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216 SELECT BIBLIOGRAPHY Primary Sources: Toni Morrison, The Bluest Eye. New York: Knopf, 1970. Print. ---. Beloved. New York: Penguin Group, 1987. Print. ---. Jazz. New York: Plume, 1992. Print. ---. Jazz (New York: Plume/Penguin, 1992. Print. ---. Paradise. New York: Penguin, 1998. Print. ---. The Bluest Eye, USA: Penguin books USA Inc. 1994. Print. ---. Song of Solomon. New York: Vintage Books, 2004. Print. Secondary Sources: Reference Books Angela Davis, Blues Legacies and Black Feminism (New York: Pantheon Books, 1998). Print. Bloom, Harold. Toni Morrison. Bloom’s Major Novelist Series. 1999. Print. Bouson, J. Brooks. Quiet As It’s Kept: Shame, Trauma and Race in the Novels of Toni Morrison.2000. Print. Burton W. Peretti, The Creation of Jazz: Music, Race, and Culture in Urban America, Music in American Life, ed. August Meier and John H. Bracey (Urbana: University of Illinois Press, 1992. Print. Berkley: UP of California, 1978. Print. Collins, Patricia Hill. Black Feminist Thought: Knowledge, Consciousness

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Page 1: SELECT BIBLIOGRAPHY Primary Sources - INFLIBNETshodhganga.inflibnet.ac.in/.../10603/62131/13/13_bibliography.pdf · SELECT BIBLIOGRAPHY Primary Sources: Toni Morrison, The Bluest

216

SELECT BIBLIOGRAPHY

Primary Sources:

Toni Morrison, The Bluest Eye. New York: Knopf, 1970. Print.

---. Beloved. New York: Penguin Group, 1987. Print.

---. Jazz. New York: Plume, 1992. Print.

---. Jazz (New York: Plume/Penguin, 1992. Print.

---. Paradise. New York: Penguin, 1998. Print.

---. The Bluest Eye, USA: Penguin books USA Inc. 1994. Print.

---. Song of Solomon. New York: Vintage Books, 2004. Print.

Secondary Sources:

Reference Books

Angela Davis, Blues Legacies and Black Feminism (New York: Pantheon Books,

1998). Print.

Bloom, Harold. Toni Morrison. Bloom’s Major Novelist Series. 1999. Print.

Bouson, J. Brooks. Quiet As It’s Kept: Shame, Trauma and Race in the Novels of

Toni Morrison.2000. Print.

Burton W. Peretti, The Creation of Jazz: Music, Race, and Culture in Urban

America, Music in American Life, ed. August Meier and John H. Bracey

(Urbana: University of Illinois Press, 1992. Print.

Berkley: UP of California, 1978. Print.

Collins, Patricia Hill. Black Feminist Thought: Knowledge, Consciousness

Page 2: SELECT BIBLIOGRAPHY Primary Sources - INFLIBNETshodhganga.inflibnet.ac.in/.../10603/62131/13/13_bibliography.pdf · SELECT BIBLIOGRAPHY Primary Sources: Toni Morrison, The Bluest

217

and the Politics of Empowerment. New York and London: Routledge,

1990.

Bloom, Harold, ed. Toni Morrison. New York: Chelsea House, 1990. Print.

Christian, Barbara. ―The Contemporary Fables of Toni Morrison.‖ Toni

Morrison: Critical Perspectives Past and Present. Ed. Henry Louis Gates, Jr.

and K.A. Appiah. New York: Amistad, 1993. 59-99. Print.

Conner, Marc C., Ed. The Aesthetics of Toni Morrison: Speaking the Unspeakable.

Jackson: University Press of Mississippi, 2000. Print.

Collins, Patricia Hill. Black Feminist Thought: Knowledge, Consciousness, and

the Politics of Empowerment. 2nded. New York: Routledge, 2000. Print.

Carmean, Karen. Toni Morrison’ s World of Fiction. Troy: Whitston, 1993. Print.

Craig Hansen Werner, Playing the Changes: From Afro-Modernism to the Jazz

Impulse (Urbana: University of Illinois Press, 1994) Print.

Chodorow, Nancy 1. Femininities, Masculinities, Sexualities: Freud and Beyond.

Lexington: UP of Kentucky, 1994. Print.

---.Feminism and Psychoanalytic Theory. New Haven: UP of Yale, 1989. Print.

---.The Reproduction of Mothering: Psychoanalysis and the Sociology of Gender.

Daphne Duvall Harrison, Black Pearls: Blues Queens of the 1920's (New

Brunswick and London: Rutgers University Press, 1988) Print.

Duvall, John Noel, The Identifying Fictions of Toni Morrison: Modernist

Authenticity and Postmodern Blackness. Basingstoke: Palgrave, 2001.

David, Ron. Toni Morrison Explained: A Reader's Road Map to the Novels. 2000.

Print.

Print.Emecheta, Buchi. The Joys of Motherhood. New York: George Braziller,

1979. Print.

Page 3: SELECT BIBLIOGRAPHY Primary Sources - INFLIBNETshodhganga.inflibnet.ac.in/.../10603/62131/13/13_bibliography.pdf · SELECT BIBLIOGRAPHY Primary Sources: Toni Morrison, The Bluest

218

Furman, Jan, ed. Toni Morrison's “Song of Solomon.” New York: Oxford

University Press, 2003. Print.

Fultz, Lucille P. Toni Morrison: Playing with Difference. Urbana: University of

Illinois Press, 2003. Print.

Furman, Jan. Toni Morrison’s Fiction. Columbia: U of South Carolina P, 1996.

Print.

Grimshaw, Jean. 1986. Feminist Philoshoper. Great Britain: Billing & Sons Ltd.

Print.

Gutry & Taylor, Danile. 1994. Conversation with Toni Morrison. USA: The

University Press of Mississippi Abbandonato, Linda. “Rewriting the

Heroine’s Story in The Color Purple”. Alice Walker: Critical Perspectives

Past and Present. Henry Louis Gates Jr., K. A. Appiah. New York:

Amistad, 1993. 296-308. Print.

Grewal, Gurleen. Circles of Sorrow, Lines of Struggle: The Novels of Toni

Morrison. 2000. Print.

Harris, Trudier. Fiction and Folklore: The Novels of Toni Morrison. Knoxville:

University of Tennessee Press, 1991. Print.

Hudson-Weems, Clenora. Africana Womanist Literary Theory: A sequel to

Africana Womanism: Reclaiming Ourselves. Trenton: Africa World P,

2004. Print.

Iyasere, Solomon O., and Marla W. Iyasere, eds. Understanding Toni Morrison’s

Beloved and Sula: Selected Essays and Criticisms of the Works by the

Nobel Prize-winning Author.Troy: Whitston, 2000. Print.

Jan Furman, Toni Morrison's Fiction, Understanding Contemporary Literature,

ed. Matthew J. Bruccoli (Columbia: University of South Carolina Press,

1996) Print.

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219

Kimmel, Douglas C. 1974. Adult and Aging; an Interdiciplinary development

view. New Jersey: Prentice-Hall, Inc. Lodge. 2000. Modem Criticism and

Theory. Singapore: Addison Wesley Longman Singapore (pte) Ltd. Print.

Kolmerton, Carol A., Stephen M. Ross and Judith Bryant Wittenberg,

editors. Unflinching Gaze: Morrison and Faulkner Re-Envisioned. 1997.

Print.

Kubitschek, Missy Dehn. Toni Morrison: A Critical Companion. Westport:

Greenwood P, 1998. Print.

Lodge, David and Wood.2000. Modern Criticism and Theory. United States of

America: Pearson Education, Inc., New York.Peck & coyie. 1986. Literary

Terms and Criticism. Great Britain: Camelot Press. Ltd. Print.

Linden Peach, Toni Morrison, MacMillan Modern Novelists, ed. Norman Page

(London: MacMillan, 1995) Print.

McKay, Nellie Y. and Kathryn Earle, editors. Approaches to Teaching the Novels

of Toni Morrison. 1997. Print.

Middleton, David L., editor. Toni Morrison’s Fiction: Contemporary

Criticism. 1999. Print.

McKay, Nellie Y. Critical Essays on Toni Morrison. Boston: Hall, 1988. Print.

Michael Awkward, Inspiriting Influences: Tradition, Revision, and Afro-American

Women's Novels (New York: Columbia University Press, 1989). Print.

Oyewumi, Oyeronke, ed. African Women and Feminism: Reflecting on the Politics

of Sisterhood.Trenton: Africa World P, 2003. Print.

O'Reilly, Andrea. Toni Morrison and Motherhood: A Politics of the Heart.

Albany: State University of New York Press, 2004. Print.

Otten, Terry. The Crime of Innocence in the Fiction of Toni Morrison. Columbia:

University of Missouri Press, 1989. Print.

Page 5: SELECT BIBLIOGRAPHY Primary Sources - INFLIBNETshodhganga.inflibnet.ac.in/.../10603/62131/13/13_bibliography.pdf · SELECT BIBLIOGRAPHY Primary Sources: Toni Morrison, The Bluest

220

Page, Philip. Dangerous Freedom: Fusion and Fragmentation in Toni Morrison's

Novels. 1996. Print.

Peach, Linden, editor. Toni Morrison: Contemporary Critical Essays. 1998. Print.

Peterson, Nancy J. Toni Morrison: Critical and Theoretical Approaches. 1997.

Print.

Plasa, Carl, editor. Toni Morrison: Beloved. Columbia Critical Guides. 1999.

Print.

Peterson, Nancy J., ed. Toni Morrison: Critical and Theoretical Approaches.

Baltimore: The John Hopkins UP, 1997. Print.

Reyes-Conner, Marc Cameron, editor. The Aesthetics of Toni Morrison: Speaking

the Unspeakable. 2000. Print.

Rice, Herbert William, Toni Morrison and the American Tradition: a Rhetorical

Reading. New York: Lang, 1998. Print.

Smith, Jeanne Rosier “Writing tricksters: Mythic gambols in American ethnic

literature.” Berkeley, Calif.; London: University of California Press, 1997.

Print.

Smith, Valerie “New essays on Song of Solomon.”Cambridge; New York:

Cambridge University Press, 1995. Print.

Soloman, Barbara H. Critical Essays on Toni Morrison’s Beloved. New York;

London: G.K. Hall: Prentice Hall International, 1998. Print.

Spellerberg, Ian F. and Morrison, Toni “The Ecological Effects Of New Roads: A

Literature Review.” Wellington, N.Z.: Dept. of Conservation, 1998. Print.

Stanley, Sandra Kumamoto “Other sisterhoods: Literary theory and U.S. women

of color.” Urbana: University of Illinois Press, 1998. Print.

Sumana K. The Novels of Toni Morrison: A Study In Race, Gender, And Class.

New Delhi: Prestige, 1998. Print.

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221

Samuels, Wilfred, and Clenora Hudson-Weems. Toni Morrison. Boston: Twayne,

1990. Print.

Seymour Chatman, Coming to Terms: The Rhetoric of Narrative in Fiction and

Film (Ithaca and London: Cornell University Press, 1990), p. 116. Print.

Tally, Justine “The Story of “Jazz”: Toni Morrison’s dialogic imagination.”

Munster; London: Lit, 2001. Print.

Tally, Justine “Toni Morrison’s (hi) stories and truths.” Hamburg: Lit Verlag,

1999. Print.

Taylor-Guthrie, Danille “Conversations with Toni Morrison.” Jackson: University

Press of Mississippi, 1994. Print.

Terry, Jennifer Ann “‘Shuttles in the rocking loom of history’: Dislocation in Toni

Morrison’s fiction.” Coventry: University of Warwick, 2003. Print.

Tong, R. 1989. Feminist Thought: A Comprehensive Introduction. London:

Chapman & Hall. Inc. Print.

Tallack, Doughlas. 1987. Literary Theory at Work Three Text Great Britain: Biling

& Son, Ltd. Print.

Walker, Alice. The Color Purple. New York: Pocket Books, 1983. Print

Wilentz, Gay. Binding Cultures: Black Women Writers in Africa and the

Diaspora. Bloomington: Indiana UP, 1992. Print.

Wahrol, R. R & Hemdl. D.P. 1991. Feminist; an anthology of literary theory and

criticism. United States of America: Rutgers University Press. Print.

Wolfrey, Julian. 1999. Literary Theories for Reader and Guide. New York: New

York University Press. Print.

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222

Chapters in Book

Basu, Biman “The Black Voice and the Language of the Text: Toni Morrison's

Sula.” (155-72) in Myrsiades, Kostas (ed.); Myrsiades, Linda (ed. ).

Raceing Representation: Voice, History, and Sexuality. Lanham, MD:

Rowman & Littlefield, 1998.

Boudreau, Kristin “Pain and the Unmaking of Self in Toni Morrison's Beloved.”

(258-76) in Iyasere, Solomon O. (ed. and in trod.); Iyasere, Marla W. (Ed.

And in trod). Understanding Toni Morrison’s Beloved and Sula: Selected

Essays and Criticisms of the Works by the Nobel Prize Winning Author.

Troy, NY: Whitston, 2000.

Demetrakopoulos, Stephanie A. Sula and the Primacy of Woman-to-Woman

Bonds. New Dimensions of Spirituality: A Biracial and Bicultural Reading

of the Novels of Toni Morrison. Ed. Karla F.C Holloway and Stephanie A.

Demetrakopoulos. New York: Greenwood P, 1987. 51-66.

146. Print.

Dill, Bonnie Thornton. Race, Class, and Gender: Prospects for an All-inclusive

Sisterhood. U.S. Women in Struggle: A Feminist Studies Anthology. Ed.

Claire Goldberg Moses and Heidi Hartmann. Urbana: U. of Illinois P, 1995.

215-95. Print.

Dixon, Melvin. Like an Eagle in the Air: Toni Morrison. Toni Morrison. Ed.

Harold Bloom. New York: Chelsea, 1990. 115-42. Print.

Eusebio Rodrigues, “Experiencing Jazz,” Modern Fiction Studies 39, no. 3-4

(Fall-Winter 1993), p. 733.

Fultz, Lucille P. “To Make Herself: Mother Daughter Conflicts in Toni Morrison’s

Sula and Tar Baby.”(228-43) in Brown Guillory, Elizabeth (ed.).Women of

Color: Mother Daughter Relationships in 20th Century Literature. Austin:

U of Texas P, 1996. Print.

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223

Fulweiler, Howard W. “Belonging and Freedom in Morrison’s Beloved: Slavery,

Sentimentality, and the Evolution of Consciousness.” (113-42) in Iyasere,

Solomon O. (ed. and in trod.); Iyasere, Marla W. (ed. and in trod.).

Understanding Toni Morrison’s Beloved and Sula: Selected Essays and

Criticisms of the Works by the Nobel Prize Winning Author. Troy, NY:

Whitston, 2000. Print.

Gillespie, Diane, and Missy Dehn Kubitschek. Who cares? Women-centered

Psychology in Sula. Understanding Toni Morrison’s Beloved and Sula:

Selected Essays and Criticisms of the Works by the Nobel Prize-winning

Author. Ed. Solomon O. Iyasere & Marla W. Iyasere. Troy: Whitston,

2000. 19-48. Print.

Grant, Robert “Absence into Presence: The Thematics of Memory and ‘Missing’

Subjects in Toni Morrison’s Sula.” (90-103) in McKay, Nellie Y. (Ed.).

Critical Essays on Toni Morrison. Boston: Hall, 1988. Print.

Guth, Deborah “A Blessing and a Burden: The Relation to the Past in Sula, Song

of Solomon and Beloved.” (315-37) in Iyasere, Solomon O. (ed. and in

trod.); Iyasere, Marla W. (ed. and in trod.). Understanding Toni Morrison’s

Beloved and Sula: Selected Essays and Criticisms of the Works by the

Nobel Prize Winning Author. Troy, NY: Whitston, 2000. Print.

Henderson, Mae Gwendolyn “Speaking in Tongues: Dialogics, Dialectics, and the

Black Woman Writer's Literary Tradition.” (16-37) in Wall, Cheryl A.

(Ed.).Changing Our Own Words: Essays on Criticism, Theory, and Writing

by Black Women. New Brunswick: Rutgers UP, 1989. Print.

Jones, Carolyn M. “Sula and Beloved: Images of Cain in the Novels of Toni

Morrison.” (338-56) in Iyasere, Solomon O. (ed. and introd.); Iyasere,

Marla W. (ed. and introd.). Understanding Toni Morrison’s Beloved and

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224

Sula: Selected Essays and Criticisms of the Works by the Nobel Prize

Winning Author. Troy, NY: Whitston, 2000. Print.

Nnaemeka, Obioma. Introduction: Imag(in)ing Knowledge, Power, and

Subversion in the Margins. The Politics of (M)othering: Womanhood,

Identity, and Resistance in African Literature. Ed. Obioma Nnaemeka.

London: Routledge, 1997. 1-26. 148. Print.

Parker, Betty Jean. Complexity: Toni Morrison’s Women. Conversation with Toni

Morrison. Ed. Danille Taylor-Guthrie. San Francisco: California Newsreel,

1994. 60-66. Print.

Reddy, Maureen T. The Tripled Plot and Center of Sula. Understanding Toni

Morrison’s Beloved and Sula: Selected Essays and Criticisms of the Works

by the Nobel Prizewinning Author. Ed. Solomon O. Iyasere and Marla W.

Iyasere. Troy: Whitston, 2000. Print.

Stein, Karen F. Toni Morrison’s Sula: A Black Woman’s Epic. Understanding

Toni Morrison’s Beloved and Sula: Selected Essays and Criticisms of the

Works by the Nobel Prize-winning Author. Ed. Solomon O. Iyasere and

Marla W. Iyasere. Troy: Whitston, 2000. 49-60. Print.

Stepto, Robert. Intimate Things in Place: A Conversation with Toni Morrison.

Conversation with Toni Morrison. Ed. Danille Taylor-Guthrie. San

Francisco: California Newsreel, 1994. 10-29. Print.

Research Papers in Journals:

Atieh, Majda R. “The Revelation of the Veiled in Toni Morrison's Paradise: The

Whirling Dervishes in the Harem of the Convent.” MELUS, 2011. 89-107.

Vol. 36. Print.

Babb, Valerie. “E Pluribus Unum? The American Origins Narrative in Toni

Morrison's a Mercy.” MELUS, 2011. 147-64. Vol. 36. Print.

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225

Bass, Patrik Henry. “Head of the Class.” Essence (Time Inc.) 42.4 (2011): 85-85.

Print.

Bass, Patrik Henry. “Magic Touch.” Essence (Time Inc.) 41.10 (2011): 168-68.

Print.

Bast, Florian. “Reading Red: The Troping of Trauma in Toni Morrison’s

Beloved.” Callaloo 34.4 (2011): 1069-87. Print.

Beavers, Herman. “Cleaving the Body Politic: The Rhetorics of Mediation and

Meditation in Ralph Ellison's Invisible Man and Toni Morrison's Beloved.”

Foreign Literature Studies/Wai Guo Wen Xue Yan Jiu 33.1 [147] (2011):

26-32. Print.

Belluz, Julia, Nancy Macdonald, and Ken MacQueen. “Newsmakers: Gretzky

Outsells Bieber, Kim Cattrall’s Sick of Sex and That City, and Two

Canadian Retirees Vs. Mexican Gunmen.” Maclean's 2011: 9-9. Print.

Best, Stephen. “Neither Lost nor Found: Slavery and the Visual

Archive.” Representations113.1 (2011): 150-63. Print.

Black, Kimberly. “Reviewing the Unspeakable: An Analysis of Book-Reviewing

Practices of African American Women's Writings of the 1980s.” Black

Women, Gender & Families 5.1 (2011). Print.

Blight, David. “Beloved.” Wall Street Journal - Eastern Edition 258.154 (2011):

C10-C10. Print.

Bolaki, Stella. “Toni Morrison and the Idea of Africa.” MELUS 36.2 (2011): 203-

05. Print.

Chasar, Mike. “The Sounds of Black Laughter and the Harlem Renaissance:

Claude Mckay, Sterling Brown, Langston Hughes.” American

Literature 80.1 (2008): 57-81. Print.

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226

Chauche, Catherine. “Beloved, a Principle of Order and Chaos in Toni Morrison’s

Novel Beloved.” Imaginaires: Revue du Centre de Recherche sur

l’Imaginaire dans les Littératures de Langue Anglaise 12 (2008): 345-

58. Print.

Chevereșan, Cristina. “Dearly Beloved: Toni Morrison’s Resurrection of the

African-American Narrative.” B. A. S.: British and American

Studies/Revista de Studii Britaniceși Americane 14 (2008): 105-12. Print.

Childs, Dennis. “You Ain’t Seen Nothin’ Yet: Beloved, the American Chain

Gang, and the Middle Passage Remix.” American Quarterly 61.2 (2009):

271-97. Print.

Christopher, Lindsay M. “The Geographical Imagination in Toni Morrison’s

Paradise.”Rocky Mountain Review 63.1 (2009): 5. Print.

Clarke, Cheryl. “But Some of Us Are Brave and the Transformation of the

Academy: Transformation?” Signs 35.4 (2010): 779-88. Print.

Collins, Michael. “My Preoccupations Are in My DNA”: An Interview with

Bernardine Evaristo.” Callaloo 31.4 (2008): 1199-203. Print.

Colson, Whitehead, and Linda Selzer. “New Eclecticism: An Interview with

Colson Whitehead.” Callaloo 31.2 (2008): 393-401. Print.

Copeland, Huey. “Glenn Ligon and Other Runaway

Subjects.” Representations 113.1 (2011): 73-110. Print.

Copeland, Huey, and Krista Thompson. “Perpetual Returns: New World Slavery

and the Matter of the Visual.” Representations 113.1 (2011): 1-15. Print.

Cornis-Pope, Marcel. “Matei Calinescu: The Adventure and Drama of

Modernity.” symplokē17.1-2 (2009): 255-60. Print.

Cox, James H., and Daniel Heath Justice. “From the Editors.” Studies in American

Indian Literatures 21.4 (2009): ix-x. Print.

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227

Cutrofello, Andrew. “It Takes a Village Idiot: And Other Lessons Cynthia Willett

Teaches Us.” The Journal of Speculative Philosophy 24.1 (2010): 85-

95. Print.

Claudia Brodsky Lacour, Elissa Schappell (Fall 1993). “Toni Morrison, The Art of

Fiction No. 134”. The Paris Review. Print.

Copeland, Huey. “Glenn Ligon and Other Runaway

Subjects.” Representations 113.1 (2011): 73-110. Print.

Copeland, Huey, and Krista Thompson. “Perpetual Returns: New World Slavery

and the Matter of the Visual.” Representations 113.1 (2011): 1-15. Print.

Demetrakopoulos, Stephanie A (Spring 1992). “Maternal Bonds as Devourers of

Women’s Individuation in Toni Morrison’s Beloved” .African American

Review (Terre Haute, Indiana: Indiana State University) 25 (1): 51–59.

Print.

Diala-Ogamba, Blessina. “Gothic Elements in Toni Morison's Beloved and Elechi

Amadi’s the Concubine.” 2011. 410-24. Vol. 54. Print.

Diana, Vanessa Holford. “I Am Not a Fairy Tale”: Contextualizing Sioux

Spirituality and Story Traditions in Susan Power’s the Grass

Dancer.” Studies in American Indian Literatures 21.2 (2009): 1-24. Print.

Dias, Angela Maria. “Longe Do Paraíso: Jazz, De Toni Morrison, E Ponciá

Vicêncio, De Conceição Evaristo.” Estudos de Literatura Brasileira

Contemporânea 32 (2008): 173-85. Print.

DiCicco, Lorraine. “The Enfreakment of America’s Jeune Fille À Marier: Lily

Bart to Carrie Bradshaw.” Journal of Modern Literature 33.3 (2010): 78-

98. Print.

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228

Dobozy, Tamas. “The Morrison Songbook: Proliferation in Jazz.” Mosaic: A

Journal for the Interdisciplinary Study of Literature 42.1 (2009): 199-

215. Print.

Donadey, Anne. “African American and Francophone Postcolonial Memory:

Octavia Butler’s “Kindred” and Assia Djebar’s “La Femme Sans

Sépulture”.” Research in African Literatures 39.3 (2008): 65-81. Print.

Dove, Rita. “The Fire This Time.” Callaloo 31.3 (2008): 739-46. Print.

Doyle, Jennifer. “Blind Spots and Failed Performance: Abortion, Feminism, and

Queer Theory.” Qui Parle 18.1 (2009): 25-52. Print.

Du, Lanlan. “Identity Politics and (Re) Construction: Toni Morrison Studies in

China.”Tamkang Review: A Quarterly of Literary and Cultural Studies 38.2

(2008): 89-106. Print.

Du, Lanlan. “Kong Jian Ce Lue Yu Wen Hua Shen Fen: Cong Hou Zhi Min Shi

Jiao Jie Du Bai You Wa Wa.” Foreign Literature Studies/Wai Guo Wen

Xue Yan Jiu 30.6 [134] (2008): 76-82. Print.

Dismukes, Ondra Krouse. “Narrative Conventions and Race in the Novels of Toni

Morrison.” MELUS 36.2 (2011): 201-03. Print.

Dobbs, Cynthia. “Diasporic Designs of House, Home, and Haven in Toni

Morrison's Paradise.” MELUS, 2011. 109-26. Vol. 36. Print.

Fabelo, Dora M., et al. “The Rights of Readers in Our Schools.” Language Arts

88.3 (2011): 238-43. Print.

Ferguson, Rebecca. “Of Snakes and Men: Toni and Slade Morrison’s and Pascal

Lemaitre’s Adaptations of Aesop in Who’s Got Game?” MELUS, 2011.

53-70. Vol. 36. Print.

Fowler, Doreen. “Nobody Could Make It Alone”: Fathers and Boundaries in Toni

Morrison’s Beloved.” MELUS, 2011. 13-32. Vol. 36. Print.

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229

Fulani, Ifeona. “Gender, Conflict, and Community in Gayl Jones’s Corregidora

and Jamaica Kincaid’s Lucy.” Frontiers: A Journal of Women Studies 32.2

(2011): 1-30. Print.

Grausam, Daniel. “On the Idea of in (Ter) Dependence: Paradise and Foreign

Policy.” MELUS, 2011. 127-45. Vol. 36. Print.

Grewal, Gurleen. “A Mercy.” MELUS 36.2 (2011): 191-93. Print.

Griffith, Johnny R. “In the End Is the Beginning: Toni Morrison’s Post-Modern,

Post-Ethical Vision of Paradise.” Christianity and Literature 60.4 (2011):

581-610.

Guiqin, A. N. “The Analysis of Sula’s Eccentricity in Character: Family and

Community’s Influence on a Person’s Character.” L’ANALYSE DE

L'EXCENTRICITE DES CARACTERES DU SULA--DE LA FAMILLE

ET DE L’INFLUENCE DE LA COMMUNAUTE SUR LE CARACTERE

D'UN PERSONNE. 7.4 (2011): 25-29. Print.

Hall, Alice. “Foreign Bodies: Portraiture and Photography in the Works of Toni

Morrison.” Interdisciplinary Humanities 28.2 (2011): 56-66. Print.

Hevesi, Dennis (April 1, 1988). “Toni Morrison’s Novel ‘Beloved’ Wins the

Pulitzer Prize in Fiction”. The New York Times. Print.

Hall, Catherine. “Playing in the Dark … and Racing Englishness.” European

Journal of Women’s Studies 18.1 (2011): 87-90. Print.

Huang, Lijuan. ”Sheng Ming Zhong Bu Neng Cheng Shou Zhi Tong-Tuoni

Molisen De Xiao Shuo Chong'er Zhong De Hei Ren Dai Ji Jian Chuang

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Itzkoff, Dave. “Global Shakespeare Fest to Feature 70 Shows.” New York Times

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Kohzadi, Hamedreza, Fatemeh Azizmohammadi, and Shahram Afrougheh. “A

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Koo, Eunsook. “[The Betrayal of Love, Trauma Narrative and Subjectivity

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Le Fustec, Claude. “Never Break Them in Two. Never Put One over the Other.

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Madsen, Deborah. “Out of the Melting Pot, into the Nationalist Fires: Native

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Magras, Lydia. “Toni Morrison and the Bible: Contested Intertextualities.”

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Patterson, Robert J. ““Woman Thou Art Bound”: Critical Spectatorship, Black

Masculine Gazes, and Gender Problems in Tyler Perry’s Movies.” Black

Camera 3.1 (2011): 9-30. Print.

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Patton, Venetria K. “Introduction: New Directions in Feminism and Womanism in

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Phiri, Aretha. “Searching for the Ghost in the Machine: The ‘Africanist’ Presence

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Wang, Chih-ming. “The X-Barred Subject: Afro-American Subjectivity in Toni

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Watson, Reginald. “The Power of the ‘Milk’ and Motherhood: Images of

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Life of Grange Copeland.” CLA Journal 48.2 (2004): 156-82. Print.

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White, Jonathan. “Restoration of our Shattered Histories’: Derek Walcott, The

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Yoo, JaeEun. “Talking to You and Hearing You Answer—That’s the Kick’:

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Interviews:

Denard, Carolyn C., ed. Toni Morrison: Conversations. Jackson: University Press

of Mississippi, 2008.

Taylor-Guthrie, Danille. Conversations With Toni Morrison. Jackson: University

Press Of Mississippi, 1994. Print.

Dictionary/ Thesaurus/ Encyclopedia

The Toni Morrison Encyclopedia. Edited by Elizabeth Ann Beaulieu. – Westport,

Conn.: Greenwood Press, 2003

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