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    English Literary Forms

    ST NZ FORMS

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    Stanza - Forms

    The Chaucerian Stanza / Rhyme Royal

    The Ottava Rhyma

    The Spensarian Stanza

    The Terza Rhyma

    The Quatrain

    The heroic Couplet

    The Octosyllabic Couplet

    Satire

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    The Chaucerian Stanza

    Rhyme RoyalKing James I of Scotland in 15th

    CenturyKings Choir

    Seven Iambic Pentameter lines

    ab; ab b; c c

    Suited for narrative verse ( Chaucers

    Canterbury Tales; Shakespeares The Rape ofLucrece; William Morris The Earthly Paradise)

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    Example

    The aim of all is but to nurse the life

    With honour, wealth and ease, in waning age;

    And in this aim there is such thwarting strife

    That one for all or all for one we gage:

    As life for honour in fell battle's rage;

    Honour for wealth; and oft that wealth doth cost

    The death of all, and all together lost

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    The Ottava Rhyma

    First used in Englandearly 16thSir ThomasWyatthis frequent visits to Italy

    Well suited for narrative purpose, satiric purpose

    Eight iambic pentameter lines a b; a b; a b ; c c

    Six lines rhyme alternately with a couplet at the

    end Byrons Don Juan ; Shelleys The Witch of Atlas ;

    Keats The Pot of Basil

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    Example

    Mans love is of mans life a thing apart,Tiswomans whole existence; man may range

    The court, camp, church, the vessel, and the mart;

    Sword, gown, gain, glory, offer in exchange

    Pride, fame, ambition, to fill up his heart,

    And few there are whom these cannot estrange;

    Men have, all these resources, we but one,

    To love again, and be again undone.

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    Spenserian Stanza

    SpenserThe Faerie Queen

    Eight Iambic Pentameter lines and a line of twelvesyllables ( Alexandrine) at the end

    a b a b ; b c b c ; c

    Difficultone rhyme is repeated four times; anotherthree times

    Long narrative and descriptive poems but Spenser usedit

    James Thomson : Castle of Indolence; Byron : ChildHarold; Keats : The Eve of St.Agnes; Shelley : The Revoltof Islam, Adonais; Tennyson : The Lotos-Eaters

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    Example

    I weep for Adonais-he is dead!

    O, weep for Adonais! though our tears

    Thaw not the frost which binds so dear a head!

    And thou, sad Hour, selected from all yearsTo mourn our loss, rouse thy obscure compeers,

    And teach them thine own sorrow, say: "With me

    Died Adonais; till the Future dares

    Forget the Past, his fate and fame shall be

    An echo and a light unto eternity!"

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    The Terza Rhyma

    Italian verse form

    Dante : The Divine Comedy

    Group of three lines forming one unit ( tercet)

    may be run or closed; runis frequently used--each tercet is linked with the other

    Rhyme of two tercets : a b a, b c b

    ShelleyOde to the West Wind ; ByronProphecy of Dante; BrowningThe Statue andthe Bust

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    ExampleO Wild West Wind, thou breath of Autumn's being

    Thou from whose unseen presence the leaves dead

    Are driven like ghosts from an enchanter fleeing,

    Yellow, and black, and pale, and hectic red,

    Pestilence-stricken multitudes! O thou

    Who chariotest to their dark wintry bed

    The wingd seeds, where they lie cold and low,

    Each like a corpse within its grave, until

    Thine azure sister of the Spring shall blow

    Her clarion o'er the dreaming earth, and fill

    (Driving sweet buds like flocks to feed in air)

    With living hues and odours plain and hill

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    The Quatrain

    Stanza of four iambic lines with alternate

    rhymes

    Variation in rhyme, length

    Lines may be Pentameter, Tetrameter or even

    shorter

    Most of the ballads; Ballad-stanza

    Coleridge: Rime of the Ancient mariner

    Keats : La Belle Dame Sans merci

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    Example

    The sun came upon the left,

    Out of the sea came he!And he shone bright, and on the right

    Went down into the sea.

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    The Heroic Couplet

    Two iambic pentameter lines rhyming

    Heroic : Iambic pentameter verse was first used forepic or heroic poetry

    Augustan Age

    Each linefive feet / ten syllables; second syllable ofeach foot accented; pause after the fourth and beforethe sixth ( Caesura)

    Two kinds : closed or run

    First used by ChaucerSpenser, MarloweWaller andDenhambut Pope and Dryden led to its gloriousphaseused as an instrument of satire, other works

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    Dryden : Absalom and Achitophel;

    MacFlecknoe

    Pope : Rape of the Lock; Dunciad; Essay on

    Man; Essay on Criticism

    Ease, vigor, strength, sweetness

    Dryden often uses run-on; Popeclosed

    Even Byron, Shelley, Keats ( Lamia)run on

    ( enjambed) ; Browning, Morris, Swinburne

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    Samples

    We think our fathers fools, so wise we grow;

    Our wiser sons, no doubt will think us so.

    All human things are subject to decay,And, when Fate summons, monarchs must obey:

    This Flecknoe found, who, like Augustus, young

    Was call'd to empire, and had govern'd long:

    In prose and verse, was own'd, without dispute

    Through all the realms of Non-sense, absolute.

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    Octosyllabic Couplet

    Differs from Heroic

    Each lineeight syllables / four feet

    Difficult ; mechanical ; tiresome; long narrative poems

    Samuel ButlerSir Hudibras

    Coleridge : Christabel

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    For his Religion, it was fit

    To match his learning and his wit;

    'Twas Presbyterian true blue;

    For he was of that stubborn crew

    Of errant saints, whom all men grant

    To be the true Church Militant;

    Such as do build their faith upon

    The holy text of pike and gun;

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    Satire

    Latin-Satura Lanks

    Literary work that searches out the faults of men orinstitutions in order to hold them upto ridiculeLong

    The True end of satire is the amendment of vices by

    correctionDryden The expression in adequate terms of sense of

    amusement or disgust excited by the ridiculous orunseemly, provided that humor is a distinctlyrecognized element, and that the utterance is investedwith literary form. Without humor satire is invective;without literary form, it is mere clownish jeeringRichard Garnett

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    Satire

    Literary form of expression

    Disgust at the ridiculous, the ugly, the foolish

    Humor Sincere desire to correct or reform

    Author clothes his attackallegory, fable, mock-

    heroic, parody, burlesqueConcentration, brevity intensify the effect

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    Satire

    Personal : aimed at Individual; ephemeral

    Impersonal : Passes from individual to the Type ; eternaland universal ; wider sweep; individuals are used asexamples of the vices and follies that infect the Age

    Roman were the first satirists ( mankind) Persius (indignantly lashes) Horace ( laughs at) Juvenal ( hatesand despises)

    Middle AgesChurch and WomenChaucer, Langland

    Age of MiltonPolitics Dryden, PopePersonal and Political enemies; later to

    impersonal

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    Swift : Gullivers Travels one of the mostappalling exposures of human weakness--strange worlds , precision, likeness between

    the real and imaginary FieldingContemporary societys follies,

    foibles, weaknesses, vicesreformative (Amelia)

    Smollettmankind in general ( reduced to thelevel of insectes)

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    18thzenith

    19thnumber of vigorous satiristsByronEnglish Bards and Scotch Reviewers ; Don Juan

    ( epic satire on society); The Vision of Judgment (George IIIbase and mean)

    Dickens, Thackeray ( hypocrisy, materialism,greed, snobbery in the society)

    Carlyle, Ruskin, Mathew Arnold

    G B Shaw, Huxley, Orwell

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    Examples

    This made me reflect upon the fair skins of our English ladies,who appear so beautiful to us, only because they are of ourown size, and their defects not to be seen through amagnifying glass, where we find by experiment that thesmoothest and whitest skins look rough and course, and ill

    coloredMy little friend GrildrigI cannot but conclude the bulk of

    your natives to be the most pernicious race of little odiousVermin that Nature has ever suffered to crawl upon thesurface of the earth.

    All animals are equal but some are more equal than others