modern and contemporary art 281

LYON&TURNBULLAUCTIO

NEERSLONDON

MODERN&CONTEMPORARYART28TH

APRIL2010

33 Broughton Place, EdinburghEH1 3RRTel +44 (0)131 557 8844Fax +44 (0)131 557 8668

email. [email protected]

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Modern and Contemporary Art Wednesday 28th April 201033 Broughton PlaceEdinburgh EH1 3RR

EDINBURGH

PP

S

QUEEN ST

PRINCES ST

BROUGHTONST

LEITHWALK

LEITHST

Local DeliveriesLocal deliveries can bearranged by A&S PertRemovals.Telephone 07876 343520.

Packing and ShippingPlease note that we do notpack or ship items. Thefollowing suggestedcarriers will be able toarrange packing andshipping; please contactthem directly to receive aquote. You may wish tocontact an alternativecourier.

Smaller itemsMailboxes Etc44/46 Morningside RoadEdinburgh EH10 4BFTel: +44 (0)131 556 6226Fax: +44 (0)131 652 3673Email:[email protected]

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Arrangements for Sold LotsAll bought items will be heldfree of charge at BroughtonPlace until the Fridayfollowing the sale.

Thereafter lots will beremoved to store in Edinburghand a charge incurred.

Administration fee:£20 + VAT

Storage charges per lot perday are:

Large Items£5 inc. insurance + VAT

Small Items£2.50 inc. insurance + VAT

CateringRefreshments will beavailable at the saleroom onview days and day of sale.

Waverley Station

ParkingMulti-storey car parking isavailable at Greenside Placeand in the St. James Centre;five minutes walk from thesaleroom.

Lyon & Turnbull saleroom

St Andrew Square

© Lyon and Turnbull Ltd.2010. All rights reserved. Nopart of this publication may bereproduced, stored in aretrieval system ortransmitted by any form or byany means without the priorwritten permission of Lyonand Turnbull Ltd.

Modern and Contemporary Art

Wednesday 28th April 201011am

Sale Number LT281

ViewingSunday 25th April 2pm - 5pmMonday 26th April 10am - 5pmTuesday 27th April 10am - 5pmMorning of the sale strictly by appointment only

SpecialistsBen [email protected]

Nick [email protected]

Elena [email protected]

ENQUIRIES AND COMMISSION BIDSLyon and Turnbull Ltd.33 Broughton PlaceEdinburgh EH1 3RRTel. 0131 557 8844Fax. 0131 557 8668email. [email protected]

Catalogue: £10

BUYERS’ PREMIUM25% up to £25,00020% thereafter.VAT will be charged on the premiumat the rate imposed by law.*17.5% VAT chargeable on the lot itself†5% import VAT on the lot§Droit de Suite (artists’ resale rights)applies(see our Terms and Conditions of Saleand Information for Buyers).

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By telephoneBids submitted by telephone mustbe confirmed in writing.

Telephone biddingIf you are unable to attend the salewe can normally arrange for you tobid on the telephone. This service isavailable entirely at our discretionand at the bidder’s risk. Alltelephone bids must be confirmed inwriting, listing the relevant lots andappropriate number to be called. Werecommend that a covering bid isalso left in the event that we areunable to make the call. We cannotguarantee that lines will beavailable, or that we will be able tocall you on the day, but willendeavour to undertake such bids tothe best of our abilities.

Methods of PaymentGoods purchased will not bereleased until we have received fullpayment.

CashCash payments can be made at theaccounts desk during or after a sale.

ChequeCheques should be made payable toLyon and Turnbull Ltd. We reservethe right to wait until cheques havebeen cleared by our bankers beforereleasing bought goods. Chequescan be cleared prior to sale onrequest. Cheques drawn by thirdparties cannot be accepted. If payingby post please include the slip fromyour invoice.

Switch or Credit CardsPayment can be made by Switch,Mastercard or Visa cards. There is asurcharge on credit card payments.CollectionIt is the buyer’s responsibility toascertain collection procedures,particularly if the sale is not beingheld at our main saleroom.

Electrical GoodsLots that were once operated bymains electricity are bought entirelyat the buyer’s risk. They are offeredfor sale for display or historicalpurposes and may not comply withcurrent regulations.

BiddingAt the SaleTo bid at the sale all potentialbuyers must be registered with uson or before the day of sale. We willneed proof of identification andresidence, and may require a bankreference. Potential buyers mustcollect a bidding number before thesale begins, and show that numberif successful in purchasing a lot.Please ensure that the auctioneerrepeats the number correctly whenconfirming the sale. If there is anydoubt at this stage as to thehammer price or buyer it must bebrought to the auctioneer’s attentionimmediately. All lots will be invoicedto the name and address given onyour registration form, which is non-transferable. If you have purchaseda lot you may take your biddingnumber to the accounts departmentand receive an invoice immediately.If you have not been successfulplease leave the number at theRegistration or Reception desks.

In writingBid forms are available at the saleand at the back of the catalogue.These should be submitted inperson, by post, or by fax as soon aspossible prior to the sale and we willbid on your behalf up to the limitindicated. In the event of receivingtwo identical bids the first onereceived will take precedence. Theymust be received at the very latestat least an hour before the sale. Wewill do our utmost to execute thesebids but we offer this service entirelyat the bidder’s risk.

Under this legislation, we arerequired to collect a royalty paymentfor all qualifying works of art, wherethe artist is still living. This royaltywill be charged to the buyer on thehammer price and in addition to thebuyers premium. It will not apply toworks where the hammer price isless than !1,000 (euros). The chargefor works of art sold at and above!1,000 (euros) and below !50,000(euros) is 4%. For items sellingabove !50,000 (euros), charges arecalculated on a sliding scale.All royalty charges are paid to theDesign and Artists Copyright Society(‘DACS’) and no handling costs oradditional fees are retained by theauctioneer. Resale royalties are notsubject to VAT.Please note that the royalty paymentis calculated on the rate of exchangeat the European Central Bank on thedate of the sale.More information on Droit de Suiteis available at www.dacs.org.ukDamage and RestorationOccasionally when a lot has sufferedextensive damage and/or restorationit is indicated in the catalogue. Thisis mentioned entirely at ourdiscretion for the benefit of buyers.Where there is no mention ofdamage and/or restoration thisshould not be taken to mean thatthere is none. It is the buyer’sresponsibility to ensure that thecondition of lots is to theirsatisfaction (see our Terms andConditions of Sale).

Condition ReportsIf potential buyers are unable toinspect lots in person our specialistswill be happy to prepare detailedCondition Reports on individual lotsas quickly as possible. These are forguidance only and all lots are sold‘as found’ (see our standard Termsand Conditions of Sale).

Buying at AuctionThis sale is subject to our standardTerms and Conditions of Sale. If youhave not bought at auction beforewe will be delighted to advise you.

EstimatesEstimates are printed below each lotand do not include the buyer’spremium. The sale will beconducted in pounds sterling.

DimensionsDimensions are for guidance only; itis the buyer’s responsibility toensure that they are correct.

Buyer’s Premium

The buyer shall pay the hammerprice together with a premiumthereon.

Antiques, Jewellery & Silver andPictures (Not Fine Sales)17.5%

All other sales(Fine/Special/Collections)25% up to £25,000 / 20% thereafter.VAT will be charged on the premiumat the rate imposed by law. (see ourTerms and Conditions of Sale).VATThe symbol * by a lot numberindicates that VAT is payable by thepurchaser at the standard rate onthe hammer price.The symbol † by a lot numberindicates that the lot has beentemporarily imported from outsidethe EU and that VAT is payable bythe purchaser at the rate of 5% onthe hammer price and the buyer’spremium.No VAT is payable on the hammerprice or premium for books boughtat auction.

Droit de SuiteThis symbol § indicates works whichmay be subject to the Droit de Suiteor Artist’s Resale Right, which tookeffect in the United Kingdom on 14thFebruary 2006.

L Y O N & T U R N B U L L

Important informationfor buyers

1§ EAA624/1JOHN BELLANY(SCOTTISH, b. 1942)THE GAMBLER II, 1989Signed, watercolour

76cm x 57cm (30in x 22.5in)

£600-800



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2§ EAA624/1AJOHN BELLANY(SCOTTISH, b. 1942)THE GAMBLER I, 1989Signed, watercolour

76cm x 57cm (30in x 22in)

£600-800

3§ EZ236/4JOHN BELLANY(SCOTTISH, b. 1942)ST ABBS TRAWLER INHARBOURSigned, oil on canvas,unframed

91cm x 122cm (36in x 48in)

£3,000-5,000



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4§ EZ236/1JOHN BELLANY(SCOTTISH, b. 1942)SWEET MEMORIESSigned, oil on canvas


£1,500-2,000

5§ LB296/2JOHN BELLANY(SCOTTISH, b. 1942)BONJOUR TRISTESSESigned, watercolour on paper

37.5cm x 27.5cm (14.75in x 10.75in

£700-900

6§JOHN BELLANY(SCOTTISH, b. 1942)EYEMOUTHSigned, oil on canvas

91cm x 122cm (36in x 48in)

£3,000-5,000



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7§JOHN BELLANY(SCOTTISH, b. 1942)THE BOAT REGALIUSSigned, oil on canvas

91cm x 122cm (36in x 48in)

£3,000-5,000



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8 EY938/8JEAN-CLAUDE FORQUIN(FRENCH 1936-1964)PALMERAIE 1Signed and dated ‘59, signed,inscribed and dated verso, oilon canvas

100cm x 80cm (40in x 32in)

Provenance:Redfern Gallery Ltd, London 1959

£400-600



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9§ EY938/9EILEEN COOPER(BRITISH, b. 1953)FISHERWOMAN - SELFPORTRAITOil on canvas


£1,500-2,000



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13 EY943/3NONI MCCRONE(SCOTTISH, fl. 1961-1981)ATLANTIC CLOUDSSigned with a monogram, oilon board


£300-500

12§ EY943/2ANN ORAM R.S.W.(SCOTTISH, b. 1956)BOATS IN HARBOURSigned and dated ‘86, oil onboard


£500-800

11§ EY943/1ANN ORAM R.S.W.(SCOTTISH, b. 1956)THE ARTIST’S TABLESigned and dated ‘86, mixedmedia

49cm x 34cm (19.5in x 13.5in)

£300-500

10 EY931/1JOHN CUNNINGHAM(SCOTTISH, 1927-2000)THE PINK NAPKINSigned, oil on canvas

91cm x 101.5cm (30in x 40in)

£4,000-6,000

14§ EZ269/2MARTIN RAYNER(SCOTTISH, b. 1946)THE SEAConstruction and collage

97cm x 92cm x 17cm(38in x 36.25in x 6.75in)

£2,000-3,000



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15§ EZ236/7ANDREW MACARA(BRITISH, b. 1944)CHILDREN PLAYING, SUNDAPPLED AVENUESigned, acrylic on canvas,unframed

63cm x 77cm (24.75in x 30.25in)

£600-800

17 EY931/5WILLIAM COLLIE MILNECADENHEAD(SCOTTISH, 1934-2009)MOUNT BLAIR, GLENISLASigned and dated ‘79, oil oncanvas

127cm x 183cm (50in x 72in)

£500-800

16§ EZ236/7AANDREW MACARA(BRITISH, b. 1944)SWANS PADDLINGSigned, acrylic on canvas,unframed


£600-800

18 LB235/1WILLIAM GEAR(SCOTTISH, 1915-1997)UNTITLED - FIGURE STUDYWatercolour on paper

34cm x 54cm (13.5in x 21.25in)

£1,500-2,000



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19§ EY945/1BARBARA RAE R.S.A., R.S.W.(SCOTTISH, b. 1943)MECINA FARM FROMFONDALESSigned and inscribed, mixedmedia

57cm x 76cm (22.5in x 30in)

£800-1,200



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20§ EZ629/4KEN CURRIE(SCOTTISH, b. 1960)THE AGE OF UNCERTAINTYA suite of 27 etchings, signed,inscribed, numbered 31/40and dated ‘91

Various sizes

£6,000-8,000Please note: The etchings in thissuite are considered as separateworks of art and therefore Droit deSuite only becomes payable as andwhen the average price per printexceeds the threshhold of !1000(see Important Information forBuyers on page 3).

Born in Barrhead in 1960, KenCurrie was educated at the GlasgowSchool of Art and has become oneof Scotland’s most recognised andinfluential contemporary artists.Graduating in the early 1980s,Currie joined a host of young artistslike Steven Campbell and PeterHowson who collectively came to beknown as ‘The New Glasgow Boys’.Currie started working in a socialrealist vein, moving towards a morepersonal interpretation of realismand even the grotesque. His workfrom the 1980s and 1990s reflectedthe changing political and economicclimate in Scotland and addressedissues like war, poverty, death andthe relationship of the individual tothe state. In 1992, Currie was invited

to create a series of etchings at theGlasgow Print Studio. The Age ofUncertainty was the product of thecollaboration between the artist andetcher Stuart Duffin, who has sincecontinued to work with Currie onsubsequent projects. The series wasexhibited at the Glasgow PrintStudio the same year, to greatacclaim. The suite of twenty-sevenetchings, like other works of thatperiod are influenced by the graphicworks of Goya and in particular hisDisasters of War. The Age ofUncertainty is a powerful andhaunting series of works and trulyembodies Currie’s sensibilities andhis interest in portraying humanityin anguish and turmoil.



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21 LB323/20SIR EDUARDO PAOLOZZI(SCOTTISH, 1924-2005)FROGPlaster with body colour. Inperspex box

7.5cm high (3in)

£700-900

22 EZ629/3SIR EDUARDO PAOLOZZI(SCOTTISH, 1924-2005)STUDY FORMATTAPatinated bronze

15cm (6in) long

£2,000-3,000

23 EZ588/1SIR EDUARDO PAOLOZZI(SCOTTISH, 1924-2005)MALE HEADPatinated bronze, A/C signedand dated 1996

20cm (8in) high

£3,000-5,000



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24 LB189/1SUNDAY B. MORNING, AFTER ANDY WARHOL (AMERICAN)MARILYN MONROE, PORTFOLIO OF 10Screen-print on lennox museum board, stamped on verso

90.7cm x90.7cm (35.7in x 35.7in)

£2,500-3,000



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25 LB189/3SUNDAY B. MORNING, AFTER ANDY WARHOL (AMERICAN)FLOWERS, PORTFOLIO OF 10Screen-print on lennox museum board, stamped on verso

90.7cm x90.7cm (35.7in x 35.7in)

£2,500-3,000



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26 LB189/2SUNDAY B. MORNING, AFTER ANDY WARHOL (AMERICAN)SOUP CANS,PORTFOLIO OF 10Screen-print on lennox museum board, stamped on verso

90.7cm x90.7cm (35.7in x 35.7in)

£2,500-3,000

27 LB189/4SUNDAY B. MORNING, AFTERANDY WARHOL (AMERICAN)MAOScreen-print on lennoxmuseum board, stamped onverso

90.7cm x90.7cm (35.7in x 35.7in)

and another two by the samehand (3)

£800-1,200

28 LB315/1PABLO PICASSO(SPANISH, 1881-1973)ARTIST AND CHILD, 1949Lithograph, signed andnumbered 39/50

61cm x 44.7cm (24in x 17.6in)

£2,000-2,500



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29 LB315/3VICTOR PASMORE(BRITISH, 1908-1998)UNTITLEDScreen-print, signed anddated 1979, numbered A/P

39cm x 40cm (15.5in x 15.75in)

£300-500

30 LB323/4CHRISTOPHER WOOD(BRITISH, 1901-1930)STANDING FEMALE NUDEPencil on paper

38cm x 17cm (15in x 6.75in)

Provenance:Redfern Gallery, London

£800-1,200



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31 LB323/17CHRISTOPHER WOOD(BRITISH, 1901-1930)NUDE STUDY, 1923Pencil on paper

45cm x 22cm (17.75in x 8.75in)

£600-800

32 LB323/5CHRISTOPHER WOOD(BRITISH, 1901-1930)STANDING FEMALE NUDE,FRONTCharcoal on paper

30cm x 19cm (11.75in x 7.5in)


£800-1,200



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33 LB323/7CHRISTOPHER WOOD(BRITISH, 1901-1930)FEMALE NUDE PADDLINGCharcoal on paper

18cm x 29.5cm (7in x 11.5in)


£800-1,200

34 LB323/13DAME LAURA KNIGHT D.B.E.(BRITISH, 1877-1970)DANCING BALLERINAPencil on paper

34cm x 24cm (13.5in x 9.5in)

£800-1,200



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35 LB323/6CHRISTOPHER WOOD(BRITISH, 1901-1930)RELAXING CONVERSATIONPencil on paper

13cm x 19.5cm (5in x 7.75in)


£800-1,200

36 LB323/3RONALD OSSORY DUNLOPR.A. (IRISH, 1894–1973)PORTRAIT OF EILEENCharcoal on paper

27cmx 19.5cm (10.5in x 7.75in)

£400-600

37 LB323/21HENRI GAUDIER-BREZSKA(FRENCH, 1891-1915)CAT ATTACKING DOG, 1913Ink on paper


Provenance:Peter Nahum at the LeicesterGalleries, London

Note:This sketch is double sided showinga reclining female figure verso

£800-1,200

38 LB323/15HENRI GAUDIER-BREZSKA(FRENCH, 1891-1915)BARGES AT LONDON DOCKS,1913Signed, pen and ink on paper

25cm x 37cm (10in x 14.5in)

Provenance:Peter Nahum at the LeicesterGalleries

£800-1,200



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39 LB323/16CHRISTOPHER WOOD(BRITISH, 1901-1930)THE ORCHARDInk on paper

22cm x 45cm (8.5in x 17.75in)

Provenance:Cyril Gerber

£800-1,200

40§ LB323/10LEON KOSSOFF(BRITISH, b. 1926)SEATED FIGURECharcoal on paper

39cm x 30cm (15.5in x 11.75in)

£4,000-6,000



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41§ LB323/9LEON KOSSOFF(BRITISH, b. 1926)SEATED FIGURECharcoal on paper

26.5cm x 19.5cm (10.5in x 7.75in)

£3,000-5,000



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42 LB235/2SCHOOL OF SADANANDBAKRE (INDIAN, 1920-2007)UNTITLEDOil on canvas

75cm x 93cm (29.5in x 36.5in)

£500-700

43 EAB599/1SIDNEY NOLAN(AUSTRALIAN, 1917-1992)CROUCHING GREEN NUDESigned and numbered 5/35,lithograph

51cm x 69cm (20in x27in)

£400-600

44 EY931/3WILLIAM COLLIE MILNECADENHEAD(SCOTTISH, 1934-2009)BEN REIDSigned and dated ‘88, oil oncanvas

81cm x 112cm (32in x 44in)

£300-500

45§ LB316/1ALAN DAVIE(SCOTTISH, b. 1920)TRANSFORMATION OF THEBLUE FRUIT (OPUS 0.355)Signed, inscribed and datedNov. 1960 on verso, oil onmasonite

102cm x 122cm (40.25in x 48in)

£25,000-35,000



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46 EZ676/1ALAN DAVIE(SCOTTISH, b. 1920)RECEPTICAL FOR SIGHS,NO.7Signed, inscribed and datedApril '75 verso, oil on canvas

122cm x 152.5cm (48in x 60in)

£20,000-30,000



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47§ EZ617/2ALAN DAVIE(SCOTTISH, b. 1920)FINGER PIE NO 2Signed, inscribed and dated1978, watercolour

58cm x 82cm (22.75in x 32.25in)

Provenance:Gimpel Fils

£1,800-2,200



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48§ EZ617/1ALAN DAVIE(SCOTTISH, b. 1920)POINTINGSigned and dated 8.67, ink,unframed

26cm x 42cm (10in x 16.5in)

£700-900

51§ EZ617/3AALAN DAVIE(SCOTTISH, b. 1920)BIRD VARIATIONScreenprint, signed and dated‘99, no. 17/20, unframed

106cm x 75cm (41.75in x 29.5in)

£200-400

49§ EZ617/1AALAN DAVIE(SCOTTISH, b. 1920)MACHINESigned and dated 6-70.08, ink,unframed

29cm x 40cm (11.5in x 15.75)

£700-900

50§ EZ617/3ALAN DAVIE(SCOTTISH, b. 1920)VARIATION ON A LETTER RScreenprint, signed and dated‘99, no. 15/20, unframed

75cm x 106cm (29.5in x 41.75in)

£200-400

52§ BL324/1THEO TOBIASSE(ISRAELI/FRENCH, b. 1927)AMOR ET TAMARSigned, collage and mixedmedia on paper

70cm x 100cm (27.5in x 39.5in)

£10,000-15,000



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53§ LB320/1PETER ANDERSON(SCOTTISH, b. 1954)PAUL WELLERSilver gelatin print, signed onverso, edition of 25

60cm x 70cm (23.5in x 27.5in)

£700-900



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54§ LB320/2PETER ANDERSON(SCOTTISH, b. 1954)MICK JAGGERSilver gelatin print, signed onverso, edition of 25

60cm x 70cm (23.5in x 27.5in)

£700-900

55 LB287/2BERT STERN(AMERICAN, b. 1929)THE LAST SITTING -MARILYN MONROECibachrome print, signed,number 81/250

48cm x 46.5cm (19in x 18.5in)

Provenance:Russbeck Gallery, San Francisco

£1,200-1,500



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56 LB287/1BERT STERN(AMERICAN, b. 1929)THE LAST SITTING -MARILYN MONROECibachrome print, signed,number 81/250

48cm x 46.5cm (19in x 18.5in)

Provenance:Russbeck Gallery, San Francisco

£1,200-1,500



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58 EAB196/3BLINKY PALERMO(GERMAN, 1943-1977)INSTALLATION BLUEYELLOW WHITE REDSigned, pencil andwatercolour on paper. Laterinscription by RichardDemarco concerningPalermo’s installation

23cm x 35cm (9in x 13.75in)(drawing)

£4,000-6,000

57 EAB196/1JOSEPH BEUYS(GERMAN, 1921-1986)THE SCOTTISH SYMPHONY -CELTIC KINLOCH RANNOCH1970Six works mounted together,published by RichardDemarco, signed andnumbered 79/200 by Beuys

137cm x 31cm (54.5in x 12in)

£600-800

59 EAB196/2JOSEPH BEUYS(GERMAN, 1921-1986)I AM SORRY DON’T MAKEDARK THIS ROOMSigned, pen and ink. Writteninstructions from JosephBeuys for his Arenainstallation, 1970. Laterinscription by RichardDemarco concerning Beuys’installation

40cm x 25cm (15.75in x 9.75in)(irregular)

£2,000-4,000



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60§ EAB196/4GEORGE OLIVER(SCOTTISH, b..1920)JOSEPH BEUYS'INSTALLATION - ARENAInsitu photographs of Beuys’Arena installation in progresswith later inscription byRichard Demarco

£400-600

61 LB310/1PU JIE (CHINESE, b. 1959)INTERNET TIME # 10Acrylic on canvas, signed and titled verso. Unstretched canvas.

158cm x 401cm (62.25in x 158in)

£10,000-15,000



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62 EY240/1GRAEME SHARP(SCOTTISH, CONTEMPORARY)COSMIC CLAIRESigned, inscribed and dated1999 verso, oil on canvas

123cm x 123cm (48.5in x 48.5in)

£500-700

65§ LB178/1JAMES HAWKINS(SCOTTISH, b. 1954)DRUMRUNIE LOOKINGSOUTH TOWARDS BEINNGOBHLACH AND ISLEMARTINSigned, mixed media

37.5cm x 61cm (14.75in x 24in)

£400-600

64§ LB230/2MUIRNE KATE DINEEN(BRITISH, CONTEMPORARY)UNTITLEDMarble dust and slaked limeconstruction in seven parts

16cm x 16cm (6.25in x 6.25in)

Provenance:Robert Sandelson Gallery, London

£300-500

63§ LB230/1MUIRNE KATE DINEEN(BRITISH, CONTEMPORARY)3 EGGSMarble dust and slaked limeon stone

30cm long each (11.75in)

Provenance:Robert Sandelson Gallery, London

£600-800



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66 EZ269/1WINIFRED FERGUS(SCOTTISH, CONTEMPORARY)AMSTERDAM JUGSSigned, oil on board

60cm x 126cm (23.5in x 49.5in)

£600-800

69§ EY938/10DAMIAN CALLAN(SCOTTISH, b. 1960)DIVER - TUMBLEOil on board

70cm x 100cm (28in x 40in)

Provenance:Terry Brodie-Smith

Literature:The Self Portrait - A Modern View.Sean Kelly and Edward Lucie-Smith,1987

£600-800

68 EY938/1JOAN MIRO(SPANISH, 1893-1983)LA MELODIE ACIDELithograph, published 1980and numbered 1282/1500

32cm x 24cm (12.5in x 9.5in)

£200-300

67§ EY944/1PAT SEMPLE R.S.W.(SCOTTISH, b. 1940)BATHERSOil on canvas

91cm x 132cm (36in x 52in)

£500-800

70§ LB298/1DAVID BREUER-WEIL(BRITISH, b. 1965)ESCAPESigned and dated 27thJanuary 2008, pencil on paper

30cm x 30cm (11.75in x 11.75in)

£3,000-4,000



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71 LB296/7ROY TURNER DURRANT(BRITISH, 1925-1995)MOUNTAINOUS LANDSCAPESigned and dated 1951, oil oncanvas on board


£300-500

72§ EZ438/8JIM DUNBAR R.S.W.(SCOTTISH, b. 1949)COME OUT, COME OUTWHEREVER YOU ARESigned and dated ‘81, oil onboard

100cm x 120cm (40in x 48in)

£500-800

73§ LB294/1PETER HOWSON(SCOTTISH, b. 1958)STUDY FOR LEANINGDOSSERSigned lower right, oil oncanvas

25.5cm x 20.25cm (10in x 8in)

£800-1,200



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74 LB296/5JOSEF HERMAN(BRITISH, 1911-2000)HEAD OF A MAN - VISITORTO THE STUDIOOil on canvas

39cm x 45cm (15.5in x 17.75in)

£700-900

75§ EZ656/9KEN HOWARD R.A.(BRITISH, b. 1932)NUDE IN INTERIORSigned, oil on canvas

61cm x 50.5cm (24in x 20in)

£5,000-7,000



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76§ EZ656/10KEN HOWARD(BRITISH, b. 1932)CIVIDALEOil on canvas, signed

30cm x 24cm (11.75in x 9.5in)

and another by the samehand (2)

£2,000-3,000



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77§ EY938/13JAMES MORRISONR.S.A.,R.S.W., L.L.D.(SCOTTISH, b. 1932)ANGUSSigned and dated 25.X.2006,oil on board

76cm x 152cm (30in x 60in)

£3,000-5,000



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78 EZ438/3MARDI BARRIE R.S.W.(SCOTTISH, 1931-2004)STORMLIGHT - VALLEYSigned, oil on board

43.5cm x 49cm (17in x 19in)

£300-500

80 EZ438/5ALEXANDER GOUDIE(SCOTTISH, 1935-2004)FARMHOUSE, CATALONIASigned, mixed media

23cm x 62cm (9in x 24.5in)

£300-500

79§ EZ438/4JOHN MATHISON R.G.I.(SCOTTISH, b. 1956)ACHNAHAIRDWatercolour

54cm x 73cm (21.25in x 28.75in)

£300-500

82§ EY973/1KEITH MCINTYRE(SCOTTISH, b. 1959)WALKING THE DOGSigned and dated ‘90, oil onboard


Exhibited:RAAB Gallery 1990

£1,500-2,000



41

81§ EZ651/1DAVID HOSIE(SCOTTISH b. 1962)INCIDENT IN A LANDSCAPESigned, signed, inscribed anddated 2007 verso, oil oncanvas

122cm x 122cm (48in x 48in)

£3,000-5,000

83 LB323/12WILLIAM GEAR(SCOTTISH, 1915-1997)COMPOSITION: YELLOWELEMENTSSigned and dated 1950, oil onpaper

64cm x 50cm (25.25in x 19.75in)

£3,000-5,000



42

84 LB323/11WILLIAM GEAR(SCOTTISH, 1915-1997)UNTITLEDSigned and dated 1986, oil onpanel

58.5cm x 38cm (23in x 15in)

£2,000-3,000

85§ LB323/19WILLIAM CROZIER H.R.H.A.(SCOTTISH, b. 1930)LANDSCAPE, 1960Oil on panel

97cm x 53cm (38.25in x 21in)

£8,000-12,000



43

86 LB302/1IVON HITCHENS (BRITISH, 1893-1978)TUMBLE BAY, RIVER ROTHEROil on canvas, signed and dated 1949-50

46cm x 105cm (18in x 41.5in)

Provenance:The New Art Centre, LondonCadbury Ltd, LondonPrivate Collection, London

£30,000-50,000



44

87 LB296/10WILLIAM JOHNSTONE(SCOTTISH, 1897-1981)UNTITLEDInk on paper

77cm x 57cm (30.25in x 22.5in)

£300-500


76.5cm x 57cm (30.25in x 22.5in)

£300-500

89 LB296/12WILLIAM JOHNSTONE(SCOTTISH, 1897-1981)UNTITLEDWatercolour on paper

30cm x 18cm (11.75in x 7in)

£300-500


77cm x 58cm (30.25in x 23in)

£300-500



45

91§ EZ446/1VICTORIA CROWE R.S.A.,R.S.W. (SCOTTISH, b. 1945)SILVER VOTIVE 1Mixed media on hand madepaper

17cm x 19cm (6.75in x 7.5in)

£250-400

94 EZ438/6MARDI BARRIE R.S.W.(SCOTTISH, 1931-2004)TOWARDS AN URBAN SHOREOil on canvas

81cm x 112cm (32in x 44in)

£500-700

93§ EY674/2JOHN BYRNE(SCOTTISH, b. 1940)BUGLAR BOYInscribed, pen and ink

12cm x 19cm (4.75in x 7.5in)

£300-400

92 EZ379/1JONATHAN GIBBS(SCOTTISH, 20TH CENTURY)TERRACOTTASigned, mixed media on board

26cm x 40cm (10.25in x 15.75in)

£300-500

95 LB179/1ERNST BARLACH(GERMAN, 1870-1938)DER ZWEIFLER, 1930Bronze with light brownpatina, signed and inscribed.H. Noack ed., later cast

51.1cm (20in)

£18,000-22,000



46

The significance ofExpressionist sculpture,unlike the paintings, drawingsand print production of theperiod, has been somewhatoverlooked until recently. Anotable exception to this isthe work of the sculptor ErnstBarlach.

The Expressionist era was oneof great experimentation,excitement, and energy.Emerging at a time of greatcultural, economic, social andpolitical flux, it reached itsmaturity at the beginning ofWorld War I and continuedthrough to the rise of Fascismin the 1930s, when its avant-garde nature resulted in itbeing deemed ‘Degenerate’art. Expressionist sculptorssought to explore theexperience of humanity by

art of the 15th century, and toearlier Romanesqueexamples. The work has beenconceived in the Gothicfashion to be viewed frontallyas though against a wall or ina niche. As with earlier Gothicexamples the figure isconcealed beneath clothingwhich is used to simplify thecomposition and create asilhouette for the work. Thefigure’s kneeling positioncloaked in his robe createsboth an integral base for thework and an overall triangularcomposition.

The artist has expressed thework’s emotion and pathosalmost entirely through theface and hands, which aresuccessfully juxtaposedagainst the abstraction of therobe. The face is modelleddeeply to ensure light andshadows articulate thefigure’s features andexpression. Similarly, thehands are shown claspedtightly to the front of the bodyas in desperation. Theviewer’s gaze is drawn tothese areas by the cleverplacement of the figure’sarms to the front of his body,creating an inverted trianglewhich counters thesculpture’s vertical triangularcomposition. Thus theviewer’s eye is drawn to theface and then back downagain to the clenched hands.The sculpture’s seemingsimplicity belies thesophistication of itscomposition.

focusing on the human figureand human psychology. Theirhandling of subject matterwas highly chargedemotionally, with forms,gestures and silhouettesdeliberately accentuated toreach this end.

German Expressionist artistsexplored different themesthroughout the course of themovement, reflecting thechange in the nation’s morale.At the outbreak of World

War I Expressionist artistswere extremely patriotic,many seeing the coming waras a welcome vehicle forsocial change. Barlach’s 1914sculpture The Avenger(Berserker) is a perfectexample of this, showing as itdoes a German patriotcharging heroically forward inhis attack on the Allies.However, following Germany’sdefeat in 1918 and thedissipation of the WeimarRepublic, German moralesank low throughout the1920s and early 1930s. Thishad a profound effect onartistic production.

German culture possesses aninnate strain of religiousconviction and spiritualitywhich stems from its Gothicroutes. This spiritualityemerged strongly in the art ofthe 1920s and 1930s inresponse to the stress ofperiod and the unfoldingsocio-political events.Barlach’s 1931 Doubter (DerZweifler), clearly illustrateshis affinity to German Gothic



48

97 LB318/9ISAAC KAHN(ISRAELI, b. 1950)RECLINING WOMANSigned and numbered 3/4,bronze with black patina

50cm high (19.75in)

£2,000-3,000

96§ LB318/1WILLIAM HARLING(BRITISH, b. 1946)CHROMOSOMESigned and numbered 2/9,bronze

64cm high (25.25in)

£4,000-6,000

98§ LB318/6GUY BUSEYNE(BRITISH, b. 1961)TEENAGESigned, bronze

80cm high (31.5in)

£1,500-1,800



49

99§ LB318/2WILLIAM HARLING(BRITISH, b. 1946)SIX OF ONESigned and numbered 1/9,bronze

63cm high (24.75in)

£4,000-6,000



50

102§ LB318/8JONATHAN LOXLEY(BRITISH, b. 1960)CONTINUUMCarrara marble, unique

54cm high (21.25in)

£1,200-1,800

101§ LB318/7JONATHAN LOXLEY(BRITISH, b. 1960)VANISHING POINTMarble on limestone base,unique

185cm high (72.75in)

£2,000-3,000

100§ LB318/5ESTHER JOSEPH(BRITISH, b. 1948)BATHSEVACarrara marble, unique

83cm high (32.75in)

£2,000-3,000



51

103§ LB318/3DANU (FRENCH, b. 1950)LASCIVE (YELLOW)Signed and numbered 9/80,stove enamelled heavy guagelaser cut steel

179cm high (70.5in)

£1,200-1,800

104§ LB318/4DANU (FRENCH, b. 1950)L’AFRICAINE (RED)Signed and numbered 8/80,stove enamelled heavy guagelaser cut steel

192cm (75.5in)

£1,200-1,800



52

106§ EZ588/2JOHN BRAZENALL(BRITISH, b. 1956)REMEMBERING A PROMISEOF A NEW LIFE, 1986Bronze

86cm (34in) high

£2,500-3,000

105 EZ629/2BENNO SCHOTZ(ESTONIAN 1891-1984)PORTRAIT OF PEARLBronze, signed in the cast,raised on square oak plinth

31cm high (12.2in)

£800-1,200



53

108 LB318/10WENQUIN CHEN(CHINESE, b. 1979)WAVEStainless steel

54cm high (21.25in)

£1,200-1,800

107§ LB308/1TOLLECK WINNER(BRITISH/RUSSIAN, b. 1959)CONDITIONING TO THE END# 4Acrylic and mixed media

20cm x 20cm x 20cm(7.75in x 7.75in x 7.75in)

£3,000-5,000

109 LB125/2WILLIAM JOHNSTONE(SCOTTISH, 1897-1981)A FOETID LIFEBas-relief, plaster onplasterboard in perspex box

94cm x 124.5cm (37in x 49in)

Note:A similar example to the currentpainting is held in the permenantcollection of National Gallery ofModern Art, Edinburgh -‘Embryonic’, 1972-1973.

£1,000-1,500

110 EZ539/1TONY SULLIVAN(IRISH, 20TH CENTURY)AFTER THE STORM, WESTCLARESigned, signed and inscribedverso, oil on canvas


and a companion a pair‘Dunmore East, CountyWaterford’ (2)

£400-600

111§ EY814/2JOHN BYRNE(SCOTTISH, b. 1940)FAMILY GROUPPen and ink and sepia wash


£150-250

112§ EY814/3JOHN BYRNE(SCOTTISH, b. 1940)LONG FIGURE RECLININGSigned, watercolour


£200-300



113§ EY814/4JOHN BYRNE(SCOTTISH, b. 1940)RABBIT AND BUTTERFLIESSigned, mixed media

19cm x 21cm (7.5in x 8.25in)

£300-500

114§ EY906/7PETER HOWSON(SCOTTISH, b. 1958)WHITE VESTSigned, pastel

14cm x 15cm (5.5in x 6in)

£500-700

115§ EY906/8PETER HOWSON(SCOTTISH, b. 1958)BOXERSigned, pastel

15.5cm x 12cm (6in x 4.75in)

£500-700

116§ EY674/1PETER HOWSON(SCOTTISH, b. 1958)HEAD STUDYSigned, pastel

25.5cm x20cm (10in x 8in)

£800-1,200

117 EY815/1SALVADOR DALI(SPANISH 1904-1999)BIRDMANBronze, signed and inscribed‘G.Rudier, Paris’

20.3cm (8in) high

£500-800

118 LB296/3JOHN TUNNARD(BRITISH, 1900-1997)UNTITLEDSigned, pastel on paper

40cm x 55cm (15.75in x 21.75in)

£600-800

119 EZ566/2DAVID MCCLURE S.A., R.S.W.,R.G.I. (SCOTTISH, 1926-1999)BY THE LOCHSIDESigned, oil on board


£700-900

120 EZ522/1DAVID MCCLURE R.S.A.,R.S.W., R.G.I.(SCOTTISH, 1926-1999)CHRYSANTHEMUMSSigned and dated ‘57, pen andink and watercolour

47cm x 35.5cm (18.5in x 14in)

£200-300

121 EZ522/2JOHN BULLOCH SOUTER(SCOTTISH, 1890-1972)PORTRAIT STUDYSigned, pastel

30.5cm x 23cm (12in x 9in)

£150-250

122 EY810/1JAMES GORMAN(SCOTTISH, 20TH CENTURY)FAMILY ALLOWANCESigned and dated ‘60, oil oncanvas

75cm x 127cm (30in x 50in)

£400-600

54

123§ LB321/1BANKSY (BRITISH, b. 1974)FESTIVAL (GREYCOLOURWAY), 2006Screen-print on end paper,signed and numberedAP32/33. From the L.A.edition. Colours vary in theedition of AP’s.

57.5cm x 76.5cm (22.75in x 76.2in)

Provenance:Gifted to the present owner by theartist

Note:This work comes with a Pest Controlcertificate of authentication

£3,000-5,000



55



124 LB323/1JULIAN TREVELYAN(BRITISH, 1910-1988)STRAWBERRY HILLSigned and dated 1988, oil oncanvas


Note:The present painting, StrawberryHill, was the last the artistcompleted.

£5,000-7,000

56

125 EZ585/14PAT DOUTHWAITE(SCOTTISH, 1939-2004)LORD WAKEFIELDSigned, inscribed and dated‘77, charcoal

75cm x 55cm (29.5in x 21.5in)

£150-250

127 EZ585/11PAT DOUTHWAITE(SCOTTISH, 1939-2004)PIGSigned and dated ‘92, pastel


£300-500

126 EZ585/16PAT DOUTHWAITE(SCOTTISH, 1939-2004)HEAD OF MARTHA GRAHAMSigned, inscribed and dated‘91, pastel


£300-500



128 LB323/2JULIAN TREVELYAN(BRITISH, 1910-1988)GREAT WEST ROADSigned and dated 1974 verso,oil and collage on panel

48cm x 59cm (19in x 23.25in)

£4,000-6,000

57

131 EZ585/20PAT DOUTHWAITE(SCOTTISH, 1939-2004)TURQUOISE TURBANSigned and dated ‘74, pastel

63cm x 49cm (25in x 19.25in)

£600-800

130 EZ585/18PAT DOUTHWAITE(SCOTTISH, 1939-2004)RUNNING FIGURESigned and dated ‘69, pastel

62cm x 48cm (24.5in x 19in)

£250-350

129 EZ585/15PAT DOUTHWAITE(SCOTTISH, 1939-2004)AKPUNONEOZSigned, inscribed and dated1990, pastel

83cm x 57cm (32.5in x 22.5in)

£600-800



132 LB327/12GERARD MEARES(BRITISH, 1911-1975)STILL LIFE 1966Signed verso, oil on board


£400-600

58

133 LB323/18JANKEL ADLER(POLISH, 1898-1949)STILL LIFE WITH PEARSSigned, oil on panel

38cm x 58cm (15in x 22.75in)

Provenance:Louise Kosman Modern BritishPaintingVictor Waddington

£4,000-6,000



134 LB323/14DUNCAN GRANT(SCOTTISH, 1885-1978)THE BIRDSOil on panel

31cm x 25cm (12.25in x 10in)

Provenance:The Fine Art Society, London

£2,000-3,000

59

137 LB311/2WILLIAM GREEN(BRITISH, 1934-2001)SUSAN HAYWARD XIIBitumen on board, signed andtitled verso

30cm x 30cm (11.75in x 11.75in)

Provenance:England & Co., London

£300-400

136§ EZ560/1CHARLOTTE JOHNSON WAHL(BRITISH, b. 1943)PASSERS BYSigned and dated ‘April 2003’,oil on canvas, unframed


Provenance:Professor Sir Bernard Crick

£400-600

135§ LB311/1PAUL WUNDERLICH(GERMAN, b. 1927)MOMENTO MORI II, 1988Lithograph, signed andnumbered

101.5cm x 73cm (40in x 28.75in)


£300-400

138§ EY946/1DAVID MICHIE R.S.A., R.G.I.(SCOTTISH, b. 1928)BUTTERFLIES BY A STREAMSigned, oil on canvas

112cm x 127cm (40in x 50in)

£2,000-3,000



60

139 EY931/2NOEL FORSTER(BRITISH, 1932-2007)UNTITLED WITH LIGHTPATCHOil on canvas, unframed

122cm x 213cm (48in x 84in)

Provenance:Flowers East, London

Exhibited:John Moores Liverpool Exhibition1995

£1,000-1,500

140 LB323/8PAUL MAZE(FRENCH,1887-1979)THE CORONATION OF HMQUEEN ELIZABETH IISigned and dated 1956, oil onpanel

35cm x 71cm (13.75in x 28in)

£3,000-5,000



61

141§ EZ585/29DAVID EVANS R.S.A., R.S.W.,R.G.I. (SCOTTISH, b. 1942)STILL LIFE - THREE JARSOil on canvas


£300-500

142§ EZ585/30DAVID EVANS R.S.A.,R.S.W.,R.G.I. (SCOTTISH, b. 1942)BAD TIMINGAcrylic on board


Exhibited:Royal Society of Painters inWatercolour, 1981, no. 82

£500-700

143* LB231/1KRISHNA HAWLAJI ARA(INDIAN, 1914-1985)STILL LIFEWatercolour on paper

30.5cm x 38cm (12in x 15in)

£1,800-2,000



62

144 LB314/28HARI AMBADAS GADE(INDIAN, 1917-2001)VILLAGE SCENEGouache on paper

51cm x 34cm (20in x 13.5in)

£800-1,200

145 EZ566/3ANWAR JELAL SHEMZA(PAKISTANI, 1928-1985)COMPOSITION IN REDSigned verso, oil on board

27cm x 23cm (10.5in x 9in)

Note:Lots 145 and 146 were given by theartist to his landlady in 1959/60when he was in London studying atthe Slade

£1,500-2,000



63

146 EZ566/4ANWAR JELAL SHEMZA(PAKISTANI, 1928-1985)BLUE ABSTRACTSigned, collage and mixedmedia

37cm x 25cm (14.5in x 10in)

£2,000-3,000

147 LB231/2PARITOSH SEN(INDIAN, 1918-2008)UNTITLEDSigned, charcoal on paper

30.5cm x 38cm (22in x 15in)

£2,500-3,000



64

148 EZ669/1JOHN LENNON(BRITISH, 1940-1980)LOVELimited edition lithograph,signed by Yoko Ono Lennonand inscribed A/P

28cm x 35cm (11in x 13.75in)

£700-900

149 LB315/2WILLIAM SCOTT(IRISH, 1913-1989)STILL LIFE WITH POTSScreen-print, signed anddated 1970, numbered 25/100.

88.4cm x 59.2cm (23.3in x 34.8in)

£2,000-3,000



65

150§ EZ585/4BILL WRIGHT R.S.W.(SCOTTISH, b. 1931)SEA SHIMMERWatercolour


£200-300

151§ EZ585/5MARJ BOND R.S.W.(SCOTTISH, b. 1939)WIND SURFER’S SUNDAESigned and dated ‘83, oil onboard


£300-500



66

152§ EZ671/1CHRISTOPHER WOOD R.S.W.(SCOTTISH b. 1962)RED HEADLANDOil and enamel on hessian

137cm x 183cm (54in x 72in)

£1,000-1,500

153 EZ566/1WILLIAM CROSBIE R.S.A.(SCOTTISH, 1915-1999)SHORE LEAVE WITH DITTYBOXSigned, inscribed and datedLXXXI, watercolour


Exhibited:Royal Scottish Academy 1981, no.71

£800-1,200

154 EZ565/1PIETRO PSAIER(ITALIAN 1936-2004)MARLENE RISING - A BLUEANGELSigned, mixed media

52cm x 42cm (20.5in x 16.5in)

and three other artworks bythe same hand (variousmedia) (4)

£300-500

155 EZ585/1PENELOPE BEATON A.R.S.A.,R.S.W.(SCOTTISH, 1886-1963)STILL LIFE OF SUMMERFLOWERSSigned, pencil andwatercolour


£500-700

156§ EZ585/6JUNE REDFERN(SCOTTISH, b. 1951)HOW SHE MET HERSELFSigned, inscribed and dated1983 verso, oil on canvas

152.5cm x 122cm (60in x 48in)

£500-700

157§ EZ585/7BRUCE MCLEAN(SCOTTISH, b. 1944)UNTITLEDScreenprint, signed andnumbered 18/40

117cm x 147cm (46in x 58in)

£250-350

158§ EZ585/8CAROLINE MCNAIRN(SCOTTISH, b. 1955)IN THE SIGHT OF THECOUNTRYSigned and dated ‘87, pastel

150cm x 156cm (59in x 61.5in)

£500-700

159§ EZ639/3ROBERT TURNBULL HAIGSMITH (SCOTTISH, b. 1938)AT THE EDGE OFSigned and dated ‘89, mixedmedia on board

34cm x 44cm (13.5in x 17.25in)

£150-250

160 EZ585/28DAVID MCCLURE R.S.A.,R.S.W.(SCOTTISH, 1926-1998)ST. MONANCESigned and dated ‘52, oil onboard


£800-1,200

161§ EZ585/32WILLIE RODGER(SCOTTISH, b. 1930)NIGHT OUTSigned and dated ‘95, conté


£400-600

162§ EZ585/35ROBBIE BUSHE(SCOTTISH, b. 1964)MANIC MONDAYSigned and dated ‘90, mixedmedia on paper

137cm x 97cm (54in x 38.25in)

£400-600

163§ EZ585/37GWEN HARDIE(SCOTTISH, b. 1962)STANDING NUDEOil on paper, laid down

118cm x 88cm (46.5in x 34.5in)

£800-1,200

164§ EZ585/43JACK KNOX R.S.A., R.S.W.,R.G.I. (SCOTTTISH, b. 1936)LOCH, CAIRNGORMSSigned, inscribed and dated‘80, charcoal

27cm x 38cm (10.5in x 15in)

£200-300

165 EZ585/53JOHN HOUSTON R.S.A.,R.S.W., S.S.A.(SCOTTISH, 1930-2008)STORMY DAY, ORVIETOSigned, watercolour


£300-500

166§ EY942/1ANN ORAM R.S.W.(SCOTTISH, b. 1956)A STILL LIFE OF TULIPSSigned and dated 1999, mixedmedia


£1,500-1,800



67

167§ EZ585/36WILLIAM BAILLIE R.S.A.,R.S.W., R.G.I., H.R.A.(SCOTTISH, b. 1923)FIREWORKS NIGHT, WINDOWFLOWERSSigned, oil on canvas

102cm x 102cm (40in x 40in)

£1,500-2,000



68

168 EZ585/54JOHN HOUSTON R.S.A.,R.S.W., S.S.A.(SCOTTISH, 1930-2008)ROAD TO ELIESigned, oil on canvas

24cm x 24cm (9.5in x 9.5in)

£500-800

169§ EZ624/1ADRIAN WIZSNIEWSKI(SCOTTISH, b. 1958)THIS HAPPY VOIDAcrylic on book

19cm x 13cm x 4cm(7.5in x 5in x 1.5in)

Provenance:The Compass Gallery, Glasgow

£300-500

170 LB125/4WILLIAM JOHNSTONE O.B.E(SCOTTISH, 1897-1981)RAIN IN ETTRICKSigned verso, oil on canvas,unframed


£3,000-5,000

171 LB125/6HAMISH MACDONALD(SCOTTISH, 1935-2008)HANGING PHEASANTOil on canvas


£200-300

172§ EZ661/1DOUGLAS THOMSON(SCOTTISH, b. 1955)TEACHERSigned, signed and inscribedverso, oil on canvas, unframed

69cm x 53.5cm (27.25in x 21in)

£400-600

173§ EZ661/2DOUGLAS THOMSON(SCOTTISH, b. 1959)THE PROUD MANSigned, signed and inscribedverso, oil on canvas

69cm x 53cm (27.25in x 21in)

£400-600

174§ EZ585/38GEORGE DONALD R.S.A.,R.S.W. (SCOTTISH, b. 1943)LILIES CONSIDEREDSigned and dated ‘03, mixedmedia

50cm x 60cm (19.75in x 23.5in)

£400-600

175§ LB319/1ANN ORAM(SCOTTISH, b. 1956)SAN MARCO’S SQUARE,VENICESigned, mixed media

12cm x 16cm (4.75in x 6.25in)

£300-500

176 LB353/1MARTIN KANE(SCOTTISH, CONTEMPORARY)POWER STATIONSigned, oil on canvas,unframed

60cm x 76cm (23.5in x 30in)

£400-600

177 EAB199/1ELIZABETH OGLVIE(SCOTTISH, CONTEMPORARY)WAVEPencil and mixed media

43cm x 127cm (17in x 50in)

£500-700

178§ LB328/1ELIZABETH BLACKADDER(SCOTTISH, b. 1931)YELLOW ORCHIDSColoured etching and aquatint,signed and numbered 16/50

72.9cm x 97cm (28.7in x 38.2in)

£600-800

179 LB328/2PATRICK CAULFIELD(BRITISH, 1936-2005)YOU’LL BE SICK IF YOUSPEND ALL YOUR TIMEINDOORS (FROM SOMEPOEMS OF JULES LAFORGUEScreen-print, edition of 200

39.9cm x 35.5cm (15.75in x 13.75in)

£400-600

180§ LB327/1ADRIAN BERG R.A.(BRITISH, b. 1929)GLOUCESTER GATESigned and dated 1973 verso,oil on canvas

25.5cm x 127cm (10in x 50in)

and another by the samehand, its preparatory drawing(2)Provenance:Peter Cochrane Collection, London

£500-700



69

181§ EY938/4ADRIAN WISZNIEWSKI(SCOTTISH, b. 1958)UNTITLEDSigned, pastel

53cm x 72cm (21in x 28.5in)

£1,200-1,500

182 LB327/5ANTONIO LAGO(SPANISH, 1916-1990)CARMIN, VERMILLION EOCRE, 1960Gouache on paper

65cm x 48cm (25.5in x 19in)

and another three by thesame hand (4)Provenance:Arthur Tooth & Sons, London

£500-700

183 LB327/4ANTONIO LAGO(SPANISH, 1916-1990)GRIS, VIOLETA E ROJOInscribed verso, oil on canvas

90cm x 105.5cm (35.5in x 41.5in)

and another two by the samehand (3)Provenance:Arthur Tooth & Sons, London

£500-700

184 LB327/6SALVATORE VITORIA(ITALIAN, 20TH CENTURY)UNTITLED, 1960Signed, signed, dated 1960and dedicated to PeterCochrane verso, oil on canvas


Provenance:Peter Cochrane Collection, London

£300-400

185 LB328/3PATRICK CAULFIELD(BRITISH, 1936-2005)AND, WITH MY EYES BOLTINGTOWARD THE UNCONSCIOUS(FROM SOME POEMS OFJULES LAFORGUEScreen-print, edition of 200

40cm x 35cm (15.75in x 13.75in)

£400-600



70

186§* EZ671/3CHRIS BUSHE(SCOTTISH b. 1958)HARBOUR'S EDGE ISigned and inscribed verso,oil on board

117cm x 137cm (46in x 54in)

£1,000-1,500

187§ LB327/11WILLY MUCHA(FRENCH, b. 1905)UNTITLED, 1959Watercolour

16.5cm x 11cm (6.5in x 4.25in)

and another two by the samehand (3)

£300-500

188 EAB197/1SIR WILLIAM MACTAGGARTP.R.S.A., R.A., R.S.W.(SCOTTISH 1903-1981)WOODED LANDSCAPE WITHTOWERStamped with the studiostamp 232, charcoal

25cm x 37cm (9.75in x 14.5in)

£300-400

189§ EZ676/2DAVID HOSIE(SCOTTISH b. 1962)GIRL WITH MOONSigned, oil on canvas


£800-1,200

190 EZ676/2PATRICIA DOUTHWAITE(SCOTTISH 1939-2004)SELF PORTRAITSigned and dated ’82,charcoal

£600-900



71

191§† EZ671/2CHRIS BUSHE(SCOTTISH b. 1958)HARBOUR EDGE IISigned and inscribed verso,oil on board

117cm x 137cm (46in x 54in)

£1,000-1,500

192§ EZ677/3SUSCHA KORTE(GERMAN, CONTEMPORARY)STILL LIFE WITH BOWLSigned and dated ‘91, oil oncanvas

101cm x 115cm (40in x 45in)

£800-1,200

193§ EZ677/4SUSCHA KORTE(GERMAN, CONTEMPORARY)STILL LIFE WITH STONESSigned and dated ‘90, oil oncanvas

130cm x 173cm (51in x 68in)

£800-1,200

194§ EZ677/1PAUL MCPHAIL(SCOTTISH 20TH CENTURY)PORTRAIT STUDYPencil and charcoal onmonotype

63cm x 57cm (25in x 22.5in)

£400-600

195§ EZ677/2ALISON HARPER(SCOTTISH 20TH CENTURY)FIGURE STUDYOil on canvas

102cm x 76cm (40in x 30in)

£500-700



72

197§ EZ677/5DES LAWRENCE(SCOTTISH 20TH CENTURY)FIGURE SUBJECTOil on canvas, unframed

102cm x 76cm (40in x 30in)

£500-700

198§ EZ677/6DES LAWRENCE(SCOTTISH 20TH CENTURY)FIGURE SUBJECTOil on canvas

96.5cm x 74cm (38in x 29in)

£500-700

196§ EZ674/1DUNCAN SHANKSR.S.A.,R.S.W.(SCOTTISH b. 1937)BEACON FIRESigned, oil on board

122cm x 145cm (48in x 57in)

£4,000-6,000

73

199§ EZ643/1MATTHEW DRAPER(SCOTTISH b. 1973)AULD REEKIESigned and dated 2003, pastelon paper

78cm x 106cm (30.75in x 41.75in)

£2,000-3,000

202 EZ676/4ROBERT COLQUHOUN(SCOTTISH 1914-1962)AT CULLODEN MOORInscribed, pencil


and four others similar by thesame hand (5)

£400-600

203 EZ676/3ROBERT COLQUHOUN(SCOTTISH 1941-1962)COSTUME STUDYWatercolour and pencil


and another by the samehand (2)

£100-200

END OF SALE



200 EZ672/1JOHN BYRNE(SCOTTISH b. 1940)PRESENT AND PAST 1Coloured etching, signed inpencil

25.5cm x 35.5cm (10in x 14in)

£200-400

201 EAB420/30MID 20TH CENTURY SCHOOLABSTRACTOil on board

90cm x 90cm (35.5in x 35.5in)

£300-500

74

The following expressions with their accompanying explanations are used by Lyon & Turnbull asstandard cataloguing practice. Our use of these expressions does not take account of thecondition of the lot or the extent of any restoration.

Buyers are recommended to inspect the property themselves. Written condition reports areusually available on request.

Name(s) or Recognised Designation of anArtist without any Qualification In our opinion a work by the artist

Attributed to... In our opinion probably a work by the artist in wholeor in part.

Studio of ... / Workshop of ... In our opinion a work executed in the studio orworkshop of the artist, possible under hissupervision

Circle of ... In our opinion a work of the period of the artist andshowing his influence.

Follower of ... In our opinion a work executed in the artist’s stylebut not necessarily by a pupil.

Manner of ... In our opinion a work executed in the artist’s stylebut of a later date

After ... In our opinion a copy (of any date) of a work of theartist.

Signed ... / Dated ... / Inscribed ... In our opinion the work has beensigned/dated/inscribed by the artist.

Bears Signature ... / Date ... / Inscription ... In our opinion the signature/date/inscriptionappears to be by a hand other than that of theartist.

Dimensions are given height before width.

Picture Cataloguing Terms

75

Adler, J., 133Anderson, P., 53, 54Ara, K.H., 143

Baillie, W., 167Bakre, S., School of, 42Banksy, 123Barlach, E., 95Barrie, M., 78, 94Beaton, P., 155Bellany, J., 1-7Berg, A., 180Beuys, J., 57, 59Blackadder, E., 178Bond, M., 151Brazenall, J., 106Breuer-Weil, D., 70Buseyne, G., 98Bushe, C., 186, 191Bushe, R., 162Byrne, J., 200Byrne, J., 93, 111, 112, 113

Cadenhead, W.C.M., 17, 44Callan, D., 69Caulfield, P., 179, 185Chen, W., 108Colquhoun, R., 202, 203Cooper, E., 9Crosbie, W., 153Crowe, V., 91Crozier, W., 85Cunningham, J., 10Currie, K., 20

Dali, S., 117Danu, 103, 104Davie, A., 45-51Dineen, M.K., 63, 64Donald, G., 174Douthwaite, P., 125, 126, 127,129, 130, 131, 190

Draper, M., 199Dunbar, J., 72Dunlop. R.O., 36Durrant, R.T., 71

Evans, D., 141, 142

Fergus, W., 66Forquin, J-C., 8Forster, N., 139

Gade, H.A., 144Gaudier-Brezska, H., 37, 38Gear, W., 18, 83, 84Gibbs, J., 92Gorman, J., 122Goudie, A., 80Grant, D., 134Green, W., 137

Hardie, G., 163Harling, W., 96, 99Harper, A., 195Hawkins, J., 65Herman, J., 74Hitchens, I., 86Hosie, D., 81, 189Houston, J., 165, 168Howard, K., 75, 76Howson, P., 114, 115, 116Howson, P., 73

Jie. P., 61Johnstone, W., 87-90, 109, 170Joseph, E., 100

Kahn, I., 97Kane, M., 176Knight, Dame L., 34Knox, J., 164Kossoff, L., 40, 41

Lago, A., 182, 183Lawrence, D., 197, 198Lennon, J., 148Loxley, J., 101, 102

Macara, A., 15, 16MacDonald, H., 171Mathison, J., 79Maze, P., 140McClure, D., 119, 120, 160McCrone, N., 13McIntyre, K., 82McLean, 157McNairn, C., 158McPhail, P., 194McTaggart, Sir W., 188Meares, G., 132Michie, D., 138Mid 20th Century School, 201Miro, J., 68Morrison, J., 77Mucha, W., 187

Nolan, S., 43

Oglvie, E., 177Oliver, J., 60Oram, A., 11, 12, 166, 175

Palermo, B., 58Pasmore, V., 29Picasso, P., 28Polozzi, Sir E., 21, 22, 23Psaier, P., 154

Rae, B., 19Rayner, M., 14Redfern, J., 156Rodger, W., 161

Schotz, B., 105

Scott, W., 149Semple, P., 67Sen, P., 147Shanks, D., 196Sharp., G., 62Shemza, A.J., 145, 146Smith, R.T.H., 159Souter, J.B., 121Stern, B., 55, 56Sucha, 192, 193Sullivan, T., 110Sunday B. Morning, 24-27

Thomson, D., 172, 173Tobiasse, T., 52Trevelyan, J., 124, 128Tunnard, J., 118

Vitoria, S., 184

Wahl, C.J., 136Walker, E., 189Winner, T., 107Wizsniewski, A., 169, 181Wood, C., 30-33, 35, 39, 152Wright, B., 150Wunderlich, P., 135

Index of Artists

Exhibitions:Thursday, May 13th andFriday, May 14th(10am to 5pm)

Saturday, May 15th(12 Noon to 5pm)

Modern & ContemporaryWorks of Art 05/16/10

ALEXANDER CALDER(american 1898-1976)“AZUL, AMARILLO , BLANCO, SOPRE ROJO”Sheet metal, brass, wire and paintExecuted in 19557 1/2 x 7 3/4 x 6 1/2 in. (19.1 x 19.7 x 16.5cm)provenance:The Artist.Private Collection, Caracas , Venezuela .Krasner Gallery, New York , New York .Private Collection, New York .Private Collection, Philadelphia .exhibited:Museo de Bellas Artes, Caracas , Venezuela , “ExposiciónCalder,” September 11-25, 1955, cat. no. 40.Fundación Eugenio Mendoza, Caracas , Venezuela ,“Calder en Venezuela ,” July 6- August 3, 1969, cat. no.40, illus. p. 40.$100,000-150,000 (£61,000-91,500)

www . f r e em a n s a u c t i o n . c om

Inquiries:alasdair nichol [email protected]

david weiss [email protected]

anne h. henry [email protected]

aimee pflieger dolby [email protected]

Fine PaintingsThursday, 10th June, 201033 Broughton Place, Edinburgh

Viewing times Sunday 6th June 2pm - 5pm Monday 7th to Wednesday 9th June 10am - 5pmMorning of Sale strictly by appointment only

Enquiries Nick Curnow, Elena Ratcheva or Ben HanlyTel: +44 (0)131 557 8844 E-mail: [email protected]

Illustrated catalogue £12 plus postage and packing

www.lyonandturnbull .com

SAMUEL JOHN PEPLOE R.S.A(SCOTTISH 1871-1935)IONASigned, oil on board


£40,000-60,000

78

Board of Directors

ChairmanSir Angus Grossart

Vice ChairmanPaul Roberts

Managing DirectorNick Curnow

DirectorsCampbell ArmourRachel DoerrTrevor KyleJohn MackieGavin Strang

Specialist Departments

Pictures, Watercolours andPrintsNick CurnowElena Ratcheva

Contemporary ArtBen Hanly

Furniture, Clocks andWorks of ArtLee Young

Rugs and CarpetsGavin Strang

Jewellery, Silver,Coins and MedalsTrevor KyleColin Fraser

Decorative Arts and DesignJohn MackieMichael Krzyzanowski(consultant)

European and Asian CeramicsCampbell ArmourVictoria Crake

Book, Maps, Manuscripts andPhotographsSimon VickersAlex Dove

Arms and ArmourJohn Batty (consultant)

Antique SalesGavin LindsayHarry Douglas-Hamilton


email: [email protected]



www.lyonandturnbull .com

79

Operations ManagerAmy Symington

Finance ManagerMhairi McFadden

AccountsFlo MarshallEileen Welsh

AdministrationEdinburghMoira GowLiz WilsonKate Bain

GlasgowLinda Robinson

Technical ServicesSydney Drew

Press and Public RelationsPhilip Gregory

MarketingMatt McKenzie

PhotographerMike Bascombe

Valuation Department Administration

Telephone: 0845 882 2794

UK DirectorRachel Doerr

Department ManagerEvelyn Robertson

Client ServicesJudith HardieLinda RobinsonJane Lightfoot

ScotlandTrevor KyleCampbell ArmourGavin Strang

Northern EnglandDavid Hall (consultant)

North West England andIrelandRachel Doerr

MidlandsPatrick BowenMichael Mays

London and Home CountiesSean McIlroy

South West & WalesRobin Barlow

Business DevelopmentLady MiddletonJohn SibbaldJohn ThomsonTessa Thomson

London and Southern England

Ben HanlyTel: 020 7930 9115 Mobile: 07920 [email protected]

Elena RatchevaTel: 020 7930 9115 Mobile: 07931 580 [email protected]

Lee YoungTel: 020 7930 9115 Mobile: 07825 [email protected]

80

CONDITIONS OF SALE

Lyon & Turnbull carries on business withbidders, buyers and all those present inthe auction room prior to, or inconnection, with a sale on the followingGeneral Conditions and on such otherterms, conditions and notices as may bereferred to herein.

1. DEFINITIONS

In these Conditions:

(a) "Auctioneer" means the firm of Lyon &Turnbull or its authorised auctioneer, asappropriate;

(b) "deliberate forgery” means animitation made with the intention ofdeceiving as to authorship, origin, date,age, period, culture or source but which isunequivocally described in the catalogueas being the work of a particular creatorand which, at the date of the sale, had avalue materially less than it would havehad if it had been in accordance with thedescription;

(c) "hammer price" means the level ofbidding reached (at or above any reserve)when the auctioneer brings down thehammer;

(d) "terms of consignment" means thestipulated terms and rates of commissionon which Lyon & Turnbull acceptsinstructions from sellers or their agents;

(e) "total amount due" means thehammer price in respect of the lot soldtogether with any premium, Value AddedTax chargeable and any additional chargespayable by a defaulting buyer under theseConditions;

(f) "sale proceeds" means the net amountdue to the seller, being the hammer priceof the lot sold less commission at thestated rate, Value Added Tax chargeableand any other amounts due to us by theseller in whatever capacity and howeverarising;

(g) "You", "Your", etc. refer to the buyer asidentified in Condition 2.

(h) The singular includes the plural andvice versa as appropriate.

2. BIDDING PROCEDURES AND THEBUYER

(a) Bidders are required to register theirparticulars before bidding and to satisfyany security arrangements before enteringthe auction room to view or bid;

(b) the maker of the highest bid acceptedby the auctioneer conducting the saleshall be the buyer at the hammer priceand any dispute about a bid shall besettled at the auctioneer's absolutediscretion.

(c) Bidders shall be deemed to act asprincipals.

(d) Once made, no bid may be withdrawn.

(e) Our right to bid on behalf of the selleris expressly reserved up to the amount ofany reserve and the right to refuse any bidis also reserved.

3. INCREMENTS

Bidding increments shall be at theauctioneer’s sole discretion.

4. THE PURCHASE PRICE

The buyer shall pay the hammer pricetogether with a premium thereon.Antiques, Jewellery & Silver and Pictures(Not Fine Sales)17.5%.

All other sales (Fine/Special/Collections)25% up to £25,000 / 20% thereafter.VAT will be charged on the premium at therate imposed by law.

5. VALUE ADDED TAX

Value Added Tax on the hammer price isimposed by law on all items affixed withan asterisk or double asterisk. ValueAdded Tax is charged at the appropriaterate prevailing by law at the date of saleand is payable by buyers of relevant lots.

6. PAYMENT

(1) Immediately a lot is sold you will:

(a) pay to us the total amount due in cashor in such other way as is agreed by us.We accept cash, bank transfer (details onrequest), Switch or Debit Cards and Visaor MasterCard (please note there is asurcharge of 1.5% (VAT included) whenusing credit cards). We do not acceptAmerican Express.

(2) Any payments by you to us may beapplied by us towards any sums owingfrom you to us on any account whateverwithout regard to any directions of you oryour agent, whether express or implied.

7. TITLE AND COLLECTION OFPURCHASES

(1) The ownership of any lots purchasedshall not pass to you until you have madepayment in full to us of the total amountdue.

(2) You shall at your own risk and expensetake away any lots that you havepurchased and paid for not later than 3working days following the day of theauction or upon the clearance of anycheque used for payment after which youshall be responsible for any removal,storage and other associated charges.

(3) No purchase can be claimed orremoved until it has been paid for.

(4) It is the buyer’s responsibility toascertain collection procedures,particularly if the sale is not being held atour main saleroom.

8. REMEDIES FOR NON-PAYMENT ORFAILURE TO COLLECT PURCHASES

(1) If any lot is not paid for in full and takenaway in accordance with these Conditionsor if there is any other breach of theseConditions, we, as agent for the seller andon their behalf, shall at our absolutediscretion and without prejudice to anyother rights we may have, be entitled toexercise one or more of the followingrights and remedies:

(a) to proceed against you for damages forbreach of contract;

(b) to rescind the sale of that lot and/orany other lots sold by us to you;

(c) to resell the lot (by auction or privatetreaty) in which case you shall beresponsible for any resulting deficiency inthe total amount due (after crediting anypart payment and adding any resale costs).Any surplus so arising shall belong to theseller;

(d) to remove, store and insure the lot atyour expense and, in the case of storage,either at our premises or elsewhere;

(e) to charge interest at a rate notexceeding 1.5% per month on the totalamount due to the extent it remainsunpaid for more than 3 working days afterthe sale;

(f) to retain that or any other lot sold toyou until you pay the total amount due;

(g) to reject or ignore bids from you oryour agent at future auctions or to imposeconditions before any such bids shall beaccepted;

(h) to apply any proceeds of sale of otherlots due or in future becoming due to youtowards the settlement of the total amountdue and to exercise a lien (that is a right to

retain possession of) any of your propertyin our possession for any purpose until thedebt due is satisfied.

(2) We shall, as agent for the seller andon their behalf pursue these rights andremedies only as far as is reasonable tomake appropriate recovery in respect ofbreach of these Conditions

9. THIRD PARTY LIABILITY

All members of the public on ourpremises are there at their own risk andmust note the lay-out of theaccommodation and securityarrangements. Accordingly neither theauctioneer nor our employees or agentsshall incur liability for death or personalinjury (except as required by law by reasonof our negligence) or similarly for thesafety of the property of persons visitingprior to or at a sale.

10. COMMISSION BIDS

While prospective buyers are stronglyadvised to attend the auction and arealways responsible for any decision to bidfor a particular lot and shall be assumedto have carefully inspected and satisfiedthemselves as to its condition we shall ifso instructed clearly and in writing executebids on their behalf. Neither theauctioneer or our employees or agentsshall be responsible for any failure to doso save where such failure isunreasonable. Where two or morecommission bids at the same level arerecorded we reserve the right in ourabsolute discretion to prefer the first bidso made.

11. WARRANTY OF TITLE ANDAVAILABILITY

The seller warrants to the auctioneer andto you that the seller is the true owner ofthe property consigned or is properlyauthorised by the true owner to consign itfor sale and is able to transfer good andmarketable title to the property free fromany third party claims.

12. AGENCY

The auctioneer normally acts as agentonly and disclaims any responsibility fordefault by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are soldsubject to the stipulations of theseConditions in their entirety and on theTerms of Consignment as notified to theconsignor at the time of the entry of thelot.

14. STANDARD VENDOR FEES ANDCHARGES (Subject to VAT)

(1) Commission: 15% of the first £3000 and10% thereafter is charged on the sellingprice of each lot (subject to a minimumcharge of £30). Loss and damagewarranty: 1.5% on value of lots sold.Photography: max £40 mono per lot, max£250 colour. Internet Service: £10 per lot.

(2) If a vendor wishes to withdraw acatalogued lot, a withdrawal fee will applyat the auctioneer’s discretion; this will becharged at 10% mid estimate.

15. DESCRIPTIONS AND CONDITION

(1) While we seek to describe lotsaccurately, it may be impractical for us tocarry out exhaustive due diligence on eachlot. Prospective buyers are given ampleopportunities to view and inspect beforeany sale and they (and any independentexperts on their behalf) must satisfythemselves as to the accuracy of anydescription applied to a lot. Prospectivebuyers also bid on the understanding that,inevitably, representations or statements

by us as to authorship, genuineness,origin, date, age, provenance, condition orestimated selling price involve matters ofopinion. We undertake that any suchopinion shall be honestly and reasonablyheld and accept liability for opinions givennegligently or fraudulently. Subject to theforegoing neither we the auctioneer or ouremployees or agents or the seller acceptliability for the correctness of suchopinions and all conditions andwarranties, whether relating todescription, condition or quality of lots,express, implied or statutory, are herebyexcluded. This Condition is subject to thenext following Condition concerningdeliberate forgeries and applies save asprovided for in paragraph 6 “information tobuyers”.

(2) Private treaty sales made under theseConditions are deemed to be sales byauction for purposes of consumerlegislation.

16. FORGERIES

Notwithstanding the preceding Condition,any Lot which proves to be a deliberateforgery (as defined) may be returned to usby you within 21 days of the auctionprovided it is in the same condition aswhen bought, and is accompanied byparticulars identifying it from the relevantcatalogue description and a writtenstatement of defects. If we are satisfiedfrom the evidence presented that the lot isa deliberate forgery we shall refund themoney paid by you for the lot including anybuyer's premium provided that (1) if thecatalogue description reflected theaccepted view of scholars and experts asat the date of sale or (2) you personally arenot able to transfer a good and marketabletitle to us, you shall have no rights underthis condition.

The right of return provided by thisCondition is additional to any right orremedy provided by law or by theseConditions of Sale.

GENERAL

17. We shall have the right at ourdiscretion, to refuse admission to ourpremises or attendance at our auctions byany person.

18 (1) Any right to compensation for lossesliabilities and expenses incurred in respectof and as a result of any breach of theseConditions and any exclusions provided bythem shall be available to the sellerand/or the auctioneer as appropriate.

(2). Such rights and exclusions shallextend to and be deemed to be for thebenefit of employees and agents of theseller and/or the auctioneer who maythemselves enforce them.

19. Any notice to any buyer, seller, bidderor viewer may be given by first class mailin which case it shall be deemed to havebeen received by the addressee 48 hoursafter posting.

20. Special terms may be used incatalogue descriptions of particularclasses of items in which case thedescriptions must be interpreted inaccordance with any glossary appearing atthe commencement of the catalogue.

21. Any indulgence extended to biddersbuyers or sellers by us notwithstandingthe strict terms of these Conditions or ofthe Terms of Consignment shall affect theposition at the relevant time only and inrespect of that particular concession only;in all other respects these Conditionsshall be construed as having full force andeffect.

22. Scottish law applies to theinterpretation of these Conditions.

LYON&TURNBULLAUCTIO

NEERSLONDON

MODERN&CONTEMPORARYART28TH

APRIL2010


email. [email protected]



Modern and Contemporary Art Wednesday 28th April 201033 Broughton PlaceEdinburgh EH1 3RR

EDINBURGH

modern and contemporary art 281

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