SEATTLE RECORDER SOCIETY

Recorder Notes

February 2018

Vol XLIX No 6

wwwseattle-recorderorg

From the Music Director (Vicki Boeckman)

Greetings everyone I hope you all have ldquocome well into the new yearrdquo as the Danes say I am very excited about the February meeting because it will be devoted entirely to mu-sic by the English Renaissance composer Orlando Gibbons (1583-1625) The opening program will be presented by harpsichordist and scholar Jonathan Oddie who will talk about Gibbonsrsquos life and work (Jonathans doctoral disser-tation was on Gibbons ed) Then for the playing session Miyo Aoki will lead the entire group in several selections

from Gibbonsrsquos only book of secular vocal music the Madrigals and Motets of 1612 We are very fortunate that Miyo and Jonathan have settled in Seattle ndash they are a gift to our community You will not want to miss the February 2nd meeting Come one come all and please tell all your viol-playing friends as well

Newsletter Deadline for March Issue

Thursday February 15

SRS Meeting

Friday

February 2 2018 730 pm

Opening Program Jonathan Oddie on Orlando

Gibbons

Playing Session (Miyo Aoki)

Madrigals and Motets of Orlando Gibbons

All sizes of recorders and viols are welcome

There will be no Back Room Gang

Gibbons was lauded in his own time as one of the finest musicians in England and he achieved considerable success as both organist of the Chapel Royal and private musician to Prince Charles (later the ill-fated King Charles I) During his sadly short life Gibbons composed in almost every important genre of the day including sacred and secular vocal music as well as instrumental pieces for con-sort and keyboard He was the youngest of three composers whose keyboard music was published in Parthenia the first book of keyboard music printed in England (the others being William Byrd and John Bull) He also published the first book of English consort music to be printed using engraving instead of movable type (the Fantazies of III parts) But he is remembered today less for these inno-vations than for his exceptional music with its unique combination of refined counterpoint robust rhythmic drive and sweet melancholy

For the opening program I will talk about Gibbonsrsquos life and works and then move on to take a brief ldquocomposerrsquos-eye viewrdquo of how a musician like Gibbons at the end of the Renaissance went about the task of composition When playing or listening to polyphonic music it is often illuminating to try to understand how

Opening program The life and works of Orlando Gibbons (1583-1625) by Jonathan Oddie

SRS Board Members (20172018)

Music Director Vicki Boeckman (206-985-9916)

vickiboeckmancomcastnet Music Director Emeritus Peter Seibert (206-329-2774)

pcssrsgmailcom Officers President Molly Warner (206-523-5192)

mollywarnerymailcom President-Elect Nancy Gorbman (206-852-4762)

ngorbmanhotmailcom Past President Newsletter Mike Woolf (206-300-6623)

mikewoolflivecom Secretary Kathleen Arends (425-649-9869)

kathleenaseanetcom Treasurer Richard Ginnis (206-633-1969)

richardginniscpacom

Membership Betty Swift (206-323-3879)

bswiftuwedu Refreshments Maja Eberhardt (206-525-4283)

majaebe07gmailcom Librarian Hanan Bell (206-695-2276)

hananhsbellcom Webmaster Charles Coldwell (206-328-8238)

cpcoldwellhotmailcom Member-At-Large Carolyn Wallace (206-782-6898)

cmaurinewallacecomcastnet

Jonathan Oddiemdashcontinued

the composer built up a composition from smaller building blocks and it can provide a new perspective on what to listen for

After my introduction Miyo Aoki will lead the group in several selections from Gibbonsrsquos only book of secular vocal music the Madrigals and Motets of 1612 These pieces are described on their title page as ldquoapt for Viols and Voycesrdquo and they are just as apt for recorders as well In his dedication to this volume Gib-bons summarized a commonly held Renaissance view of music writing that ldquoit is proportion that beautifies every thing hellip this whole Universe consists of it and Musicke is measured by itrdquo

Come play and experience the elegantly-proportioned works of this late-Renaissance master with us All sizes of recorders and viols are most welcome

Local Recorder Happenings

Laura Faberrsquos Recorder Ensemble Sessions

New ensemble sessions start in February and this is an especially good time for new members to join (although of course you are welcome at any time) The times remain the same as in the fall

Intermediate Ensemble mdash Tuesdays 1030-1230 Mixed Levels (Advanced Beginner to Intermediate) mdash Thursdays 1230-230 Basses (all levels all basses) mdash 2 Saturdays a month 10-1215

In preparation for the Play-the-Recorder-Month play-in at the Lake Forest Park Town Center Laura will also host a preparation session at her house on Sunday March 11 from 1-3pm Anyone who would like to go over the play-in piece (Eric Haass Fantasia on a shape-note hymn) is welcome to join

If interested contact Laura at beginbaroquegmailcom or 206-619-0671

Recorders in Concert February 9th 730 pm Music Center of the Northwest (Vicki Boeckman)

Please join my students (Betty Swift Jill Carlsen Jim Pilon Karen Soma Laura Faber Mike Woolf Silke Harper) and me as we share some of our favorite piec-es of music Special guests will include Jonathan Oddie on harpsichord and Tom Faber on didgeridoo

The repertoire will be a broad range of styles and settings with solo works by Jacob van Eyck duos and trios by J P Sweelinck high baroque sonatas with harpsichord accompaniment by GP Telemann and JS Bach and contempo-rary works by Franz Geysen and the brilliant young Belgian composer Pieter Campo Spoiler alert ndash the Campo is even more beautiful and mesmerizing with didgeridoo accompaniment

The recently refurbished concert hall at Music Center is particularly favorable to the wooden timbres of our various recorder sizes allowing everyone to sound their very best

Come support this wonderful community of recorder players by cheering us on and stay for the reception and camaraderie afterward

Free of charge

SRS Board Members (20172018)

Music Director Vicki Boeckman (206-985-9916)

vickiboeckmancomcastnet Music Director Emeritus Peter Seibert (206-329-2774)

pcssrsgmailcom Officers President Molly Warner (206-523-5192)

mollywarnerymailcom President-Elect Nancy Gorbman (206-852-4762)

ngorbmanhotmailcom Past President Newsletter Mike Woolf (206-300-6623)

mikewoolflivecom Secretary Kathleen Arends (425-649-9869)

kathleenaseanetcom Treasurer Richard Ginnis (206-633-1969)

richardginniscpacom

Membership Betty Swift (206-323-3879)

bswiftuwedu Refreshments Maja Eberhardt (206-525-4283)

majaebe07gmailcom Librarian Hanan Bell (206-695-2276)

hananhsbellcom Webmaster Charles Coldwell (206-328-8238)

cpcoldwellhotmailcom Member-At-Large Carolyn Wallace (206-782-6898)

cmaurinewallacecomcastnet

Jonathan Oddiemdashcontinued

the composer built up a composition from smaller building blocks and it can provide a new perspective on what to listen for

After my introduction Miyo Aoki will lead the group in several selections from Gibbonsrsquos only book of secular vocal music the Madrigals and Motets of 1612 These pieces are described on their title page as ldquoapt for Viols and Voycesrdquo and they are just as apt for recorders as well In his dedication to this volume Gib-bons summarized a commonly held Renaissance view of music writing that ldquoit is proportion that beautifies every thing hellip this whole Universe consists of it and Musicke is measured by itrdquo

Come play and experience the elegantly-proportioned works of this late-Renaissance master with us All sizes of recorders and viols are most welcome

Local Recorder Happenings

Laura Faberrsquos Recorder Ensemble Sessions

New ensemble sessions start in February and this is an especially good time for new members to join (although of course you are welcome at any time) The times remain the same as in the fall

Intermediate Ensemble mdash Tuesdays 1030-1230 Mixed Levels (Advanced Beginner to Intermediate) mdash Thursdays 1230-230 Basses (all levels all basses) mdash 2 Saturdays a month 10-1215

In preparation for the Play-the-Recorder-Month play-in at the Lake Forest Park Town Center Laura will also host a preparation session at her house on Sunday March 11 from 1-3pm Anyone who would like to go over the play-in piece (Eric Haass Fantasia on a shape-note hymn) is welcome to join

If interested contact Laura at beginbaroquegmailcom or 206-619-0671

Recorders in Concert February 9th 730 pm Music Center of the Northwest (Vicki Boeckman)

Please join my students (Betty Swift Jill Carlsen Jim Pilon Karen Soma Laura Faber Mike Woolf Silke Harper) and me as we share some of our favorite piec-es of music Special guests will include Jonathan Oddie on harpsichord and Tom Faber on didgeridoo

The repertoire will be a broad range of styles and settings with solo works by Jacob van Eyck duos and trios by J P Sweelinck high baroque sonatas with harpsichord accompaniment by GP Telemann and JS Bach and contempo-rary works by Franz Geysen and the brilliant young Belgian composer Pieter Campo Spoiler alert ndash the Campo is even more beautiful and mesmerizing with didgeridoo accompaniment

The recently refurbished concert hall at Music Center is particularly favorable to the wooden timbres of our various recorder sizes allowing everyone to sound their very best

Come support this wonderful community of recorder players by cheering us on and stay for the reception and camaraderie afterward

Free of charge

Local Recorder Happenings mdash Continued

ldquoMake the Morning Lastrdquo with the Neumans and Laura Kuhlman in Bellingham February 10 930am to 430pm at St Pauls Episcopal Church 2117 Walnut St Bellingham WA 98225 A one-day workshop for intermediate and advanced players featuring a wide variety of challenging and fun ensemble music from the 14th through the 20th centuries including a number of pieces embracing the theme of morning We will explore music by composers of various periods in both small and large group settings

In the evening at 730pm at St Pauls Laura Gayle and Phil will present a concert of early music on a wide variety of period instruments The concert admission is included in the workshop fee and it is also open to the public for an ad-mission price of $15

For lunch we suggest bringing a sack lunch (there are also several restaurants nearby) Snacks and beverages will be provided

The workshop is intended for intermediate and advanced recorder players and players of early winds and strings

Deadline for registration Wednesday February 7th 2018 Let us know by email [pneumantartoldgmailcom] if you plan to attend and if you need more information

If you have questions about the venue location and the possibility of homestays contact Debbie McMeel at doiremamagmailcom

Matthias Mautersquos ldquoAmerican Recorder Rallyrdquo March 10

Rehearse and perform a concert with Montreacuteal recorder virtuoso Matthias Maute 1-5pm See the flyer or contact ngorbmanhotmailcom or call Nancy at 206-852-4762 for more information and registration

Moss Bay Recorder Society Meetings Saturday February 10 200 PM Miyo Aoki conducting Kirkland Library 308 Kirkland Ave Kirkland

Saturday March 3 200 PM Lorelete Knowles conducting North City Water District Boardroom 1519 NE 177th St Shoreline wwwmossbayrecordersorg

ldquoMusic from Around the World Play the Recorder Month - Concert amp Celebrationrdquo Saturday March 17 300 pm ndash 400pm Third Place Commons Lake Forest Park Town Center 17171 Bothell Way NE Lake Forest Park WA

Every March is Play the Recorder Monthrdquo Come to a fun annual event sponsored by the Seattle Recorder Society Bring your own recorder and join us for a ldquoPlay Inrdquo Music will be provided ndash meet at 300pm in front of the stage We will play music by Eric Hass ldquoFantasia on a Shape-Note Hymnrdquo ndash music composed especially for ldquoPlay the Recorder Dayrdquo (Mar 17 2018) ndash commissioned by the American Recorder Society

After the ldquoPlay-Inrdquo enjoy a concert of various recorder ensembles with music from the Renaissance period Irish music and more Enter a free drawing for recorders ndash winners announced at the end of the concert For more information contact Nancy Gorbman See the American Recorder Society web-site for more information about this annual event

Laura Faber Mike Woolf Duo Recital Sunday March 25 at 3pm Sand Point Community United Methodist Churchmdash4710 NE 70th Seattle Sweelinck Telemann Shannon Sieg

Moss Bay Recorder Societyrsquos 2018 Recorder Meet Saturday April 14 10 am - 5 pm at Maple Leaf Lutheran Church 10005 32nd Ave NE Seattle Conductors will be Larry Stark Laura Faber and Charles Coldwell wwwmossbayrecordersorg

Local Recorder Happenings mdash Continued

FOR SALE Adriana Breukink Tenor Recorder from 2004

European Boxwood - pitch A - 415 Lovely velvety tone

$1800

Please contact vickiboeckmancomcastnet

Refreshments (February)

Fruit

Christiane Schulz

Veggies Maja Eberhardt

Baked goods

Cathy Lacefield Molly Warner

Thank you for volunteering

20172018

SRS Meetings

Meetings are usually (but not alwaysmdashsee red dates below) held on the first Friday of each month September to May at 730pm Maple Leaf Lutheran Church 10005mdash32nd NE Seattle Meetings often include a short performance of in-terest to recorder or viol players ensemble playing for all levels of recorder players and a beginning recorder ensemble A $5 donation is request-ed for non-members

February 2 2018

March 2 2018 April 13 2018 May 11 2018

As our members entered the parish hall of the Maple Leaf Lutheran Church for our first meeting of the New Year they found the chairs arranged not in our normal concentric half-circles but in an open V formation with four rows of chairs each Whats going on Vicki Boeckman had reorganized the seating for a double choir piece in rows for each SATB choir with sopranos in front and basses in back

There was no opening concert this month so after announcements those who wished to play under Miyo Aokis gentle hand in the Back Room trooped down the hall with her and the rest of us reorganized ourselves as Vicki directed I need more tenors for Choir Two Who are my sopranos for Choir One Would one of you altos volunteer to switch to soprano Thank you Finally she was satisfied with the balance and we tuned

This is the Deutches Magnificat Meine Seel erhebt den Herren by H Shuumltz Vicki explained It was originally for two choirs with sackbuts cornettos and strings written without bar lines The composer wrote it when he was in his 80s This modern version was produced by Nimura in Japan who has edited many works for recorders This was a gorgeous piece that alternated between duple and triple time with wonderful tone painting My soul magnifies the Lordand holy is his name Repetitions illustrated the word magnifying while the word strong was emphasized by agitated music Choir Two would echo Choir One Vicki pointed out in the various sections how the music and the words were intimately tied together - most of our parts did not have the words in-cluded so the explanation was very helpful We worked our way through all 160 measures then played the whole piece through from start to finish Look for this on YouTube Vicki suggested there is a wonderful version done in Denmark with the original instruments sackbuts and cornettos

Following the Magnificat we rearranged our chairs back into our normal concentric half-circles altos in back of sopranos on one side of the center aisle and basses in back

January SRS Meetingmdash(Molly Warner)

January SRS Meetingmdashcontinued

of tenors on the other side Vicki passed out the next piece - Five Variants on Wonderous Love by Eric Haas Those of you who may have stopped in at the Von Huene Workshop in Brookline Massachusetts or attended the Boston Early Music Festival will have met Eric a kind and practical man who will sell you just the right recorder a baroque flute a piece of music or a music stand He has also been composing for recorder orchestra the Recorder Orchestra of Puget Sound played this piece a couple of years ago and I was quite happy to play it again Wondrous Love is a lovely old shape-note tune which we first played in unison Its a hexatone scale with neither a major nor a minor minor third in it Vicki explained quite sexless The piece has both an old and a new feel to it For one of the middle versions Vicki slowed the tempo way down for sight-reading as it was a very black section filled with 32nd notes After a fair amount of practice we played it through from beginning to end Wonderful

Heres something fun to end with Vicki passed out the music to Handels Halleluia chorus arranged in C Major for SATB recorders by Stan Davis Of course we all were familiar with this piece which made the sight reading and the en-semble work a lot less of a challenge than the previous two pieces But it was fun - and we were required to use our baroque articulation

Miyo reported afterwards that the Back Room Gang had worked on a setting of Drive the Cold Winter Away and a three-part sinfonia by Rossi They finshed their session by reading Isaacs In Meinem Sinn which they will work on again She said that everyone is coming along nicely and some of the participants said how much they enjoy working with Miyo

The evening ended with refreshments good conversations and the opportunity to look through SRSs music library Thanks so much to everyone who helped with cleanup We look forward to seeing everyone in February

Concerts and Events Calendar

FEBRUARY

Friday February 2 at 800 PM Cappella RomanamdashMachaut Messe de Nostre Dame Marcel Peacuteregraves from Paris directs the earliest known Mass setting by a single composer Guillaume de Machaut (1300-1377) St James Cathedral Details Here

Saturday February 3 at 730 PM Gallery ConcertsmdashThe Artistry of Ingrid Matthews Baroque devotees love the artistry of violinist Ingrid Matthews Her intimate art will be unveiled in works from 17th-century England and France for solo violin and in duos with lutenist John Lenti Queen Anne Christian Church Details Here

Sunday February 4 at 300 PM Gallery ConcertsmdashThe Artistry of Ingrid Matthews Same as above

Friday February 9 at 730 PM Vicki Boeckmans recorder students in concert Music Center of the Northwest 901 N Linden St

Saturday February 10 200 PM Moss Bay Recorder Society Meeting Miyo Aoki conducting Kirkland Library 308 Kirkland Ave Kirkland Details Here

Sunday February 11 200 PM Pacific Music Works Every Time I Feel the Spirit An in-depth exploration of the many contributions of Black musicians to American music from colonial times through the birth of 19th century popular song the music of the Civil War and the rise of Spirituals and Gos-pel music Countertenor Reginald L Mobley joins an ensemble of period banjo guitar strings and piano St Markrsquos Cathedral Details Here

Tuesday February 13 700 PM Salish Sea Festival Flute Trios Janet See Mindy Rosenfeld Jeffrey Cohan Jonathan Oddie Christ Episcopal Church 4548 Brooklyn Ave NE in Seattle Details Here

Sunday February 18 700 PM Byron Schenkman amp FriendsmdashHandel From the War of Love Bass-baritone Ian Pomerantz in his Seattle debut in Dalla guerra amorosa (ldquoFrom the war of loverdquo) along with Italian Baroque instrumental works Nordstrom Recital Hall at Benaroya Details Here

January SRS Meetingmdashcontinued

of tenors on the other side Vicki passed out the next piece - Five Variants on Wonderous Love by Eric Haas Those of you who may have stopped in at the Von Huene Workshop in Brookline Massachusetts or attended the Boston Early Music Festival will have met Eric a kind and practical man who will sell you just the right recorder a baroque flute a piece of music or a music stand He has also been composing for recorder orchestra the Recorder Orchestra of Puget Sound played this piece a couple of years ago and I was quite happy to play it again Wondrous Love is a lovely old shape-note tune which we first played in unison Its a hexatone scale with neither a major nor a minor minor third in it Vicki explained quite sexless The piece has both an old and a new feel to it For one of the middle versions Vicki slowed the tempo way down for sight-reading as it was a very black section filled with 32nd notes After a fair amount of practice we played it through from beginning to end Wonderful

Heres something fun to end with Vicki passed out the music to Handels Halleluia chorus arranged in C Major for SATB recorders by Stan Davis Of course we all were familiar with this piece which made the sight reading and the en-semble work a lot less of a challenge than the previous two pieces But it was fun - and we were required to use our baroque articulation

Miyo reported afterwards that the Back Room Gang had worked on a setting of Drive the Cold Winter Away and a three-part sinfonia by Rossi They finshed their session by reading Isaacs In Meinem Sinn which they will work on again She said that everyone is coming along nicely and some of the participants said how much they enjoy working with Miyo

The evening ended with refreshments good conversations and the opportunity to look through SRSs music library Thanks so much to everyone who helped with cleanup We look forward to seeing everyone in February

Concerts and Events Calendar

FEBRUARY

Friday February 2 at 800 PM Cappella RomanamdashMachaut Messe de Nostre Dame Marcel Peacuteregraves from Paris directs the earliest known Mass setting by a single composer Guillaume de Machaut (1300-1377) St James Cathedral Details Here

Saturday February 3 at 730 PM Gallery ConcertsmdashThe Artistry of Ingrid Matthews Baroque devotees love the artistry of violinist Ingrid Matthews Her intimate art will be unveiled in works from 17th-century England and France for solo violin and in duos with lutenist John Lenti Queen Anne Christian Church Details Here

Sunday February 4 at 300 PM Gallery ConcertsmdashThe Artistry of Ingrid Matthews Same as above

Friday February 9 at 730 PM Vicki Boeckmans recorder students in concert Music Center of the Northwest 901 N Linden St

Saturday February 10 200 PM Moss Bay Recorder Society Meeting Miyo Aoki conducting Kirkland Library 308 Kirkland Ave Kirkland Details Here

Sunday February 11 200 PM Pacific Music Works Every Time I Feel the Spirit An in-depth exploration of the many contributions of Black musicians to American music from colonial times through the birth of 19th century popular song the music of the Civil War and the rise of Spirituals and Gos-pel music Countertenor Reginald L Mobley joins an ensemble of period banjo guitar strings and piano St Markrsquos Cathedral Details Here

Tuesday February 13 700 PM Salish Sea Festival Flute Trios Janet See Mindy Rosenfeld Jeffrey Cohan Jonathan Oddie Christ Episcopal Church 4548 Brooklyn Ave NE in Seattle Details Here

Sunday February 18 700 PM Byron Schenkman amp FriendsmdashHandel From the War of Love Bass-baritone Ian Pomerantz in his Seattle debut in Dalla guerra amorosa (ldquoFrom the war of loverdquo) along with Italian Baroque instrumental works Nordstrom Recital Hall at Benaroya Details Here

Concerts and Events Calendarmdashcontinued

Saturday February 24 730 PM Pacific Music Works Underground Sacred Sensuality 17th century Italy saw a flourishing of music behind convent walls where nuns composed published and per-formed sacred music that blended deep spirituality with richly sensual poetic and musical imagery Sopranos Linda Tsatsanis and Brenna Wells join baroque lsquocellist Nathan Whittaker and organist Henry Lebedinsky for works by Chiara Margarita Cozzolani Maria Peruchona Isabella Leonarda and more Resonance at SOMA Towers Bellevue Details Here

Sunday February 25 230 PM Rachel Barton PinemdashTestament Complete Sonatas and Partitas for Solo Violin by JS Bach Nordstrom Recital Hall at Benaroya Details Here

Tuesday February 27 700 PM Pacific Music Works Underground Sacred Sensuality Same as February 24 event except at Naked City Brewery in Greenwood

Thursday March 1 730 PM Teddie Hwang traverso and August Denhard theorbo Of Arcadian Love a Flute Playing King and Parisian Fishwives Trinity Parish Church Seattle Parish Hall Details Here

Friday March 2 800 PM Cappella Romana presents The Tudor Choir Seattlersquos Tudor Choir appears for the first time since 2015 directed by founder Doug Fullington The Western Wind Mass by John Taverner is featured alongside a world premiere of a work based on it by rising star com-poser Nico Muhly St Markrsquos Cathedral

Saturday March 10 Rehearsal 400 PM American Recorder Rally concert with Matthias Maute Rehearsal at 100 PM See description earlier in this newsletter or the flyer

Saturday March 10 700 PM Salish Sea Festival Four Part Canzonas 1585-1625 Anna Marsh Courtney Kuroda Stephen Criswell Jeffrey Cohan Christ Episcopal Church 4548 Brooklyn Ave NE in Seattle Details Here

Saturday March 17 300 PM Play the Recorder Month - Concert amp Celebration See details earlier in this newsletter

Saturday March 17 730 PM Seattle Baroque OrchestramdashThe Fairy Queen Nordstrom Recital Hall Details Here

Sunday March 18 300 PM Seattle Baroque OrchestramdashThe Fairy Queen

Same as above

Friday March 23 730 PM Pacific Music Works Underground A Brief History of Time San Francisco-based period instrument group The Sylvestris Quartet blends wit and insight as they explore the development of the quartet from Biber to Beethoven and beyond Trinity Episcopal Church in Everett Details Here

Saturday March 24 730 PM Pacific Music Works Underground A Brief History of Time Same as March 23 except at Resonance at SOMA Towers in Bellevue

Saturday March 24 730 PM Musique du Jour Presents Duo Amadeus The Bachs amp Mozart Acclaimed violinist Elizabeth Blumenstock concertmaster of the world-famous Philharmonia Baroque Orches-tra (San Francisco) performs Bachrsquos Partita No 3 in E major and with Tamara Friedman sonatas by C P E and J C Bach and Mozart Queen Anne Christian Church Seattle Details Here

Sunday March 25 300 PM Musique du Jour Presents Duo Amadeus The Bachs amp Mozart Same as above

Sunday March 25 300 PM Laura Faber Mike Woolf Recorder Duo Recital Sweelinck Telemann Shannon Sieg Sand Point Community United Methodist Churchmdash4710 NE 70th Seattle

Sunday March 25 300 PM Pacific Music Works Underground A Brief History of Time Same as March 23 except at Northwest Cellars in Kirkland

FEB

MARCH

Concerts and Events Calendarmdashcontinued

Sunday March 25 430 PM Sine Nomine Renaissance Choir 10th Anniversary Celebration Trinity Parish Episcopal Church Details Here

Tuesday March 27 700 PM Pacific Music Works Underground A Brief History of Time Same as March 23 except at Naked City Brewery in Greenwood

MARCH