new copyright regulations make their debut

1
So, the waiting is over. On 27 September the Copyright and Related Rights Regulations 2003 (No. 2498) were laid before Parliament, coming into force on 31 October. Their purpose, of course, is to implement EC Directive 2001/29/EC 1 (the Information Society Directive) which itself came into force on 22 June 2001. This is the latest in a line of directives from the EU intended to harmonise rules on intellectual property “relevant to the global challenge of digital technology” – digitalisation, digital compression and improvements to bandwidth. 2 Essentially, its purpose is to implement the Copyright Treaty and Performances and Phonograms Treaty adopted by the World Intellectual Property Organisation (WIPO) in 1996 to combat online infringement and to catch up with the United States - which adopted the treaties, via the Digital Millennium Copyright Act (DMCA), as long ago as 1998. Specifically, the Directive deals with the rights of originators of copyright material to control the electronic reproduction and dissemination of their works, including digital broadcasting and services available to consumers “on demand”. It also identifies exceptions to those rights designed to ensure that browsers can make temporary copies of works for caching purposes (thereby reducing latency and bandwidth traffic). Further optional exemptions are provided for specific purposes and categories of user where the activity is essentially non-commercial and designed to facilitate public access, freedom of the press or scientific research. Member States are also required to ensure that legal measures are in place to guard against circumvention of technological measures put in place to protect works from illegal use, including alteration of digital marks used by rights holders to trace the distribution of their works. Finally, new sanctions are remedies are provided. The new UK Regulations will be grafted on to the existing statutory regime largely contained in the Copyright Designs and Patents Act 1988. This statute has been amended on previous occasions to accommodate harmonisation within the EU on intellectual property. The new measures are therefore being introduced as “adjustments” rather than new platforms of law, hence the adoption by secondary legislation. Nevertheless, mindful of the significance of these changes, the Patent Office has Computer Law & Security Report Vol. 19 no. 2 2003 ISSN 0267 3649/03 © 2003 Elsevier Science Ltd. All rights reserved Editorial New copyright regulations make their debut Stephen Saxby It is going to be some time before a measured judgement becomes possible as to whether the Government has struck the right balance 443 been cautious in its move towards compliance with the Directive. In August 2002 a Consultation Paper 3 was published to which more than 300 responses were submitted. Accordingly, the deadline for implementation imposed by the Directive – 22 December 2002 – was missed. The conclusion reached from this exercise was that the Directive “concerned matters on which there are strongly diverging views and interests”. It was not going to be possible to “find solutions which will satisfy everyone completely”. Well, it is clear that, despite the tone of its presentation, substantive matters of importance are involved here. All kinds of issues arise once it is proposed both to define and regulate the rights and entitlements of creators and users of works in the digital environment. One can only note, as an example of the kinds of issues now arising, the recent legal action commenced by the Recording Industry Association of America (RIAA) against potentially thousands of “offenders” accused of the illegal distribution of music files on peer-to- peer networks. Some groups are also worried that the delicate balance of rights and exceptions carved out in the pre-digital environment will tilt too heavily in one or other direction to the detriment of rightholders or users. What is clear is that implementation will not lead to similarity of regulation within the Member States. It is right I think to give the latter a degree of choice as to how they will implement the basic principles of the Directive, for example, wider exceptions for private use of works in return for a levy on recording equipment. However, it is going to be some time before the mist clears and a measured judgement becomes possible as to whether the Government has struck the right balance. Given the high stakes involved there will be a lot of interest on just this point. FOOTNOTES 1 EC Directive 2001/29/EC on the harmonisation of certain aspects of copyright and related rights in the information society. 2 91/250/EEC; 92/100/EEC; 93/83/EEC; 93/98/EEC; and 96/9/EC. 3 Consultation Paper on implementation of the directive in the United Kingdom (Copyright Directorate, The Patent Office, August 2002).

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Page 1: New copyright regulations make their debut

So, the waiting is over. On 27 September theCopyright and Related Rights Regulations 2003(No. 2498) were laid before Parliament, cominginto force on 31 October. Their purpose, ofcourse, is to implement EC Directive 2001/29/EC 1

(the Information Society Directive) which itselfcame into force on 22 June 2001. This is the latestin a line of directives from the EU intended toharmonise rules on intellectual property “relevantto the global challenge of digital technology” –digitalisation, digital compression andimprovements to bandwidth.2 Essentially, itspurpose is to implement the Copyright Treaty andPerformances and Phonograms Treaty adopted bythe World Intellectual Property Organisation(WIPO) in 1996 to combat online infringementand to catch up with the United States - whichadopted the treaties, via the Digital MillenniumCopyright Act (DMCA), as long ago as 1998.

Specifically, the Directive deals with the rightsof originators of copyright material to control theelectronic reproduction and dissemination of theirworks, including digital broadcasting and servicesavailable to consumers “on demand”. It alsoidentifies exceptions to those rights designed toensure that browsers can make temporary copiesof works for caching purposes (thereby reducinglatency and bandwidth traffic). Further optionalexemptions are provided for specific purposes andcategories of user where the activity is essentiallynon-commercial and designed to facilitate publicaccess, freedom of the press or scientific research.Member States are also required to ensure thatlegal measures are in place to guard againstcircumvention of technological measures put inplace to protect works from illegal use, includingalteration of digital marks used by rights holdersto trace the distribution of their works. Finally,new sanctions are remedies are provided.

The new UK Regulations will be grafted on tothe existing statutory regime largely contained inthe Copyright Designs and Patents Act 1988. Thisstatute has been amended on previous occasions toaccommodate harmonisation within the EU onintellectual property. The new measures aretherefore being introduced as “adjustments” ratherthan new platforms of law, hence the adoption bysecondary legislation. Nevertheless, mindful of thesignificance of these changes, the Patent Office has

Computer Law & Security Report Vol. 19 no. 2 2003 ISSN 0267 3649/03 © 2003 Elsevier Science Ltd. All rights reserved

Editorial

New copyright regulations make their debutStephen Saxby

It is going to be

some time before

a measured

judgement

becomes possible

as to whether the

Government has

struck the right

balance

443

been cautious in its move towards compliance withthe Directive. In August 2002 a ConsultationPaper3 was published to which more than 300responses were submitted. Accordingly, thedeadline for implementation imposed by theDirective – 22 December 2002 – was missed. Theconclusion reached from this exercise was that theDirective “concerned matters on which there arestrongly diverging views and interests”. It was notgoing to be possible to “find solutions which willsatisfy everyone completely”.

Well, it is clear that, despite the tone of itspresentation, substantive matters of importanceare involved here. All kinds of issues arise once itis proposed both to define and regulate the rightsand entitlements of creators and users of works inthe digital environment. One can only note, as anexample of the kinds of issues now arising, therecent legal action commenced by the RecordingIndustry Association of America (RIAA) againstpotentially thousands of “offenders” accused ofthe illegal distribution of music files on peer-to-peer networks. Some groups are also worried thatthe delicate balance of rights and exceptionscarved out in the pre-digital environment will tilttoo heavily in one or other direction to thedetriment of rightholders or users.

What is clear is that implementation will notlead to similarity of regulation within the MemberStates. It is right I think to give the latter a degreeof choice as to how they will implement the basicprinciples of the Directive, for example, widerexceptions for private use of works in return for alevy on recording equipment. However, it is goingto be some time before the mist clears and ameasured judgement becomes possible as towhether the Government has struck the rightbalance. Given the high stakes involved there willbe a lot of interest on just this point.

FOOTNOTES

1 EC Directive 2001/29/EC on the harmonisation ofcertain aspects of copyright and related rights in theinformation society.2 91/250/EEC; 92/100/EEC; 93/83/EEC; 93/98/EEC; and96/9/EC.3 Consultation Paper on implementation of the directivein the United Kingdom (Copyright Directorate, ThePatent Office, August 2002).