medieval art. transition from greek, to roman, to middle ages greek idealism roman realism middle...

31
Medieval Art

Upload: blake-lewis

Post on 16-Dec-2015

243 views

Category:

Documents


3 download

TRANSCRIPT

Page 1: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious

Medieval Art

Page 2: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious

Transition from Greek, to Roman, to Middle Ages

Greek

IdealismRoman

RealismMiddle Ages

Religious

Page 3: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious
Page 4: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious
Page 5: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious
Page 6: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious
Page 7: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious
Page 8: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious
Page 9: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious
Page 10: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious

General Notes on Medieval Art

From the 13th Century to the 15th Century almost all art was paid for by the Church.

Generalizations: Lacks depth or perspective Figures are stiff and elongated Facial expressions lack emotion Background frequently a solid color

Page 11: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious

Madonna EnthronedGiovanni Cimabue 1280-90

Page 12: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious
Page 13: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious

Madonna EnthronedDuccioc. 1285

Page 14: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious

Giotto

Student of Cimabue Breaks with medieval style

New volume and vitality for figures

Drapery falls naturally Throne more believable

space Some medieval

characteristics Gold haloes Inconsistent scale

Madonna Enthroned

Page 16: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious
Page 17: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious
Page 18: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious

Giotto di Bondone

Giotto was the most important Italian painter of the 14th century

Father of European painting First of the great Italian masters from

Florence

Page 19: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious
Page 20: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious

Giotto

Arena Chapel in Padua Frescoes Life of the Virgin, Life of

Christ, Passion of Christ

Page 21: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious

Giotto

Page 22: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious

Giotto, Lamentation 1305-06

Giotto

Eyes rest on action, they do not move around

3-dimensional reality

Figures, rather than architecture, create the space

Page 23: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious

Giotto Christ Entering JerusalemDuccio Christ Entering Jerusalem

Giotto vs. Duccio

Page 24: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious

AnnunciationSimon Martini, 1333

Page 25: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious

Les Tres Riches Heures

Limbourg Brothers (Paul, Hermann & Jean) Painted 1413 – 1416 Example of a Medieval Book of Hours Shows differences between peasants and

aristocracy

Page 26: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious

February

Winter in a peasant village. The inhabitants of a farm are shown warming themselves by the fire, while in the background daily life - cutting wood, taking cattle to the market - goes on as normal.

Earliest snow scene in the history of western art

Page 27: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious

August

The month of hawking; the nobles, carrying falcons, are going hunting while in the background peasants are harvesting and swimming in the river.

Behind them is the Chateau d'Etampes.

Page 28: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious

September

Probably the most famous of the calendar images.

The grapes are being harvested by the peasants and carried into the beautifully detailed Chateau de Saumur.

Page 29: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious

October

Tilling and sowing are being carried out by the peasants, in the shadow of the Louvre - Charles V's royal palace in Paris.

The first cast shadows since ancient Greek art

Page 30: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious

November

This is the only calendar image executed by Colombe (an apprentice)

The picture shows the autumn acorn harvest, with a peasant throwing sticks to knock down the acorns on which his pigs are feeding.

Page 31: Medieval Art. Transition from Greek, to Roman, to Middle Ages Greek Idealism Roman Realism Middle Ages Religious

Jesus Morph