rival slab user guide rival slab - motyfo · are the characteristics that make rival slab a...
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Rival Slab
Mostardesign Type Foundry
User Guide
Rival Slab
About this font family
Like the rest of the font family, Rival slab has round shapes with bevelled endings on certain letters such as G, Q or Z. These are the characteristics that make Rival Slab a contemporary font family for all kinds of projects. It provides advanced typographical support with features such as case sensitive forms, small caps, ligatures, alternate characters, fractions, slashed zero, circled gures, pro kerning…It comes also with a complete range of figure set options
It comes in 16 weights with corresponding italics and it’s suited for multiple purposes including editorial use, web font, apps, digital ads, ebook, and also for advertising, long text, packaging and branding. As a modern sans serif font family, Rival Slab has true italics to give more style in long texts.
It has also an extended character set to support Central and Eastern European as well as Western European languages.
P 2
P 3
P 4
Font Family
Rival Slab Thin Italic
Rival Slab Extra Light Italic
Rival Slab Light Italic
Rival Slab Regular Italic
Rival Slab Medium Italic
Rival Slab Bold Italic
Rival Slab Extra Bold Italic
Rival Slab Black Italic
Rival Slab Thin
Rival Slab Extra Light
Rival Slab Light
Rival Slab Regular
Rival Slab Medium
Rival Slab Bold
Rival Slab Extra Bold
Rival Slab Black
a a b c d e f g g h i j k l l mn o p q r s t u v w x y y zA B C D E F G H I J K L M
N O P Q Q R S T U V W X Y Za b c d e f g h i j k l m
n o p q � r s t u v w x y z� � � � � � � � � � � � � � b � � � � � � � � � e � � � � � � � � � � � g � � � � � � � i � � � � � � � � � � � � � � � � l � � � � � � � � � � � � � � � � � � � � � � � � � � � r � � � � � � � � � � � � � � � u � � � � � � � � � � � � � � � v � � � � � � � � � � � � � � � �
� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � R � � � S � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �
Glyphs Overview
Punctuation
& ! ? ¡ ¿ . · , : ; … ‹ › « » ‘ ’ “ ”‚ „" ' / | \ † ‡ * © ℗ ® ™ ℠ ª º _ - –# % ‰ + − ± × ÷ = ≠ < > ≤ ≥ ¬ ° ¶ § £ € $ ¥ ƒ ₽ ₹ � ¢ ¤ ( ) [ ] { } @
Ω ◊ π ∂ ∏ ∑ √ ∫ ≈
P 6
Alternates & Symbols
Lining Figures
# • ℓ ℮ № ← ↑ → ↓ ↖ ↗ ↘ ↙ ▲ ▶ ▼ ◀ ◊ ★ ☜ ☞ ♼ ℮ № ⬤ ☐ ☑ ✓
12345678900
Case Sensitive Punctuation
@ ( ) [ ] { } ! ? ‹ › � » ¢ - – — · : •
Alternates
� l g � � � nd rd th st
Ligatures and Discretionary ligatures
fb ff fh fi fj fk fl ffb ffh ffi ffk ffl
Glyphs Overview
Tabular Figures
12345678900
P 7
Numerators & Denominators
Superiors & Inferiors
Circled
0 1 2 3 4 5 6 7 8 9 ( , + = . ) 0 1 2 3 4 5 6 7 8 9 ( , + = . )
0 1 2 3 4 5 6 7 8 9 ( , + = . ) 0 1 2 3 4 5 6 7 8 9 ( , + = . )
1 2 3 4 5 6 7 8 9 0
Old Style Figures
12345678900
Tabular Old Style Figures
Fractions
12345678900
¼ ½ ¾ 8/9 5/2 ⅛ ⅜ ⅝ ⅞
Glyphs Overview
P 8
Thin & Thin Italic
Extra Light & Extra Light Italic
Sphinx of black quartz, judge my vow!
Sphinx of black quartz, judge my vow!
Sphinx of black quartz, judge my vow!
Sphinx of black quartz, judge my vow!
abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)
abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)
abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)
abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)
Weights & Styles
Light & Light Italic
Regular & Regular Italic
P 9
Sphinx of black quartz, judge my vow!
S��i�� �� bla�� �uar��, �u�ge �� v��!
Sphinx of black quartz, judge my vow!
Sphinx of black quartz, judge my vow!
abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)
ab��e�g�i��l�����r��uv���� �����������������RS�������
abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)
abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)
abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)
Weights & Styles
Medium & Medium Italic
Bold & Bold Italic
P 10
Sphinx of black quartz, judge my vow!
Sphinx of black quartz, judge my vow!
Sphinx of black quartz, judge my vow!
Sphinx of black quartz, judge my vow!
abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)
abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)
abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)
abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)
Weights & Styles
Extra Bold & Extra Bold Italic
Black & Black Italic
P 11
Sphinx of black quartz, judge my vow!
Sphinx of black quartz, judge my vow!
Sphinx of black quartz, judge my vow!
Sphinx of black quartz, judge my vow!
abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)
abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)
abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)
abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)
Weights & Styles
0123456789Lining Figures
OpenType Features
{�]¡@ {�]¡@Case Sensitive Forms
� a l � � lStylistic Alternates
12345 12345Tabular Figures
12345 12345Old Style Figures
12345 12345Tabular Old Style Figures
1/2 5/8 1/2 5/8 Alternative Fractions
01234 01234 Numerators
01234 01234 Denominators
01234 01234 Superscript
01234 01234 Scientific Inferiors
�� ��Localized Forms
0123 0 1 2 3Circled
0123 0123 0123 0123Slashed Zero
a � ª ºOrdinals
ab��e� ★ ☜ ☞ ♼ ✓Stylistic Set 1
�� �� nd thStylistic Set 6
�i ��l fi fflF-Ligatures
����� abcdeSmall Caps
��� ���Pro Kerning
P 12
P 13
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The
bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. «What’s happened to me?» he thought. It wasn’t a dream. His room, a proper human room although a
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back,
Thin
Latin Text Settings
P 14
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The
bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. «What’s happened to me?» he thought. It wasn’t a dream. His room, a proper human room although a
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back,
Extra Light
Latin Text Settings
P 15
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections.
The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin comparedwith the size of the rest of him, waved about helplessly as he looked.«What’s happened to me?» he thought. It wasn’t a dream. His room, a
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armou
Light
Latin Text Settings
P 16
�ne morning, ��e� �reg�r Sa��a ���e �r�� �r�uble� �rea��, �e ��u�� �i��el� �ra����r�e� i� �i� be� i��� a ��rrible ver�i�. �e la� �� �i� ar��ur-li�e ba��, a�� i� �e li��e� �i� �ea� a li��le �e ��ul� �ee �i� br��� bell�, �lig��l� ���e� a�� �ivi�e� b� ar��e� i��� ��iff �e��i���. ��e
be��i�g �a� �ar�l� able �� ��ver i� a�� �ee�e� rea�� �� �li�e �ff a�� ���e��. �i� �a�� leg�, �i�i�ull� ��i� ����are� �i�� ��e �i�e �� ��e re�� �� �i�, �ave� ab�u� �el�le��l� a� �e l���e�. «��a�’� �a��e�e� �� �e?» �e ���ug��. �� �a��’� a �rea�. �i� r���, a �r��er �u�a�
�ne morning, ��e� �reg�r Sa��a ���e �r�� �r�uble� �rea��, �e ��u�� �i��el� �ra����r�e� i� �i� be� i��� a ��rrible ver�i�. �e la� �� �i� ar��ur-li�e ba��, a�� i� �e li��e� �i� �ea� a li��le �e ��ul� �ee �i� br��� bell�, �lig��l� ���e� a�� �ivi�e� b� ar��e� i��� ��iff �e��i���. ��e be��i�g �a� �ar�l� able �� ��ver i� a�� �ee�e� rea�� �� �li�e �ff a�� ���e��. �i� �a�� leg�, �i�i�ull� ��i� ����are�
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and
�ne morning, ��e� �reg�r Sa��a ���e �r�� �r�uble� �rea��, �e ��u�� �i��el� �ra����r�e� i� �i� be� i��� a ��rrible ver�i�. �e la� �� �i�
Regular
Latin Text Settings
P 17
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff
sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. «What’s happened to me?» he thought. It wasn’t a dream. His room,
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back,
Medium
Latin Text Settings
P 18
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches
into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. «What’s happened to me?» he thought. It
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little hecould see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour
Bold
Latin Text Settings
P 19
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The
bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. «What’s happened to me?» he thought. It wasn’t a dream. His room, a proper human room
Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he
Mixed
Latin Text Settings
P 20
�n se réveillant un matin a�r�� �e� r�ve� agi���, �reg�r Sa��a �e re�r�uva, �a�� ��� li�, ���a��r����� e� u� �����rueu� i��e��e. �l ��ai� �ur le ���, u� ��� au��i �ur �u’u�e �ara�a�e, e�, e� releva�� u� �eu la ���e, i� vi�, b��b�, bru�, �l�i����� �ar �e� ar�eau� �lu� rigi�e�, ��� ab���e� �ur le �au�
�u�uel la ��uver�ure, �r��e à gli��er ��u� à �ai�, �e �e�ai� �lu� �u’à �ei�e. Se� ���breu�e� �a��e�, la�e��able�e�� gr�le� �ar ����arai��� ave� la ��r�ule��e �u’ilavai� �ar ailleur�, gr�uillaie�� ���e���r��e�� ��u� �e� �eu�. �� �e r�veilla�� u� �a�i� a�r�� �e� r�ve� agi���, �reg�r Sa��a �e
�n se réveillant un matin a�r�� �e� r�ve� agi���, �reg�r Sa��a �e re�r�uva, �a�� ��� li�, ���a��r����� e� u� �����rueu� i��e��e. �l ��ai� �ur le ���, u� ��� au��i �ur �u’u�e �ara�a�e, e�, e� releva�� u� �eu la ���e, i� vi�, b��b�, bru�, �l�i����� �ar �e� ar�eau� �lu� rigi�e�, ��� ab���e� �ur le �au� �u�uel la ��uver�ure, �r��e à gli��er ��u� à �ai�, �e �e�ai� �lu� �u’à �ei�e. Se� ���breu�e� �a��e�,
�n se réveillant un matin a�r�� �e� r�ve� agi���, �reg�r Sa��a �e re�r�uva, �a�� ��� li�, ���a��r����� e� u� �����rueu� i��e��e. �l ��ai� �ur le ���, u� ��� au��i �ur �u’u�e �ara�a�e, e�, e� releva�� u� �eu la ���e, i� vi�, b��b�, bru�, �l�i����� �ar �e� ar�eau� �lu� rigi�e�, ��� ab���e� �ur le �au� �u�uel la ��uver�ure, �r��e à gli��er
�n se réveillant un matin a�r�� �e� r�ve� agi���, �reg�r Sa��a �e re�r�uva, �a�� ��� li�, ���a��r����� e� u� �����rueu� i��e��e. �l ��ai� �ur le ���,
Regular
French Text Settings
P 21
�amit �hr indess erkennt, ���er �ie�er ga��e �rr��u� ge����e� i��, u�� �e��alb �a� �ie �u�� a��lag� u�� �e� S���er� l�be�, �� �ill i�� �u�� �lle� er�ff�e� u�� au�ei�a��er �e��e�, �a� �e�er �egr���er �er �a�r�ei� u�� glei���a� �au�ei��er �e� gl���li��e� �ebe�� �elb�� �ar�ber ge�ag� �a�. �ie�a��, �ag� er, ver����ä�e, ��er
�a��e, ��er flie�e �ie �u�� al� ��l��e, ����er� �eil gr���e S���er�e� i�r ��lge�, �e�� �a� �i��� �i� �er�u��� i�r �a���uge�e� ver��e�e. �be��� �er�e �er S���er� al� ��l��er v�� �ie�a�� gelieb�, ge�u��� u�� verla�g�, ����er� �eil �i�u��er ��l��e �ei�e� ei��re�e�, �a�� �a� �i��el�� �rbei�e� u�� S���er�e� ei�e gr���e �u�� �i��
�amit �hr indess erkennt, ���er �ie�er ga��e �rr��u� ge����e� i��, u�� �e��alb �a� �ie �u�� a��lag� u�� �e� S���er� l�be�, �� �ill i�� �u�� �lle� er�ff�e� u�� au�ei�a��er �e��e�, �a� �e�er �egr���er �er �a�r�ei� u�� glei���a� �au�ei��er �e� gl���li��e� �ebe�� �elb�� �ar�ber ge�ag� �a�. �ie�a��, �ag� er, ver����ä�e, ��er �a��e, ��er flie�e �ie �u�� al� ��l��e, ����er� �eil gr���e S���er�e� i�r ��lge�,
�amit �hr indess erkennt, ���er �ie�er ga��e �rr��u� ge����e� i��, u�� �e��alb �a� �ie �u�� a��lag� u�� �e� S���er� l�be�, �� �ill i�� �u�� �lle� er�ff�e� u�� au�ei�a��er �e��e�, �a� �e�er �egr���er �er �a�r�ei� u�� glei���a� �au�ei��er �e� gl���li��e� �ebe�� �elb��
�amit �hr indess erkennt, ���er �ie�er ga��e �rr��u� ge����e� i��, u�� �e��alb �a� �ie �u�� a��lag� u�� �e� S���er� l�be�, �� �ill i�� �u�� �lle� er�ff�e� u��
Regular
German Text Settings
P 22
�et var den första reg��age� u��er re�a�. Så lä�ge ��� vil�gä��e� �a�e ��a��a� �var i �ra��e� av ���b����, �a�e �e �a�� va��er� vä�er, �e� �a��a �ag, ��� �e a��rä��e �är�e� ��rru�, b�r�a�e �e� a�� reg�a, ��� i flera �i��ar fi�� ����e� �i��a �å gå�r�gge� ge���vå� ��� �u��ra��e av ��l�. �e� var �e� ��r��a reg��age� u��er re�a�. Så lä�ge ���
vil�gä��e� �a�e ��a��a� �var i �ra��e� av ���b����, �a�e �e �a�� va��er� vä�er, �e� �a��a �ag, ��� �e a��rä��e �är�e� ��rru�, b�r�a�e �e� a�� reg�a, ��� i flera �i��ar fi�� ����e� �i��a �å gå�r�gge� ge���vå� ��� �u��ra��e av ��l�.�e� var �e� ��r��a reg��age� u��er re�a�. Så lä�ge ��� vil�gä��e� �a�e
�et var den första reg��age� u��er re�a�. Så lä�ge ��� vil�gä��e� �a�e ��a��a� �var i �ra��e� av ���b����, �a�e �e �a�� va��er� vä�er, �e� �a��a �ag, ��� �e a��rä��e �är�e� ��rru�, b�r�a�e �e� a�� reg�a, ��� i flera �i��ar fi�� ����e� �i��a �å gå�r�gge� ge���vå� ��� �u��ra��e av ��l�. �e� var �e� ��r��a reg��age� u��er re�a�. Så lä�ge ��� vil�gä��e� �a�e ��a��a� �var i �ra��e� av ���b����, �a�e �e �a�� va��er� vä�er, �e�
�et var den första reg��age� u��er re�a�. Så lä�ge ��� vil�gä��e� �a�e ��a��a� �var i �ra��e� av ���b����, �a�e �e �a�� va��er� vä�er, �e� �a��a �ag, ��� �e a��rä��e �är�e� ��rru�, b�r�a�e �e� a�� reg�a, ��� i flera �i��ar fi�� ����e� �i��a �å gå�r�gge� ge���vå� ��� �u��ra��e av ��l�. �e� var �e� ��r��a reg��age� u��er re�a�. Så lä�ge ��� vil�gä��e� �a�e ��a��a� �var i �ra��e� av ���b����, �a�e
�et var den första reg��age� u��er re�a�. Så lä�ge ��� vil�gä��e� �a�e ��a��a� �var i �ra��e� av ���b����, �a�e �e �a�� va��er� vä�er, �e� �a��a �ag, ���
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P 23
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P 24
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P 25
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