middle ages: medieval drama 476 a.d.-13 th century
DESCRIPTION
Middle Ages: Medieval Drama 476 A.D.-13 th century. History of Drama. Middle Ages/Dark Ages/Medieval?? Which one?. Same time period Medieval—used as an adjective Dark ages—no cultural activity Most people were illiterate Little travel=no exchange of ideas. Medieval Drama. - PowerPoint PPT PresentationTRANSCRIPT
Middle Ages:Medieval Drama
476 A.D.-13th century
History of Drama
Middle Ages/Dark Ages/Medieval?? Which one?
Same time period
Medieval—used as an adjective
Dark ages—no cultural activity
Most people were illiterate
Little travel=no exchange of ideas
Medieval DramaFall of Rome—Renaissance Black PlagueFor 400 years, no drama except
Several folk festivalsWandering jugglers and minstrels
Troupe
Church introduced short dramas during masses, called troupes.Ironic because the church banned dramaTroupes began in France, then soon spread throughout the continent.Helped people understand the Bible storiesBegan to educate the illiterate, 1st acted in Latin then the common vernacular so everyone could understand.Acted out by priests and choirboys
Mansions
Scenes were so popular that whole stories emerged
Small platforms, mansions, were erected in the church
Crowds moved from mansion to mansion until they saw the entire story
A nun, Hrosvitha, wrote a religious comedy that was performed on mansions in the 10th century.
The 5 M’s
MummingsEarliest style of Medieval Drama
Pagan roots
Not politically correct
Public processions
Include summer/winter solstices and autumn equinoxes
The 5 M’s
Mystery PlayCommunity effort
Used the tops of wagons for a stage
Women could act
Scripture stories
The 5 M’s
Morality PlayAllegorical
Taught right from wrong
Entertaining
Focus on death (Everyone goes with death eventually)
Post plague
Characters personified abstract qualities
Ex: Everyman
The 5 M’s
Miracle PlayDramatized the lives of saints
Not always realistic
The 5 M’s
MannersLate Medieval
Focus on social and secular instead of religious
Depicted people acting socially inappropriate
Medieval Comedy
13th or 14th century – productions focused on comedy so they moved from church to marketplace
Theater once again secular
Bible stories became comical
Staging Devices
Hell’s Mouth – dragon jaw that would open with smoke and flames; sometimes showed tortured souls
Presentation Style
Some towns, mansions would provide a backdrop for heaven at one end and hell would be portrayed at another location with parts of the story in between
Crowds would move to see the action.
Marketplace stages, situated around the square
England, France, and Netherlands developed the Pageant Wagon
Medieval Pageant WagonDouble-deckerLower story for costume changesAction on upper stage and around the street.Similar to parade floats.
Passion Play
Late middle ages, the passion play developed.Depicted Christ’s life through resurrectionPassion play in Oberammergau, Germany
Residents of Bavarian village vowed that to be spared from the Black Plague, they would put on a passion play every 10 yearsVillage was spared, began performances in 1633Still performing today, every 10 years.Only year not performed: 1940
Secular PlaysSeveral non-religious plays were developed in Medieval timesMost notable are the Robin Hood Plays and Master Pierre Patelin
Impact of Medieval Drama
Main Impact: Because the actors got much closer to their audience, acting became more important than dialogue.
Also…Mixed comedy and seriousness, which transitioned into Italian and Elizabethan drama.
Italian and Spanish Renaissance
Italian Renaissance 1400-1600Ancient writers were rediscoveredRebirth of learning led to in-depth look at arts and sciencesMovement toward literacy: Invention of printing pressBegan in Italy
Leonardo da VinciPetrarchMichelangeloMachiavelli
Commedia dell’Arte: Comedy of Professional Players
Very popular by 1550Professional, improv. comedy performed in streetsUsually 7 men and 3 women companyAd-lib action, dialogue, songs, and dancePlot revolved around love and intrigueActors wore half masksPopularity spread through France, influenced MoliereDifferent from IMPROV: followed a storyline, performers made bits from storyline
New Stock CharactersHarlequin: wore diamond patches, foolish servantPierrot: Lovelorn and moodyColumbine: flirtatious and beautifulPantalone: the old man, a foolDottore-the doctor, a drunk or glutton
Pseudo-ClassicismCombination of commedia of the common man and drama of Italian nobility.
Copy of ancient Roman drama
Dramatic noblemen built private indoor theaters with beautiful arches
First permanent theater built in 1618 (Theater Farnese)
Opera
Opera substituted popular playsHuge theaters createdAudience sat in tiers of narrow horseshoe-shaped galleriesBeautiful auditorium for socializingDetailed scenery usedStage floors were built on a rake
Upstage sloping towards audience
Spanish Renaissance
Focused on drama
1550-1680 flourish of theater
Influenced by Commedia dell’Arte and Italian court staging
Spanish PlaywrightsCervantes 1574-1616
30 plays including Don QuixoteTragedies, comedies, “cape & sword”
Lope de Vega 1562-1635
2000 poetic and romantic plays!
Calderon 1600-1681200 plays of spiritual emphasis and poetry
Spanish Playwrights cont.
Established original art formFree from classical rules of Italian and French writersIgnored time and place unitiesUsed beautiful, flowing dialogueAction around “Cape and sword”
AdventureRomancechivalry
Spanish Playhouses
Similar to Medieval stages (mansions)
• Stages erected at end of open courtyard
• Later, permanent buildings were built, with the audience sitting in front of the raised stage
• Balcony with side boxes reserved for the nobility
More Spanish Theatre
• Elaborate scenery• Rich costuming• Women could act• 40 theaters existed in
Madrid during Golden Age of Spanish Theater