outline for ap studio art moodle course - etec 565a

7/31/2019 Outline for AP Studio Art Moodle Course - ETEC 565A

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Introduction

Schedule

Video of me (introduction)

Teacher Contact info. and business hours

V-class link, schedule, and recordingsCourse Requirements

Assessment

Supplies

- Drawing

- 2-D Design

- 3-D Design

News Forum

Meet Your Classmates

Module 1 Portfolio

Portfolio development2-D portfolio description

3-D portfolio description

Drawing requirements

Journal - reflection

Self-Portrait Drawing Planning

The I AM poem

in your sketchbook, lightly number 17

consecutive blank pages. Use a pencil to label

each page as indicated. Over the next few days,

using pencil, develop a full page image for each

-page 1 - your full name, and the date

- page 2 - I am ___ and ______

(two of your special personal characteristics)- page 3 - I wonder _________

(something you are actually curious about)- page 4 - I hear _____________ (an imaginary sound)- page 5 - I see ______________

(an imaginary sight)

-page 6 - I want ____________ (an actual desire)

- page 7 - I pretend __________ (something you actually pretend to do)- page 8 - I feel _________________ (a feeling about something imaginary)

- page 9 - I touch ______________ (an imaginary touch)- page 10 - I worry _____________ (something that really bothers you)-

page 11 - I cry _______________(something that makes you feel very sad)

- page 12 - I understand ______________ (something that you know is true)- page 13 - I say _____________ (something you believe in)- page 14 - I dream _____________ (something you actually dream or daydream about)- page 15 - I try _____________

(something in which you really make an effort to do)- page 16 - I hope _____________ (something you actually hope for)- page 17 - I am ________and ________ (two of your other special personal characteristics)The Language of Art

Art Theory Quiz

Module 2 Breadth

Breadth Portfolio Requirements

Discussions

- Sharing Art and Artistic Integrity

- Trends in Art

- Critiques - Description, Analysis, Interpretation

- Critiques - Breadth

Assignments

Summer Assignments

Drawing

-the use of perspective (atmospheric or linear)

- gesture or contour drawings

- rendering of basic geometric forms in different

spatial positions

- works dealing with positive/negative

relationships

- works in which line and/or tone are used to

generate the illusion of 3-D forms


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- integration with/of human figure with still life

or other background

- drawings as social commentary or to express a

particular attitude

- works involving collage/montage techniques

-works utilizing interpenetration of form,shifting planes, etc.

- metamorphosis or transformation of an object

or shape

- a series of views of the same shape/subject -

automatic drawing (j. Pollack, A. Gorky)

- copies of exemplary works for a particular ends

- a section of an object(s) enlarged to a point of

abstraction

- still life drawings of crushed paper, cloth, the

figure, etc.

-studies of wrapped objects

- drawings of dreams/fantasies - a study in which

an image is divided into modules and

reassembled to create a fresh series of

relationships.

2-D Design

Show engagement with a range of:

Design principles such as:

Balance

Emphasis

RhythmScale

Proportion

Figure/ground

Design elements such as:

Line

Shape

Space

Colour

Texture

Value

Breadth Portfolio Assignments

Drawing

- Drawing Suggestions or assignment

opportunities

- Drawing - Eraser Paper

- light shining in Darkness

- Colour Portrait

- Fences and Gates

- Seated Figures

- Corner of a Room

-Basketful of Something

- Hands

- Liquid

- Black and White Portrait

- Vegetation

- Shining Objects

- Storybook Illustration

2-D Design

Colour

- colour theory such as that embodied in

impressionism or pointillism styles- colour organization using colour subsets such

as primary, secondary, or analogous colours

- colour used to indicate transparent effects

- symbolic colour

- colour used to create harmonic, lyrical,

contrasting, or abrasive effects

- colour used to create or intensify the

expression of a particular emotion

Design

-illustration

- positive/negative space, counterchange

- repetition using reflections and/or

transparencies

- development of a repeat pattern or modular

design/motif

- abstraction from observation

- typographic organization, layout, calligraphic

project or logo

- graphic design for posters, book jackets, CD

jackets, postage stamp, webpage, brochure

-plans for industrial, furniture, architectural,fashion/apparel design

- theater set design

- game design

Outline for AP Studio Art


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Image Development Strategies Essential for

Design Breadth

Image

Development

Strategies

Art Ideas for

Using This

Strategy

Artist who

have used this

strategy

Juxtaposition

Combine

unlikely images

or exchange,

overlap, or

superimpose

parts to create

unusual

relationships

and a new

synthesis

Create a log

that expresses

opposite

feelings and

combines

contradictory

elements.

- R.

Rauchenberg

- G. Little child

- J. Cornell

Marisol

- R. Magritte

- B. Kruger

Multiplication

Multiply parts

to produce

repetition,

rhythm, or a

sequence.

Repeat an

image of a

person, tree or

a landscape and

change colours,

textures and

tone to suggest

various

seasons,

moods, or times

of day.

Any Warhol

Jasper Johns

Paul Klee

Reversals

Reverse the

laws of nature,

e.g., time of

day, seasons,

gravity, size,

age, function,

etc.

Create a surreal

painting that

suggests the

shadow side of

yourself or

someone you

know. Use the

laws of nature

as metaphors

for feeling

states. Reverse

night and day,

and gravity,

sizes, etc. to

portray your

subject.

M. C. Escher

Jean Dubuffet

Image

Development

Strategies

Art Ideas for

Using This

Strategy

Artist who

have used this

strategy

Fragmentation

Split, fragment,insert, invert,

rotate, shatter,

superimpose

and/or divide

an image and

then reconstruct

it to create a

new syntheses

of parts.

Create an

image offriendship

reconstructed

from reduced

and enlarged

zerox copies of

your own

portrait and

those of your

friends.

Pablo Picasso

George BraquePaul Cezanne

Viewpoint

Depicting animage from

unusual points

of view. e.g,.

birds eye, bugs

eye, through a

telescope.

With a

magnifyingglass in front of

your face take a

photograph of

yourself. scan

it into a

computer

program such

as lightening

paint and

manipulate it to

depict yourself

as others maysee you from

various

viewpoints.

H. Matisse

M. C. Escher



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Image

Development

Strategies

Art Ideas for

Using This

Strategy

Artist who

have used this

strategy

Abstraction

Depicting anidea or essence

of an image by

reducing it to

essential

elements.

Create your

vision of a citythat never

sleeps. After

sketching a

cityscape,

experiment

with the play of

shapes,

patterns, and

lines found in

the city. You

can introduce

differentviewpoints and

reduce areas to

geometric

shapes or

patterns.

Frank Stella

FrankenthallerW. Kandinsky

Stuary Davis

Metamorphosis

Depicting

images or

forms in

progressive

stages ofgrowth or

change.

Create a design

which depicts

pain or sorrow

and then turns

into a feeling of

renewal andjoy.

Draw a fruit in

a cycle of

decomposition

and renewed

growth and as a

metaphor for

transformation.

M.C. Escher

Salvador Dali

Nancy Spero

Gathie Falk

Animation

Serializingimages in

various stages

of action to

depict

movement and

progression.

Repeat an

image of afigure in action

by repeating it

in various

stages of an

activity.

Marcel

DuchampGiacomo Balla

Image

Development

Strategies

Art Ideas for

Using This

Strategy

Artist who

have used this

strategy

Magnification With a view

finder, select asmall

significant

section of a

photo of

yourself as a

young child.

Enlarge it in a

detailed

drawing in

order to give

significance

and insight intoan aspect of

who you are.

Georgia

OKeefeChuck Close

Judy Chicago

Gathie Falk

Simplification Select a photo

of an individual

who is

expressing an

emotion. Using

a fine felt pen,

flatten the

image in black

and white,eliminating all

grey tones and

detail.

Jean Arp

R. Diebenkorn

R. G. De

Chirico

Elaboration

Embellish, add

pattern, detail

and adornment

to an image

Create your

vision of a

tattoo that fits

the contours of

your face of

hands. Include

patterns,

textures, andembellishments

, elements that

suggest your

culture,

interests,

history,

personality.

Miriam Shapiro

Gustav Klimt



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Image

Development

Strategies

Art Ideas for

Using This

Strategy

Artist who

have used this

strategy

Distortion

Bend, twist,stretch or

compress an

image

Scan an image

into a computerprogram.

stretch, fish

eye, bend, and

compress your

image and print

different

versions.

Collage them to

create a dream-

like

interpretation.

Francis Bacon

Slvador DaliModigliani

Jean Dubuffet

A. Giacometti

Kathe

Kollowitz

Illustration Assignment p. 64

3-D Breadth

Planes

Packing tape project

Altered book project

Bell Pepper & foam core project

Assignments

1. Transformation - organic to mechanical or

industrial - realism to abstraction

2. Plaster masks

3. Slump molds - theme based elaboration of

surrounding spaces

4. Plaster and cheesecloth body casts

5. Clay clothing

6. Sight specific piece - combine face mold with

a ready made object. Use surface texture to

create the illusion of unification.7. Basket weaving - incorporate natural

materials

8. Calder mobiles - bamboo and tissue paper

9. Paper sculptures - instruments, boots, hats

10. Medal Screening - planes, weaving

11. Bust (face mold)

12. Assemblage Junk sculpture - give an

inanimate object the illusion of life (humour)

13. Wire and tissue Victorian costumes

14. Nevelson - confined space.

15. Draped objects with cheesecloth and plaster

16. Restrained forms - the container is the piece -the form appears to barely restrain what it is

containing

17. Repetition - plastic knives, spoons and forks

18. Paper clay (decay)

19. Create a miniature wold within an existing

environment - slide one shows just the world

and slide two shows the environment.

All 3 portfolios - 5 assignments

2-D & Drawing - Self -Portrait

Myths, Legends, fairy talesUnity and Diversity

Drawing lost and found

2-D Design Pomegrante Puzzles

Negative / Positive Counterchange

Drawing an act of painting

Drawing - take a closer look

Drawing/ 2D Design - images and memories

Skeleton Drawing

3D Lost and Found

3D Musical Instrument sculptures


outline for ap studio art moodle course - etec 565a

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