measuring tourist activities in cities using geotagged photography

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This article was downloaded by: [Thammasat University Libraries] On: 09 October 2014, At: 04:40 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Tourism Geographies: An International Journal of Tourism Space, Place and Environment Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rtxg20 Measuring tourist activities in cities using geotagged photography Bálint Kádár a a Department of Urban Planning and Design, Budapest University of Technology and Economics, Budapest, Hungary Published online: 06 May 2014. To cite this article: Bálint Kádár (2014) Measuring tourist activities in cities using geotagged photography, Tourism Geographies: An International Journal of Tourism Space, Place and Environment, 16:1, 88-104, DOI: 10.1080/14616688.2013.868029 To link to this article: http://dx.doi.org/10.1080/14616688.2013.868029 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. Terms & Conditions of access and use can be found at http://www.tandfonline.com/page/terms- and-conditions

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Page 1: Measuring tourist activities in cities using geotagged photography

This article was downloaded by: [Thammasat University Libraries]On: 09 October 2014, At: 04:40Publisher: RoutledgeInforma Ltd Registered in England and Wales Registered Number: 1072954 Registeredoffice: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK

Tourism Geographies: An InternationalJournal of Tourism Space, Place andEnvironmentPublication details, including instructions for authors andsubscription information:http://www.tandfonline.com/loi/rtxg20

Measuring tourist activities in citiesusing geotagged photographyBálint Kádára

a Department of Urban Planning and Design, Budapest Universityof Technology and Economics, Budapest, HungaryPublished online: 06 May 2014.

To cite this article: Bálint Kádár (2014) Measuring tourist activities in cities using geotaggedphotography, Tourism Geographies: An International Journal of Tourism Space, Place andEnvironment, 16:1, 88-104, DOI: 10.1080/14616688.2013.868029

To link to this article: http://dx.doi.org/10.1080/14616688.2013.868029

PLEASE SCROLL DOWN FOR ARTICLE

Taylor & Francis makes every effort to ensure the accuracy of all the information (the“Content”) contained in the publications on our platform. However, Taylor & Francis,our agents, and our licensors make no representations or warranties whatsoever as tothe accuracy, completeness, or suitability for any purpose of the Content. Any opinionsand views expressed in this publication are the opinions and views of the authors,and are not the views of or endorsed by Taylor & Francis. The accuracy of the Contentshould not be relied upon and should be independently verified with primary sourcesof information. Taylor and Francis shall not be liable for any losses, actions, claims,proceedings, demands, costs, expenses, damages, and other liabilities whatsoever orhowsoever caused arising directly or indirectly in connection with, in relation to or arisingout of the use of the Content.

This article may be used for research, teaching, and private study purposes. Anysubstantial or systematic reproduction, redistribution, reselling, loan, sub-licensing,systematic supply, or distribution in any form to anyone is expressly forbidden. Terms &Conditions of access and use can be found at http://www.tandfonline.com/page/terms-and-conditions

Page 2: Measuring tourist activities in cities using geotagged photography

Measuring tourist activities in cities using geotagged photography

B�alint K�ad�ar*

Department of Urban Planning and Design, Budapest University of Technology and Economics,Budapest, Hungary

(Received 26 February 2012; accepted 25 August 2013)

Established methods to record tourist activities in urban centres cannot producequantitative data with precise spatial references. Analysing geographically positionedphotography retrieved from image hosting web services combines the accuracy levelsof GPS tracking and the quantitative advantages of the large accessible data-sets ofinternet communities. In this paper the correlation of data-sets obtained from Flickr.com with statistical data, morphological constrains and the attributes of attractions aretested. Correlation between registered bed nights and geotagged tourist photographynumbers was calculated analysing 16 European cities. Three tourist-historic citieswith similar tourist markets were compared more deeply. The spatial patterns oftourist activity in Vienna, Prague and Budapest showed many similarities and somerelevant differences rooted in the morphological constraints and the different level oflocal and tourist activities at specific sites.

Keywords: tourist tracking; Flickr; tourist photography; Vienna; Prague; Budapest

Introduction

Measuring visitors’ space usage in the tourist-historic city

Tourists in cities move between sights, monuments, museums or cultural events and pla-

ces of shopping, dining and interaction with other people. These attractions are all the ele-

ments that motivate a travel, are already marked for the visitor through various media,

and are being consumed during the visit even if no active consumption is possible, at least

by taking a photograph. While the singular points of attraction are well definable even in

the urban context, the tracking of tourists is a difficult task, especially in a tourist-histori-

cal city (Ashworth & Turnbridge, 1990), where the majority of attractions, monuments

and events are embedded in historical urban layouts with an evolved and protected mor-

phology, used also by the local community with their own infrastructures, businesses and

cultural uses. Such multifunctionality imposed limitations for researchers. It was already

argued by Stansfield that urban tourism is not quantifiable, therefore ignored by research-

ers who could immerse themselves in the more measurable rural tourism (Stansfield,

1964). In the past decades there was much progress in this field. A never seen quantity of

case studies appeared, motivations and global trends revealed, the supply side of urban

tourism was mapped, but the demand side is still not fully understood on behalf of miss-

ing data (Pearce, 1998). Pearce (2001) noted how different fields researching urban tour-

ism are missing an integrative framework. Ashworth and Page (2011), gathering the most

recent progress in this field, also pointed out the vagueness of urban tourism research

studies consisting of individual, unconnected individual case studies. Still, a more

*Email: [email protected]

� 2014 Taylor & Francis

Tourism Geographies, 2014

Vol. 16, No. 1, 88–104, http://dx.doi.org/10.1080/14616688.2013.868029

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efficient understanding of tourist space usage is needed, also because this field is rela-

tively neglected among the others as they also note: ‘Given the quantitative importance

of urban tourism, it is curious that very little attention has been given to questions about

how tourists actually use cities.’ (Ashworth & Page, 2011). To face this question, a better

mapping of local and tourist space usage and the conceptualization of tourist movements

in cities are needed.

This paper proposes a quantitative method capable to complement other attempts to

define how tourists move in the urban context and how do they consume its spaces. The

intent is to give a better geographical base for comparative studies of urban tourism, using

spatial data-sets available for all main urban destinations: photography uploaded and geo-

tagged in image sharing sites.

Comparative, or ‘multiple city studies’ are rare in the field of urban tourism, and

they ‘. . .tend to be more narrowly focused and examine a specific aspect of a broader

problem. . .’ (Pearce, 2001). Beside the few examples collected by Pearce some studies

comparing Hong Kong and Singapore (Henderson, 2002) and works by Van der Borg

comparing cultural tourism in some European cities are relevant (Van der Borg, Costa,

& Gotti, 1996; Russo & Van der Borg, 2002). These either compare arrival and hotel

numbers, aspects of the demand side of tourism, or just have a focus on the impact to

residents’ attitudes. Comparing the geographical aspects of tourism in different urban

destinations could lead to a better understanding of issues like congestion, conflicts

with locals and other sociological and economical aspects, understanding better the

correlations between urban design, tourism planning, sociological and economical

aspects.

Few studies achieved to refine the basic model of urban tourism setup by Ashworth

and Turnbridge (1990) in ‘the tourist-historic city’. Pearce (1998) could map the structure

and functions of some important tourist districts in Paris, analysing the supply side of

tourism. He explored the limits of this method, mapping which services are being used by

locals and which by tourists, and how these work in different urban contexts and scales,

including the microscale of the singular attraction (Pearce, 1999). In his papers, he

stresses the need to understand also the supply side, the behaviour and movement of tou-

rists in the urban space.

An important paper trying to conceptualize the movement of tourists in urban destina-

tions is the one of Lew and McKercher (2006), further developed in a study using data

from surveys and time-space diaries filled out by independent tourists in Hong Kong,

identifying 11 movement styles (McKercher & Lau, 2008). Similar methods of question-

naires were used by Shoval and Raveh (2004) to cluster the attractions in Jerusalem

according to the different characteristics of tourists, and by Hayllar and Griffin (2005),

who could define the most important themes in tourist experiences related to the physical

environment and atmosphere of The Rocks district in Sydney. All these studies faced the

restrictions of the survey method: the limited geographical preciseness and the small

numbers of agents involved.

Two new technologies helped to get over these limitations: the use of global posi-

tioning systems (GPS) and the analysis of mobile phone cell information (Shoval &

Isaacson, 2007). GPS trackers are reliable and accessible devices, used by many scholars

since the opening of the navigation system for civilian use in 2000 (Shoval & Isaacson,

2010). Pettersson and Zillinger (2011) combined GPS tracking and questionnaires to

gather information on tourists’ experiences in relationship of their movements at a sports

event. Modsching, Kramer, ten Hagen, and Gretzel (2008) used GPS tracking data to

trace the activity areas of tourists, drawing the most visited hubs and paths in the

Tourism Geographies 89

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German city of G€orlitz. Shoval (2008) used three-dimensional (3D) bar diagram repre-

sentations of tourist activities on the map showing the intensity of visitors’ activity in

the Old City of Akko. Shoval, McKercher, Ng, and Birenboim (2011) tracked the day

trips of tourists based in different hotels of Hong Kong, and compared the differences

of spatiotemporal patterns in first and repeat visitors (McKercher, Shoval, Ng, and

Birenboim, 2012). The quantitative dimension of these visual representations is rather lim-

ited: 557 tourists supplied the data for the research in Hong Kong, while only 134 tracks

were used in the case of Akko. In this quantitative aspect the usage of mobile phone cell

information to retrieve geographical data is more purposive. Today most people use their

devices even during vacations abroad. Researchers do not have to make field work to

gather such data as the mobile phone operators record all activity related to the devices

using their networks. Ahas, Aasa, Mark, Pae, and Kull (2007) showed the potentials in this

method, analysing the activity of mobile phones in Estonia for a time span of an entire

year. They could retrieve data regarding the time, geographical position and nationality of

all activity from foreign mobile phones using the network of a specific carrier. The results

were controlled in correlation to the data-sets of accommodation available nationwide.

This research showed the usability of such data at a regional level, but exact geographical

positioning of cellular phone activity is limited by the cell layouts of the network. In an

urban centre cellular positioning can be 100 meters accurate, but this value is still not ade-

quate to measure tourist activity between the attractions of a dense urban situation (Shoval

& Isaacson, 2010). The ideal tourist tracking method should combine the immense quantity

of data peculiar to the mobile cell information methodology, and the accuracy of the GPS

services. In the future with the spreading of smart phones this combination could appear

extensively, but until then other methods would be needed.

Using travel photography to measure tourist activity

Most tourists take photographs, creating records of their visit a final proof that they did

consume the experience given by the city (Urry, 1990). The role of photography in the

tourist experience had been analysed after Urry by many scholars (Garrod, 2009; Jenkins,

2003; Larsen, 2006). The subjects of tourist photography describe well a destination,

revealing much of its tourist offer and demand. The geographic positioning of each photo

in itself carry important information. With digital imaging and geotagged storage, a rele-

vant number of photographs with precise geographical data is uploaded and shared on

social websites like Panoramio.com or Flickr.com. The motivation of tourists to record

and share consumed personal experiences by their own photography meets well the possi-

bilities offered by these online services. Some cameras, including the growing number of

smart phones have built-in GPS antennas, allowing the automation of geotagging, while

the manual placement of singular images on a map is also possible on these sites. The

most popular website Flickr.com (http://www.Flickr.com) stores 200 million geotagged

images today. The application programming interface (API) of Flickr.com makes possible

the analysis of all of these images (Popescu & Grefenstette, 2009), a database large

enough to make relevant statistical deductions from their data, even though only a portion

of all photographers upload such geotagged images. A survey made among 1466 house-

holds of Hong Kong focused on tourist photography and the use of social media to share

it (Lo, McKercher, Lo, Cheung, & Law, 2011). The study showed that 89% of those trav-

eling overnight for tourism took photographs. Out of this group, 41.4% posted some of

these pictures online and 16.5% on sites like Flickr.com. The study also pointed out a

strong relationship between the age and education and the willingness to use such tools.

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Younger and more educated people use these services more often, but all age groups are

well represented, much more than in other social media services.

Many emerging studies rely on data mining the open API of Flickr.com. Some of

these researches analyse the content and the given verbal tags of these images, relating

them with the geographic position (Hollenstein & Purves, 2010; Pang et al., 2011). Others

explore the viewpoints of singular attractions, reconstructing visual information of land-

marks (Crandall & Snavely, 2012; Ji, Gao, Zhong, Yao, & Tian, 2011). Very few attempts

have been made to retrieve quantitative data of tourist space usage from these databases.

The most promising study analysed photographs uploaded to Flickr.com in the Province

of Florence, Italy between 2005 and 2007 (Girardin, Fiore, Ratti, & Blat, 2008). The

study presented various geovisualizations to show tourist concentration and spatiotempo-

ral flows. These visualizations did show the main points of tourist activity, but the

selected method of heat maps could only provide generic information. The most interest-

ing information was visible only on a regional level: the authors traced the movements of

the individual users, foreigners and Italians separately, following the sequence of their

photographs throughout the province and all Italy. More precise maps were created based

on the same principle of separating tourists and locals by Gede (2012), further developed

by K�ad�ar and Gede (2013). These geovisualizations were optimized to be comparable

and measurable at an urban level, therefore a mesh of 10 by 10 meters was used with

each cell being a bar of a diagram positioned on Google Earth in a similar way. Shoval

(2008) represented the time-space diagrams obtained from GPS trackers of tourists in

Akko. This combination of the accuracy of GPS devices and the immense data-sets of

social image sharing sites can add new answers to the original question about how tourists

use urban spaces. This paper uses the method of K�ad�ar and Gede (2013) to measure tour-

ist activities in three Central-Eastern European capital cities: Vienna, Prague and Buda-

pest. These three destinations are tourist-historic cities, complex urban metropolises,

visited by the same type of tourists, often one after the other (Puczk�o & R�atz, 2000). Thepaper aims to demonstrate the validity of this method in finding space usage patterns,

measuring the so far immeasurable attendance to sites and spaces of tourist interest, and

verifying some behavioural differences between tourists and local visitors.

Methods

Retrieving data from geotagged photography uploaded to Flickr

Using the method of K�ad�ar and Gede (2013), databases for Vienna, Prague and Budapest

were created from the geographical references of all photographs available on Flickr.com

positioned in the urban areas of these cities. The data were downloaded on 21 January

2013, therefore all photographs taken before 2013 are part of the data-set. The data down-

loaded were the following: geographical coordinates, user ID, date of photograph from

the EXIF of the image and the accuracy level of geographic positioning. To discard false

or inaccurate positioning data, only photographs with Flickr’s maximum accuracy level

of 16 were taken into consideration in this research. This means that either a GPS enabled

device was needed to geotag these photographs or the user must have placed the image

on the map interface at the maximum street-level zoom.

To define patterns in urban tourist space usage and to analyse the different photo-

graphing behaviour of tourists and locals, a separation was needed between the photo-

graphs of these two groups. Girardin et al. (2008) used a 30-day period limitation in their

algorithm to separate tourists and locals, which is a valid assumption for their study

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analysing vacation patterns at a regional level. In urban tourism much shorter periods are

proper. The three cities analysed have an average length of stay between 2 and 3 days

(Puczk�o & R�atz, 2000). In this paper photographs taken from users active in the area for a

maximum of five consecutive days are considered tourist images. It was assumed and

later proved that those on longer stays or repeated visitors are interested also in less tour-

isty sites, and usually take more photographs in one place, just like locals do.

For all numerical analysis, only data for the full year of 2011 were taken into consid-

eration, both for photographs geotagged and for official statistics of tourist arrivals, bed

nights and singular attraction attendance, obtained from TourMIS (2012). Other data con-

cerning tourism like expenditure, nationalities or supply of services did not result useful,

therefore these were not analysed. The downloaded data-sets were visualized and ana-

lysed by the methods of K�ad�ar and Gede (2013). The sightly 3D bar maps were created

positioning both tourist and local activity on Google Earth, while a counter tool simplified

the process of counting photographs in selected geographical areas. Within the area

selected not only the number of geotagged photographs were counted – separated to local

and tourist groups, but also the number of local and tourist individuals uploading any

number of photographs taken in that area, resulting in the average number of photographs

a user takes in a site.

The potentials of this method lie in the combination of geographically accurate GPS

tracking and large databases of online image sharing, with the possibilities to separate

data of users considered tourists and locals. To verify the validity of the method, available

tourism statistics data-sets and the number of tourist photographs geotagged were first

compared. After this the assumption that the places where these images have been taken

correlate with their actual tourist use was analysed. At the urban level the patterns of tour-

ist photography distribution were compared with the morphology of the historical centres

of Vienna, Prague and Budapest. At the level of singular attractions, questions regarding

the correlation between actual visitors and numbers of photographs and photographers,

differences between patterns of tourist and local photography and questions regarding the

complexity and popularity of a photographed tourist site were analysed.

Results

Correlations and comparisons at the urban level

The basic validity of this method was first proved comparing the numbers of uploaded

geotagged photography with city tourism statistics. Flickr data from 16 European tourist-

historic cities were downloaded and four correlation coefficients between the number of

photographs, users, registered bed nights spent and arrival numbers were calculated

(Table 1). The correlation coefficient between registered tourist bed nights and both user

numbers and number of photographs is a considerable 0.92. In a logical way the correla-

tion with registered arrival numbers is lower (0.89): bed night statistics relate with the

total time tourists had spent in a city, and the same is true for the number of photographs

taken in a city in the same period. The proven correlation encouraged further work with

the method.

The patterns drawn from geotagged photography were compared with the urban spa-

tial structures and tourist offers of the three Central European capital cities. The geovisu-

alizations of tourist photography draw out visibly the main attractions and routes visited

by tourists (Figure 1), relieving intensities of tourist usage that no other methods could

visualize so far. These visible patterns correlate well to the historical structure and

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Table1.

Arrivalandbed

nightstatistics,Flickrusersandthenumber

oftheirphotographsgeotagged

retrieved

for16Europeancities

from

theyear2011.

Year2011

Arrivals

Bed

nights

Geotagged

images

Flickr

users

Tourists’

images

Tourist

users

Locals’

images

Local

users

Population

Vienna

5,694,392

12,246,204

42,062

1698

10,163

924

31,899

774

1,731,236

Prague

5,132,042

13,214,304

34,978

1908

18,257

1273

16,721

635

1,262,106

Budapest

2,813,139

6,598,989

27,557

1646

9862

910

17,695

736

1,741,041

Berlin

9,866,088

22,359,470

102,987

4667

24,626

2409

78,361

2258

3,520,061

Barcelona

7,894,885

16,911,093

92,657

5145

27,384

2680

65,273

2465

3,218,071

Madrid

8,330,158

16,376,844

78,756

4678

13,800

2102

64,956

2576

3,265,038

M€ un

chen

5,931,052

11,738,112

25,122

1118

10,002

616

15,120

502

1,378,176

Lisbon

2,863,699

6,416,433

33,278

1993

11,571

1104

21,707

889

547,631

Helsinki

1,956,271

3,366,564

24,050

1165

3248

476

20,802

689

605,523

Dresden

1,785,632

3,803,045

7948

605

3259

340

4689

265

529,781

Tallinn

1,498,462

2,791,094

6718

499

3610

321

3108

178

424,445

Salzburg

1,272,880

2,293,208

7575

446

4735

336

2840

110

148,521

Krakow

805,664

1,846,690

9109

510

3927

317

5182

193

759,137

Bratislava

783,618

1,548,522

2859

277

1646

184

1213

93

462,603

Graz

488,681

907,964

4488

176

1131

89

3357

87

265,318

Ljubljana

425,163

794,646

3370

252

1668

167

1702

85

280,278

Correlation

Arrivals/im

ages

Arrivals/users

Bed

nights/images

Bed

nights/users

Co-efficient

0.8075

0.8375

0.8640

0.8738

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morphology of the central parts of these cities. Some of the main similarities between the

three cities can be deducted at first sight. All three have an extended historic core with

intensive tourist usage, but have also some main sites outside the centre. These isolated

attractions are either not connected at all to the centre (Vienna, Sch€onbrunn) or connectedwith just one route (Prague, Vysehrad; Budapest, City Park). The most characteristic pat-

terns in the central urban cores are axial ones related to some historical urban composi-

tions, avenues or squares; in fact these urban places are attractions themselves, and

Figure 1. Tourist (black) and local (gray) activity in Vienna (a), Prague (b) and Budapest (c)according to geotagged photography retrieved from Flickr.

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Page 9: Measuring tourist activities in cities using geotagged photography

tourists use representative historical routes instead of less appealing streets to move

between other central attractions to maximise the foreseen experience in a given time.

The historical centre of Vienna on the right bank of the Danube canal is defined by

medieval city walls that were demolished between 1858 and 1874, replaced by the urban

composition of the Ring. Photographs draw the main tourist activity inside and around

the Ring, with St. Stephen’s Cathedral marking the geometrical and tourist centre of the

city (Figure 2). A series of pedestrian streets starting here (Graben, Kerner Strasse) con-

nect to the main entry points of the Ring, the Opera and the Hofburg. The residence of

the Habsburg emperors is the most visible axial pattern ending in the recently refurbished

Museumsquartier. Vienna has important tourist sites outside the Ring like the buildings

of Hundertwasser or the Prater park; the Baroque structure of the parks of Sch€onbrunnPalace and Belvedere Palace appear as independent urban structures detached from the

main urban core (Figure 1(a)).

The medieval centre of Prague, divided into two by the Vltava river, consists of four

parts. The Castle District on the hilltop (Hrad�cany) and the Lesser Quarter (Mala Strana)

are on the western side of the river where the street patterns are much determined by the

hilly topography, drawn out clearly by the position of photographs (Figure 1(b)). On the

eastern banks the Old Town (Star�e Mĕsto) and the Jewish Quarter (Josefov) are limited

by a semi-ring road, built in 1871 to replace the original baroque town walls. Unlike in

Vienna, this ring is barely visible on the tourist images’ map, as the main places of inter-

est are organized on different historical urban axis. The Karlova is the oldest route of

medieval origin linking the Old Town from the Municipal House (in Republiky square)

to the Lesser Town and the Castle (Figure 3). Most important tourist sites are accessible

from it, culminating in the absolute tourist centre, the Old Town square. Other important

urban axis built in the nineteenth century starts from this square: the 750-meter long Wen-

ceslas square finishing at the National Museum on a small hill and the Parizsk�a Avenue

linking the sites of the Jewish quarter. The river embankments offering reflected city-

scapes also define major tourist flows; many of the institutions, which are now attractions,

were placed here in the nineteenth and twentieth centuries.

Budapest, divided into the towns of Buda and Pest by the river, Danube is in between

the layout of the other two capital cities. Buda has a Castle District very similar to the

one in Prague, and the waterfront situation of the two capitals is also similar. The medie-

val city walls of Pest surrounded a compact city of similar size than in the Austrian

capital. However, Pest followed a different development pattern when both Hungarian

and Austrian capital cities were reshaped in the late nineteenth century. The main institu-

tions in Pest are decorative landmarks scattered rather than composed together in large

compositions. The radial avenues and ring roads traced according to the master plan of

1870 all hosted one or two of these landmarks, but few are the routes connecting many

of them. Some attractions are just inserted into the immense tissue of closed urban blocks

of housing (Benko, 2011), resulting in tourist patterns that are more scattered in a larger

urban area than in Prague or Vienna. In Pest two semi-ring roads delimit the tourist city,

and similarly to Prague, the ring roads are not drawn out by tourist photography. The few

axial elements visible are the V�aci Street parallel to the Danube and ending in the main

Markethall, the Danube Promenade, connecting the Parliament and all bridges, and

Andr�assy Avenue, a representative route connecting the City Park with the centre, there-

fore reaching until the distant Heroes’ Square (Figure 4).

On the urban level the scaled map visualizations of tourist activities deducted from the

geotagged images uploaded to Flickr made the tourist patterns correlated to the historical

morphological structures of these three cities comparable.

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Correlations and comparisons at the level of the attraction

It is assumed that the direct correlation between the number of tourists visiting a city and

the number of tourist photographs taken there can be extended to the level of the attrac-

tions. The mesh of 10 by 10 meters used is refined enough to allow the analysis of tourist

Figure 2. The 30 attractions most visited by Flickr users in Vienna marked on the visualization onGoogle Earth of tourists’ geotagged photography. The images captured in 2011 are compared withofficial visitor statistics.

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presence around specific attractions within a city. The variables associated to each Flickr

image allow a complex analysis of attendance data for singular places. First of all the

number of images or the number of users uploading these are separately comparable with

specific tourism statistics, while the analysis of the proportion of photographs and photog-

raphers can give information on the time spent at different locations. The second prospect

in the method is the possible differentiation between tourist and local users, giving an

Figure 3. The 30 attractions most visited by Flickr users in Prague marked on the visualization onGoogle Earth of tourists’ geotagged photography.

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insight into differences of urban space uses according to the time spent in a city. These

considerations allow the study and comparison of qualities like popularity, tourist–local

use and complexity of different tourist sites.

A first question is how the number of actual visitors correlates to the number of

images uploaded and to the number of users uploading images to Flickr. Sites worth cap-

turing with more photographs should offer more experiences, visual or other; therefore,

Figure 4. The 30 attractions most visited by Flickr users in Budapest marked on the visualizationon Google Earth of tourists’ geotagged photography.

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these sites gain more from the overall space–time budget of tourists. Counting the number

of tourist photographs could be a suitable method to measure the intensity of visitor’s

activity, while counting the number of users uploading from the area of an attraction

should correlate with actual visitor attendance to singular sites. This correlation seems

easy to verify, as many institutions do measure visitor attendance. The best statistical

data are available in Vienna, where the number of visitors are registered for most tourist

attractions, published in TourMIS (2012) (Figure 2). However, this yearly data-set is

based on ticket selling, limiting its usability. Most tourists do not enter the controlled

parts of these attractions, as the most common layer of consumption in urban tourism is

the sight from outside. An example is the case of St. Stephen’s Cathedral, the main tourist

attraction of Vienna, ranking only eighth with only 560,000 tickets sold annually. At the

same time, the number of geotagged images and the number of users uploading these

verify the assumption that this should be the most visited site in Vienna. The geographical

location and symbolic importance makes this a crowded must-see place; tourists at least

pass by it, even if on a repeated visit. Even by entering inside tourists will not appear in

the statistics, as admission into the church is free; therefore, only those climbing the tow-

ers, visiting the catacomb or joining a guided tour will be recorded. The opposite happens

at the Sch€onbrunn Palace, the most visited attraction according to statistics, only the

fourth if Flickr data are considered. Tourists visit this attraction advisedly, as the palace

is situated far out from the city centre. The only activity possible nearby is to enter the

palace or visit the immense gardens, both only possible with a valid ticket, therefore all

visitors can be easily counted. Sometimes the numbers of photographs are not suitable to

measure the visits inside venues like museums as photographing is generally prohibited,

and even if allowed, geographic positioning is not a priority as most exhibitions are not

site specific. However, counting the user’s photographs seems to be a more precise tool

than official statistics to compare how many tourists did see different attractions in the

urban space. This can be further divided into groups of tourists and locals.

The five-day limit in defining tourist users divides well repeat visitors and local resi-

dents form the typical sightseeing tourists, allowing to analyse the differences of their

behaviours in space usage. Vienna has the highest ratio of local photographs compared to

tourist photographs. In fact locals’ images draw out much more morphological details

around the centre than in Prague (Figure 1). The city of Prague is smaller in size and in

population than its regional rivals, but it hosts the most tourists. As a result locally

uploaded images do not outnumber those uploaded by tourists. To balance these differen-

ces the comparison of tourist and local images/users’ quotients were used, measuring the

average photographs taken by a user at a site. Tourist users limited by their strict time

budgets have no possibilities to immerse themselves into the deeper understanding of

a complex site, or to wander into unknown parts of a city. Therefore they consume

the most obvious, taking only the images they were prepared to see (Urry, 1990).

Consequently local users take more photographs in almost every site than tourists.

The 30 tourist sites most visited by users of Flickr.com in the three cities were com-

pared according to these variables (Figures 2–Figure 4). First questions of popularity

among tourists and locals were examined, and then some observations on the visual and

functional attractiveness were made using data of the three cities.

All three cities have must-see attractions more visited by tourists than locals. The quo-

tient of tourist and local users uploading could indicate whether a site became a tourist-

only attraction, or it remained an urban space used by locals: above 1 these are touristy

places, while below 1 they are more visited by locals. In Vienna touristy places are the

main monuments inside the centre, but even around these the main public spaces tend to

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have balanced quotients around 1, and not even St. Stephen’s Cathedral reaches 2. The

most touristy attraction is the colorful building and tourist centre conceived by the artist

Hundertwasser: 1.96 times more tourists visit this than locals or repeated visitors do. In

Prague the most visited attractions have all quotients above 2. Old Town Square, the

most visited urban composition has 2.81 times more tourists than locals. Budapest is

more similar to Vienna in this prospect. Only the main attractions in the Castle District

have more than two times as many tourists than locals. More interesting are the tourist

sites where locals dominate even among the photographers. In Vienna these are the

Naschmarkt marketplace (0.83), the zoo (0.72), the Haus des Meeres aquarium (0.32),

some sites on the Danube Canal (0.65–0.71) and some historical urban squares outlying

the main axis of tourist flows. In Prague only the fort of Vysehrad is more visited by local

users (0.87), the next lowest quotients were registered at the 1980s structure of the

National Theatre (1.24) and the Wenceslas Square (1.34). In Budapest the most popular

among locals are the Margit Bridge and Island (0.77–057), Szabads�ag and Erzs�ebetSquares (0.86–0.94) and the busy Western Railway Station (0.61). It is hard to compare

these values between the three cities, as Prague has a considerably smaller population,

1.2 million compared to the 1.7 million of the other two cities, while Budapest has a lower

number of tourist visits. Still, the number of local and tourist Flickr users should correlate

with the actual number of visitors to a site, and considering this, there is a great difference

between the proportions of tourist and local users in the historical centre of Prague and the

other two cities.

The average number of photographs taken at a site gives information about some kind

of attractiveness or complexity of that site. Sites with a complex urban arrangement, with

many architectural elements and details are photographed more by an average user, while

other attractions offer only one or two good views. An extent is the case of the Viennese

Secession pavilion, an exhibition space with characteristic Art Nouveau architecture.

Only few enter, as this venue is only 30th among the most visited attractions according to

statistics, but the special decoration of the building attracts many tourists to take a look.

This is the 20th most visited attraction by Flickr users in Vienna, but the average photo-

graphs taken by a user is among the lowest, 4.71 among locals and 2.77 among tourists.

This little masterpiece is a typical one-shot attraction, like most landmark buildings. In

Prague the contemporary Dancing House of American star architect Frank O. Gehry is an

evident example. Ranking 10th in number of users visiting, only 2.42 photographs were

uploaded by an average tourist and 3.33 from an average local. In fact there are two or

three interesting angles to photograph this office building, having no other attractions

nearby. The bridges and embankments offering nice views both in Prague and Budapest

are also to be considered one-shot attractions. In fact without good zoom cameras even

the best skyline has only to offer one or two shots.

There are many attractions worth more than photographs. In the case of the main tour-

ist attraction in the Castle District of Budapest it is easy to trace why the average of pho-

tographs uploaded by users is as high as 6.88 for tourists and 8.59 for locals. This is a

multiple attraction, where the Gothic Matthias Church and the decorated nineteenth cen-

tury lookout venue of Fisherman’s Bastion are so close, that it is impossible to separate

different areas while counting the photographs taken here. In fact visitors approaching

will experience the church, the bastion, the view of the city from above and the combina-

tion of these all together. Similar reasons lie behind the high number of images in the

case of Old Town Square in Prague and St. Stephen’s Cathedral and Hofburg in Vienna.

More complicated is the case of the average of 4.68 and 9.19 photographs per user of the

nineteenth-century building of the main Synagogue in Budapest. The fact that

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photographing in the interior of this synagogue is permitted, but an entrance ticket is

required can explain why this stand-alone monument is so much photographed by users,

and at the same time why it is only the 26th most visited attraction. The entrance fee

keeps away many visitors, but once inside, the visit offers many site-specific views of this

singular building, and the visitor wants to explore all in change of the money spent.

There are places where tourists take almost as many photographs in average than

locals. These are mostly urban situations out from the centre with an own complex urban

composition: Sch€onbrunn in Vienna (7.06 and 8.58), the Strahov Monastery (5.23 and

6.79) and the Vysehrad fort (8.32 and 7.75) in Prague or the Vajdahunyad Castle in

Budapest (4.43 and 4.73). All of these places are extensive in size, have complex urban or

architectural structures in themselves, therefore they can be captured only with multiple

images. The location outside the urban cores and the monofunctional tourist use explains

the lack of local activities and therefore the lower-than-average local photographing. Both

tourists and locals arrive to these places advisedly for the purpose of sightseeing.

The opposite phenomenon is evident in places with intense local activities combined

with a visual appeal. Here an average local user takes large number of pictures while tou-

rists take only few. Tourists do visit these places, but do not have time to immerse them-

selves into the various activities locals do. The Vienna Museumsquartier is a good

example for this. The former imperial stalls were not only refurbished to cultural func-

tions, but were also extended with two new landmark buildings in 2001. As a result, a

complex urban situation with lively public spaces was created, with many interesting

details to photograph and enjoy: baroque and modern, landmark building and temporary

street furniture. Tourists take an average of only 3.12 photographs, still this is the 12th

most visited site among these users. An average local spends many hours of leisure time

and takes an average of 17.73 photographs here, which is the second highest average after

the zoo in Sch€onbrunn. The zoo is the second most visited attraction according to official

statistics, ranking only 21st if the number of users uploading pictures is considered. Many

users of the zoo are children and families, more interested in the experience than the

visual consumption of it, therefore the number of local users cannot be correlated to

the measured visitor attendance. Those few who took photographs took many, as many of

the animals are interesting subjects, and the imperial architecture gives also many unique

viewpoints. The average number of photographs uploaded by a user is the highest: 9.18 in

the case of tourists and 28.36 for locals. Similar is the situation in the park of Margit

Island, Budapest. Karlsplatz in Vienna, Wenceslas Square in Prague, and Ferenciek

Square in Budapest also have similar proportions. These urban spaces are the main gath-

ering points for locals, where tourist functions are present but do not prevail.

Conclusions

A better tool to measure tourist activity in cities

Tourism studies are still in need of comparable data and quantitative methods to refine the

geography of urban tourism. Statistical tools can only measure controllable agents, but in

urban tourism few of these exist. We can measure visitor attendance in controlled tourist

sites such as museums, but the most interesting phenomenon and all conflicts in urban

tourism occur in the public spaces of cities. There are no good ways to count and compare

tourist flows in these spaces, where locals and tourists wander together seamlessly. New

technologies can help. GPS tracking technology can give accurate data on the spatial

movements of tourists, but their use in research so far was dependent on personal contact,

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just like the classical survey methods. The photo camera is a device essential for tourism,

and nowadays it became a tool capable of registering location-based data, which can be

shared over the internet. This possibility to manually or automatically position the photo-

graphs of places on maps opened the possibility to use the image taking obsession of tou-

rists as a tool to measure their spatial activities.

The present paper used the method of K�ad�ar and Gede (2013) to retrieve tourism-

related geographical information at city level and at the level of the singular urban attrac-

tions. The data-sets obtained from geotagged images resulted to correlate with other sta-

tistical data available to measure urban tourism in general, while at the level of singular

attractions, the number of users who uploaded images in the area of attractions apparently

correlates better to the actual number of visitors who saw these sites than the official sta-

tistics based on ticket selling. The latter measures exactly how many people could experi-

ence the complete tourist offer that the attraction has to offer, but gives not much

information on the tourist flows around these sites. Analysing the patterns of tourist activ-

ity in Vienna, Prague and Budapest resulted in some basic findings: similar morphologies

resulted in similar space usages, strong morphological barriers, composed urban struc-

tures always lead to stronger and more axial tourist patterns, while in situations without

these determining elements tourist activity spread away. The main tourist system of these

cities consists of an interconnected core system in the historical urban cores, and of singu-

lar detached elements which are visited by the average tourist only if they carry some sort

of urban complexity in themselves. Analysing and comparing the activity near the single

attractions lead to a categorization of these. There are complex sites worth capturing

numerous pictures, and one-shot attractions, like viewpoints and single monumental

buildings. There are sites with a considerable local attention measurable, and there are

the classical main attractions, where tourist users dominate. The identification and com-

parison of these sites in the urban system is much harder and inaccurate with other

methods.

Obviously this method has to be further refined. More work is needed to combine it

with other techniques of tourist tracking and to make deeper analysis of the pictures’ sub-

jects and on the users who uploaded them. Girardin et al. (2008) did research on the addi-

tional data provided by Flickr users, finding the nationalities available for many. With the

amount of data processed in this paper, such a manual analysis would be possible only

within smaller control groups. Another interesting potential in the analysis of geotagged

photography is the temporal succession of the images of users. If photographs of a user

are connected according to their time stamps on the map, these should draw out the routes

a tourist made in the urban environment. Even in this case only the data of a limited num-

ber of users could be used. Other interesting possibilities lie within the temporal analysis

of geotagged photography, many of them noted by K�ad�ar and Gede (2013). More work is

needed to study the differences in space usages at different times of the day or different

seasons of the year as well as the changes in different sites over the years. The latter could

be an important tool in the future to measure the development of urban destinations, but

today only the uploads of some 10 years are available on Flickr.

The resolution and quantity of present data already draws out the structures and inten-

sities of urban tourist space networks. Networks are comparable systems, so the possibili-

ties to make such comparisons between different cities’ tourist space systems could bring

important findings. Local and tourist land use could also be confronted more systemati-

cally, promising a better understanding of conflicts in the tourist city. The data-sets ana-

lysed suggest that most of the people using the centre of Prague are tourists, at least the

proportion between locals and tourists are much less balanced than in the other two cities.

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This reading of Flickr photo uploads verifies the observations of many scholars, reporting

decreasing population and streets overcrowded by tourists in Prague’s centre (Cooper &

Morpeth, 1998; Deichmann, 2002; Maxwell, 1995; Simpson, 1999). Future analysis is

needed in this field to understand the connections between the number of tourists and

local users and the conflicts in the tourist-historic city, helping also the urban planning

practice to implement developments for a sustainable urban tourism.

Acknowledgements

The author is grateful for the help of M�aty�as Gede who produced the geovisualizations for thispaper, and would like to thank some anonymous reviewers and some colleagues and family mem-bers for their constructive comments on an earlier version of the manuscript.

Notes on contributors

B�alint K�ad�ar is an assistant lecturer and PhD candidate at the Department of Urban Planning andDesign of the Budapest University of Technology and Economics. His research work focuses on thedevelopment of tourism infrastructures in historic urban centres. He is involved in such develop-ments in Budapest also as an architect and urban planner.

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