THE ROTHERFIELD PLAYERS PRESENT

Music by RICHARD RODGERS Lyrics by OSCAR HAMMERSTEIN II

Book by HOWARD LINDSAY and RUSSEL CROUSE

Suggested by "The Trapp Family Singers" by Maria Augusta Trapp

This amateur production is presented by arrangement with JOSEF WEINBERGER LTD.

on behalf of R&H Theatricals of New York

10th

- 12th

May 2012

Rotherfield Village Hall

Programme £2

The Wheatsheaf Public House Mount Pleasant, Crowborough, TN6 2NF

Tel: 01892 663756 www.wheatsheafcrowborough.co.uk

Pete and Becky extend a hearty welcome to you at Crowborough’s most traditional

and friendly pub, with great beer, fine wine and good company

Delicious homemade food is available at lunchtime (Mon-Sat),

and in the evenings(Tues-Thurs)

Roaring fires and no pretensions

Bed & Breakfast

Hill Cottage, Mount Pleasant, Crowborough, TN6 2NF

Maggie & Ted Hirst offer a really warm welcome to their charming 17th century

cottage in a peaceful spot on the outskirts of Crowborough.

For details and availability call

Telephone: 01892 662243 E-mail: bandb@hillcottage.me.uk

or visit the Website: www.hillcottage.me.uk

FROM THE CHAIRMAN

James Gallifant It is perhaps a masterstroke that the Players acquired the licence to produce The Sound of Music as soon as it became available. (Licences for us rural amateur groups are not available when professional productions are running in London or the suburbs). The

show is a classic, of course, but the realisation sets in when the glee of the licence acquisition is replaced by the planning phase. Just how does one fit an audience of 200, a back stage crew, a cast of 40, a 16 piece orchestra and a mountain into the Rotherfield Village Hall? How will the sets be designed, the costumes be acquired, let alone designing a rehearsal schedule of singing and acting that will provide a first class production. The Players have gained a tremendous amount of experience in running large shows (i.e. Godspell, Little Shop of Horrors and the annual pantomime) but there is always a risk that a key member of a show will break a leg, lose a voice or break a finger nail resulting in their absence from the show. We do not have the luxury of understudies for key roles or musical directors. Suffice to say that we have never had to use an actor with a script in his or her hand during a show or lost the services of a key musician (no pun intended) since the

Players formed in 1976. There have been some close calls, I can tell you‼

NEW MEMBERS

This show has brought many new members to The Players. Perhaps that’s why I didn’t get picked for the part of Maria‼ We do hope that you enjoy the show as much as the cast, band and crew enjoyed creating it. The Rotherfield Players is a vibrant village dramatic society. We have a healthy membership but we always welcome new faces both on stage and back stage. Many different skills are required to put on a show apart from acting, singing and dancing. There’s carpentry, painting, sewing and even computer skills. If you are interested in joining our group please contact

James Gallifant, Tel: 01892 654219, Email: members@rotherfieldplayers.co.uk

For more information about Rotherfield Players, go to www.rotherfieldplayers.co.uk

Programme Printed by

Units D-G, 18 Chapman Way, Tunbridge Wells,

Kent TN2 3EF Published by The Society of the Rotherfield Players

FROM THE DIRECTORS

Kate Organ - Director Having worked together on a number of shows over the last few years Sue Burnett and I have known for a while that we wanted to put on a musical together. In fact we first proposed to the committee that we wanted to do so in 2009, always knowing that our first choice would be The Sound of Music. However, at the time amateur performing rights were not available due to the show still being on in the West End and a professional touring version following immediately afterwards. So we worked our way through many alternative shows finding that we could never find something that we thought would be as good for the Rotherfield Players. Finally, just as we were beginning to lose heart, we received an email at the beginning of 2011 stating that the rights would, once again, be available for productions in 2012. The society secured the performing rights to do the show within 2 weeks of them becoming available. Ever since this point in time excitement about the show has been amazing generating a wonderful positive atmosphere. More than 40 children turned up to audition to be one of the Von Trapp children leading to our decision to have 2 teams for all except the oldest 2 children. Overall we have a cast of nearly 40 people who have all worked extremely hard meaning that it has been a pleasure to have been involved from the moment we started rehearsing. I never cease to be amazed at the quality of performance and singing that the Rotherfield Players achieve in musical productions considering they are not a specialist musical society (as so many others are in the area)! Huge thanks must go to Sue for her wonderful music and Becky Syms who stepped in as choreographer after Catherine Ireland had to drop out due to ill health (our best wishes go to Catherine); ably supported by Louise Coe who has also

undertaken to ‘set’ a couple of songs for the children. I would also like to thank Andrea Butler (Producer) and Heather Campbell (Stage Manager) who together make up the most organised and effective production team you can work with. Never forgetting the amazing costume team plus the set design and build crew who managed to understand our vision and make it come true. I’m sure that you will all enjoy watching this spectacular show as much as I’ve enjoyed working with this wonderful cast and crew. A true team effort!

Production Team Andrea Butler, Kate Organ, Becky Syms, Sue Burnett (and Heather Campbell)

Sue Burnett - Musical Director With this production of “The Sound of Music” I am fulfilling two ambitions: ever since I saw the film, when it was first released in the mid 1960’s, I have wanted to be part of a performance. As youngsters, long car journeys were transformed as the whole family sang the music from start to finish – including the Overture! Secondly, having worked with Kate many times over the years, I also wanted to co-direct a musical with her. We both like to be well-prepared in everything we do, and the ten months of planning, via text, email and in meetings, before we even started the rehearsals, were exciting and enjoyable, and proved that we have a similar vision! I have also worked with Becky in the past, and it was very good news when she kindly agreed to step in and take on the choreography for us. “The Sound of Music” is probably the best known of the Rodgers and

Hammerstein musicals. It is certainly the most challenging musically, and our amazing cast have risen to that challenge brilliantly. Their enthusiasm and hard work have made rehearsals fun, and I can’t thank them enough. Many of the cast have taken on other aspects of the production as well: Louise Coe has helped with some of the choreography, Mary Ann Mellor is heading up the scene-painting team, which includes other members of the cast, and Alison Organ and Ros Williams are part of our incredible team of Wardrobe Mistresses. Without them, and without all the other people needed to “get this show on the road” we should have been lost. I know that Kate has already expressed her thanks to everyone involved in the set-building, back-stage, technical and front-of-house aspects, but I should like to take this opportunity to add my thanks to them all – a show is only as good as its backing team. And finally, to the Band! The task of a small band in such circumstances is a difficult one. They need to be able to play music written for a large orchestra and a large theatre in such a way that the musical nuances and character are maintained, without becoming overpowering. I am very lucky in that I have a group of talented musicians who are willing to take part in a production such as this. Katherine and Victoria date back to our production of “My Fair Lady” & beyond, and indeed Katherine has been involved in every production with me, be it full-blown musical or pantomime, ever since that time. Karen, Mark, Nigel, Phil and Robin have joined us over the years, and this time we are delighted to welcome back Helen and Peter after a period of absence. For Imogen, Jennie McGhie, Jenny Kyne and Liz, this is their first venture playing in the Players’ Band, and I hope it won’t be their last! My thanks to EVERYONE involved in helping me to realise my particular ambitions, and to all who read this – I hope you enjoy the show.

THE CAST

Maria Rainer Alexandra Bond

Mother Abbess Mary Howells

Sister Berthe Gussie Penny

Sister Margaretta Grainne Cotter

Sister Sophia Mary-Anne Mellor

Captain von Trapp Chris Walton-Turner

Franz (Butler) David Close

Frau Schmidt (Housekeeper) Deidre Cornford

Liesl Amelia Gabriel

Friedrich Hector Hadlow

Louisa (Thurs & Sat evening) Millie Coe

(Fri & Sat matinee) Scarlet McCarthy

Kurt (Thurs & Sat evening) Joseph Thorpe

(Fri & Sat matinee) Louis Griffiths

Brigitta (Thurs & Sat evening) Eliza Close

(Fri & Sat matinee) Charlotte Arnold

Marta (Thurs & Sat evening) Sydney Boyd

(Fri & Sat matinee) Georgie Dolding

Gretl (Thurs & Sat evening) Leah Hanlon

(Fri & Sat matinee) Freya Hiles

Rolf Gruber Patrick Cotter

Elsa Schraeder Louise Coe

Ursula Stacey Brackley

Max Detweiler Adam Hardy

Herr Zeller Jonathan White

Baron Elberfield Ken Mellor

New Postulant Holly May Penny

Admiral von Schreiber David Penny

Mother Abbess and the Sisters

CHORUS OF NUNS, NOVICES & POSTULANTS

Alison Organ Kim Martin

Cynthia Moth Jess Hardy

Frances Plummer Bethany Earle

Harriet Lyons Cecilia Marshall

Heather Stewart Liberty McCarthy

Jacky Jenkins Rosie Kyne

The Nun’s Ensemble

MIXED ENSEMBLE

Alison Organ Phil Ireland

Holly May Penny David Penny

Ken Mellor Ros Williams

Liberty McCarthy Rosie Kyne

Paul NcNally Sammy Dawkins

Some of the Mixed Ensemble

Ursula, Franz and Frau Schmidt

MUSICAL SYNOPSIS

The Von Trapp Children (performing Thurs and Sat evening)

The Von Trapp Children (performing Fri and Sat matinee)

Act 1

Scene 1 - The Nonnberg Abbey

♪ Preludium The Nuns of the Nonnberg Abbey

Scene 2 - A Mountainside Near the Abbey

♪ The Sound of Music Maria

Scene 3 - The Office of the Mother Abbess, the next morning

♪ Maria Sisters Berthe, Sophia, Margaretta and Mother Abbess

♪ My Favourite Things Maria and Mother Abbess

Scene 4 - A Corridor in the Abbey

♪ Reprise: My Favourite Things Maria

Scene 5 - The Living Room of the Trapp Villa, that afternoon

♪ Do-Re-Mi Maria and von Trapp Children

Scene 6 - Outside the Villa, that evening

♪ Sixteen Going On Seventeen Rolf and Liesl

Scene 7 - Maria’s Bedroom, later that evening

♪ The Lonely Goatherd Maria and the Children

Scene 8 - A Hallway in the Villa

♪ Reprise: The Lonely Goatherd Gretl

Scene 9 - The Terrace of the Villa, six weeks later

♪ How Can Love Survive? Max, Elsa and Captain von Trapp

♪ Reprise: The Sound of Music The Children and Captain von Trapp

Scene 10 - A Hallway in the Villa, one week later

Scene 11 - The Living Room, the same evening

♪ So Long, Farewell The Children

Scene 12 - A Corridor in the Abbey

♪ Morning Hymn The Nuns

Scene 13 - The Office of the Mother Abbess, three days later

♪ Climb Ev’ry Mountain Mother Abbess and the Nuns

INTERVAL

Bar Open and Ice Creams available (no teas or coffees)

Act 2

Scene 1 - The Terrace, the same day

♪ Reprise: My Favourite Things The Children and Maria

♪ No Way To Stop It Elsa, Max and Captain von Trapp

♪ Something Good Maria and Captain von Trapp

Scene 2 - A Corridor in the Abbey, two weeks later

Scene 3 - The Office of the Mother Abbess, immediately following

♪ Gadeamus Domino The Nuns

Scene 4 - A Cloister Overlooking the Chapel

♪ Reprise: Maria The Nuns

♪ Confitemini Domino The Nuns

Scene 5 - The Living Room, one month later

♪ Reprise: Sixteen Going On Seventeen Maria and Liesl

Scene 6 - The Concert Hall Stage, three days later

♪ Reprise: Do-Re-Mi Maria, Captain von Trapp and the Children

♪ Edelweiss Captain von Trapp, Maria and the Children

♪ Reprise: So Long, Farewell Maria, the Children and Captain von Trapp

Scene 7 - The Garden of the Abbey, that night

♪ Finale Ultimo The Company

THE BAND

Woodwind section Helen Gurr

Katherine Crowley

Victoria Ansell

Nigel Burnett

Robin Fox

Brass section Jenny Kyne

Karen Boynton

Peter Gurr

Philip Illman

String section Jennie McGhie

Liz Shepherd

Jeremy Smith

Percussion Imogen Coda

Mark Howard

PRODUCTION & BACKSTAGE TEAM

Director Kate Organ

Musical Director Sue Burnett

Producer Andrea Butler

Choreographer Becky Syms

Set Design and Build Andy Miller

Mark Tasker

Mary Howells

Alison Close

Mary-Anne Mellor

Props Brett Seath

Stage Manager Heather Campbell

Prompt Tom Tapsfield

Sound Steve Allen

Lighting Hugh Douglas

Lynn Lunn

Costumes Sue Exton

Beattie Smitham

Frances Boyd

Ros Williams

Alison Organ

Shelagh Whitehead

Helen Gallifant

Front of House Judith Hardy

Programme Gillian Earle

Photographs Mark Gambrill

Bar Manager Jane Littlefair

Box Office James Gallifant

Musical Director, Sue Burnett at the piano

Rehearsals have been great fun!

ABOUT THE PRINCIPAL CAST MEMBERS

Alexandra Bond (Maria Rainer) Alexandra is 26 going on 16, spends her days designing clothes out of old curtains, and generally not doing as she is told. She trained at City Lit in Covent Garden completing a 2 year acting diploma, and is currently studying part time for her

theoretical BA at Rose Bruford. During the day, Alexandra works for Perform drama schools, running educational workshops for schools, a familiar role teaching children to sing and dance in formation, and is also a freelance voice over and performer. Alexandra has experience working on the London Theatre Fringe circuit, films, and is currently producing a show for this year’s Edinburgh Fringe. Alexandra is thrilled to be a part of the Rotherfield Players and has thoroughly enjoyed being a part of such a fantastic and professional team.

Chris Walton-Turner (Captain von Trapp) I’ve been involved with Rotherfield Players for 12 years now and have been lucky enough to be cast in a wide variety of roles – but this is the first time I’ve become a Dad to so many children! However, working with “the children” has

been a breeze compared with learning to play the guitar and getting enough different sounds out of the bosun’s whistle! For a show with a cast this size rehearsals have been intense but great fun – I have genuinely enjoyed getting to know my children and, much to their amusement and possible disgust, “snogging” (their words not mine) and marrying Maria! The whole cast and crew have been hugely supportive of each other and great to work with - I hope this comes across as we sing and dance our way through this iconic musical.

PLEASE JOIN IN . . .

Edelweiss, Edelweiss, Every morning you greet me.

Small and white, clean and bright, You look happy to meet me.

Blossom of snow may you bloom and grow,

Bloom and grown forever… Edelweiss, Edelweiss,

Bless my homeland forever.

Lyrics reproduced by permission of Josef Weinberger Ltd.

Mary Howells (Mother Abbess) Mary has led a fairly nomadic life and enjoyed doing amateur dramatics, pantomime and choral work in Germany, Bahrain, Doha and Dubai. Since her return to the UK she has become a member of TWODS and more recently joined the Rotherfield Players for their hilarious production of The Mikado.

Obviously the days of playing Principal Boy or Girl are distant memories and there are few musical roles for the more mature lady, so it has been a delight and challenge to play Mother Abbess, especially with such a friendly and fun group of people. Everyone has been very supportive.

Adam Hardy (Max Detweiler) It was a big shock to be offered the part of Max and I have had great fun playing the part. It has been great to work on such a wonderful production. I have been in many shows with the Rotherfield Players and played many different roles: a corpse in 'A Murder is Announced', Muchkin Farmer in 'The Wizard of Oz',

Morris Dixon in 'Present Laughter' and Abanazar in 'Aladdin', to name but a few. I hope you enjoy this fantastic musical as much as I have enjoyed being a part of it.

Louise Coe (Elsa Schraeder) Having grown up watching the Sound of Music so many times, I couldn’t resist being part of this production. I absolutely love playing Elsa Schraeder, and let me make it very clear, I finished with Captain Von Trapp, I mean do I look like a woman who really wants 7 step children? It has been so much fun,

I have thoroughly enjoyed working on my nasty look particularly for benefit of the lovely Alexandra Bond.

Amelia Gabriel (Liesl) I am currently at school studying for my GCSEs including both music and drama and working towards my grade 8 singing and 7 piano exams. Other than school performances, this is my first production for a few years and I have absolutely loved every moment of being part of a friendly company.

Patrick Cotter (Rolf Gruber) Patrick is 16 and is a pupil at Bethany School and at Yew Tree Theatre School. He recently appeared in Bethany's production of 'Our House' as Good Joe, and has previously been in Bugsy, Aladdin Jnr, Annie, Guys and Dolls, High School Musical 2, Grease, Alice in Wonderland, Fame and

'Oliver!'. Patrick is a member of Kent Youth Singers and Kent Youth Barbershop. He is enjoying working with the players for the first time.

DONATIONS

St Wilfrid’s Hospice is a local charity providing skilled and compassionate care and treatment for all patients with complex needs as they near the end of life. Registered as a charity in 1982 by a group of active local supporters, St Wilfrid’s Hospice is not just a building; it is a way of caring for people. Hospice care aims to improve the lives of people whose illness is no longer curable. It helps people to live as actively as possible after diagnosis to the end of their lives, however long that may be. The highest value is put on respect and choice. Not only do they take care of people’s physical needs, they consider their emotional, spiritual and social needs too. They also support families and close friends, both during the illness and in bereavement.

St Wilfrid's Hospice has cared for over 15,000 patients over the last 28 years, free of charge and regardless of patients’ circumstances. St Wilfred’s cares for patients over the age of 18 with any illness that is beyond the point of cure and who has been referred to by a doctor or nurse.

For more information visit www.stwhospice.org

Futures@Chailey Heritage is a new transition provision from Chailey Heritage School for young adults aged 19-25 years who have profound and multiple physical disabilities, learning difficulties and complex health needs. As part of the service, we are raising money to build a Life Skills Centre which will offer comprehensive, person-centred provision giving greater choice and a more flexible approach to supporting and preparing young people and their families for the future. This exciting new facility will offer a range of activities available to young disabled adults from the local community and those in our residential provision, including access to training & work experience, IT, recreational & leisure pursuits – exercise, cookery, swimming, football, arts & media. Facilities will include an accessible Gymnasium, a Life Skills area, ICT suite with audio books/films/music; Arts & Crafts room and a Café. In addition to funding for the capital element of this project we will also need funds to buy technical aids for speech, mobility, sensory and IT equipment. For more information visit www.chs.org.uk

NEXT PRODUCTION

The Elephant

Man

18th to 20th October 2012

Directed by Alan Powell

Produced by James Gallifant

This famous play chronicles the true story of John Merrick, treated first as a fairground freak because of his hideously, repulsively deformed body and later exploited more subtly by Victorian society. As a carnival attraction, Merrick is known only as ‘The Elephant Man’. The play questions the morality of European colonialism, the selflessness of charity, the relative importance of the spiritual vs. the physical, the rampant abuse of exploitation, and the merits of science vs. religion.

The von Trapp Children

ANNIE

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PAST PRODUCTIONS The Happiest Days of Your Life 1976 The Diary of Anne Frank 1976 Lord Arthur Saville’s Crime 1977 Rother Jubilant 1977 Pool’s Paradise 1977 The Winslow Boy 1978 Goodnight Mrs Puffin 1978 Night Must Fall 1979 I’ll Get My Man 1979 Dark of the Moon 1980 The Creature Creeps 1980 Ghost Train 1981 When We Are Married 1981 The Rose and the Ring 1982 Separate Tables 1982 Just the Ticket 1982 Jack and the Beanstalk 1983 A Letter from the General 1983 The Chiltern Hundreds 1983 Aladdin 1984 The Man Born to be King 1984 Doctor in the House 1984 Snow White and the 7 Dwarfs 1985 Berkeley Square 1985 Bedroom Farce 1985 Little Red Riding Hood 1986 The Crucible 1986 A Separate Peace 1986 Season’s Greetings 1986 Goldilocks and the Three Bears 1987 Mother Figure 1987 Larkrise 1987 Plaza Suite 1987 The Tinder Box 1988 Moonset Over Zeron 1988 Murder in Company 1988 Key for Two 1988 Pinocchio 1989 The Brute 1989 A Festival of Short Plays 1989 Getting On 1989 Cinderella 1990 Something Borrowed 1990 Arms and the Man 1990 Our Town 1990 Mother Goose 1991 A Resounding Tinkle 1991 How the Other Half Loves 1991 Joseph & the Technicolor Dreamcoat 1991 A Coat of Varnish 1991 Sinbad the Sailor 1992 Rotherfield Pageant 1992 Ten Times Table 1992 The Sleeping Beauty 1993 Bird Bath 1993 Ghost Writer 1993 Cat on a Hot Tin Roof 1993 All Aboard 1993 The Matchmaker 1993 Ali Baba 1994 Sailor Beware 1994 Hedda Gabler 1994

The Magic Fruit 1995 Queen Alice 1995 Absurd Person Singular 1995 The Happiest Days of Your Life 1996 Babes in the Wood 1997 My Fair Lady 1997 An Inspector Calls 1998 Blithe Spirit 1998 Smugglers 1999 Evening of One Act Plays 1999 Aladdin 2000 A Midsummer Night’s Dream 2000 A Review for the Millennium 2000 Cinderella 2001 Oliver 2001 Importance of Being Earnest 2001 Jack and the Beanstalk 2002 Don’t Dress for Dinner 2002 50 Years on the Throne 2002 Steel Magnolias 2002 Puss in Boots 2003 Farndale Avenue Housing Estate Townswomen’s Guild Production of MacBeth 2003 Inn Love with Shakespeare 2003 Dick Whittington 2004 ‘Allo ‘Allo 2004 A Murder is Announced 2004 The Magic Fruit 2005 Calamity Jane 2005 Garden District 2005 The Wizard of Oz 2006 The Final Curtain 2006 An Ideal Husband 2006 Goldilocks and the Three Bears 2007 Godspell 2007 Bard from the King’s Arms 2007 Caught in the Net 2007 Sleeping Beauty 2008 Kiss Me Kate 2008 Les Liaisons Dangereuses 2008 Cinderella 2009 Busybody 2009 Our Country’s Good 2009 Babes in the Wood 2010 Present Laughter 2010 The Railway Children (Junior Players) 2010 Farndale Avenue Housing Estate Townswomen’s Guild Production of The Mikado 2010 Wind in the Willows 2011 Little Shop of Horrors 2011 Three Characters in Search of a Verdict & Round the World with Class Six (Junior Players) 2011 All My Sons 2011 Aladdin 2012

With thanks to Gary Sherwood

The Fabric Shop

In aid of St Wilfred's Hospice, East Sussex,

in memory of Jane Sherwood

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Tel: 01892 853021

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