participatory approaches to museum design departing from peoples cultural practices
DESCRIPTION
Open lecture given at International Centre for Culture and Heritage Studies, School of Arts and Culture, Newcastle UniversityTRANSCRIPT
PARTICIPATORY APPROACHES TO MUSEUM DESIGN - DEPARTING FROM PEOPLES CULTURAL
PRACTICES
Dagny StuedahlDepartment of Educational Research/InterMedia
University of Oslo
• Design as an integral part of visitor experience, implications for structuring the nature of visitor experience – rather than simply providing a more or less attractive medium for presenting content (Macdonald 2007)
MUSEUM DESIGN
✦ content - technology - interaction assembly
✦ activities of engagement - modality of media
✦ agency of visitors and museum professionals
AGENCY IN MUSEUM ASSEMBLIES
Falk and Dierking 2000
Contextual model of learning
digital context
TECHNOLOGY DESIGN
✦ ubiquotos computing; assembling artefacts, embedding technology
✦ the mixed media approach;technology bringing new forms of interactions
✦ tangible computing; materiality and fabrics of technology, smart objects
✦ mobile computing; augmented layers
✦ social media; social and semiotic media practices
✦ collaborative co-design
✦ participatory design
✦ experimental zones
✦ physical
✦ longitudinal
✦ practice related
DESIGN EXPERIMENTS
Stuedahl, D. & Smørdal, O. 2011. Young Visitors’ ‘Messing Around’ in Museums. Exploring social media to engage teens in participation. BARN 3-4; Digitale medier i barn og unges hverdag, Norwegian Centre for Child Research, pp 169- 191
VIKINGSHIP MUSEUM/GOKSTADBOAT
✦ photographing as seeing
✦ photographs as tools for reflection
✦ educator need to think photos and photographing as part of the assemblage
VIKINGSHIP MUSEUM/GOKSTADBOAT
Stuedahl, D. & Smørdal, O. 2011. Designing for Young Visitors’ Co-composition of Doubts in Cultural Historical Exhibitions. Computers and Composition Special Issue from Oslo, Norway 28:3, pp. 215-223
VIKINGSHIP MUSEUM/GOKSTADBOAT
✦ practice and doubts
✦ hypothesis and questions
✦ shared process
NORWEGIAN MARITIME MUSEUM/BARCODE
NORWEGIAN MARITIME MUSEUM/BARCODE
NORWEGIAN MARITIME MUSEUM/BARCODE
NORWEGIAN MARITIME MUSEUM/BARCODE
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✦ experimental zone opened a collaborative space between departments
✦ a tool for processes
✦ visitors attracted by the embodied actions - the digital part difficult to understand
✦ placement of screens
NORWEGIAN MARITIME MUSEUM/BARCODE
CIRCULATING REFERENCES
THE DISTRIBUTED MUSEUM
AKERSELVA HISTORYWE WRITE TOGETHER
WORKSHOP
WALKSHOP
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CULTURAL PROBESGOAL:
to engage users in making esthetic expression of belonging and experiences
maps as tool to connect activity and place
PROJECT INFO
NAME CARD
TEKSTER FRA MUSEUM
TASKS
SNACKIPOD
PEN & PAPER
MAP
INSTAGRAM ALONG AKERSELVA
INSTAGRAM ALONG AKERSELVA
INSTAGRAM ALONG AKERSELVA
INSTAGRAM ALONG AKERSELVA
✦experiment with participation in new museum contexts✦the museum as participant✦semiotics of local history, belonging✦rewriting of museum content✦experimental case as mediator