SébastienGuidi

Portfolio

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CVSébastien Guidi

06.08.1989 _ Aix-En-Provence, France

+41(0)789159865 / +33(0)677677175

seb.guidi@orange.fr

Diplômes

Master en science de l’architecture avec un Mineur en culture de l’Asie

École Polytechnique Fédérale de Lausanne, Suisse

Baccalauréat S.T.I. Arts Appliqués

L.T.T.P. Célony Aix-En-Provence, France

Parcours scolaire

École Polytechnique Fédérale de Lausanne

Professeurs de projet : Philippe Gueissaz – Hubmann & Vass

Groupe de suivi diplôme : Luca Ortelli - Christia

n Gilot - Sara Formery - Frank

Rambert

École Nationale Supérieure d’Architecture de Marseille

Premier semestre de Master – Professeur de projet : Stéphane Fernandez

École Nationale Polytechnique d’Athènes _ Échange Erasmus

Première année de Master – Professeurs : Panayotis Tournikiotis

École Nationale Supérieure d’Architecture de Marseille

Bachelor – Professeurs de projet : Frank Rambert – Gilles Sensini – François

Brugel

Summary

p. 04 - Curiculum

p. 12 - 2013/As 09_Tw

p. 20 - 2012/As 07_P-2

p. 06 - 2014/As 10_P

p. 16 - 2013/As 08_P

p. 24 - 2012/Pe 02_I

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EPFL

MAPMASTER OF

ARCHITECTURE

PROJECTS

ABOU-EL-AININ SARA, AEBI CHRISTOPHE, BARBLAN DAMARIS, BIANCO FRANÇOIS,

BOLLE-REDDAT GUILLAUME, BOMMELAER YANN, B

REITLING LAWRENCE, CEA DAVID,

CHATELET RAPHAËL, CINA VALÉRIE, C

LAUDE MICHAËL, CLAUDET CAPUCINE, C

LIVAZ

LEILA, COLOTTI LOÏC, COMINA ANGELO, CORRALES VANESSA, DE LA HARPE

MELISSA, DEBONS MAURICE, DESHAIRES MADELEINE, DI GIAMBATTISTA OLIVIER,

DOMS ANTOINE, DOS SANTOS JOAO, D

ROUX STÉPHANIE, ELISIARIO BRASIL DIANA,

FANOST ANTOINE, FERNANDES NATACHA, FERRARI MARCO, FRITSCHY JOACHIM,

FROSSARD LINE, FUCHS KEVIN, GAILLARD PHILIPPE, GERBER GÉRALD, GILLIAND

ADRIEN, GOMEZ LEILA, GRIMALDO PAOLA, GUIDI SÉBASTIEN, GUTIÉRREZ VARGAS

DIEGO, HAAS CHRISTINA, H

AJJI KAMIL, HASLER STÉPHANIE, H

ASOO ALAN, HERNACH

GUILLAUME, HOULLIER SALOMÉ, JAQUIER MARIE-LUCE, JUCKER LOUIS, JULIANO

CECILIA, KÄPPELI ANNIE, KAUKAB FAREYAH, KNÖPFEL ADRIAN, KONOVALOVA

ANASTASIA, LAMBIEL AUDREY, LÄUBLI JONAS, LEPELLETIER THOMAS, LU TRI-M

INH, LY

IVANN, MAGNIN JULIA, MAILLET CLAIRE, MANASSEH THIERRY, MARTIN ALIX,

MEREDITH ADRIAN, MIANI JULIANE, MIGNON AGATHE, MIR ELEANOR, MORIER-

GENOUD TIPHANIE, NAVALLON LISE, NEMEC LÉONORE, NGUYEN NGOC QUYEN,

NICKEL RÉJANE, ODERMATT DOMINIK, PAUCHARD JULIE, P

IERLOT LAËTITIA, PIERRET

NICOLAS, PINHEIRO MICKAËL, PISANOVA BARBORA, POLIKAR GRÉGOIRE, PRISSE

FLORENT, SADEGHI ALEXANDRE, SANTIS IRENE, SARASIN CHARLES, SCHAGERL

CLEMENS, SCHALLER LAURE, SCHROETER PAULINE, SUTER ISABELLE, TERNY

OLIVIER, TIOLLIER LUDOVIC, TRICAUD HADRIEN, TRIPONEZ KEN JUN, VIGO DAVID,

VOLERY VALENTIN, VUILLE BAPTISTE, WENGER BAPTISTE, WESOLOWSKI NOÉMIE,

WIDMER RÉGIS, ZAFFALON ALIÉNOR, ZEENDER LAURELINE

p. 28 - 2011/As 07_P-1

p. 36 - 2009/As 06_P

p. 32 - 2011/Pe 01_I

p. 40 - 2014/Pa - 03

As = Academic semester P = Project Tw = Theoretical work I = InternshipPe = Professional experiencePa = Personal achievement

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2014

2007

2012 - 2014

2011 - 2012

2010 - 2011

2007 - 2010

curriculum

Sébastien Guidi06.08.1989 _ Aix-En-Provence, FranceDriving Licence+41(0)789159865 / +33(0)677677175seb.guidi@orange.fr

Diploma

Master of science in Architecture with a Minor in Area and Cultural studies of AsiaÉcole Polytechnique Fédérale Lausanne, Switzerland

Baccalaureate in S.T.I. Applied ArtsLTTP Célony Aix-En-Provence, France

School career

École Polytechnique Fédérale LausanneProject teachers : Philippe Gueissaz – Hubmann & VassDiploma teacher group : Luca Ortelli - Christian Gilot - Sara Formery - Frank Rambert

École Nationale Supérieure d’Architecture de MarseilleFirst semester of Master – Project teacher : Stéphane Fernandez

École Nationale Polytechnique d’Athènes _ Échange ErasmusFirst semester of Master – Teacher : Panayotis Tournikiotis

École Nationale Supérieure d’Architecture de MarseilleBachelor – Project teachers : Frank Rambert – Gilles Sensini – François Brugel

5

2012201120102009

2014

2013 -2014

2009

Professional experiences

(March - September) Diener & Diener Architekten, Basel, Switzerland(July - December) Jean Michel Battesti Architectes & Associés, Marseille, France(July - August) Jean Michel Battesti Architectes & Associés, Marseille, France(July) C+T Architecture for Eiffage, Construction site Rue Fauchier, Marseille, France

Works

(July - October) MAP14, Surface (s), publication and exhibition of the diploma of architecture(February) Model work, Atelier Micro - Relief, Lausanne, Switzerland

(September - July) Student assistant at the model workshop of EPFL

Student calendar of the ENSA Marseille, photos and publications

Languages

French native language - English fluent - Italian scolar

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Mauerstrasse 3, Klybeck, Basel, Switzerland

This project proposes to reallocate a brownfield that constitute the urban fabric and the history of Basel, to propose a solution to the problem of housing in town. Around Horburgpark, the housing all developed in the North of the park offers an interpretation of the urban environment, a vision of living in town that draws its strength from the history of the place and the idea of a habitat collective.

The first urban work was to develop the park boun-dary through the continuation of ancient streets and plotting new directions. This work has led to a limited extension of the park to the north. A new mineral site that will support urban interaction, accommodating a market, an outdoor cafe or social activities. At the backdrop of this square, a building creates a boundary, the decor to the city, closing the north side of the park. To the south, a similar building fills the same role. On the ground floor of these buildings, shops and services stimulate urban life in the neighborhood. Crossing the North building the underside distributes stairwells and leads us in a more intimate atmosphere backyard between parallel buildings that recall the history of the place with a typology of housing coupled with open workshops on street.

Children playing in the park, market gardeners on Wiesenplatz, the sound of discussions at the terrace of the CIBA coffee and backyard noise of the artisans deliveries.

Under the direction of :Prof. Luca Ortelli

Prof. Christian GilotSara Formery

Prof. Frank Rambert

Free project work for the diploma of Master following the theoretical work.Renewal of the CIBA factory around Horburgpark through a housing project

cooperative housing in Klybeck

as 10_P

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The final form of this work is split in two parts that I tried to accomplish with the same level of dedication.First a chronogical study of the use of the proportions and then four study cases around the subject.The example I choose are : the Venice Hospital by Le Corbusier, Congrexpo by Rem Koolhaas, Wexner Center by Peter Eisenman and Peabody Terrace by Josep Lluis Sert.

Here I choose to give you to read the introduction to the second part where I summarize the first part et ex-plain my way of work for the study cases to follow and the question I wanted to answer

Dans sa définition de la Bigness, Rem Koolhaas théo-rise que lorsque un bâtiment atteint une certaine taille, la masse critique du bâtiment devient «incon-trôlable par un seul geste architectural».1 Selon lui cette impossibilité déclencherait l’autonomie de ses parties, rendant ainsi les problèmes de composition, d’échelle, de proportion, de modularité, hypothé-tiques.

À travers différentes analyses de cas je souhaiterai questionner cette hypothèse.

Under the direction of :Prof. Christian Gilot

Sara Formery

Research work for the diploma of Master.Theoretical statement on a free subject dedicated to a theoretical study around the thematic of the proportions in architecture.

interest in the proportions

as 09_Tw

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Je voudrai utiliser ici le terme de Bigness pour définir une certaine échelle de bâtiments, parfois également appelés «machines» par les modernistes en référence aux paquebots.2 Dans ce terme on peut regrouper les hôpitaux, les prisons, les centres-com-merciaux, les grands programmes de logements et toute une série de bâtiments au programme hétéro-gène, destinés à accueillir un grand nombre de per-sonne. Cette classe de bâtiment semble se soustraire à une pensée architectural d’ensemble par laquelle on pourrait la contrôler.

Certains architectes ont pour autant tentés d’imposer des systèmes, voir des «proportions» à leur création. Je pense en premier lieu à Le Corbusier, et son travail avec le Modulor. A partir des années 50 les projets de Le Corbusier sont pensés à l’aide de cet outil qui donne une série de mesure, dans l’idée de rationnali-ser la construction.3 Les unités d’habitation, les plans de la ville radieuse, le concours pour les Nations Unis, l’hôpital de Venise, sont des bâtiments de grande taille, certes sans avoir la complexité programmatique de la Bigness, auquel on a appliqué ce système de di-mensionnement. Serait-il alors le seul à s’être poser la question d’un système de «proportions» pour rendre cohérent l’homme à toutes les échelles d’un bâtiment, dans des programmes toujours plus grand, qui parfois semble n’être plus à sa mesure ?

Si la question des proportions m’intéresse, les différentes lectures que j’ai fait m’ont amenées à penser qu’il fallait la remettre en perspective avec la notion d’échelle. En effet les deux notions semblent liées, et les textes contemporains qui traitent de la question, notamment les thèses de l’architecturolo-gie, rendent les deux notions indissociables. Mais il faut probablement en premier lieu définir ce que com-prennent ces termes. René Daumal défini ces notions ainsi dans «Le Mont Analogue» :

«La «proportion» concerne les rapports entre les dimensions du monument, l’ «échelle» les rapports entre ces dimensions et celles du corps humain.»4

Philippe Boudon dans son travail sur l’ar-chitecturologie va plus loin. Il propose une tentative de définition de l’espace architectural et explique que l’échelle est le principal outil mental pour concevoir un bâtiment et qu’on ne peut réduire sa lecture aux simples proportions. C’est par l’échelle que l’archi-

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tecte est censé passer de l’espace réel à l’espace men-tal. La proportion est alors tenue à un rôle mathéma-tique. À l’intérieur d’un espace, c’est elle qui règle les rapports de dimensions.

«Géométrie et proportion ont partie liée. C’est pourquoi la limitation du discours concernant la mesure à la seule proportion telle qu’on peut l’examiner dans la majorité des traités d’architecture - depuis Vitruve jusqu’à Viollet-le-Duc, [...] - procède de la puissance sup-posée du modèle mathématique, qu’on retrouve dans le Modulor de Le Corbusier, et forme un véritable obstacle épistémologique, suivant le terme de Bachelard, à une connaissance de l’architecture.»5

Boudon fait le postulat d’une multiplicité des échelles, la proportion servirait à mettre en cohérence ces différents niveaux de lecture. Pour P. Boudon, il faut absolument prendre en compte le problème de l’échelle, pour une lecture des proportions, tel que l’a simplement résumé Paul Valéry dans «Eupalinos», à savoir que «tout change avec la grosseur».6

Les architectes de la Renaissance n’ont par exemple pas pris en compte cette problématique et appliqués des rapports mathématiques simple (1/2, 1/3, 2/3, etc.) sans distinction d’échelle, de la villa jusqu’au temple, dans une recherche de perfection. Les architectes contemporains ont dépassés cette problématique pour une vision plus personnelle des proportions. Dans la droite ligne des recherches du Modulor la question aujourd’hui se pose du rapport de l’homme avec l’architecture, ce que l’on trouve trop grand, trop large, trop étroit. Les proportions semblent être devenus plus subjectives.

Comment l’architecture contemporaine tente de gé-rer les proportions, en rapport à l’échelle, dans des bâtiments qui échappent de plus en plus à une appré-hension de leur grandeur ? Est ce que la problèma-tique des proportions est encore une question en soit ou bien la réflexion se serait-elle déplacée vers de nou-velles manières d’aborder la composition ?

«On peut prédire sans trop de risque que le «chaos organique» d’aujourd’hui est une mode et que la recherche d’un système de proportions […] continuera aussi longtemps que l’art restera une préoccupation pour l’homme.»7

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«En l’étang»with Lawrence Breitling

This project for the city of Isle, on the foothills of the Swiss Jura, is an opportunity to revitalize an area that is becoming a commuter town for the benefit of the great cities of Lake Geneva.

By creating a campus of sound design, the project aims to give a new impetus to this city. After a meticu-lous analysis of the village, we have materialized our research by a 1/500 scale model which allowed us to explain our presence and the various inherent urban developments we think would be important for the evolution of the city, well - being of its people and an integration of the project in the village. Echoing the park of the castle, we wanted to create a park for the villagers of the Isle, «In the pond» at the South so coming recreate the historical pattern of the village.

The parcel is located along the Venoge. The project takes the place of a former riding school whose we re-tain the structure of the arena for outdoor activities. The building in three volumes, is intended as a rein-terpretation of the Vaudois farm. After analyzing this very recurrent type in the village, we have developed our own vision of the vernacular system. A strong built envelope, in which develops autonomous and various boxes answering uses crossed by barns that allow villagers from the village to cross to the park.

Second semester of Master work.Analysis of the village of Isle, followed by a pro-ject for a musical center hosting a festival and a musicians work residency.

Rue de la ville 1, l’Isle, Switzerland

Under the direction of :Prof. Erich Hubmann

Prof. Andreas VassStephan Rutishauser

as 08_P

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live at Sainte croix

Sainte-Croix is a city located in the Jura Vaudois. Its industrial past and its altitude gives it a rough charac-ter. The plot of the proposed project is a wasteland oc-cupied by communal services. This project is a dense solution of collective housing in a city where the den-sity is low. Re-interpreting the typology of buildings of the Thorens old factory near, these eight plots fall along the parcel slightly sloping parrallel or perpen-dicular to it subsequent to the context. Creating site, traffic and visual release.

You can access the building from the top side, and enter a large space all lit up by the roof. At Ground services, handicapped accessible housing and student housing. In the storey, a variation of the typology allows fluctuation from 3.5 room apartments to 5.5 rooms. The generous staircase lit naturally brings light into the apartments through a wall of glass blocks, once in the lobby you access from one side to the rooms or across the living room, kitchen, loggia, turning around damp rooms.

The materiality of the building consists of white concrete stained with aggregate from the Jura. Lodges create the rhythm of the facade, while the windows of standardized size mark the elevation of their pattern.

Avenue de la Gare 19, Sainte Croix, Switzerland

Under the direction of :Prof. Philippe Gueissaz

Yves Macherel

First semester of Master work.Analysis of the village of Sainte Croix, followed by a project of renewal for the west of the village by a dense housing project.

as 07_P-2

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Henric Petri-Strasse 22, Basel, Switzerland

Work on an office project for the firm Arendt Meder-nach at Luxembourg, LuxembourgModels making 1/100, 1/10. 1/1Details drawing 1/20, 1/5Plans and sections drawing 1/200Complete 3d model of the buildingWhite renderingExplode axonometric rendering for construction de-tails

Work on social housing project in Meggen, Switzer-landDetail drawing for execution 1/10, 1/5Plans drawing 1/200

Housing competition in Zurich, SwitzerlandStudy model making 1/10Facade detail drawing 1/20

Work on an art gallerie project in Warsaw, PolandModel making 1/200, 1/20

Competition for the renewal of St. Johann neighbo-rhood, BaselStudy model making 1/1000

Work with :Daniel Blum - Dieter Righetti

Martin LeisiWulf Böer

Claudia Volberg

Internship of 6 months in the purpose of the entry in Master at EPFL.

Diener & DienerPe 02_i

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The cube

The exercise of this project consisted of a cubic of thir-ty meter sides, which we had to remove thirty percent of its volume. The games modeling and sculpture re-sulted in a new form, a kind of supporting structure of two forms in equilibrium, facing each other. Then we were to include the program and place the building on the site of the Villa Arson.

The steel structure has rapidly imposed itself, the ma-teriality of the building became a dialogue between supporting concrete structure and structure carried, a fishnet of shimmering metal. The volumes of each vertical side of the cube diago-nals house the stairs, the first volume is low for a libra-ry whose light is overhead, dimmed. The opposite second volume, above, houses the two levels of the museum’s exhibits, they take advantage of continuous light and certain angles of view on the city.

At the top of both sides, an administration and a cafeteria boasts the most beautiful location with a generous light and panoramic views. Lights are often zenith, sometimes interiors, still hidden exterior fa-cades. Only a few openings consistent views over the Bay of Nice to the south, the mountains surrounding the city to the west.

Villa Arson, Nice, France

Under the direction of :Prof. Stéphane Fernandez

First semester of Master work.Project work in the area of the Villa Arson in Nice in the purpose to build an exhibition space for ar-chitecture.

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37 Boulevard Edouard-Herriot, Marseille, France

Work on the restauration, transformation and exten-sion of the Palais du Pharo in Marseille, FranceConception until detail drawing - in partnership with the ingeneering office Lamoureux & Ricciotti - of a windward in ultra high performances fiber concrete 1/100, 1/20, 1/2Statement of the existing building, drawing of restau-ration and upgrading to disable accessibilities law1/100, 1/50

Study project for the residency Georges Brassens, Aix-en-Provence, France Sections, study model 1/500Facade 1/200

Plan d’Aou estateExecution drawing in plans and sections 1/100

Tender for the renovation of the jail of the Baumettes, Marseille, FranceStudy model 1/500

Competition for the library Bernard Dubois, Mar-seille, FranceStudy model 1/500

Work with :Jean-Michel Battesti

Florent BodinFréderic Leclerc

Lamoureux & Ricciotti

Jean michel Battesti architectes & associés

Pe 01_i

Internship of 6 months in the purpose of the entry in Master at EPFL.

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architecture school at capelette

This project is part of the very fragmented neighbo-rhood Capelette. Former industrial area became re-sidential, the idea of the building is part of the tem-plate wholesale compact building that constitutes the fabric environant. It liberates a maximum space for the park in which it is inserted. The project is also an opportunity to redesign the surrounding urban fabric and create new routes which gives meaning to the park, new facades and new traffic.

The school draws from a monolith that is fragmen-ting to combine different programs: student housing, school, library, exhibition. This building was in front on the avenue Capelette with a regular opening once again reference to the in-dustrial past of the area history. The building gradual-ly course from public to private. The main entrance on Avenue of the Capellette becomes a ramp to bring users into the inner courtyard and distribute different parts of the program. Auxiliary administration, libra-ry and showroom are located on the front street in the upper floor.The workshop on the back of the building are facing the park, their double height allow model work, on the upper floor the classroom are lit by series of sheds.

210 Avenue de la Capelette, Marseille, France

Under the direction of :Prof. François Brugel

Bachelor diploma work.School of architecture project for the neighbo-rhood of Capelette in Marseille

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EPFL

MAPMASTER OF

ARCHITECTURE

PROJECTS

ABOU-EL-AININ SARA, AEBI CHRISTOPHE, BARBLAN DAMARIS, BIANCO FRANÇOIS,

BOLLE-REDDAT GUILLAUME, BOMMELAER YANN, B

REITLING LAWRENCE, CEA DAVID,

CHATELET RAPHAËL, CINA VALÉRIE, C

LAUDE MICHAËL, CLAUDET CAPUCINE, C

LIVAZ

LEILA, COLOTTI LOÏC, COMINA ANGELO, CORRALES VANESSA, DE LA HARPE

MELISSA, DEBONS MAURICE, DESHAIRES MADELEINE, DI GIAMBATTISTA OLIVIER,

DOMS ANTOINE, DOS SANTOS JOAO, D

ROUX STÉPHANIE, ELISIARIO BRASIL DIANA,

FANOST ANTOINE, FERNANDES NATACHA, FERRARI MARCO, FRITSCHY JOACHIM,

FROSSARD LINE, FUCHS KEVIN, GAILLARD PHILIPPE, GERBER GÉRALD, GILLIAND

ADRIEN, GOMEZ LEILA, GRIMALDO PAOLA, GUIDI SÉBASTIEN, GUTIÉRREZ VARGAS

DIEGO, HAAS CHRISTINA, H

AJJI KAMIL, HASLER STÉPHANIE, H

ASOO ALAN, HERNACH

GUILLAUME, HOULLIER SALOMÉ, JAQUIER MARIE-LUCE, JUCKER LOUIS, JULIANO

CECILIA, KÄPPELI ANNIE, KAUKAB FAREYAH, KNÖPFEL ADRIAN, KONOVALOVA

ANASTASIA, LAMBIEL AUDREY, LÄUBLI JONAS, LEPELLETIER THOMAS, LU TRI-M

INH, LY

IVANN, MAGNIN JULIA, MAILLET CLAIRE, MANASSEH THIERRY, MARTIN ALIX,

MEREDITH ADRIAN, MIANI JULIANE, MIGNON AGATHE, MIR ELEANOR, MORIER-

GENOUD TIPHANIE, NAVALLON LISE, NEMEC LÉONORE, NGUYEN NGOC QUYEN,

NICKEL RÉJANE, ODERMATT DOMINIK, PAUCHARD JULIE, P

IERLOT LAËTITIA, PIERRET

NICOLAS, PINHEIRO MICKAËL, PISANOVA BARBORA, POLIKAR GRÉGOIRE, PRISSE

FLORENT, SADEGHI ALEXANDRE, SANTIS IRENE, SARASIN CHARLES, SCHAGERL

CLEMENS, SCHALLER LAURE, SCHROETER PAULINE, SUTER ISABELLE, TERNY

OLIVIER, TIOLLIER LUDOVIC, TRICAUD HADRIEN, TRIPONEZ KEN JUN, VIGO DAVID,

VOLERY VALENTIN, VUILLE BAPTISTE, WENGER BAPTISTE, WESOLOWSKI NOÉMIE,

WIDMER RÉGIS, ZAFFALON ALIÉNOR, ZEENDER LAURELINE

Since 2012, the MAP association take care of the pu-blication and the promotion of the diploma project for the Master in Architecture at EPFL out of the school.The making of the publication take place around a canvas of 17 x 24cm whose the graphism is slightly re-visited each year. It constitute half of the work of the MAP which I take care of personaly.

Furthermore, since three years the MAP comitee who gather a couple of freshly graduated students propose an exhibition of the project in a unique place of Lausanne. After the CFF workshop place in 2013, we made the exhibition in an old supermarket Casino under the Flon.This space was the place where our thematic emerge : Surface(s). This big supermarket work on two floors, tiled, completely white and now deserted since a couple of years.The exhibition separate drawings and model for an abstract result, forcing the visitor to walk around the model to find the ones he would like to see.

We also made a conference eveening around the the-metatic of the diploma and the Surface, animated by Daniel Zammarbide from the office «Bureau A» and Philipp Schaerer, both new teacher at EPFL.

Rue de Genève 33, Lausanne, Switzerland

Making of the publication and the exhibition of the diploma of architecture of the EPFL for the 2014 promotion.

maP14withG. Bolle-Reddat, D. Brasil, A. Fanost, A. Mignon & H. Tricaud

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mar, mer, jeu, ven / 12.00 - 19.00

entrée librerue de Genève 33, 1003 lausanne

accès : rue de Genève et place Flon-ville

verrée : jeu 02 oct / 18.30

MASTER OF ARCHITECTURE PROJECTSEXPOSITION

1e et 2e sous-sols

à côté de l’athleticumanciennement hyper casino

pourparlers : jeu 09 oct / 18.30

sam / 10.00 - 19.00dim, lun / Fermé

6 - 18 OCT 2014

SURFACE(S)

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