october 1, 1986, carnegie newsletter

13
NEWSLETTER

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NEWSLETTER

N i c e t a see t h e p c ~ l i t i c i a n s h a v e l o t s of t i m e t o wage a n e l e c t i o n campaign . T h e o c t a b e r 22 p a l l i n g d a t e w a s announced 1 as t w e 1 fare c h e q u e day. Let T s see, t h a t T l l g i v e them p l e n t y of t i rile t 13 k i c k t h e i r c a m p a i g n s i n t o g e a r , h c ~ l d f u n d r ai ser i, c h u r n out s i l l y p r e s s releases, g i v e s p e e c h e s , p o l i s h images . A ' 1 ong and g r u e l l i n g campaign ' t h e y ar e p r e d i c t i n g . And when i ts o v e r , when t h e y h a v e c o u n t e d t h e v o t e s , t h e wi:;-rnars w i l l have t i r i l e t~ d a n c e a j i g , y o on v a c a t i m , g e t a s u n t a n , come back , h a v e t h e i r s h c ~ r s s h i n e d and t h e i r s u i t s p;*+c-sed, g i ve a f e w i n t e r v i e w s , t a k e a q u i c k c o u r s e o f p u b l i c s p e a k i n g : ~ S S E I ~ I S , have a jui--ici? o f riia~tir~i=, get 5 h ~ i i - hair d y a d , and h a v e t h e i r l a w y e r f i n d a way a r o u n d t h e b l i n d t;*ust n u i s a n c e . . . a1 l b e f o r c

ne:it uel fare cheque d a y .

Long and g r u e l l i n g is r i . ~ ! ? t , b o y s ! But i t d i n t +?agpet~ iny cn 'he c~ii1paigt-i t r a i l . T h a t ' s a g r a v y t r a i n compared with t h e sadlstic f i v e w e e k j o u r n e y b e t ~ e e n the l as* s c a n d a l c u s l y sri~ai 1 w e i far e c h e q u e and t h e n e x t , be tween September 24 when

t h e poilu l a s t get pa:d and Octctber 24 when t h e n e x t chc-que is d i s t r i b u t e d .

Long a n d g r u e l 1 i n g campa ign . . , ! TL 1 - - - g u y s are?: ' t even waif i n s to b~ e l e c t e d be fawe t h e y s t a r t t o m a k e u 5 l a u g h .

Enough ~ f that. A f r i e n d d r c ~ p p e d dc~wti frcarii t h e t n i u d f i oc~r c h e s s - p l ayinj area the o t h e r day t o b r i n g a n a p p l e a n d a n i d e a . The a p p l e w a s g a x i , the i d e a w a s bet t eii. He t h o u g h t w e s h c u l d g i v e a p a t on t h e back t o t h e Wc~dw~:~r k Shop r e who built the t a b l e s and c h a i r 5 we're new u s i n g t h r ~ x g h o u t t h e building. T h e y v r e as good as y o u T l l f i n d anywhere, h e s a i d , and they're i i~ade try Q U ~ 0 ~ t 7

b o y s and w e s h o u l d say t h a n k s f o r a j o b w e l l d12ne. Y e a l so u r g e d people t a be c a r e f u : n if t h ~ w x ~ d , and n~;t t o put c i g a r e t t e s dclwn st:

t h e t a b l e s .

S p e c i a l t h a n k s t h i s . i s s u e t 1 > TOEA f ~ r t h e s t t l t i n i t ~ g art w o r k c ~ n the f r o n t , c e n t r e a n d back pages . .

To the k i n d 1 a d y who d o n a t e d a 1 3 ~ ~ 4 - -et nar m a c h i n e ti3 t h e N e w s l e t t e r - and t o t h e G e s t e t n e r company on W. 3 r d w h o

f i x e d i t f o r Us- And t o Katherine G.,

b l ess her, for a d o n a t i o n . . .%

p i ~ l i t i c s s t i n k . The p~:c~r a r e a lwayc

eritbar r ass i t7g anyclne who ha. enough nmney i n t t-iei r PCIC l.et E

t o c i ~ v e r expenses - -and t t-it

r i c h h a t e u s b e c a u s e w t a l w a y s shitw LIP a t t h e wrilnc tirile a n d r u i n t h c i d e a t h a t t h e g c a d 1 i f e i s etijclyed b j a l l .

I t ' s t- i i l t SO ri~uch t h a t w t d i ~ - ~ ' t h a v e n~lzitiey, t h a t w e a r t thrlllwn c1ut ctf t h e 1 n ' p l a c e s - - i t s . ] ~ r s t t h a t pillsr p e u p l e a re s111 goddarl~t ertlbar r ass i ng t o h a v e arour id .

TDRA

Will d o l l a r s chase poor aut? I n t h e b r i g h t w a ~ r i ~ t h elf ttie wan O i t ~ : ~ b e r s u n i t t i e feel s t h e c t - ~ a t ~ p e i1:trite; t h i s b r i e f p a u s e of s e a s o n h e i g h t e n s t h e a p p r I I I ~ I : ~ ~ clf t h e y e a r s et id. I ti ttiis b r i e f h i a t u s I p a u s e tls

ccttisi d e r t h e a p p r oat: ti i tiq kr in tey o f ctur cc~ri~ritutiity.

With a r e a s 1:1f w a t e r f r ~ : ~ t i t , p a r k s , p r c ~ p o s e d c a n a l s, t h e b e a u t y i t f t h e ri~i:~utitaitis, a n d a liar bctr f i 1 1 e d w i t ti g r e a t s t- , i , , , I= , , - - Gastowti , f:t-ritiatc~wti .. w a l k i tig d i s t a n c e f Y 115 r i ~

d ~ : ~ ~ t i t ~ : l ~ t i . . t h i s area is a d e v e l o p e r s drearit. F ' i c t u r e t h e Hast i n q s S t r e e t h o t e l s gclne, r e p 1 a c e d by a p a r t r i ~ e n t s a n d ~:ot-td~lri~itiiCtrjts 1:1ti1y a ri11:tYe

a f f l u e n t p e o p l e t:ould a f f o r d . I feel atid h a v e f e l t t h i s c h a n g e ~:~:lritit~g f c ~ r sorite y e a r s t i , a n d I t r u l y G e l i e v e i t i s h a p p e n i tig , a n d w i t t i l > ~ t t a c ~ m i er t e d e f f t:lrt t 1s s u p p l y c lecent h s u s i t i g a f f c ~ r d a b l e b y ttie pum-, ttiis ~:~>rirritutiity w i l l d i s s o l v e . Ttie p 1 ~ 1 r w i 11 b e d i s p l a c e d t 12 a t i ~ = ~ t h e r a rea , a n d a new g t i e t t ~ : ~ w i l l b e b i ~ r t: .

T h e r e is sitri~et 1-1 i ng b a s i c a l l y wrc~tig w i t h a S I X i et y t h a t w i 1 1 a1 1 c~w t tie p ~ x ~ r tct d e v e l ~ s l p a b e t t e r c~miritutiity -- ~ : ~ t i l y to litse i t t o meti ilf g r e e d . At-rd whet1 yl>u c c ~ t ~ s i d e r t h a t t h i s si t u a t i a t 7

w i 1 1 b e h e l p e d b y p o l i t i c i a t i s w h i ~ g i v e 1 i p s e r v i c e t111 SO:II: i a 1 n e e d s . . ! The sariie

p e ~ ~ t p l e wtic* gave y c ~ u EXPO, w i t h i t s r e l a t e d d e a t h s a n d

cl : ispla~:eri~et i t w i l l g i v e t h e 11:tcal p ~ r ~ c ~ r a n o p p l ~ ~ r t u n i t y tct l i v e i n a t i e w g h e t t o .

T h e r e were r e p i ~ r t s o f sclc i a1 t r aurila f r c~ri~ M i l t 7 t T e a l E x p ~ > . . S t . L i ~ u i s . . t h e Llzls Ange l es G a r i t e s . . w t i i c t i s p e l l ~:tut e x a c t 1 y w t i a t h a p p e t i s ,

wha t d i d h a p p e n a n d w i 11 happe t i . Our pill i t i 1: i a n s p r o m i s e d . . " i t won ' t t - ~ a p ~ i e t - ~ h e r e " b u t t h e t i t h e y f~:~llctw t h e same p a t h as i f t h e r e were a f i xed set of v e s t e d r u l e s f o r s h a f t i n g ttie poiw.

Ttie p e i ~ p l e h e r e r i 1 ~ 5 t r i s e LIP p ~ : ~ l i t i i a l l y , a n d w i t h a ' r es~:ut id i n g v o i c e deri~atid t t i i s b e t t e r tiei g h b u ~ t r t i o i ~ d f o r t h e i r ~8wt-r . ITrit t a l k i n g a b o u t ' r i g t i t h e r e , w h e r e w e a r e now, a r o u n d Mai ti a n d H a s t i n q s .

Our t i e w t - teighb~:~urs w~rt~! ldn? t w a n t u s anyway !

Wtie t i t tie p o l i t i I: i a n s d e a l fr~:lrit t h e b i ~ t t i t r i ~ ctf t h e deck: w e r i ~ u s t c r y c h e a t .

I f w e riiust gas1 c u t , l e t u s t ~ c l t g o O U ~ w i t h . j u s t a w t7 i rnp er !

TOM LEWIS

The good news Henr i e t t e C:habot g a v e b i r t h to an 8 l b . b a b y g i r l a t 12: 0 1 a t 7 S e p t e r i ~ b e r 19. Ttie b a b y ' s tiarm is C l a i r e I v n v v .

OUR FAR-FLUNG CORRESPONDENTS

A wird strol l on Yonqe St, TAYLOR By PAUL

TORONTO: U s u a l l y a dead s l e e p c a n b e e n j o y e d t h r o u g h a n a i r r a i d . But when it's too q u i e t ( n o ambulances, no f i r e s t a t i o n a b l o c k away, n o d runk f l o o z i e or c r y i n g s t o n e r i n t h e n e x t room a t 4 i n t h e morning, no s t r i p j o i n t up t h e street w i t h a microphone- to t i n g s h i 11 g e t t i n g a l l t h e NACHOS t o s c r e a m and w h i s t l e when a g i r l t a k e s h e r c l o t h e s o f f . when i t ' s too q u i e t , you wake up a hal f -dozen t i m e s a n i g h t and p i n c h y o u r s e l f t o make s u r e t h a t you' r e n o t dead.

T o r o n t o is g e t t i n g w e i r d e r . I t o o k a w a l k up and down Yonge Street and t h e s e are s o m e o f t h e t h i n g s t h a t happened: * An o l d nian w i t h a b i g g r i n on h i s f a c e as t w o h o o k e r s are a r g u i n g o v e r who s a w him f i r s t . One punched t h e o t h e r i n t h e head and g o t h e r t i t b i t t e n o f f f o r t h e e f f o r t . ( A t 11 o y c l o c k i n t h e Morning?) * A guy <?) w i t h g r e e n h a i r a n d o r a n g e c i r c l e s a round h i s e y e s goose - s tepp ing a c r o s s the street and back t w i c e u n t i l t h e l i g h t changed and t h e n a r e p e a t pe r fo rmance f o r t h e g r e e n l i g h t t h e o t h e r way. I k e p t walking b u t had J 1 . - r - : I ) I 8 . . . J I

t h e r e for h o u r s ( p o s s i b l y y e a r s ) .

* A H a r e Kr i shna g roup of zombies t r y i n g t o s h y s t e r d o n a t i o n s from a s i d e w a l k s t a n d f o r t h e Communist P a r t y o f Canada. Maybe i t w a s a l u c r a t i v e c o r n e r f a r p a n h a n d l i n g and t h e f a k e Hindu i m b e c i l e s had been b e a t o u t by t h e c l o n e s . t A s t a r t l i n g h e a d l i n e on a newstand t h a t had e d i t o r s a d m i t t i n g t h a t a l l e x c l u s i v e stories about t h e r i c h and / or f ari~ous w e r e pur c b u l l , ( they s a v e d t h e m s e l v e s from e x e c u t i o n by s t a t i n g for t h e r e c o r d t h a t t h e UFO r e p o r t s w e r e a l l t r u e . ) * A drunken man t r i e d t o se l l rile h i s comb f o r f i v e d o l l a r s ; h e s a i d t h a t h i s rmther was d y i n g o f c a n c e r of t h e e v e r y t h i n g and h e needed cab f a r e t o t h e h o s p i t a l . * A b l a c k man w a s s t o ' 3 a l l t h e w h i t e p e o p l e , d s a y i n g real 1 oud, "I ' v e se< n t h e D e v i l ! I ' v e s e e n t h e Devi 1 ! He's a Honkie! !? ( H e ' s p r o b a b l y r i g h t , i n h i s eyes . When h e s t o p p e d m e , t h e f i r s t r e p l y w a s , "Racism s u c k s " "Then how come w e ' s a l l d i f f e r e n t c o l o u r s ? Huh?" "I g u e s s i t depends on how

, 7 - I t

Librarian trrrns d e t e c t iue t o I n l a t e 1379, j u s t b e f o r e t h e C a r n e g i e w a s d u e t o b e r eooet-red as a i orimuni t v c e n t r e , l i b r a r i a n Ron D u t t o n

s t o o d a c r o s s t h e s treet a n d wondered what i t would b e l i k e t o w o r k t h e r e . A s h e l o o k e d a t t h e newly - r enova t e d H a s t i n g s Street f a c a d e t h e r e seeriled t o b e a n odd gap . High on t h e w a l l w e r e t h r e e st ai ned g l a s s w i ndcaws d e p i c t i n g E n g l i s h p o e t s M i 1 t u n , S h a k e s p e a r e and S p e n c e r . But d i r e c t l y be low w e r e t h r e e srflall er w i ndows g l a z e d w i t h t r a n s l u c e n t s e c u r i t y g l a s s . I t w a s u b v i l m s t o t h e new l i b r a r i a n t h a t t h e s e too had m ~ e h e l d s t a i n e d g l a s s p a n e l s . But what t-r a d t h e y 1 c~o):: e d l i k e . . . a n d whe re w e r e t h e y t> 111 w ?

The s t r a y t h o u g h t s began a s e v e n y e a r d e c t i v e - s t y 1 e h u n t f u r t h e m i s s i n g windows-- t h r e e - s q u a r e - f o o t p u r t r a i ts o f Walter S c o t t , Thomas Moore and F:obert b u r n s - " - - .

" I t w a s as i f - . t h e b u i l d i n g g r i n n e d and t h e r e w a s a t o o t h m i ssi ng, " t h e l i b r a r i a n rerilembered t h i s w e e k , " I t w a s o b v i o u s t h e r e h a d b e e n s t a i n e d g l a s s t h e r e b u t i t wasn' t t h e r e a n y l o n g e r . "

D u t t o n began h i s s e a r c h w i t h a c a l l t o t h e p u b l i c l i b r a r i e s H i s t o r i c a l F h u t o g r a p h s s e c t i o n . They w e r e a b l e t o d e s c r i b e t h e

ssi ng windows.. . h e a d a n d

t h r e e p o e t s , f r anied by el a b ~ x a t el y - d e t a i 1 e d 1 e a v e s a n d c o l u r i ~ n s c h a r a c t e r i s t i c o f l a t e 1890's d e s i g n . . .

. .

F i n a l l y Eon t a l k e d t o Lloyd B l a n c h e , t h e p u b l i c l i b r a r y ' s l a s t j a n i t o r a t C a r n e g i e who c o n f i rri~ed t h a t t h e windows w e r e i n p l a c e when t h e l i b r a r y moved t o E u r r a r d and Eobson i n 1357. And Vic C a t l c ~ w , j a n i t o r f o r t h e C i t y Museum when i t t u a k o v e r t h e b u i l d i n g e i g h t months l a t e r w a s c e r t a i n t h e y were n o l o n g e r t h e r e i n 1.358. S o t h e "

w i ndcsws d i s a p p e a r e d du r i ng - C a r n e g i e r s c l o s u r e f o r t h e '

i w t v e r s i o n t o a museum, i n *

1'357-58. From t h e r e t h e t r a i l went

c o l d . The Vancouver Museum, C i t y A r c h i v e s , H e r i t a g e F l a n n i n g , e v e n t h e Glet-rbuw Museum i n C a l g a r y w e r e c o n t a c t e d , w i t h o u t s u c c e s s . The s e a r c h l a s p e d f o r two y e a r s.

Then, e a r l y t h i s y e a r , a f a r i l i l y o f f er e d t h r e e windows f o r sale t o t h e Vancouver Museum, c l a i m i n g t h e y had come f rom t h e Ca rneg i e b u i l d i n g . Museum d i r e c t or Rob Watt checked w i t h

,

H e r i t a g e P l a n n i n g , who s u d d e n 1 r emembered - tha t Ron D u t t o n had made e n q u i r i e s i n 1384. The t r a i l , now h o t a g a i n , l e d backwards t o t h e f i l e Ron had been c o m p i l i n g , 1 ~ 1 . . . - C .-. - , - , . . - :

s o h e s t a i n e d g lass mystery And t h e windows--which h a d b e e n c a r e f u l l y s t o r e d i n a n a t t i c f o r 30 y e a r s - - w e r e i d e n t i f i e d as t h e m i s s i n g t h r e e p a n e l s h e h a d been t r y i n g t o t r a c k down f o r s e v e n y e a r s . They w e r e i n e x c a l . l e n t c o n d i t i o n .

"The number o f c o i n c i d e n c e s w e r e a m a z i n g . " Ron s a i d . "The way p e o p l e w e r e c o n t a c t e d who h a d beet1 i n c o n t a c t w i t h me."

I t is now t h o u g h t t h a t , as p a r t o f t h e 1957-58 b u i l d i n g a l t e r a t i o n s , a g l a z i e r w a s h i r e d t o r e p l a c e t h e f r a g i l e s t a i n e d g l a s s w i t h s t u r d i e r windows, t o p r o t e c t t h e M u s e u m ' s e x h i b i t s . A f t e r t h a t t h e windows w e r e 5.131 d. What is c e r t a i n , s a y s Eon, is t h a t t h e p r e s e n t owners p u r c h a s e d t h e wi ndilws l e g i t i m a t e l y .

Vancouver Ci t y Counc i l has a1 located t h e f u n d s n e c e s s a r y t o p u r c h a s e t h e S c o t t , B u r n s , a n d M o o r e p a n e l s . P r ~ t e c t by p l e x i g l a s s t h e y w i l l i n s t a l l e d b y t h e e n d cf our C e n t e n n i a1 year- -and t h e r e w i l l b e s o m e swt of p u b l i c c e r e m i ~ t l y . Y12u c a n b e t Ron D u t t o n w i l l b e t h e r e . "This is a w o n d e r f u l s e n s e o f c o m p l e t i o n . A l l t h i s g u t s t a r t e d b e f o r e I e v e n s t a r t e d work h e r e , t h e d a y my e y e s d r i f t e d down t h e building f r o m across t h e s treet . Now s e v e n y e a r s l a te r w e h a v e t h e windows b a c k i n p e r f e c t - 1 - - - - IY .-*

The C a r n i v a l b a r k e r c a l l s y ~ u i , c u t caf t h e c o l d a n d i n t l ~ t h e b a r s , whe re you g e t a n y daritn t h i t i g yctu want .

The s t r e e t s l u r e you i n , fancy 1 i g h t s , t h e c u n s t a n t a d v e r t i s.i tig o f a "good t i me". . and end 1 ess p r omi se . S o , you wander i n s i d e , s e a r c h i n g :car t h e g ~ ~ d tirile,

and e v e r y ~ m e is w a i t i n g f o r y a u t o tilake a m i s t a k e . And y ~ u might make a m i s t a k ~ b e c a u s e 13f d r i n k , u r t h e p r a s i s e h e l d i n t h e n i g h t .

FSeclpl e know! They know b e t t e r t h a n b e f o o l i s h on C a r n i v a l n i g h t . Y e t a f t e r a f e w d r i n k s , s u r v i v a l t e c h n i q u e s a re f o r g o t t e n , t h e knciwl e d g e o f what is real and w h a t i st1 ? t i s f ~ x g c b t t en ;

: - . '.. 2 - - -4

E v e r y month w e s a y ; n e x t c h e q u e is g o i n g t o b e d i f f er e n t . But e v e r y o n e d o e s t h e s a m e damn t h i n g o v e r a g a i n.

D o yuu n o t i c e how t h e p r i c e a f b e e r g o e s up? Oh-oh.. c a r e f u l . A r e t h e r e p e o p l e a t you r t a b l e y o u dcm? t know, and are yau b u y i n g t h e b e e r ? 1 t s e e m s e v e r y b o d y w a n t s t i 1 1

b e t h e good g u y b e c a u s e to b e t h e bad g u y is t o i n v i t e t r o u b l e .

S o m e t i mes, o n rare ~ ~ i a ~ i o n s , money w i l l b r i n g p e o p l e t o t h e i r s e n s e s , i f t h e e g o t h i n g d o e s n ' t g e t i n t h e way. You know t h a t o n e . . " N o , i t c u u l d n T t happen t o m e . " T h e p r e d a t o r . . t h e small f r y . . t h e d a n c e g o e s ,- +Y ! -, .- 4 , - 7 - 4 3

b l a s t i f w e c o u l d g13 to a P a r t y and walk 13ut a1 i v e and

h e a l t h y and a s f i n a n c i a l l y s e c u r e a s w e w a l k e d i n ! And h a v e a good t i m e b e s i d e s ! ! !

I n a n a g e 13f m i r a c l e s , a n y t h i n g is p o s s i b l e .

I f e v e r y o n e h o n e s t l y had a good t i m e , and k e p t t h e i ~ h e a l t h , i t would p r o b a b l y be p r o f i t a b l e for every12ne. '4."' .-' U

know t h i s . N o v i o l t n i e e q u a l s more p r uf i t e q u a l 5

g ' i in. But t h e r e a re some who

s p a i l i t f u r i t t h l ~ - f ~ .

P e i i p l e who r o l l o t h e r pei2pl e, u s i n g v i o l e n c a t l 3 y e t money, a re i n j u r i n g e v r y o n e e l s eYs p r l ~ f i t , and t h s o n l y i m e who d ~ e s p r o f i l ; i s t h e r, z G , j q L -

i f . r ,, 2.. F ,fa-< t- + i.1 1

1 oses. Exari~pl e: S i tm~ot ie gii- .. o u t f c ~ r a b e e r , a t e l e v e n 1 '. w a n t s t o g o somewhere e l se , b u t t h e p r e d a t o r s t r i k e s - - d l e a v e s him i n j u r e d a n d b r

Pe r h a p s t h e "sornei=lne" l a o k i n g f o r a n o t h e r b e e r , a c a b , fir a r e s t a u r a n t , a r , b u s , or a n i g h t l a d y - s p r e a d i n g t h e mciney a r o u n d - so who loses?

Very s i m p l y , C a r n i v a l ci- b e a v e r y good t i m e f , - e v e r y m e , o r a v e r y bad t i r o t f o r eve ryone . I v e h e a r il p e o p l e s a y . . y e a h , i t T s a gc~od t i m e . . " t o o bad a b o u t t h e v i c t i m s . " Watch t h e o n e s w h ~ say t h i s , b e c a u s e " t o o bad" i 3r. l ' t n e a r 1 y goad e n ~ x q k i .

1 , . ae s h ~ u l ci du ~ ~ ~ ~ i i e t h i n~ - s - ., L Lt.: - I * - - - F . L - 1- . , , I

s t u f f . . t h i s a t t i t u d e is a l l wrong . We've h e a r d t h e l i n e . . " W e l l , i f t h e g u y is so f o o l i s h , i t ' s h i s own f a u l t . . "

O r . . " W e l l , r e a l l y . . what c o u l d I , l o w l y l i t t l e m e , d o a b o u t i t . "

O r . . " W e l l i f t h e s e t h i e v e s g o t t h e g u t s , good f o r them, as l o n g a s t h e v i c t i m i s n ' t m e . . I'

T h i s , s a d l y enough, is t o d a y s g e n e r a l a t t i t u d e . The e x t e n t o f m o s t p e o p l e T s c m ~ p a s s i o n , i n a l i n e . . " W e l l , go sh , too bad , b u t .."

Reminds p e o p l e o f a n o l d b l u e s song . . "Liv ing on t h e s t ree ts you d o n ' t g e t l i v e l i e r . . you j u s t g e t o l d . "

EVERYONE F:ESF'ONSIEILE

N o t t o b e mundane, b u t t h e r e is a way t a t h i n k o f t h i s , it j u s t f e e l s somewhat s h y t~ s a y i t b u t h e r e g o e s .

Prop1 e have younge r b r o t h e r s and s i s ters and c h i 1 d r e n , and s o m e t i m e s o u r " t e a c h i n g s " j u s t d o n ' t t a k e h o l d . Samet i m e 5 r e b e l 1 i o n sets i n and j u s t t h e o p p o s i t e happens .

S o h e r e w e are, c r e a t i n g a s u c i e t y and " t e a c h i n g o u r own" b u t knowing t h a t o u r t e a c h i n g s more t h a n l i k e l y won' t w o r k .

So, i n f a c t , w e h a v e th rown t h e young i n t o a s l a u g h t e r , u n l e s s t h e young c a n c h a n g e s o c i e t y t hemse lves . SO, w e d o t h e c y c l e bu t n o t e t h e c h a n g e s don't come a5 easi l y

I

as t h e y u s e d t o i n g r o u p c o n s c i o u s t ~ e s s . I t ' s h a r d e r t o d a y t o c h a n g e p e o p l e ' s bad a t t i t u d e s t h a n a t a n y t i m e , b e c a u s e , b y s a y i n g . . " W e 1 1, g o s h , too bad , bu t . . . " w e h a v e honoured a n d condoned a n d g l a m o u r i z e d p e u p l e p s bad a t t i t u d e s .

The w o r s t w e c a n b e is t h e p a t r o n i s e d , g l a m o u r i z e d and s o c i a l i s e d image w e h a v e c r e a t e d for o u r s e l v e s .

So, t h e c a r n i v a l b a r k e r c a l l s you i n o u t of t h e c o l d , a n d e v e r y o n e i s r e s p o n s i b l e f o r t h e c a r n i v a l .

E v e r y o n e i s r e s p o n s i b 1 e f or t h e problem.

So c o u l d we. . . y o u a n d I , t h i n k a b o u t h e a r t f o r a w h i l e . E s p e c i a l l y on C a r n i v a l n i g h t

deaths

R r t i s t s p ~ n t e s t ane break=in

-

I CRAB Park g e t s e h a $160,ODO A f t e r a n g r y p r o t e s t s f rom downtown E a s t s i d e r s Monday n i g h t , Pa rks Board v o t e d a b i g b o o s t i n t h e money f o r CRAB and Oppenheimer p a r k s .

D e l e g a t i o n s , i n c l u d i n g p e o p l e from Carneg ie went t o t h e mee t - i n g t o e x p r e s s d i s g u s t o v e r c u t s p l a n n e r s had recommended, which would g i v e a r e a p a r k s o n l y $50,000 i n t h e n e x t f o u r y e a r s t o comple te , r e p a i r and improve a l l Downtown E a s t s i d e P a r k s - a r e a s .

But t h e Board d i d a n a b o u t - f a c e a f t e r a h e a t e d d e b a t e and v o t e d an e x t r a $160,000 f o r CRAB Pa rk - p r o b a b l y f o r t h e p r o p o s e d p i e r - and an e x t r a $20,000 f o r Oppenheimer, br ingin! t h e money f o r t h a t p a r k up t o 75 ,000 .

The P a r k s Board p r o t e s t e r s p o i n t e d o u t t h a t t h i s a r e a i s t r a d i t i o n a l l y under funded f o r p a r k s , and t h a t t h e s l a s h i n g o f t h e budge t f rom $360,000 t o $50, 000 t h i s t i m e was u n a c c e p t a b l e .

I h e jaua jump may be jiue! C a r n e g i e F s r e n t , s - t a f f

s a l a r i e s , s u p p i i e s , at>d prctgram c c ~ s t s a r e a l l p a i d for by t h e c i t y . I 5 d y

t h e huge p r o f i t #:)ti c ~ ~ ~ f f e e

A PUPLICATION O F I

THE CARNEGIE CENTRE 401 M A I N STREET