Secondary  Dominants  and  Secondary  Leading-­‐Tone  Chords  

Worksheet  

 

1. Provide  the  correct  Roman  numeral  symbol  for  these  secondary  

dominants  

   

2. Construct  the  following  chords  

 

   

3. In  the  following  measures,  add  the  key  signature,  then  show  the  figured  

bass  that  would  indicate  the  chord  and  inversion.  Be  sure  to  include  

accidentals  in  the  figures  where  needed.  

 Key:   Db eb   Bb   B   E  

Chord:   V/iii   V7/iv   V7/vi   V/ii   V/V  

Inversion:   Root   Root   2nd   1st   1st    

 

 Key:   d A   Ab   bb   g  

Chord:   V7/VI   V7/iii   V7/vi   V/VI   V/V  

Inversion:   3rd     2nd     1st     1st   Root    

4. Give  the  Roman  numeral  that  expresses  the  chord’s  function  is  each  key.  

&bbbbAb: g: E: e: C:

bb #### # nwwwn wwwn www# www www#

V7/iv V7/VI V7/iii V7/iv V7/ii&Eb:

A. B.

b:

C.

Ab:

D.

f:

E.

Gb:

V7/iv V7/VI V7/iii V7/iv V7/ii

?F#:

F. G.

e:

H.

B:

I.

c:

J.

A:

?A. B. C. D. E.

?F. G. H. I. J.

 

 C: G:   F:   g:   D:  

Eb: F:   g:     Ab:   E:  

Bb:   Eb:   a:   c:   c#:

 

5. Write  the  following  progressions.  Take  care  to  spell  and  resolve  the  

secondary  dominants  correctly  

   

   

6. Provide  harmonic  analysis.  Assume  the  first  chord  to  be  the  tonic.  

   

 

&A. B. C. D. E. wwwwb# www wwww#b wwwwb wwww##

{Piano

V6%/V V vii°/iv iv V/ii ii V4"/V V6

&# bbbb ### b?#G: f:

bbbbA:

###d:

b

{Piano

vii°/vi vi V4£/iii iii vii°6%/VI VI V7/IV IV

&bbbb #### ## bb?bbbbG: f:

####A:

##d:

bb

{Piano

&bb n # ## bbbb b?bb # ## n bbbb b n

œœ œœ ˙̇ œœ œœ ˙̇ œœ œœ ˙̇ œœ œœ ˙̇ œœ œœ ˙̇œœ œœ ˙̇ œœ œ

œ# ˙̇ œœ œœ ˙̇ œœœnœ˙˙ œœ œœ ˙̇

{Piano

& ### # bbb ##### n #### #? b# ### bbb ##### ####

œœ œœ ˙̇ œœ œœ ˙̇ œœ œœ ˙̇ œœ œœ ˙̇ œœ œœ ˙̇

œœ œœ ˙̇ œœ œœ ˙̇ œ

œœœn˙˙

œœœœ ˙̇ œœ œœ ˙̇