school of fine arts magazine 2009
DESCRIPTION
A newsletter for alumni and friends of Miami University (Oxford OH) School of FIne Arts. Produced Spring 2009.TRANSCRIPT
Miami UniversitySchool of Fine Arts
Extending Tradition, Embracing Innovation
S P R I N G2 0 0 9
E x t e n d i n g T r a d i t i o n , E m b r a c i n g I n n o v a t i o n
Welcome to our new publication for the School of Fine Arts at Miami University! As you
will note from the cover and within the magazine, there is a focus on the phrase “Extend-
ing Tradition and Embracing Innovation,” which serves as the underlying structure of
the SFA’s newly formed strategic plan. It is our goal to provide students with the best education and
training available in the arts, while building on the long-established traditions embedded in both
Miami’s School of Fine Arts and in the arts disciplines themselves. To do this, we must prepare our
students for an ever-changing world by introducing them to new pedagogies, techniques, and tech-
nologies in tandem with time-tested educational approaches. Based on the incredible successes of
our students, alumni, faculty, and staff , it is obvious that the departments in the School of Fine Arts
have a committment to the highest caliber of teaching, scholarship, and creative achievement, and
that we are poised to expand our quest for excellence in the arts.
While we are deeply indebted to the talents of our faculty and staff in delivering a fi rst-rate curricu-
lum, we are also most appreciative of the essential support provided by our alumni and friends. As
Miami continues the $500 million campaign For Love and Honor, I am proud to say that our school
has achieved great success in moving toward our development and fundraising goals for the depart-
ments and programs of the School of Fine Arts. As the campaign extends into 2010, we will count on
the continuing support of our alumni base to maintain and to further our ability to provide the fi nest
educational experience possible. I extend my personal thanks to all who have generously contributed
to our mission!
As we pursue our eff orts in Extending Tradition and Embracing Innovation, you will note the world-
wide reach of our departments and programs, from architecture workshops in Ghana to Glee Club
performances in China. In addition to extending ourselves into the world, we have brought to Miami
some of the leading artists and scholars of our time, including an upcoming visit by preeminent
composer Philip Glass in Spring of 2009. Glass’s visit and other special events highlight the School of
Fine Arts as a central player in helping Miami University celebrate its Bicentennial beginning in 2009
and into 2010. I hope that you will enjoy reading the information included in this publication about
the phenomenal achievements and stories from all parts of the SFA. I look forward to seeing you
soon at one of our performances, exhibitions, and scholarly events, and I thank you, once again, for
your continuing support!
Best wishes,
Dr. James Lentini
Dean and Professor of Music
School of Fine Arts
W E L C O M E
/ S P R I N G 2 0 0 91
Front Cover (Clockwise from left)
Students Lys Olsen and Jason Howard, lead roles in
The Taming of the Shrew
Miami President Hodge, Provost Herbst, Music Chair Green,
Dean Lentini
Eugene Brown at the Miami University Art Museum
Andrew Dailey’s Pinsel, 2008
Department of Architecture and Interior Design’s
international summer workshop in Ghana
Professor Joomi Chung in Pilsen, Czech Republic
Phillip Glass
Presser Hall, May 2008
2
R O S T E R & C R E D I T S
Editor:
Susan Ewing, Interim Associate Dean
Associate Editors:
Susan Thomas, Director of Integrated
Programs and Arts Management
Jeanne Harmeyer, Marketing Manager for
departments of Music and Theatre
Contributing Writer and Copy Editor:
Sophie Alyssa Williams
Graphic Design:
Scott Bruno, b graphic design
Primary Photography:
Miami University IT Photo Services
SFA Executive Committee:
James Lentini, Dean
Susan Ewing, Interim Associate Dean
Connie Asher, Assistant to the Dean for
Operations and Finance
Rosalyn Erat Benson, Assistant Dean for
Student Aff airs
Richard Green, Chair, Music
dele jegede, Chair, Art
Elizabeth Mullenix, Chair, Theatre
John Weigand, Chair, Architecture
and Interior Design
Patti Hannan Liberatore, Director,
Performing Arts Series
Robert Wicks, Director, Miami University
Art Museum
Clifton McNish, Director of Diversity
and Outreach
Heather Kogge, Director of Development
Introducing James Lentini, DMADEAN and PROFESSOR OF MUSIC
SCHO OL of FINE ARTS
COMPOSER , PERFORMER ,
ADMINISTRATOR
Before coming to Miami University, Dr. Lentini
was the founding dean of the School of Art,
Media and Music at Th e College of New Jersey.
His strategic vision included eff orts to move
the arts to the center of the campus’ academic
and cultural life and to cultivate cross-disciplin-
ary programs that emphasize new technologies
in the arts. His eff orts in fundraising and
new building construction for music and the arts resulted in endowments and gift s in excess of
one million dollars and approval of a $30 million project for a new building to house the art depart-
ment and multimedia areas.
An accomplished composer and classical guitarist, his compositions have won national and interna-
tional awards and have been performed and recorded in international venues by leading solo artists
and ensembles including the Krakow Philharmonic Orchestra (Poland) and the Bohuslav Martinü
Philharmonic Orchestra (Czech Republic). In addition to many commissions, his honors include fi rst
prize in the 2004 Choral Composition Contest at Blufft on
College, the 2002 Andrés Segovia International Composition
Prize (Granada, Spain) for his guitar composition “Westward
Voyage,” the Atwater-Kent Composition Award (fi rst prize),
the McHugh Composition Prize, a grant from “Meet the
Composer,” and as well as awards from ASCAP.
A native Detroiter, Dr. Lentini received a bachelor of music
in composition from Wayne State University, a master of
music in composition from Michigan State University and a
doctor of musical arts in composition from the University of
Southern California.
“Fantasy for Flute and Guitar… defi nitely warrants more
exposure on the concert platform and I sincerely hope
it gets the attention it deserves…”
Steve Marsh, Classical Guitar Magazine
“[‘Westward Voyage’]: the composer clearly knows
the fi ngerboard very well indeed and is expert at
fi nding scintillating resonant mixtures of open and
stopped strings.”
Stephen Kenyon, Classical Guitar Magazine
“…Music for Brass is a well-constructed piece (with big
wobbling, arching tones) that features plenty of strik-
ingly original brass writing in an intelligent package.”
Bryce Rankin, 21st-Century Music
‘Dreamscape,’ by James Lentini, is a brief fantasy for
orchestra that achieves its considerable eff ect from an
interplay of chamber-like textures and explosive full
orchestra passages. This is the best disc in the series.”
Stephen D. Hicken, American Record Guide
Jim and Dana Lentini attending the Grammy Awards >
Miami University: Equal opportunity in education and employment
3 / S P R I N G 2 0 0 9
A L U M N I N E W S
Have some news you’d like to share? We’d love to hear from you!
Visit arts.muohio.edu/keepintouch to keep us informed.
Lindsay HollisterHollywood actress Lindsay Hollister, best
known for her role on Boston Public, began her
acting career at Miami. Hollister, who received
her B.F.A. in theatre performance in 1999, ap-
peared in Miami productions of Gertrude Stein
and A Companion, Machinal, and Th e Real
Inspector Hound, earning a nomination for the
prestigious Irene Ryan National Acting Award.
Hollister also studied at the American Academy
of Dramatic Arts in New York City and at
Barter, the State Th eatre of Virginia. Aside
from her role as Christine Banks on Boston
Public, her acting credits include
appearances on shows such
as ER, Cold Case, My Name Is
Earl, Nip/Tuck, Law and Order:
Special Victims Unit, and Days
of Our Lives. She most recently
appeared on NBC’s Scrubs and
as Steve Carrel’s dance partner
in Get Smart. “I would say one
experience at Miami always
stuck in my head and defi nitely
inspired me to follow my dream out to Los
Angeles. Our department brought in a theatre
alumnus to speak to our acting class. [He] said,
‘Right now, this minute, if you can imagine
doing anything else with your life that would
make you happy other than acting, get out.
Because it’s too hard to attempt unless there’s
nothing else you can imagine doing.’ And at
that moment I knew there was nothing else for
me… that’s what gave me the strength to pursue
the impossibly diffi cult business of Hollywood.”
A LU M N I F O C U S :
Bill BrzeskiA highly regarded production designer, Bill
Brzeski has worked in feature fi lms, television,
interior design, and theatre for over twenty
years. He began his career in television and
has designed over 800 episodes and over thirty
pilots. As a production designer in feature
fi lms, he has lent his design talents to the
Oscar-winning As Good As It Gets, as well
as Th e Bucket List, Blue Streak, and Matilda.
He also designed the ground breaking CGI
movie Stuart Little and its
sequel Stuart Little 2 for
Sony Pictures.
Brzeski, a theatre major, and
his wife Kym, an English
major, both graduated from
Miami in 1975. Brzeski later
received an MFA in Design
from New York University’s
Tisch School of the Arts.
Originally interested in de-
signing for the ballet and op-
era, he began his career in the
theatre before moving to Los
Angeles. Th e Brzeskis’ tie to
Miami is still strong—Miami
recently hosted one of Bill’s
design seminars, and their
daughter Jamie is currently
a history
of art and
architec-
ture major
at Miami.
How did Miami’s liberal education prepare you and your wife Kym for your lives
and careers?
It taught us how to think in a more general way, seeing all sides of a prob-
lem, and not look at the world through the fi lter of a specifi c discipline.
We both think of ourselves as problem solvers, open to lots of diff erent ideas.
What do you want to say to current students about technology and arts?
Technology describes the tools we use to help create art. On its own, technology can’t
create an original idea or see the world in a unique way. We tend to fall in love with our
technology because it helps us take short cuts and save time. Don’t be fooled—a machine
can enhance our work, even show us new ways of creating art and describing our reality,
but it’s still the original idea people pay for. On a positive note, we live in an exciting time
because new technology lets us express ourselves and our ideas to the public without
relying on old institutions. Virtually anybody can produce music, art, or fi lms and get it
out to the public.
Jamie, Bill and Kym Brezski
4
Th e School of Fine Arts congratulates alum-
nus Fletcher Benton, who was named the
2008 International Sculpture Center’s Lifetime
Achievement in Contemporary Sculpture
award winner. Th e distinction, one of the
most prestigious in the fi eld of sculpture,
was awarded in April 2008 at Th e 17th
Annual Lifetime Achievement Award Gala
that gathered art patrons and professionals at
the San Francisco Museum of Modern Art.
Benton received his B.F.A. from Miami
University in 1956. He began as a painter, but
switched to sculpture when he felt he could no
longer carry out his ideas in paint, and is best
known for his kinetic metal sculptures. One of
these sculptures, Folded Circle, Two Squares, can
be seen in the refl ecting pool near the entrance
of the Miami University Art Museum, and was
donated by the artist in 1980. Th is sculpture
demonstrates the artist’s belief that basic geo-
metric forms can be used to create fresh, new
art without merely revisiting exhausted ideas
and motifs. Benton’s work is abstract in nature
and refl ects the raw industrial origin of its
metallic materials.
Benton’s work can be seen in the collections
of major museums as well as private and
corporate collections worldwide, including
the Whitney Museum of American Art, the
Hirshhorn Museum and Sculpture Garden,
the San Francisco Museum of Modern Art,
and the Kroller-Muller State Museum in the
Netherlands. He has participated in numerous
solo and group exhibitions, and has taught at
the California College of Arts and Craft s,
San Francisco Art Institute, and California
State University.
Th e International Sculpture Center’s Board of
Directors established the Lifetime Achievement
Award in 1991 to recognize individual sculptors
who have made exemplary contributions to the
fi eld of sculpture. Candidates for the award are
masters of sculptural processes and techniques
who have devoted their careers to the develop-
ment of a laudable body of work, as well as
to the advancement of the sculpture fi eld as a
whole. Benton is among such celebrated sculp-
tors as Louise Bourgeois, Christo and Jeanne-
Claude, Robert Rauschenberg, and Nam June
Paik, all past recipients of this award.
Fletcher Benton’s tie to Miami continued well
aft er he graduated. He was awarded an Honorary
Doctorate degree in the Fine Arts in 1993, and
exhibited work in solo exhibitions at the Miami
University Art Museum in both 1980 and 1993.
Miami is proud to recognize our own Fletcher
Benton on his outstanding accomplishments.
International Sculpture Center 2008 Lifetime Achievement
awards banquet with 2008 Lifetime Achievement Award
recipient, Fletcher Benton, B.F.A.,’56; Hiestand Galleries
Director, Ann Taulbee, B.F.A., ’81 and John (Jeb) Bystrom, B.E.D., ’77 and M. Arch., ’81. The gala dinner was held the
evening of April 25, 2008, at the San Francisco Museum of
Modern Art.
Benton receives Lifetime Achievement Award
Fletcher Benton’s bronze Folded Circle Two Squares, 1980
Gift of the Class of 1955 and the Artist
Steven Reineke named to conduct N.Y. Pops Orchestra
Miami alumnus Steven Reineke has been named
the new Music Director of the New York Pops and
will begin his tenure
in October 2009. As
such, Reineke will
conduct the orches-
tra’s annual concert
series at Carnegie
Hall as well as tours,
recordings, and
nationwide telecasts.
The announcement
follows an extensive
three-year search to fi nd a successor to founder
Skitch Henderson, who died in 2005. Earlier
this year, Reineke conducted the New York Pops’
25th Birthday Gala in Carnegie Hall. A protégé
of Erich Kunzel, Reineke is currently associate
conductor of the Cincinnati Pops Orchestra. As
the creator of more than one hundred orchestral
arrangements for the Cincinnati Pops over the
past 13 years, Reineke’s arrangements have been
performed worldwide and have been described
as “melodious and joyous.” His numerous wind
ensemble compositions are published by the
C.L. Barnhouse Company and are performed by
concert bands around the world.
Reineke will return to Miami during homecom-
ing 2009. He is writing a fanfare for Miami’s
combined choirs to be performed at a gala
Bicentennial concert in Millett Hall on Friday night
of homecoming weekend. The piece, Reineke’s
fi rst strictly choral piece, will be “short, fun, and
festive,” and will be accompanied by pieces from
resident Miami composers James Sheppard, G.
Roger Davis, David Shaff er, and SFA Dean James
Lentini, as well as another surprise “big name.”
The homecoming concert will feature Miami’s
combined choirs, including Men’s Glee Club,
Collegiate Chorale, Chamber Singers, and the
Choraliers, as well as the Miami University
Marching Band.
Reineke graduated from Miami with a Bachelor
of Music degree with honors in both trumpet
performance and music composition.
Urbanus is a critically acclaimed contemporary
architecture fi rm founded in 1999 by a dynamic
trio of Miami alumni: Xiaodu Liu, Yan Meng,
and Hui Wang. All three received Masters of
Architecture degrees from Miami and now
spend their time in Beijing and Shenzhen,
China. Th eir fi rm has been described as one
of “China’s most talented young architecture
fi rms” by Nicolai Ouroussoff of the New York
Times. Urbanus strives to respond to the
conditions imposed by rapidly emerging urban
development in China with humanistic and
community building solutions, resulting in
lively urban landscapes.
Urbanus’s design scope includes urban, archi-
tectural, landscape, interior, and exhibition de-
sign. It is recognized as one of the leading forces
among China’s young design fi rms, and its work
has been widely exhibited in prestigious domes-
tic and international shows, including the 2005
San Paulo Biennial in Brazil, the 2006 China
Contemporary exhibition by the Netherlands
Architecture Institute, and the 2007 Lisbon
Architecture Triennale in Portugal. In 2005, the
fi rm was featured by Architectural Record as one
of ten global “vanguard architectural fi rms.”
Currently on exhibit at Smithsonian’s Cooper-
Hewitt National Design Museum is a design
solution developed by Urbanus to address
growing global concerns and the need for
aff ordable housing. “Solos: Tulou/Aff ordable
Housing in China,” on view October 3, 2008–
May 8, 2009, presents the Tulou housing pro-
totype, based on a traditional Chinese circular,
clay-constructed dwelling type. Currently
under construction in China, the distinctive
form provides an alternative to the typical slab
housing ubiquitous around the globe and off ers
a remedy for urban sprawl.
On the heels of the Smithsonian exhibit’s
inauguration, the three partners visited Miami
as part of the Department of Architecture and
Interior Design’s 2008–09 lecture series. In an-
other collaborative project, Wenyi Wu, adjunct
professor of architecture, works with Urbanus
yearly to conduct summer studio workshops in
China. Urbanus is eager to support this eff ort
and to enrich students’ learning experiences.
Visit Urbanus’s offi cial web site, www.urbanus.
com.cn, for more information on the fi rm.
/ S P R I N G 2 0 0 95
A L U M N I N E W S
MiamiArchitectureGraduates: Rising Stars ofContemporary Urban China
Left to right: Architects Yan Meng, Xiadou Liu, and Hui Wang
6
Renovation of Presser Hall has been
completed and the majority of the
programs of the department of music have
now moved to their offi cial home. Erected
in 1931, Presser was originally a gift of the
Presser Foundation, supplemented by
generous contributions of alumnae and
friends of Western College.
Th e original building was inaugurated on
September 18, 1931 and was used jointly by the
music departments at Miami University and
Western College. In recent years, Presser has
been home to various musical and theatri-
cal groups. Beginning in December 2006, the
building underwent extensive renovation to
improve and modernize the facility. Signifi cant
mechanical upgrades were made, along with
exterior restoration and a large addition for
storage of musical instruments.
Th e May 2008 move from CPA to Presser Hall
took place with fi ft een truckloads of instruments,
music, documents, and offi ce items. “A great
deal of work was done to fi nd the right places
for everything as well as tweaking the building
to accommodate some acoustical surprises,”
said music chair Richard Green. “Th e new
building is a wonderful asset to the program.”
Th e Department of Music celebrated Presser’s
re-opening on October 23, 2008 with “Presser
Palooza.” Offi ciating at the 3:00 pm ribbon-cut-
ting ceremony at the building’s front entrance
were Miami President David Hodge, Provost
Jeff rey Herbst, SFA Dean James Lentini, and
Music Chair Richard Green.
Hodge, Herbst, and Lentini were in high praise
of the department, with the president saying
that “you now have a building that refl ects the
honor and respect with which the department
is held on campus.”
Following the ceremony, a reception was given
along with tours of the building, in addition
to performances by students and faculty of the
department.
Clockwise from left:
Presser Hall, May 2008
Left to right: Miami University President David Hodge, Provost
Jeff rey Herbst, Department of Music Chair Richard Green,
and SFA Dean Jim Lentini cut the ribbon at the Presser Hall
re-opening ceremony
MU Trumpet Ensemble, under the direction of graduate
student David Hartkopf signals the opening of the Presser
Hall celebration
The New Presser Hall“The new building is a wonderful asset to the program.” Music Chair Richard Green
7 / S P R I N G 2 0 0 9
Associate professor of music Chris Tanner is the recipient of the
2008 Crossan Hays Curry Distinguished Educator Award pre-
sented by Miami’s School of Fine Arts. James Lentini, SFA dean,
presented the award at a recent ceremony. Tanner was nomi-
nated by James Sheppard, professor of music, who praised
Tanner’s teaching skills, positivity, and ability to connect
with his students on a personal and professional level.
Sheppard wrote that Tanner’s mix of art and teaching
suggests “personal integrity and creative talent.”
Tanner’s accomplishments include founding the Miami
University Steel Band in 1994, and earning a Master of Music
degree from Miami in 1996, followed by a doctorate from West
Virginia University in 2000. Tanner is a performer, composer,
and arranger in addition to teaching and directing the Steel
Band. Th e band performs widely throughout the region and
during spring of 2008 toured with noted pan artist Andy Narell.
Th e band was also fea-
tured in the PANorama
Caribbean Music Fest
at Virginia Beach
in May.
Th e Curry award is
made possible by an
endowment from Miami
alumnae John Hill Ervasti
and Jean Truitt Ervasti. First
given in 1996,
fi ve other
Department
of Music faculty
members have received
the award, including
Sandra Seefeld in 2007,
Brenda Mitchell in 2005,
Mary E. M. Harris in
2003, Michèle Gingras
in 2002, and Steven
Shumway in 2001.
Tanner Recipient of Curry Award
Music ProfessorDesigns Reed Gouging MachineProfessor Andrea Ridilla, in collaboration with
Udo Heng, designer and music store owner, has
designed an oboe gouging machine. Th e ma-
chine is meant to reduce the time spent gouging
reeds, the fi rst step in the complex process of
reed making. “Sculpturing the inside curvature
of the oboe reed in exactly the right manner is
essential for the kind of oboe tone the oboist is
looking for,” says Ridilla. Oboists must make
their own reeds to satisfy personal tastes in
sound, feel, and style.
Ridilla is especially interested in reed-making
due to her association with international play-
ers, “whose concepts of sound are very diff erent
from the American approach,” she says.
“Th e demands of matching
playing styles presented
challenges in tone
production, projec-
tion, and fl exibility of
pitch, and forced me to think outside the box.”
With grants from Miami University and
help from Barry Landrum of the Hughes
Instrumentation Laboratory, Ridilla spent
a great deal of time researching and refi ning
the gouging process. Her invention, which is
U.S. patent pending, caught the eye of Heng,
and together they developed the Ridilla-Heng
machine. Th e machine is sold on the interna-
tional market through Heng’s business, Reeds
n’ Stuff in Germany, and at Forrest’s Music in
Berkeley, California.
E X T E N D I N G T R A D I T I O N / E M B R A C I N G I N N O V A T I O N
8
Th e newly inaugurated Miami Design
Collaborative (MDC), led by the School of
Fine Arts, is a multi-disciplinary design initia-
tive at Miami University that brings together
students and faculty from across campus in
an interdisciplinary approach to team-based
design solutions. MDC focuses on hands-on
experience with design projects, engagement
with industry and organizations outside of Mi-
ami, and multi-disciplinary theory and practice.
MDC combines existing Miami design projects
and courses with events and outside visitors like
1985 Miami alumnus John Foster at IDEO, an
innovation and design fi rm.
One of the fi rst MDC events this fall was a
collaboration between the Armstrong Insti-
tute for Interactive Media Studies and IDEO.
A group of faculty and students from across
campus worked with Foster, head of Talent and
Organizational Development, to participate in
IDEO’s signature “deep dive” brainstorming
process, a creative think tank in which partici-
pants are fully immersed in one specifi c idea
or project. Participants worked to gain a better
understanding of student learning and engage-
ment, develop a structure for the Miami Design
Collaborative, and create new concepts for
future MDC initiatives. Th ree other industry
experts, Challis Hodge of Bridge Worldwide,
Mark Eckman of Rosetta, and Elizabeth Bartley,
designer and design educator also participated
in the event, off ering their outside perspectives
and insights. Th is event was made possible by
a combination of Foster’s expertise and the
dedication, energy, and talents of Miami faculty
and students.
Miami Design Collaborative pairs with IDEO for “Deep Dive”John Foster
9 / S P R I N G 2 0 0 9
Student DesignsBicentennial LogoSenior Erin Kana’s design was chosen as the
offi cial logo for Miami’s Bicentennial celebra-
tion. Th e graphic design major from Bay
Village, Ohio, competed with fellow graphic
design students enlisted by the university’s
Bicentennial Committee to create the logo for
Miami’s 2009 celebration. Six students work-
ing under the guidance of Tom Effl er, associate
professor of art, and Peg Faimon, professor of
art, were selected as fi nalists: Jason Andrews,
Jessica Boonstra, Erin Kana, Jennifer Pace,
Colleen Reid, and Stephanie Rotar, all senior
graphic design majors. Kana’s design is inspired
by the towers of Harrison Hall and ripe with
historical signifi cance. Named for Benja-
min Harrison, Miami class of 1852 and later
president of the United States, Harrison Hall
is located on the site of Miami’s fi rst classroom
building, “Old Main.” Its towers were designed
by Miami’s most prominent architect, Charles
Cellarius, who was responsible for many
Georgian-style buildings on campus. “Th e site
of Harrison Hall is an especially historical spot
on campus that adds a lot of meaning behind
her logo and can be shared across generations
easily,” Faimon
said. “Older
generations
can associate
with the towers
and younger
generations can
identify with
the design’s
balance of con-
temporary feel.”
g y y
Bicentennial Committee to create the logo for
Miami’s 2009 celebration. Six students work-
ing under the guidance of Tom Effl er, associate
professor of art, and Peg Faimon, professor of
art, were selected as fi nalists: Jason Andrews,
y g
generations can
identify with
the design’s
balance of con-
temporary feel.”
So, what are YOUR latest achievements?
Visit arts.muohio.edu/keepintouch to keep us informed.
Philip Glass: Embracing InnovationIn the spring, Miami Design Collaborative,
the Armstrong Institute for Interactive Media
Studies, and the Performing Arts Series will
co-sponsor a two-day symposium on collabora-
tion featuring a performance by multi-faceted
artist and composer Philip Glass. Th rough his
operas, symphonies, compositions for his own
ensemble, and collaborations with artists from
Twyla Th arp to David Bowie, Glass has had an
extraordinary impact upon the musical and
intellectual ideas of his time. His residency at
Miami begins with an evening of solo piano
providing a rare opportunity to experi-
ence this infl uential composer’s work
fi rsthand. An intimate and unique look
at a visionary at work, Glass personally
introduces the program. As the capstone
event of the MDC’s design thinking
symposium, Glass will present “Creativity
and Collaboration,” focusing on the idea of
creativity and how disparate artists, educators,
and students can inspire each other and create
collaborative work that can be even more satis-
fying than individual work.
Performance Information
Etudes and Other Works for Solo Piano
7:30 pm • Wednesday, April 15 • Hall Auditorium
Tickets
$18 students/youth • $35 senior citizens • $36 adults
Visit www.muohio.edu/PerformingArtsSeries for
more information.
Faimon Receives Naus Award
Congratulations to Professor of Art Peg Faimon,
Miami Design Collaborative director, who
was one of two recipients of an endowed Naus
Family Scholar award. Th e program, funded by
a $250,000 gift to Miami’s For Love and Honor
Campaign by James and Susan Naus, both class
of 1967, supports faculty who exemplify the
very best of Miami’s traditions.
myaamiaki iiši meehtohseeniwiciki,
How the Miami People Live
M I A M I U N I V E R S I T Y A R T M U S E U M
E X T E N D I N G T R A D I T I O N , E M B R A C I N G I N N O V A T I O N
11 / S P R I N G 2 0 0 9
Susan Ewing’s Dinner Ring for a Last Supper II,
sterling silver and magnetic steel
In 2004, Miami Art Museum director Robert
Wicks fi rst celebrated the Miami tribe and its
connections to the university with an exhibition
of art by current tribal members. Th e present-
ing of a native birch tree to Chief Leonard and
its planting on the museum grounds marked
the symbolic return of the tribe to their home-
land. Th e Miami tribe returned to Oxford in a
groundbreaking new exhibit, Myaammiaki iiši
meehtohessniwiciicki How the Miami People
Live, in Fall 2008. Th e exhibition celebrated the
vibrant heritage of the Miami tribe, currently
undergoing a language and culture revitaliza-
tion eff ort, and featured both historical and
contemporary artifacts and objects.
Serving as a kickoff to the university’s Bicen-
tennial celebration, the exhibition was made
possible through the combined eff orts of guest
curators Julie Olds, former cultural preserva-
tion offi cer of the Miami Tribe of Oklahoma,
and Daryl Baldwin, director of the Myaamia
Language project at Miami University, and
the staff of the Miami University Art Museum.
Th e exhibition, co-sponsored by the National
Museum of the American Indian (part of the
Smithsonian Institution), and the Cranbrook
Institute of Science, was unique in that mem-
bers of the Miami tribe were involved from
the very beginning. Over one hundred tribe
members attended the exhibition opening on
September 18. Th e opening featured welcoming
remarks by Miami University President David
Hodge and the dedication of the site for Miami
tribe elder Eugene Brown’s bronze sculpture,
“A Tribe named Miami, A Surveyor’s Stake, a
Town named Oxford,” representing the unity
of the Miami tribe, Oxford, Ohio, and Miami
University.
Th e Myaammiaki iiši meehtohessniwiciicki
How the Miami People Live exhibition was
a great success. More than 900 area school
children from 17 diff erent schools had been
through the museum, and 34 Miami courses
integrated the exhibition into the semester’s
curriculum. Over the course of the exhibition
museum attendance exceeded 7,200 visitors.
For more information about the Miami
Nation visit their offi cial website at
http://www.miamination.com/.
Miami Artists part of Ohio Craftsmen’s Best of 2008Miami University Distinguished Professor of
Art Susan Ewing received the Pamela Morris
Thomford Award for Excellence in Metals at the
Ohio Designer Craftsmen’s 25th annual juried
members’ competition, “The Best of 2008.”
Tadashi Koizumi, M.F.A. ’08 (metals), received the
Emerging Craftsman Award for his body of work.
Other Miami artists recognized were: graduate
students Josh Foy (ceramics), Geoff Riggle
(metals), and Lisa M. Wilson (metals); M.F.A.
alumnae Sandra Gross, ’91 (glass), and Stephen
Wolochowicz, ’05 (ceramics); and B.F.A. alumnae
Lisa Johnson, ’04, and Christina Brandewie, ’80,
both metals.
More than 325 entries from 140 artists were
submitted; 130 works in glass, metal, fi ber, clay,
wood, and mixed media by nearly 90 artists were
selected and are on display at the Ohio Craft
Museum in Columbus during summer 2008.
Ewing’s award winning piece Dinner Ring for a Last
Supper II is part of a series of small objects based
on the weaponry of Leonardo da Vinci. “This one
piece was enough to make the trip worthwhile,”
said juror Brion Clinkingbeard, deputy director and
chief curator of the Kentucky Museum of Art and
Craft. “It stands alongside the other works in this
show as representing the ‘best of’ traditions of
this powerhouse organization.”
Opposite page, clockwise from top:
Deerskin Map Showing Wea Territory under Negotiation with
the Wabash Land Company, c. 1774 – 1775; by permission of
the British Museum, Department of Ethnography, Mullanphy
Collection, London, England
James Otto Lewis, Portrait of Brewett — A Celebrated Miami
Chief, 1835–36, hand-colored lithograph from the portfolio,
The Aboriginal Port-Folio, or A Collection of Portraits of the Most
Celebrated Chiefs of the North American Indians
Detail of Eugene Brown’s wood-burned engraving from Drum
Flute Stand, 2008
Eugene Brown playing one of his original fl utes during the
dedication of his sculpture at the MUAM closing reception,
December 18, 2008.
This page:
Eugene Brown, A Tribe Named Miami, A Surveyor’s Stake, A
Town Named Oxford, 2003; carved and painted wood in eight
pieces; lent by Dr. Joseph W. Leonard
Museum attendance exceeded
7,200 visitors for the exhibition.
12
Interior Design Program Ranked 9th Nationally
Design Intelligence, who produces the
principal annual ranking of architecture and
design-based academic programs, has ranked
Miami’s Interior Design program in a tie for
ninth nationally for 2009. Th is is a consider-
able achievement given that there are 300–400
programs and about 160 CIDA accredited pro-
grams reviewed for the ranking. Th e impressive
ranking is based on a comprehensive survey
of professional design fi rms. Th is biases older
programs with established reputations, larger
programs that simply place more graduates, and
programs with established co-ops.
Th is past summer, 16 high school students
from throughout the nation participated in the
Multicultural Leader-
ship Program Summer
Leadership Institute
(MLPSLI) sponsored by
Miami’s Offi ce of Ad-
mission. Th is one-week
institute is designed
for African-American,
Hispanic/Latino, Native
American, or Pacifi c Islander students that have
completed their sophomore or junior year in
high school, or for students who are not multi-
cultural but have demonstrated a commitment
toward making their school and community
more accepting of cultural diversity. Partici-
pants who successfully complete the institute
and are admitted to Miami receive a renewable
$5,000 merit scholarship award.
During the one-week program, MLPSLI par-
ticipants have the opportunity to interact with
current Miami students, faculty and staff in aca-
demic, leadership and career choice activities.
A variety of academic and co-
curricular activities including a
writing workshop, computer skills
lab, and business, education, engi-
neering, and fi ne arts programs are
off ered to better prepare partici-
pants for college.
Th e 16 students who participated
in the fi ne arts component took
courses taught by members of the
School of Fine Arts faculty. In the
Art of Collage, instructor Brent
Payne’s goal for his students was to
help them understand the process
of making art and how to em-
brace and enjoy the process. John
Humphries taught a design draw-
ing course, in which beginning design drawing
ideas are introduced, and students learn to look
at things on a simple yet detailed level. Each
of these courses is designed to help students
understand the basic process of developing a
good portfolio, whether for visual art, architec-
ture, or interior design.
Th e SFA’s goal is to motivate students to pursue
degrees and careers in the arts as well as increase
the number of students in pre-college initiatives
similar to MLPSLI. In summer 2007, eight stu-
dents participated in the fi ne arts component of
MLPSLI; in summer 2008 that number doubled.
Th at alone is a great success!
Sixteen high school students participate in the fi ne arts component of Miami’s MLPSLICLIFTON MCNISH, Director of Divers ity and Outreach
E X T E N D I N G T R A D I T I O N
Brent Payne, M.F.A. in painting, 2008 instructs
students in the visual arts component
13 / S P R I N G 2 0 0 9
Taryn Nye, who graduated from Miami in May
2008 with a Master of Architecture degree,
received an honor award from the American
Institute of Architecture Students (AIAS) at
their annual conference in December. Nye’s
design for an accessible home for seven year-
old Lianna Bryant, who has quadriplegic mixed
type cerebral palsy, was nominated for a
Community Service Honor Award through
AIAS. Nye designed and constructed the space
with the Miami University AIAS Freedom by
Design team, working closely with Lianna’s
mother, Utawna Leap, ’93. Th e house was spe-
cially designed to accommodate the needs of
Lianna, who cannot walk, crawl, or talk.
Leap envisioned a house that would meet the
immediate and long-term needs of her daugh-
ter. She could not aff ord to hire an architecture
fi rm so she contacted Miami’s architecture pro-
fessors asking for students’ assistance, knowing
someone could learn from the experience.
She was put in contact with Nye who was
willing to take on the project. “Tawna came
up with a list of things she wanted in the
design,” Nye explains. “Th e idea was that
Lianna would be able to go everywhere in
the house, with no restrictions.”
Th e one-level home is confi gured to fi t Leap’s
long, narrow lot. Visitors walk through an
extra-wide front door into an open-plan living
space that makes it easy for Lianna to move
from kitchen to dining area to living room to
bedroom in her wheelchair. Special features
include a large roll-in bathroom, sink with
motion-activated faucet, and a sprinkler system.
A ceiling-mounted personal lift system runs
through Bryant’s bedroom and bathroom,
down a hallway, and into the living room,
allowing her full access to major
areas of the house.
“I never anticipated the time and
eff ort and research that not just
Taryn did, but other people in the
department,” Leap said. “Until you
have someone close with a disabil-
ity, you cannot compre-
hend what life is like
with a disability.”
Nye said the process
meant more to her
than the job or award.
“I think I made a
friendship and I found
a family who needed help,” Nye
said. “It changed the way I look at architecture
and the power we have to aff ect people’s lives.”
Nye now works at Duncan Wisniewski, an ar-
chitecture fi rm dedicated to helping non-profi t
clients and specializing in designing aff ordable
housing for veterans and the elderly.
Grad Student WinsAIAS Honor Award
“[The experience] changed the
way I look at architecture and
the power we have to aff ect
people’s lives.” Taryn Nye
Dutton named Professor of
Community Engagement
Th rough generous alumni support, Th omas
A. Dutton, professor of architecture, has been
named the Cincinnati Professor of Commu-
nity Engagement. Dutton is the director of
Miami University’s Center for Community
Engagement
in Over-
the-Rhine,
which off ers
opportunities
for faculty,
student, and
community
learning in
inner-city
Cincinnati.
He and his
students design and rehabilitate housing for
low- and moderate-income people. He has
been active in the Over-the-Rhine People’s
Movement for twenty-four years. Th e
Neighborhood Design Corporation of
Cincinnati recognized Dutton for the
accomplishments of the Over-the-Rhine
Design/Build Studio in 1999 and 2005.
Share your latest accomplishments with
us — visit arts.muohio.edu/keepintouch
to keep us informed.
E M B R A C I N G I N N O V A T I O N
Taryn Nye (left) with Lianna Leap
14
Extending Tradition—Going GlobalStudents and faculty spent the past year participating in activi-
ties on a global scale, engaging in study, service, and cultures
that help develop aptitude in a diverse world. The SFA is com-
mitted to making meaningful international experiences available
to all fi ne arts majors. Here is
a snapshot of their activities:
WHO: Ghana Design/Build Studio, the Department of Architecture and Interior
Design’s longest running summer workshop
WHERE & WHEN: Abrafo Odumase, Ghana, summer 2008
WHAT: Designed and built a computer skills classroom for local students and
adults. In previous years, students have designed and built a library, outdoor read-
ing room, permanent market shelters, community center, and guesthouse.
WHO: Miami University Men’s Glee Club, under the
direction of Ethan Sperry, associate professor of music
WHERE & WHEN: China, June 2008
WHAT: Sang as part of the 2008 Summer
Olympic pre-game events.
WWWWWWW
OOOOOOO
15 / S P R I N G 2 0 0 9
WHO: Th e Choraliers, under the direction of
William Bausano, professor of music
WHERE & WHEN: Italy and Greece,
summer 2008
WHAT: Toured from Venice to Athens, singing
early European music. Were described as
“wonderful musical ambassadors from the
United States.”
WHO: Architecture
and interior design students, with Gulen
Cevik, assistant professor
WHERE & WHEN: Turkey, summer 2008
WHAT: Toured Roman and Greek
cities, museums, mosques and churches,
and world heritage sites, studying both
ancient and modern Turkey. Participated
in a weeklong project with other design
students at Yeditepe University in Istanbul and visited criti-
cally acclaimed design fi rms Koleksiyon and Autoban.
More DestinationsWHO: Highwire Brand Studio, a capstone
course comprised of students majoring in
marketing, art/graphic design, and other
supporting disciplines
WHERE & WHEN: London, summer 2008
WHAT: Students worked in competing teams in
collaboration with marketing research affi li-
ate dunhumby on a project for Tesco, the third
largest retailer in the world.
WHO: Miami University students
WHERE & WHEN: Florence, Italy, spring 2008
WHAT: Attended Kent State’s architecture
and environmental design school in historic
Florence and participated in semester-long
design studios, traveled with professors to four
major Italian cities as part of an urban analysis
course, and took courses in Italian language, art
history, urban development, drawing, and
European theater.
151515151515 / S/ S S P R IP R IP R I N G N G N G 2 0 02 0 022 99999
Jingju Comes to MUTracy Chung has played an important role in
making Jingju come alive in Taiwan, where
she is an Associate Professor at the National
Taiwan University and Taiwan Junior College of
Performing Arts. During fall 2008, Chung was
in residence in the Department of Th eatre
to teach traditional Jingju opera style and
direct a Jingju version of Shakespeare’s
Th e Taming of the Shrew. Th eatre
Professor Howard Blanning took
Ms. Chung’s place in Taiwan
for the semester, where he
taught theatre history and
directed Shakespeare’s A
Midsummer Night’s Dream.
“Th is is only the second time
that such an international
exchange has been done at
Miami,” said Liz Mullenix,
Chair of the Department of
Th eatre. “Hopefully this ex-
change will blaze a trail for more
faculty to engage in like activity
in the future.” Chung described
her experience, saying, “Th e
students have been wonder-
ful. We have had a lot of
fun learning about each
other! Th ey taught me how
to express myself better in
English and I taught them
about the traditional Jingju
theatre’s singing, acting, and
dancing, as well as Chinese culture, history,
and language. Th eir Jingju performance may
not be perfect, but they have developed a great
appreciation for the art and that is beautiful!”
A graduate of the National Fu-hsing Dramatic
Arts Academy and Oklahoma City Univer-
sity, Chung has appeared in more than
thirty Jingju productions and has books as well
as DVDs to her credit. She has adapted seven
non-Chinese works for Jingju as well as two
well-known Chinese novels, A Woman and
Four Men and Th e Life of Ah-Q. In 2003, Tracy
served as a J. W. Fulbright Visiting Scholar-
in-Residence and Vail Artist-in-Residence at
Denison University in Granville, Ohio.
Scene from Theatre’s recent production of Taming of the Shrew
16
Miami Art Faculty Featured in International ExhibitionTh irty-nine works by Miami University artists
were recently included in Connections, an exhi-
bition at the Institute of Art and Design (IAD)
at the University of West Bohemia in Pilsen,
Czech Republic. Th e exhibition, open May
6–24, 2008, featured work by 19 Miami art
faculty and graduate students. IAD, established
in 2004, is one of the most progressive univer-
sity institutions in the Czech Republic focusing
on art and design. Th e exhibition was part of
the Pilsen Liberation Festival, founded in 2005
to commemorate the anniversary of the libera-
tion of the city of Pilsen by American troops at
the end of World War II.
“Th e Connections exhibit serves as an oppor-
tunity to showcase the great art of our faculty
and to further bridge the connection between
Miami and the IAD,” says Dean James Lentini,
who traveled to Pilsen with three of the exhibit-
ing artists, along with Dean of the Graduate
School Dr. Bruce Cochrane. “International
collaborations like this help to further our
mission by connecting our students and faculty
to an increasingly global world of education
and the arts.” Future plans for collaboration
with the IAD include developing a partnership
for a joint international master’s degree pro-
gram and student and faculty exchanges.
Participating Miami faculty were: Andrew
Au, Joomi Chung, Larry Collins, Th omas
Effl er, Susan Ewing, Margaret “Peg” Faimon,
Tracy Featherstone, Ira Greenberg, dele jegede,
E. James Killy, Matthew Litteken, Edward
Montgomery, Ellen Price, Ralph Raunft , Dana
Saulnier, Dennis Tobin, Roscoe Wilson, Jon
Yamashiro, and Sara Young. Graduating M.F.A.
students Alyssa Feather, Tadashi Koizumi,
Brent Payne, Alan Pocaro, and Kelly Severtson
also exhibited work in the show.
Art Students’ Work Selected
for International Exhibition
Five Miami University artists were part of
“Magnitude Seven,” an exhibition by 34 artists
at the Manifest Creative Research Gallery and
Drawing Center during summer 2008. Th e
show featured work by: graduate students
Charlie Buckley (painting) and Lisa M. Wilson
(metals); Brent Payne, M.F.A. ’08; David
Dotson, M.F.A. ’06; and Josh Willis, B.F.A. ’03.
Manifest received more than 550 submissions
from 254 artists from across 38 states for the
exhibition of work no larger than seven inch-
es in any dimension. It was the fourth year for
the theme, the most popular at Manifest.
International collaborations
help connect our students
and faculty to an increasingly
global world of education
and the arts.
17 / S P R I N G 2 0 0 9
A group of Miami alumni have come together
to create the Northwest Ohio Scholarship in
Architecture and Interior Design. Th e scholar-
ship, which will be awarded for the fi rst time
in spring 2009, was conceived by a group
of alumni from Miami’s Department of
Architecture and Interior Design. Th e group,
including many architects and designers from
several area fi rms, gathered for a presentation
discussing the department’s achievements and
challenges and began discussing the idea for
the scholarship.
“We felt it was unlikely that any one fi rm could
generate enough support to fund a scholarship
at a high enough level, but we thought, if we
all got together, we might be able to make it
happen,” said Paul Hollenbeck ’70 of Th e
Collaborative Inc.
Th at idea became a reality in November 2008,
when the donors came together to celebrate
their scholarship’s endowment reaching $50,000
during the summer. Beginning in the spring,
it will be awarded each year to one or more
northwestern Ohio students in the Department
of Architecture and Interior Design.
According to Hollenbeck, who transferred to
Miami in 1965 specifi cally to study architec-
ture, the scholarship serves the dual role of
supporting Miami students and promoting the
architecture and interior design professions in
Northwest Ohio. “Northwest Ohio is no diff er-
ent than many other parts of the country in that
recruitment is one of our biggest challenges. As
the baby boomers retire, we’re going to need
more architects than universities are produc-
ing. Northwest Ohio doesn’t have a school
of architecture, so this was a good way to get
students at Miami to notice us and recognize
the opportunities in this region.”
Alumni, graduating in classes from 1959 to
1991, and parents of current and former Miami
students were among those contributing to the
scholarship fund. “People have great feelings
about their experience at Miami in general, but
the architecture program, because of the rela-
tionships you form with students and faculty,
is a little diff erent,” said Michael DiNardo ’84,
who earned his Master of Architecture degree
while on a similar scholarship. “It’s almost like
being in a fraternity or sorority because you’re
together so much of the time.”
Hollenbeck, who recalls a highly competitive
program in which an initial class of fi ft y archi-
tecture students was pared down to his graduat-
ing class of a dozen, remains in close contact
with former classmates and faculty members.
He sees the collective eff ort behind the scholar-
ship as capturing that spirit of camaraderie that
defi ned his time in the program.
“Th is is not about our fi rms, though at least four
are represented; it’s about us as a group of archi-
tects and related professionals. It is a divergent
group, with more than three decades between
some of us, and we gave in varying amounts to
make this possible. Hopefully this isn’t the end,
and people will continue to see this as a great
philanthropic outlet.”
Donors to the Northwest Ohio Scholarship
in Architecture and Interior Design are: Allan
Brown ’91; Michael DiNardo ’84; Mike Duket
’70; Bert Elliott ’81; Edward ’80 and Mary
Glowacki ’79; Joseph Kunkle; Paul and Pamela
Hollenbeck ’70; Robert Seyfang ’59; and Robert
Siebenaller ’82.
Alumni Create Architecture Scholarship
Two principals with Toledo architecture fi rm, The Collabora-
tive Inc., Mike DiNardo (left) and Paul Hollenbeck (right)
came together with at least 3 other fi rms and numerous
alumni donors to create the Northwest Ohio Scholarship in
Architecture and Interior Design.
(Opposite page left, clockwise from top)
Assistant Professor Joomi Chung
installs her 3-dimensional drawings in
the Connections exhibition on-site at the
Institute of Art and Design’s University
Gallery in the city center of Pilsen,
Czech Republic
Professor Ellen Price’s Tournament
Helmet, 2008
Assistant Professor Roscoe Wilson’s
Deer, Ducks and Cows—Oh My, 2008
Dignitaries ranging from the American
and Belgian ambassadors to the Czech
Republic and the Mayor of Pilsen spoke,
along with Dean Lentini, at the exhibi-
tion’s opening reception May 6
(Opposite page right, clockwise from top)
Artworks by:
Charlie Buckley, MFA candidate,
painting, Study – Keys, 2008
Lisa Wilson, MFA candidate, metals,
Untitled, 2008
Andrew Dailey, MFA candidate
painting, Pinsel, 2008
Extending Tradition, Embracing Innovation
Tell us about your SFA experience —
visit arts.muohio.edu/keepintouch.
18
Department of Theatre makes Miami’s TOP25
Last fall, the
Department of
Th eatre premiered an innovative new course
as part of President Hodge’s new initiative—
Th e TOP25 Project: Engaging Students in their
Learning. Faculty were invited to redesign the
25 largest courses at Miami in order to move
learning away from, as the President says, “too
much time telling students what we think they
need to know, and not enough time using their
curiosity to drive their learning.” Teams of
faculty were invited to submit a proposal, and if
chosen, would receive funding for implementa-
tion of their newly designed class.
Th e Department of Th eatre’s proposal for
THE 191 was one of seven classes chosen to
receive funding in the fi rst round of TOP25
and was the fi rst to pilot its course. Th eatre
Appreciation, an introductory class in which
200 students previously received information
passively through lecture, was transformed into
an interactive, hands-on laboratory for theatre
creation. Students of the redesigned course
were given the opportunity to interact with
multiple guest artists, shadow a working artist
in a backstage experience, and create their own
ten-minute play.
By directly interacting with working artists,
witnessing Miami theatre productions from an
insider’s perspective, and applying their knowl-
edge to their own artistic creation, non-majors
become critically engaged and actively involved
in theatre in an exciting and innovative way.
An interactive, hands-on laboratory for theatre creation
Department of Theatre’s mainstage production of The Trojan Women
Earl Reeder Visiting Critics Fund
Like his grandmother Thelma Flanery Reeder,
who attended Miami University in the 1920’s,
alumnus Earl Reeder believes in the importance
of giving back, that his contributions might
shape and guide future generations of Miamians
by providing students with experiences that go
beyond the curriculum. It is in this spirit that he
presented the Earl Reeder Visiting Critics Fund
in support of the Department of Architecture
and Interior Design, in the fall of 2008.
The available annual distribution generated from
the fund will support participation of an annual
“Reeder Visiting Critic” in the activities of the
Department of Architecture and Interior Design.
This position shall be held by a nationally or
internationally recognized architect, interior
designer, or related professional. The intent is
that the Reeder Visiting Critic would participate
directly with students in classroom-based activi-
ties, over an extended period of time as available
funds permit, and deliver an annual Reeder Lec-
ture as part of the departmental lecture series.
The School of Fine Arts is extremely grateful to
Earl for his generosity and vision.
My check for $ made payable to Miami University Foundation is enclosed.
Please bill my: American Express Discover MasterCard Visa
Card number
Exp Date
Signature
My company has a matching gift program
that will increase the impact of my gift; I am enclosing my employer’s matching gift form.
Name
Address
City ST Zip
Home Phone Daytime Phone
To make a secure online gift to MU School of Fine Arts, please visit arts.muohio.edu and click “Make a Gift.”
Mail or fax this page to: Heather Kogge, Director of Development, School of Fine Arts
Miami University, 725 E. Chestnut Street, Oxford, OH 45056
fax: (513) 529-1466 offi ce: (513) 529-5217
New SFA Directorof Development
A seven-year veteran of
Miami University’s Offi ce
of Development, Heather
Kogge was named Direc-
tor of Development for
the School of Fine Arts last April. In this role,
she works directly with alumni and friends of
the SFA to build support toward a $15 million
goal, as a part of the overall $500 million Miami
University Campaign For Love and Honor. Priori-
ties within the SFA campaign include endowed
scholarships, fellowships, and chairs; student
enrichment and programs, including technology,
as well as production, exhibit, and visiting
artists endowments; and a Miami University
Performance and Concert Hall.
Heather enjoys the reward of helping to
strengthen the relationship of Miami’s loyal
supporters with the School of Fine Arts, and
is honored to be a part of the philanthropic
process of “giving back.” A 1990 graduate of
Ball State University and a former high school
English teacher, Heather lives in Oxford with her
husband John Kogge ’72 and children Malory
and Jesse.
For information on making a commitment in
support of the School of Fine Arts, please
contact Heather at 513-529-5217 or
Make a gift to the Miami University School of Fine Arts I would like to support the School of Fine Arts with my gift in the amount of:
$1000 $500 $ 250 $100 other
I wish to be contacted by the School of Fine Arts Development Offi ce regarding planned giving
and/or other giving options.
Please direct my gift to the fund(s) designated below.
Department of Architecture and Interior Design Cutting-edge technology, an internationally recognized faculty,
and innovative off -campus study opportunities are just a few hall-
marks of Miami’s Department of Architecture and Interior Design.
Your gift provides support for these and many other ground-
breaking initiatives.
Department of Art Accredited by the National Association of Schools of Art and
Design, and recognized nationally for its award-winning faculty,
the Department of Art runs professional programs that promote
the conceptual, technical, and intellectual growth of students and
challenge them to become actively engaged in research and creative
activities in studio arts, graphic design, art and architectural history,
and art education. Your support makes this mission possible.
Department of Music Accredited by the National Association of Schools of Music, the
Department of Music achieves creative and academic excellence
through performing, conducting, composing, writing, and research-
ing. Your gift will support the artistic and educational goals of the
department in preparing the next generation of performers and
teachers, off ering opportunities that enrich the entire Miami
University community and that make an education in music at
Miami unique.
Department of Theatre Students in the Department of Theatre actively bridge the gap
between artistic practice and critical inquiry through a variety of
experiences that include working with professional theatre artists,
study abroad opportunities, and an innovative hands-on curriculum.
Your gift provides the support that will allow our students to become
globally aware, civically engaged theatre artists for the 21st century.
Miami University Art Museum Your support helps this nationally accredited institution pursue its
active role in the overall cultural life of the southwest Ohio region,
including dual goals of public outreach and university cooperation.
Performing Arts Series Miami University’s Performing Arts Series off ers a venue in which
to experience world class performances presented by a wide
variety of nationally and internationally renowned artists. Your
gift helps to bring new ideas, cultures, and art forms to the Miami
community and beyond.
Unrestricted Funds to the School of Fine Arts Supporting the School of Fine Arts with an unrestricted gift allows
the Dean’s Offi ce to assist students, faculty, and staff where addi-
tional funding may be needed for creative, performing, and scholarly
activities. Items that have been supported by such funds recently
include travel support for students to present their work at confer-
ences, funding for ensembles to tour nationally and internationally,
and assistance for student artists, architects, and designers to
exhibit in national venues. This kind of support helps us to achieve
our mission as a School of Fine Arts with internationally recognized
departments and programs that are of the highest caliber.
Other (please specify an existing fund)
PAYMENT OPTIONS
20
The Miami University School of Fine Arts gratefully acknowledges the following donors who have made commitments
totaling $1000 or more in support of the SFA, as part of the Miami University Campaign For Love and Honor, 2002 – 2010.
Gifts greater than $1,000,000* Mrs. Edna Kelly
Mr. and Mrs. Thomas W. Smith
$100,000 – $999,000Mr. and Mrs. James H. Allen
Anonymous
Mr. and Mrs. C. Michael Armstrong
* Mrs. Frances Hanson Christian
* Ms. Marjorie J. Evans
* Mrs. Virginia Pearce Glick
Mr. and Mrs. Geoffrey P. Hall
* Mr. and Mrs. Wilbert Hermann
Ms. Mary Heston Holtz
Mr. and Mrs. Larry Huston
Mr. Lloyd D. Ittel
Ms. Marilyn S. Miller
Dr. and Mrs. L. Michael Moskovis
Mr. and Mrs. David E. Pfanner
Mr. and Mrs. Richard J. Quain
Mr. James E. Miles and
Mrs. Claudia C. Ramsay
Ruder-Bever Family
* Mr. John A. Schaal
* Mr. Karl J. Schlachter
Mrs. Roberta Schlachter
* Mr. Norman A. Schoelles
$50,000 – $99,000American Greetings Corporation
* Ms. Mary L. Charles
Mr. and Mrs. Richard E. Cocks
Mr. Donald R. Edmundson
Walter L Gross, Jr.,
Family Foundation
Dr. Frank Jordan, Jr.
* Mrs. Frances Zurbrick Mason
$10,000 – $49,000AIA Ohio Foundation
Anonymous
Mr. Gordon D. Arnold
Dr. and Mrs. Robert A. Benson
Bever Trust
Ms. Eleanor M. Brown
Mr. Wendall Cady
Mr. Michael J. DiNardo
Mr. and Mrs. Bert W. Elliott
Ernst & Young Foundation
Dr. and Mrs. Gilbert Gordon
Mr. and Mrs. Gary E. Goshorn
Greater Cincinnati Foundation
Mr. and Mrs. Walter L. Gross III
Heartland Arts Fund
Elizabeth Wakeman Henderson
Charitable Foundation
Ms. Lynne M. Higgs
Mr. and Mrs. Paul R. Hollenbeck
Mr. and Mrs. Gregory S. Hurst
Mr. Vincent J. Inconiglios
Mr. and Mrs. Richard W. Knowlton
Mr. and Mrs. Jerry A. Leak
The Knolls of Oxford
Mrs. Barbara Hatch Lore
Miami Tribe of Oklahoma
Mrs. Betty Michael
* Dr. John A. Michael
* Mr. Ronald E. Moehle
Mrs. Dawn Netsch
* Mr. Walter A. Netsch
Pennsylvania Performing Arts
on Tour
Mr. Michael L. Pittman
Presser Foundation
Procter & Gamble Company
Mr. and Mrs. William P. Quinby
* Dr. Lewis F. Roth
Mr. and Mrs. James H. Scott
Mr. and Mrs. John T. Seaman, Jr.
Mr. and Mrs. Daniel R. Siegel
Mr. and Mrs. Richard H. Smith
Mrs. Judy L. Stark
Mr. and Mrs. Richard A. Steuk
Ms. Elizabeth Mayer Swailes
* Mr. Joseph P. Veasey
Ms. Jessica Waldmann
Mr. and Mrs. John G. Waldmann
Mr. Robert E. White
Mr. and Mrs. Walter D. Wood
$5,000 – $9,999American Institute of Architects
Mr. Larry W. Anderson
Mrs. Colleen Ward Atwood
Mr. and Mrs. Allan N. Brown
Cincinnati Parks Foundation
Cunningham Group
Architecture, P. A.
Mr. and Mrs. Peter Dahoda
DuBois Book Store
Mr. and Mrs. Thomas W. Dunlap III
Echternach International
Music Festival
Fanning Howey Assoc Inc.
Mr. and Mrs. Richard T. Farmer
Mr. and Mrs. Mark Gilmore
Mr. and Mrs. Edward A. Glowacki
Hamilton Community Foundation
Mr. Jeffrey L. Horrell
Mr. John F. Keegan
Mr. and Mrs. David A. Killen
Mr. Steven and
Mrs. Patti Hannon Liberatore
Mr. and Mrs. Douglas M. McKean
Newport Collaborative
Architects Inc.
Oxford Arts Club
Oxford Visitors &
Convention Bureau
Mr. Keith L. Bremer and
Mrs. Barbara A. Paprocki
Dr. Elizabeth Senicka Rogers
Miss Rebecca D. Schnelker
Mr. Douglas C. Schwing
Ms. Sandra L. Seefeld
Mr. and Mrs. Robert F. Seyfang
Mr. and Mrs. Todd A. Shelton
* Mr. Bartley Skinner
Mr. and Mrs. Richard H. Smith
Mr. Chris Stousland
The Collaborative Inc.
Mr. and Mrs. Richard C. Thrall, Jr.
Mr. and Mrs. Thomas Tierney
Triplo Press
URS Corporation
Mr. Jason J. Weller
Mrs. Helen Sheets Winget
Mr. and Mrs. Walter D. Wood
$2,500 – $4,999Accenture Foundation
Alexander House
Mr. Stephen Althouse
John W. Altman
Charitable Foundation
Mrs. Casey Stousland Audrain
Miss Elsa J. Baer
Mrs. Marjory Baer
Miss Joan A. Barenholtz
Mr. Jerome Conley
Mr. and Mrs. Donald F. Crain
Dr. and Mrs. Ronald A. Crutcher
Daimler Chrysler
Dr. Adeed Dawisha and
Dr. Karen L. Dawisha
Dr. Judith K. Delzell
Mr. and Mrs. Charles A. De More
Mr. Lynton Dudley
Mr. Michael R. Duket
Dr. Steven R. Elliott
Dr. and Mrs. W. Hardy Eshbaugh
Fidelity Charitable Gift Fund
Mr. Kevin G. Fletcher
Mr. Gary Gaffney
Dr. James C. Garland and
Dr. Carole E. Garland
Mr. Dean R. Gladden
Dr. and Mrs. John W. Green
Dr. Melville D. Hayes III
Mrs. Berdene F. Hird
Dr. and Mrs. James R. Hodgman
Mr. and Mrs. Clair E. Howey
Mrs. Eileen M. Jeck
Mr. and Mrs. William G. Kern
Mr. Robert W. Krause
Ms. Lynne Latham
Mr. William D. Layman and
Dr. Pamela Fox
Mid Atlantic Arts Foundation
Mrs. Emily Mountz Ness
Mr. and Mrs. Nicholas A. Poccia
* Ms. Mary E. Porter
Prescott Ellen
Miss Janet K. Rinehart
Mr. and Mrs. Kevin J. Sauder
Mr. David R. Scheer
Scioto County Area Foundation
Dr. James R. Showkeir
Ms. Eleanor B. Skyllingstad
Ms. Christine Smith
Mr. and Mrs. Jack F. Southard
Southwest Florida
Community Foundation
Mr. and Mrs. Gary B. Stephens
Mr. Arthur R. Thieme
Vanguard Charitable
Endowment Program
Dr. and Mrs.
Randolph L. Wadsworth, Jr.
Mrs. Lydia Osborn Wiepking
Dr. Mary E. Woodworth
$1,000 – $2,499American Electric Power Co. Inc.
Dr. and Mrs. Paul V. Anderson
Mr. Stuart M. Anderson
Mrs. Judith Rogers Armstrong
Mr. and Mrs. Tim W. Arnold
Rev. Michael D. Ausperk
Mr. Mark S. Bailey
Mr. and Mrs. Douglas G. Balogh
Mrs. Christine Beatty Bartels
Mr. Ian C. Berry
Mrs. Priscilla Strand Berry
Mr. George T. Beverley
Mr. Jeffrey Bishop
Ms. Dorothy A. Blatt
Mr. and Mrs. James O. Bonaminio
Ms. Jeanie Bowers
Mrs. Anne Amos Brown
Dr. and Mrs. Donald K. Bryan
Ms. Irene Bussing
Mr. and Mrs. Ryan K. Callender
Callison Architecture Inc.
Mrs. Sara Buchsbaum Campbell
Dr. Steven P. Carstens
Mr. and Mrs. Mark L. Casner
Mr. Arthur B. Casper
Champlin-Haupt Architects, Inc.
Mr. Jimmy D. Chapman
Ms. Laura Chapman
Chevron Corporation
Cincinnati Zoo & Botanical Garden
* Ms. Ann Cline
Dr. and Mrs. John N. Clover
Ms. Patricia I. Cooper
Mr. Jackie L. Cornett
Prof. and Mrs. Joseph L. Cox III
Mrs. Nancy Saylor Crell
Mr. Thomas E. Darby, Jr.
Miss Carla J. Davis
Mr. Charles L. Deitschel
Deloitte Foundation
Mr. and Mrs. James T. Demetrion
Mr. and Mrs. David A. Diamond
David B. Dillehunt
Mr. and Mrs. Anthony J. Di Marinisi
Dr. Marek Dollar and
Dr. Anna Dollar
Dow Chemical
Company Foundation
Dr. and Mrs. W. Hardy Eshbaugh
Mr. Johnathan S. Evarts and
Dr. Katherine Evarts
Mr. and Mrs. Ronald H. Fanning
Mr. Gregory H. Fess
Mr. and Mrs. Basil R. Fett
Ford Motor Company
Mr. Arthur H. Frederick
Mr. and Mrs. Guy J. Frederick
General Electric Company
Mr. and Mrs. Brian L. Gillespie
Mr. and Mrs. Ted W. Goble
Mr. Fred Good
Mr. and Mrs. David L. Grayson
Mr. Edwin K. Griest
Dr. and Mrs. David F. Griffing
Mr. and Mrs. Darrel H. Grothen
Mr. Blake F. Hankins
Dr. Robert J. Hasl
Mr. Jeffrey M. Hauk
Dr. Jeffrey I. Herbst and
Dr. Sharon Polansky
Mr. and Mrs. David F. Herche
* Ms. Genevieve E. Hilmer
Dr. and Mrs. David C. Hodge
Mrs. Peggy Bausch Hofmann
Mr. Ryan W. Holloway
Dr. Cynthia L. Howard
Mr. and Mrs. David R. Hummel
Mr. John R. Iorillo
Mr. Kohei Ishikawa
Dr. dele jegede
Dr. and Mrs. Robert L. Kane
Mr. and Mrs. Robert D. Keller, Jr.
Mr. and Mrs. J. Stephen Kendra
Mr. and Mrs. Karl G. Koehler
Ms. Kim R. Kolb
Mr. Stephen M. Krumm
Mr. and Mrs. Joseph Kunkle
Mrs. Virginia Lee
* Mr. Wanchul Lee
* Ms. Lois D. Lehmkuhl
Mr. and Mrs. R. Conrad Leslie
Mr. Nicholas J. Licastro
Mr. and Mrs. Christopher A. Lindsay
Dr. and Mrs. Mark A. Lindsey
Mr. and Mrs. Hallock Lucius
Mrs. Ellen O. Lutz
Mr. and Mrs. Larry Lutz
Rev. Stephen M. Madaris
and Rev. Carolyn Crawford
Dr. Paul J. Malott
Mr. Dennis A. Matejka
Mr. and Mrs. Benjamin P. Mattox
Mrs. Frances D. McClure
Mrs. Ruth Yokel McDiffett
Dr. David C. McGrew
and Dr. Kathryn B. McGrew
Ms. Cathy McVey
Meijer Inc.
Mr. Thomas J. Mitchell
Mr. E. Fuller Moore and
Dr. Jane I. Moore
Mr. Robert A. Morgensen
Ms. Patricia Brueneman Morrison
Mr. and Mrs. Charles S. Myers
Mr. Paul M. Mylod
National Federation of Music Clubs
Nationwide Foundation
Mr. Roderick E. Nimtz
Mr. and Mrs. Donald L. Noltemeyer
Mr. and Mrs. Richard M. Norman
Mr. James Olcott
Oxford Limousine Service
Need-A-Ride, Inc.
Mr. John C. Pascoe and
Mrs. Dawn M. Wallace-Pascoe
Mrs. Yerevan Peterson
Mr. Bill Phelps
Dr. David B. Phillips and
Dr. Alice C. Phillips
Mr. Michael L. Phillips
Mr. and Mrs. Stanley N. Pontius
Mr. Karl P. Power and
Ms. Georgana Taggart
Dr. and Mrs. Joseph R. Priest
Professional Bi-Cultural
Development Associates, Inc.
Mr. and Mrs. William W. Pulley
Mr. and Mrs. James J. Raaf
Mr. James W. Rauth
Ms. Eleanor J. Read
Dr. Thomas J. Redington, Jr.
Mrs. Elizabeth Whitesell Reinhart
Mrs. Teddi G. Robeson
Mr. Rodney F. Rose
Mr. and Mrs. David A. Rossman
Mr. Jerome M. Rothenberg
Dr. James M. Rubenstein
and Ms. Bernadette L. Unger
Ms. Ann M. Ruchhoft
Mr. Thomas R. Schiff
Mrs. Dorothy C. Schilling
Mr. and Mrs. John C. Schilling
Mr. Clifford T. Sheffield
Mr. Robert E. Shook III
Dr. and Mrs. Phillip R. Shriver
Mr. Robert A. Siebenaller
Mr. and Mrs. Cal Simmons
Mr. and Mrs. R. Janney Smith
Mr. Robert K. Smith
W.E. Smith Family Charitable Trust
Mrs. Helen Kuller Snider
Mr. and Mrs. Phillip H. Snow
Solera Imports
Mr. and Mrs. Richard M. Sollmann
Mr. and Mrs. Robert L. Sponseller, Jr.
SSOE, Inc.
Mr. and Mrs. Alfred F. Steiner
Mr. and Mrs. Gary B. Stephens
Mr. John T. Stevens
Mr. and Mrs. Alan C. Straus
Mr. and Mrs. G.J. Stuller
Mr. Kerry Sutton
The Little Church of the West
Mr. Richard A. Thomas
Mr. James R. Thomson
Thrivent Financial for Lutherans
Tramonte & Sons
Mr. Joseph D. True, Jr.
Mr. Richard Trump
UPS Foundation
Mr. Wayne E. Vincent
Mr. Christopher D. Vockell
Mr. John B. Weigand
Mr. Frank M. Wells, Esq.
Mr. and Mrs. Joseph P. Wespiser III
Mr. and Mrs. John F. Whelpton
Dr. Robert S. Wicks and
Dr. Ann B. Wicks
Mr. Herbert B. Wiepking
* Mrs. Lydia Wiepking
Mr. Cecil B. Wilson
Mr. Bradley L. Wyner
Mr. Scott Zanon
Mr. and Mrs. John W. Zimmerman
The Miami University School of Fine Arts gratefully acknowledges the following donors who made gifts totaling $1000
or more in support of the SFA during 2008.
Gifts greater than $500,000Ruder-Bever Family
$50,000 – $99,999Anonymous
* Ms. Mary L. Charles
Mr. and Mrs. Richard J. Quain
$10,000 – $49,999American Greetings Corporation
Mr. and Mrs. Richard E. Cocks
Mr. and Mrs. Walter L. Gross III
Mrs. Barbara Hatch Lore
Miami Tribe of Oklahoma
* Mr. Ronald E. Moehle
Proctor and Gamble Company
Mr. and Mrs. William P. Quinby
Ms. Jessica Waldmann
Mr. and Mrs. John G. Waldmann
$5,000 – $9, 999Mr. and Mrs. Richard T. Farmer
Mr. Keith L. Bremer and
Mrs. Barbara A. Paprocki
Mrs. Judy L. Stark
Triplo Press
Mr. and Mrs. Walter D. Wood
$2,500 – $4,999AIA Ohio Foundation
Anonymous
Mr. Michael J. DiNardo
Dr. and Mrs. Gilbert Gordon
Elizabeth Wakeman Henderson
Charitable Foundation
Mr. and Mrs. Paul R. Hollenbeck
Ms. Mary Heston Holtz
Oxford Arts Club
Presser Foundation
Mr. and Mrs. James H. Scott
Mr. and Mrs. John T. Seaman, Jr.
$1,000 – $2,499Alexander House
Mr. Larry W. Anderson
Mrs. Colleen Ward Atwood
Dr. and Mrs. Robert A. Benson
Mr. and Mrs. Allan N. Brown
Daimler Chrysler
Ms. Patricia I. Cooper
Mr. and Mrs. Donald F. Crain
Dow Chemical
Company Foundation
Mr. Lynton Dudley
Mr. and Mrs. Bert W. Elliott
Mr. and Mrs. Mark Gilmore
Mr. and Mrs. Edward A. Glowacki
Greater Cincinnati Foundation
Dr. and Mrs. David C. Hodge
Mr. Jeffrey L. Horrell
Mr. and Mrs. Gregory S. Hurst
Dr. dele jegede
Dr. Frank Jordan, Jr.
Mr. John F. Keegan
Mr. and Mrs. William G. Kern
Mr. and Mrs. David A. Killen
Mr. and Mrs. Richard W. Knowlton
Mr. Robert W. Krause
Mr. William D. Layman and
Dr. Pamela Fox
Mrs. Ruth Yokel McDiffett
Mr. Paul M. Mylod
Mrs. Emily Mountz Ness
Owens Corning Foundation Inc.
Miss Janet K. Rinehart
Dr. Elizabeth Senicka Rogers
Ms. Ann M. Ruchhoft
Mr. Douglas C. Schwing
Mr. and Mrs. Jack F. Southard
The Collaborative Inc.
Mr. and Mrs. Richard C. Thrall, Jr.
UBS Painewebber
UPS Foundation
Mr. Christopher D. Vockell
Dr. and Mrs.
Randolph L. Wadsworth, Jr.
Mr. and Mrs. John F. Whelpton
These lists represent gifts and pledges received by the Miami University Division of
University Advancement. All gifts and pledges listed count toward the overall Miami
University Campaign For Love and Honor.
The Miami University School of Fine Arts values all gifts in support of its academic pro-
grams, the Performing Arts Series, and the Miami University Art Museum. The complete
listing of all donors can be viewed at http://arts.muohio.edu.
*deceased
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talks, subscribe to receive e-Vents,
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Back Cover
Students Cheiku Camara and Paul Sauter of the Remnants perform
as part of the Men’s Glee Club 100th anniversary concert
Miami University School of Fine Arts
Joyner House • Oxford, Ohio 45056
Non-Profi t OrgUS Postage
PA I DMiami University
E X T E N D I N G T R A D I T I O N , E M B R A C I N G I N N O V A T I O N
arts.muohio.edu/keepintouch