planet of the apes-1

1
Planet of the Apes 1. Very Large symphony orchestra which requires multi instrumentalists eg Oboe players required to play Cor anglais B.1 and Flortists required to play Picollo B.64-65 2. Unconventional instruments are used eg Ram’s horn and Tibetan horn B.52 3. Use of electric instruments (standard instruments with Mic’s) eg Electric bass clarinet B. 52 4. The string section play a relatively minor role apart from the long notes held at B.11 5. Very idiomatic part writing eg Violins play stopped harmonics at B.68-69 6. The piece is built up of a number of short fragmentary ideas eg B.1] 7. Use of very disjunct melody writing eg B.23-25 in woodwind 8. Heavy use of chromatism eg B.8 in 8-9 the piano motif uses all 12 notes of the chromatic scale 9. Piece uses tonal centres rather than keys and these centres are often stated by an articulated pedal eg B.1-4 in piano/timp 10. The tonal centres move to G in B.11 and Eflat in B.23 thus using a tertiary modulation which was common in film music 11. Hints of use of extended chords eg beat 3 of B.1 is a 13 th Chord 12. Use of cross rhythms eg B.16 on conga drum 13. Isolated fragmented phrases in xylophone at B.46 create pointillist effect 14. Changes of metre happen regularly eg ¾ at B.21, 5/4 at B.22,4/4 at B.37 and 2/4 at B.44

Upload: alex-james-reed

Post on 22-Oct-2015

7 views

Category:

Documents


0 download

DESCRIPTION

k

TRANSCRIPT

Page 1: Planet of the Apes-1

Planet of the Apes

1. Very Large symphony orchestra which requires multi instrumentalists eg Oboe players required to play Cor anglais B.1 and Flortists required to play Picollo B.64-65

2. Unconventional instruments are used eg Ram’s horn and Tibetan horn B.523. Use of electric instruments (standard instruments with Mic’s) eg Electric bass clarinet B. 524. The string section play a relatively minor role apart from the long notes held at B.115. Very idiomatic part writing eg Violins play stopped harmonics at B.68-696. The piece is built up of a number of short fragmentary ideas eg B.1]7. Use of very disjunct melody writing eg B.23-25 in woodwind8. Heavy use of chromatism eg B.8 in 8-9 the piano motif uses all 12 notes of the chromatic

scale9. Piece uses tonal centres rather than keys and these centres are often stated by an

articulated pedal eg B.1-4 in piano/timp10. The tonal centres move to G in B.11 and Eflat in B.23 thus using a tertiary modulation which

was common in film music11. Hints of use of extended chords eg beat 3 of B.1 is a 13th Chord12. Use of cross rhythms eg B.16 on conga drum13. Isolated fragmented phrases in xylophone at B.46 create pointillist effect14. Changes of metre happen regularly eg ¾ at B.21, 5/4 at B.22,4/4 at B.37 and 2/4 at B.44