royal opera house: why we love linked data and the semantic web

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Why we love linked data and the semantic web Ellen West | Jamie Tetlow Royal Opera House

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Ongoing project to rebuild the Royal Opera House website along semantic lines. The challenges of thoroughly modelling information for a cultural institution. The potential benefits for arts organisations of exposing their data. Ellen West and Jamie Tetlow gave this presentation at Culture Geek conference at the Barbican Centre in London on Friday 7th September 2012. http://www.culturegeek.com

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Page 1: Royal Opera House: Why we love linked data and the semantic web

Why we love linked data and the semantic webEllen West | Jamie Tetlow

Royal Opera House

Page 2: Royal Opera House: Why we love linked data and the semantic web

Content | Development

Page 3: Royal Opera House: Why we love linked data and the semantic web

Some definitions

Page 4: Royal Opera House: Why we love linked data and the semantic web

‘Linked Data’ | The Semantic WebTim Berners-Lee, Design Issues, 2006-07-27

Page 5: Royal Opera House: Why we love linked data and the semantic web

Culture Hack DayJanuary 2011

Page 6: Royal Opera House: Why we love linked data and the semantic web

Culture Hack Day (Weekend)

Page 7: Royal Opera House: Why we love linked data and the semantic web

Some specifics

Page 8: Royal Opera House: Why we love linked data and the semantic web

Hack by Clare Lovell and Matthew Somerville

Page 9: Royal Opera House: Why we love linked data and the semantic web

Hack by Dan Williams

Page 10: Royal Opera House: Why we love linked data and the semantic web

The BBC

Page 11: Royal Opera House: Why we love linked data and the semantic web

BBC Programmes

Page 12: Royal Opera House: Why we love linked data and the semantic web

BBC Music

Page 13: Royal Opera House: Why we love linked data and the semantic web

musicbrainz.org

Page 14: Royal Opera House: Why we love linked data and the semantic web

BBC Wildlife Finder

Page 15: Royal Opera House: Why we love linked data and the semantic web

dbpedia.org

Page 16: Royal Opera House: Why we love linked data and the semantic web

The old Royal Opera House website

Page 17: Royal Opera House: Why we love linked data and the semantic web

Waiting room

Page 18: Royal Opera House: Why we love linked data and the semantic web

A big sitemap

Page 19: Royal Opera House: Why we love linked data and the semantic web

Verdi’s Aida – lots of content

Page 20: Royal Opera House: Why we love linked data and the semantic web

Incoherently connected

Page 21: Royal Opera House: Why we love linked data and the semantic web

Bloated CMS

Page 22: Royal Opera House: Why we love linked data and the semantic web

The new Royal Opera House website

Page 23: Royal Opera House: Why we love linked data and the semantic web

Domain modelling

Page 24: Royal Opera House: Why we love linked data and the semantic web

Evolving prototype

Page 25: Royal Opera House: Why we love linked data and the semantic web
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Page 27: Royal Opera House: Why we love linked data and the semantic web
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Where’s it heading

Page 31: Royal Opera House: Why we love linked data and the semantic web

‘Verdi’

Page 32: Royal Opera House: Why we love linked data and the semantic web

…which links to ‘Aida’

Page 33: Royal Opera House: Why we love linked data and the semantic web

schema.org

Page 34: Royal Opera House: Why we love linked data and the semantic web

Schemas

Page 35: Royal Opera House: Why we love linked data and the semantic web

HTML view for people

Page 36: Royal Opera House: Why we love linked data and the semantic web

Data view for machines

Page 37: Royal Opera House: Why we love linked data and the semantic web

Challenges

Page 38: Royal Opera House: Why we love linked data and the semantic web

Opening up other areas of the business

Page 39: Royal Opera House: Why we love linked data and the semantic web

Conclusions

Page 40: Royal Opera House: Why we love linked data and the semantic web

Thank youwww.roh.org.uk