recorded by toshiko akiyoshi/lew tabackin big band 2018-05-07آ  conductor for the toshiko...

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  • FAST BE-BOP - GRADE 6 - PLAYING TIME 7:00

    compo;>ed_ & ar'r'a~ed_ for' f\J11 Jahiko Akiyo;>hi RECORDED BY THE TOSHIKO AKIYOSHI/LEW TABACKIN BIG BAND

    ON THE ALBUM "MARCH OF THE TADPOLES"

    Full Score 1st Eb Alto Saxophone/Bb Soprano Saxophone 2nd Eb Alto Saxophone/Bb Clarinet (or Bb Soprano Sax) 1st Bb Tenor Saxophone/opt. Piccolo (or Flute) 2nd Bb Tenor Saxophone Eb Baritone Saxophone/opt. Bb Bass Clarinet 1st Bb Trumpet 2nd Bb Trumpet 3rd Bb Trumpet IHh Bb Trumpet 1st Trombone 2nd Trombone 3rd Trombone 4-th Trombone Piano Bass Drums

    EXTRA SCORES & PARTS AVAILABLE

    Published under 1 icense by: TOBA PUBLISHING CO.

    Sole selling agent for this arrangement:

    Kendor' M\J;>ic, Inc. Delevan, New York 1~0~2

    FULL SCORE

    FOR PREVIEW

    ONLY

    REPRODUCTION PROHIBITED

    KendorMusic.com

  • Toshiko Akiyoshi is the composer, arranger, pianist, and conductor for the Toshiko Akiyoshi/Lew Tabackin Big Band, acclaimed as one of the top big bands in existence today. Recently recognized as one of the leading composers and arrangers for big band music, Toshiko Akiyoshi explains her feelings about her career in jazz.

    'Ihe most important developmental years in anyone's life are, I think, between 16 and 25. 'Jhat is the time that your character is built, when what you are as a human being is defined.

    My whole life was jazz during those years, so I really became an adult through jazz music. To me, jazz is mine. I can't pretend that it's someone else's music, or that I just play it because I love it - I can't separate myself from it at all.

    And yet, I realize that it is purely American music, and since I am Japanese, what is my position in the jazz world?

    I've heard a lot of black musicians say that white musicians took their music and profited from it, leaving them with nothing ... I feel I'm involved in that, too. Am I an invader, too? Am I taking from jazz and giving nothing back?

    'Jhe only way I am able to resolve this dilemma is to give what I am back to jazz by composing. If I have developed my music to the point where a listener can sense my attitudes - that is, my history as it reflects Japan and as it reflects what I've learned of America in the past 20 years - if the listener can hear my history and my individuality, then I have accomplished the solution.

    FOR PREVIEW

    ONLY

    REPRODUCTION PROHIBITED

    KendorMusic.com

  • GRADE 6 Playing Time 7:00

    FULL SCORE

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    COPYRIGlfT C 1976 lllY TOBA F'I.IBLISHING COMPANY THIS ARRANGEHOIT ~ 1979 BY TOBA PUBllSHING COMPAIY - USED BY PERMISSION.

    2318 IIITERWATIONAL COPYRIGHT SECURED - MADE llt U.S.A. - ALL RIGHTS RESERVED SOLE SEi.LIKG AGENT FOR THIS ARRAl!GENtNT: KENDOR MUSIC, INC •• DELEVAN, N. Y. tij042

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    MARCH OF THE TADPOLES - 2

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