photography for reporters

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Photography for Reporters GateHouse Media News & Interactive

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Page 1: Photography for reporters

Photography for Reporters

GateHouse MediaNews & Interactive

Page 2: Photography for reporters

Agenda

Five tips for good photography

Composition and strategy

Portrait photography

Beginner tips for SLR users

Page 3: Photography for reporters

(1) Volume

This isn’t filmExperiment with angles, depthPre-edit on cameraGet reporting done first

Page 4: Photography for reporters

(1) Volume

“If a group picture is being taken, take as many frames as people there are in the group.

Yup, people blink that often.”

— Scott Heckel, Canton Repository

Page 5: Photography for reporters

(2) Stabilization

Keep your camera stillYour bodyObjects in your environmentCheap monopod

Page 6: Photography for reporters

(2) Stabilization

“I know what some folks may think, ‘What's the point of a little camera on a big tri-pod?’

Well, yes, it looks odd, but your viewers and critics will thank you.”

Dominic Genetti—Hannibal Courier-Post

Page 7: Photography for reporters

(3) Lighting

Plan to shoot in good conditionsAvoid indoor lightsHarsh, direct light creates bad shadowsMorning, late afternoon light is flattering

Page 8: Photography for reporters

(3) Lighting

“If light is really bad, take a subject by a window and have the light coming at 90 or 45 degrees to them. Never place a window in the background unless you are looking for a silhouette effect.”

— Scott Heckel, Canton Repository

Page 9: Photography for reporters

(4) Timing

Avoid the obviousCapture shots after the official event

Staged shots should be used for “Seen on Scene” galleries

Candid shots tell a better story

(yuck)

Page 10: Photography for reporters

(5) Conversation

Make your subjects comfortableAsk questions, do reporting firstKeep the camera out of sightWhen at ease, break it out

Page 11: Photography for reporters

Composition, strategy

LayersRule of thirdsUsing a flashMoving around

Page 12: Photography for reporters

Layers

Foreground, middleground, backgroundGives dimension to your photoDetails can tell the storyAvoid distracting elements

Page 13: Photography for reporters

Layers

“Try to fill the frame and place as much information within that frame as possible. With each additional plane used, the picture becomes more dynamic.”

— Scott Heckel, Canton Repository

Page 14: Photography for reporters

Layers

Page 15: Photography for reporters

Layers

Page 16: Photography for reporters

Layers

Page 17: Photography for reporters

Rule of thirds

Page 18: Photography for reporters

Rule of thirds

Page 19: Photography for reporters

Rule of thirds

Page 20: Photography for reporters

Rule of thirds

Page 21: Photography for reporters

Using a flash

Don’t, unless you mustTry without it firstMove subject away from backgroundExperiment in daylight

Page 22: Photography for reporters

Using a flash

Page 23: Photography for reporters

Using a flash

Page 24: Photography for reporters

Using a flash

Page 25: Photography for reporters

Move around

Find a different perspectiveGet low, shoot upHold camera above your headReview your shots

Page 26: Photography for reporters

Move around

Page 27: Photography for reporters

Move around

Page 28: Photography for reporters

Move around

Page 29: Photography for reporters

Get close

Take a shot, get closerDon’t be a strangerYes, it’s awkwardBe aware of background

Page 30: Photography for reporters

Get close

omg moss is boring

Page 31: Photography for reporters

Get close

hello, National Geographic

Page 32: Photography for reporters

Get close

Page 33: Photography for reporters

Get close

Page 34: Photography for reporters

Questions

Page 35: Photography for reporters

Portraits

Be creative, experimentPlan your shot in advanceAsk for their ideasMake your subject comfortableFocus on eyes

Page 36: Photography for reporters

Portraits

Page 37: Photography for reporters

Portraits

Page 38: Photography for reporters

Portraits

Page 39: Photography for reporters

Portraits

Page 40: Photography for reporters

Questions

Page 41: Photography for reporters

Exposure triangle

shutter speed

aperture

ISO

Page 42: Photography for reporters

Aperture

What is it? Size of the opening in the lens

• Measured in F stops.

• Low F stops have higher apertures – f/2.0 lets in more light than f/16

• Large hole – more light; small hole – less light

Page 43: Photography for reporters

Aperture

Narrow apertureMore depth of field

f/22

Wide apertureLess depth of field

f/2.8

Page 44: Photography for reporters

Shutter speed

What is it? Length of time your shutter is open

• Measured in seconds, and fractions of seconds.

• 1/30 is a slow shutter, 1/1000 is fast

• Affects how you capture movement

Page 45: Photography for reporters

Shutter speed

Fast shutter speedCrisp shot1/4000th

Slow shutter speedMotion blur

1/30th

Page 46: Photography for reporters

ISO

What is it? How sensitive your camera is to light

• Measured in speeds – 100, 200, 400, 800, etc.

• Low number – less sensitive, fine grain

• High number – more sensitive, larger grain

Page 47: Photography for reporters

ISO

Low ISOcrisp, fine shot

ISO 100

High ISONoisy, grainy shot

ISO 6400

Page 48: Photography for reporters

Takeaways

Move around

Take a ton of shots

Use the rule of thirds

Page 49: Photography for reporters

Photography for Reporters

GateHouse MediaNews & Interactive