philippine folk dances with asian influence - mapeh 8 (p.e. 4th quarter)
TRANSCRIPT
PowerPoint Presentation
Philippine Folk Dances with Asian InfluenceMr. Carlo Justino J. LunaMalabanias Integrated SchoolAngeles CityPHYSICAL EDUCATIONUnit 4 Regional and National Dances with Asian Influence
1
Physical folk dances speak so much about the heartbeat of our people.
customsideasbeliefssuperstitionsevents of daily living
Just by looking at the costumes, props, and implements of a certain group or tribe, you can tell the origin of the dance.
The kind of music being used readily also tells about the influences brought about by trade and settlement of our neighboring countries.
IndonesiaChinaCambodiaBurmaMalaysiaThailandJapan
DANCE LITERATUREHistorical Background and Context
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
7
Folk Danceswith Asian Influence
BINISLAKAN
Philippine Folk DancesWith Asian Influence01020304
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
Dance ResearcherMeaningDance CulturePlace of OriginCountry of InfluenceEthno-linguistic GroupClassification
BINISLAKAN:Francisca Reyes-Aquino:With the use of stick:Christian-lowland:Lingayen, Pangasinan:China:Pangasinense:Social Dance
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
BINISLAKANLingayen in Pangasinan means having to look backward and upwardIt was derived from Li-King-Tung, a Chinese word given to the name Lingayen, the capital of Pangasinan, by the Chinese settlers of this place a long time ago.BACKGROUND
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
BINISLAKANThe dancers look backward or upward in some of the movements hence, the name Lingayen.They also use two sticks to produce rhythms, imitating the chopsticks used by the Chinese in eating.Thus, the dance is called Binislakan, which in Pangasinan means with the use of sticks.BACKGROUND
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
BINISLAKANCostumeFemale: Siesgo and kimono with loose and long sleeves and soft panueloMale: Camisa de Chino and red pantsMusic2/4 composed of two parts A and BPROPERTIES
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
BINISLAKANCountOne, two, one and two, and one and two andFormationPartners stand about six feet apart.One or more pairs in a set can take part in the dance, in any formation desired.PROPERTIES
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
BINISLAKAN
KimonoCamisa de ChinoRed pants
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
Folk Danceswith Asian Influence
BINISLAKANSUA-KU-SUA
Philippine Folk DancesWith Asian Influence01020304
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
Dance ResearcherMeaningDance CulturePlace of OriginCountry of InfluenceEthno-linguistic GroupClassification
SUA-KU-SUA:Ramon A. Obusan:My Pomelo Tree:Muslim-lowland (coastal):Jolo, Sulu:China, Malaysia, Indonesia:Tausug:Courtship Dance
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
SUA-KU-SUAAside from being known as fierce warriors, the Tausugs are also remarkable as seafarers and farmers.In Sulu, extensive orchards are planted with coconuts and pomelos and the fields with staples like rice and root crops.BACKGROUND
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
SUA-KU-SUAPomelo fruits serve as an important source of income of the people of Sulu.Their dependence on pomelo fruits for their livelihood inspired them to create Sua-Ku-Sua dance.BACKGROUND
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
SUA-KU-SUAThe movements of the dance compare suas gentle leaves, slender branches, attractive fruits, and fragrant flowers to a lady.During the performance, the couples sing while flapping two white fans which represent the leaves rustling in the wind.BACKGROUND
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
SUA-KU-SUACostume (Female)Barawasi topSawal or Kantiu pantsSiyag shoulder bandHeadpiece: tusuk, paper bills, pasteboard cutouts similar to Chinese crownsAccesories: gold or imitation gold earrings, necklace, bracelets, and broochesSuggested footwear: Dancers are barefoot.PROPERTIES
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
SUA-KU-SUACostume (Male)Bajo topSawal or Kantiu pantsAccessories: money-belt, Sarok hat, Pis siyabit (scarf), Kris (wavy knife), or barong (leaf-knife)Suggested footwear: Dancers are barefoot.PROPERTIES
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
SUA-KU-SUAMusic2/4 and 4/4; composed of three parts A, B, and CGabbang bamboo xylophone are shaped like a small boat.Count1, 2 to a measure in 2/4 time signature1, 2, 3, 4 to a measure in 4/4 time signaturePROPERTIES
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
SUA-KU-SUA
SiyagBajoBarawasiSawal or Kantiu
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
Folk Danceswith Asian Influence
BINISLAKANSUA-KU-SUAPANGALAY
Philippine Folk DancesWith Asian Influence01020304
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
Dance ResearcherMeaningDance CulturePlace of OriginCountry of Influence
Ethno-linguistic GroupClassification
PANGALAY:Francisca Reyes-Aquino:Fingernail:Muslim-lowland (coastal):Sulu:Thailand, Malaysia, Burma,Cambodia, and Indonesia:Tausug:Wedding / Festival Dance
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
PANGALAYis also known as Daling-Daling or Mengalai in Sabahis the traditional fingernail dance of the Tausug people of the Sulu Archipelago and Sabahresembles the movements of kontaw silat, a martial art common in the Malay ArchipelagoBACKGROUND
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
PANGALAYis performed mainly during weddings and other festive eventPangasik male version of the Pangalay; features more martial movementsPangiluk features both a male and female dancerBACKGROUND
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
PANGALAYCostumeDancer wears a typical Joloana costumeAccessoriesExperts and professional dancers use janggay, extended metal finger nails in each finger.The rich people have janggay made of solid gold or silver.PROPERTIES
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
PANGALAYSuggested FootwearDancer are barefoot.MusicPlayed as many times as necessaryCountOne, two; or one and two and to a measurePROPERTIES
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
PANGALAYThere are no definite directions, sequence of figures, number and kinds of steps, hand movements, and positions used when performed by the natives.For teaching purposes, the figures of this dance may be created and dancers may form their own combinations.MOVEMENTS
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
PANGALAY
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
Folk Danceswith Asian Influence
BINISLAKANSUA-KU-SUAPANGALAYSAKUTINGPhilippine Folk DancesWith Asian Influence01020304
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
Dance ResearcherMeaning
Place of OriginCountry of InfluenceClassification
SAKUTING:Francisca Reyes-Aquino:Refers to rhythmic sticksproducing the accompanimentfor the dance:Abra and Ilocos Norte:China:Social Dance
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
SAKUTINGis a dance of the ethnic people living in the western side of the Cordillera way back before the coming of the Americans to our countryDuring Christmas, young boys and girls accompanied by their elders would go to lowlands, especially in Abra and Ilocos Norte, to dance in front of the houses and ask for gifts.BACKGROUND
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
SAKUTINGThese young children hold sticks, one on each hand and strike them together to make their dance livelier.The people in the homes would give them money, homemade delicacies, and other things.BACKGROUND
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
SAKUTINGCostumeFemale: native Ilocano kimono style with sleeves of elbow length; ankle-length skirt of bright-colored plaids shirred at the waistMale: Camisa de chino, red trousers, and a native hatPROPERTIES
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
SAKUTINGMusic2/4 and 3/4 rhythms and composed of 9 parts: A, B, C, D, E, F, G, H, and IFormation
PROPERTIESAUDIENCEXOOXXOOXOne set of dancers
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
SAKUTING
kimonoCamisa de chino
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
SUMMARYName of DanceLiteral Meaning of the NamePlace of OriginDance ClassificationCountry of InfluenceBinislakanWith the use of sticksLingayen, PangasinanSocial danceChinaSua-Ku-SuaMy Pomelo TreeJolo, SuluCourtship danceChina, Malaysia, IndonesiaPangalayFingernailSuluWedding / Festival danceThailand, Malaysia, Burma, Cambodia, IndonesiaSakutingRefers to rhythmic sticks producing the accompaniment for the danceAbra and Ilocos NorteSocial danceChina
PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA
Philippine Folk Dances with Asian InfluenceMr. Carlo Justino J. LunaMalabanias Integrated SchoolAngeles CityPHYSICAL EDUCATIONUnit 4 Regional and National Dances with Asian Influence
44