no - leslie hindman auctioneers · niccolo boldrini (italian, 1510-1566) samson and delilah (after...

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fine prints NO.440

BID LIVE ONLINE

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Cover | Lot 298

Franz Gertsch, (Swiss, b. 1930)Natascha VI, 1987

www.lesliehindman.com

© Leslie Hindman Auctioneers, Inc. 2016

C H i C A G O , i L L i n O i sILLINOIS AUCTION FIRM LICENSE NUMBER 444-000295

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FRIDAy 20 MAy | 10AM – 5pM

SATURDAy 21 MAy | 10AM – 3pM

SUNDAy 22 MAy | 12pM – 4pM

MONDAy 23 MAy | 10AM - 5pM

AuCtiOn

tuesdAy 24 mAy i 3pm

OLD MASTER | LOTS 1 – 20

19TH AND EARLy 20TH CENTURy | LOTS 21 – 59

MODERN AND CONTEMpORARy | LOTS 60 – 313

prOperty piCK up HOurs

mOndAy – fridAy | 9:00Am – 4:30pm

All property must be picked up within seven business days

per our Conditions of Sale.

Lots marked with an asterisk (*) are tax exempt as permitted by law.

FINE pRINTS

Tuesday 24 May 2016

prOperty frOm tHe estAtes Of

Joyce Burlingame, Buffalo Grove, Illinois

Sara Jess Cloud, Williamsburg, Virginia

John and Gloria Green

Marjorie J. Hagstrom, Kansas City, Missouri

Rita Dee Hassenfeld, palm Beach, Florida

Erika Klüsener Kultermann, Berlin/Chicago

Denise Selz, Chicago, Illinois

Bernard W. Weitzman, Creve Coeur, Missouri

prOperty frOm tHe COLLeCt iOns Of

Isabel Abrams, Wilmette, Illinois

Mr. Stuart Barnes Jamieson, Oak park, Illinois

Siegmund Halpern, Ladue, Missouri

Chuck Jung, St. Louis, Missouri

Ms. Sybil K. Kahn, Kansas City, Missouri

Mr. and Mrs. William Kahn, River Forest, Ilinois

Mrs. Norma Kramer, Highland park, Illinois

Mr. Bill Monahan, palm Springs, California

Robert and Mary Moriarty, Oak park, Illinois

Connie Nelson, Westmont, Illinois

Kelly Richter, Libertyville, Illinois

pearl Siegal, Hollywood, Florida

Ann M. Rothschild, Chicago, Illinois

Opposite | Lot 265

Roy Lichtenstein, (American, 1923-1997)The Sower (from Landscape Series), 1985

COntents

OLD MASTER LOTS 1 – 20 6

19TH AND EARLy 20TH CENTURy LOTS 21 – 59 48

MODERN AND CONTEMpORARy LOTS 60 – 313 64

ARTIST INDEx 130

AUCTION INQUIRIES 132

CONDITIONS OF SALE 134

TELEpHONE / ABSENTEE BID FORM 136

Opposite | Lot 301

Chuck Close, (American, b. 1940)Self Portrait, 2000

Old Master | Lots 1 – 20

Opposite | Lot 17

Francisco de Goya, (Spanish, 1746-1828)No te escaparas.pl. 72 from the irst edition of Los caprichos, 1799

8 f i n e p r i n t s

1

After Albrecht Durer (German, 1471–1528) Portrait of Frederick the Wise, Elector of Saxony, 1524 engraving 7 5/8 x 5 inches.Ref: Koehler, 99; Meder, 111.102a; Hollstein, VII.93.102; Schoch, Mende, and Scherbaum, 98i$400-600

2

Daniel Hopfer (German, 1470-1536) Arabische etching; Funck, prntr. 8 3/4 x 6 1/4 inches.Ref: Hollstein, 68.I; Bartsch VIII.487.60$150-250

3

Niccolo Boldrini (Italian, 1510-1566) Samson and Delilah (after Titian), c. 1540 woodcut 12 x 19 5/8 inches.Ref: Passavant VI, 5; Mauroner, 18$500-700

1

3

9

4

Peter van der Borcht (Flemish, 1545-1608) Secreta caelos penetrans precatio etching 6 7/8 x 9 1/4 inches.$400-600

5

Jacques Callot (French, 1592-1635) Vol sur les grandes routes (pl. 8 from Les grandes miseres de la guerre, 1633 etching 3 1/4 x 7 1/4 inches.Ref: Lieure, 1339-1356$100-200

6

Jacob Jordaens (Flemish, 1593-1678) Jupiter Nourished by the Goat Amalthea etching 8 x 11 1/4 inches.Ref: Hollstein, 5$200-400

4

6

1 0 f i n e p r i n t s

7*

Rembrandt van Rijn (Dutch, 1606-1669) The Rat Catcher, 1632 engraving 5 1/2 x 4 7/8 inches.Ref: B., Holl. 121; H. 97Property from the Estate of Bernard W. Weitzman, Creve Coeur, Missouri$2,000-4,000

8

Rembrandt van Rijn (Dutch, 1606-1669) Three Oriental igures (Jacob and Laban?), 1641 etching 19th century impression 5 3/4 x 4 1/2 inches.Ref: Bartsch 118, New Hollstein 190$500-700

7

8

1 1

9

Rembrandt van Rijn (Dutch, 1606-1669) Christ at Emmaus: The Larger Plate etching; Basan, pub. 8 1/4 x 6 1/4 inches.Ref: B., Holl. 87; H. 282Provenance: Gerhard Wurzer Gallery, Houston, Texas$2,000-4,000

10

Rembrandt van Rijn (Dutch, 1606–1669) Man in Cloak & Fur Cap, Leaning Against a Bank, c. 1630 etching 4 1/4 x 3 1/8 inches.Ref: Bartsch, 151; Hollstein, 14

Provenance:Bellette Hofmann Fine Art Inc., New York (label to verso)$1,000-2,000

9

10


11

Stefano della Bella (Italian, 1610-1664) Untitled etching 3 1/2 x 6 1/8 inches.$100-200

12

Carlo Maratta (Italian, 1625-1713) The Annunciation etching 8 3/8 x 5 3/4 inches.Ref: Bartsch, 2 II$100-200

13

Paulus Potter (Dutch, 1625-1654) An Old Horse and a Dead Horse, 1652 etching 6 x 9 1/4 inches.Ref: Hollstein, 13$100-200

13

12

1 3

14

Cornelis Dusart (Dutch, 1660-1704) Violin Player Seated in the Inn, 1685 etching and roulette 11 x 9 7/8 inches.Ref: Hollstein, VI.56.16.iii; Le Blanc, III.423.14.iii; Wurzbach, I.443.15.iii; Dutuit, IV.134.15.iii$500-700

15

No Lot

16

Giovanni Battista Piranesi (Italian, 1720-1778) Veduta degli Avanzi del Tablino della Casa Aurea di Nerone (from Vedute di Roma), 1757 etching 16 3/8 x 21 5/8 inches.Ref: Focillon, 813; Hind, 51.45 i/vi; Wilton-Ely, 204.161$300-500

14

16


17

Francisco de Goya (Spanish, 1746-1828) No te escaparas., Abejor es holgar. and No hay quien nos desate? (pls. 72, 73 and 75 from the irst edition of Los caprichos, 1799 etching and aquatint Plate: 8 1/2 x 6 inches.Ref: Harris, 107; Delteil, 110, 112

Provenance: Gerhard Wurzer Gallery, Houston, Texas$5,000-7,000

18

Francisco de Goya (Spanish, 1746-1828) No grites, tonta (pl. 74 from Los caprichos), c. 1881 etching and aquatint ifth edition 8 x 5 1/8 inches.Ref: Harris, 109$400-600

17, p72

17, p75

17, p73

1 5

19

Eugene Delacroix (French, 1798-1863) Un Seigneur Du Temps De Francois 1er etching and drypoint 6 3/4 x 5 inches.Ref: Delteil, 16$300-500

20

Eugene Delacroix (French, 1798–1863) Macbeth Consulting the Witches, 1825 lithograph 141/2 x 10 inches.Ref: Delteil, 40 iii/v; Delteil/Strauber, 40 iii/v$300-500

19 20

19th and Early 20th Century | Lots 21 – 59

Opposite | Lot 46

Pierre-Auguste Renoir, (French, 1841-1919)Enfants jouant à la Balle, 1900


21

Jean Francois Millet (French, 1814-1875) Les Becheurs (The Diggers), 1855-56 etching 9 x 12 3/4 inches.Ref: Delteil, 13; Melot, 13$1,000-2,000

22*

James Abbott McNeill Whistler (American, 1834-1903) Rotherhithe, 1860 etching and drypoint 10 5/8 x 7 3/4 inches.Ref: Kennedy, 66

Property from the Collection of Mr. Stuart Barnes Jamieson, Oak Park, Illinois$2,000-4,000

21

22

1 9

23

Anders Zorn (Swedish, 1860-1920) Antonin Proust, 1889 etching signed in pencil 8 1/4 x 5 3/4 inches.Ref: Ref: Asplund, 33; Delteil, 33; Hjert & Hjert, 26; Lidbeck, ZG 33; Schubert-Soldern, 20$500-700

24*

Eugene Grasset (French, 1841-1917) Republique Francaise, 1885 linocut 7 x 6 3/4 inches.Property from the Estate of Denise Selz, Chicago, Illinois$400-600

23

24


25

Alphonse Mucha (Czech, 1860–1939) Lorenzaccio, 1896 color lithograph; F. Champenois, Paris, prntr. 38 x 14 inches.Ref: Rennert/Weill 20 var. 2, Lendl 3 (var), Mucha A10 (var), DFP-II 626 (var), Wember 604$2,000-4,000

26*

Alphonse Mucha (Czech, 1860-1939) Lefevre-utile biscuits (Biscuit tin label), c. 1896 color lithograph 10 7/8 x 8 3/8 inches.Property from the Estate of Joyce Burlingame, Bufalo Grove, Illinois

Provenance:Merrill Chase, Chicago, Certiicate of Authenticity (verso)$800-1,200

27*

After Alphonse Mucha (Czech, 1860-1939) Bieres de la Meuse (pl. 182 from Les Maitres de l’Aiche,) c. 1898 color lithograph; Chaix, Paris, prntr. 12 x 7 1/2 inches.Property from the Estate of Joyce Burlingame, Bufalo Grove, Illinois

Provenance:Merrill Chase, Chicago, Certitiicate of Authenticity (verso)$800-1,200

25 26

2 1

28*

Alphonse Mucha (Czech, 1860-1939) Lorenzaccio (pl. 114 from Les Maitres de l’Aiche,) c. 1895 color lithograph; Chaix, Paris, prntr. Maitres de l’Aiche blind stamp (lower right) 12 7/8 x 4 3/8 inches.Ref: Rennert/Weill, 109 Property from the Estate of Joyce Burlingame, Bufalo Grove, Illinois

Provenance:Galerie Michael, Certiicate of Authenticity (verso)$800-1,200

29*

Alphonse Mucha (Czech, 1860-1939) Lance Parfum “Rodo”, 1896 (variation for advertisement card) color lithograph 3 3/4 x 2 3/4 inches.Ref: Rennert/Weill, 14; Mucha/Henderson A5Property from the Estate of Joyce Burlingame, Bufalo Grove, Illinois

Provenance:Merrill Chase, Certiicate of Authenticity (verso)$800-1,200

27

28 29


30

Jules Cheret (French, 1836-1932) Pastilles Geruadel, 1895 color lithograph; Chaix, Paris, prntr. 47 3/4 x 34 1/2 inches.$800-1,200

31

Jules Cheret (French, 1836-1932) Musee Grevin, Theatre les Fantoches, 1900 color lithograph; Chaix, Paris, prntr. proof before letters 46 3/4 x 32 1/2 inches.$800-1,200

32

Jules Cheret (French, 1836-1932) La dentelliere, 1900 color lithograph; Chaix, Paris, prntr. 47 x 31 1/4 inches.Ref: Broido, 65$800-1,200

30

32

31

2 3

33

Henri de Toulouse-Lautrec (French, 1864-1901) Cycle Michael, 1896 lithograph printed in olive green; Chaix, Paris, prntr. edition of 200 34 x 48 1/4 inches.Ref: Delteil, 359; Adriani, 188; Wittrock, P25$4,000-6,000

34*

Toulouse Lautrec (French, 1864-1901) Divan Japonais (pl. 2 from Maitres de l’aiche), 1896 color lithograph; Chaix, Paris, prntr. 10 1/2 x 7 3/4 inches.Property from the Estate of Joyce Burlingame, Bufalo Grove, Illinois$1,000-2,000

33

34


35

Aubrey Vincent Beardsley (British, 1872–1898) The Savoy, 1896 color lithograph; C.F. Kell, prntr. 9 1/4 x 6 3/4 inches.$1,000-2,000

36

Theophile Alexandre Steinlen (French/Swiss, 1859-1923) Le Journal, La Traite des Blanches, 1899 color lithograph; Charle Verneau, Paris, prntr. 74 x 48 1/2 inches.$1,500-2,500

37

Jules-Abel Faivre (French, 1867-1945) Automobile Club de France, 1904 color lithograph 48 x 47 inches.$800-1,200

38

Lerckel (French, late 19th/early 20th century)Cottereau Dijon, c. 1905 color lithograph; Gallice, Paris, prntr. 45 x 61 inches.$300-500

37

36

2 5

39

Coulange-Lautrec (French, late 19th/early 20th century)La Grande Chateauneuf color lithograph; Moullot Fils Aine, Marseilles-Paris, prntr. 65 1/2 x 46 inches.$300-500

40

Marcel Bloch (French, late 19th/early 20th century)Alcyon color lithograph; Robert et Companie, Paris, prntr./pub. 46 x 62 1/2 inches.$300-500

41

F. Capelli (French, late 19th/early 20th century)Alcyon color lithograph; Charles Verneau, Paris, prntr. 56 1/4 x width 41 1/2 inches.$300-500

40

38

41

39


42*

Honore Daumier (French, 1808-1879) Soyez Tranquille Bourgeois, Les Beaux Jours de la Vie, and Les Bas Bleus lithographs Largest: 9 1/2 x 8 inches.

Property from the Estate of Denise Selz, Chicago, Illinois$400-600

43

Edgar Degas (French, 1834-1917) Danseuse mettant son chausson, 1880 etching 7 x 4 3/4 inches.Ref: Deltiel, 36$800-1,200

42

43

2 7

44*

James Jacques Joseph Tissot (French, 1836-1902) Apparition mediunimique, c. 1885 mezzotint edition of 150, irst state (of two) 18 1/2 x 13 1/4 inches.Ref: Beraldi, 67 Property from the Estate of Joyce Burlingame, Bufalo Grove, Illinois

Provenance:Galerie Michael, Certiicate of Authenticity (verso)$800-1,200

45*

James Jacques Joseph Tissot (French, 1836-1902) Printemps, 1878 etching and drypoint edition of approximately 100 15 x 5 1/4 inches.Ref: Tissot, 30; Wentworth, 34; Beraldi, 27Property from the Estate of Joyce Burlingame, Bufalo Grove, Illinois

Provenance:Merrill Chase, Chicago, Certiicate of Authenticity (verso)

Note: Photocopy of Wentworth Catalogue Raisonne excerpt included with this lot (verso).$800-1,200

44 45


46

Pierre-Auguste Renoir (French, 1841-1919) Enfants jouant a la balle, 1900 color lithograph; A. Vollard, Paris, pub. signed in pencil 23 1/4 x 19 3/4 inches.Ref: Delteil, 32$25,000-35,000

46

2 9

47*

Pierre Auguste Renoir (French, 1841-1919) Le Chapeau Epingle, c. 1894 etching Height 4 1/2 x 3 1/4 inches (visible).Ref: Delteil; Stella, 8

Property from the Collection of Kelly Richter, Libertyville, Illinois$600-800

48*

Pierre-Auguste Renoir (French, 1841-1919) Maternite, c. 1912 lithograph edition of 200 21 1/2 x 18 3/4 inches.Ref: Delteil, 50Property from the Estate of Marjorie J. Hagstrom, Kansas City, Missouri$3,000-5,000

49

Pierre-Auguste Renoir (French, 1841-1919) La pierre aux trois croquis (from Douze Lithographies originales) lithograph 9 x 11 1/4 inches.Ref: Delteil, 41$1,000-2,000

48

4947


50

Mary Cassatt (American, 1844-1926) Margot Wearing a Bonnet, No. 1 drypoint 9 x 6 1/8 inches.Ref: Breeskin, 179$800-1,200

51

Félix Hilaire Buhot (French, 1847–1898) Les Grandes Chaumieres, 1881 etching and drypoint artists red stamp (lower center) 5 1/2 x 10 3/4 inches.Ref: Bourcard/Goodfriend, 150$200-400

52*

Felix Hilaire Buhot (French, 1847-1898) Une Matinée d’Hiver au Quai de l’Hotel-Dieu, 1876 etching and drypoint signed in pencil (lower right) 8 1/2 x 12 1/4 inches.Ref: Bourcard & Goodfriend, 123Property from the Estate of John and Gloria Green

Provenance:W. Russell Button Gallery, Chicago, Illinois (label on verso)$800-1,200

53

Louis Auguste Mathieu Legrand (French, 1863-1951) Les bars, 1909 (Suite of 8) drypoint; Gustave Pellet, pub. signed in pencil with publisher’s stamp Largest: 9 x 6 3/8 inches.$3,000-5,000

54

Henri Riviere (French, 1864-1951) Le pardon de Sainte-Anne-La-Palud, (pl. 38 from Paysage Bretons), 1892-1893 color woodcut, printed on 5 sheets stamped in red 13 1/2 x 44 1/2 inches.Ref: Fields 57, 82


55*

Manuel Robbe (French, 1872-1936) Untitled (a group of three prints)color aquatints one signed in pencil Largest: 18 1/4 x 13 1/2Property from the Collection of Kelly Richter, Libertyville, Illinois$600-800

50

52

3 1

54

53


56

Manuel Robbe (French, 1872-1936) Le The, c. 1900 color aquatint signed in pencil 17 1/2 x 13 3/4 inches.$400-600

57

Pierre Bonnard (French, 1867-1947) L’Enfant a la lampe, c. 1897 color lithograph edition of 100 12 3/4 x 17 3/4 inches.Ref: Roger-Marx, 43

Provenance:Gerhard Wurzer Gallery, Houston, Texas$8,000-12,000

58

Jacques Villon (French, 1875-1963) Portrait du peintre-graveur Emile Nicollee, 1891 etching edition 16/ 50, signed in pencil 6 3/4 x 5 inches.Ref: Ginestet-Pouillon, E2$300-500

57

58

3 3

59*

Henri Matisse (French, 1869-1954) Danseuse allongee, tete accoudee (from Dix danseuses) lithograph edition 2/5, signed in pencil 11 x 18 1/2 inches.Ref: Dethuit 486Property from the Collection of Pearl Siegal, Hollywood, Florida$4,000-6,000

59

Modern and Contemporary | Lots 60 – 313

Opposite | Lot 264

Richard Hamilton, (British, 1922–2011) My Marilyn, 1965


60

Raoul Dufy (French 1877-1953) Untitled (a group of three prints) color lithographs each signed in pencil an numbered 19 5/8 x 25 1/2 inches.$500-700

61*

Georges Rouault (French, 1871-1958) Christ et Sainte Femme (from Passion), 1936 etching with aquatint edition of 270 12 1/2 x 8 1/2 inches.Property from the Estate of Marjorie J. Hagstrom, Kansas City, Missouri$2,000-4,000

62

Georges Rouault (French, 1871-1958) Jean-Francois jamais ne chante alleluia, 1923 from Miserere etching, aquatint and roulette; Jacquemin, Paris, pub.; Vollard, Paris, prntr. 23 x 16 1/2 inches.Ref: Wofsy, 132; Chapon/Rouault, 78$600-800

63

Georges Rouault (French, 1871-1958) Untitled (from Miserere), 1926 woodcut 11 3/4 x 8 inches.$600-800

62 63

61

3 7

64

Georges Rouault (French, 1871-1958) Les ruines elles-memes ont peri (from Miserere), 1926 aquatint, roulette, and drypoint over heliogravure 22 3/4 x 17 1/2 inches.

Provenance:Cromer & Quint, Chicago$600-800

65

Georges Rouault (French, 1871-1958) Toujours lagelle (pl. 3 from Misere), 1922 aquatint 19 x 14 inches.Ref: Chapon & Rouault, 56$500-700

66

Karl Schmidt-Rottluf (German, 1884-1976) Liebespaar, 1920 woodcut signed in pencil 19 1/2 x 15 1/2 inches.$1,000-2,000

67

Norbertine Bresslern-Roth (Austrian, 1891-1978) Owlcolor linocutsigned in pencil8 x 8 1/4 inches.$600-800

64

66

65


68

George Wesley Bellows (American, 1882-1925) Arrangement, Emma in a Room lithograph signed and annotated Bolton Bworn - imp$600-800

69

George Wesley Bellows (American, 1882-1925) Hail to Peace, Christmas, 1918 lithograph signed by the artist’s daughter in pencil 4 1/2 x 3 3/8 inches.Ref: Masson, 68$200-400

70

John French Sloan (American, 1871-1951) The Green Hour etching signed John Sloan$500-700

71

John French Sloan (American, 1871-1951) Nude on Studio Couch print signed John Sloan$400-600

71

68

3 9

72

John French Sloan (American, 1871-1951) Fifth Avenue 1909 etching signed John Sloan$1,000-2,000

73

John French Sloan (American, 1871-1951) Nude on Hearth etching 100 proofs; signed John Sloan (lower right) 5 1/2 x 7 inches.$1,000-2,000

74

Rockwell Kent (American, 1882-1971) Beowulf and the Dragon, 1931 lithograph edition of 150, signed in pencil 13 1/2 x 10 1/8 inches.$400-600

73

72 74


75

76

75

Thomas Hart Benton (American, 1889-1975) The Boy, 1948 lithograph; Associated American Artists, New York, pub. edition of 250, signed in pencil 19 1/2 x 13 3/4 inches.$2,000-4,000

76

Thomas Hart Benton (American, 1889-1975) Island Hay, 1945 lithograph; Associated American Artists, New York, pub. edition of 250, signed in pencil 9 7/8 x 12 5/8 inches.$1,500-2,500

77

Thomas Hart Benton (American, 1889-1975) The Meeting, 1941 lithograph; Associated American Artists, New York, pub. edition of 250, signed in pencil 8 7/8 x 11 1/2 inches.$1,000-2,000

77

4 1

79

78

78*

Thomas Hart Benton (American, 1889-1975) Cradling Wheat, 1939 lithograph; Associated American Artists, pub. edition of 250 9 3/4 x 12 inches.Property from the Collection of Ms. Sybil K. Kahn, Kansas City, Missouri$2,000-4,000

79*

Thomas Hart Benton (American, 1889-1975) Edge of Town, 1939 lithograph; Associated American Artists, pub. edition of 250 9 x 10 3/4 inches.Property from the Collection of Ms. Sybil K. Kahn, Kansas City, Missouri$2,000-4,000

80

Thomas Hart Benton (American, 1889–1975) Letter from Overseas, 1943 lithograph; Associated American Artists, New York, pub. edition 250, signed in pencil 9 3/4 x 13 inches.Ref: Fath, 59$2,000-4,000

80


81

Thomas Hart Benton (American, 1889–1975) Goin’ Home, 1937 lithograph; Associated American Artists, New York, pub. edition 250, signed in pencil 9 1/2 x 11 3/4 inches.Ref: Fath, 14$2,000-4,000

82

Thomas Hart Benton (American, 1889–1975) The Corral, 1948 lithograph; Associated American Artists, New York, pub. edition 250, signed in pencil 9 3/4 x 13 3/4 inches.Ref: Fath, 71$2,000-4,000

83*

Thomas Hart Benton (American, 1889-1975) Fire in the Barnyard, 1944 lithograph; Associated American Artists, pub. edition of 250 8 3/4 x 13 3/8 inches.Property from the Collection of Ms. Sybil K. Kahn, Kansas City, Missouri$1,500-2,500

81

83

82

4 3

84*

Thomas Hart Benton (American, 1889-1975) Instruction, 1940 lithograph; Associated American Artists pub. edition of 250 10 7/16 x 12 5/16 inches.Property from the Collection of Ms. Sybil K. Kahn, Kansas City, Missouri$1,500-2,500

85*

Thomas Hart Benton (American, 1889-1975) Investigation, 1937 lithograph; Associated American Artists, pub. edition of 250 9 3/8 x 12 5/8 inches.Property from the Collection of Ms. Sybil K. Kahn, Kansas City, Missouri$1,000-2,000

86*

Thomas Hart Benton (American, 1889-1975) Morning Train, 1943 lithograph; Associated American Artists, pub. edition of 250 9 3/8 x 13 1/2 inches.Property from the Collection of Ms. Sybil K. Kahn, Kansas City, Missouri$2,000-4,000

85

84

86


87*

Thomas Hart Benton (American, 1889-1975) Photographing the Bull, 1950 lithograph; Associated American Artists, pub. edition of 250 11 7/8 x 16 inches.Property from the Collection of Ms. Sybil K. Kahn, Kansas City, Missouri$2,000-4,000

88*

Thomas Hart Benton (American, 1889-1975) Running Horses, 1955 lithograph; Associated American Artists, pub. edition of 100 12 1/2 x 16 1/2 inches.Property from the Collection of Ms. Sybil K. Kahn, Kansas City, Missouri$7,000-9,000

87

88

4 5

89*

Thomas Hart Benton (American, 1889-1975) I Got a Gall on Sourwood Mountain, 1938 lithograph; Associated American Artists, pub. edition of 250 12 1/2 x 9 1/8 inches.Property from the Collection of Ms. Sybil K. Kahn, Kansas City, Missouri$3,000-5,000

90

Thomas Hart Benton (American, 1889–1975) Shallow Creek, 1939 lithograph; Associated American Artists, New York, pub. edition of 250; signed in pencil 14 x 9 3/8 inches.Ref: Fath, 32$1,000-2,000

91

Thomas Hart Benton (American, 1889–1975) Lonesome Road, 1938 lithograph; Associated American Artists, New York, pub. edition of 250; signed in pencil 9 1/2 x 12 1/2 inches.Ref: Fath, 18$1,000-2,000

89 90

91


92

No Lot

93

Reginald Marsh (American, 1898-1954) The League Print engraving; edition of 200 signed Reginald Marsh in pencil$700-900

94

Howard Norton Cook (American, 1901-1980) Paris Street, 1930 wood engraving signed in pencil 6 x 3 7/8 inches.$300-500

95

Birger Sandzen (American, 1871-1954) Sunshine Lake and Pond with Willows (two works) woodcuts signed in pencil Largest: 6 x 9 inches.$700-900

96

Frank Weston Benson (American, 1862–1951) Mallards at Evening, 1927 drypoint etching signed in pencil 13 3/4 x 11 1/2 inches.Ref: Paf, 271$200-300

97

Frank Weston Benson (American, 1862-1951) The Deer Hunter, 1924 etching edition of 150, signed in pencil 7 1/2 x 10 3/4 inches.Ref: Paf, 229$800-1,200

98

Milton Avery (American, 1885-1965) Helen and Lilly, 1941 drypoint edition 32/60, signed and dated in pencil 7 x 5 3/4 inches.Ref: Lunn, 23$800-1,200

95

93

47

99

Milton Avery (American, 1885-1965) Reclining Nude, 1941 drypoint edition 14/100, signed and dated in pencil 3 1/2 x 7 1/4 inches.Ref: Lunn, 22$3,000-5,000

100

John Steuart Curry (American, 1897-1946) Our Good Earth, 1942 lithograph; Associated American Artists, New York, pub. signed in pencil 12 3/4 x 10 1/4 inches.Ref: Cole, 36$1,500-2,500

100A

Various Artists(American, 20th Century)Untitled (a collection of 33 prints from the Associated American Artists; artists include Francisco Dosamantes, Howard Baer, Luigi Lucioni, Robert Philipp, Andree Ruellan, Peggy Bacon, Hans Kleiber, Alice Harold Murphy, Lawrence Beall Smith, Gordon Grant, Asa Chefetz, Mervin Jules, Newton Mass, John Carroll, Morris Henry Hobbs, Adolf Dehn, Douglas Gorsline, Miguel Covarrubias, Carman Bonanno, J.W. Golinkin, Frederick L. Owen, Joseph Margulies, and Thomas W. Nason)various; Associated American Artists, New York, pub.each signedsizes variable$1,500-2,500

99

100


101

Grant Wood (American, 1891-1942) December Afternoon, 1940 lithograph; Associated American Artists, New York, pub. edition of 250, signed in pencil 9 x 12 inches.Ref: Cole, 16$1,000-2,000

102

Louis Lozowick (American, 1892 - 1973) Skaters’ Island, 1937 lithograph; Associated American Artists, New York, pub.; George C. Miller, prntr. signed in pencil 8 3/4 x 13 inches.Ref: Flint, 150$500-700

103

Leonard Tsuguharu Foujita (French, 1886-1968) Untitled (from A Book of Cats), 1930 lithograph; Covici-Friede, New York, pub. 10 1/4 x 7 3/4 inches.Ref: Buisson, II.30.127$1,000-2,000

101

103

4 9

104

Kathe Kollwitz (German, 1867-1945) Beratung (Conspiracy) (pl. 3 from the Weavers’ Revolt), 1895 etching and drypoint A.V.D.Becke, Muenchien 22 blindstamp 11 3/4 x 7 inches.Ref: Klipstein, 25$400-600

105

Kathe Kollwitz (German, 1867-1945) Die Gefangenen (pl. 7 from Bauernkrieg), 1908 etching and soft ground von der Becke blindstamp 12 1/2 x 16 1/2 inches.Ref: Kl., 98 VIIIb; Knesebeck, 102 IXb/Xb$300-500

106

Raphael Soyer (American, 1899-1987) Untitled (a collection of four works) etching with aquatint each signed and numbered Largest: 10 7/8 x 13 3/4 inches.$600-800

105

106


107*

Oskar Kokoschka (Russian, 1886-1980) Zwei Madchen mit Taube, 1956 color lithograph; Wassermann, Basel, prntr.; Beyeler, Basel, pub. edition 26/70, signed in pencil 25 x 18 inches.Ref: Wingler/Welz, 208Property from the Collection of Pearl Siegal, Hollywood, Florida

Provenance: Galerie Beyeler, Basel, Switzerland, 1970$500-700

108*

Oskar Kokoschka (Russian, 1886-1980) Bergegnung (from Der gefesselte Kolumbus), 1913lithograph signed, dated, and inscribed in pencil 12 x 11 inches.Ref: Wingler-Welz, 51; Davis-Rifkind, 1562: 9Property from the Collection of Pearl Siegal, Hollywood, Florida

Inscribed near signature Belongs to the series of lithographs, Columbus, 1913$500-700

109

Leon Bibel (American, 1913-1995) Subway Entrance, 1939 lithograph edition 7/12, signed in pencil 9 3/4 x 11 3/4 inches.$600-800

110

Herman Volz (American, 1904-1990) Industrial Accident, 1942 lithograph edition 11/20, signed in pencil 17 x 12 inches.$600-800

109

110

5 1

111

George Tooker (American, 1920-2011) The Mirror, 1978 lithograph; Editions Press, San Francisco, pub. Trial proof, signed in pencil 16 x 19 3/4 inches.Ref: Garver, 4$1,000-2,000

113

George Tooker (American, 1920-2011) The Embrace, 1982 lithograph artist proof, signed George Tooker 16 x 12 inches.$800-1,200

112

George Tooker (American, 1920-2011) Self Portrait, 1996 lithograph; Perry Tymeson, Petersburg Studios, Jersey City, NJ, prntr. Trial proof, signed in pencil 18 x 12 inches.$700-900

114

Paul Cadmus (American, 1904-1999) Teddo, 1985 lithograph; Midtown Galleries, New York, pub.; George C. Miller & Sons, New York, prntr. edition 1/200, signed and titled in pencil 6 1/2 x 7 3/4 inches.Ref: Davenport, 59$1,000-2,000

111

113

112

114


115*

Lucian Freud (British, 1922-2011) Man Posing, 1985 etching; Terry Wilson at Palmtree Editions, prntr.; James Kirkman Ltd, London and Brooke Alexander Inc., New York, pub. edition 44/50, initialled in pencil 27 1/4 x 21 1/4 inches.Ref: Hartley, 27; Figura, 44Property from the Collection of Robert and Mary Moriarty, Oak Park, Illinois$20,000-30,000

115

5 3

116

Ernst Fuchs (Austrian, 1930-2015) Mythologische Szene, 1976 etching edition 1674/3000; signed in pencil 7 1/4 x 6 1/2 inches.Ref: Weis, 262$200-400

117

Ernst Fuchs (Austrian, b. 1930) Ezechiel, 1952 etching edition 8/60, signed and dated in pencil 10 x 6 5/8 inches.$600-800

118*

Jean Cocteau (French, 1889-1963) Untitled (Figure in Proile), 1959 lithograph edition 77/110, signed in ink 19 x 23 inches.Property from the Collection of Pearl Siegal, Hollywood, Florida$500-700

119

Ben Shahn (American, 1898–1969) Branches of Water or Desire, 1965 screenprint signed in ink 26 x 19 1/2 inches.Ref: Prescott, 56

Provenance:The Downtown Gallery, New York (label to verso)$800-1,200

120

Francoise Gilot (French, b. 1921) Deux Femmes, 1953 color lithograph epreuve d’artiste, signed and annotated in crayon, dated in pencil (verso) 19 1/2 x 25 3/4 inches.$1,000-2,000

119

120


121

After Georges Braque (French, 1882-1963) Grand oiseau gris, c. 1956 lithograph; Maeght Editeur, Paris, pub. edition 87/95, signed in pencil 14 1/2 x 41 inches.Ref: Maeght, 1008$3,000-5,000

122

Georges Braque (French, 1882-1963) Migration, 1962 color aquatint and etching; Galerie Maeght, Paris, pub. edition 23/90, signed in pencil 9 1/4 x 6 3/4 inches.Ref: Vallier, 172$1,000-2,000

121

122

5 5

123

Georges Braque (French, 1882-1963) Phaéton (Chariot I), 1945 color lithograph; Daniel-Henry Kahnweiler, Paris, pub.; Mourlot, Paris, prntr. edition 55/75, signed in pencil 12 x 17 inches.Ref: Vallier, 26$2,000-3,000

124*

Fernand Leger (French, 1881-1955) Le Roi de Coeur, 1949 color lithograph edition 387/500, signed 27 1/2 X 19 1/4 inches.Ref: Saphire, 41Property from the Collection of Mrs. Norma Kramer, Highland Park, Illinois$200-400

125

No Lot

123

124


126

After Pablo Picasso (Spanish, 1881-1973) Young Spanish Peasant, 1970 color lithograph; Michel Casse, Paris, prntr/pub. edition 37/150, signed in pencil 23 3/4 x 18 1/2 inches.$3,000-5,000

127

After Pablo Picasso (Spanish, 1881-1973) Colombe au Soleil, 1962 color lithograph aside from the edition of 200, annotated E.A. and signed in pencil 21 1/4 x 29 inches.$5,000-7,000

126

127

57

128*

Pablo Picasso (Spanish, 1881-1973) Sculpteur devant sa Sculpture (from Le Chef-d’Oeuvre Inconnu series), 1927 etching; Ambroise Vollard, Paris, pub. edition 2/99, signed in ink 7 1/2 x 11 inches.Ref: Bloch, 82Property from the Estate of Sara Jess Cloud, Williamsburg, Virginia$3,000-5,000

129

Pablo Picasso (Spanish, 1881–1973) Colombe volant, 1961 color lithograph edition 56/200; signed in pencil 18 1/2 x 22 inches.Ref: Czwiklitzer, 207$3,000-5,000

128

129


130

Pablo Picasso (Spanish, 1881-1973) Faune et marin, c. 1956 color lithograph; Galerie 65, pub. signed with additional hand embellishment in crayon 4 7/8 x 3 7/8 inches.Ref: Bloch, 800$30,000-40,000

130

5 9

131

Pablo Picasso (Spanish, 1881-1973) Vieux saltimbanque arrivant, avec sa roue cassee, dans une foule masculine moqueuse et meprisante (from Series 347), 1968 etching; Galerie L. Leiris, pub. edition 30/50, signed in pencil 8 x 10 inches.Ref: Bloch, 1610$6,000-8,000

132

After Pablo Picasso (Spanish, 1881-1973) La Danseuse Naine (from the Barcelona Suite), 1966color ofset lithograph; Museo Picasso, Barcelona, pub. edition XXXVII/LX, signed in pencil 22 1/2 x 12 1/2 inches.Ref: Czwiklitzer, 234$4,000-6,000

132

131


133

Pablo Picasso (Spanish, 1881-1973) Raphael et la fornarina, XXII (pl. 31 7from Series 347), 1968 etching; Galerie Louise Leiris, pub. edition 42/50, signed in pencil 5 3/4 x 7 3/4 inches.Ref: Bloch, 1797

Provenance:Multiple Impressions, New York, New York$4,000-6,000

134

Pablo Picasso (Spanish, 1881-1973) Couple avec un enfant, 1966 etching with aquatint and lithograph; Galerie Louise Leiris, Paris, pub. edition 5/50, signed in pencil 10 5/8 x 15 inches.Ref: Bloch, 1384; Baer, 1406$3,000-5,000

134

133

6 1

135

Pablo Picasso (Spansih, 1881-1973) L’ane (from Bufon’s l’Histoire Naturelle), 1942 a collection of 4 works comprising of states I, II, III, and IV on Montval paper before steelfacing) Sugarlift aquatint, grattoir and drypoint on cream laid verge de Montval Plate: 16 1/4 x 12 1/4 inches.Ref: Bloch, 329


135


136

Henry Moore (British, 1898-1986) Mother and Child III, 1983 etching and aquatint; James Collyer and John Crossley, London, prntr.; Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, pub. edition 58/65, signed in pencil 8 7/8 x 7 inches.Ref: Cramer, 673

Provenance:Gerhard Wurzer Gallery, Houston, Texas$1,000-2,000

137*

Lynn Chadwick (English, 1914-2003) Seated Figure, 1969 colored lithograph edition 102/210, signed in pencil 20 x 28 inches.Property from the Collection of Pearl Siegal, Hollywood, Florida$400-600

137

136

6 3

138

Marc Chagall (French/Russian, 1887-1985) L’ours et les deux compagnons (pl. 63 from Les fables de la Fontaine), 1952 etching, Teriade Editeur, Paris, pub. numbered 63 and signed in pencil 11 3/4 x 9 1/2 inches.

Provenance:Millioud Gallery, Houston, Texas$500-700

139

Marc Chagall (French, Russian, 1887 - 1985) Fiancailles au cirque, 1983 color lithograph edition 30/50, signed in pencil 18 x 13 1/2 inches.Ref: Mourlot, 1016$4,000-6,000

139


140

Marc Chagall (French, 1887-1985) La chene et le roseau, pl. 12 from La Fontaine, 1952 hand colored etching edition 53/100, signed in pencil 11 1/4 x 9 inches.Ref: Cramer, 22$800-1,200

141

No Lot

142

No Lot

143

Marc Chagall (French, 1887-1985) Jeremiah (from Illustrations for The Bible), 1956; with Les Prophetes (on verso) color lithograph; Tériade, pub.; Mourlot Fréres, Paris, prntr. 14 x 10 1/4 inches.Ref: Mourlot, 139, 144$300-500

144

Marc Chagall (French/Russian, 1887-1985) La Chasse aux Oiseaux (from Daphnis et Chloe), 1961 color lithograph; Teriade, Paris, pub. edition of 250 16 1/4 x 25 inches.Ref: Mourlot, 329$5,000-7,000

144

140

6 5

145

Marc Chagall (French/Russian 1887-1985) Le Mariage, 1968etching with aquatint; Gerald Cramer, Geneva, pub edition 31/50, signed in pencil 24 x 17 1/2 inches.Ref: Cramer, 32$4,000-6,000

146

Marc Chagall (French/Russian, 1887-1985) Reverie, 1969 color lithograph Epreuve d’artiste V/VII aside from edition of 75, signed Marc Chagall in pencil 11 7/8 x 16 inches.Ref: Cramer, 81$3,000-5,000

145

146


147*

Marc Chagall (French/Russian, 1887-1985) Le Satyre et le Passant (pl. 57 from Fables de la Fontaine) etching Epreuve d’artiste, signed in pencil 11 1/2 x 9 3/8 inches.Ref: H. 203, S. 151$800-1,200

148

Marc Chagall (French/Russian, 1887-1985) Untitled (frontispiece from Les Ateliers de Chagall), 1976lithograph edition 215/250, signed in pencil 13 x 9 1/2 inches.Ref: Mourlot, 899$5,000-7,000

149

Marc Chagall (French/Russian, 1887-1985) L’Echelle (from Chagall), 1957color lithograph edition 73/90, signed in pencil 9 1/4 x 7 inches.Ref: Mourlot, 200$2,000-4,000

149

147 148

6 7

150

Marc Chagall (French/Russian, 1887-1985) L’Ile de Poros, 1980 color lithograph; Mourlot, Paris, pub. Epreuve d’artiste, signed in pencil 20 x 14 inches.Ref: Mourlot 963$20,000-30,000

150


151

Marc Chagall (French/Russian, 1887-1985) Le village, 1957 lithograph edition 35/90, signed in pencil 7 1/2 x 8 inches.Ref: Mourlot, 199$1,000-2,000

152

Marc Chagall (French/Russian, 1887-1985) David vainqueur de Goliath (pl. 63 from La Bible) etching with handcoloring; Teriade, Paris, prntr. edition 73/100, signed in pencil 11 x 9 3/8 inches.Ref: Sorlier, 262$2,000-4,000

153

Marc Chagall (French/Russian, 1887-1985) Double visage gris, 1974 lithograph in black and grey on japon nacre; Maeght, Paris, pub. edition 26/50, signed in pencil 16 1/2 inches x 12 1/2 inches.Ref: Mourlot, 732$4,000-6,000

153

151

152

6 9

154

Salvador Dali (Spanish, 1904-1989) Pecheur penitant (from FlorDali/Les Fruits), 1969 color lithograph edition 70/200, signed in pencil 27 x 18 inches.Ref: Field, 69-11E$600-800

155

Salvador Dali (Spanish, 1904-1989) Christ, 1964 etching edition 72/150, signed in pencil 33 1/2 x 27 1/2 inches.Ref: Field 64-1$800-1,200

156*

Salvador Dali (Spanish, 1904-1989) Amazone and Cavalier a la rose, 1973 color etching and pochoir edition XXXVIII/CL, signed in pencil Each 23 x 16 inches.Ref: Field 73-17Property from the Collection of Connie Nelson, Westmont, Illinois$1,000-2,000

157

Salvador Dali (Spanish, 1904–1989) Untitled (pl. 17 from Les Chants de Maldoror), 1934engravings; Skira Editions, Paris, pub. signed in pencil 8 1/2 x 6 3/8 inches.Ref: Michler & Löpsinger, 29; Field, 34-2/29$400-600

155

156


158

Salvador Dali (Spanish, 1904-1989) Alice’s Adventures in Wonderland New York: Maecenas Press - Random House, 1969. Folio, contents loose as issued in gilt-lettered cloth chemise and gilt-lettered quarter tan leather clamshell box, with leather ties and bone clasps (one torn), etched frontispiece and 12 colored plates with Dali remarque. color lithographs edition 1166/2500, signed in pencil on title page Album: 18 1/2 x 13 1/4 inches.$3,000-5,000

159

Salvador Dali (Spanish, 1904-1989) The Little Knight (Le Petit Chevalier), 1969 color drypoint etching edition 179/200, signed in pencil 8 1/4 x 6 inches.Ref: Field, 69-4$800-1,200

158

7 1

160*

Salvador Dali (Spanish, 1904-1989) Imaginations and Objects of the Future (suite of 11 with box and text), 1975etchings with lithograph, screenprint and collage; Merrill Chase & Alan Rich, New York, pubs. edition 183/250, signed Dali (lower right) Largest: 26 3/4 x 34 1/2 inches.Ref: Field, 75-11Property from the Collection of Isabel Abrams, Wilmette, Illinois$15,000-25,000

160


161

Salvador Dalí (Spanish, 1904-1989) Self-portrait Sundial, 1966 color lithograph EA, signed in pencil 12 1/2 x 16 1/2 inches.Ref: Field, 66-5$1,000-2,000

162

Salvador Dali (Spanish, 1904-1989) Petites Nus, 1972 (a group of 7 color etchings from the portfolio of 8) color etchings on Japon edition 93/95, signed in pencil various sizes$3,000-5,000

163

Salvador Dali (Spanish, 1904-1989) El Greco (from Five Spanish Immortals, 1965 etching in sepia; Jean Schneider, Basel, pub. edition 124/125, signed in pencil 6 3/4 x 4 3/4 inches.Ref: Field, 65-7$400-600

164

Salvador Dali (Spanish, 1904-1989) La pagode and Le Nu a la jarretiere (from The Hippies), 1969 color etchings edition 95/145, signed in pencil 15 3/4 x 12 1/2 inches.Ref: Field, 69-13$1,500-2,500

162

164 161

7 3

165

Joan Miro (Spainish, 1893-1983) Le regne vegetal, 1968 aquatint; Maeght, Paris, pub. signed Miro (lower right) 18 1/2 x 13 1/2 inches.Ref: Dupin, 462$3,000-5,000

166

Joan Miro (Spanish, 1893-1983) Le Chien Bleu color etching with aquatint; Maeght Editeur, Paris, pub.edition 66/300, signed in pencil24 x 18 1/2 inches.Ref: Maeght, 1714$6,000-8,000

165 166


167

Joan Miro (Spanish, 1893-1983) Untitled (from Suite La Bague d’Aurore), 1957 color etching and aquatint; L. Broder, Paris, pub. edition 38/60, signed in pencil 5 1/2 x 4 1/2 inches.Ref: Dupin, 136$3,000-5,000

168

Joan Miró (Spanish, 1893-1983) La biche chantant la tosca, 1969 aquatint, etching, and carborundum; Maeght, Paris, pub.; Arte Adrien Maeght, Paris, prntr. H.C., signed in pencil 21 3/4 x 26 inches.Ref: Dupin, 485$3,000-5,000

168

167

75

169*

Joan Miro(Spanish, 1893-1983)Hommage aux Prix Nobel, 1976color lithograph; Galerie Borjeson, pub.edition XXV/XXV, signed in pencil30 x 22 inches.Ref: Mourlot, 1094$3,000-5,000

169


170

Joan Miró (Spanish, 1893-1983) Woman and Bird in Torment, 1967 color lithograph; Maeght Editeur, Paris, pub. edition 47/75, signed in pencil approx. 17 x 19 inches.Ref: Maeght, 510; Cramer, 112$2,000-4,000

171*

Joan Miro(Spanish, 1893-1983)Hommage aux Prix Nobel, 1976color lithograph; Galerie Borjeson, pub.edition XXV/XXV, signed in pencil30 x 22 inches.Ref: Mourlot, 1094$3,000-5,000

170

171

7 7

172*

Joan Miró (Spanish, 1893-1983) L’enragecolor etching, aquatint, and carborundum; Maeght Editeur, Paris, pub.edition 11/75, signed in pencil35 1/4 x 23 7/8 inches.Ref: Dupin, 427Property from the Collection of Mr. and Mrs. William Kahn, River Forest, IL$15,000-25,000

172


173*

Alexander Calder (American, 1898-1976) Quilts screenprint signed Calder (lower right) 21 1/2 x 29 inches.Property from the Collection of Chuck Jung, St. Louis, Missouri$2,000-4,000

174

Alexander Calder (American, 1898-1976) Untitled color lithograph edition 146/ 150, signed Calder 24 x 18 inches.$600-800

175

Alexander Calder (American, 1898–1976) Orilammes, 1969 color lithograph edition 34/75, signed in pencil 29 1/2 x 43 inches.$800-1,200

173

175

7 9

176

Sonia Delaunay-Terk (Ukrainian, 1885-1979) Composition with Semi-Circles, 1969 color etching and aquatint edition 85/125, signed in pencil 19 1/4 x 15 1/2 inches.$1,500-2,500

177

Sonia Delaunay-Terk (Ukrainian, 1885-1979) Untitled (Circular Composition) color etching and aquatint edition 85/125, signed in pencil Diameter: 16 1/2 inches.$1,500-2,500

178*

Sonia Delaunay (Ukrainian/French, 1885-1979) Venise, 1966 color ethcing and aquatint signed in pencil 19 x 14 3/4 inches.Property from the Collection of Pearl Siegal, Hollywood, Florida$800-1,200

177176


179*

Sophie Taeuber-Arp (Swiss, 1889-1943) Sophie Taeuber-Arp, 1957 (Portfolio of 10) color silkscreens with text and justiication; Galerie Denise René, Paris, pub.; Hella NebelungGallery, Düsseldorf, Germany, prntr. 25 from the edition of 100 Each: 19 x 15 inches.Property from the Estate of Erika Klüsener Kultermann, Berlin/Chicago

Provenance:Acquired directly from the artist, c. 1957By decent to present owner$1,000-2,000

180*

Mark Tobey (American, 1890-1976) Louvre, 1961 lithograph edition 139/200, signed Tobey and dated (lower right) 22 x 17 inches.Property from the Collection of Ann M. Rothschild, Chicago, Illinois$800-1,200

181*

Giuseppe Capogrossi (Italian, 1900-1972) Untitled, 1953 lithograph signed and dated (lower right) 11 1/4 x 18 1/2 inches.Property from the Collection of Ann M. Rothschild, Chicago, Illinois$500-700

1794 of 10 shown

181180

8 1

182

Serge Poliakof (Russian, 1906-1969) Composition verte, orange et lie-de-vin from 10 Lithographies, 1966 color lithograph; Erker Presse, St. Gallen, pub. edition 30/75; signed in pencil 18 3/4 x 24 3/4 inches.$2,000-4,000

183*

Serge Poliakof (French/Russian, 1900-1969) Printemps, 1967 etching signed Serg Poliakof (lower right) 23 1/4 x 17 inches.Property from the Collection of Pearl Siegal, Hollywood, Florida

Provenance:Redfern Gallery, London, United Kingdom, 1969

Acquired from the above by present owner$2,000-4,000

184*

Serge Poliakof (French/Russian, 1900-1969) Composition camin, jaune, grise et bleue, 1959 etching edition 15/75; signed Serge Poliakof (lower right) 23 3/4 x 19 1/4 inches.Property from the Collection of Pearl Siegal, Hollywood, Florida

Printed by Mourlot, Paris. Published by Bergruen, Paris. $2,000-4,000

183

182

184


185*

Adolph Gottlieb (American, 1903-1974) Black Field, 1972 color screenprint; Marlborough Graphics, pub. edition 96/150, signed and dated in pencil 23 3/4 x 17 1/2 inches.Ref: Associated American Artists, 74Property from the Collection of Pearl Siegal, Hollywood, Florida$1,000-2,000

186*

Adolph Gottlieb (American, 1903-1974) Levitation, 1969 color screenprint; Marlborough Graphics, pub. edition 59/90, signed in pencil 30 x 22 inches.Property from the Collection of Pearl Siegal, Hollywood, Florida$1,000-2,000

187*

Adolph Gottlieb (American, 1903-1974) Green Halo, 1966color screenprint; Marlborough Graphics, pub. edition 13/50, signed Adolf Gottlieb (lower left) 24 x 18 inches.Ref: Associated American Artists, 41Property from the Collection of Pearl Siegal,Hollywood, Florida$1,000-2,000

185

187186

8 3

188*

Hans Hartung (German/French, 1904-1989) L 114 , c. 1963–1964 lithograph; Erker Presse, Saint-Gallen, pub. edition 70/75, signed in pencil 30 x 20 inches.Ref: Schmucking, 114Property from the Collection of Pearl Siegal, Hollywood, Florida$800-1,200

189*

Hans Hartung (German/French, 1904-1989) L 59, 1958 color lithograph edition 38/75; signed Hartung (lower right) 21 x 16 inches.Ref: Schmucking, 59Property from the Collection of Pearl Siegal, Hollywood, Florida$800-1,200

190

Victor Pasmore (British, 1908-1998) Points of contact no. 31, 1979 color screenprint; Kelpra Studio, London, prntr.; Marlborough Graphics, London, pub. edition 41/70, signed and dated in pencil 16 x 15 3/4 inches.Ref: Lynton, G5

Provenance:Rubiner Gallery, Royal Oak, Michigan$600-800

190

188


191

Victor Pasmore (British, 1908-1998) Points of Contact no. 28, 1979 color screenprint; Kelpra Studio, London, prntr.; Marlborough Graphics, London, pub. edition 37/70, signed and dated in pencil 16 x 15 3/4 inches.Ref: Lynton, G2

Provenance:Rubiner Gallery, Royal Oak, Michigan$600-800

192*

Joan Mitchell (American, 1926-1992) Flower I (from Bedford), 1981 color lithograph; Tyler Graphics, pub. edition 65/70, signed Joan Mitchell (lower right) 42 1/2 x 32 1/2 inches.Ref: Tyler, 369Property from the Collection of Chuck Jung, St. Louis, Missouri$3,000-5,000

193

Helen Frankenthaler (American, 1928-2011) Ramblas, 1987-1988 color etching and lithograph; Polígrafa, Barcelona, pub. edition 35/75, signed in pencil 34 1/4 x 26 3/4 inches.Ref: Harrison, 141$1,500-2,500

194

Helen Frankenthaler (American, 1928-2011) Beginnings, 2002 color screenprint; Lincoln Center List Poster and Print Program, New York, pub. edition 80/126, signed in pencil 36 3/4 x 35 1/2 inches.$4,000-6,000

195*

Piero Dorazio (Italian, 1927-2005) Untitled, 1957 lithograph edition 2/75, signed and dated 20 x 14 inches.Property from the Collection of Ann M. Rothschild, Chicago, Illinois$500-700

196*

John Hoyland (British, 1934-2011) Small Swiss Green, 1968 color lithograph edition 16/75, signed in pencil 18 x 27 inches.Property from the Collection of Ann M. Rothschild, Chicago, Illinois$500-700

192

195

8 5

194

193


197

Robert Motherwell (American, 1915-1991) Plate 6 from Madrid Suite, 1966lithograph; Hollander Workshop, New York, pub.; Irwin Hollander, prntr. edition 38/100, signed in colored pencil 19 3/4 x 25 inches.Ref: Belknap, 14; Engberg & Banach 26$600-800

198

Robert Motherwell (American, 1915-1991) Red Sea II, 1979 color aquatint; Harry N. Abrams, New York, pub.; Catherine Mousley, prntr. edition 59/100, signed in pencil with the artist’s blindstamp 23 1/2 x 19 10/ 16 inches.Ref: Belknap, 211$8,000-12,000

198

8 7

199

Robert Mortherwell (American, 1915-1991) El Negro, 1983 (Book comprising 19 lithographs illuminating the poem El Negro Motherwell by Rafael Alberti, translated by Vincente Lleo Canal, 1983, contained in the original cloth-covered portfolio box) color lithographs on white TGL handmade paper; Tyler Graphics Ltd., Bedford Village, New York, prntr./pub. edition 44/51, signed in black ink on the colophon Largest image: 15 x 37 3/4 inches.$8,000-12,000

199


200

Pierre Soulages (French, b. 1919) Eau-Forte XVIII, 1962 color etching and aquatint; Lacouriere, Paris, prntr.; Berggruen, Paris, pub.edition 28/100, signed in pencil 25 x 19 1/4 inches.Ref: Encreve/Miessner, 19$4,000-6,000

201*

Pierre Soulage (French, b.1919) Lithographie no. 25, 1969 lithograph; Mourlot, Paris, prntr. edition 78/85, signed in pencil 30 x 19 inches.Ref: Riviere, 27Property from the Collection of Pearl Siegal, Hollywood, Florida$1,000-2,000

202

Robert Natkin (American, 1930-2010) Untitled (from Field Mouse Series), 1978 color lithograph edition 24/75, signed in pencil and dated 26 1/2 x 36 inches.$300-500

200

203

201

8 9

203

Sam Francis (American 1923-1994) Untitled (from Michel Waldberg: Poemes dans la Ciel), 1986color lithograph edition HC aside from the edition of 176, signed Sam Francis (lower right) 29 7/8 x 22 inches.$1,500-2,500

204

Willem de Kooning (American, 1923-1997) Revenge (from 21 Etchings and Poems), 1960 sugar-lift aquatint; Anderson-Lamb, prntr; Morris Gallery, pub. edition 28/50, signed in pencil 11 3/4 x 13 5/8 inches.Ref: Graham, 1$3,000-5,000

205

Williem de Kooning (American, 1923-1997) Head of a Woman, 1964 lithograph; Total Color, New York, prntr. edition of 188, signed in pencil 21 x 18 1/4 inches.$3,000-5,000

204

205


206

Louise Nevelson (American 1899-1988) Magic Garden, 1953-1955 etching with aquatint edition 10/20, signed and titled in pencil 5 3/4 x 8 3/4 inches.Ref: Baro, 12$1,500-2,500

207

Josef Albers (American/German, 1888-1976) Interlinear K50, 1962 lithograph; Tamarind Institute, University of New Mexico, pub.; Irwin Hollander, prntr. edition 14/20, signed 18 3/4 x 23 5/8 inches.Provenance:Benjamin Galleries, Chicago$800-1,200

208*

Conrad Marca-Relli (American, 1912-2000) Repeat Collage mixed media edition 13/100, signed in pencil 25 1/2 x 19 inches.Property from the Collection of Pearl Siegal, Hollywood, Florida$600-800

208

206 207

9 1

209*

Eduardo Chillida (Spanish, 1924-2002) Competition and Harmony, 1988 (from the Oicial Arts Portfolio of the XXIVth Olympiad, Seoul, Korea) screenprint edition CCXXVIII/CCC, signed (lower right) 30 x 24 inches.Property from the Collection of Chuck Jung, St. Louis, Missouri$1,000-2,000

210

Sol LeWitt (American 1928-2007) Black and White (pl. 7 from Grids and Color), 1979 screenprint edition 2/10-11, signed 14 x 28 inches.Ref: Krakow, 1979.01$2,000-3,000

211

Sol LeWitt (American, 1928–2007) Untitled (Brown), 2004 color lithograph and aquatint edition PP 1/2, signed in pencil 30 x 30 inches.$2,000-4,000

210

211209


212

Yaacov Agam (Israeli, b. 1928) Ben Gurion (folio containing 10 color silkscreens; each signed and numbered 154/540 in pencil to margins and one Agamograph signed in blue ink. Text by Shimon Peres, introduction by Abba Eban. Signed by Shimon Peres and Georges Israel (the publisher) in black ink and numbered Copy 154/540 to the title page. Contained in a blue velvet hard cover album with gilt stamped lettered cover and spine.) color silkscreens editon 154/540, each signed and numbered in pencil Overall: 23 x 18 3/4 inches.$500-700

213

Donald Judd (American 1928-1994) Untitled, 1978-1979 etching with aquatint; Styria Studio, New York, edition 32/75, signed in pencil 35 x 24 1/2 inches.Ref: Schellmann, 87$3,000-5,000

214 215

213

9 3

214

Donald Judd (American, 1928-1994) Untitled, 1977-1978 etching edition 20/75, signed in pencil 30 x 35 inches.Ref: Schellmann, 102-117$1,500-2,500

215

Donald Judd (American, 1928-1994) Untitled, 1978-1979 etching edition 20/75, signed in pencil 30 x 35 inches.Ref: Schellmann, 102-117$1,500-2,500

216

Richard Anuszkiewicz (American, b. 1930) Untitled color screenprint edition 176/200, signed in pencil 25 x 19 inches.$500-700

217

Frank Stella (American, b. 1936) Ileana Sonnabend (pl. 2 from Purple Series), 1972 lithograph edition 43/100, signed and dated 16 x 22 inches.$1,500-2,500

218

Frank Stella (American, b. 1936) Moultonboro (plate I from Eccentric Polygons), 1974 lithograph & screenprint editioned 70/100, signed F. Stella and dated (lower right) 17 1/4 x 22 1/4 inches.Ref: Gemini, G.E.L., 51.3; Axsom, 95.$2,000-3,000

219

Chryssa (American/Greek, 1933-2013) Chinatown Portfolio II, 1978 (twelve works) screenprints each edition 81/150, signed Each: 40 x 30 inches.$1,000-2,000

218

219

217


220

Julio Le Parc (Argentine, b. 1928) Volume Virtuel, 1970 color silkscreen edition 112/200, signed in pencil 40 1/4 x 30 1/3 inches.$1,500-2,500

221

Peter Gee (American/British, 1932-2005) Untitled (a group of 4 prints) silkscreen on paper signed in pencil Each: 40 x 20 inches.$1,500-2,500

222

Peter Gee (American/British, 1932-2005) Untitled (a group of 4 prints) silkscreen on paper each signed in pencil Each: 40 x 20 inches.$1,500-2,500

223

Peter Gee (American/British, 1932-2005) Untitled (a group of 4 prints) silkscreen on paper each signed in pencil Each: 40 x 20 inches.$1,500-2,500

220

222

9 5

224

Various Artists (20th Century) Conspiracy: The Artist as Witness, 1971; The complete portfolio, comprising 7 lithographs and 5 screenprints in colors on Arches or handmade paper, each signed and annotated A.P. with the artist’s copyright inkstamp on verso, with colophon annotated A.P. in ink, list of titles, the full sheets, loose as issued; together with the book, Conspiracy: the Artist as Witness, signed and inscribed by Charles Garry, contained in original canvas-covered portfolio box with gilt embossed title. various signed and annotated in pencil and ink Album: 29 1/2 x 22 x 1 3/4 inches.Artists included: Jack Beal, Romare Bearden, Alexander Calder, Leon Golub & Nancy Spero, Sol Lewitt, Robert Morris, Claes Oldenberg, Larry Poons, Bridget Riley, Peter Saul, Raphael Soyer, Frank Stella$10,000-15,000

224


225*

Jose Gardy Artigas (French, b. 1938) les boeufs meuarent aussi...., 1971 (portfolio consisting of 13 lithographs and pencil drawing signed by Artigas in orginal case with text by Jean Pierre Lemesle) color lithographs; Maeght Editeur, Paris, prntr./pub. edition 10/25, signed in pencil and numbered on the colophon Overall: 26 x 20 inches.Property from the Collection of Pearl Siegal, Hollywood, Florida$200-400

226

Yozo Hamaguchi (Japanese, 1909–2000) Asparagus and Lemon, 1957 mezzotint edition CXI/CL, signed in pencil 11 1/2 x 17 inches.Ref: M. Gallery, 59$800-1,200

227

Kiyoshi Saito (Japanese, 1907-1997) Garden Syugaku-In Kyoto, 1958 color woodcut edition 42/70, signed, titled, and dated in pencil 17 1/2 x 23 3/4 inches.$800-1,200

226

227

9 7

228*

Jose Clemente Orozco (Mexican, 1883-1949) Untitled lithograph edition 13/100, signed in pencil 10 1/2 x 7 inches.Property from the Collection of Pearl Siegal, Hollywood, Florida$600-800

229

David Alfaro Siqueiros (Mexican, 1896-1974) Mascara (from Mexican suite), 1968-1969 color lithograph edition 3/250, signed in pencil 22 3/8 x 18 3/4 inches.$300-500

230

David Alfaro Siqueiros (Mexican, 1896-1974) America Latina (Hombre atado a un Arbol) lithograph E.X. 3/95, signed in pencil 11 3/4 x 9 inches.$300-500

228

229


231

Ruino Tamayo (Mexican, 1899-1991) Mascara Roja (from Mujeres), 1969 color lithograph edition 69/150, signed in pencil 30 x 22 1/2 inches.Ref: Pereda, 124$2,000-4,000

232

Ruino Tamayo (Mexican, 1899-1991) Torso en rosa, 1980 color etching; Ediciones Poligrafa, Barcelona, prntr./pub. edition 22/99, signed in black crayon 29 5/8 x 22 inches.Ref: Pereda, 269$2,000-4,000

233

Ruino Tamayo (Mexican, 1899-1991) Figura en jarras, 1980 color etching; Poligrafa, Barcelona, prntr./pub. edition 22/99, signed in crayon 29 1/2 x 21 7/8 inches.$2,000-4,000

232 233

231

9 9

234

Ruino Tamayo (Mexican, 1899-1991) Personaje en gris, 1980 color etching; Poligrafa, Barcelona, prntr./pub. edition 22/99, signed in crayon 29 1/2 x 22 inches.$2,000-4,000

235

Ruino Tamayo (Mexican, 1899-1991) Untitled mixograph edition XXIV/XXV, signed in crayon 22 x 29 1/8 inches.$2,000-4,000

236

Ruino Tamayo (Mexican, 1899-1991) Untitled color lithograph edition 54/100, signed in pencil 29 1/4 x 21 1/4 inches.$1,500-2,500

236234

235

1 0 0 f i n e p r i n t s

237

Roberto Matta (Chilean, 1911-2002) Le Cinema (from Scenes famileres), 1962 colour etching and soft-ground etching with scraper edition 30/50, signed in pencil 13 x 17 inches.Ref: Sabatier, 92$600-800

238

Roberto Matta (Chilean, 1911-2002) Une saison en enfer, 1978 (portfolio consisting of 9 of the original 10 aquatints) color etching and aquatints; Atelier Georges Visat, Paris, prntr.; Polígrafa, Barcelona, pub.Edition 14/100, signed in pencil18 3/4 x 14 inches.$5,000-7,000

239

Francisco Zuniga (Mexican, 1912-1998) Coloquio, 1979 color lithograph; Brewster Editions, New York, pub. edition E.II XXIII/XXX, signed and dated in pencil 22 1/2 x 31 1/2 inches.Ref: Brewster, 47$500-700

240

Anthony Quinn (Mexican/American, 1915-2001) The Great Spirit, 1986 (The complete portfolio, comprising ten lithographs printed in colours, on Arches, each signed in pencil, with title-page, justiication, index and text in English, signed on the justiication in pencil, printed by Atelier Lithographic Aloys Arcueil, published by Ariane Zeisig Lancell, Paris, the full sheets loose as issued within the original leather covered boards and solander box, with the relief cover) color lithographs edition 92/100, each signed and numbered in pencil 27 x 20 inches.$500-700

238

1 0 1

241

Gunther Gerzso (Mexican, 1915-2000) Muro Blanco, 1988 color lithograph edition 10/100, signed in pencil 27 1/2 x 19 3/4 inches.$600-800

242

Fernando de Szyszlo (Peruvian, b. 1925) Untitled mixograph on hand made paper edition 54/100, signed in graphite 29 1/8 x 21 7/8 inches$600-800

243

Fernando de Szyszlo (Peruvian, b. 1925) Untitled mixograph on hand made paper edition 54/100, signed in graphite 29 1/4 x 21 1/4 inches$600-800

244

Fernando Botero (Colombian, 1932) Pedrito, 1975 ofset color lithograph edition 178/250, signed in pencil 38 1/4 29 1/2 inches.$2,000-4,000

245

Jose Luis Cuevas (Mexican, b. 1933) Cirqueros and Contorsionistas (two works) etchings editions 42/100 and 85/100, each signed in pencil 11 x 8 inches.$600-800

246

Pedro Friedeberg (Mexican, b. 1937) Zodiaco color silkscreen edition 85/100, signed in pencil 26 x 26 inches.$500-700

247

Friedensreich Hundertwasser (Austrian, 1928-2000) Good Morning City, 1969 screenprint with metallic embossing; Dorothea Leonhard, pub.; Studio Quattro, prntr. editon 4598/10000, signed, dated and inscribed in ink 33 1/4 22 inches.$1,000-2,000

244

246 247


248

Robert Rauschenberg (American, 1925-2008) Mule from Hoarfrost Editions, 1974 lithograph on collage and fabric edition 13/33, signed Rauschenberg 66 1/2 x 36 1/2 inches.$3,000-5,000

249

Robert Rauschenberg (American, 1925-2008) Pull (from Hoarfrost editions series), 1974 mixed media; Gemini G.E.L., Los Angeles, pub. edition 20/29, signed and dated in pencil 83 x 48 inches.Ref: Gemini, 574$5,000-7,000

248 249

1 0 3

250

Andy Warhol (American, 1928-1987) Marilyn (Castelli Graphics Invitation), 1981 color ofset lithograph; Colour Editions, Inc., New York, prntr.; Castelli Gallery, pub. signed in red marker 7 x 7 inches.$4,000-6,000

251

Andy Warhol (American, 1928-1987) Myths, 1981 (set of ten announcement cards) color ofset lithographs; Ronald Feldman Fine Arts, prntr. each signed in marker 7 x 7 inches.$8,000-12,000

252

Andy Warhol (American, 1928-1987) Marilyn Monroe I Love Your Kiss Forever 1964 color lithograph on double-page spread; Maurice Beaudet, Paris, prntr.; E.W. Kornfeld, Bern, Switzerland, pub. edition of 2000, signed, dated, and inscribed in pencil 16 1/4 x 11 inches.Ref: F&S: II.5$1,000-2,000

252250

251


253*

Andy Warhol (American, 1928-1987) Birmingham Race Riot (from Ten Works by Ten Painters), 1964 screenprint; Wadsworth Atheneum, Hartford, Connecticut, pub.; Ives-Sillman, Inc. New Haven, Connecticut, prntr. edition of 500 20 x 24 inches.Ref: Feldman & Schellmann, II.3

Property from the Estate of Erika Klüsener Kultermann, Berlin/Chicago

Provenance:By decent to present owner$5,000-7,000

253

1 0 5

254

No Lot

255

Andy Warhol (American, 1928-1987) Lincoln Center Ticket, 1967 color screenprint; Leo Castelli Gallery, New York, pub/prntr. edition of 500 44 3/4 x 24 1/8 inches.Ref: Feldman & Schellmann, II.19$1,000-2,000

256

Andy Warhol (American, 1928-1987) Marilyn (Castelli Graphics Announcement), 1981 color ofset lithograph; Colour Editions, Inc., New York, prntr.; Castelli Graphics, New York, pub. 12 x 12 inches.$2,000-4,000

257

Andy Warhol (American, 1928-1987) S&H Green Stamps, 1965 ofset lithograph; the Institute of Contemporary Art, Philadelphia, pub edition of 300, Estate stamped and initialed F.H. (verso) 22 3/4 x 22 3/4 inches.Ref: F&S, II.9$5,000-7,000

258

No Lot

255

257


259

Jasper Johns (American, b. 1930) Untitled (for American Center), 1994color lithograph; Universal Limited Art Editions, West Islip, New York, pub. edition 51/75, signed and dated in pencil 36 x 30 inches.$6,000-8,000

259

1 07

260*

Tom Wesselmann (American, 1931-2004) Scribble Version of Still Life No. 58, 1991 color screenprint; International Images, Inc., Vermont, pub. edition 57/90, signed in pencil 19 1/2 x 23 1/2 inches.Property from the Collection of Chuck Jung, St. Louis, Missouri$6,000-8,000

261

Tom Wesselmann (American, 1931-2004) Cut-Out Nude (from 11 Pop Artists I), 1965 screenprint on formed vinyl with die-cut mat; Original Editions, New York, pub. edition 116/200, signed in ink 8 x 16 inches.$6,000-8,000

262

Tom Wesselmann (American, 1931–2004) Nude (For Sedfre), 1969 color screenprint; Chiron Press, New York, pub. edition 95/150, signed and dated in pencil 16 3/4 x 22 3/4 inches.$5,000-7,000

260

262

261


263*

James Rosenquist (American, b. 1933) Highway Trust, 1978 color lithograph; Multiples, Inc., New York, pub. edition 3/78, signed and dated in pencil 20 x 42 inches.Ref: Glenn, 157Property from the Collection of Chuck Jung, St. Louis, Missouri$2,000-4,000

263

1 0 9

264*

Richard Hamilton (British, 1922–2011) My Marilyn, 1965 (pub. 1966) color screenprint; Editions Alecto, London, pub.; Kelpra Studio, London, prntr. edition 37/75, signed and dated in pencil 27 x 33 inches.Property from the collection of Mr. Bill Monahan, Palm Springs, California$30,000-50,000

264


265

Roy Lichtenstein (American, 1923-1997) The Sower (from Landscape Series), 1985 lithograph, woodcut and screenprint in colors; Gemini G.E.L., pub. edition 54/60, signed and dated in pencil 41 1/4 x 55 3/8 inches.Ref: Corlett, 211

Provenance: BR Kornblatt Galery, Washington, DC$30,000-50,000

265

1 1 1

266

Roy Lichtenstein (American, 1923-1997) Stedelijk Museum Poster, 1967 (from the edition without text) color ofset lithograph, signed in pencil; Stedelijk Museum and Poster Originals, Ltd./Amsterdam Stadsdrukkerij, pub./prntr. signed R. Lichtenstien 30 x 25 inches.Ref: Corlett, III.23b$1,000-2,000

267

Roy Lichtenstein (American, 1923-1997) Crak!, 1964 color ofset lithograph; Leo Castelli Gallery, New York, signed in pencil 20 x 28 1/4 inches.Ref: Corlett, II.2$15,000-25,000

266

267


268

Robert Indiana (American, b. 1928) KVF VI (from The Hartley Elegies: The Berlin Series), 1990 color screenprint; Brand X Editions Ltd., New York, prntr.; Park Granada Editios, Tarzana, pub. edition 37/50, signed, titled, and dated in pencil 59 1/2 x 59 1/2 inches.Ref: Sheehan, 150$2,000-4,000

269

Robert Indiana (American, b. 1928) KVF VII (from The Hartley Elegies: The Berlin Series), 1990 color screenprint; Brand X Editions Ltd., New York, prntr.; Park Granada Editios, Tarzana, pub. edition AP 2/12, signed, titled, and dated in pencil 59 1/2 x 59 1/2 inches.Ref: Sheehan, 151$2,000-4,000

270

Robert Indiana (American, b. 1928) KVF VIII (from The Hartley Elegies: The Berlin Series), 1991 color screenprint; Brand X Editions Ltd., New York, prntr.; Park Granada Editios, Tarzana, pub. edition 2/50, signed, titled, and dated in pencil 59 1/2 x 59 1/2 inches.Ref: Sheehan, 152$2,000-4,000

271

Robert Indiana (American, b. 1928) KVF IX (from The Hartley Elegies: The Berlin Series), 1991 color screenprint; Brand X Editions Ltd., New York, prntr.; Park Granada Editios, Tarzana, pub. edition 13/50, signed, titled, and dated in pencil 59 1/2 x 59 1/2 inches.Ref: Sheehan, 153$2,000-4,000

268

270

269

271

1 1 3

272*

Robert Indiana (American, b. 1928) Picasso (from The American Dream), 1997 color screenprint edition 238/395, signed in pencil 17 x 13 1/2 inches.Property from the Collection of Chuck Jung, St. Louis, Missouri$1,000-2,000

273*

Patrick Caulield (British, 1936-2005) Cafe, 1968 color screenprint; Leslie Waddington Prints, London, pub.; Kelpra Studio, London, prntr. edition 7/75, signed in pencil 27 3/4 x 36 1/2 inches.Property from the Collection of Siegmund Halpern, Ladue, Missouri$3,000-5,000

274

Claes Oldenburg (American, b. 1929) Proposed Colossal Monument for Battersea Park, London, Drum Set, 1966 color ofset lithograph; Mutiples, Inc., New York, pub. edition 257/300, signed in pencil 24 x 35 inches.Ref: Axsom & Platzker, 62$400-600

273


275

Wayne Thiebaud (American, b. 1920) Suckers (State II), 1968 color lithograph; Gemini G.E.L., Los Angeles, pub. edition 64/150, signed in pencil 16 x 22 inches.Ref: Gemini, 86$6,000-8,000

276

Wayne Thiebaud (American, b. 1920) Suckers State (State I), 1968 lithograph; Gemini G.E.L., Los Angeles, pub. edition 140/150, signed in pencil 16 x 22 inches.Ref: Gemini, 85$7,000-9,000

277

Jacob Lawrence (American, 1917-2000) Morning Still Life, 1976 color lithograph; Rainbow Art Foundation, New York, pub.; Soho Graphic Workshop, prntr. edition 46/200, signed in pencil 23 3/4 x 17 3/4 inches.Ref: Nesbett, L76$2,000-4,000

278

John Wilde (American, 1919-2006) Wildeview, 1985 lithograph edition 22/90, signed in pencil 36 x 21 3/4 inches.$700-900

276275

277

1 1 5

279

Philip Pearlstein (American, b. 1924) Mummy Cave Ruins at Canyon de Chelly, 1980 color etching and aquatint with sugarlift and roulette; Condeso and Brokopp Studio, New York, prntr.; Brooke Alexander, New York, pub. edition 29/41, signed in pencil 40 x 28 3/4 inches.Ref: Springield Art Museum, 19$600-800

280

Philip Pearlstein (American, b. 1924) Nude on Striped Hammock, 1974 color etching and aquatint; Allan Frumkin Gallery, New York, pub.; Orlando Condeso Workshop, New York, prntr. edition 59/100, signed in pencil 23 3/8 x 25 3/4 inches.$700-900

281*

Enrico Baj (Italian, 1924-2003) Untitled color lithograph edition 94/100, signed in pencil 9 1/2 x 7 1/4 inches.Property from the Collection of Ann M. Rothschild, Chicago, Illinois$500-700

281

278

279


282

William T. Wiley (American, b. 1937) Mask, 1975 color lithograph; Landfall Press, Chicago, pub.; Jack Lemon, David Keister and Ron Wyfels, prntr. edition 3/10, signed in pencil Diameter: 33 inches.$600-800

283

Ed Paschke (American, 1939-2004) Bad, 1991 (together with text and cover page) color lithograph and screenprint edition 48/60, signed in pencil 15 x 12 1/8 inches.$300-500

284

Ed Paschke (American, 1939-2004) Budget Floors, 1968 color screenprint signed and dated in pencil 14 x 10 1/2 inches.$700-900

284

283

1 1 7

285

Ed Paschke (American, 1939-2004) John Dillnger, 1969 screenprint signed and dated in pencil 10 x 16 inches.$700-900

286

Ed Paschke (American, 1939-2004) George Mills, 1989 lithograph edition AP 18, signed and dated in pencil 26 x 36 inches.$500-700

287

Donald Roller Wilson (American, b. 1938) When Mrs. Jenkins..., 1988 color lithograph edition 68/100; signed and dated 22 1/4 x 29 3/8 inches.$500-700

286

285


288

David Hockney (English, b. 1937) Celia Pondering from A Series of Hand Drawn Lithographs, 1980 sepia lithograph edition 29/30, signed and dated in pencil 33 x 26 1/4 inches.Ref: Gemini, 1648

Provenance:Cynthia Drennon Fine Art Santa Fe, New Mexico (label to verso)$8,000-12,000

288

1 1 9

289*

David Hockney (British, b. 1937) Celia in an Armchair, 1980 lithograph; Gemini G.E.L., Los Angeles, pub. edition 52/74, signed in pencil 40 x 48 inches.Ref: Tokyo, 239$20,000-30,000

289


290

Jim Dine (American, b. 1935) Etching Heart, 1981 etching; Pace Editions, New York, pub. edition 36/42; signed and dated in pencil 34 1/4 x 28 1/4 inches.Ref: D’Oench/Feinberg, 87$800-1,200

291*

Jim Dine (American, b. 1935) Dorian Gray in Vinyl Stripe Cape, 1968 color lithograph signed in pencil 17 1/2 x 11 inches.Property from the collection of Mr. Bill Monahan, Palm Springs, California$600-800

292*

Jim Dine (American, b. 1935) Wolfman, 1967 color lithograph edition 72/120, signed 31 x 22 inches.Property from the Collection of Pearl Siegal, Hollywood, Florida$300-500

290 291

1 2 1

293

Jim Dine (American, b. 1935)Dream of Rose Tyrien, 2000color lithographedition 12/16, signed and dated in pencil39 1/2 x 29 1/4 inches.$5,000-7,000

294*

Jim Dine (American, b. 1935) Untitled (from Dutch Hearts), 1970 color lithograph with collage; Petersburg Press, London, pub. AP, signed in pencil 16 3/4 x 20 inches.Ref: Williams College, 2-9$1,000-2,000

295

Jim Dine (American, b. 1935) Pink Sterlitzia color etching edition 4/12, signed Jim Dine 35 1/4 x 23 3/4 inches.$1,000-2,000

295

294293


296

Robert Arneson (American, 1930-1992) General Nuke, 1986color lithograph edition T. P. II, signed and dated in pencil 31 x 22 inches.$1,500-2,500

297

Robert Arneson (American, 1930-1992) The Colonel is at it Again, 1986 color lithograph edition L.P./4, signed and dated in pencil 38 1/2 x 28 inches.$1,500-2,500

1 2 3

298*

Franz Gertsch (Swiss, b. 1930) Natascha VI, 1987 color woodcut edition 5/5, signed in pencil 41 1/2 x 35 1/2 inches.Property from the Collection of Robert and Mary Moriarty, Oak Park, Illinois

Provenance:Perimeter Gallery, Chicago, Illinois$30,000-50,000

298


299

Alex Katz (American, b. 1927) Pamela color lithograph edition 11/30, signed in pencil 28 1/2 x 21 7/8 inches.$800-1,200

300

Allen Jones (British, b. 1937) Sugar and Spice, 1970 color lithographs; Petersburg Press, London, pub. each edition 44/ 75, signed and dated in pencil Each: 35 x 20 1/4 inches.Ref: Lloyd, 51 & 52$5,000-7,000

300

299

1 2 5

301

Chuck Close (American, b. 1940 ) Self Portrait, 2000 color silkscreen edition 68/80, pencil signed (lower center), and dated (lower right) 58 1/4 x 48 inches.$80,000-120,000

301


302

Bruce Nauman (American, b. 1941) Suck Cuts, 1973 lithograph; Gemini G.E.L., Los Angeles, pub. edition P.P II, signed and dated in pencil 25 x 26 inches.Ref: Cordes, 17$4,000-6,000

303

Bruce Nauman (American, b. 1941) Untitled, (from Fingers and Holes), 1994lithograph and screenprint edition 30/50, signed B Nauman in pencil 30 x 40 inches.$5,000-7,000

304

Vernon Fisher (American, b. 1943) Man Cutting Globe, 1995 color lithograph edition P.P. IV/IV, signed and dated 31 1/2 x 30 inches.$500-700

302

303

1 2 7

305

Vernon Fisher (American, b. 1943) Dark Night Full of Stars, 1985 lithograph edition V/X, signed and dated in pencil 24 1/4 x 27 1/4 inches.$500-700

306

Ross Bleckner (American, b. 1949) Dream and Do III, 1997 screenprint edition 19/75, signed Ross Bleckner in pencil 33 x 42 inches.$1,500-2,500

307*

Julian Schnabel (American, b. 1951) Untitled, 1992 color lithograph edition 115/250, signed Julian Schnabel (lower right) 54 x 42 1/2 inches.Property from the Collection of Chuck Jung, St. Louis, Missouri$1,000-2,000

306

307


308

David Salle (American, b. 1952) Portrait with Scissors and Nightclub, 1987 color woodblock print edition 5/100 23 3/4 x 29 1/2 inches.$600-800

309*

Francesco Clemente (American, b. 1952) Aids Relief Series color digital inket print edition 55/250, signed Francesco Clemente (lower right) 10 1/2 x 15 inches.Property from the Collection of Chuck Jung, St. Louis, Missouri$600-800

310

Keith Haring (American, 1958-1990) Absolut Vodka, 1986 color ofset lithograph 42 x 30 inches.$800-1,200

311

Glenn Ligon (American, b. 1960) Untitled (America), 2015 screenprint edition 17/50; signed in pencil 6 x 9 inches.

Note: Published to support the Nottingham Contemporary and Tate Liverpool 2015 exhibition Glenn Ligon: Encounters and Collisions$3,000-5,000

312

Parker Ito (American, b. 1986) Untitled color screenprint artist stamped (verso) 16 1/4 x 11 1/2 inches.$500-700

313

Parker Ito (American, b. 1986) Untitled color screenprint signed Parker Ito (verso) 18 1/8 x 13 inches.$1,000-2,000

308

310

1 2 9

311

313312


Artist index

Artist nAme LOt

Agam, yaacov 212

Albers, Josef 207

Anuszkiewicz, Richard 216

Arneson, Robert 296, 297

Avery, Milton 98, 99

Baj, Enrico 281

Beardsley, Aubrey Vincent 35

Bellows, George Wesley 68, 69

Benson, Frank Weston 96, 97

Benton, Thomas Hart 75-91

Bibel, Leon 109

Bleckner, Ross 306

Boldrini, Niccolo 3

Bonnard, pierre 57

Botero, Fernando 244

Braque, Georges 121-123

Bresslern-Roth, Norbertine 67

Buhot, Félix Hilaire 51, 52

Cadmus, paul 114

Calder, Alexander 173-175

Callot, Jacques 5

Capogrossi, Guiseppe 181

Cassatt, Mary 50

Caulfield, patrick 273

Chadwick, Lynn 137

Chagall, Marc 138-153

Cheret, Jules 30-32

Chillida, Eduardo 209

Chryssa 219

Clemente, Francesco 309

Close, Chuck 301

Cocteau, Jean 118

Cook, Howard Norton 94

Cuevas, José Luis 245

Curry, John Steuart 100

Dalí, Salvador 154-164

Daumier, Honoré 42

de Goya, Francisco 17, 18

de Kooning, Willem 204, 205

de Szyszlo, Fernando 242, 243

de Toulouse-Lautrec, Henri 33, 34

Degas, Edgar 43

Delacroix, Eugène 19, 20

Delaunay-Terk, Sonia 176-178

della Bella, Stefano 11

Dorazio, piero 195

Dufy, Raoul 60

Dürer, Albrecht 1

Dusart, Cornelis 14

Faivre, Jules-Abel 37

Fisher, Vernon 304, 305

Foujita, Léonard Tsuguharu 103

Francis, Sam 203

Frankenthaler, Helen 193, 194

Friedeberg, pedro 246

Freud, Lucian 115

Fuchs, Ernst 116, 117

Gee, peter 221-223

Gertsch, Franz 298

Gerzso, Gunther 241

Gilot, Françoise 120

Gottlieb, Adolph 185-187

Grasset, Eugène 24

Hamaguchi, yozo 226

Hamilton, Richard 264

Haring, Keith 310

Hartung, Hans 188, 189

Hockney, David 288, 289

Hopfer, Daniel 2

Hoyland, John 196

Hundertwasser, Friedensreich 247

Indiana, Robert 268-272

Ito, parker 312, 313

Jim Dine 290-295

Johns, Jasper 259

Jones, Allen 300

Jordaens, Jacob 6

Judd, Donald 213-215

Katz, Alex 299

Kent, Rockwell 74

Kokoschka, Oskar 107, 108

Kollwitz, Käthe 104, 105

Lawrence, Jacob 277

Le parc, Julio 220

Leger, Fernand 124

Legrand, Louis Auguste Mathieu 53

Lichtenstein, Roy 265-267

Ligon, Glenn 311

Lozowick, Louis 102

Maratta, Carlo 12

Marca-Relli, Conrad 208

Marsh, Reginald 93

Matisse, Henri 59

Matta, Roberto 237, 238

Millet, Jean François 21

Miró, Joan 165-172

Mitchell, Joan 192

Moore, Henry 136

Motherwell, Robert 197-199

Mucha, Alphonse 25, 26, 28, 29

Mucha, Alphonse (after) 27

Natkin, Robert 202

Nauman, Bruce 302, 303

Nevelson, Louise 206

Oldenburg, Claes 274

Orozco, José Clemente 228

paschke, Ed 283-286

pasmore, Victor 190, 191

pearlstein, philip 279, 280

picasso, pablo 127-131, 133-135

picasso, pablo (after) 126, 132

piranesi, Giovanni Battista 15, 16

poliakoff, Serge 182-184

potter, paulus 13

Quinn, Anthony 240

Rauschenberg, Robert 248, 249

Renoir, pierre-Auguste 46-49

Rivière, Henri 54

Robbe, Manuel 55, 56

Rosenquist, James 263

Rouault, Georges 61-65

Saito, Kiyoshi 227

Salle, David 308

Sandzen, Birger 95

Schmidt-Rottluff, Karl 66

Schnabel, Julian 307

Shahn, Ben 119

Siqueiros, David Alfaro 229, 230

Sloan, John French 70-73

Sol LeWitt 210, 211

Soulages, pierre 200, 201

Soyer, Raphael 106

Steinlen, Théophile Alexandre 36

Stella, Frank 217, 218

Taeuber-Arp, Sophie 179

Tamayo, Rufino 231-236

Thiebaud, Wayne 275, 276

Tissot, James Jacques Joseph 44, 45

Tobey, Mark 180

Tooker, George 111-113

van der Borcht, peter 4

van Rijn, Rembrandt 7-10

Various Artists 224, 225

Villon, Jacques 58

Volz, Herman 110

Warhol, Andy 250-258

Wesselman, Tom 260-262

Whistler, James Abbott McNeill 22

Wilde, John 278

Wiley, William T. 282

Wilson, Donald Roller 287

Wood, Grant 101

Zorn, Anders 23

Zúñiga, Francisco 239

AuCtiOn inquiries

fine prints

Lail MarmorAccount Executive [email protected]

Reed Landin Head of Sale [email protected]

OffiCe Of tHe president

Leslie S. HindmanPresident and CEO312.280.1212 Adam SpenderExecutive Assistant312.334.4201

Craig [email protected]

estAtes, ApprAisALs And business deVeLOpment

Colleen ThielenDirector of Estates and Appraisals [email protected]

Molly Gron Business Development [email protected]

Katelyn FinnAccount [email protected]

Katie MatusikAccount [email protected] 312.334.4224

AdministrAtiOn

Accounting

Christopher Reimann Director of [email protected]

Katherine RussianManager of Business [email protected]

Tara SchlitzSettlement [email protected] Client services Heather DaumManager, Human [email protected]

Lauren PeartreeAuction [email protected]

COnsiGnment depArtment

Mary KohnkeDirector of [email protected] 312.334.4236

fine Art Zack WirsumSenior [email protected]

Reed LandinAssociate [email protected]

Sarah WilsonAssociate Specialist/[email protected]

Lail MarmorAccount Executive [email protected]

Lauren CarpinelliAccount Executive [email protected]

fine furniture and decorative Arts

Mike IntiharSenior [email protected]

Corbin [email protected] Benjamin Fisher Specialist [email protected]

Nick CoombsAccount [email protected]

Cassia BakerAccount [email protected]

Genevieve [email protected]

Elise MoyerDirector, LH [email protected]

modern design

Mike IntiharSenior [email protected]

Benjamin Fisher Specialist [email protected]

Cassia BakerAccount [email protected]

marketplace

Gia [email protected]

Asian Works of Art

Benjamin FisherDirector [email protected]

Annie [email protected]

Clare BrodyAccount Executive [email protected] 312.447.3290

fine jewelry and timepieces

Alexander Eblen, [email protected]

James [email protected]

Meredith [email protected]

Jamie Henderson Associate Specialist/[email protected]

Hazel KentAccount [email protected]

Katie MeyerAccount [email protected]

Luxury Accessories and Couture

Anne [email protected]

Mary [email protected]

reGiOnAL AuCtiOn HOuses

Jim [email protected]

Vaughn SmithAccount [email protected]

Michael McCarthyAccount [email protected] denver960 Cherokee streetdenver, Colorado 80204303.825.1855

milwaukee525 east Chicago streetmilwaukee, Wisconsin 53202414.220.9200

naples850 6th Avenue southnaples, florida 34102239.643.4448

palm beach island125 Worth Avepalm beach, florida 33480561.833.8053

West palm beach1608 south dixie HighwayWest palm beach, florida 33401561.833.8053

st. Louis32 north brentwood boulevardClayton, missouri 63105314.833.0833

regional representatives Rockford, IllinoisJanet Moore815.399.3983

OhioMacy Nyhart Hansen513.560.3200

Washington, D.C.Maura Ross561.676.3199

Mid AtlanticRoger Schrenk and Chris Fultz703.217.3811

international representative

Tina Fisher Grow 561.315.9100

1 3 3

Guide fOr prOspeCtiVe seLLers

Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers, Inc. and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.

Standard Commission RatesOur standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; ifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-ive percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, Inc., you may be obligated to pay a reduced commission rate of ive percent (5%) of the reserve price.

Shipping ArrangementsLeslie Hindman Auctioneers, Inc. can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers, Inc. and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions.

Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

Guide fOr prOspeCtiVe buyers

Conditions of SaleLeslie Hindman Auctioneers, Inc. encourages all prospective buyers to read the Conditions of Sale printed in this catalogue.

ExhibitionsLeslie Hindman Auctioneers, Inc. recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staf members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process.

EstimatesLeslie Hindman Auctioneers, Inc. provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not deinitive. All pre-sale estimates are subject to revision.

Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property ofered for sale due to the highly subjective nature of condition reports.

Bidding at AuctionThe highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium as well as any applicable taxes.

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction.

The normal bidding increments are:

$0 - $200 ............................................................. $10 $200 - $500 ............................................................ $25 $500 - $1,000 ......................................................... $50 $1,000 - $2,000 ...................................................... $100 $2,000 - $5,000 ..................................................... $200 $5,000 - $10,000 ................................................... $500 $10,000 - $20,000 ............................................... $1,000 $20,000 - $50,000 .............................................. $2,000 $50,000 - $100,000 ............................................ $5,000 $100,000 - $200,000 ......................................... $10,000 Over > $200,000 .......... Auctioneer’s Discretion

In-House BiddingLive bidding at Leslie Hindman Auctioneers, Inc. is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.

Online Bidding Leslie Hindman Auctioneers, Inc. allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at www.lesliehindman.com.

Absentee BiddingIf you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Leslie Hindman Auctioneers, Inc. will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience.

Tax Exempt NoticeLots marked with an asterisk (*) are tax exempt as permitted by law.

driVinG direCtiOns/pArKinG

From the WEST:Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street.

From the NORTH/NORTHWEST:Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

From the SOUTHWEST:Take I-55 north. Exit 292A I-90/I-94 W WisconsinFollow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

From the SOUTH/SOUTHEAST:Take I-90/I-94 westFollow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

Parking:Leslie Hindman Auctioneers, Inc. has a private parking lot located on Ada Street, diagonally across the street from our entrance.


COnditiOns Of sALe

LesLie HindmAn AuCtiOneers, inC. As AGentThe lots listed in this catalogue will be ofered by Leslie Hindman Auctioneers, Inc. as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.

befOre tHe sALe

Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above. All lots are sold “AS IS” and without recourse and neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, itness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical signiicance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the efects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Leslie Hindman Auctioneers, Inc. and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Leslie Hindman Auctioneers Inc. expressly reserves the right to reproduce any image of the lots sold in the catalogue.

At tHe sALe

Refusal of Admission

Leslie Hindman Auctioneers, Inc. has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.

Registration before Bidding

A prospective buyer must complete and sign a registration form and provide identiication before bidding. We may require bank or other inancial references.

Bidding as Principal

When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Leslie Hindman Auctioneers, Inc. before the commencement of the sale that the bidder is acting as agent on behalf of an identiied third party acceptable to Leslie Hindman Auctioneers, Inc., and that Leslie Hindman Auctioneers, Inc. will only look to the principal for payment.

Absentee Bids

We will use reasonable eforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted irst. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid.

Telephone Bids

On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable eforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Leslie Hindman Auctioneers.

Online Bids

We will use reasonable eforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.

Reserves

Some lots in the sale are subject to a reserve which is the conidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Leslie Hindman Auctioneers, Inc. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are ofered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount.

Auctioneer’s Discretion

The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reofer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive.

Successful Bid

The highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has inal discretion to determine the successful bidder or to reofer the lot in dispute. If any dispute arises after the sale, the Leslie Hindman Auctioneers, Inc. sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.

After tHe sALe

Buyer’s Premium

In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium and the applicable sales tax added to the inal total. The buyer’s premium for all purchases except via live online bidding is twenty-ive (25%) of the hammer price up to and including $100,000; twenty percent (20%) of any amount in excess of $100,000 up to and including $1,000,000; and twelve percent (12%) of any amount in excess of $1,000,000. The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $100,000; twenty-one percent (21%) of any amount in excess of $100,000 up to and including $1,000,000; and thirteen percent (13%) of any amount in excess of $1,000,000.

Payment

The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Leslie Hindman Auctioneers, Inc. Leslie Hindman Auctioneers, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Leslie Hindman Auctioneers, Inc. a handling charge of $50 for any check dishonored by the drawee.

Tax Exempt Notice

Lots marked with an asterisk (*) are tax exempt as permitted by law.

1 3 5

lh

Collecting Purchases

Once Leslie Hindman Auctioneers, Inc. has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.

Packing and Shipping

If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Leslie Hindman Auctioneers, Inc. will have no liability of any loss or damage to such items.

Non Payment

If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law:

a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price

b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law

c.) to cancel the sale

d.) to resell the property publicly or privately with such terms as we ind appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deiciency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have conirmed their authenticity.

e.) to ofset against any amount owed

f.) to not allow any bids at any upcoming auction by or on behalf of the buyer

g.) to take other action as we ind necessary or appropriate

Failure to Collect Purchases

If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Leslie Hindman Auctioneers, Inc. reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Leslie Hindman Auctioneers, Inc. shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.

LiAbiLity

Condition Reports

Leslie Hindman Auctioneers, Inc. is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our oicers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, itness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request.

Purchased LotsIf for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Leslie Hindman Auctioneers, Inc. shall not be liable for any amount in excess of that paid by the purchaser.

Legal RamiicationsThe rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

DiscretionAny and all of the conditions may be waived or modiied in the sole discretion of Leslie Hindman Auctioneers, Inc. 0615

I authorize Leslie Hindman Auctioneers, Inc. to bid on my behalf up to the amount stated

below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in

the sale catalogue and on our website.

Online registration/bid requests must be received at least 24 hours before the auction

begins. Leslie Hindman Auctioneers, Inc. will conirm all bids received by fax or by return

email. Phone bids will not be accepted on lots with a low estimate below $300. Leslie

Hindman Auctioneers, Inc. allows absentee and telephone bidding registration through our

website at www.lesliehindman.com.

Bidding generally opens at half the low estimateand advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal

bidding increments are:

$0 - $200 ....................................................... $10

$200 - $500 ...................................................... $25

$500 - $1,000 .................................................... $50

$1,000 - $2,000 ................................................ $100

$2,000 - $5,000 ............................................... $200

$5,000 - $10,000 .............................................. $500

$10,000 - $20,000 .......................................... $1,000

$20,000 - $50,000 ......................................... $2,000

$50,000 - $100,000 ....................................... $5,000

$100,000 - $200,000 .................................... $10,000

Over > $200,000 ..... Auctioneer’s Discretion

For absentee bids, indicate your limit for eachlot. Your bids will be executed at the lowestprices allowed by reserves and competing bids. If we receive more than one bid of the same value, the irst one received will take precedence.

A per lot buyer’s premium is added to the inalhammer price as per the following:

$0 - $100,000 .......................................................... 25%

$100,001 - $1,000,000 .......................................... 20%

$1,000,001 + ................................................................ 12%

Leslie Hindman Auctioneers, Inc. is notresponsible for failure or other inadvertent errors relating to the execution of your bids.

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p H 3 1 2 . 2 8 0 .1 2 1 2 | F x 3 1 2 . 2 8 0 .1 2 1 1 | B I D @ L E S L I E H I N D M A N .CO M | L E S L I E H I N D M A N .CO M

NAME SALE NUMBER/NAME

BUSINESS NAME

BILLING ADDRESS

CITY STATE COUNTRY/ZIP

CONTACT NAME

PRIMARY PHONE SECONDARY PHONE

EMAIL FAX

SIGNATURE DATE

FOR LESLIE HINDMAN AUCTIONEERS, INC. DATE

Fx 312.280.1211 | [email protected]

FIRST TIME BIDDERS PLEASE PROVIDE A VALID CREDIT CARD AND ONE OF THE FOLLOWING:

PASSPORT / DRIVER’S LICENSE / NATIONAL IDENTITY CARD

BID FORMLESLIE HINDMAN AUCTIONEERSCHICAGO | DENVER | MILWAUKEE | NAPLES | PALM BEACH | ST. LOUIS

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US DOLLAR LIMITEXCLUDES BUYER’S PREMIUM

FOR TELEPHONE BIDDERS ONLY

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