selections from the oceania collection of the indiana university art

Upload: eradachi

Post on 30-May-2018

214 views

Category:

Documents


0 download

TRANSCRIPT

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    1/30

    Selections From the OceaniaCollection of the

    Indiana University ArtMuseum

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    2/30

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    3/30

    Where is Oceania? The vast area of the South Pacific

    including: Polynesia, Melanesia,Micronesia

    Some scholars also include Australiaand Indonesia

    Thousands of islands, many of which

    are still uninhabited

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    4/30

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    5/30

    The Importance of Genealogy

    in Polynesia Genealogy is the study of families and the

    tracing of their lineages and history

    In Polynesia, elite society members tracetheir ancestry to the Gods

    Artworks were considered precious familyheirlooms

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    6/30

    Mana and Tapu

    In Polynesia, mana is a supernaturalenergy or power possessed by all things,both living and non-living

    A priest or artist was thought to have a

    great deal ofmana, while a commonperson would have less

    Mana was believed to be inheritedthrough physical contact

    A tapu (or taboo) is an assignedrestriction to protect mana. By followingthe prescribed action or avoidance, thetapu would ensure the mana did not loseenergy or power.

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    7/30

    Australia

    Melanesia comes from the Greek word for black, referring to the dark-

    skinned people who lived there

    In Melanesia, status was based on achievement, military success, and birth

    rite.

    Most Melanesian artworks were for one time use and discarded

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    8/30

    Micronesia is made of thousands of tiny islands, thus the name

    micro from Greek which means tiny.

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    9/30

    European Exploration

    Captain James Cook was a Britishexplorer who came to Oceania in the18th century

    Europeans destroyed the culture ofOceania by the introduction ofreligion, and European diseases

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    10/30

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    11/30

    Hei Tiki (Pendant)Maori Peoples, New Zealand

    19th Century

    Nephrite and Haliotis shell

    Made of most precious, darkgreen stoneInfused with mana by the artistand worn to increase the wearersmana

    Meaning of this form is debated

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    12/30

    Female FigureHaapai Island Group, Tonga18th CenturyWhale ivory

    Inter-island trade between

    Tonga and Fiji makes itdifficult to tell where thiswas created

    Ivory originally came frombeached whales, until theEuropeans made contact

    Figure exemplifies ideals of

    female beauty

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    13/30

    Fly- Whisk HandleAustral Islands or Tahiti,

    Society IslandsBefore 1818Whale ivory, wood,vegetable fiber

    Extremely rare object

    Would have had fibers orfeathers on the end to swatflies and keep cool

    Repetition of humanbodies implies the

    importance ofmana and

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    14/30

    DrumAustral Islands

    1800-1850Tamunu wood,

    sharkskin, vegetablefiber

    Hundreds of human

    forms are carved intothis drum using metaltools

    Made from hollowedlog, sharkskin, andvegetable fiber

    The tone of the drum

    can be modified by

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    15/30

    Stilt StepMarquesas Islands19th Century

    Wood

    Stilt tied to foot with brightlycolored fibers

    Stilts used in games andceremonies to please thegods

    The representation of ahuman form in Marquesanculture is called a tiki

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    16/30

    Crescent shape signifies the moon

    Chest pieces were made of several types ofmaterials such as bone or shell

    There was only one source of wood onEaster Island

    Chest Ornament

    Easter IslandWood, obsidian, bone

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    17/30

    Male Figure (MaoiKavakava)Easter Island

    Early to mid 19th CenturyWood, obsidian, bone

    Figure would have been

    worn on a string orcarried during dancing

    Easter Islanders wereabducted from their landand forced into slavery

    Most of Easter Islandersdied due to slavery and

    European diseases

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    18/30

    Pendant Necklace (LeiPalaoa)Hawaii1800-1850Walrus ivory, human hair,fiber

    Worn by important manor woman

    Each stand made of 90hairs

    Hair and the head wereregarded as sacred

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    19/30

    Maori People, North Island,New Zealand

    Canoe BailerEarly 19th Century

    Heavy use indicated by

    patina and chipping

    Used to bail water out ofa war canoe

    Stylized face with flaringnostrils and off-set eyes

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    20/30

    New Georgia Group,Solomon Islands

    Canoe Prow Ornament19th CenturyWood, shell, pigment

    Object to be placed on thefront of a canoe forprotection from weatherand enemies

    Could have been used as asign of success or failure inraids

    Shows t ical dress of

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    21/30

    Neo Village, Temotu, SantaCruz IslandsMale Figure (Munga Dukna)Wood, fiber, shell, turtleshell, turmeric

    Image of a deity used

    exclusively by men

    Would have been rubbedwith ceremonial oils and

    dressed in ornaments

    Religious objects weredestroyed by Europeanmissionaries

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    22/30

    Northern Madak peoples,Malom Village, New IrelandMemorial Figure (Uli)Wood, lime, pigment, shell,sea snail operculum, fiber

    Used as a commemorativefigure to honor the death ofa leader

    Has both male and femaleanatomy

    Face was originally paintedwhite

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    23/30

    Lower Sepik River area,Papua New Ginea

    Commemorative FigureBefore 1908Wood, pigment, fiber

    Represents an ancestoror mythological hero

    Wearing a bilim, a bag

    suspended from the neck

    Red color signifies malestrength and virility

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    24/30

    Kambot or nearby peoples,Papua New Guinea

    Mask

    Constructed with many typesof materials including:wood,rattan, clay, cowrie shells,

    nassa shells, boar tusks, human

    hair, pearl shell, fiber

    Ownership of pigs indicated

    wealth, curly tusks veryvaluable

    Shells were exchanged

    between islands as currency

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    25/30

    Biwat peoples, Papua NewGuineaFigure for a sacred flute

    Wood, shell, boar tusk,human hair cassowaryfeathers, fiber, pigment

    Scared flutes wereextremely valuable

    This would be inserted inthe end of a sacred flute

    Elaborately decorated withshells, feathers, and humanhair

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    26/30

    Iatmul People, Papua NewGuinea

    Mask (Mai)Late 19th or 20th centuryWood, pigment, cowrieshells

    This is only part of anentire mask

    A pair of these maskswould have been wornduring ceremonies

    Mask would also be worn

    by leaders during other

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    27/30

    Asmat peoples,Papau,IndonesiaSeated Female Figure

    Before 1913Wood, pigment, seeds, fiber

    Mimics a creation story

    Created in honor of adeceased relative

    Created by a master carver

    Resembles a prayingmantis

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    28/30

    Erub Island, AustraliaMask

    19th centuryTurtle shell, clam shell,resin, sennit, wood, humanhair, cassowary feathers

    Made using hawksbillturtle shell

    Intricate carving

    Researchers did notclosely study Oceania untilit had already been

    missionised by the

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    29/30

    Batak peoples,Sumatra,Indonesia

    Priests hornWood, buffalo horn

    Horn used by a powerfulritual specialist to heal sickand ensure success inmilitary endeavors

    Has composite animal

    forms

    Batak people had contactwith the Hindu people

    through trade and wereinfluenced b their desi ns

  • 8/14/2019 Selections From the Oceania Collection of the Indiana University Art

    30/30

    Discussion Questions

    What objects in our culture may beregarded as sacred?

    What types of materials are foundlocally that could be used to createart?

    How is the concept of ancestry and

    genealogy discussed in your family?