opcode studio 4

Copyright part, be coStudio 4

Opcode Systems, Inc.365 East Middlefield RoadMountain View, CA 94043

(650) 429-2400

http://www.opcode.com

Opcode Part Number: 110-0222-01

1995 Opcode Systems, Inc. All rights reserved. This document may not, in whole or pied, photocopied, reproduced, translated or converted to any electronic or machine

readable form without prior consent of Opcode Systems, Inc.

LIMITED WARRANTY

Opcode Systems, Inc. warrants the Studio 4 against defects in materials and workmanship for a period of one (1) year from the date of original retail purchase.

If you discoOpcode Sysobtain a RetNumber (noproduct retuIf the produplease attacnumber, a dcopy of the chase. WritAuthorizatiooutside of thUpon receivSystems, Inreplace, or rproduct.

This warranOpcode soft

This warranbeen damagmisapplicatithe written Inc.

All implied ranties of mparticular pone (1) yearpurchase ofremedies selieu of all otimplied.

Opcode Systems, Inc. is not responsible for special, incidental, or consequential damages resulting from any breach of warranty, or under any legal theory, including lost profits, downtime, good-will, damage to or replace-ment of equipment and property.ver a defect, first write or call tems, Inc. at (415) 856-3333 to urn Merchandise Authorization service will be performed on any rned without prior authorization).

ct needs to be returned to Opcode, h your name, address, telephone escription of the problem, and a dated bill of sale as proof of pur-e the Return Merchandise n (RMA) Number clearly on the e package and all correspondence. ing the returned product, Opcode c. will then, at its option, repair, efund the purchase price of the

ty applies only to the Studio 4; ware is warranted separately.

ty does not apply if the product has ed by accident, abuse, misuse, or on, or has been modified without permission of Opcode Systems,

warranties, including implied war-erchantability and fitness for a urpose, are limited in duration to from the original date of retail this product. The warranty and t forth above are exclusive and in hers, oral or written, express or

Some statestation of impincidental oabove limitayou. This wrights, and ywhich vary

Except to thimplied warInc. in connware are limfrom the daranties, wheapply to this

Opcode Sysrepresentatrespect to thual. This sopurchaser aquality and stances shafor any lossor incidentato use this p

Some stateslong an impor limitationdamages, sosions may n do not allow the exclusion or limi-lied warranties or liability for

r consequential damages, so the tion or exclusion may not apply to arranty gives you specific legal ou may also have other rights

from state to state.

e extent prohibited by law, all ranties made by Opcode Systems, ection with this manual and soft-ited in duration to ninety (90) days

te of original purchase, and no war-ther express or implied, shall product after said period.

tems, Inc. makes no warranty or ion, either express or implied, with e software described in this man-

ftware is sold as is. The ssumes the entire risk as to its performance. Under no circum-ll Opcode Systems, Inc. be liable or damage, direct, consequential, l, arising out of the use or inability roduct.

do not allow limitations on how lied warranty lasts or the exclusion of incidental or consequential the above limitations or exclu-ot apply to you.

COPYRIGHT

This software and manual are copyrighted 1995 by Opcode Systems, Inc. with all rights reserved. The software or manual may not be copied, in whole or part, without the express written consent of Opcode Systems, Inc. except for thbackup copprohibited.

This softwaStates Copyprovisions. user this licThe Studio with the Stumay be usedtime. If you ware or harguide first. Cpurchased tlocal source

If you still htems, Inc. T3331. See th

WARNING

NOTE: Thisand found toB digital devRules. Thesreasonable ence in resiequipment uquency eneaccordanceharmful inteHowever, thence will no

If this equipment does cause interference to radio or television equipment reception, which can be determined by turning the equipment off and on, the user is encouraged to try to cor-rect the interference by one or more of the following measures:

e original purchaser to make ies. Unauthorized duplication is

re is protected by both United right Law and International Treaty Opcode Systems, Inc. grants the ense, and use confirms agreement. 4 and OMS software may be used dio 4 by any number of users, and on more than one computer at a

have any problems with the soft-dware, please consult the users

onsult the dealer from which you he Studio 4, as they are your best of assistance.

ave a problem, call Opcode Sys-echnical Support Line at (415) 856-e Studio 4 manual for details.

equipment has been type tested comply with the limits for a Class ice, pursuant to Part 15 of the FCC e limits are designed to provide protection against harmful interfer-dential installations. This ses, and can radiate radio fre-

rgy, and if not installed and used in with the instructions, may cause rference to radio communications. ere is no guarantee that interfer-t occur in a particular installation.

Reorient o

Move the

Plug the ecuit differenpowered.

If necessarydealer or annician for ad

CAUTION: with Class Bterminals, pthis equipmeface cables.

Finally, anyequipment bby the granusers autho

ACKNOWL

Studio 4 mason and Jon

OMS, OMSStudio 4 Drr relocate the receiving antenna

equipment away from the receiver

quipment into an outlet on a cir-t from that to which the receiver is

, the user should consult the experienced radio/television tech-ditional suggestions.

Only equipment certified to comply (computer input/output devices, rinters, etc.) should be attached to nt, and must have shielded inter-

changes or modifications to the y the user not expressly approved

tee or manufacturer could void the rity to operate such equipment.

EDGEMENTS

nual written by Gregory A. Simp- Drukman.

Setup, Studio Patches Editor, and iver by Doug Wyatt.

Studio 4 M

TABLE OF CONTENTS

PART 1: Overview and Installation 1

CHAPTE

CHAPTE

CHAPTE

CHAPTE

anual i

R 1: Getting Started 3

Overview of the Studio 4...................................................................... 3How to Read this Manual .................................................................... 3The Studio 4 Package .......................................................................... 4Registering Your Studio 4 ................................................................... 4Timecode Basics .................................................................................. 5

R 2: Panel Descriptions 7

The Studio 4 Front Panel..................................................................... 7The Studio 4 Rear Panel ...................................................................... 8About the Interface Cables................................................................ 10

R 3: Hardware Installation 11

Power Connection .............................................................................. 11Computer ConnectionsOne Studio 4............................................ 11Computer ConnectionsNetworking ............................................. 13SMPTE Connections.......................................................................... 16MIDI Connections.............................................................................. 17

R 4: Software Installation and Setup 19

Installing OMS and the Studio 4 Software....................................... 19Launching the OMS Setup Application............................................ 20Studio 4 Icons in a Studio Setup Document .................................... 22Renaming Studio 4's........................................................................... 24Other Icons in a Studio Setup Document ........................................ 25

Table of Contents

ii

PART 2: Using The Studio 4 27

CHAPTER 5: Introduction 29

Using the Studio 4 with OMS-Compatible Applications................. 29Using the Studio 4 with Non-OMS Applications ............................. 30

CHAPTER

CHAPTER

CHAPTER

CHAPTER

Opcode Systems, Inc.

Studio 4Macintosh Communication Speed ................................ 30The Studio 4 Menu............................................................................. 31

6: Network Routing Window 33

When To Use The Network Routing Window ................................ 33Window Overview .............................................................................. 33Setting the MIDI Inputs..................................................................... 35Setting the MIDI Outputs.................................................................. 36

7: Routing, Channelizing and Muting Window 39

When to use the Routing, Channelizing and Muting Window...... 39Window Overview .............................................................................. 40MIDI Muting ...................................................................................... 42MIDI Channelizing ............................................................................ 44MIDI Routing...................................................................................... 45Timecode Routing .............................................................................. 48MIDI Beat Clock Routing.................................................................. 49The Clear and Help Buttons.............................................................. 52

8: Saving and Opening Studio 4 State Documents 53

Saving a Studio 4 State Document.................................................... 53Opening a Studio 4 State Document ................................................ 54Establishing a "Do Nothing" State ................................................... 54

9: SMPTE Reader Window 57

Using the SMPTE Reader Window.................................................. 57Using with Multiple Studio 4s .......................................................... 59

Table of Contents

Studio 4 Ma

CHAPTER 10: Stripe SMPTE Window 61

Setting and Using Start and Stop Times ...........................................61Setting and Using SMPTE Frame Rates...........................................62Setting and Using the MIDI Format .................................................62Guide to Setting SMPTE Levels ........................................................63Jam Sync ..............................................................................................63

PART 3

APPEND

APPEND

APPEND

nual iii

Start JamStripe Button ....................................................................64User Bits ..............................................................................................64Using with Multiple Studio 4s...........................................................64SMPTE Tutorial ..................................................................................65

: Appendices 69

IX A: Troubleshooting 71

Communication Problems..................................................................71Peripheral Problems ...........................................................................71Sync Problems.....................................................................................71MIDI Problems ...................................................................................73Miscellaneous Problems ....................................................................74

IX B: Networking a Studio 4 with a Standard MIDI Interface 75

Computer and MIDI Connections.....................................................75Software Setup.....................................................................................76Using the Network..............................................................................76Networking a Studio 4 and a Studio 3...............................................77

IX C: Specifications 79

General.................................................................................................79Connectors...........................................................................................79Switches ...............................................................................................80

Table of Contents

iv Opcode Systems, Inc.

Studio 4 M

PART 1: Overview and Installationanual 1

PART 1: Overview and Installation

2 Opcode Systems, Inc.

Studio 4 M

CHAPTER 1: Getting Started

OVERVIE

Opcodes Stosh MIDISMPTE timto-MIDI tim

MIDI featu

Eight iMIDI iaccesswith pOMS oTime P

NetwoadditioMIDI Piece asame n

Built-inand m

OMS ppatchemay bepatchetranspmany u

Standacation

A MIDMIDI

anual 3W OF THE STUDIO 4

tudio 4 is a multi-port Macin- interface with a built-in

ecode generator and SMPTE-ecode converter.

res of the Studio 4 include:

ndependently addressable nputs and outputsthis allows to 128 separate MIDI channels rograms that support either r Mark of the Unicorns MIDI iece.

rkingconnect up to three nal Studio 4s for 512 separate

channels. The MIDI Time nd Studio 4 can be part of the etwork. MIDI routing, channelizing

uting.atch compatibilityOMS s processed by the Macintosh used with the Studio 4. OMS

s allow MIDI data to be split, osed, modified, and mapped in seful ways.

rd (1MHz) and Fast communi-speeds.I activity indicator for each

port.

Front you usprintering cab

Timecode include:

SMPTframe

SMPTconver

SMPTsion (b

Jam Sywhen l

Flywhdropouerrors

The StudioSystem (Odriver softwchannelizinfunctions.

HOW TO

This manufully the fuoperation. presented panel thru switchesthese let e external peripherals (such as s or modems) without chang-les.

functions of the Studio 4

E Time Code generation (five rates).E-to-MIDI Time Code sion.E-to-Direct Time Lock conver-oth DTL and DTLe).ncing (rewrites fresh SMPTE ocked).eeling (remains locked despite ts or other short SMPTE

).

4 uses the Opcode MIDI MS) and the Studio 4 OMS

are to control all mapping, g, routing and timecode

READ THIS MANUAL

al does not attempt to teach ndamentals of MIDI or SMPTE A brief timecode overview is at the end of this chapter, but if


4

youre new to either of these standards, you should read magazines specializing in music technology, or purchase introduc-tory MIDI and SMPTE books from your local bookstore or music dealer.

Also, you should be familiar with basic Macintoshplease readusing the S

This manuset up andStudio 4 oping. Howevoccur. Alwware chanfolder on y

The StudioSystem (Odriver softchannelizintions. If yoyou can rethrough.

NOTE:

If ythe first thrread the OMOMS and rlar attentiodiscussionsin your stuStudio Setu

This manu

Part 1

(Chapthe Stuand wiinto yo

chapter describing software installa-tion and setup.

Part 2: Using The Studio 4

(Chapters 5-10)This part explains how to set the Studio 4 internal state and use its SMPTE features.

operations. If youre not, the Macintosh manual before tudio 4.

al discusses how to connect, use the Studio 4it describes erations at the time of its print-er, updates and changes may

ays look for hardware and soft-ge information in the Read Me our master program disk.

4 uses the Opcode MIDI MS) and the Studio 4 OMS ware to control all mapping,

g, routing and timecode func-ure already familiar with OMS, ad this manual straight

ou have never used OMS, read ee chapters in this manual, then

S manual before installing eading Chapter 4. Pay particu-n to the OMS manual's of installation, defining devices dio and creating a current OMS p document.

al is divided into three parts:

: Overview and Installationters 1-4)This part discusses dio 4s front and rear panels

ll help you to integrate the unit ur studio. It concludes with a

Part 3This psectionStudioface, a

THE STU

Your StudiStudio 4, acables, 4 ruOMS and Sual, this Stregistration

REGISTE

Be sure to card. If weeligible forous other s

IMPORTAStudio 4 senumber is o

S/N _____

Purchase D

Once we reyoure entiand informOpcode Systems, Inc.

: Appendicesart includes a troubleshooting , details on networking the

4 with a standard MIDI inter-nd the Studio 4 specifications.

DIO 4 PACKAGE

o 4 package contains the n AC adapter, two 12 serial bber feet, rack-mount screws, tudio 4 software, an OMS man-

udio 4 manual and a card.

RING YOUR STUDIO 4

send Opcode your registration dont receive it, you wont be free technical support and vari-ervices and products.

NT: Please write down your rial number here. The serial n the back of the Studio 4.

__________________________

ate ______________________

ceive your registration card, tled to free technical support ation about upgrades, updates,

CHAPTER 1: Getting Started

Studio 4 Ma

and new products. Also, youll receive Opcodes periodic newsletter, which con-tains advanced tips, troubleshooting techniques and more.

Opcode technical support hours (Pacific Time) are 9:00am to noon and 2:00 to 5:00pm Mo

Call (650) but

please

tmanual firs

NOTE:

Teject to chan

TIMECOD

The operatassume yoCode, MIDLock. If yosection to dof synchrocode formamagazinesneed moretopics.

SMPTE T

SMPTE Titimecode sof Motion neers. It spdigital timitape; this tinto hours,By using Sreferred to

synchronize the playback of separate audio decks, video decks and computers.

Using SMPTE requires two separate actions:

Generating the SMPTE Time Code and recording it onto tape (a process nual

nday through Friday.

429-2349 for technical support, ry to find the answer in this t.

chnical support hours are sub-ge.

E BASICS

ional portions of this manual ure familiar with SMPTE Time I Time Code, and Direct Time

ure not, you should read this evelop a basic understanding

nization and the various time-ts. Consult music technology

or introductory books if you information about any of these

ime Code

me Code is an international tandard created by the Society Picture & Television Engi-ecifies a format for recording ng information onto magnetic iming information is divided minutes, seconds and frames. MPTE Time Code (often simply as SMPTE), you can

often r Readin

the taptimingback ocompu

There are Code: Lonand VerticLTC is reclinearly acrformat is reaudio trackrecorded wvideo tape.

Since diffeent speedsformat alsorates.

The StudioSMPTE Tiyou have aneed to usverter or aas Opcode

The Studiorates. Thes

24 Fra 25 Fra

pean) 5

eferred to as striping).g the SMPTE Time Code off e and using it as a master source for synchronizing play-f other tape machines and ters.

two types of SMPTE Time gitudinal Time Code (LTC), al Interval Time Code (VITC). orded on tape tracks that run oss the length of the tape. This corded on audio tape or on the of a video tape. VITC is ithin the video portion of a

rent video systems run at differ- (or frame rates), the SMPTE specifies a number of different

4 will both generate and read me Code in the LTC format. If tape striped with VITC, youll e either a VITC-to-LTC con- VITC-to-MTC converter such s Studio AV.

4 supports five SMPTE frame e rates are:

mes/secondFilm frame rate.mes/secondEBU (Euro-television frame rate.


6

29.97 Drop FrameNTSC (North American) color television frame rate. This format runs at 30 Frames/sec-ond, but has the first two frames dropped every minute, except at min-utes 0, 10, 20, 30, 40 and 50.

29.97 Frames/second (Non-Drop)Used twithoutime dplayba

30 FraOriginsion stonly sidroppeis equa

MIDI TimLock

MIDI comSMPTE Tithe code mthat the coformat is cThe converetains SMframe timiputer to cosequencersynchronizmaster SM

Direct TimDirect TimMIDI syncby Mark oformer seqPerformerNewer ver

Enhanced Direct Time Lock (DTLe), which provides synchronization accuracy equal to MIDI Time Code.

The Studio 4 will convert SMPTE time-code (recorded at one of the five supported frame rates) to either MIDI

o sync to NTSC color television t dropping frames. SMPTE oes not match real-time, but ck pitch is unaffected.mes/second (Non-Drop)al NTSC black and white televi-andard. Often used in audio-tuations since there are no d frames and the SMPTE time l to real time.

e Code and Direct Time

puter software cannot read me Code directly off a tape, so ust be converted into a format mputer can understand. This alled MIDI Time Code (MTC). rter then sends MTC (which PTEs hour/minute/second/

ng information) to the com-ntrol the playback of MIDI s. You use MIDI Time Code to e your computer sequence to a PTE timing source.

e Lock (DTL) and Enhanced e Lock (DTLe) are alternate hronization formats developed f the Unicorn for their Per-uencer. Very old versions of require DTL to sync to tape. sions of Performer use

Time CodeLock formaFigure 1.1: tOpcode Systems, Inc.

or one of the Direct Time ts.

his will not print - its in white color

Studio 4 M

CHAPTER 2: Panel Descriptions

THE STU

Figure 2.1: S

From left tLEDs and

MIDI Por

These twofront panelconnectionother MIDcussed in dPanel sec

Front pane8/16 are d7/15 and 8you connecMIDI outppanel outpboth devic

Front pane16 are in adfound on th7/15 and 8rear panel.

IN OUT IN

715

OMS

IN OUT IN

715

OMSanual 7DIO 4 FRONT PANEL

tudio 4 Front Panel

o right, the front panel ports, buttons are as follows:

ts 7/15 and 8/16

pairs of MIDI ports are on the to facilitate quick, temporary of synthesizers, controllers or I devices. MIDI ports are dis-etail in The Studio 4 Rear

tion later in this chapter.

l MIDI output ports 7/15 and uplicates of MIDI output ports /16 found on the rear panel. If t a device to both a front panel

ut and its corresponding rear ut, MIDI data will be sent to es.

l MIDI input ports 7/15 and 8/dition to the 6 MIDI inputs e rear panel. MIDI input ports

/16 are not duplicated on the

If the 1-8/9these two pthe 1-8/9-1the ports a

MIDI In L

These eigh(LEDs) inone or morinput ports

MIDI Out

This row o(LEDs) inone or moroutput por

1MHz/F

Use this swspeed. 1Mface speedsoftware. Fthroughpunumber ofCheck yousee if they products thVision, Stu

2 3 64 51 7 81 41 09 1 1 1 21 3 1 5 1 6

IN

Studio4FAST

1Mhz MIDI MIDI

POWEROUT

816

A-THRU B-THRU

1-8

9-16

OPCODE SYSTEMS INC

OUT2 3 64 51 7 8

1 41 09 1 1 1 21 3 1 51 62 3 64 51 7 8

1 41 09 1 1 1 21 3 1 5 1 6

IN

Studio4FAST

1Mhz MIDI MIDI

POWEROUT

816

A-THRU B-THRU

1-8

9-16

OPCODE SYSTEMS INC

OUT2 3 64 51 7 8

1 41 09 1 1 1 21 3 1 51 6-16 switch is in the 1-8 position, orts are numbered 7 and 8. If

6 switch is in the 9-16 position, re numbered 15 and 16.

EDs

t red Light Emitting Diodes dicate MIDI data is arriving at e of the Studio 4s eight MIDI .

LEDs

f green Light Emitting Diodes dicates MIDI data is leaving e of the Studio 4s eight MIDI

ts.

ast Switch

itch to select a communication Hz is the standard MIDI inter- required by most MIDI ast speed increases MIDI t, thereby increasing the simultaneous MIDI channels. r MIDI application manuals to support Fast mode. Opcode at support Fast mode include

dio Vision and EZ Vision.


8

NOTE:

The Studio 4 driver software must match the speed selected by the 1MHz/Fast switch. Configure the Studio 4 driver soft-ware as discussed in the Studio 4Macintosh Communication Speed sec-tion in Chapter 5.

1-8/9-16

Select the Studio 4 isnetwork. Tthrough 8 ports.

Select the Studio 4 isassigns poStudio 4's nections ar

NOTE:

If yset this swi

Thru Swi

These switaccess to pperipheral

When a Thtion, the SttransmittinMacintosh

When a Thtion, data freceived oports) is pathe A Thrpanel. Set

position when your Macintosh needs to communicate with an external peripheral (such as a printer or modem).

SMPTE/Power Indicator Light

Switch

1-8 position (switch in) if the the first or only Studio 4 in a his assigns port numbers 1 to the Studio 4's eight MIDI

9-16 position (switch out) if the the second in a network. This rt numbers 9 through 16 to the eight MIDI ports. Network con-e discussed in Chapter 3.

ou are using just one Studio 4, tch to the 1-8 position.

tches (A & B)

ches provide convenient rinters, modems or other

s.

ru switch is in the MIDI posi-udio 4 is in MIDI modeg MIDI data between your and various studio devices.

ru switch is in the THRU posi-rom the Macintosh (as n either the A or B input ssed through the Studio 4 to

u or B Thru ports on the rear a Thru switch to the THRU

This LED bSMPTE acsent or recindicator.

Power Sw

When pushout, the poPower LEDis in the ONconnected

THE STU

Figure 2.2: S

From left ttors are as

Power Co

Plug the poonly a 9VDsupply. Ththe Studio

OUT

SMPTE

IN

PORT B PO

B

THRU

9VDCOpcode Systems, Inc.

links when there is any tivity. When no timecode is eived, the LED is lit as a power

itch

ed in, the power is ON. When wer is OFF. The SMPTE/ should light when the switch position if the power supply is

to the Studio 4 and plugged in.

DIO 4 REAR PANEL

tudio 4 Rear Panel

o right, the rear panel connec- follows:

nnector

wer supply into this jack. Use C 1.5A center-positive power e power supply is included with 4.

MIDI OUT MIDI INRT A

A

THRU

8

16

7

15

6

14

5

13

4

12

3

11

2

10

1

9

6

14

5

13

4

12

3

11

2

10

1

9

CHAPTER 2: Panel Descriptions

Studio 4 Ma

SMPTE IN Jack

This jack receives SMPTE timecode from a tape deck or other SMPTE source. The Studio 4 converts the SMPTE input into the MIDI format specified by the Stripe SMPTE window (see Chapter 10).

SMPTE O

This jack oerated (or This jack isinput of a tSMPTE ouwindow (S

Compute

The Studioditional Maconcept of port. OldeaddressablPrinter porEach Studi128 separaacross its tports are la(with the lito the Macmini-DIN cwith the St

You may ceither the MPrinter porStudio 4 BPrinter pora network.intosh com

(See Computer Connections in Chapter 3).

You cannot use the A port for network-ing. As a matter of convention, you may wish to connect A to the Modem port, leaving the B port free for connecting

nual

UT Jack

utputs SMPTE timecode gen-regenerated) by the Studio 4. normally connected to the line ape deck. You may set the tput level in the Stripe SMPTE ee Chapter 10).

r Ports and Thru Ports

4 does not implement the tra-cintosh MIDI interface a Printer port and a Modem r interfaces have a limit of 32 e MIDI channels; 16 on the t and 16 on the Modem port. o 4, however, can address up to te MIDI channels spread wo serial inputs. These input beled A and B. The inputs ttle Macintosh icons) connect intosh using standard 8-pin ables (supplied by Opcode udio 4).

onnect the Studio 4 A port to acintosh Modem port or

t. You may connect the port to the Modem port, the t or to another Studio 4 to form You can also connect two Mac-puters to one or two Studio 4s

the MacintMacintosh

Attach exteprinter or mor B THRcan use thenecting theSimply useThru switcof the Studsponding TSwitches Computer

MIDI OU

Connect thports of yodual numbtion of the panel.

MIDI outpduplicatednect deviceoutput andoutput, MI

MIDI IN C

Connect thports of yodual numb9

oshs Printer port, another or another Studio 4.

rnal peripherals (such as a odem) to the A THRU and/

U ports on the Studio 4. You se peripherals without discon- Studio 4 from the Macintosh. the corresponding front panel h to route data arriving at one io 4 computer ports to its corre-HRU port (see Thru

earlier in this chapter, and Connections in Chapter 3).

T Connectors

ese eight ports to the MIDI IN ur MIDI devices. Each port has ers that correspond to the posi-1-8/9-16 switch on the front

ut ports 7/15 and 8/16 are on the front panel. If you con-s to both a front panel MIDI its corresponding rear panel DI data is sent to both devices.

onnectors

ese six ports to the MIDI OUT ur MIDI devices. Each port has ers that correspond to the posi-


10

tion of the 1-8/9-16 switch on the front panel. Two additional inputs are on the front panel.

ABOUT THE INTERFACE CABLES

The Studiomini-DIN cother thanStudio 4, pmini-DIN.

You shouldMIDI and your Studiaudio equi 4 comes with standard 8-pin ables. If you are using cables

the ones supplied with the lease ensure that they are 8-pin

use only high quality shielded audio cables when operating o 4 or any other professional pment.Opcode Systems, Inc.

Studio 4 M

CHAPTER 3: Hardware Installation

Use the ramount the equipment

Figure 3.1: R

If you do nStudio 4, yface. Attac(provided of the unit

POWER C

Place the tthe power rear panel,into a standoutlet. Useitive AC po

Figure 3.2: P

OMSOMS

OUT

SMPTE

IN

PORT B PO

BTHRU

9VDCanual 11ckmount screws (provided) to Studio 4 in a standard 19 rack as shown in Figure 3.1.

ack Installation

ot wish to rack mount the ou may sit it on a steady sur-h the four rubber feet in this package) to the bottom to prevent it from sliding.

ONNECTION

ip of the power supply cord into jack on the far left side of the then plug the power supply ard 120VAC, 60Hz electrical

only a 9VDC, 1.5A, center pos-wer adaptor with the Studio 4.

ower Supply Connection

COMPUTONE STU

You may cthe Macintport, or to serial cableMacintoshsections.

Single Po

Single portfrequently non-MIDI while runnuse the spaout using tTHRU swi

You may cport or BModem orunlike the connect anthis reasontion) you mMacs Modfree for latMacs PrinPort Conneinterface (dConnection

2 3 64 51 7 8

1 41 09 1 1 1 2 1 3 1 5 1 6

IN

Studio4FAST

1Mhz MIDI MIDI

POWERIN OUT IN OUT

715

816

A-THRU B-THRU

1-8

9-16

OPCODE SYSTEMS INC

OUT2 3 64 51 7 8

1 41 09 1 1 1 2 1 3 1 5 1 6

2 3 64 51 7 8

1 41 09 1 1 1 2 1 3 1 5 1 6

IN

Studio4FAST

1Mhz MIDI MIDI

POWERIN OUT IN OUT

715

816

A-THRU B-THRU

1-8

9-16

OPCODE SYSTEMS INC

OUT2 3 64 51 7 8

1 41 09 1 1 1 2 1 3 1 5 1 6

To 120VAC, 60Hz outlet


ATHRU

816

715

614

513

412

311

210

19

614

513

412

311

210

19ER CONNECTIONSDIO 4

onnect the Studio 4 to either oshs Modem port, Printer both. Connect the supplied s between the Studio 4 and the as discussed in the following

rt Connection

connections are useful if you use a Macintosh serial port for purposes (such as printing) ing MIDI applications. You can re Macintosh serial port with-

he Studio 4s front panel MIDI/tch.

onnect either the Studio 4s A port to either the Macintosh Printer port. The B port, A port, can also be used to additional MIDI Interface. For (and as a matter of conven-ay with to connect A to the em port, leaving the B port

er connection to either the ter port (discussed in the Dual ction section) or to another iscussed in the Computer sNetworking section).


12

Figure 3.3 illustrates a common single port connection.

Figure 3.3: S

Figure 3.3 Modem poStudio 4. Oa printer) cMacintoshan additiona modem) Studio 4 anfront panel

Dual Por

Use a dualincreased ple, your Mwith notesExclusive Code). Itsdual port cchronizingtimecode.

You may cto either Myou may coModem or

Figure 3.4 connectionserial ports

external peripherals to the Studio 4 THRU jacks. You can switch between the Studio 4 and the external peripherals by using the corresponding THRU switch on the front panel.

OUT

SMPTE

IN

PORT B PORT A

BTHRU ATHRU9VDC

MACINTOSH 8-pin mini-DIN cable (supplied)

Optional cableto peripheral

Studio 4 MACINTOSH8-pin mini-DIN cables ingle (Modem) Port Connection

uses only the Macintosh rt for communicating with the ne external peripheral (such as an be connected directly to the Printer port. You can connect al external peripheral (such as to the A THRU jack on the d switch it in or out from the .

t Connection

port connection if you need MIDI throughput (for exam-

IDI data is densely packed , continuous controls, System messages and MIDI Time a good idea to always use a onnection when youre syn- MIDI playback with SMPTE

onnect the Studio 4s A port acintosh serial port. Similarly, nnect the B port to either the

Printer port.

illustrates a common dual port . Connect both Macintosh to the Studio 4, and attach any

Figure 3.4: D

NOTE: In shown in Fing window(see Chapte

ConnectiCompute

Two MacinStudio 4 bythe Studio other Maci

Figure 3.5: T

You can alsMacintoshFigure 3.6.Studio 4 netions are d

Optional cable to peripheral

OUT

SMPTE

IN9VDC

OUT

SMPTE

IN

PORT B PO

B

THRU

9VDC

MACINTOSHOpcode Systems, Inc.

ual Port Connection

a two cable system, such as igure 3.4, use the Network Rout- to distribute data between ports r 6).

ng Two Macintosh rs

tosh computers may share one connecting one Macintosh to 4 A port and connecting the ntosh to the Studio 4 B port.

wo Macs Sharing One Studio 4

o connect two Studio 4s to two computers as shown in This is an example of a twork. Networking connec-

iscussed in the next section.

Optional cables to peripherals

PORT B PORT A

BTHRU ATHRU

(supplied)

Studio 4


A

THRU

8

16

7

15

6

14

5

13

4

12

3

11

2

10

1

9

6

14

5

13

4

12

3

11

2

10

1

9

MACINTOSH


Studio 4 Ma

Figure 3.6: T

If you connStudio 4, y

Computer

menu. Do not using tStudio 4.

Multiple M

Use only oactions thastatealwbefore initiactions fro

Actions thastate includ

Clickinwork RChann

Switchapplica

Perfor Makin

OMS SEditor

Using Vision

If you use the Studio

the enabling and/or routing of Studio 4 inputs to the Macintosh computers may be incorrect. If you suspect trouble, choose

OMS MIDI Setup

from within any OMS application and click

OK

.

OUT

MIDI OUT MIDI INSMPTE

IN

PORT B PORT A

BTHRU

ATHRU

9VDC 816

715

614

513

412

311

210

19

614

513

412

311

210

19

OUT


IN

PORT B PORT A

B

THRU

A

THRU

9VDC 8

16

7

15

6

14

5

13

4

12

3

11

2

10

1

9

6

14

5

13

4

12

3

11

2

10

1

9

MACINTOSH MACINTOSHnual

wo Macs Sharing Two Studio 4s

ect two computers to a ou must check the Multiple s option in the Studio 4

not check this option if you're wo computers to control the

acintosh Caveat

ne computer at a time to initiate t change a Studio 4s internal ays wait at least 1 second ating any state-changing m a different computer.

t cause the Studio 4 to change e:

g anywhere in either the Net-outing window or the Routing, elizing and Muting window.ing, opening or quitting tions.

ming Galaxy patch transfers.g different windows active in etup and the Studio Patches

.the Enable Inputs dialog in .

different computers to change 4s internal state too quickly,

COMPUTNETWOR

A networkone or twotosh serialserial portsworks. Sineither one nect up to MacintoshMIDI chan

NOTE: Whalways con

ConnectMacintos

There are two Studiocan connecsingle portas a 2-cableyou can acMIDI chan

One Netwo

The first oStudio 4's iFigure 3.7.1-8/9-16 swconnect th13

ER CONNECTIONSKING

is defined as the connection of Studio 4's to a single Macin- port. The Macintosh has two , so it can support two net-

ce each network can contain or two Studio 4's, you can con-four Studio 4s to a single for a maximum total of 512 nels.

en networking two Studio 4's, nect their B ports together.

ing Two Studio 4s to a h

many possible ways to connect 4's to a single Macintosh. You t them as one network on a , as two separate networks, or network. With two Studio 4s,

cess up to 256 independent nels.

rk/1-Cable

ption is to connect both n a single network as shown in Set each Studio 4s front panel itch as indicated. You may

e network to either Macintosh


14

serial port. The advantage of this connec-tion is that you retain a free Macintosh serial port. The disadvantage is that all MIDI and timecode communications occur over a single Macintosh portyou could get data overloads if you have a very dense MIDI data stream and are syncing to SMPTE

Figure 3.7: O

Two Netwo

The seconplacing onserial port each Studias indicatecan balancbetween thusing the Ncussed in Chowever, uMIDI datadiscussed

Figure 3.8: T

One Network/2-Cables

The final option is to use a single 2-cable network. This is similar to the one net-work/1-cable configuration, except you connect a second cable between the last Studio 4's A port and the unused Macin-

OUT

SMPTE

IN

PORT B PO

B

THRU

9VDC

OUT

SMPTE

IN

PORT B PO

B

THRU

9VDC

MACINTOSH

MACINTOSH

OUT

SMPTE

IN

PORT B PO

B

THRU

9VDC

OUT

SMPTE

IN

PORT B PO

B

THRU

9VDC timecode.

ne Network of Two Studio 4s

rks

d networking option involves e Studio 4 on each Macintosh as shown in Figure 3.8. Set o 4s front panel 1-8/9-16 switch d. With this connection, you e the MIDI data stream e two Macintosh serial ports etwork Routing window (dis-hapter 6). You cannot, se internal routings to send

from one box to another (as in Chapter 7).

wo Networks of One Studio 4 Each

tosh serial Set each Stswitch as i

This configibility. Youstream (unconnectionStudio 4's idata betwenetwork cofront panelexternal pe

Figure 3.9: O

ConnectiMacintos

You must uconnect thOne netwoother netwStudio 4s findicated. Fnection inv


A

THRU

8

16

7

15

6

14

5

13

4

12

3

11

2

10

1

9

6

14

5

13

4

12

3

11

2

10

1

9


A

THRU

8

16

7

15

6

14

5

13

4

12

3

11

2

10

1

9

6

14

5

13

4

12

3

11

2

10

1

9

Set to 1-8

Set to 9-16


A

THRU

8

16

7

15

6

14

5

13

4

12

3

11

2

10

1

9

6

14

5

13

4

12

3

11

2

10

1

9


A

THRU

8

16

7

15

6

14

5

13

4

12

3

11

2

10

1

9

6

14

5

13

4

12

3

11

2

10

1

9

Set to 1-8

Set to 1-8

OUT

SMPTE

IN

PORT B PO

BTHRU

9VDC

OUT

SMPTE

IN

PORT B PO

BTHRU

9VDC

MACINTOSHOpcode Systems, Inc.

port as shown in Figure 3.9. udio 4s front panel 1-8/9-16

ndicated.

uration provides optimum flex- can balance the MIDI data like the one network/1-cable ) and you can use the nternal routing to send MIDI en interfaces (unlike the two nnection). Use the Studio 4's THRU switches to access ripherals.

ne 2-Cable Network of Two Studio 4s

ng Three Studio 4s to a h

se two networks if you wish to ree Studio 4's to a Macintosh. rk contains two Studio 4's; the ork contains one. Set each ront panel 1-8/9-16 switch as igure 3.10 shows a typical con-

olving three Studio 4'swith


ATHRU

816

715

614

513

412

311

210

19

614

513

412

311

210

19


ATHRU

816

715

614

513

412

311

210

19

614

513

412

311

210

19

Set to 9-16

Set to 1-8


Studio 4 Ma

this connection, you can access up to 384 independent MIDI channels.

Figure 3.10:

ConnectMacintos

You can coStudio 4s ttion uses twas shown iStudio 4s findicated. pendent Mfour Studio

Figure 3.11:

Networking Studio 4s and MIDI Time Pieces

You can use MIDI Time Pieces and Studio 4s together. In fact, the Studio 4 and MIDI Time Piece are completely interchangeable in a 2-unit network.

OUT


IN

PORT B PORT A

B

THRU

A

THRU

9VDC 8

16

7

15

6

14

5

13

4

12

3

11

2

10

1

9

6

14

5

13

4

12

3

11

2

10

1

9

MACINTOSH

OUT

SMPTE

IN

PORT B PO

BTHRU

9VDC

OUT

SMPTE

IN

PORT B PO

B

THRU

9VDC

Set to 1-8

Set to 1-8

OUT

SMPTE

IN

PORT B PO

BTHRU

9VDC

OUT

SMPTE

IN

PORT B PO

B

THRU

9VDC

MACINTOSH

OUT

SMPTE

IN

PORT B PO

B

THRU

9VDC

OUT

SMPTE

IN

PORT B PO

B

THRU

9VDCnual

Three Studio 4s in Two Networks

ing Four Studio 4s to a h

nnect a maximum of four o a Macintosh. This connec-o networks of two Studio 4s

n Figure 3.11. Set each ront panel 1-8/9-16 switch as

You can access up to 512 inde-IDI channels when you use 4s.

Four Studio 4s in Two Networks

When netwTime Piecethe Studio MTP driveexample ofStudio 4 ne

Figure 3.12:

NOTE: Thport is equi

WheneverPiece withappears toTime Piecethe MIDI Tport or whMIDI Time

NOTE: ThcommunicaTime Pieceinterfaces, connected t


ATHRU

816

715

614

513

412

311

210

19

614

513

412

311

210

19


A

THRU

8

16

7

15

6

14

5

13

4

12

3

11

2

10

1

9

6

14

5

13

4

12

3

11

2

10

1

9

Set to 9-16


ATHRU

816

715

614

513

412

311

210

19

614

513

412

311

210

19


A

THRU

8

16

7

15

6

14

5

13

4

12

3

11

2

10

1

9

6

14

5

13

4

12

3

11

2

10

1

9


A

THRU

8

16

7

15

6

14

5

13

4

12

3

11

2

10

1

9

6

14

5

13

4

12

3

11

2

10

1

9


A

THRU

8

16

7

15

6

14

5

13

4

12

3

11

2

10

1

9

6

14

5

13

4

12

3

11

2

10

1

9

Set to 9-16

Set to 9-16

Set to 1-8

Set to 1-8

OUT

SMPTE

IN

PORT B PO

BTHRU

9VDC

AUDIOIN

AUDIOOUT

816

715

MACINTOSH15

orked, OMS views the MIDI as another Studio 4 and uses 4 OMS driver instead of the r. Figure 3.12 illustrates an a MIDI Time Piece in a twork.

MTP in a Studio 4 Network

e MIDI Time Piece Network valent to the Studio 4 B port.

you network a MIDI Time a Studio 4, the MTP always OMS as a Studio 4. The MIDI OMS driver is used only when ime Piece is alone on a single

en it's networked with another Piece.

e Studio 4 uses a more efficient tion protocol than the MIDI

, so when networking these two it is best to have the Studio 4 o the Macintosh.


ATHRU

816

715

614

513

412

311

210

19

614

513

412

311

210

19

MIDI OUT MIDI IN

614

513

412

311

210

19

614

513

412

311

210

19

715

Studio 4 set to 1-8

MTP set to 9-16


16

Networking Studio 4s and Standard MIDI Interfaces

You may network a Studio 4 with a stan-dard MIDI interface. If you own an old standard MIDI interface and have more than 8 MIDI devices, the standard MIDI interface wMIDI portple of a Stustandard M

Figure 3.13:Network

Because yo1MHz wheMIDI interis not as fleStudio 4s,arrangemeaid. If youthan 8 MIDously consStudio 4.

NOTE: Yostandard inlator) with

If you use aface, you cport to theaccess eve

If your dual port standard MIDI interface is a Studio 3, Opcode strongly recom-mends that you connect the Studio 3 modem port to the Studio 4 B port, and the Studio 3 printer port directly to the Macintosh (as shown in Figure 3.14). This is because the Studio 3 communi-

OUT

SMPTE

IN

PORT B PO

B

THRU

9VDC

MACINTOSH

STANDARD MIDI INTERFACEill provide a few additional s. Figure 3.13 shows an exam-dio 4 networked with a IDI interface.

Standard MIDI Interface in a Studio 4

ur Studio 4 must be used at n networked with a standard face and because MIDI routing xible as with a network of two

you should consider this nt only as a temporary band often need to access more I devices, you should seri-

ider purchasing an additional

u cannot network a self-powered terface (such as a MIDI Trans-

the Studio 4.

dual port standard MIDI inter-an connect its second serial free Macintosh serial port to n more MIDI ports.

cates with printer por

Figure 3.14:

Network cand a standatypical. If your studiothe Studio understandand OMS pnetwork. Fworking wcussed in A

SMPTE C

The Studiorear panel.receive a taOUT jack sspecified indiscussed receiving S


A

THRU

8

16

7

15

6

14

5

13

4

12

3

11

2

10

1

9

6

14

5

13

4

12

3

11

2

10

1

9

MIDI OUT

MIDI OUT

MIDI IN

MIDI OUT

MACINTOSH

FOOTSWITCHES

FS2 FS1 FC1

OUT

SMPTE

IN

PORT B PO

BTHRU

9VDCOpcode Systems, Inc.

the Macintosh only over its t.

Studio 3 in a Studio 4 Network

onnections involving a Studio 4 ard MIDI interface are rather you use this type of network in , you should first learn to use 4 by itself. Only after you the operations of the Studio 4 atches should you attempt this or this reason, instructions for ith these connections are dis-ppendix B.

ONNECTIONS

4 has two SMPTE jacks on its The SMPTE IN jack is used to pe sync signal. The SMPTE ends SMPTE timecode as the Stripe SMPTE window

in Chapter 10. If the Studio 4 is MPTE at its SMPTE IN jack, it

MIDI OUT MIDI IN PRINTER

PORT

MODEM

PORT

123456OUT IN

TAPE / AUDIO


ATHRU

816

715

614

513

412

311

210

19

614

513

412

311

210

19


Studio 4 Ma

duplicates the timecode and sends it to the SMPTE OUT jack.

Figure 3.15:

To use thedevice, concables betwtrack tape OUT jack tfor SMPTEtrack). ConStudio 4 totracks SMStudio 4 diing the mixother signa

MIDI CO

Connect a MIDI OUTthe like-nuto the devishows som

OUT

SMPTE

IN

PORT B PO

B

THRU

9VDC

Audio OutAudio In

OUT


IN

PORT B PORT A

BTHRU

ATHRU

9VDC 816

715

614

513

412

311

210

19

614

513

412

311

210

19

IN OUT

MIDI MIXER

IN OUT

MIDI EFFECTSnual

SMPTE Connections

Studio 4 as a synchronization nect a pair of shielded audio een the Studio 4 and a multi-

deck. Connect the SMPTE o the audio input of a tape deck striping (usually the last nect the SMPTE IN jack of the the audio output of the multi-PTE track. Connect the rectly to the tape deck, bypass-ing console, equalizer, or any l processing equipment.

NNECTIONS

MIDI devices MIDI input to a port on the Studio 4. Connect mbered Studio 4 MIDI IN port ces MIDI output. Figure 3.16 e typical MIDI connections.

Figure 3.16:

NOTE: If ydevice intomust conneOut ports tthe Studio


A

THRU

8

16

7

15

6

14

5

13

4

12

3

11

2

10

1

9

6

14

5

13

4

12

3

11

2

10

1

9

IN OUT

DRUM MACHIN17

MIDI Connections

ou wish to load patches from a Opcodes Galaxy program, you ct that devices MIDI In and

o identically-numbered ports on 4 (as shown in Figure 3.16).

IN OUT

SYNTH MODULE

IN OUT

SYNTHESIZERE

Studio 4 M

CHAPTER 4: Software Installation and Setup

INSTALLSTUDIO 4

NOTE: If yshould stopbefore contimanual.

The StudioStudio Patcthe Studio mapping, ccode funct

Follow theOMS disk software.

Whats I

The InstallOMS and Sdisk automInstaller anyou can beStudio 4.

NOTE: Yodriver to usrequires OManual 19ING OMS AND THE SOFTWARE

ou have never used OMS, you and read the OMS manual nuing with the Studio 4

4 uses the OMS Setup and hes Editor applications with 4 OMS driver to control all hannelizing routing and time-ions.

installation instructions on the to install OMS and the Studio 4

nstalled

er places all the necessary tudio 4 files onto your hard atically. After running the d restarting your Macintosh, gin to use OMS and your

u must install the Studio 4 OMS e the Studio 4. The Studio 4 S version 1.2 or later.

See the OMvarious OMinstalled.

The Studiotional files

Studiocation patchein Part

OMS driver patcheand is withinSequeChapte

StudioallowsStudioFolder

CAUTIONfiles or foldthe System sary files, bOMS operations sectioinformatio

Although tOMS applisetup of thS manual to learn about the S files and where theyre

4 package includes some addi-that arent part of basic OMS:

Patches Editor This appli-adds the ability to create OMS s. OMS patches are discussed Three of this manual.Program ChangesThis allows you to change OMS s from Macintosh applications installed in the OMS Folder the System Folder. See ncing Patch Changes in r 11 for more information. 4 OMS DriverThis driver

OMS to operate with your 4 and is installed in the OMS within the System Folder.

: Do not relocate or rename any ers that the Installer places in Folder. You may delete unneces-ut some files are essential for tion. See the Software Defini-

n of your OMS manual for more n.

he Studio 4 works with non-cations, all programming and e Studio 4 is handled by OMS.


20

If you have never worked with OMS, please read the OMS manual before con-tinuing with the Studio 4 manual.

LAUNCHING THE OMS SETUP APPLICATION

By now yoStudio 4 tothe OMS slaunch the

a Turn o

b Double

If you havehaven't dedocument,create a neYour OMSdure in detin the nextCustom St

If you are adefined a cyou will nework with in Updatinment, late

Creating a New Custom Studio Setup Document

a Launch the OMS Setup application.

If you do not have a current OMS Studio Setup document, you will be asked to create one when you launch the OMS u should have connected the your Macintosh and installed oftware. The next step is to OMS Setup application:

n your Studio 4.

-click the OMS Setup icon.

never used OMS, or if you fined a current Studio Setup you will need to open and w Studio Setup document. manual describes this proce-ail, but highlights are included section, Creating a New udio Setup Document.

lready an OMS user and have urrent Studio Setup document, ed to update your setup to the Studio 4. This is described g an Old Studio Setup Docu-r in this chapter.

Setup a

A dialoFigure each Mcheck onectedinterfacStudio

Figure 4

b Click SThe Maserial plooks foOMS dinterfacuntitledOpcode Systems, Inc.

pplication.

g box appears (as shown in 4.1). There is a check box for acintosh serial port. You should nly those ports that are con-

to the Studio 4 or any other MIDI e you wish to appear in your Setup document.

.1: Interfaces Dialog Box

earch or hit the return key.cintosh searches the checked orts for MIDI interfaces. It also r any NuBus cards that have an

river installed. When it finds all es and cards, it creates a new, Studio Setup document. The


Studio 4 Ma

Studio Setup document contains an icon for each Studio 4 and OMS driver object found.

Figure 4

c Add Mas disc

Each dStudio path. Ythe Stuactual devices

UpdatingDocumen

If you alreadocument,rent studioyou had a susing the Sit.

a Launch OMS Setup.

Your current studio setup document opens.nual

.2: Untitled Studio Setup Document

IDI devices and connect them ussed in your OMS manual.

evice that you connect to the 4 will have a port number in its ou must set MIDI port numbers in dio Setup document to reflect the Studio 4 port numbers to which are connected.

an Old Studio Setup t

dy have a current Studio Setup but it doesnt reflect your cur- configuration (for example, tandard interface, but are now tudio 4), youll need to update

Figure 4Docume

b ChoosInterfdialog

Figure 4

c Click Ukey.

A dialobox forshould21

.3: Standard Interface Studio Setup nt

e Studio>MIDI Cards & aces to open the Update Setup box.

.4: Update Setup Dialog Box

pdate Setup or hit the return

g box appears. There is a check each Macintosh serial port. You check only those ports that are


22

connected to the Studio 4 or any other MIDI interface you wish to appear in your Studio Setup document.

Figure 4

d Click SYour oStudio with a were aunconnSetup

Figure 4

e ConneStudiodiscus

Each dStudio path. Y

the Studio Setup document to reflect the actual Studio 4 port numbers to which devices are connected..5: Interfaces Dialog Box

earch or hit the return key.ld interface disappears from your Setup document and is replaced Studio 4 icon. Any devices that ttached to old interfaces appear ected in the updated Studio

document.

.6: Unconnected Setup Document

ct the device icons to the 4 icon using techniques sed in the OMS manual.

evice that you connect to the 4 will have a port number in its ou must set MIDI port numbers in

Figure 4

f Save y

STUDIO 4SETUP D

The StudioStudio Setunumber of nected to tgiven its owthe Macintconnected.it indicatesused.

The followexamples onections anicons.

One Stud

If you haveto your MaOpcode Systems, Inc.

.7: Updated Studio Setup Document

our Studio Setup document.

ICONS IN A STUDIO OCUMENT

4 icons that appear in your p document depend on the Studio 4's and how they're con-he Macintosh. Each Studio 4 is

n icon and shows the name of osh serial port to which its If the words 2 cables appear, that two connecting cables are

ing sections show specific f Macintosh-to-Studio 4 con-d the resulting Studio Setup

io 4

only one Studio 4 connected cintosh when you search the


Studio 4 Ma

serial ports, then your Studio Setup docu-ment will contain one Studio 4 icon. Figure 4.8 shows the possible ways to connect a single Studio 4 to a Macintosh and the Studio Setup icons that result.

Figure 4.8: S

Notice thaconnectedonly one icinterface isyou see twModem poport. The Sinterface bRouting wito allocate ports.

Two Studio 4s

There are numerous ways to connect two Studio 4's to a Macintosh. Some of these connections are shown in Figure 4.9 along with the resulting Studio Setup icons.

Macintosh

PORT B PORT A

BTHRU

ATHRU

Stud

Mac Studio 4 Connection Studio Setup Icon

Macintosh

PORT B PORT A

B

THRU

A

THRU

Stud

Mac

POR

Mac

PORnual

tudio Setup IconsOne Studio 4

t when both serial ports are to a single Studio 4, there is on. When a standard MIDI connected to both serial ports o icons; one representing the rt and the other the Printer tudio 4 appears as a single ecause you use the Network ndow (discussed in Chapter 6) MIDI data to each of the serial

Figure 4.9: S

The 1-8 aicons indicwhen therework (as spanel 1-8/9

io 4PORT B PORT A

BTHRU

ATHRU

Studio 4

Macintosh

io 4

PORT B PORT A

B

THRU

A

THRU

Studio 4

Macintosh

intosh

T B PORT A

B

THRU

A

THRU

Studio 4

intosh

T B PORT A

B

THRU

A

THRU

Studio 4

Macintosh

PORT B PORT A

BTHRU

ATHR

PORT B PORT A

B

THRU

A

THR

Macintosh

PORT B PORT

B

THRU TH

PORT B PORT

BTHRU TH

Macintosh

PORT B PORT A

B

THRU TH

PORT B PORT A

BTHRU TH

Mac Stud23

tudio Setup IconsTwo Studio 4s

nd 9-16 next to the Studio 4 ate the MIDI port numbers are two Studio 4's in a net-

elected by the Studio 4s front -16 switch).

U

Studio 4

U

Studio 4

A

A

RU

Studio 4

A

ARU

Studio 4

A

RU

Studio 4

ARU

Studio 4

io 4 Connection Studio Setup Icon


24

Three Studio 4s

Figure 4.10 illustrates some connections involving three Studio 4's and the result-ing Studio Setup icons.

Figure 4.10:

Four Stu

If you conntosh, they Setup docu

PORT B PORT A

B

THRU

A

THRU

Macintosh

PORT B PORT A

BTHRU

ATHRU

PORT B PORT A

BTHRU

ATHRU

PORT B PORT A

B

THRU

A

THRU

Macintosh

PORT B PORT A

BTHRU

ATHRU

PORT B PORT A

BTHRU

ATHRU



PORT B PORT A

BTHRU

ATHRU

Studio 4

Macintosh

PORT B PORT A

BTHRU

ATHRU

Studio 4 Studio Setup IconsThree Studio 4s

dio 4s

ect four Studio 4s to a Macin-will be shown in the Studio ment as shown in Figure 4.11.

Figure 4.11:

RENAMIN

You can reStudio 4's iTo do so, sright of thenew name.in place of where that

In the folloshows a Stdefault Stulisting the Figure 4.13ment with the same pas a selecti

Studio 4

Studio 4

Studio 4

Studio 4

Studio 4

Studio 4

PORT B PORT A

B

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A

TH

PORT B PORT A

BTHRU

ATHOpcode Systems, Inc.

Studio Setup IconsFour Studio 4s

G STUDIO 4S

name one or more of your n the Studio Setup document. imply click the name to the Studio 4 icon and type in a The name you choose appears the default Studio 4 name any- the interface name appears.

wing example, Figure 4.12 udio Setup document with the dio 4 name and a pop-up menu Studio 4 as a selection. shows a Studio Setup docu-

a custom Studio 4 name and op-up menu listing the Studio 4 on.

RU

Studio 4

RU

Studio 4


Studio 4 Ma

Figure 4.12:

Figure 4.13:

OTHER ICSETUP D

Your Studiicons for acards or deyour Macin

A MIDI TiStudio 4 drStudio 4., Idocument name MTTime Pieceis alone onworked wi

Interface icdiscussed nual

Default Studio 4 Name

Custom Studio 4 Name

ONS IN A STUDIO OCUMENT

o Setup document also displays ny other interfaces, NuBus vices connected directly to tosh.

me Piece always uses the iver when its networked with a t appears in the Studio Setup as a Studio 4 with the default P as S4. The only time a MIDI icon appears is when the MTP its own port, or when it's net-th another MTP.

ons and NuBus card icons are in your OMS manual.25

Studio 4 M

PART 2: Using The Studio 4anual 27

PART 2: Using The Studio 4


Studio 4 M

CHAPTER 5: Introduction

Before beghave read a current SStudio 4 prerences thdocument.manual or Setup docu

The Studioprograms tthat don't uMIDI Timestandard M

There are routing wh

With aMost sPerforwithinsequenMIDI

With astate rwork R6) anding an7). Youstates alwayswhen panual 29inning this section, you should your OMS manual and created tudio Setup document. ogramming uses OMS and ref-e current Studio Setup If you haven't read your OMS if you haven't created a Studio ment, do so at this time.

4 integrates seamlessly with hat use OMS. With programs se OMS, it can emulate a Piece or it can be used as a IDI interface.

three ways to control MIDI en you use a Studio 4:

sequencer application. equencers (such as Vision or mer) control MIDI routing the application. You use the cer to route MIDI inputs to

outputs. Studio 4 state. A Studio 4

eflects the settings of the Net-outing window (see Chapter

the MIDI Routing, Channeliz-d Muting window (see Chapter can save and recall Studio 4

at any time. The Studio 4 retains the latest state even ower is turned off.

With aallow yMIDI using StudiopatchePatche

USING TOMS-COMAPPLICA

Unless youlive performwith sequeMIDI applrequire yowithin themapplicationuse to inpu

With OMSas Vision amake sureapplicationdevice, thrapplicationdevices witions, OMSinputs are then tells ewhich inpun OMS patch. OMS patches ou to design very advanced

routing and processing paths the Macintosh (not the 4) to process MIDI data. OMS s are discussed in the Studio s Editor manual.

HE STUDIO 4 WITH PATIBLE

TIONS

use the Studio 4 for strictly for ance, you'll probably use it

ncers, librarians and other ications. These programs u to enable MIDI input devices

that is, you need to tell the which MIDI device(s) you'll t MIDI data.

-compatible applications (such nd Galaxy) you need only the input is enabled within the in order to route data from the ough the Studio 4 and into the . When you enable input thin OMS-compatible applica- tells the Studio 4 driver which

enabled. The Studio 4 driver ach Studio 4 in your network ts to route to the Macintosh.


30

In OMS-compatible applications, if you choose the Studio 4 as a MIDI input, only timecode from the Studio 4 and MIDI beat clock from any devices connected to the Studio 4 are sent to the applicationother types of MIDI data from devices attached to the Studio 4 are not sent. Select deviselecting tthem as M

For examp

Figure 5.1: E

In this exaMastermanenabled asare highligonly from tdevices cosent to Vis

See your Omanuals fo

USING THE STUDIO 4 WITH NON-OMS APPLICATIONS

The Studio 4 acts like a standard interface or a MIDI Time Piece when used with non-OMS applications. Use the Network Routing windows Compatibility columns

1. In Vision, choosinEnable Input Deviceopens this dialog boces by name (rather than he interface) if you want to use IDI inputs.

le, look at Figure 5.1.

nabling Inputs in Vision

mple, the GeoSkin Drums, 88 and MIDI Tuba are

input devices in Vision (they hted). Vision sees MIDI data hese devices. Data from other nnected to the Studio 4 is not ion.

MS-compatible application r more information.

to enable Mthe Port coments. Thediscussed

STUDIO 4COMMUN

For each Sdirectly to basic commthe positio1MHz/Fastion speed MIDI applimode, youStudio 4-tospeed for m

To establismust:

a Open tdocumicon to>Macindialog

g s x

2. Use this dialog box to tell Vision which devices will send it data.Opcode Systems, Inc.

IDI inputs and outputs, and lumns to choose port assign- Network Routing window is

in Chapter 6.

MACINTOSH ICATION SPEED

tudio 4 that's connected a Macintosh, you must set a unication speed to match both

n of the Studio 4s front panel t switch and the communica-settings you choose in your cations. If youre using Fast may also optimize the -Macintosh communication

aximum MIDI throughput.

h communication speed, you

he current OMS Studio Setup ent and double-click a Studio 4 open the Studio 4

CHAPTER 5: Introduction

Studio 4 Ma

Figure 5.2: Double-click Studio 4 Icon

The StSpeed Figure

Figure 5Speed D

b Set a bwith th

c Set a Scommset of

These mode oStudio

d On the1MHz/Fin the box.

e Click OK when youre finished and perform the same operation for any other Studio 4's connected directly to the Macintosh.

Determining the Optimum nual

udio 4Mac Communication dialog box looks as shown in 5.3.

.3: Studio 4Mac Communication ialog Box

asic communication speed e top set of radio buttons.

tudio 4->Macintosh unication speed with the lower radio buttons.

buttons allow you, when in Fast nly, to select an optimum 4->Mac communication speed.

Studio 4's front panel, set the ast switch to match the setting

Communication Speed dialog

Studio 4

The optimvides the fawithout ov1.33 x MIDwould like if you get o

THE STU

A Studio 4 Setup appldriver is inSetup docuStudio 4s. described

Figure 5.4: S

Chapter 9

Chapter 10

Chapter 6Chapter 7

Chapter 8

This Chapter

This Chapter

Chapter 331

->Mac Speed

um Studio 4->Mac speed pro-stest communication speed

errun errors. The default is I. Increase this speed if you higher throughput. Decrease it verrun errors.

DIO 4 MENU

menu appears in the OMS ication whenever a Studio 4 stalled and the current Studio ment contains one or more Studio 4 menu commands are in the indicated chapters.

tudio 4 Menu


32

Display ROM Version...

Choose this command to display the ver-sion numbers of your Studio 4 ROM. You should know your ROM version if you call Opcode Technical Support about your Studio 4.

ChoosingStudio 4

Any time tment contayoull see athe Studio

To select (down the mover the de

The SMPTwindows wYou must seither the SMPTE wiwindow is Stripe SMPChapter 10

Choose anopen eithea Routing, window forchoose anopen eithea Routing, window forRouting wiChapter 6.Muting wi

Using the Studio 4 Menu with a MIDI Time Piece

If you network a MIDI Time Piece with a Studio 4, the MTP appears as a Studio 4 in the Studio Setup document and is labeled MTP as S4. Everything in the Studio 4 Between Multiple s

he current Studio Setup docu-ins more than one Studio 4, listing of them at the bottom of 4 menu.

check) a Studio 4, simply pull enu and release the mouse sired Studio 4.

E Reader and Stripe SMPTE ork with the selected Studio 4. elect a Studio 4 before opening

SMPTE Reader or Stripe ndows. The SMPTE Reader discussed in Chapter 9. The TE window is discussed in .

y Studio 4 on a modem port to r a Network Routing window or Channelizing and Muting the modem port. Similarly,

y Studio 4 on a printer port to r a Network Routing window or Channelizing and Muting the printer port. The Network ndow is discussed in The Routing, Channelizing and ndow is discussed in Chapter 7.

menu workexcept StriDisplay Rthe SMPTETime Pieceand itll woMIDI syncOpcode Systems, Inc.

s with the networked MTP pe SMPTE, Jam Sync and OM Version. You can open Reader window for a MIDI that's networked to a Studio 4 rk except you can't change the hronization format.

Studio 4 M

CHAPTER 6: Network Routing Window

WHEN TOROUTING

You need twindow wh

workin using b

(Printemore S

You will newindow if yserial port applicationanual 33 USE THE NETWORK WINDOW

o use the Network Routing en:

g with non-OMS applications.oth Macintosh serial ports r and Modem) with one or tudio 4s.

ver need the Network Routing ou use only one Macintosh

and you use only OMS MIDI s.

WINDOW

Choose NeStudio 4 mRouting wi

Figure 6.1: N

The Netwothe namescurrent OMClick the Hinformatiowindow. OVERVIEW

twork Routing from the enu to open the Network

ndow.

etwork Routing Window

rk Routing window displays of the devices entered in your

S Studio Setup document. elp button to open on-line

n about the Network Routing


34

The Network Routing window shown in Figure 6.1 is based on the Studio Setup document shown in Figure 6.2. Your Net-work Routing window will reflect your own current OMS Studio Setup document.

Figure 6.2: S

The Netwofunctions:

When cationsStudiowhichthe Ma

For anboth MStudiories thin youdocum

When youare sent imStudio 4 alof this winthis setup

Routing window (or you make another window active). If you want your Studio 4 to remember the most recent Network Routing configuration, turn it off only after closing or de-activating this window.tudio Setup Document

rk Routing window has two

working with non-OMS appli-, it controls which inputs the

4 sends to the Macintosh and devices receive output from cintosh.

y application, if you connected acintosh ports to one or more

4s, it controls which port car-e data for each device defined r current OMS Studio Setup ent.

edit this window, the changes mediately to the Studio 4. The

ways reflects the current setup dow. The Studio 4 remembers when you close the Network

Multiple

If you havea single nework Routibar indicatconnected port, or bo

If you havenetwork coserial port)ing windowthe Studioon the modRouting wiChoose anopen the Nprinter porOpcode Systems, Inc.

Studio 4s

either one or two Studio 4s in twork, youll have only one Net-ng window. That windows title es whether your network is to the Modem port, the Printer th (2 cables).

two Studio 4 networks (one nnected to each Macintosh , youll have two Network Rout-s (one for each port). From 4 menu, choose any Studio 4 em port to open the Network

ndow for the modem port. y Studio 4 on the printer port to etwork Routing window for the t.


Studio 4 Ma

SETTING THE MIDI INPUTS

The left side of the Network Routing window contains the MIDI In columns. These columns control the signal routing from each MIDI device to the Macintosh. You can also route the timecode signal generated

Figure 6.3: NSide

MIDI In P

If you connports to a none or twowhich serimunicate wswitch betwicon in thethe Printereach devictimecode (to either thport. Clickcolumn to quickly.

Use the MIDI In Port column to balance the MIDI input data between the two Macintosh serial ports. For instance, time-code data is very denseso to prevent timing errors, you should always route timecode to the least used serial port (ide-ally, its own port).nual

by the Studio 4.

etwork Routing Windows MIDI Input

ort Column

ect both Macintosh serial etwork (consisting of either

Studio 4s), you can select al port each device uses to com-ith the Macintosh. You can een ports by clicking the port

Port column. Choose either port or the Modem port for e. You can also choose to route as generated by the Studio 4) e Macintosh Printer or Modem and drag down the Port change many port assignments

In Figure 688, ProMathe Macintsent to the

If you connport to a Stthe Port coMacintoshthe port as

TIMECODhandle onlyper serial pStudio 4s, no more thing timing

MIDI In C

Use the Coto enable dwith non-Odevices Cobetween en(uncheckeCompatibicompatibil35

.3, data from the Masterman-ker/1 and Vectorific is sent to osh Modem port. Timecode is Macintosh Printer port.

ect only one Macintosh serial udio 4 (or pair of Studio 4s), lumn merely illustrates which port is used; you cant change signment by clicking it.

E NOTE: The Macintosh can one incoming timecode stream ort. If youre using multiple its up to you to make sure that an one Studio 4 per port is send-information to the Macintosh.

ompatibility Column

mpatibility (Compat) column evice inputs when you work MS software. Click each mpatibility column to toggle abled (checked) and disabled

d). Click and drag down the lity column to change multiple ity settings.


36

In Figure 6.3, only timecode and MIDI data from the Masterman-88 are sent to non-OMS applications. MIDI data from the ProMaker/1 and Vectorific sound modules will not be sent to non-OMS applications.

IMPORTAMIDI appldevices in tcolumn in the applicaOMS appliTime Piece

SETTING

The right swindow coThese colufrom the Mdefined in document.

Figure 6.4: NOutput Side

MIDI Out Port Column

If you connect both Macintosh serial ports to a network (consisting of either one or two Studio 4s), you can select which serial port each device uses to com-municate with the Macintosh. You can NT: If youre using non-OMS ications, you MUST enable he MIDI In Compatibility order for MIDI data to be sent to tion. This is true even for non-cations that work with the MIDI (such as Performer).

THE MIDI OUTPUTS

ide of the Network Routing ntains the MIDI Out columns. mns control the signal routing acintosh to each MIDI device

your current Studio Setup

etwork Routing Windows MIDI

switch betwicon in thethe Printereach deviccolumn to quickly.

Use the MIthe MIDI oMacintosh

In Figure 6sent to theand Vector

If you connport to a Stthe Port coMacintoshthe port as

MIDI Out

When you tions, use tcolumn to the Macintdevices Cobetween en(uncheckeCompatibilcompatibilOpcode Systems, Inc.

een ports by clicking the port Port column. Choose either port or the Modem port for e. Click and drag down the Port change many port assignments

DI Out Port column to balance utput data between the two serial ports.

.4, data from the Macintosh is Masterman-88, ProMaker/1 ific via the Modem port.

ect only one Macintosh serial udio 4 (or pair of Studio 4s), lumn merely illustrates which port is used; you cant change signment by clicking it.

Compatibility Column

work with non-OMS applica-he Compatibility (Compat) enable the flow of MIDI from osh to each device. Click each mpatibility column to toggle abled (checked) and disabled

d). Click and drag down the ity column to change multiple ity settings.


Studio 4 Ma

In Figure 6.4, data from non-OMS applica-tions is sent to only the modem port and to the ProMaker/1 and Vectorific sound modules. Non-OMS applications will not send MIDI data to the Masterman-88 since its Compatibility column isnt checked.

MIDI TIMtions that wwill send Mregardless obility checknual

E PIECE NOTE: Applica-ork with the MIDI Time Piece IDI to the correct outputs, f whether the output Compati-

boxes are checked. 37

Studio 4 M

CHAPTER 7: Routing, Channelizing and Muting Window

WHEN TOCHANNEWINDOW

Use this wrouting, chtings in theretained bythe settingdow, can bStudio 4 st

The Routinwindow (Rfor:

RoutintimecoFor exmight ious deYou caof MIDcontrodevice

ChannYou cotransmolder anual 39 USE THE ROUTING, LIZING AND MUTING

indow to set and view all of the annelizing and muting set- Studio 4. All settings are the Studio 4 and, along with

s in the Network Routing win-e saved to the Macintosh as a ate (see Chapter 8).

g, Channelizing and Muting CM window, for short) is used

g MIDI data (including de)ample, in a live situation you route various controllers to var-vices or groups of devices. n even merge any combination I inputs so that more than one

ller can play the same MIDI .elizing MIDI datauld, for example, change the it or receive channel of an fixed-channel MIDI device.

MutinFor exgenerawant sresponmute tdevice

NOTE: MIformed by a(discussed manual). Ithe Routingwindow thaerly, make OMS patching schemeMIDI routig unnecessary MIDI dataample, if your master keyboard tes aftertouch, but you don't ome of your sound modules to d to aftertouch, you could he aftertouch outputs to those s.

DI routing can also be per- sequencer or by OMS patches

in the Studio Patches Editor f youve designed a routing in , Channelizing and Muting t doesnt seem to perform prop-

sure that your sequencer (or ) doesnt have a conflicting rout-. Its up to you to keep track of ngs.


40

WINDOW OVERVIEW

Choose MIDI Routing, Channelizing and Muting from the Studio 4 menu to open the Routing, Channelizing and Muting window.

Figure 7.1: RWindow

When youreflects theand Mutin

Four separate areas make up the Routing, Channelizing and Muting grid. These areas are illustrated in Figure 7.2 and are discussed later in this chapter.outing, Channelizing and Muting

open an RCM window it current Routing, Channelizing

g setup of the Studio 4.

Figure 7.2: R

When you are sent imStudio 4 alof this windthis setup wwindow (oactive). If yrememberChanneliziturn it off oing the RC

RCM WinStudio 4

Notice thatsixteen rowcolumn repMIDI inpuof sixteen Sever, a singMIDI inpuyour StudioOpcode Systems, Inc.

CM Window Block Diagram

edit this window, the changes mediately to the Studio 4. The

ways reflects the current setup ow. The Studio 4 remembers hen you close the RCM

r you make another window ou want your Studio 4 to the most recent MIDI Routing, ng and Muting configuration, nly after closing or de-activat-M window.

dow with a Single

the MIDI Routing Area is a by sixteen column grid. Each resents one of sixteen Studio 4

ts and each row represents one tudio 4 MIDI outputs. How-le Studio 4 has only eight

ts and eight MIDI outputs. If Setup document contains

MIDI Routing Area

Timecode Routing Area

Channelizing Area

Muting Area


Studio 4 Ma

only one Studio 4, youll use only the first eight rows and columns in the MIDI Rout-ing, Channelizing and Muting areas. Also, you'll use only eight of the timecode rout-ing squares.

The RCM window illustrates its active regions byof the gridwindow's tStudio 4 isPrinter por

RCM Winin a Sing

If you haveas shown iwork contasixteen MIumns 9-16

Figure 7.3: T

As shown in Figure 7.4, the entire RCM window grid is active when you connect two Studio 4's to a single network. Also, notice that both Studio 4's are repre-sented in the timecode routing area. The window's title bar indicates whether the network is connected to the Modem port,

OUT

SMPTE

IN

PORT B P

B

THRU

9VDC

OUT

SMPTE

IN

PORT B P

BTHRU

9VDC

MACINTOSHnual

dimming all unused portions as shown in Figure 7.1. The itle bar indicates whether the connected to the Modem port, t, or both (2 cables).

dow with Two Studio 4s le Network

a second Studio 4 connected n Figure 7.3, your Studio 4 net-ins sixteen MIDI ins and DI outs. Rows 9-16 and col-represent the second Studio 4.

wo Networked Studio 4s

Printer por

Figure 7.4: RSingle Netwo

RCM WinStudio 4

As discussyou have esingle netwyoull haveing and Mu

However, iworks (oneMacintoshRouting, Cdows (one

MIDI OUT MIDI INORT A

A

THRU

8

16

7

15

6

14

5

13

4

12

3

11

2

10

1

9

6

14

5

13

4

12

3

11

2

10

1

9

MIDI OUT MIDI INORT A

ATHRU

816

715

614

513

412

311

210

19

614

513

412

311

210

19

Set to 9-16

Set to 1-8

Optional 2nd cable41

t, or both (2 cables).

CM Window for Two Studio 4s in a rk

dow with Two or More s in Two Networks

ed in the previous sections, if ither one or two Studio 4s in a ork (or a 2-cable network),

only one Routing, Channeliz-ting window.

f you have two Studio 4 net- network connected to each

serial port), youll have two hannelizing and Muting win- for each port). From the


42

Studio 4 menu, choose any Studio 4 on a modem port to open the Routing, Chan-nelizing and Muting window for the modem port. Choose any Studio 4 on a printer port to open the Routing, Channel-izing and Muting window for the printer port. If a network has only one Studio 4, its RCM wa network RCM wind

MIDI MU

MIDI mutiprogram caftertouchsensing, beexclusive aevents at eoutput.

This is verdata streamired MIDI

NOTE: BePosition PoClock, StarMiscellaneRequest, Systatus bytes

Using MIDI Mutingindow uses only the 8x8 grid. If contains two Studio 4's, its ow uses the entire grid.

TING

ng allows you to mute notes, hanges, mono or polyphonic , pitch bend, controllers, active at clock, timecode, system nd miscellaneous system ither the Studio 4's input or its

y useful for thinning the MIDI by muting unused or undes-

messages.

at clock messages include Song inter, Song Select, Timing t, Stop and Continue messages. ous system events include Tune stem Reset and undefined MIDI 0xF4, 0xF5, 0xF9, and 0xFD.

Figure 7.5: M

Use the hoignated bymessages ainputs. Usecolumn to mthe Studio Opcode Systems, Inc.

IDI Muting Area

rizontal MIDI muting row (des- an M) to mute MIDI rriving at the Studio 4 MIDI the vertical MIDI muting ute MIDI messages leaving

4 MIDI outputs.

Studio4 Input Muting Row

Studio4 Output Muting Column


Studio 4 Ma

Click one of the muting squares (as shown in Figure 7.6).

Figure 7.6: C

A Mute wiFigure 7.7.

Figure 7.7: D

You can elof MIDI dapassed (noarrow.

MIDI data which is muted is indicated by the international NO symbol.

You can toggle between muted and unmuted MIDI messages by clicking the nual

lick to Open Mute Window

ndow opens similar to

efault Mute Window

ect to mute up to eleven types ta. A MIDI message which is t muted) is indicated by an

icons.

Figure 7.8: C

Figure 7.8 that removthe MIDI d43

lick to mute/unmute

shows a mute configuration es polyphonic aftertouch from ata sent to the ProMaker/1.


44

When you have muted one or more MIDI messages, an M appears in the appropri-ate location in the Routing, Channelizing and Muting window.

Figure 7.9: M

MIDI CH

Use MIDI MIDI chanentering o

MIDI chanyou have dequipmentfixed chanizing to ch

Using MIDI ChannelizingIDI Muting Indicator

ANNELIZING

channelizing to change the nel number of data either

r exiting the Studio 4.

nelizing is particularly useful if evices (usually older MIDI ) that transmit or receive on a nel. You can use MIDI channel-ange a fixed MIDI channel.

Figure 7.10:

Use the Mnated by a MIDI messing columnmessages.

Click one oshown in F

Figure 7.11:Opcode Systems, Inc.

MIDI Channelizing Area

IDI channelizing row (desig-Ch) to rechannel incoming ages. Use the MIDI channeliz- to rechannel outgoing

f the channelizing squares (as igure 7.11).

Click to Open Channelizing Window

Studio4 Input Channelizing

Row

Studio4 Output Channelizing

Column


Studio 4 Ma

A Channelizing window opens similar to Figure 7.12.

Figure 7

opcode studio 4

Documents

permission of opcode

circumll opcode systems

limited warrantyopcode

returned product

e software

e package

e extent

implied warerchantability