portfolio (updated in feb 2010
DESCRIPTION
Portfolio (updated in Feb 2010TRANSCRIPT
DESIGN PORTFOLIODESIGN PORTFOLIOSHI SEI
1
DESIGN VISION
LIFE, COMFORT, AND APPEAL.
CLUB ROOTZ IN KUALA LUMPUR
COSMOPOLIS DESIGN COMMUNICATION SPOKANE OFFICE
NEW UNIVERSITY MIXED-USE BUILDING PROPOSAL
PERSONAL PROFILE
TABLE OF CONTENTS
22
2
14
6
4
SEEK FOR HORIZON
CLEAR PROGRESSION
42
CASUAL RESTAURANT “SHARAKU”36
3
32
address: 807 S. Cowley St. 22 Spokane, WA 99202
phone #: 360.224.3396
email: [email protected]
Creative DesignerSHI SE I
4
5
west entrance
A NEW UNIVERSITY MIXED-USE BUILDING
“BOOKIE”
The astonishing curtain wall greets customers warmly in the night time. 7
8 retai l area
floor plan
SECTION CUT
The building is located near the yellow parking lot. Great amount of traffic can be expected; therefore, the new bookie in Riverfront campus will be constantly utilized by students, faculties, as well as public.The fabulous store front brings a new modern construction into the new modern construction into the campus. The idea is to design a horizontal structure that roots deeply to the surroundingThe auditorium comes with xed 84 seats to accommodate various large events including music performances, lectures, and so on. Thetwo offices locate adjacent to the auditorium.The two offices are used for the theater The two offices are used for the theater supervised faculties. The water closet forboth male and female are provided. Thelargest space is for the parimary mercantileoccupancy type.
sect ion
9
“Lingering space” for the Riverpoint faculty and students.
10
east entrance cafeteriaNEW
BOOK
IE NE
W BO
OKIE
The new university retail shop has initiated with four goals; to make a space where people can comfortably linger; adaptive reuse of the old historical warehouse locating in the middle of the parking lot in the riverpoint campus; the building will utilize sustainable design strategies that meet today’s economical standards; the building has mixed-use of activities, including mercantile, business, as well as of activities, including mercantile, business, as well as
assembly type occupancy. The most of the installed furniture are either recycled or aquired from the local habitat shop to decrease the newly acquired furniture. In order to achieve thesustainable goal, using recycled furniture and re--nished them.
off ice
11
12
The greyhound old warehouse has been abandon fordecades until the new bookie project initiated. the project designer started to contact the local recycle shops to collect all the used furniture that can be re-used for this project. solely the auditorium, the space accommodates 84 xed seats with 2 wheel chair area in the front. all The theater seatings are locally acquired and re nished by the local seatings are locally acquired and re nished by the local furniture craftsmen.
In the mercantile occupant space, the bookie alsofacilitates a little dining space where cafeteria isinstalled to serve locally acquired coffee. The tablesets in the faceteria are of course recycled andre- nished.
auditoriumauditorium 13
MODERN RESTROOM EXPERIENCE
14
CLUB ROOTZ IN KUALA LUMPUR MALAYSIA
2009 SUMMER INTERNSHIP PROJECTAT DESIGN SPIRITS F IRM
male restroom
main dance hal l
16
A MALAYSIA MODERN
17VIP room
When we worked on the interior design, it was important to realize how the current trend in Malaysia has been. Becausethe client’s target customers are rather young generations thanolder people.
Today. Malaysia has gone through cultural transformation.Muslim culture had been dominant in the country for decades.However, after penetrating the western culture in recent years,However, after penetrating the western culture in recent years,the rooted culture of Muslim has been altered, and sexual expression in public space has been somewhat allowed.
The restroom design is particularly reeecting the altered culture.
DANCE CLUB GIVES APPLAUSE TO A NEW-AGE CULTURE”
The restroom design in the club Rootz was difficult to get approval from the client as well as the local juristic ti on.This is due to the Muslim policy that sexual expression is strictly prohibited.
The design is intended to create a counter-Muslim cultural design that layouts both 300 half-naked male and female photos in the restroom of the club. We wanted to experiment photos in the restroom of the club. We wanted to experiment to see how the younger generation perceives this design.
Having the sexy photos throughout the male and female restroom, people in the club will enhance customers’ pleasure. The layout of the photos are strategically placed so that the images near vanity have lighter background to avoid showing water stain.
COUNTER-RELIG IOUS DESIGN
photo near vanity
sect ion
photo near vanity
18
21
female restroom
IS CHALLENGING, BUT YOUNG GENERATION WILL SUPPORT IT .
male restroom
male restroom photo near vanity
20
21
The male restroom is lled with 300 sexy female photos. One signi cant criteria in choosing theappropriate images is that they need to be international. This means different ethnicity canbe more appealing to various customers. Finidngright images of male was much harder than we expected. we expected.
female restroom
section
22 COSMOPOLIS GRAPHIC
DESIGN COMMUNICATION OFFICE
24
AN OLD WAREHOUSE
CONSTRUCTION
CONCEPT STATEMENT
DESIGN INTENT
The Building was constructed in 1909 by Albert Held and used as the second largest warehouse in Spokane’s Central Business District. The building structure primarily consists of a series of the wood column, beams and brick wall, and they are well preserved to be reused.
PROCESSDRAWINGS
elevat ion
The contrast in forms emhasizes the relationship that designers have with the creative process. Lines are designers, and the central object is “creative ideas”. The arms of desigrer donot know any borders and continuously seek further creative potential.
The design is aimed to support the creative activities, collaborative teamwork, and create a relax, comfortable, but also professional working environment.
25
facade
IS TRANSFORMED INTO A MODERN OFFICE
Clients will be greeted by the custom reception desk thatrepresents the company’s international business spirits
through the translucent sphere with a photo of earth inside. After they go through the reception area, they will be
exposed to the unique space design.
recept ion
1
9
S-A
Section
Section
10
717
11
recept ion path to meeting area
1312
15 16
14
82
3 4
6
5
publ ic break area inspirat ion space
The open resource library combines a drafting area where employee can nd adequate resources.The open design ensures visibility while creates a sense
of intimate working enviornment.
BORD
ERLE
SS DE
SIGN
28
SECTION
The rst oor space is primarily used for the main production process to be held. The marketing department workspreliminary design and passes on to theproduction department for completionof job. After acknowledging the work ow, I came to mind that the design ow, I came to mind that the design needs to be “borderlessness”It is quite often to see an open office sketchingabout the prospective design. The library functions as a heart/brain of creative works from which inspirations come. As of the rest of office space, the borderless transition between the production and marketing between the production and marketing departments allows smooth communication and improves productivity.
29
Each department is located adjacently. without separation, there are more interactions happening. The rst oor space is primarily used for the main production process to be held. The marketing department workspreliminary design and passes on to theproduction department for completion of job. production department for completion of job. After acknowledging the work ow, I came to mind that the design needs to be “borderlessness”It is quite often to see an open office
The large conference room can accommodate maximum 10 people.these days, but considering the fact that the company deals with the creative works as well as professionalbusiness status, I needed to design a space which takes a well balance of space which takes a well balance of the both factors. Therefore, there are a formal meeting room and inspirational drafting area where clients and designers can take books from the shelves and do some 30
main off ice large conference room
The space is for employees to come socialize around water and creative ideas often popup.the allocation of each space is based on the function. sketching about the prospective design. The library functions as a heart/brain of creative works from which inspirations come. As of the rest of of ice space, the borderless transition between the production and marketing departments allows smooth between the production and marketing departments allows smooth communication and improves productivity.
31
relaxing mezzanine
relaxing mezzanine
CLEAR PROGRESSIONTIMELINE OF DESIGN EDUCATION
Each water bottle is a fragment. But when they are collected, a new form is created.Just like our design education, rst year of school’s education seems unconnected, but as we move on to next year, each fragment of knowledge starts to relate. The ower column in the beginning phase is closed while they are fully blooming near the exit. The design evokes memory that how the skills, knowledge cumulated.
32
FRAGMENTS OF KNOWLEDGEDO NOT SEEM TO CONNECT
COLLECTIVE KN0WLEDGE IS FOR DESIGN APPLICATION
33
the end seems to have a comfortable head clearance, but actually the oating things become obstacles that you feel uncomfortable to pas through the area. At the end, you will be greeted by the whole structure thing that you have enough head clearance and width.
The surrounding environment creates layers of lights through the wall of waterbottles. As you move through the model, you would notice the different designed elements start to lean each other and form objects.In design education, the given knowledge in earlier years can not be applied to actual design yet. Therefore, the space closer to to actual design yet. Therefore, the space closer to
34
ISOMETRIC VIEW
view from entry
VISUALLY INTRIGUING
SPIRITUALLY EVOKINGX
Our interactive design is having a dialogue with participants to communicate what you see is what you have actually experienced in
the timeline of design education.
Gradual height changes in each object imply the growing knowledge through school years. Floating obstacles represent difficulties in design education as well as design errors. feuawoufhaweofuhawefoh
elevation
35
“SHARAKU”36
MODERN DININGRESTAURANT DESIGN
The intersection of W.Garland Ave. and Monroe St. is busy with car traffic.
The new dining site will be a heart of commercial business.
SITE MAP
NEW DINING EXPERIENCEEnergy of lines spreads out from a central point.
The heart of source defines the surrounding elements.
E-A: ELEVATION
main dining area
When clients walk in the office, they will begreeted by the custom designed reception deskthat represents the company’s internationalbusiness spirits through the translucent sphere. After they go through the reception area, they will be exposed to the unique interior design.
S-B: SECTION
S-A:SECTION
pat io
NIGHT LIFE AT SHARAKU
41
MATERIALS
1 NEUTRALS from KEILHAUER - Leather for the sofa
2 BRABOURNE from Bently Mills, Inc - Recycled carpet
3 Plyboo from Smith & fong - decorative wall
4 SURFACE from AVONITE - Recycled colored stone
5 PaperStone from kliptech - Countertop
6 Fabric from maharam, Inc - Wall decorative fabric
7 Transluscent glas tile w/ accent colored tiles7 Transluscent glas tile w/ accent colored tiles
8 CaesarStone from Quartz - Porcelain countertop
9 Pintpoint from Arc-Com - upholster for chair
10 Resin from Lumicor - Partialy transluscent glass
11 Alaska from SPINNEYBECK - Leather for the sofa
12 Stone oor tile for patio
13 ECATHLON from Dzynspec, Inc - Ruber ooing
14 BRABOURNE from Bently Mills, Inc - Recycled carpet14 BRABOURNE from Bently Mills, Inc - Recycled carpet
15 DesignWall from homasote for suspended ceiling panel
43SEEK FOR HORIZON
Sky shines to create an contrast of light andshadow. Ocean waves play a harmonious sound in the atomospher. Sea birds y above as you walk along the shore. Today, you are here with the observatory to seek your own horzion that will stay in your memory.
44
45
NATURAL & ARTIFICIAL UNITIVE ART
46
ASTONISHING, BUT SOMEWHAT NOSTALGIC SENARY
SIDE VIEW
48
49
DESIGN PORTOFOLIO
ver. 2009 winter