scmfa maren hassinger exhibition prospectus checklist

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  • SPELMAN COLLEGE MUSEUM OF FINE ART

    Maren Hassinger . . . Dreaming

    EXHIBITION PROSPECTUS

  • For more than four decades Maren Hassinger (b. 1947) has been recognized as a pioneering artist who mindfully explores our relationship to nature, movement, and transformation. From her early years as an emerging artist working in Los Angeles in the early 1970s through her current role as the Director of Rinehart School of Graduate Sculpture at the Maryland Institute College of Art in Baltimore, Hassinger has been disrupting hierarchical and patriarchal art making traditions. Her highly meditative sculpture, performance, videos, and public art projects examine movement and our changing relationship to nature. In this original retrospective featuring works made from leaves, branches, wires, newspapers, plastic bags, and a variety of other materials, Hassinger critically examines the physical space of art practice and presentation.

    Maren Hassinger . . . Dreaming featuring sculpture, videos, and installationsseveral which were recreated expressly for this projectis a long awaited and timely examination of the artists life and work. Her restorative works encourage visitors to imagine a range of emotional experiences. They also challenge us to consider our changing relationship to nature, think about how we shift our behaviors in light of lifes ebbs and flows, and ponder how we adapt and survive over time within cultural ecosystems that are constantly in flux. Her work prompts thought-provoking questions such as what is the significance of creating art using materials that change or disintegrate? What is the impact of manipulating industrial materials so that they resemble items found in nature? What is the role of art in our cultural ecologies? What does it mean to dream?

    This original exhibition brings together a substantial body of Hassingers work for the first time and explores these and other related questions.

    Maren Hassinger . . . Dreaming is curated by Andrea Barnwell Brownlee, Ph.D., Director, Spelman College Museum of Fine Art, and Anne Collins Smith, the Curator of Collections. It is made possible by the Friends of the Spelman College Museum of Fine Art, the WISH Foundation, Inc., and the Lubo Fund.

    Image: Installation view of The Weight of Dreams, 1995/2015, paper and chicken wire, dimensions variable. Blanket of Branches, 1986/2015, miscella-neous tree branches hung as a canopy from the ceiling, dimen-sions variable. Wrenching News, 2010/2015, shredded, twisted, and wrapped newspaper (The New York Times), 7 x 7 x 1 feet (wall), 6 x 6 x 1 feet (floor). Courtesy the artist. Photo: Ben Kornegay.

    Maren Hassinger . . . Dreaming

  • ABOUT THE ARTIST:Maren Hassinger (b. 1947) completed her B.A. at Bennington College in Vermont in 1969 and her M.F.A in Fiber Structure at the University of California, Los Angeles in 1973. As an emerging artist working in Los Angeles, she began disrupting art-making traditions. Using bent, twisted, and frayed wire rope and other nontraditional materials that the art world often dismissed as craft, she created sculptures that resembled objects found in nature such as branches, bushes, and trees. As a performance artist who collaborated with artists including David Hammons, Ulysses Jenkins, and Senga Nengudi, she took the bold step of using the moving body as a medium and presenting performance in the museum. Combatting both patriarchal and hierarchical traditions, she began carving a unique place for herself in the art world.

    In 1973 Hassinger began teachinga career that enabled her to educate students at several art schools including Hunter College, Long Island University, and the State University of New York at Stony Brook. In 1997 she became the Director of the Rinehart School of Graduate Sculpture at the Maryland Institute College of Art in Baltimore. As her extensive exhibition record demonstrates, despite rigorous teaching and administrative obligations, she has maintained an active art practice. She has also helped advise and guide a younger generation of artists, especially sculptors and performance artists. In recent years her work has received long overdue and critical attention and has been featured in several important nationally touring group exhibitions including the Spelman College Museum of Fine Arts inaugural exhibition, Bearing Witness Contemporary Works by African American Women Artists (1996), Now Dig This!: Art of Black Los Angeles 1960 1980 (2011), Material Girls: Contemporary Black Women Artists (2011), and Radical Presence: Black Performance in Contemporary Art (2012).

  • EXHIBITION CHECKLISTMaren Hassinger . . . Dreaming includes five installations, four videos, and seven sculptures (see enclosed checklist).

    PUBLICATIONThe forthcoming exhibition catalogue includes essays by art historians, art and cultural critics, and curators. The publication is made possible with support from the Elizabeth Firestone Graham Foundation.

    The fully illustrated publication includes the following contributions: Beverly Daniel Tatum, Ph.D., Preface Andrea Barnwell Brownlee, Ph.D. Introduction Maren Hassinger, Passing Through Anne Collins Smith, Dreaming in Metaphors: Cultural Ecologies

    and the Art Practice of Maren Hassinger Constance Mallinson, Competing Narratives and Constant

    Transformation LeRonn Phillips Brooks, Ph.D., Natures a Good Place to Begin

    a Story about Maren Hassinger Mary Jones, Nature as an Architecture for Equality Kellie Jones, Ph. D. Maren Hassingers Art Thoughts Valerie Cassel Oliver, Interview with Maren Hassinger Critical Chronology

    Visitor seated on Sit Upons (2010/2015), The New York Times newspaper, dimensions variable,

    watching Wind (2014) video by Maren Hassinger, Ava Hassinger,

    and Nicholas Buchanan at the Spelman College Museum of Fine

    Art. Courtesy the artist. Photo: Ben Kornegay.

  • EXHIBITION SPECIFICATIONSContents: 13 original works (installation, sculpture, and videos), and, text panels, object labels, artist overview of the exhibition video

    Participation Fee: $8,000.00 per 10-week booking period plus prorated shipping

    Size Required: 4,500 square feet

    Exhibition Package:In addition to the works detailed in the checklist, venues will also receive: Complete curatorial and registration information Complete shipping, handling, and installation instructions. Public relations support, including sample press release,

    images, and advice on promotion the exhibition and hosting special events.

    AVAILABLE: Beginning July 2015

    For further information, including a complete exhibition checklist, please contact:Anne Collins SmithCurator of Collections404.270.5604annesmith@spelman.edu

    The Dream (detail), 2001/2015. Bed canopy made from preserved

    red bud leaves. Dimensions variable. Courtesy the artist.

    Photo: Ben Kornegay.

  • The only museum in the nation emphasizing art by and about women of the African Diaspora

    SPELMAN COLLEGE MUSEUM OF FINE ARTin the Camille Olivia Hanks Cosby, Ed.D. Academic Center

    GPS system address: 440 Westview Drive, SW 30310350 Spelman Lane, Box 1526 | Atlanta, GA 30314 | 404.270.5607museum.spelman.edu | museum@spelman.edu

    spelmanmuseum | @spelmanmuseum | spelmanmuseum

    Hours: Tuesdays - Fridays | 10:00 a.m. - 4:00 p.m. Saturdays | Noon - 4:00 p.m. Closed Sunday, Monday, holidays, and Spelman College breaks

    Cover: Wrenching News (detail), 2010. Shredded, twisted, and wrapped

    newspapers (New York Times). Wall: 7 x 7 x 1.

    Floor: 6 x 6 x 1. Courtesy the artist.

    Photo: Ava Hassinger.

  • PAGE 1 OF 2

    Maren Hassinger . . . Dreaming

    EXHIBITION CHECKLIST

    Maren Hassinger

    Birthright, 2005Video, 12:10 minutesCourtesy the artist

    Blanket of Branches, 1986/2015Miscellaneous tree branches hung as a canopy from the ceilingDimensions variableCourtesy the artist

    Consolation, 1996Wire and wire ropeDimensions variableCourtesy the artist

    Daily Mask, 200416mm film transferred to video3:22 minutesCourtesy the artist

    The Dream, 2001/2015Bed canopy made from preserved red bud leavesDimensions variableCourtesy the artist

    Leaning, 1980Wire and wire ropeDimensions variableCourtesy the artist

    Love, 2008/2015Pink plastic shipping bags each filled with a love note and inflated with human breathDimensions variableCourtesy the artist

    On Dangerous Ground, 1981, (reconfigured with Hedge, 1982)Wire ropeDimensions variableCourtesy the Reginald F. Lewis Museum of Maryland African American History & Culture Gift of Maren Hassinger

    SPELMAN COLLEGE MUSEUM OF FINE ART

  • PAGE 2 OF 2

    Hedge, courtesy the artistSit Upons, 2010/2015The New York Times newspapersDimensions variableCourtesy the artist

    The Veil Between Us, 2007Twisted and knotted newspapers (The New York Times)5 feet x 26 feet x 6 inchesCourtesy the artist

    The Weight of Dreams, 1995/2015Paper and chicken wireDimensions variableCourtesy the artist

    Wind, 2014Video projection and mosquito netting16:22 minutesCourtesy the artist

    Wrenching News, 2010/2015Shredded, twisted, and wrapped newspaper (The New York Times)7 x 7 x 1 feet and 6 x 6 x 1 feetCourtesy the artist

    Senga Nengudi

    Dance Card, 1986Video documentation of choreographed piece by Senga Nengudi performed by Maren Hassinger, Ulysses Jenkins, and Franklin Parker with music by Butch Morris under Blanket of Branches by Maren Hassinger at Contemporary Arts Forum, Santa Barbara, CA, 1986Digital transfer from VHS, color, sound, 5:24 minutesCourtesy Senga Nengudi

    SPELMAN COLLEGE MUSEUM OF FINE ART

    The only museum in the nation emphasizing art by and about women of the African Diasp

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