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MAD COW THEATRE is founded on the belief that the Theatre is a dynamic and powerful means of social understanding, as well as a hugely entertaining art form. Through the combination of passionate, skillful acting and compelling, insightful writing, nurtured by an attentive and ever-changing process, Mad Cow presents entertaining works of Theatre to an ever-widening audience–promoting, enhancing and celebrating the human condition through art.

Mad Cow Theatre is supported in part with public funds from United Arts of Central Florida, Inc.; The State of Florida, Department of State, Division of Cultural Affairs; The Florida Arts Council, The National Endowment for the Arts; The Downtown Development Board; and Orange County Government through the Arts & Cultural Affairs Program. A Great Nation Deserves Great Art!

Mad Cow Theatre is a 501(c) (3) organization and welcomes all donations including funds, materials, time and goodwill. We are especially delighted when audience members bring others to share the theatrical experience.

Mad Cow Theatre has forged many alliances and made many friends. This endeavor would not be possible without the generous spirit, passion and goodwill of the following individuals and organizations.

55 WestThe Arts and Cultural

Alliance of Central FloridaL2 Studios, Inc

CORTOrlando Philharmonic

OrchestraOrlando Repertory Theatre

Theatre UCFHolland & KnightHolland & Reilly

Tom Hurst PhotographyJay T. BeckerJuan Cantu

Elizabeth DeanRobin Jensen

Michael MarinaccioPeg O’Keef

Thomas OuelletteJanine PapinKatrina PloofRobert Roland

All the Cows in the Pasture

ACKNOWLEDGEMENTS

A VERY SPECIAL THANK YOU

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PRIVATE LIVESBy

NOËL COWARDFeaturing

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers, appearing under a special agreement with

Actors’ Equity Association.

Costume Design

CORRINE WALSH

Scenic Design

CINDY WHITE

Lighting Design

JOHN HEMPHILL

Sound Design

KURT WAGNER

MAD COW THEATRESTAGE LEFT

PRESENTS

JENNIFER CHRISTA PALMER*

KEVIN ZEPF

SARAH JANE FRIDLICH

PHILIP NOLEN*

Director

TIMOTHY WILLIAMS

Stage Manager

EMILY JARRELL

Produced by special arrangement with Samuel French, Inc. New York City.

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CAST OF CHARACTERS

PRODUCTION TEAM

Sibyl Chase ............................................ Sarah Jane FridlichElyot Chase ............................................ Philip NolenVictor Prynne ......................................... Kevin ZepfAmanda Prynne ..................................... Jennifer Christa Palmer

Production Assistant ............................... Lyndsey Goode

Properties ............................................... Mickey DeJesus

Scenic Construction ................................. Herb Hanson

Scenic Painting ....................................... Sarah Morgan

Out of respect for the audience and the artists, patrons who leave the theatre during the performance will not be re-admitted.

We regret there is no late seating once the performance has begun.

There is no photography, video or recording of this performance allowed.

Private Lives is performed with two intermissions.

Smoking effects used in this production do not burn tobacco or any other sub-stance.

SETTING

Act 1 - The terrace of a Hotel in Deauville, France. Summer 1930.Act 2 - Amanda’s fl at in Paris. Three days later.Act 3 - Amanda’s fl at in Paris. The next morning.

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ABOUT NOEL COWARDThe critical reputation of Private Lives has swung dramatically since its 1930 debut. Although a box offi ce hit, one critic wrote that future generations will be “wondering what on earth these fellows…saw in so fl imsy a trifl e.” Yet, more than 70 years later, Noël Coward’s special brand of facile, biting wit is held in great regard.

Since Coward gained fame in the 1920s, his reputation has taken on a different coloration with each succeeding decade. He fi rst hit the big time in 1924 when he wrote and starred in The Vortex, a play that explored drug addiction and illicit sex. The whiff of immorality surrounding the play was cultivated by Coward in the creation of his own nonconformist persona. Soon after the play opened, he invited the press in to his apartment to photograph him lounging in bed till noon. Almost overnight, he became a symbol of the Jazz Age’s rebellious, hedonistic youth.

With the spectacular opening of Private Lives at the turn of the new decade, Coward’s reputation turned to that of sophistication and elegance. Perhaps he was just too successful during the 1930s to maintain the pose of the social outsider. With the onset of World War II, Coward’s reputation changed signifi cantly once again. Rather then the decadent youth of the 1920s, Coward became “Our Noël” for the British public. He championed the war effort by writing, co-directing, producing, and starring in the movie In Which We Serve, an account of the British navy in battle.

Unfortunately, the sentimental, patriotic fi gure of the 1940s did not play well for the “angry young men” of 1950s British theater. Suffi ce to say, he was treated as a relic of a bygone era and he ended up spending a signifi cant part of the decade performing a déclassé but lucrative lounge show in Las Vegas. He was left for dead in the theater world … until a London revival of Private Lives in 1963 suddenly brought him back in vogue.

Coward was a performer as well as a playwright, and his reputation rested not only on his plays but on his hilarious, mannered portrayals, including that of Private Lives’ Elyot Chase. Coward worried at times that he had never written an “important” play—that his brilliant wit was not enough. But he seems to have obtained some relief from the realization that Private Lives and other top plays such as Hay Fever, Design for Living, Present Laughter, and Blithe Spirit“ were important because they had given a vast number of people a great deal of pleasure.”

The City of OrlandoMayor Buddy Dyer and the Orlando City Council

Special Thanks to:

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PRIVATE LIVESMICKEY DeJESUS (Properties Designer) has worked on more than a dozen shows at MAD COW, since the 2006-2007 season designing Props and Set Dressing, as well as set construction, scenic painting, and in stage management. His previous work includes A Delicate Balance, the concert stagings of Sweeney Todd and The Music Man with The Orlando Philharmonic Orchestra, Assassins, Glengarry Glen Ross, Life Is A Dream, Present Laughter, She Loves Me, Talley’s Folly, The Fantasticks, The Heidi Chronicles, The Rainmaker, and The Seagull. With previous experience in Theme Park Entertainment and at Cirque Du Soleil La Nouba, Mickey wants to thank Mitzi for bringing him back to The Herd. This one is in memory of Sydney. Larry & Payton, thanks for the love.

SARAH JANE FRIDLICH (Sibyl Chase) is happy to be back on stage at MAD COW with this wonderful play. She has been seen at MAD COW in The Heiress, Eurydice, An Inspector Calls, Major Barbara, Life is a Dream, Pericles, The Seagull, and Present Laughter. Some other local shows include Charlotte’s Web, Junie B. in Jingle Bells Batman Smells, Sideways Stories from Wayside School, and Lyle the Crocodile at the Orlando Repertory Theatre, Leading Ladies at Theatre Winter Haven, Barefoot in the Park at Theatre Downtown, and Moon Over Buffalo at Ice House. She thanks her parents and Michael for their limitless love, support, and laughter.

JOHN HEMPHILL (Lighting Designer) is proud to continue working with one of the foremost theatres in the Orlando area. John has served in many roles here at MAD COW including Stage Manager, Lighting Designer and Carpenter. Favorite productions with the herd include She Loves Me, Life Is A Dream, Gone Missing and Molly Sweeney. Away from the pasture, John works at Walt Disney World.

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PRIVATE LIVESEMILY JARRELL (Stage Manager) is honored to be making her MAD COW THEATRE debut stage managing Private Lives. Emily has just returned from a two-year appointment as the assistant lighting coordinator for The Dallas Opera, where she opened the AT&T Performing Arts Center’s Winspear Opera House, as well as the world-premiere opera, Moby Dick. She also recently stage managed Orlando Ballet’s The Nutcracker. She could not be happier to be home in Orlando, where she grew up, met her fi ancé, and received a degree in technical theatre from Rollins College in 2009. Emily would like to thank her ever-supportive family and her amazing fi ancé, Tim.

PHILIP NOLEN (Elyot Chase) is a proud member of Actors’ Equity Association, the professional union of actors and stage managers in the United States. His fi rst (and only) previous appearance at MAD COW was as Antonio Salieri in Amadeus, and he is pleased to return to MAD COW in a role which the great Noel Coward wrote for himself! Mr. Nolen’s professional career has encompassed over thirty plays and musicals, for Mary Moody Northen Theater in Austin, Texas, Orlando Theatre Project, Orlando Shakespeare Theater, Actors Theater of Louisville, and The New York International Fringe Festival, in addition to a twenty-year run as an actor/singer in multiple venues at Walt Disney World.

JENNIFER CHRISTA PALMER (Amanda Prynne) originally hails from Hatboro, PA, earned her BA in Theatre from Penn State University and is a grateful member of Actor’s Equity Association. Previous MAD COW credits include Catherine Sloper in The Heiress, Lizzie in The Rainmaker, and the title role in G.B. Shaw’s Major Barbara. Other favorites include Helena in A Midsummer Night’s Dream (freeFall Theatre) and Phaedra in Feverish (Orlando Shakes PlayFest). She also has several credits in independent fi lm (I Did, Out, Legend of the Red Reaper). JCP wishes to extend special thanks to this stellar cast, Tim Williams, Mitzi Maxwell, the Tea Ladies, Lauren O’Quinn’s Wednesday night class, and to her husband Ryan - for all of their love, encouragement and support. Please visit her website at www.jenniferchristapalmer.com

KURT WAGNER (Sound Design) has designed many MAD COW productions over the years including Next Fall, Superior Donuts, Topdog/Underdog, The Lion In Winter, The Matchmaker, I Am My Own Wife, Amadeus, Eurydice, Sweeney Todd, Assassins, I Have Before Me A Remarkable Document Given To Me By A Young Lady From Rwanda, The Rainmaker, Talley’s Folly, The Heidi Chronicles, Glengarry Glen Ross, The Seagull, and Kid-Simple. Kurt has been honored with two EMMY nominations and four International Monitor Awards nominations, one of which he won. Kurt currently is teaching as a specialist in the fi lm degree program at Full Sail University. Kurt wishes to thank MAD COW for providing a welcoming and creative atmosphere for artists and designers to practice their craft through engaging and provocative productions for our community to enjoy.

CORRINE WALSH (Costume Designer) received a BFA in Fiber from the Maryland Institute College of Art in 2008, but made her fi rst dress in 1993. She was most recently the Wardrobe Supervisor for the Blue Man Group National Tour, but is now very excited to pursue more design opportunities here in Orlando! She also has a clothing line, “EDIT”, which will soon be wildly successful. Thanks MAD COW!

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PRIVATE LIVESTIMOTHY WILLIAMS (Director) received a BA in Theater Arts from the University of Central Florida Conservatory Theatre, and has performed and directed in community, regional and academic theater for twenty‐fi ve years. He was a Resident Actor and Associate Artist at the Orlando Shakespeare Theater for four years and performed in fi fteen main stage productions including Othello, Julius Caesar, Antony and Cleopatra, Measure For Measure, Private Lives, and Arms and the Man. Directing credits include Charlie and the Chocolate Factory, Winnie the Pooh, The 25th Annual Putnam County Spelling Bee and Anything Goes for Lakeland Community Theater, and the workshop of David Lee’s Kafka’s Shorts at the Harriet Lake Festival of New Plays. MAD COW audiences may remember Timothy from his recent work as Director of The Understudy, the Assistant Director of The Heiress, and as a performer in Rosencrantz and Guildenstern Are Dead and Who’s Afraid of Virginia Woolf.

CINDY WHITE (Set Designer) has worked as a show designer and illustrator in Orlando since 1980; fi rst with Walt Disney Imagineering and then as Art Director for Creative Entertainment at Walt Disney World. In 1995 she started Cindy White Art and Illustration; a conceptual design and illustration company. She has designed for theme parks and clients around the world (www.cindywhiteart.com) but also loves working on Orlando Theatre projects. For MAD COW THEATRE, her designs have included Humble Boy, Sweeney Todd, The Seagull, She Loves Me, Major Barbara, Amadeus, The Matchmaker and Rosencrantz and Guildenstern are Dead. She lives with her match, Edwin.

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PRIVATE LIVESKEVIN ZEPF (Victor Prynne) is thrilled to be back at MAD COW THEATRE performing with this amazingly talented cast and production team! Previous MAD COW productions include She Stoops to Conquer, Gone Missing, Assassins and Sweeney Todd with the Orlando Philharmonic Orchestra (Bob Carr). Locally, Kevin has appeared in Playfest at the Orlando Shakespeare Theatre and at The Orlando Rep and Theatre Downtown. His NYC credits include the Off-Broadway premiere of Green Gables – A New Musical (York Theatre). Some of his favorite regional credits include: Into The Woods, 1776, Titanic and Evil Dead – The Musical. Kevin received training from The Conservatory of Theatre Arts at Webster University in St. Louis. He would like to thank his friends, family, co-workers and his amazing wife Shannon for all their support.

Actors’ Equity Association (AEA) was founded in 1913 as the fi rst of the American actor unions. Equity’s mission is to advance, promote and foster the art of the live theatre as an essential component of our society. Today, Equity represents more than 40,000 actors, singers, dancers and stage managers working in hundreds of theatres across the United States. Equity members are dedicated to working in the theatre as a profession, upholding the highest artistic standards. Equity negotiates wages and working conditions and provides a wide range of benefi ts including health and pension plans for its members. Through its agreement with Equity, this theatre has committed to the fair treatment of the actors and stage managers employed in this production. AEA is a member of the AFLCIO and is affi liated with FIA, an international organization of performing arts unions. For more information, visit www.actorsequity.org.

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54 WEST CHURCH STREET

Beginning our fifteenth year as Downtown Orlando’s Professional Theatre, Mad Cow Theatre will soon have a facility that is of commensurate quality to the dynamic professional productions on our stages. Mad Cow is designing a comprehensive facility to create productions of the highest artistic quality that will include two intimate performance venues. Additionally, the complex includes facilities to provide Central Floridians and visitors to our region with nationally recognized theatre experiences that ignite the imagination, lift the spirit and engage our community. There’s nothing like it in Central Florida. Opening this fall, the new facility has been years in the making, and we would like to thank the City of Orlando and our countless audiences, donors, artists and supporters who call Mad Cow home.

There are many opportunites still available to help...• Add your name to our donor wall• Name an available space inside the new Mad Cow Theatre

complex at 54 West Church St.• Name a seat in the Harriett Theatre• An array of other fantastic opportunities

Thank You for your support!

For more information, please visit madcowtheatre.com or contact David Mink at 407.297.8788 x15

or davidm@madcowtheatre.com

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CAPITAL PROJECT DONORS

The new home for Mad Cow Theatre is the largest venture in Mad Cow’s fifteen-year history. The theatre has continually expanded at a pace that reflects the need of the city around it, and today is no exception. Mad Cow Theatre is making progress every day thanks to the visionary and generous support of the citizens of Central Florida and individual philanthropists, foundations and corporations who believe that Orlando’s success is tied directly to a dynamic cultural and artistic scene.

We have raised 90% of our $1.5 million goal thanks to the generous support of the following individuals and organizations.

55 WestJoe and Nancy Adams Marc & Lynda Walker Allaire Ken & Debbie Carpenter Hillary & Jay Cohen Harriett ColemanBruce & Paula CollinsThe City of OrlandoDrs. Jefferson & June FlowersChere Force & Rory TrumboreMaureen & Gary FriesStuart FullertonPete GiacaloneThomas & Kathy GillmanSig & Marilyn GoldmanAlan & Barbara GreberHolland & KnightMichael & Margaret HaddadMike & Nancy HoustonDean JohnsonLiz KitchensChristine Kroetsch & Jeremiah Hayes

L2 StudiosHarriett LakeMara & Harvey LevittRichard & Annette ManganelSusan McKennaRosemary Maher & Mendel MelzerCindy & Frank MurrayBrigid Noonan-KlimaBill & Jane OatwayTerry OlsonRon & Carrie PattersonCherie RivettTraies RoeLenore RolandMolly Rose & Bob FlemingDennis SobeckBob & Marty StonerockSigrid & Philip TiedtkeJudith ThompsonDoug & Brenda WalkerJoe & Sue WarrenAnonomyous (2)

Follow our construction progress on Facebook!facebook.com/madcowtheatre

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2011-2012 Donors

Mad Cow Theatre thanks the following businesses for their contributions to Mad Cow Theatre’s artistic and educational programs enriching the lives of the Central Florida Community.

Mad Cow Theatre recognizes these Season Sponsors whose extraordinary generosity has made our 2011-2012 Season possible. We proudly acknowledge their commitment.

Corporate Angel ($2500 and over)Holland & Knight L2 StudiosHolland & Reilly

Corporate Diva ($1000 - $2499)W. Ed Langdon Dykes Everett + Company, INC.

Corporate Star ($500 - $999)Effective Financial Services WOW! WorksDr. & Mrs. Jefferson S. Flowers

Corporate Actor ($250 - $499)Gary Israel

Maureen & Gary Fries Dr. Bob & Marty StonerockHarriett Lake Bryce L. West Foundation

BUSINESS CIRCLE

SEASON SPONSORS

Jim & Freddi Goodrich

Anonymous (1) Michael & Jennifer ColemanPeter GiacaloneSiegmund I. & Marilyn Goldman in honor of Steve Goldman & Julie Goldman Klein

Director’s Circle ($1000 - $2499)

Producer’s Circle ($2500 - $4999)

Maureen & Gary Fries Dr. Bob & Marty StonerockHarriett Lake Bryce L. West Foundation

Gold Circle ($5000 and over)

Anonymous (2)Joanne BruunThomas CardwellSteven P. ClawsonAnn CookDana & Diana EaglesDean JohnsonMargot H. Knight & Nick WalshMara & Harvey LevittNancy P. Lewis

Artist’s Circle ($500 - $999)

Dr. Jesse & Jean LuninSusan MairSusan McKennaSteve & Kathy MillerPeg O’KeefNeil & Kuei-Mei OlcottJohn Parker & Deede SharpeMolly Rose & Bob FlemingRichard Russell & Thomas OuelletteJoseph & Norma Samuels

Sharon Siskie & Ben SchillingMark Edward SmithJudith ThompsonMr. & Mrs. Jerry TwedtJoe & Sue Warren, M.D.Mercedes WechslerLeighton & Phyllis YatesEdward & Phyllis Zissman

Christine Kroetsch & Jeremiah Hayes Mary F. KelshRichard & Annette ManganelTom & Theresa QuinnDeborah & Larry SimpsonIn honor of our friend, Dr. Bob Stonerock

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2B BelloJoe & Nancy AdamsElaine & Herb AdlerIn honor of Marc AllaireAnonymous (11)John & Lillian ArmstrongNeal & Genie BlaherMaria BorsMidge BowmanPam & Steve BrandonDeborah & Michael BrantonRandy BrownStewart BrownGeorge & Cathy ColangeloTom ConnorMickey M. CookJames & Kay CookseyLarry CoopermanJulie Copeland & Robert BellerDiana CovenBobby CroxfordCeme CurleyArt & Cynthia CurtisMichael DaspinJohn & Frances DatzSusan B. DayJim & Beth DeSimoneDave & Brenda DiggsDrs. Robert Crackel and Charles DrummondDuckLydia & Calvin DunkleGeorge EichnerSally EliotJudith & Norman FalkinNancy & RJ FarrisMaureen & Bill FitzpatrickDavid & Becky FleischmannStuart FullertonCecelia GalbraithAnn Marie & Bruce GarveyWill & Rosemary GatesRoger & JoAnn GatlinJohn & Janice GentilellaDr. & Mrs. Thomas GillmanMarcia Hope GoodwinAlan & Barbara GreberElinor & Robert GreenwayCarol Griffi nMatt & Debbie Griffi nMark Grissom

Holy Cow ($250 - $499)

The Herd ($1 - $249)

We apologize for any errors or omissions. Current through 01/08/2012

Sherry AndrewsAnonymous (1)Marianne & Anthony BassileDrs. Luci Belnick & Jeff CohenSusan Fox BeversluisBruce & Paula CollinsJanet Denniston & Ray AlgerCliff & Ann DubbinMrs. Margaret Garland

Alex HalberstadtSusie & Jerry HaralsonWallace G. HarperJohn & Wendy JenningsDr. Mitch & Swantje LevinKen & Trisha MargesonMaria M. MasciulliJ. Michael MesserCarol Murphy

Margit HaanMichael & Margaret HaddadRalph HewittRussel HiettRichard & Ann HigbieLynda HinckleyDan & Marie HittJan Huebner & Rich HarmonPamela JohnsonRobin KatzCon & Muriel KatzenmeyerRachel KaufmanConstance KennaWayne KlineDavid KramerRay J. LeBlancBill & Claudia LefkowitzNick LeoJohn & Joan LeslieMichele & Joe LevyElaine LilesKay LintonPJ Litfi nYolanda LondonoRosalyn LowensteinM. J. LowitzAmy LuekJim Lussier & Nancy JacobsonRosemary Maher & Mendel MelzerBarbara Martin & Randy EngarElizabeth Maupin & Jay YellenBarbara MaxwellPaul S. MayNancy B. McClureWendy & Brian McDowellRaven McElmanJohn & Rebekah McReynoldsLouise MeadorBeverley & Richard MeerMr. & Mrs. Dennis MenardBarry & Denny MeneghellliBrian MitchellSharon & Theodore MolthenRaymond & Candace MortensenJim & Mari MoyeRich & Jane MuellerKevin MuhsMr. & Mrs. Robert NeumanBrigid NoonanBill & Jane OatwayTerry & Robin Olson

Murray OverstreetMarjory PabstDr. Mary PalmerJohn E. PalmerElinor ParkerWarren & Esther PearceDW Phineas PerkinsShirley PetersJohn & Shannon PierceJean-Paul PinelliSusan PinsGeorge PoelkerLindy PomerantzMartin & Ellen PragueLisa & Albert PrastJennifer QuigleyBetty Reid | Ron Hirsch - Rehabilitation AdvisorsAl & Alice ReinhardtCarl & Sandra RendekTraies RoeJoan RosenmanPhran & Don RothGerson L. SacksDiane L. SandquistMimi & Stan ShaderMrs. Aline J. ShipreckGordon & Fran ShogrenJean E. SiegfriedDavid L. SigalowBarbara J. SmithCelnah Smith in memory of my husband Leon SmithDale & Becky StaffordStephen M. Steck & Desta HornerZena Sulkes & Daniel FreemanTom & GerryStephen VanascoLynda WalkerJ. Brett & Amelia WarrenBruce B. WarrenMarilyn WatersMr. & Mrs. Norbert D. WellerDoug & Lisa WentzWayne WilliamsMarilyn B. WilliamsPauline WilliamsJames & Martha WilliamsonRichard WilsonLinda L. WoodsMr. & Mrs. Ralph ZaorskiLee & Wendy ZehngebotSherry & Art Zimand

Cindy & Frank MurrayJohn & Virginia RigsbyPhoebe & Elliot RosewaterDennis SobeckJim & Ginny StuartJoann Tyson & Doug MarksTrudy WildGayle Wirtz

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Mad Cow Directory

Executive DirectorMitzi Maxwell

Director of Audience DevelopmentDavid B. Mink

Marketing ManagerZac Alfson

Box Offi ce AssistantsAudrey FrankJosh SousaElizabeth Takacs

Production CoordinatorJosh Sousa

TeachersMichael MarinaccioTimothy Williams

Company Stage ManagerConny Williamson

PhotographerTom Hurst

Graphic Designde la Espriella Design

Board MembersBrian McDowellRichard RussellDr. Bob StonerockMitzi Maxwell

Founding MembersRus BlackwellTrudy BrunerAlan BruunDennis Neal

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DID YOU KNOW?In addition to our capital fund, Mad Cow

depends on contributions from patrons likeyou for daily operations of the theatre.

Help us keep the lights on and actors onstage bymaking a contribution wiht the form below.

MAD COW THEATRE DONATIONAs a 501(c)(3), your donation to Mad Cow Theatre will be tax-deductable.

THE HERD(up to $249) $__________

COW($250-$499) $__________

ARTISTS’ CIRCLE($500-$999) $__________

DIRECTOR’S CIRCLE($1,000 - $2,499) $__________

PRODUCER’S CIRCLE($2,500-$4,999) $__________

GOLD CIRCLE($5,000 - $9,999) $__________

PLATINUM CIRCLE($10,000 and above) $__________

__________________________________NAME__________________________________ADDRESS__________________________________CITY STATE ZIP__________________________________PHONE__________________________________EMAIL I WOULD LIKE TO BE LISTED AS ___________________________ IN THE PROGRAM

I WOULD LIKE TO REMAIN ANONYMOUS.

METHOD OF PAYMENT

__________________________________CREDIT CARD # EXP. DATE__________________________________SIGNATURE

CHECK

MONTHLYCC BILLING

VISA

MASTERCARD

DISCOVER

AMERICANEXPRESS

MAIL TO: MAD COW THEATRE, PO BOX 3109 ORLANDO, FL 32802YOU MAY ALSO MAKE A DONATION TO MAD COW THEATRE

THROUGH OUR WEBISTE - madcowtheatre.com

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Stage Left and Right are located at 105 South Magnolia Avenue.

DANCING AT LUGHNASA A drama by Brian Friel FEB 3 – MAR 4

PRIVATE LIVES A comedy by Noel Coward MAR 30 – APR 29

NEXT TO NORMAL A musical by Tom Kitt and Brian Yorkey

JUN 8 – JUL 8

BILLY BISHOP GOES TO WAR Written and composed by John Gray in

collaboration with Eric Peterson AUG 3 – AUG 26

HEDDA GABLER A drama by Henrik Ibsen FEB 24 – MAR 25

THE PITMEN PAINTERS A drama by Lee Hall

JUN 15 – JUL 8

TWELVE ANGRY MEN A drama by Reginald Rose AUG 3 – AUG 26

10TH ANNUAL ORLANDO CABARET FESTIVAL COMING SOON!

Call 407.297.8788 or visit madcowtheatre.com