s kamal portfolio

32

Upload: shahira-kamal

Post on 02-Nov-2014

802 views

Category:

Art & Photos


0 download

DESCRIPTION

 

TRANSCRIPT

Page 1: S Kamal Portfolio
Page 2: S Kamal Portfolio

RedFeatherDesign [email protected]

Surface Print Design - Textiles

Grey’s Anatomy

Variation on a single color and color schemes occurring in nature was theinspiration for this project. Texture mapping was used to apply the designs inan apparel context.

Page 3: S Kamal Portfolio

RedFeatherDesign [email protected]

Page 4: S Kamal Portfolio

RedFeatherDesign [email protected]

Page 5: S Kamal Portfolio

RedFeatherDesign [email protected]

Page 6: S Kamal Portfolio

RedFeatherDesign [email protected]

Color Theory

Hue, Value, Interaction and Analysis

Page 7: S Kamal Portfolio

RedFeatherDesign [email protected]

Hue/ Value Interaction Schemes

Page 8: S Kamal Portfolio

RedFeatherDesign [email protected]

Analysis of Color in Nature

Page 9: S Kamal Portfolio

RedFeatherDesign [email protected]

Natural Dye Process - Textiles

Experiments With Red

A group project where we each experimented with different natural dyes. Myspecific three goals were: 1. to achieve a particular red on silk/hemp blendfabric using natural dyes; 2. to make a garment of the undyed fabric; and3. to dye the garment with an ombré technique. The process of dyeing was soextensive and the results so far from the original idea, to dye the garmentproved to be too far out of reach within the time frame (the un-dyed garmentis shown at the end of this series). The dyeing process was an invaluablelearning experience which required extensive research and discussion with alocal master dyer, who also procures environmentally friendly silk and silk blendfabrics. Please visit Cheryl Kolander at www.aurorasilk.com

Page 10: S Kamal Portfolio

RedFeatherDesign [email protected]

Page 11: S Kamal Portfolio

RedFeatherDesign [email protected]

Page 12: S Kamal Portfolio

RedFeatherDesign [email protected]

Sustainable Fabric Line - Apparel

Natural Defense

It was important with this line to embrace the neutral colorsof the natural fibers - almost exclusively hemp/silk blends, plus 100% silkfabrics - and play up the colors and textures with lots of style lines,transparency, and the use of raw edges and selvages. Fabric piecework andmetal works of armor were very influential.

Page 13: S Kamal Portfolio

RedFeatherDesign [email protected]

Page 14: S Kamal Portfolio

RedFeatherDesign [email protected]

Page 15: S Kamal Portfolio

RedFeatherDesign [email protected]

Page 16: S Kamal Portfolio

RedFeatherDesign [email protected]

Page 17: S Kamal Portfolio

RedFeatherDesign [email protected]

Page 18: S Kamal Portfolio

RedFeatherDesign [email protected]

Page 19: S Kamal Portfolio

1970’s Re-do - Apparel

A Simpler Time

The menswear look of Annie Hall was the primary inspiration, perhapsespecially the hat. During the 1970’s our society felt nostalgia for the 1930’s, which extended to ‘70’s fashions.

Page 20: S Kamal Portfolio
Page 21: S Kamal Portfolio
Page 22: S Kamal Portfolio
Page 23: S Kamal Portfolio
Page 24: S Kamal Portfolio

RedFeatherDesign [email protected]

Technical Sketching - Apparel

Snowboarding Jumpsuit

This garment was designed in a group, then each group member interpretedthe design separately. We worked towards achieving as much practicality and protection as possible in the one-piece design, and in the position of the pockets.

Page 25: S Kamal Portfolio

RedFeatherDesign [email protected]

Page 26: S Kamal Portfolio

RedFeatherDesign [email protected]

Page 27: S Kamal Portfolio

RedFeatherDesign [email protected]

Apparel Graphic - Dragon Boat Jersey

Komochin Dragons

Jersey graphic designed for my previous employer’s Dragon Boat teamfor the Portland Rose Festival Dragon Boat Races. Colleagues who chose the finaldesign felt strongly it was necessary to use a dragon in the design; I also wanted toexplore images that reflected the commitment of the people to the team effort.

While designing the graphic it was not known which ink colors or jersey colorswould be available. I advised it would be best to use only two ink colors, black plusan accent color, letting the jersey be the third color. The accent color could thenbe swapped out for any other, depending on the final jersey color that becameavailable.

Page 28: S Kamal Portfolio

RedFeatherDesign [email protected]

Sketches

Page 29: S Kamal Portfolio

RedFeatherDesign [email protected]

Page 30: S Kamal Portfolio

RedFeatherDesign [email protected]

Technical Design - Embroidery

Medusa

Page 31: S Kamal Portfolio

RedFeatherDesign [email protected]

Page 32: S Kamal Portfolio

R e d F e a t h e r D e s i g n

Shahira Kamal

[email protected]

5o3-984-4o76