŶŐƐ ĐŚĂŶŐĞĚ ,ŝƐ ǁŝĨĞ ŶŐĞůĂ ;:ƵĚLJ ZĞLJĞƐͿ ŝƐ ĚŝƐƚĂŶƚ ĂŶĚ ŚŝƐ ƚĞĞŶĂŐĞ ƐŽŶ DŝĐŚĂĞů ŚĂƐ ĐŽŵĞ ŽƵƚ ĂƐ sĂŶĞƐƐĂ Ă ƚƌĂŶƐŐĞŶĚĞƌ ǁŽŵĂŶ hŶĂďůĞ ƚŽ ĂĐĐĞƉƚ ŚŝƐ ĐŚŝůĚ ĨŽƌ ǁŚŽ ƐŚĞ ŝƐ ŶŽǁ ŶƌŝƋƵĞ ĐůŝŶŐƐ ƚŽ ŚŝƐ ŵĂƐĐƵůŝŶĞ ŝĚĞĂůƐ ǁŚŝůĞ ŶŐĞůĂ ĂƩĞŵƉƚƐ ƚŽ ŚŽůĚ ƚŚĞ ĨĂŵŝůLJ ƚŽŐĞƚŚĞƌ ďLJ ĮĞƌĐĞůLJ ƉƌŽƚĞĐƟŶŐ sĂŶĞƐƐĂ ^Ɵůů ƵŶĚĞƌ ƚŚĞ ǁĂƚĐŚĨƵů ĞLJĞ ŽĨ ŚŝƐ ƉĂƌŽůĞ ŽĸĐĞƌ ŶƌŝƋƵĞ ŵƵƐƚ ďĞĐŽŵĞ ƚŚĞ ĨĂƚŚĞƌ ŚĞ ŶĞĞĚƐ ƚŽ ďĞ Žƌ ŽŶĐĞ ĂŐĂŝŶ ƌŝƐŬ ůŽƐŝŶŐ ŚŝƐ ĨĂŵŝůLJ ĂŶĚ ĨƌĞĞĚŽŵ HERE ZƵŶ ƟŵĞ ϭϮϬ ŵŝŶ h^ ĐŽůŽƌ tŝůů ;ĞŶ &ŽƐƚĞƌͿ ŝƐ Ă ƐĂƚĞůůŝƚĞͲŵĂƉƉŝŶŐ ĞŶŐŝŶĞĞƌ ĐŽŶĚƵĐƟŶŐ Ă ƐƵƌǀĞLJ ŽĨ ƌŵĞŶŝĂ KŶĞ ŵŽƌŶŝŶŐ Ăƚ Ă ƌƵƌĂů ŚŽƚĞů ŚĞ ŵĞĞƚƐ 'ĂĚĂƌŝŶĞ ;>ƵďŶĂ njĂďĂůͿ ĂŶ ƌŵĞŶŝĂŶ ĞdžƉĂƚƌŝĂƚĞ ĂŶĚ ƉŚŽƚŽŐƌĂƉŚĞƌ ƌĞĐĞŶƚůLJ ƌĞƚƵƌŶĞĚ ŚŽŵĞ &ŽƌŵŝŶŐ ĂŶ ŝŶƐƚĂŶƚ ƵŶĐŽŶƐĐŝŽƵƐ ďŽŶĚ ƚŚĞ ƚǁŽ ŝŵƉƵůƐŝǀĞůLJ ĚĞĐŝĚĞ ƚŽ ƚƌĂǀĞů ƚŽŐĞƚŚĞƌ Higher Ground ZƵŶ ƟŵĞ ϭϬϵ ŵŝŶ h^ ĐŽůŽƌ ŚĂƌƟŶŐ ŽŶĞ ǁŽŵĂŶƐ ƐƉŝƌŝƚƵĂů ũŽƵƌŶĞLJ ƚŚƌŽƵŐŚ ůŝĨĞ ǁŚŝůĞ ĞdžƉůŽƌŝŶŐ ĂŶĚ ĞŵďƌĂĐŝŶŐ ŚĞƌ ŽǁŶ ŚƵŵĂŶŝƚLJ ,ŝŐŚĞƌ 'ƌŽƵŶĚ ŝƐ ƚŚĂƚ ƌĂƌĞ Įůŵ ƚŚĂƚ ŝƐ ƌŝĐŚ ŝŶ ŝĚĞĂƐ ďƵƚ ĂůƐŽ ĐŚĂƌŐĞĚ ǁŝƚŚ ĞŵŽƟŽŶ Ɛ Ă ĐŚŝůĚ ŐƌŽǁŝŶŐ ƵƉ ŝŶ ƚŚĞ ϭϵϲϬƐ ŽƌŝŶŶĞƐ ĚĞĮŶŝŶŐ ĨĞĂƚƵƌĞ ŝƐ ŚĞƌ ƐĞŶƐĞ ŽĨ ŝŶĂĚĞƋƵĂĐLJ tŚĞŶ ƐŚĞ ƌĞĂĐŚĞƐ ŚŝŐŚ ƐĐŚŽŽů ŚĞƌ ŚŽŵĞ ůŝĨĞ ďĞŐŝŶƐ ƚŽ ƵŶƌĂǀĞů ĚƌŝǀŝŶŐ ŚĞƌ ŝŶƚŽ ƚŚĞ ĂƌŵƐ ŽĨ ƚŚĂŶ Ă ŐƵŝƚĂƌŝƐƚ ŝŶ Ă ůŽĐĂů ďĂŶĚ Ŷ ĞǀĞŶƚ ƉƌŽƉĞůƐ ƚŚĞŵ ƚŽ ũŽŝŶ Ă ƐŵĂůů ĨƵŶĚĂŵĞŶƚĂůŝƐƚ ĐŽŵŵƵŶŝƚLJ Homework ZƵŶ ƟŵĞ ϴϰ ŵŝŶ h^ ĐŽůŽƌ 'ĞŽƌŐĞ ;&ƌĞĚĚŝĞ ,ŝŐŚŵŽƌĞͿ Ă ƐŵĂƌƚ ƚĞĞŶĂŐĞ ůŽŶĞƌ ŚĂƐ ŵĂĚĞ ŝƚ ƚŽ ŚŝƐ ƐĞŶŝŽƌ LJĞĂƌ ĚĞƐƉŝƚĞ ƚŚĞ ĨĂĐƚ ƚŚĂƚ ŚĞ ŚĂƐ ŶĞǀĞƌ ĐŽŵƉůĞƚĞĚ ĂŶ ĂƐƐŝŐŶŵĞŶƚ ŶƚĞƌ ^ĂůůLJ ;ŵŵĂ ZŽďĞƌƚƐͿ ƚŚĞ ƐĐŚŽŽů ďĞĂƵƚLJ ǁŚŽ ŚŝĚĞƐ ŚĞƌ ŵĞůĂŶĐŚŽůLJ ďĞŚŝŶĚ ƚŚĞ ƉƌŽƚĞĐƟǀĞ ŵĂƐŬ ŽĨ ƉŽƉƵůĂƌŝƚLJ Ŷ ƵŶůŝŬĞůLJ ĐŽŶŶĞĐƟŽŶ ďůŽŽŵƐ ĂƐ ƚŚĞƐĞ ŬŝŶĚƌĞĚ ƐƉŝƌŝƚƐ ďŽŶĚ ŽǀĞƌ ƚŚĞŝƌ ƚƌŽƵďůĞĚ ƉĂƌĞŶƚĂů ƌĞůĂƟŽŶƐŚŝƉƐ tŝƚŚ ŚŝƐ ĞĚƵĐĂƟŽŶ ŚĂŶŐŝŶŐ ďLJ Ă ƚŚƌĞĂĚ 'ĞŽƌŐĞ ĐŽŶĐĞĚĞƐ ƚŽ ůĞƚ ƵƐƟŶ ŵĞŶƚŽƌ Śŝŵ The Ledge ZƵŶ ƟŵĞ ϭϬϭ ŵŝŶ h^ ĐŽůŽƌ ƚŽƉ Ă ŚŝŐŚͲƌŝƐĞ ďƵŝůĚŝŶŐ 'ĂǀŝŶ Ă LJŽƵŶŐ ŚŽƚĞů ŵĂŶĂŐĞƌ ŝƐ ĂďŽƵƚ ƚŽ ĞŶĚ ŚŝƐ ůŝĨĞ ,ŽůůŝƐ Ă ĚĞƚĞĐƟǀĞ ǁŚŽƐĞ ŽǁŶ ǁŽƌůĚ ŚĂƐ ũƵƐƚ ďĞĞŶ ƚƵƌŶĞĚ ƵƉƐŝĚĞ ĚŽǁŶ ŝƐ ĚŝƐƉĂƚĐŚĞĚ ƚŽ ƚŚĞ ƐĐĞŶĞ Ɛ ,ŽůůŝƐ ƚƌŝĞƐ ƚŽ ƉĞƌƐƵĂĚĞ 'ĂǀŝŶ ŶŽƚ ƚŽ ũƵŵƉ ĞĂĐŚ ŵĂŶ ďĞŐŝŶƐ ƚŽ ŽƉĞŶ ƵƉ ĂďŽƵƚ ŚŝƐ ƉĂƐƚ ĂŶĚ ǁĞ ĚŝƐĐŽǀĞƌ ƚŚĂƚ ŶĞŝƚŚĞƌ ŽĨ ƚŚĞŵ ŝƐ ĐŽŶǀŝŶĐĞĚ ƚŚĂƚ ŚŝƐ ůŝĨĞ ŝƐ ǁŽƌƚŚ ůŝǀŝŶŐ Like Crazy ZƵŶ ƟŵĞ ϴϵ ŵŝŶ h^ ĐŽůŽƌ >ŝŬĞ ƌĂnjLJ ŝƐ Ă Įůŵ ĨƌŽŵ ĂŶĚ ĂďŽƵƚ ƚŚĞ ŚĞĂƌƚ :ĂĐŽď ĂŶ ŵĞƌŝĐĂŶ ĂŶĚ ŶŶĂ ǁŚŽ ŝƐ ƌŝƟƐŚ ŵĞĞƚ Ăƚ ĐŽůůĞŐĞ ŝŶ >ŽƐ ŶŐĞůĞƐ ĂŶĚ ĨĂůů ŵĂĚůLJ ŝŶ ůŽǀĞ /ƚƐ ƚŚĞ ƉƵƌĞƐƚ ŬŝŶĚ ŽĨ ƌŽŵĂŶĐĞͶƚŚĞLJƌĞ ĞĂĐŚ ŽƚŚĞƌƐ ĮƌƐƚ ƐŝŐŶŝĮĐĂŶƚ ĂƩĂĐŚŵĞŶƚ tŚĞŶ ŶŶĂ ƌĞƚƵƌŶƐ ƚŽ >ŽŶĚŽŶ ƚŚĞ ĐŽƵƉůĞ ŝƐ ĨŽƌĐĞĚ ŝŶƚŽ Ă ůŽŶŐͲĚŝƐƚĂŶĐĞ ƌĞůĂƟŽŶƐŚŝƉ dŚĞŝƌ ƉĞƌĨĞĐƚ ůŽǀĞ ŝƐ ƚĞƐƚĞĚ ĂŶĚ LJŽƵƚŚ ƚƌƵƐƚ ĂŶĚ ŐĞŽŐƌĂƉŚLJ ďĞĐŽŵĞ ƚŚĞŝƌ ďŝŐŐĞƐƚ ĞŶĞŵŝĞƐ dĂŬŝŶŐ Ă ĐŽŵƉůĞƚĞ ƚŽŶĂů ĚĞƉĂƌƚƵƌĞ ĨƌŽŵ ŚŝƐ ůĂƐƚ Įůŵ ŽƵĐŚĞďĂŐ ǁŚŝĐŚ ƐĐƌĞĞŶĞĚ Ăƚ ƚŚĞ ϮϬϭϬ ^ƵŶĚĂŶĐĞ &ŝůŵ &ĞƐƟǀĂů ĐŽǁƌŝƚĞƌĚŝƌĞĐƚŽƌ ƌĂŬĞ ŽƌĞŵƵƐ ƉŽĞƟĐĂůůLJ ƌĞǀĞĂůƐ ƚŚĞ ŝŶƟŵĂƚĞ ĚĞƚĂŝůƐ ĂŶĚ ĚĂŝůLJ ƐƚƌƵŐŐůĞƐ >ŝƩůĞ ŝƌĚƐ ZƵŶ ƟŵĞ ϵϰ ŵŝŶ h^ ĐŽůŽƌ >ŝƩůĞ ŝƌĚƐ ĞŵĂŶĂƚĞƐ ďŽƚŚ Ă ŚĂƌƐŚ ƌĞĂůŝƚLJ ĂŶĚ ĂŶ ŝŶŶŽĐĞŶƚ ůƵƐƚĞƌ ĂƐ ŝƚ ĞdžƉůŽƌĞƐ ƚŚĞ ǀŝŐŽƌŽƵƐ ĚĞƐŝƌĞ ƚŽ ĞƐĐĂƉĞ ŽŶĞƐ ŚŽŵĞͶĂŶĚ ƚŚĞ ŚĞĂǀLJ ƉƌŝĐĞ ŝƚ ĐĂŶ ĐŽƐƚ &ŝŌĞĞŶͲLJĞĂƌͲŽůĚ >ŝůLJ ĂŶĚ ŚĞƌ ďĞƐƚ ĨƌŝĞŶĚ ůŝƐŽŶ ůŝǀĞ ŽŶ ƚŚĞ ƐŚŽƌĞƐ ŽĨ ƚŚĞ ^ĂůƚŽŶ ^ĞĂ ^ƉƌŝŶƟŶŐ ƚŽǁĂƌĚ ĂĚƵůƚŚŽŽĚ >ŝůLJ ǁĂŶƚƐ ƚŽ ĞƐĐĂƉĞ ŚĞƌ ĚĞƉƌĞƐƐŝŶŐ ŚŽŵĞƚŽǁŶ Ƶƚ ůŝƐŽŶ ŝƐ ĐŽŶƚĞŶƚ ǁŝƚŚ ŚĞƌ ůŝĨĞ ƐŚĞ ĞŶũŽLJƐ ďĞŝŶŐ ƐŚĞůƚĞƌĞĚ ĨƌŽŵ ƚŚĞ ƵŶĐĞƌƚĂŝŶƚLJ ŽĨ ŐƌŽǁŝŶŐ ƵƉ Martha Marcy May Marlene ZƵŶ ƟŵĞ ϴϰ ŵŝŶ h^ ĐŽůŽƌ :ŽƐŚƵĂ DŝůƚŽŶ ůĂŚLJŝ ĂŬĂ 'ĞŶĞƌĂů ƵƩ EĂŬĞĚ ŵƵƌĚĞƌĞĚ ƚŚŽƵƐĂŶĚƐ ĚƵƌŝŶŐ >ŝďĞƌŝĂƐ ŚŽƌƌŝĮĐ ϭϰͲLJĞĂƌ Đŝǀŝů ǁĂƌ dŽĚĂLJ ƚŚŝƐ ŽŶĐĞͲďƌƵƚĂů ǁĂƌůŽƌĚ ŚĂƐ ƌĞŶŽƵŶĐĞĚ ŚŝƐ ƐĂĚŝƐƟĐ ƉĂƐƚ ĂŶĚ ƌĞŝŶǀĞŶƚĞĚ ŚŝŵƐĞůĨ ĂƐ ĞǀĂŶŐĞůŝƐƚ :ŽƐŚƵĂ DŝůƚŽŶ ůĂŚLJŝ /Ŷ Ă ƌŝǀĞƟŶŐ ĐŝŶĞŵĂ ǀĠƌŝƚĠ ũŽƵƌŶĞLJ ƚŚĂƚ ƵŶĨŽůĚƐ ŽǀĞƌ ƚŚĞ ĐŽƵƌƐĞ ŽĨ ĮǀĞ LJĞĂƌƐ ĮůŵŵĂŬĞƌƐ ƌŝĐ ^ƚƌĂƵƐƐ ĂŶĚ ĂŶŝĞůĞ ŶĂƐƚĂƐŝŽŶ ĨŽůůŽǁ ůĂŚLJŝƐ ƵŶƌĞůĞŶƟŶŐ ĐƌƵƐĂĚĞ ƚŽ ƌĞĚĞĞŵ ŚŝƐ ůŝĨĞ &ĂĐŝŶŐ ƚŚŽƐĞ ŚĞ ŽŶĐĞ ƚĞƌƌŽƌŝnjĞĚ ƉƌĞĂĐŚŝŶŐ ǁŚĞƌĞ ŚĞ ŽŶĐĞ ŵƵƌĚĞƌĞĚ ůĂŚLJŝ ŝƐ ŽŶ Ă ƋƵĞƐƚ ƚŽ ƐĂǀĞ ŚŝƐ ƐŽƵů On the Ice ZƵŶ ƟŵĞ ϵϲ ŵŝŶ h^ ĐŽůŽƌ /Ŷ ƚŚĞ ŝƐŽůĂƚĞĚ ĨƌŽnjĞŶ ƚŽǁŶ ŽĨ ĂƌƌŽǁ ůĂƐŬĂ /ŹƵƉŝĂƋ ƚĞĞŶĂŐĞƌƐ YĂůůŝ ĂŶĚ ŝǀĂĂƋ ŚĂǀĞ ŐƌŽǁŶ ƵƉ ůŝŬĞ ďƌŽƚŚĞƌƐ ŝŶ Ă ƟŐŚƚͲŬŶŝƚ ĐŽŵŵƵŶŝƚLJ ĚĞĮŶĞĚ ĂƐ ŵƵĐŚ ďLJ ĂŶĐŝĞŶƚ ƚƌĂĚŝƟŽŶƐ ĂƐ ďLJ ŚŝƉͲŚŽƉ ĂŶĚ ƐŶŽǁŵŽďŝůĞƐ ĂƌůLJ ŽŶĞ ŵŽƌŶŝŶŐ ŽŶ Ă ƐĞĂů ŚƵŶƚ ǁŝƚŚ ƚŚĞŝƌ ĨƌŝĞŶĚ :ĂŵĞƐ Ă ƚƵƐƐůĞ ƚƵƌŶƐ ǀŝŽůĞŶƚ ĂŶĚ :ĂŵĞƐ ŝƐ ŬŝůůĞĚ WĂŶŝĐ ƐƚƌŝĐŬĞŶ ƚĞƌƌŝĮĞĚ ĂŶĚ ǁŝƚŚ ŶŽ ŽŶĞ ƚŽ ďůĂŵĞ ďƵƚ ƚŚĞŵƐĞůǀĞƐ YĂůůŝ ĂŶĚ ŝǀĂĂƋ ůŝĞ ĂŶĚ ĚĞĐůĂƌĞ ƚŚĞ ĚĞĂƚŚ Ă ƚƌĂŐŝĐ ĂĐĐŝĚĞŶƚ Ɛ ĂƌƌŽǁ ƌŽŝůƐ ǁŝƚŚ ŐƌŝĞĨ ĂŶĚ ŚŝƐ ƉƌŽƚĞĐƟǀĞ ĨĂƚŚĞƌ ďĞĐŽŵĞƐ ƐƵƐƉŝĐŝŽƵƐ YĂůůŝ ƐƚƵŵďůĞƐ ƚŚƌŽƵŐŚ ŐƵŝůƚͲĮůůĞĚ ĚĂLJƐ ǁƌĞƐƚůŝŶŐ ǁŝƚŚ ŚŝƐ ƉĂƌƚ ŝŶ ƚŚĞ ĚĞĂƚŚ &Žƌ ƚŚĞ ĮƌƐƚ ƟŵĞ ŝŶ ŚŝƐ ůŝĨĞ ŚĞƐ ƚƌĞĂĚŝŶŐ ĂůŽŶĞ ŽŶ ĞdžŝƐƚĞŶƟĂů ŝĐĞ Pariah ZƵŶ ƟŵĞ ϴϰ ŵŝŶ h^ ĐŽůŽƌ ƚ ƚŚĞ ĐůƵď ƚŚĞ ŵƵƐŝĐ ƚŚƵŵƉƐ ŐŽͲŐŽ ĚĂŶĐĞƌƐ ƚǁŝƌů ƐŚŽƌƟĞƐ ŐLJƌĂƚĞ ŽŶ ƚŚĞ ĚĂŶĐĞ ŇŽŽƌ ǁŚŝůĞ ƐƚƵĚƐ ƉůĂLJ ŝƚ ĐŽŽů ĂŶĚ ĂĚŽƌĂďůLJ ŶĂŝǀĞ ϭϳͲLJĞĂƌͲŽůĚ ůŝŬĞ ƚĂŬĞƐ ŝŶ ƚŚĞ ƐĐĞŶĞ ǁŝƚŚ ŚĞƌ ũĂǁ ĚƌŽƉƉĞĚ ŝŶ ĂŵĂnjĞŵĞŶƚ DĞĂŶǁŚŝůĞ ŚĞƌ ďƵĚĚLJ >ĂƵƌĂ ŝŶ ďĞƚǁĞĞŶ ŵĂĐŬŝŶŐ ƚŚĞ ůĂĚŝĞƐ ĂŶĚ ŇĞdžŝŶŐ ŚĞƌ ďƵƚĐŚ ďƌĂǀĂĚŽ ŝƐ ƚƌLJŝŶŐ ƚŽ ŚĞůƉ ůŝŬĞ ŐĞƚ ŚĞƌ ĐŚĞƌƌLJ ƉŽƉƉĞĚ dŚŝƐ ŝƐ ůŝŬĞƐ ĮƌƐƚ ǁŽƌůĚ ,Ğƌ ƐĞĐŽŶĚ ǁŽƌůĚ ŝƐ ĐĂůůŝŶŐ ŽŶ ŚĞƌ ĐĞůů ƚŽ ƌĞŵŝŶĚ ŚĞƌ ŽĨ ŚĞƌ ĐƵƌĨĞǁ KŶ ƚŚĞ ďƵƐ ƌŝĚĞ ŚŽŵĞ ƚŽ ƌŽŽŬůLJŶ ůŝŬĞ ƐŚĞĚƐ ŚĞƌ ďĂƐĞďĂůů ĐĂƉ ĂŶĚ ƉŽůŽ ƐŚŝƌƚ ƉƵƚƐ ŚĞƌ ĞĂƌƌŝŶŐƐ ďĂĐŬ ŝŶ ĂŶĚ ƚƌŝĞƐ ƚŽ ůŽŽŬ ůŝŬĞ ƚŚĞ ĨĞŵŝŶŝŶĞ ŽďĞĚŝĞŶƚ Őŝƌů ŚĞƌ ĐŽŶƐĞƌǀĂƟǀĞ ĨĂŵŝůLJ ĞdžƉĞĐƚƐ Take Shelter ZƵŶ ƟŵĞ ϭϮϯ ŵŝŶ h^ ĐŽůŽƌ &ŽůůŽǁŝŶŐ ŚŝƐ ĂĐĐůĂŝŵĞĚ ĚĞďƵƚ ^ŚŽƚŐƵŶ ^ƚŽƌŝĞƐ ǁƌŝƚĞƌĚŝƌĞĐƚŽƌ :Ğī EŝĐŚŽůƐ ƌĞƚĞĂŵƐ ǁŝƚŚ ĂĐƚŽƌ DŝĐŚĂĞů ^ŚĂŶŶŽŶ ƚŽ ĐƌĞĂƚĞ Ă ŚĂƵŶƟŶŐ ƚĂůĞ ƚŚĂƚ ǁŝůů ĐƌĞĞƉ ƵŶĚĞƌ LJŽƵƌ ƐŬŝŶ ĂŶĚ ĞdžƉŽƐĞ LJŽƵƌ ĚĂƌŬĞƐƚ ĨĞĂƌƐ ƵƌƟƐ >Ă&ŽƌĐŚĞ ůŝǀĞƐ ŝŶ Ă ƐŵĂůů ƚŽǁŶ ŝŶ KŚŝŽ ǁŝƚŚ ŚŝƐ ǁŝĨĞ ^ĂŵĂŶƚŚĂ ĂŶĚ ĚĂƵŐŚƚĞƌ ,ĂŶŶĂŚ Ă ƐŝdžͲLJĞĂƌͲŽůĚ ĚĞĂĨ Őŝƌů tŚĞŶ ƵƌƟƐ ďĞŐŝŶƐ ƚŽ ŚĂǀĞ ƚĞƌƌŝĨLJŝŶŐ ĚƌĞĂŵƐ ŚĞ ŬĞĞƉƐ ƚŚĞ ǀŝƐŝŽŶƐ ƚŽ ŚŝŵƐĞůĨ ĐŚĂŶŶĞůŝŶŐ ŚŝƐ ĂŶdžŝĞƚLJ ŝŶƚŽ ŽďƐĞƐƐŝǀĞůLJ ďƵŝůĚŝŶŐ Ă ƐƚŽƌŵ ƐŚĞůƚĞƌ ŝŶ ŚŝƐ ďĂĐŬLJĂƌĚ Terri ZƵŶ ƟŵĞ ϭϬϭ ŵŝŶ h^ ĐŽůŽƌ ŝƌĞĐƚŽƌ njĂnjĞů :ĂĐŽďƐ ;DŽŵŵĂƐ DĂŶͿ ƌĞƚƵƌŶƐ ƚŽ ƚŚĞ ^ƵŶĚĂŶĐĞ &ŝůŵ &ĞƐƟǀĂů ǁŝƚŚ Ă ƚĂůĞ ƚŚĂƚ ǁŝůů ƐƉĞĂŬ ƚŽ ĂŶLJŽŶĞ ǁŚŽ ŚĂƐ ĞǀĞƌ ĨĞůƚ ŝŶƐĞĐƵƌĞ Žƌ ŵŝƐƵŶĚĞƌƐƚŽŽĚ /Ŷ ŽƚŚĞƌ ǁŽƌĚƐ ĞǀĞƌLJŽŶĞ KƌƉŚĂŶĞĚ ƚŽ ĂŶ ƵŶĐůĞ ǁŚŽ ŝƐ ĂŝůŝŶŐ ŵĞƌĐŝůĞƐƐůLJ ƚĞĂƐĞĚ ďLJ ŚŝƐ ƉĞĞƌƐ ĂŶĚ ƌŽƵŶĚůLJ ŝŐŶŽƌĞĚ ďLJ ŚŝƐ ũĂĚĞĚ ƚĞĂĐŚĞƌƐ dĞƌƌŝ ĮŶĚƐ ŚŝŵƐĞůĨ ĂůŝĞŶĂƚĞĚ ĂŶĚ ĂůŽŶĞ Ƶƚ ǁŚĞŶ ƚŚĞ ĚƌĞĂĚĞĚ ǀŝĐĞ ƉƌŝŶĐŝƉĂů Dƌ &ŝƚnjŐĞƌĂůĚ ƐĞĞƐ Ă ďŝƚ ŽĨ ŚŝŵƐĞůĨ ŝŶ ƚŚĞ ďŽLJ ƚŚĞLJ ĞƐƚĂďůŝƐŚ Ă ĨƌŝĞŶĚƐŚŝƉ ƚŚĂƚ ĞŶĐŽƵƌĂŐĞƐ dĞƌƌŝ ƚŽ ĐŽŶƐŝĚĞƌ ƚŚĞ ƉŽƐƐŝďŝůŝƚLJ ƚŚĂƚ ůŝĨĞ ŝƐ ƐŽŵĞƚŚŝŶŐ ƚŽ ďĞ ƐŚĂƌĞĚ ĞǀĞŶ ĞŶũŽLJĞĚ ŶŽƚ ũƵƐƚ ĞŶĚƵƌĞĚ

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Page 1: Sundance Film Festival

In 1981, Robert Redford gathered a group of his friends and colleagues in the mountains of Utah to create an environment designed to foster independ-ence, discovery, and new voices in American film. That spring, ten emerging filmmakers were invited to the first Sundance Institute Filmmakers/Directors Lab where they worked with leading writers and directors to develop their original independent film projects. In the remote natural setting and removed from the pressures of the marketplace, each emerg-ing artist was encouraged to take creative risks and to craft a film true to their own, unique vision. In 1984, the Institute's activities expanded to include development programs for theatre when the Utah Playwrights Conference became the Sundance Playwrights Lab.

Since those first Labs, the Institute has grown into an internationally recognized resource for thousands of independent film, theatre, and music artists. The programs of Sundance Institute include the annual Sundance Film Festival, held in and around Park City, Utah, each January. Widely considered the premier platform for American and international independent film, the Festival has introduced audiences to some of the most original stories of the last three decades including Reservoir Dogs, Hedwig and the Angry Inch, American Splendor, An Inconvenient Truth, Little Miss Sunshine, and The Cove.

Through year-round support and a series of Labs and Fellowships for screenwriters, directors, and produc-ers, the Institute's Feature Film Program has supported more than 300 feature films, including Rob Epstein and Je!rey Friedman's HOWL, Cherien Dabis' Amreeka, Cary Joji Fukunaga's Sin Nombre, Miranda July's Me and You and Everyone We Know, and Walter Salles's Central Station.

Documentaries ranging from Tia Lessin and Carl Deal's Trouble the Water to Laura Poitras' The Oath to Ross Kaufman and Zana Briski's Born into Brothels are among the 500 films that have been supported by the Documentary Film Program, which o!ers grants from the Sundance Institute Documentary Fund along with a series of Labs in editing and storytelling.

Sundance Institute also continues to support film and theatre artists beyond their participation in our Artist Programs through a commitment to building audiences for their work. In order to create a record of cultural history, the Sundance Institute Archives preserves the organization's history and documents the creative processes of the artists we support. The Sundance Institute Collection at UCLA provides a ground-breaking educational archive devoted to the collection and preservation of independent cinema.

The Alumni Initiative cultivates connections with our alumni to foster a continued relationship between the Institute and the artists who have developed or shown work through the Institute's programs. The Art House Project is a collaboration with art house cinemas in cities around the country to create specialized screening programs of Sundance Institute and Sundance Film Festival-supported films for local audiences and our Community Programs are a series of Utah-based activities that o!er many free and open to the public events for more than 25,000 Utah residents each year.

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TVBP+

The"ters

Venues

Box O#ces

P"rking/Tr"nsit

Points of Interest

The"tre Loop

Loc!tions

Festiv!l Shutter Routes

Beats,  Rhymes  &  Life:  The  Travels  of  A  Tribe  Called  Quest

BEING  ELMO:  A  Puppeteer's  Journey

Buck

Connected:  An  Autoblogography  about  Love,  Death

How  to  Die  in  Oregon

The  Last  Moutain

Beats,  Rhymes  &  Life:  The  Travels  of  A  Tribe  Called  Quest

Resurrect  Dead:  The  Mystery  of  the  Toynbee  Tiles

Sing  Your  Song

Troubadours

We  Were  Here

Page  One:  A  Year  Inside  the  -­‐i-­‐New  York  Times-­‐/i-­‐

 

Another  Earth

Another  Happy  day

Benavides  Born

Circumstance

Gun  Hill  Road

HERE

Higher  Ground

Homework

The  Ledge

Like  Crazy

Martha  Marcy  May  Marlene

On  the  Ice

Pariah

Take  Shelter

Terri