sound from the order (review)
DESCRIPTION
Projects 6, University of Alicante. Students: Ainhoa Camacho and Alejandra Martínez. Proffessor: Iván Capdevila.TRANSCRIPT
FINDINGSREDUCTIONS
HOMOGENIZATIONSDISPLACEMENTSHYBRIDATIONS
EDITION
SOUND FROM THE ORDER
SOUND FROM THE ORDER
FREE ENTRY!9th January 2015UNIVERSITY OF ALICANTE
More info at: https://architecturegames.wordpress.com/
FEATURING: AINHOA CAMACHO ALEJANDRA MARTÍNEZ
CURATING: IVÁN CAPDEVILA
Like Zumthor usually says, every single building has a sound, without knowing exactly why. This is the sound of the empty space, of the materials without friction of people, the breathing of the elements. Everything has a sound, made of its present reality and its future.
INDEX
Phase 5
Phase 1
Phase 2
COMPARISONS
Model
Plans
Elevations
Sections
Axonometries
REFERENCES
page
4-9
10-13
14-15
16-37
18-21
22-25
26-29
30-33
34-37
40-43
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. Ph 5_Bregenz museum
In this course, the sound grows from the order, with no place for indeterm
inacy.
5
_Bregenz museum
In this project Lacaton & Vassal meet Peter Zumthor, in a hybridation of two projects of each one. Taking extreme importance in the fact that we have to preserve the main character of each building, the final result appears as a union of intima-cy and permeability, bound movement and indetermina-cy; following a straight order of priorities about what to keep and what to leave.
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ENTRY
PUBLIC POOLfree entrance
COLD WATER
COLD WATER
HOT WATER
E 1/100
SECTION
ELEVATION
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_Shelters for roman ruins
SECTION ELEVATION
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E 1/100
FLOOR PLAN
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_Shelters for roman ruins
FLOOR PLAN
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FLOOR PLAN
In a first approach to Peter Zumthor´s projects, we hi-ghlight the main realities that run the different buildings.
First, in the Museum, it is evident the symbo-lism that remains modernism and the la-yout of the different galleries around the world.
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ELEVATION
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SECTION
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SECTION
Second, in the Shelters, the fact that there are a ruins to protect mark the main idea and strategy of the project, then, the collec-
tive imagi-nary of the primitive cabin and the need of enhancing the past atmosphe-re of the place do the rest.
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In order to keep just the essential, the elements that follow the realities which lead each project are in
SECTION
both cases: the element that creates the emp-ty box, the one that shifts and brings light in, and the one that allow the movement of people.
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Ph 2 Reductions_Shelter for roman ruins
SECTION
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Comparisons/ modelsplanselevationssectionsaxonometries
In order to do an organized comparison we focus on different things according to the view of the building we are looking at. Therefore, we treat the main ideas with the view of the models; we study the programme while looking at the floor plan; the image, looking at the eleva-tion; the use of light and the programmatic changes in height, when seeing the sections; and the overall image in the axonometries.
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Phase 3/ homogenizationsGoal: to homogenize all the works, phase 2’s drawings will be transformed into two models per reference. The Shelters for roman ruins will be entered in a perfect cube of 10x10x10m, while the Bregenz Museum will be entered in a perfect cube of 50x50x50m made to 1/100 scale.
Phase 4/ displacementsGoal: to produce both formal and programmatic shifts in models made in Phase 3.1_Formal: An action has been assigned to us: multiply. 2_Programmatic: A programme has been assigned to us: thermal baths.
Phase5/ hybridationsGoal: to hybridize the different groups of students’ works. Thus, each group will partner with another party to exchange their work and un-dertake the necessary modifications so that the others’ models reflect both formal and programmatic conditions they have been working with. We join Lacaton&Vassal couple, hybridating Tour Bois le Prêtre with Shelter for roman ruins and FRAC with Bregenz Museum.
Comparisons/ 3 phases
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Comparisons/ Models_Bregenz museum
/homogenizationWe mantain the proportions of the builging while exploting the layers in order to touch all the faces of the imaginary box. Each storey increase exponentially according to the importance of the rooms.
Ph 4Ph 3
/displacementWe introduce the thermal baths
placing saunas and
baths according with bath
routes and heat cycles.
Multipli-cation
appears radially from the centre,
bringing new spaces
and new possibilities
for light shifting.
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Ph 5
/hybridationThe main
idea that we take from L&V is the external structure that brings extra and public spaces to
the existing building.
Treating last phases building as the existing one we place metalic stairs outside to allow pass to the roof, which is now a public pool.
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Comparisons/ Models_Shelter for roman ruins
Ph 4Ph 3
/homogenizationIn order to fit the building in a 10x10x10 box, we introduce one pavilion inside the other, reinforcing and making more complex the filtering of light. To avoid the lost of the tunnel effect, the footbridge changes its section along its route.
/displacementThe multiplication is made from the center allowing the appearan-ce of new spaces and new ways to go through the thermal baths in order to make the bath ritual possible.A new footbridge appears to conenct the new boxes, enhancing the changes of light while walking the building.
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Ph 5
/hybridationMaintaining the dimensions of the building, we reduce the number of space while open it to the exterior. Again, the attached structure
is the one that brings the public space, enclosing the bath space with the metalic frame and crea-ting free saunas with the structure besides the buil-ding.
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Comparisons/ Plans_Bregenz museum
E 1/200
/homogenizationAll the spaces become larger but the light is maintain. The explosion of the faça-de layers reinforce the elements and the idea of void.
/displacementWe multiply
creating a patio in the middle
of the building as a result of
duplicate each element of the building from the centre. An itinerary throu-gh the different baths is created while we find a new possibility
for lighting. The essence of the image is main-
tain.
Ph 3 Ph 4
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/hybridationIntroducing an external gadget in metal, the roof appear as a public extra space, exclusive before. Also it reinforce the
image of the building and takes outside the movement of people, another idea we extract from Lacaton &
Vassal.
Ph 5
70º
50º
30º
10º
0º
70º
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0º
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Ph 3
/homogenizationThe 10x10x10 is touched in all its faces, in the nor-th-south axe by the footbridge, and in the west-east axe by the pavilion itself.The exterior box is now the route to visit the ruins and the interior is an information point.
/displacementThe space before occuped by the ruins is
now hollow for the pool. The inside rooms are dressing rooms and saunas. The foot-
bridge help the visitor to
follow the bath ritual,
first heat and later
warm bath.
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Ph 4 Ph 5
/hybridationWhen we meet Lacaton & Vassal, the building turns to the outside becoming more public and open. The private space is just the sauna, the hottest place of the building, from where all the heat of the building comes. 70º
50º
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BREGENZ MUSEUM
Comparisons/ Elevations_Bregenz museum
BREGENZ THERMS BATH
E 1/200
/homogeni-zationThe outside image is almost the same as in the existing builing, ex-cept for the changes in dimension of each storey and the dis-
Ph 3tance between the façade and the walls.
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ENTRY
BREGENZ THERMS BATH
/displacementWith the displacements the image does not change,
/hybridationThis outside stair is used as a promenade for architecture as well as a way to enhance the
Ph 4 Ph 5
as we unders-tand it as a main reality of the building not to lose.
image of modernity that was present
before plus the ima-ge of low cost that
Lacaton and Vassal bring to the project. The cheap-mind of L&V is seen also in the change of the
façade, now made of transparent plastic instead of the 3 per
2 m crystals that were there before.
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Ph 3 Ph 4
/homogenizationThe exterior image of the building is main-tain as we do not change any material, just the number of pavilions. The idea of the primitve cabain is still present.
/displacementFrom the outside the displacement are nor visible, the only
change is the small fringes in the façade, that now start upper in order to maintain the heat generated inside for the ther-
mal baths.
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Ph 4 Ph 5
/displacementFrom the outside the displacement are nor visible, the only
change is the small fringes in the façade, that now start upper
/hybridationThe new structure enclose the useful space of the thermal baths and open them visua-lly to the outside. The sauna room is now made of steel and plastic, cheaper than the previous and
also more open.
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Comparisons/ Sections_Bregenz museum
COLD WATER
COLD WATER
HOT WATER
cold room
hot room
warm room
patio
E 1/200
/homogenizationWith the explosion of the façade to touch the imagi-nary 50x50x50 box, we reinforce the idea of void and maintain the boundary walls, this way enter the same light but more filtered.
/displacementThe formal displacement has as a result a patio, what makes sense to the programmatic displace-
Ph 3 Ph 4
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PUBLIC POOLfree entrance
COLD WATER
COLD WATER
HOT WATER
COLD WATER
COLD WATER
HOT WATER
cold room
hot room
warm room
patio
/displacementThe formal displacement has as a result a patio, what makes sense to the programmatic displace-
/hybridationThe cold bath is in the top of the building, and since it does not carry cost to heat, it is the free and public area of the thermal baths. The metalic structure is attached
Ph 5
to the pre-cious one giving this
extra space and new
access. We maintain the
boundary walls and the faça-
de, so the light works
equal.
ment, the thermal baths, since it creates a promenade through the building. The heat of the rooms changes in order to the bath ritual, from warm, to hot and ending in cold.
70º
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Comparisons/ Sections_Shelter for roman ruins
E 1/200
Ph 3
/homogenizationThe insertion of one box inside the other change the way the light works, in the meaning that now in the ruins space the light is just the one that gets to filter through the wood fringes, and for the information point is all that comes from the skylight.
/displacementWith the multiplication of the pavilions, one is
introduce inside the other, and so do the skylights, this way we
enahnce more the idea of
void and we create new
ways for light to filter and
pass through one box to the
other.
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Ph 4 Ph 5
/displacementWith the multiplication of the pavilions, one is
introduce inside the other, and so do the skylights,
/hybridationWith the appearance of L&V the light becomes simpler and opener to the outside, still, the darkest space is the hottest, the sauna, to achieve a more intense and intimate space. 70º
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Comparisons/ Axonometries_Bregenz museum
/homogenizations
Ph 3
The programme still can use the central space in the same way, but new rooms are added as
a consequence of the explosion of the façade, what were before spaces for stairs, are now extra indetermi-
nated spaces.
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/displacementsMultiplicating the main elements of the building we enhance all the realities they carried, such as the imtimate light, the
/hybridationThe main elements we bring
from Lacaton&Vassal are: looking outside, public spcaes, and cheap and indepent struc-
tures. We take these realities
70º
50º
30º
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0º
70º
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30º
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Ph 4 Ph 5
without loosing the ones of the museum itself, the iconic image, the graduation of intimacy and the freedom of movement. Thus, a new enveloped, open and intimate building is created.
rising movement of people, or the feeling of “empty box”. The ther-mal baths take place in an orga-nic way, using the new shapes for running the programme, taking into account the movement of heat and the ritual of the typical Turkish baths.
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Comparisons/ Axonometries_Shelter for roman ruins
Ph 3
/homogenizationWhile homogenizating we maintain the main ideas present in the original building, the void, the horizontal mo-vement of people and the vertical movement of light. Introducing the pavilions in the box, we exagerate the elements that this realities have as a result.
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70º
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30º
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0º
70º
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30º
10º
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Ph 4 Ph 5
/displacementThe redicality of placing so many boxes inside
/hybridationLacaton & Vassal act as the perfect excuse for opening the building towards out-side. The main ideas we extract from them are: the attached structure that brings
one into the other heps us to complex the space and run the new programme.
the new and indeterminated
space, the layers of intimacy and the open view.
We add this new realities without
loosing the identity of the original
building.
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Zumthor is all about order, and his sound comes from the empty and lonely building. He likes the building without friction, just the materials and the wind. With Lacaton & Vassal comes the people, even the noise. Altogether, noise and order, a beautiful sound is created,
the sound of the order.
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References/ Drawings
Phases 1 and 2 Phases 3, 4 and 5
Montpelier Community Nursery,AY Architects>use of colour, detail
Church on the water,Tadao Ando>shades
Convective Museum,Philippe Rahm>temperature +
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References/ Models
Elevation,Ingrid
Siliakus
Modular 6x6 house,Younghan Chung>black and white, simple and clean
>Use of paper
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References/ Editorial desingDomenico Caminiti for Jami’ Cafe>Cover design
Endless summer poster
>Cover design
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Donhkoland graphic design>text display
OFFICEABC, Brice Domingues & Catherine Guiral>layout