Matthew Barton Ltd

Decorative Works of Art

Tuesday 22nd May 2012

AucTion EnquiriEs And informATion

Sale Number: 006

Code name: HEDWIG

Enquiries: consultants: catalogue

Matthew Barton Peter Arney (Ceramics) £15 plus postage

Amy-Lynn Kitchen Phillip Howell (Ceramics)

John Culme (Silver & Vertu)

Anabel Yorke (Jewellery)

Richard Chadwick (Watches)

Matthew Barton Ltd

25 Blythe Road

London W14 0PD

Tel: +44 (0) 20 7806 5545

Fax: +44 (0) 207 806 5546

Email: enquiries@matthewbarton.com

Online Catalogue:

www.matthewbartonltd.com

www.the-saleroom.com/en-gb/auction-catalogues/matthew-barton-ltd

Listen to the auction Live, Tel +44 (0) 20 7806 5535 Live internet bidding available through:

Photography: Lee Turner

Front cover: Lots 428, 292

Back cover: Lot 13

Matthew Barton Ltd

DECORATIVE WORKS OF ARTincluding part of the Kaars Sijpersteijn Family Collection of Chinese Blue & White Porcelain,a Private Collection of Art Nouveau Photograph Frames, the Silver Collection of the late

Andrew Kelly QC and a Private Collection of Gold & Silver Boxes

TO BE SOLD BY AUCTION AT

Matthew Barton Ltd25 Blythe RoadLondon W14 0PD

PUBLIC EXHIBITION

Sunday 20th May12 noon to 4pm

Monday 21st May10am to 7pm

Tuesday 22nd May9.30am to 12 noon

DAY OF SALE

Wednesday 22nd May 2012at 1pm, precisely

This auction is conducted by Matthew Barton Ltd in accordance with ourConditions of Business printed in the back of this catalogue.

View the catalogue online at www.matthewbartonltd.comwww.the-saleroom.com/en-gb/auction-catalogues/matthewbarton-ltd

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All lots are offered subject to Matthew Barton Ltd’s Conditions of Business and to reserves. The Conditions ofBusiness for Buyers, are published at the end of the printed catalogue.

PLEASE NOTE THAT ALL MEASUREMENTS ARE APPROXIMATE, THAT WEIGHTS MAY ONLY BE ACCURATE WITHIN5 GRAMS AND THAT ILLUSTRATIONS ARE NOT TO SCALE.

It is common practice for many gemstones to be treated by a variety of methods to enhance their appearance andthe international jewellery trade has generally accepted these methods. Although heat enhancement of colour isusually permanent, in some cases this could affect the durability of a gemstone. Oiled gemstones may need re-oilingafter a certain period. If no gemological report is published in the catalogue, prospective buyers should assume thatthe gemstones or pearls may have been enhanced by some method. Buyers should be away that Matthew BartonLtd’s saleroom estimates assume that gemstones or pearls may have been subjected to such treatments.

Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may well behigher or lower than the range of figures given and there are no fixed “starting prices”.

A Buyer’s premium of 20% is applicable to all lots in this sale. Excepting lots sold under Temporary Import rules,which are marked with the symbol ‡ in the printed catalogue (see below), the Buyer’s Premium is subject to VAT atthe standard rate (currently 20%). Unless otherwise indicated lots are offered for sale under the auctioneer's marginscheme and VAT on the Buyer’s Premium is payable by all buyers.

Lots marked with the symbol ‡ have been imported from outside the European Union (EU) to be sold at auction underTemporary Import Rules. When released to buyers within the EU, including the UK, the buyer will become the importerand must pay VAT at the rate of 5% on the hammer price. The Buyer’s premium will be subject to the standard rate ofVAT at 20%. Buyers outside the EU will normally be eligible to obtain a refund in respect of temporary import VAT,upon satisfactory documentary evidence of exportation. Further information on this matter is available on request.

Matthew Barton Ltd. will be pleased to execute bids on behalf of those clients unable to attend the sale in person,subject to our Conditions of Business. All bids must be submitted in writing in good time and lots will always bepurchased as cheaply as possible (depending on any other bids received, reserves and competition in thesaleroom). This service is offered free of charge.

Matthew Barton Ltd. can supply quotations for shipping of purchases, including transit insurance and VAT refundadministration fees, and will assist in the application for any export licenses which may be required. Buyers arereminded that it is their responsibility to comply with UK export regulations and with any local import requirements.

Payment Payment is due in sterling at the conclusion of the sale and before purchases can be released. Please note that werequire seven days to clear sterling cheques unless special arrangements have been made in advance of the sale.We are pleased to accept major credit cards but regret we are unable to accept American Express. A surcharge of3% will be made on all credit cards. There is no charge for payments made on UK debit cards, but please note a 3%surcharge applies to all EU and international debit cards. Cash and credit card payments above £6,000 will not beaccepted without prior arrangement.

Electronic transfers may be sent directly to out Bank:

HSBC Bank Plc38 High StreetDartfordKentDA1 1DG

IBAN No: GB53MIDL40190491814001BIC: MIDLGB2128KSort Code: 40-19-04Account No: 91814001Account Name: Matthew Barton Ltd

Vat Registration Number: 972118224

Storage On receipt of cleared funds, lots can be collected from the Saleroom during the auction or immediately after itscompletion. Thereafter, all purchased lots will be stored at Matthew Barton Ltd’s premises for a period of one monthprior to transfer to third part storage. A transfer fee of £10 per lot plus all incurred transfer and storage costs due to thethird party will be payable prior to release. Please note that collection is BY APPOINTMENT on +44 (0) 20 7806 5545

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Matthew Barton LtdSale starts at 1.00pm

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1A PAIR OF SILVER-MOUNTED COPENHAGEN PORCELAIN FISHETUI, CIRCA 1775each naturalistically modelled and coloured as a barbel14cm long, restoration to one tail(2)

For a similar model, see Bredo L. Grandjean, Kongelig danskporcelain 1775-1884, Copenhagen, 1967, p.123, pl.104. Furtherexamples sold Sotheby’s, London, 22 February1988, lot 399 and 6 March 2001, lot 95.

£600-900

2A SEVRES COFFEE CUP AND SAUCER, CIRCA 1760probably later decorated, with scenes of exotic birds inlandscapes against a turquoise ground gilt with oeuil-de-perdrix and a ribboned laurel band, interlaced ‘L’ marks andpainter’s marks in blue enamel(2)

£200-300

3A PAIR OF SAMSON FIGURES OF A GALLANT ANDCOMPANION, LATE 19TH CENTURYeach standing before a flowering tree, raised on a scrollmoulded base, gold anchor marks22cm high, some restoration(2)

£120-180

4A FRENCH BISCUIT PORCELAIN BUST OF NAPOLEONBONAPARTE AS FIRST CONSUL, EARLY 19TH CENTURYsupported on a circa 1790 Wedgwood pearlware columnapplied with paterae and floral swags suspended from ramsmasks against a brown striped ground37cm high overall

£400-600

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5A MEISSEN DINNER SERVICE, CIRCA 1900painted with scattered floral sprays and insects, with a border ofconnected ovals within shaped gilt rims, comprising:thirty-four dinner plateseight dessert plateseight soup bowlsa pair of oval serving dishes in sizesa large circular disha shaped square bowltwelve coffee cups and six saucerscrossed swords in underglaze blue, impressed numbers(72)

Provenance: a wedding present to Mr and Mrs Sterck, Prague,1902 and thence by family descent.

£2500-3500

6A MEISSEN TWO-HANDLED VASE, CIRCA 1880of ovoid form, the deep blue ground with moulded and giltborders, set with entwined snake handles, crossed swords markin underglaze blue27cm high

£150-200

7A CONTINENTAL MAIOLICA CENTREPIECE BOWL, PROBABLYGERMAN, CIRCA 1870the ribbed bowl modelled as if dripping petrified water, with columnarsupport, the socle base with three putti seated among flowers41cm high, impressed numerals

£250-350

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12A PAIR OF FRENCH FAIENCE GADROON MOULDED DISHES,LATE 18TH / EARLY 19TH CENTURYone painted with a figure walking in a landscape, the other with anaked youth holding an urn, beneath a border of foliated scrolls inblue and ochre 30.5 cm diameter, both restored; together with a tin-glazedcircular pierced basket, probably Italian, 17th century, withplain centre and rope twist sides, covered overall in a white glaze23 cm diameter, glaze chips(3)

£200-300

8A SMALL CASTELLI MAIOLICA DISH, CIRCA 1740painted with figures in a landscape with buildings and craggymountains in the distance16.5 cm diameter

£400-600

9A SMALL CASTELLI MAIOLICA PLATE, CIRCA 1740painted with figures in a landscape with buildings and mountainsbeyond 18 cm diameter

£400-600

10A SMALL CASTELLI MAIOLICA PLATE, CIRCA 1740painted with a tree in the foreground, a mountain in the distance17 cm diameter, shallow chip

£400-600

11A RARE WORCESTER SAUCEBOAT, CIRCA 1765with ozier moulding and painted with ‘agitated birds’ and interiorflower sprays, the moulded borders picked out in puce21cm wide

A very similar sauceboat was sold by Bonhams, 8th December2004, lot 310.

£500-700

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13A RARE COALPORT ORNITHOLOGICAL BLUEGROUND VASE AND COVER, CIRCA 1870of tripartite shield shape with domed cover, paintedby John Randall with three panels of birds of prey onbranches, divided by vertical pilasters enriched withdiamond pattern straps, the conforming tripartite footgilt with diaper and trellis decoration, gilt ampersandmark to cover44cm height, knob glued, hairline crack to cover andto rim(2)

John Randall (1810-1890) was one of the best knownCoalport artists and a great local celebrity. He wasapprenticed to his uncle Thomas Martin Randall andpainted at the Rockingham factory before joiningCoalport in 1835. His earlier work tended to featureexotic birds, but in the 1860s he began to paint morenaturalistic studies, often birds of prey in their naturalsurroundings. In addition to his work at Coalport, hewas a botanist, geologist, published local historianand journalist, starting a local newspaper, as well asserving as a postmaster and a borough councillor.

£1800-2500

14A LARGE COLLECTION OF WEDGWOOD BLUEJASPER OVAL MEDALLIONS, 19TH CENTURYdecorated in white relief with a wide array ofclassical subjects1cm to 4.5cm wide(102)

£2000-3000

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15A GERMAN ENGRAVED GLASS LARGE COMMEMORATIVEGOBLET, SAXONY OR UPPER SILESIA, CIRCA 1730the rounded funnel bowl engraved with a monument inscribed‘ZÜCHTIG GERECHT GOTTSEELIG’ and the personifications ofChastity, the Blessed and Justice above the motto ‘WO SIND SIE’within a foliate cartouche beneath the inscription ‘Sie Fragt nachguthen Leuthen.’, the reverse engraved with Hope holding ananchor above the motto ‘WENN KOMMT SIE’ and inscribedbeneath the rim, ‘Die Hoffung bessrer Zeiten.’, raised on aknopped stem and plain foot28cm height, foot repaired

The figures and mottos appear to refer to the Convention ofAltranstädt held on the 1st September 1707. This agreement gavereligious freedom to Protestants in Silesia. For medalscommemorating this convention and bearing many of the samemottos, see Victoria and Albert Museum, collections nos. 1470-1882 and 1464-1882. For a similar cup (with cover) engraved withthe same mottos and figures, see Auktionshaus Dr Fischer,Heilbronn, 17th March 2006, lot 127.

£250-350

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‡16A WEDGWOOD FAIRYLAND LUSTRE ‘TORCHES’VASE, DESIGNED BY DAISY MAKEIG-JONES (1881-1945), CIRCA 1925shape 3177, typically painted, underside with patternnumber Z4968/i and printed ‘Portland Vase’ mark28.5cm high, interior base drilled

Literature: Una des Fontaines, Wedgwood FairylandLustre, the Work of Daisy Makeig-Jones, London,1975, p.107.

£2000-3000

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Lots 17-44: part of the the Kaars Sijpesteijn Family Collection of Chinese blue and white porcelain.

The sellers are direct descendants of the Kaars Sijpesteijn family, who owned and managed various companies in andaround Krommenie (North Holland). The family business stretches back to the 17th century, when they started out as“rolreders“, a very early form of collective/ corporate entity, revolving around the sailcloth industry in the Zaan area ofHolland. At the time the Dutch sailcloth industry in Krommenie was not only very well known (the sailcloth was verywhite and extremely tough), but also had a major economic impact on the region. The family’s products were used in thesailmaking industry and they used them for their own ships as well as others, including prominently the Dutch East IndiaCompany. Many of the raw materials were brought in from the East and the family’s trading connections with the Orientwere strong for many years. It is hardly surprising the family amassed a large collection of Chinese blue and white wares;the collection remained together until after World War II, when it was split between family members.

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18A BOWL WITH EVERTED RIM, KANGXIthe exterior with panels of figures in pavilion gardens, separatedby inscriptions, the interior with boys at play in a landscape, therim with borders of fruit panels against a cell diaper ground, sixcharacter Chenghua mark but Kangxi21cm diameter, some fritting and minor chips

£1500-2000

17A BOWL WITH EVERTED RIM, KANGXIthe exterior with panels of figures in pavilions, separated byinscrioptions, the interior with boys at play in a landscape, the rimborders of fruit or emblem panels against a cell diaper ground, sixcharacter Kangxi mark, end of the period21cm diameter, minor glaze crack to foot, some fritting and tinychips

£1500-2000

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21FOUR TEABOWLS AND FIVE SAUCERS, KANGXIeach fluted piece painted with exotic birds and hares inlandscapeskite marks, one saucer broken, one cup and one saucerchipped(9)

£250-350

22THREE BEAKERS AND TWO SAUCERS, KANGXIpainted with radiating panels of flowering lotus, fungusmarks; and a pair of teabowls, Kangxi, with radiatingpanels of flowers, the interiors with figures on terraces,one rim chip(7)

£200-300

23FOUR TEABOWLS AND SAUCERS, KANGXIeach painted with a broad border of scrolling lotus typical rim fritting, one saucer chipped(8)

£300-400

24SEVEN TEABOWLS AND A SAUCER, CIRCA 1900painted with a broad band of alternating lotus and flowingplant reserves withing line borders, each with aninscription in running script(8)

£100-150

25A GROUP OF MINIATURE WARES, KANGXIcomprising: a pair of ewers and covers (one coverassociated), a chocolate pot and cover, and a vase, variouspatterns; together with the following: a cover, a lateJapanese vase and a Worcester sugar bowl, circa 1760,crescent markchips and some damage(10)

£200-300

19A SET OF NINE DISHES, KANGXI STYLEpainted with huntsmen on horseback pursuing a fox, the rims with a broadborder of flower reserves on a trellis groundlargest 28cm diameter, conch shell marks, tiny rim chips, one haircracked(9)

£700-1000

20A PAIR OF LARGE DISHES, KANGXI STYLEpainted with a bird perched on pierced rocks among flowering peonies,Chengua mark but later29cm diameter, one cracked(2)

£100-150 20

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27TWO BOWLS, ONE PROVINCIAL PROBABLY WANLI,THE OTHER QIANLONGthe first painted with boldly scrolling chrysanthemum,15cm high, the other painted with scattered ribbonedflower sprays, 20cm high, cracked(2)

£150-200

28TWO SMALL BOWLS, QIANLONGone with a flower basket within fruiting vine borders,the other with flowering prunus within flowerhead dripsborders16cm diameter, rim chips(2)

£150-250

30A SET OF SIX SMALL PLATES, QIANLONGneatly painted with ribboned emblems and flowerswithin multiple formal borders19.5cm diameter(6)

£400-600

29A BLUE AND WHITE BALUSTER VASE, KANGXIpainted with a phoenix amongst flowering peonybeneath a stiff leaf border24cm high, haircrack to rim

£200-300

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26SEVEN TEABOWLS AND FIVE SAUCERS, KANGXIeach boldly decorated with a sinuous dragon amongstswirling clouds, two teabowls cracked; and threeteabowls and saucers, Kangxi, with insects in flightamongst flowering plants, Jue marks, one teabowlcracked(18)

£600-800

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31A BLUE AND WHITE OVOID JAR, QIANLONGpainted with pine, prunus and bamboo with a fenced garden19cm high including associated Delft cover(2)

£600-800

33A FINE SMALL BARBED BOWL, KANGXIwell-painted with a continuous scene of ladies contemplatingflower vases in a fenced garden, the interior with a single seatedman, the rim with fruiting vine, six-character Chengua mark butKangxi13cm diameter

£800-1200

34THREE DESSERT BOWLS, QIANLONGpainted with ribboned flower sprays within line and flowerheadborders23cm diameter, one hair-cracked, a few minor chips(3)

£150-250

35A BOWL AND STAND, 18TH CENTURYpainted in blue with figures and flowers, later enamelled withbright flowerheads, six character inscriptionbowl 12.5cm(2)

£150-200

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32AN OVAL SERVING DISH AND TWO CANTED RECTANGULARDISHES, QIANLONGthe oval dish painted with birds in flight among peony bushes in afenced garden, 41.5cm wide, the two other dishes painted withfigures on bridges in pavilion landscapes, 28.3cm wide, somefritting(3)

£500-700

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36A PAIR OF GOBLETS AND COVERS, KANGXIpainted with formed scrolling foliage within still life borders, the domed feet similarly decorated18cm high, one cover not matching and cracked, one gobletcracked(4)

£800-1200

37A PAIR OF SMALL LOBED LOZENGE-SHAPED DISHES, KANGXIeach painted with a phoenix in flight above flowering lotus withina blue-washed foliate border16cm diameter, fritting to rimes, one minor hair crack(2)

£300-400

38TWO PLATES, KANGXI AND QIANLONGone with ‘jumping boys’ within lappet panels against a whorlground, seal mark, hair crack, the other with a pavilion in a fencedgarden, fritting, both 26cm diameter; and two deep dishes,Kangxi and Qianlong, one with a flowering peony among rocks,artemisia leaf mark, 21.5cm wide, damaged, the other with birdsperched on a peony, 23cm wide, extended firing crack(4)

£200-300

39A PAIR OF FLUTED DISHES, KANGXIpainted in a dark blue with formal flowering lotus, censer mark,13cm diameter; together with six teabowls and two saucers,Kangxi, painted with insects and flowers, fungus marks(10)

£200-300

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41THREE SMALL DISHES, MID 17TH CENTURYpainted with peony and chrysanthemum plants withing a borderof flowering brancheslargest 22cm diameter, small rim chips, two with hair cracks(3)

£200-300

42A SMALL BLUE AND WHITE BALUSTER VASE AND COVER,KANGXIpainted with flowering chrysanthemum and peony within barbedpanels19cm high, shallow chip to rim of cover

£200-300

43A MINIATURE PART TEA AND COFFEE SERVICE, QIANLONGeach piece painted with bands of scrolling foliage in iron-red giltand black, comprising: a teapot and cover, a tea canister, fourcoffee cups and one saucersome damage(8)

£150-250

44A PAIR OF STONEWARE FIGURES, LATE 19TH/EARLY 20THCENTURYeach modelled as an elderly man in a long glazed robe, faces andchests unglazed12.5cm high excluding fixed wood stands(2)

£60-80

40A EUROPEAN-SHAPED HANDLED JUG, PROBABLY JAPANESE,LATE 17TH CENTURY/EARLY 18TH CENTURYpainted with birds among rocks in a flower garden22cm high, handle sprung and terminal chipped

£500-700

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48A SMALL CHINESE BLUE AND WHITE PLATE, WANLIpainted in the centre with a vase with pine, prunus and bamboo,the border painted with frogs and a snake amongst flowers androcks, the underside with birds in branches, 19.5cm high, smallchip and haircrack to rim; together with a smaller blue and whitesaucer painted with central lotus(2)

£250-350

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45A PAIR OF CHINESE PORCELAIN BLUE AND WHITE LARGEDISHES, KANGXIeach painted in the centre with vases, flowers and scrolls, theborder reserved with panels of precious objects and flowers35.5cm high, one with repair to rim and haircrack; together with apair of Chinese carved wood stands, late 19th/early 20thcentury, with a panel of scrolls to the front and pierced carving tothe rear(4)

£1500-2000

46A PAIR OF CHINESE EXPORT BLUE AND WHITE TWO-HANDLED TUREENS AND COVERS, EARLY 19TH CENTURYof shaped oval form, the interior and exterior painted with the‘Fitzhugh’ pattern inside a spear head and diaper pattern border33 cm length, one handle glued, another with crack

£500-700

47A PAIR OF SMALL FLUTED DISHES, KANGXIdecorated with panels of foliage within scroll borders14.5cm diameter

£120-180

Various Owners

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50A CHINESE PORCELAIN SMALL TEAPOT AND COVER,TONGZHIpainted in ‘famille rose’ enamels with figures at play in fencedpavilion gardens, the couple on the cover play ‘Go’ beneath thepeach finial, seal mark14cm wide(2)

£300-400

51A PAIR OF CHINESE PORCELAIN TEABOWLS, PROBABLY 19THCENTURYpainted in Doucai style with moths among scattered flowerssome misfiring, one with rim chip, one with hair-crack(2)

£300-500

52A CHINESE EXPORT PORCELAIN RECTANGULAR PEN BOXAND COVER, EARLY 19TH CENTURYpainted in underglaze blue with a Fitzhugh type pattern beneathCanton famille-rose enamel19cm long, some typical wear to gilding(2)

£100-150

53A CHINESE EXPORT PORCELAIN ‘FAMILLE-ROSE’ ARMORIALPUNCH BOWL, QIANLONGthe exterior painted on each side with a coat of arms and tiedflowers, the interior with a spearhead border28cm diameter, damaged

£80-120

49A JAPANESE KAKIEMON BOWL, LATE 17TH CENTURYof lobed octagonal form, the interior enamelled with exotic birdsand banded hedges within a broad border of formal scrollingfoliage, the exterior with flowering branches18cm diameter, minor flaking to enamels and minute chips to rim

£1500-2000

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55A PAIR OF SMALL CHINESE CLOISONNE MOONFLASKS, 19THCENTURYeach flattened discoidal border worked with a circular blackground panel of flowers and insects against a white groundscattered with lotus beneath a ruyi border12cm high(2)

£300-400

56A CHINESE CLOISONNE ENAMEL STORK CANDLE HOLDER,LATE 19TH CENTURYfree-standing with white body and multi-coloured wings, the blue-ground detachable sconce enamelled with flowers31cm high

£600-900

57A CHINESE PORCELAIN CELADON VASE, 18TH/19TH CENTURYthe oviform body carved with flowering peonies, underglaze bluefour-character mark14cm

£200-300

54A SMALL CHINESE CLOISONNE BALUSTER VASE SHAPEDSECTION, 17TH CENTURYworked with foliate scrolls above a ruyi border9cm high excluding later wood stand(2)

£250-350

5455

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61A CHINESE JADEITE FISH FLASK, 19THCENTURYcarved as a carp leaping above breaking waves11.5cm long

£400-600

62A GROUP OF FOUR CHINESE JADEITE SNUFFBOTTLES AND COVERS, 20TH CENTURYone of slender ovoid form carved with a bird andflowers, one of rounded square form and two ofmoonflask formtallest 5.5cm high(8)

£150-250

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60A CHINESE JADE BANGLE, PROBABLY SONGthe bluish-green stone with deep brown inclusions8.5cm diameter

£800-1200

58A CHINESE JADE MODEL OF A BUDDHIST LION, MINGcarved in a recumbent pose, the stone of brown and green colour11cm long

£600-800

59A CHINESE CINNABAR LACQUER CIRCULAR BOX ANDCOVER, LATE 19TH CENTURYthe cover carved with a panel of two sages and a boy in alandscape, inside a diaper pattern frame, the sides carved withlandscape panels16cm

£100-150

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63A CHINESE POTTERY FIGURE OF A HORSE, TANGfree-standing, the details crisply incised, washed in black44cm wide, legs restuck

Sold with an Oxford Authentication certificate confirming that thefigure was last fired between 1000 and 1600 years ago, SampleNo. C111j66.

£2000-3000

64A SMALL GREEN SPLASHED POURING VESSEL, PROBABLYTANG DYNASTYthe green glaze on a white slip, on small spreading foot rim4cm high

£150-200

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65A CHINESE GOLD CUP, WANG HING & CO., HONG KONG, CIRCA 1923the shallow bowl engraved 1873-1923 with two slender loop handles on a pedestal and spreading base with beaded rim, with a woodstand, wirework flower grille and original blue velvet lined wood case, underside of cup with later marks for assay sponsored by W&FCB,London, 1982, at least 18 carat13.5cm wide, 12cm high including wood stand, approximately 178.8gr (5oz 15dwt)

Provenance: this cup, which could happily be termed a Golden Loving Cup, was commissioned from Wang Hing in Hong Kong incelebration of the Golden Wedding Anniversary of Alexander Dalgety and Elspeth Mackay, who married 20th March 1873. Sold togetherwith the lot is a menu of exclusively Scottish fare printed for the dinner held in Hong Kong on the day of the anniversary, as well as twophotographs of anniversary cakes, one showing in the background a Wang Hing silver rose bowl, sold in these rooms, 22nd November2011, lot 70. Thence by family descent.

£4000-6000

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66A CHINESE CARVED IVORY CASKET, CANTON, LATE 19THCENTURYrichly carved all over with figures amidst garden pavilions, the lidwith waved floral border on a diaper ground26.5cm wide, feet lacking, bottom right side of plinth a latersection

£4000-6000

67A CHINESE IVORY PROCESSIONAL BOAT, PROBABLYCANTON, LATE 19TH CENTURYwith groups of figures at various pursuits on the twin decks, poleson each side set with lanterns and flags, with wood stand36cm wide

£500-700

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68A PAIR OF CHINESE IVORY VASES, CANTON, LATE 19THCENTURYthe sides carved and pierced with figures in a landscape withpavilions and trees, the bases carved with flowers10cm high(2)

£400-600

69A CHINESE IVORY POMEGRANATE SCENT BOTTLE, CIRCA1860a single and two smaller fruits growing from gnarled branches inwhich monkeys climb, the stalk unscrewing to reveal a long chainhung with more tiny monkeys9cm high excluding wood stand, minor damage to edge ofstopper

£400-600

70A JAPANESE IVORY BOX AND COVER, MEIJIcylindrical, carved in relief with a tiger snapping at a small bird inflight, red stained single character mark7cm diameter

£150-200

71A JAPANESE IVORY BOX AND COVER, MEIJIcarved in relief with a lion and lioness approaching a tiger14cm high excluding wood stand, cracks, finial damaged

£250-350

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72A JAPANESE IVORY OKIMONO OF A CHINESE GENERAL,MEIJIcarved standing, dressed in long flowing robes incised withdragons and birds, holding a makimono in his left hand and asword in the right, red signature plate signed in seal script to base35.1cm high

Provenance: Sotheby’s London, 11th March 1988, lot 645

£400-600

74A JAPANESE IVORY OKIMONO OF CHINESE SAGE, MEIJIcarved standing on an oval base, dressed in long flowing robeswith an inro strapped to his waist, holding a rolled makimonoraised in his left hand, signature plate missing 25.5cm high

Provenance: Sotheby’s London, 11th March 1988, lot 644

£400-600

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73A JAPANESE IVORY OKIMONO OF A MAN HOLDINGA RABBIT, MEIJIcarved standing on rocky base, holding a small rabbit in bothhands, a large long-tailed cockerel to his side, green signatureplate 35cm high

Provenance: Paper label, Sotheby’s London, 21st October 1985

£500-700

75A JAPANESE IVORY OKIMONO OF A MAN HOLDINGCOCKEREL, MEIJIcarved standing on rocky base, holding a frog in the other hand,signature plate missing27.5cm high

Provenance: Paper label, Sotheby’s London, 21st October 1985

£300-500

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76A JAPANESE IVORY OKIMONO, MEIJIcarved as a man holding aloft a cockerel with long tail feathers inhis left hand, a hen at his feet and carrying a chick in a basketacross his shoulder, signed on red tablet18cm high

£500-700

79A SMALL JAPANESE IVORY OKIMONO GROUP, MEIJIof a mother seated, her robe open, feeding a small boy, whokneels before her, a man carrying a tobacco pouch and leaning ona staff standing behind them, unsigned 8.6cm high

Provenance: Sotheby’s London, 11th March 1988, lot 655

£200-300

80A JAPANESE IVORY OKIMONO OF A FARMER, MEIJIcarved standing on rocky base, holding a basket in his right hand,20cm high; together with seven ivory toothpicks, a small ivorypeacock and two ivory antelope (11)

£100-200

81A JAPANESE IVORY OKIMONO OF A HUNTER, MEIJIcarved standing on an oval base, a basket of peaches tied abouthis neck, and monkey climbing on his shoulder and two at hisfeet, signed on a red plaque Shugetsu14cm high

Provenance: Sotheby’s London, 11th March 1988, part lot 641

£100-200

21

77A JAPANESE IVORY OKIMONO OF HANDARA SONJA, MEIJIseated on a rockwork base, holding a bowl from which appears adragon, signed on the base Yukinobu, 10.2cm high

Provenance: Sotheby’s London, 11th March 1988, part lot 641

£200-300

78A JAPANESE IVORY OKIMONO OF A PUPPETEER, MEIJIcarved standing on an oval base, dressed in short coat andtrousers, his head tied with a handkerchief, a storage box slungaround his neck on which he manipulates a puppet, signed on ared plaque Gyokumei19cm high

Provenance: Sotheby’s London, 11th March 1988, lot 653

£300-500

77 78

76

79 80 (part) 81

84A CHINESE SILVER TEA SET, TUCK CHANG, SHANGHAI,EARLY 20TH CENTURYchased with bamboo sprays on a matted ground, handlessimulating bamboo stems, comprising a teapot, a sugar bowland cover, a pair of sugar tongs and a milk jugteapot 23cm wide, 1229gr (39oz) including bone insulators(4)

£1000-1500

22

85A CHINESE SILVER LADLE, PROBABLY YOK SANG, SHANGHAI,EARLY 20TH CENTURYthe bowl chased with a dragon on a matted ground, the stem asbamboo terminating in a leafy figure of eight, 25.5cm long;together with a pair of Chinese silver napkin rings, Treaty Ports,early 20th century, applied with Chinese characters and vacantroundels, 3cm high147gr (4oz)(3)

£150-200

82A JAPANESE SMALL LACQUER FITTED BOXAND COVER, LATE 19TH CENTURYthe cover with two boys releasing a kite, theinterior with two boxes and covers, one with abird on a perch, the other with stylised flowers,the interiors with nashiji9cm wide

£700-1000

83A PAIR OF CHINESE SILVER SALAD SERVERS,YOK SANG, SHANGHAI, EARLY 20TH CENTURYthe handles engraved with prunus blossom on amatted ground26cm long, 237gr (7oz)(2)

£200-300

82

85

83

84

90A FRENCH BRONZE MODEL OF ALAMASSU OR ASSYRIAN SPHINX,MID 19TH CENTURYtypically modelled18cm wide including rectangular blackmarble base

£200-300

89A PAIR OF FRENCH BRONZE FIGURES OF CHILDREN, AFTERJEAN-BAPTISTE PIGALLE (1714-1785), 19TH CENTURYone happily feeding a dove, the other pensively holding an emptybirdcage, on gilt-bronze Greek-key and coin-moulded spreadingbases26cm high(2)

£2000-3000

23

86A JAPANESE BRONZE MODEL OF A LION,GENRYUSAI SEIYA, MEIJIthe roaming animal cast in striding pose, signed22cm long

£200-300

87A PAIR OF BLACK BASALT PORTRAIT BUSTS OFHERACLITUS AND DEMOCRITUS, THE WEEPING ANDLAUGHING PHILOSOPHERS, LATE 18TH/EARLY 19THCENTURYeach raised on an integral waisted base moulded withacanthus and shells and titled to reverse24.5cm height, some damage and repair(2)

£250-350

88A PATINATED BRONZE GROUP OF ‘THE RAPE OFPROSERPINA’ AFTER BERNINI, PROBABLY ITALIANshowing Pluto abducting Proserpina to the underworld withCerberus barking behind32cm high

£250-350

86

89

87

90

88

92A BRONZE BUST OF A BOY, PROBABLY ENGLISH, EARLY I9THCENTURYin Neo-classical taste with a draped shoulder15.5cm high including mahogany columnar pedestal

£100-200

93A PAIR OF PATINATED BRONZE SPILL VASES, PROBABLYENGLISH, EARLY 19TH CENTURYcylindrical, each applied with pierced figures of a boy with a dogand a girl with a rabbit, 12.5cm high; together with a patinatedbronze brûle-parfum, probably French, second quarter 19thcentury, the cover with squirrel finial, the vase-shaped body withbutterfly-capped scroll handles, leafy pedestal, square base andball feet, 13cm high(3)

£100-200

24

94A FRENCH BRONZE EQUESTRIAN FIGURE OF CHARLES I,CARLO MAROCHETTI (1805-1868), SUSSE FRERES FOUNDRY,PARIS, LATE 19TH CENTURYrectangular base with fluted and guilloche borders, stamped‘SUSSE FRES’, on corner feet19.5cm high

Baron Carlo Marochetti came to England with Louis-Philippe in1848, modelling a number of both historical and contemporarymembers of the Royal family as equestrian figures. Susse Freresproduced a variety of differently sized editions of this figure.

£200-300

95A PAIR OF FRENCH BRONZE ‘MILITARY TROPHY’CANDLESTICKS, CIRCA 1870each triform base mounted with lances centred by a cannonsupporting three helments surrounding six halberds, with drumsconces33.5cm high(2)

£600-800

91A FRENCH BRONZE FIGURE OF THE YOUNG NAPOLEON,VINCENT RIVIERE, LATE 19TH CENTURYshown in revolutionary dress and typically posed with his righthand tucked into his coat, square base inscribed ‘V. Riviere’23cm high including yellow marble plinth

£150-250

91

94

93 (part)

92

95

98A GERMAN PATINATED CAST IRON NEO-CLASSICAL VASE,BERLIN, EARLY 19TH CENTURYwith stiff leafage to the neck above a band of signs of the Zodiacand a frieze of classical figures in various pursuits25cm high

£150-200

25

99A FRENCH PATINATED SPELTER GROUP, DEMETRE H.CHIPARUS (1886-1947), CIRCA 1930modelled as a pair of young girls standing warily before a stork ona rectangular onyx base engraved ‘D.H. Chiparus’base 37.5cm long

£500-700

96A FRENCH PATINATED BRONZE ‘CHIEN POLICIER’ FIGURE,DEMETRE H. CHIPARUS (1886-1947), CIRCA 1925modelled as a recumbent Alsatian on a mottled black marble basewith applied label ‘CHIEN POLICIER / Par D.H. Chiparus / Lauréatdu Salon des Beaux Arts’base 24cm long

£400-600

97A FRENCH SLATE, GILT-BRONZE AND ENAMEL TAZZA,MAISON F. BARBEDIENNE, PARIS, LATE 19TH CENTURYthe shallow bowl with a band of strapwork champlevé enamellingbetween ormolu binding and grotesque mask scroll handles, theormolu pedestal with further enamelling, on slate foot, pedestalstamped ‘F. BARDEDIENNE’33cm wide

For another cup of the same design but slightly larger and lackingslate foot, see Christie’s New York, 13/14 January 2009, lot 1130,sold for $3000.

£300-400

100A BRASS CAULDRON, PROBABLY AUSTRIAN, 18TH/19THCENTURYbaluster, emblazoned with the Reichsadler centred by a shieldnumbered ‘6’, on three stilt feet, swing handle25cm high

£150-250

96

99

98

97

100

26

101A FLEMISH LEAD ROUNDEL OF ‘THE DEMOLITION OF THECITADEL OF ANTWERP BY THE CITIZENS’, ATTRIBUTED TOJACQUES JONGHELINCK (1530-1606), ANTWERP, CIRCA 1580centred by the Citadel portico and showing in the background theremains of the fortifications being dismantled, with small maleand female figures clearing rubble behind a cohort of volunteersin the foreground, shovels to their shoulders, marching back tothe city led by a drummer and a smaller group to the lowerforeground armed with arquebuses, within a laurel leaf border18.5cm diameter

This roundel is one from a set of six depicting events surroundingthe ‘Spanish Fury’ of 1576. The ‘Tericos’, mercenaries in theservice of the Spanish authorities, had not been paid, followingSpain’s declaration of bankruptcy. Their consequent rampagethrough Antwerp in November saw three days of horror: themassacre of over 2500 citizens as the Tericos looted and burntcountless buildings, including the magnificent Town Hall. InAugust the following year a Netherlandish coalition overthrew theSpanish troops in the Citadel and it was subsequently demolishedby the citizenry, as shown in the present roundel.

Five of the subjects, including this scene, are derived fromengravings by the Wierix brothers after drawings by Martin de Vos(1532-1603). Four of the drawings can be found in the Ashmoleanat Oxford and one at the Metropolitan in New York. The fine detailand modelling of the figures on this series of circular plaquetteshas led to the attribution to Jacques Jonghelinck, the medalist andsculptor who was Master of the Mint at this period.

For another lead roundel from this series see Morton & Eden, 14thJune 2007, lot 589, and for another two, see Sotheby’s, New York,Cyril Humphris Collection, 11th January 1995, lot 324. For a fullset of the series in bronze see Victoria & Albert Museum, A33-38/1975.

Literature: Charles Avery, Studies in European Sculpture, London,1981, pp.133-147; Ingrid Weber, Deutsche, Niederlaendische undFranzoesische Renaissance Plaketten, Munich, 1975, pp.307/8, cat.nos. 709.1/4, pl.195.

£2000-3000

101

27

102A BAROQUE SILVER PANEL OF THE ASSASSINATION OF CAESAR,GERMANIC, CIRCA 1680chased in relief with four armed figures attacking the dictator andupsetting his seat below a richly hung baldaquin flanked by statues,with gesticulating senators to the left, a barking dog in the foregroundand soldiers crying in alarm to the right, with Austrian 1806-24 controlmark15.5cm x 22.5cm excluding later tortoiseshell and moulded ebonisedwood glazed frame

£700-1000

103A SILVER-GILT FIGURE OF SAINT JOHN THE BAPTIST, PROBABLYSOUTH GERMAN OR NORTH ITALIAN, 17TH CENTURYthe contrapposto figure with one arm stretched behind and one footraised, elongated cross or staff lacking, fixed to a probably late18th/early 19th century columnar pedestal of various turned marbleswith bluejohn stemfigure only 13cm high

£700-1000

102

103

108ANOTHER PAPER SCROLL TEA CADDY, GEORGE III STYLE,CIRCA 1900canted rectangular, with geometric gilt patterning and set withpressed card Neo-classical ovals, lid with metal seal finial, on ballfeet, paper lined interior, with key14cm wide

£300-400

28

107A GEORGE III PAPER SCROLL TEA CADDY, CIRCA 1790canted rectangular, with gilt and brightly-coloured stylised foliateand geometric decoration, with an initialled panel to the rear, lidwith central contemporary gilt-metal swing handle, on later gilt-metal ball feet, the interior showing traces of foil lining and with asatinwood cover with a yew wood oval and ivory handle16cm wide

£1000-1500

104A PAIR OF PATINATED COPPER ELECTROTYPE RELIEFPANELS, AFTER THE ANTIQUE, PROBABLY ENGLISH, MID19TH CENTURYdepicting The Sleeping Endymion and Perseus ReleasingAndromeda33cm x 21cm excluding scroll foliate gilt frames(2)

John Flaxman paired these subjects, after purchasing the plastercasts directly from the Capitoline Museum in Rome (D. Irwin,John Flaxman 1755-1826 Sculptor, Illustrator, Designer, London,1979, no. 233, pp. 169-170). They were very popular subjects, asseen in a Wedgwood blue jasperware panel of Endymion(Frederick Rathbone, Old Wedgwood, London, 1898, pl.ii) or amarble relief of Perseus by Julius Troschel (Neue Pinakothek,Munich). For the same scenes in marble relief, apparently Italian,circa 1800, see Christie’s, London, 12th June 2003, lot 1140.

£200-300

105A SET OF FOUR PATINATED COPPER ELECTROTYPE PANELS,PROBABLY GERMAN OR DUTCH, LATE 19TH CENTURYin sizes, each depicting a 17th century type tavern figure or figuresand set in deeply recessed frameslargest panel 27cm x 22cm(4)

£150-250

106A PAPER SCROLL FRAME, GEORGE III STYLE, CIRCA 1900with gilt stylised foliate decoration surrounding a beaded oval andflanking beaded circular windows, ribbon moulded gilt gessoborder, red buckram backed with easel and suspension ring35cm wide

£100-150

104 105 (Part) 106

107

108

29

109A SET OF FIVE FRENCH ENAMEL PLAQUES OF SAINTS,JACQUES LAUDIN II (CIRCA 1663-1729), LIMOGES, LATE17TH/EARLY 18TH CENTURYrectangular, polychrome with gilt highlights, depicting: St.Andrew, St. Jude Thaddeus, St. Paul, St. Thomas and St. Jamesthe Great, each titled below in Latin and initialled I.L lower right;together with another enamel plaque, probably Laudinworkshop, Limoges, late 17th/early 18th century, en grisaille,with gilt highlights, depicting St. James the Less, titled below inLatineach 9cm x 7cm excluding giltwood framing as two sets of three(6)

£1500-2500

110A PORTRAIT MINIATURE OF A LADY, ENGLISH OR SCOTTISH,CIRCA 1805said to be Lady Leith of Fyvie, shown with a white chevronheaddress and simple chevrons to the decolletage, 8.5cm x 6.5cmexcluding broad rosewood glazed frame; together with a GeorgeIV silhouette, Miers & Field, London, circa 1924, said to be TheRev. Halton, Rector of Wolhamton Nr. Andover, oval, on plaster,original ebonised frame with ‘Miers & Field’ label to reverse,inscribed ‘Sunday July 25th 1824’, 8cm x 7cm(2)

£200-300

111A GERMAN PAINTED AND LACQUERED PAPIER-MACHÉ BOX,STOBWASSER FABRIK, BRUNSWICK, CIRCA 1830cover painted with a tavern scene including a man holding up afish, interior base inscribed ‘Stobwassers Fabrik’, base and coverboth numbered 134189.5cm diameter

£100-150

109

110

111

112A RELIEF CARVED MOTHER-OF-PEARL PROFILE ROUNDELOF THE DUKE OF CUMBERLAND, PROBABLY ENGLISH,CIRCA 1750head and shoulders, wearing armour, sash and Order of theBath cross and the Garter star, mounted in a later rosewoodbox with nickel leaf inlay and stringingroundel 6.5cm diameter, box 10cm wide

Prince William, Duke of Cumberland (1721-1765), was ayounger son of George II. Seen from today’s perspective, hisrole in the brutal suppression of the Jacobite Rebellionperhaps justly earned him the nickname ‘ButcherCumberland’, although at the time his prompt action instopping the war meant he was hugely popular with most ofthe Scottish population, as well as the rest of country, fordelivering them so swiftly from the Jacobite menace.Following an unsuccessful campaign during the Seven YearsWar and the humiliating Convention of Klosterzeven in 1757,he resigned from all his military and public offices. Hereturned to some greater favour under George III, but hishealth was deteriorating and he died at just 44 years old in1765.

£500-700

113A RUSSIAN KARELIAN BIRCH CIGARETTE CASE, CIRCA 1900oblong, the flush-hinged lid applied with cast silver ImperialRussian armorial bearings, Gabriel Sakarinpoika Niukkanen,St. Petersburg, late 19th century9.5cm wide

Gabriel Sakarinpoika Niukkanena was a Finnish silversmithwho had an independant worskhop on Kazanskaya in St.,Petersburg, supplying small objects for Fabergé amongstothers. He specialised in gold cigarette cases and small silverand gold objects.

£200-300

114A RUSSIAN SATIN BIRCH PHOTOGRAPH FRAME, CIRCA 1900rectangular, the dome centred by a blue enamel roundel set withsilver Imperial Russian armorial bearings, containing a contemporaryphotograph of H.I.H. Tzar Nicholas II under bevelled glass, withlacquered brass strut and backing, 25cm high; together with anotherRussian mahogany photograph frame, circa 1900, rectangular,diagonally set with a crown and monogram MM, with gilt-metalmount surrounding a contemporary cabinet card by A. Pasetti ofH.I.H. Tsarina Maria Feodorovna, buckram backed, 26cm high (2)

£400-600

30

112

114113

115A RUSSIAN STYLE CARVED HARDSTONE FIGURE OF A WINESELLER, 20TH CENTURYbalancing a large crystal jug on his head, with crystal mugs to hishand and in his apron, with rhodonite sleeves, obsidian cap, vestand boots and agate trousers20cm high

£1800-2200

31

118A RUSSIAN STYLE CARVED HARDSTONE FIGURE OF ABOYAR, 20TH CENTURYhis fur-trimmed pink coat with gold fastenings, the fur hat withnephrite dome, with nephrite shoes and oxidised silver cane16cm high

£1500-2000

112

117A RUSSIAN STYLE CARVED HARDSTONE FIGURE OF ‘THEBALALAIKA PLAYER’ AFTER CARL FABERGE, 20TH CENTURYseated on an agate bench, with grey agate coat, lapis lazulibreeches and gold cord belt and enamelled balalaika12cm high

Literature: A.K Snowman, The Art of Carl Fabergé, London, 1953,pl.XLVII.

£1800-2200

116A RUSSIAN STYLE CARVED HARDSTONE FIGURE OF AIMPERIAL ARMY OFFICER, 20TH CENTURYwith green agate great coat, obsidian hat and boots, lapis lazulibelt, gold and enamel trimmings and silver medals19cm high

£1800-2200

115

117

118

116

122A RUSSIAN CLOISONNE ENAMEL SILVER BELT BUCKLE,ALEXANDER VASILBEV DOMNIN, ST. PETERSBURG, CIRCA1900shaped oval, with chained kindjal fastener, the scrolled foliateenamels set against a matted ground9cm wide

£150-250

123A RUSSIAN SILVER CUP AND SAUCER, MICHAELJAKOVLEVICH TARASOV, MOSCOW, 1899-1908engraved with sprays of flowers on a frosted ground, the sauceradditionally with scrolled initials below a noble’s coronet13cm wide, 143gr (4oz)

£200-300

32

121A RUSSIAN PORCELAIN BULLET SHAPED TEAPOT ANDCOVER, GARDNER FACTORY, LATE 19TH CENTURYpainted each side with a group of flowers inside a circular giltframe against a blue ground, red printed marks13.5cm high (2)

£200-300

119A RUSSIAN SILVER DISH, MOSCOW, 1733-41oval, with strapwork below a lobed rim, the central vacant ovalsurrounded by further strapwork, with worn assayer or maker’smark D? (in Cyrillic)42cm wide, 570gr (18oz)

£500-800

120A RUSSIAN PORCELAIN PART TEA SERVICE, GARDNERFACTORY, LATE 19TH CENTURYpainted with panels of flowers inside gilt frames against a maroonground, comprising; a large bullet shaped teapot and cover, milkjug, sugar bowl, nine teacups and ten saucers, red printed marks(23)

£800-1200

119122

123

120 121

125A SMALL RUSSIAN PARCEL-GILT-SILVER ICON OFTHE SMOLENSK MOTHER OF GOD, MAKER’S MARKSKZ (IN CYRILLIC) UNRECORDED, MOSCOW, CIRCA1890the titled oklad with a border of scrolls and a rayedground9cm by 7.5cm excluding original fitted glazed kiot

£300-500

126A SMALL GREEK ICON OF THE VIRGIN AND CHILD,18TH CENTURYthe central panel of a trytich, painted on a gold ground7.5cm x 5.5cm

£150-250

127A RUSSIAN TRIPTYCH ICON, 18TH CENTURYthe central panel of The Transfiguration, flanked bypanels of The Mother of God Hodigetria and ten selected saints30cm wide open, 11cm high

£3000-5000

33

128A RUSSIAN SILVER AND CLOISONNE ENAMEL ICON OF THEKAZAN MOTHER OF GOD, 20TH CENTURY, BEARINGPROBABLY SPURIOUS MARKS OF PAVEL OVCHINNIKOV,MOSCOWthe oklad applied with enamelled haloes and drapes, the HolyChild with finely matted drapery, surrounded by a border ofpaterae and scrolls and applied square patera to the corners, redvelvet backed26.5cm x 22cm

£800-1200

124A RUSSIAN PROVINCIAL SILVER ICON OF THE SMOLENSKMOTHER OF GOD, MAKER’S MARK DAVID DAVIDOVSOLOMONOV, ASTRAKHAN, 1842three quarter length, the oklad with punched paterae border andapplied haloes, pricked initials and foliate flat-chased robes21.5cm by 17cm excluding glazed later frame

£600-800

124

128

125 126

127

129A SET OF VICTORIAN TABLE SILVER, CHARLES BOYTON,LONDON, 1891/92Kings pattern, crested, comprising:twenty-four tablespoonstwenty-three table forkstwenty-three dessert spoonstwenty-four dessert forkstwenty-four teaspoonsfour sauce ladlestwo basting spoons; together with eighteen electroplate fish knives and eighteenforks, Mappin & Webb, Sheffield, 20th century, matchingpattern and crestweighable silver 11490gr (369oz)(160)

£6000-8000

130A PAIR OF VICTORIAN SILVER BERRY SPOONS, GEORGEADAMS FOR CHAWNER & CO., LONDON, 1848crested, with typical later decoration; together with a pair ofGerman silver berry spoons, Wilhelm Conrad Hessenberg,Frankfurt, early 19th century, with typical later decoration256gr (8oz)(4)

£100-150

131A SET OF SIX ENGLISH PROVINCIAL GEORGE III SILVER TABLEFORKS, HAMPSTON & PRINCE, YORK, 1790Old English pattern, crested; together with the followingGeorgian Old English pattern table silver: a basting spooninitialled A, Smith & Fearn, London, 1792, a set of fourtablespoons initialled P, George Cowie, London, 1801, a set of fourdessert spoons initialled CMG, maker’s mark J.Mc, Edinburgh, 1794,and a set of six teaspoons, marks worn, probably London, 1807923gr (29oz)(21)

£500-700

34

129

131

132A SET OF FRENCH ART DECO TABLE SILVER, MAISONPUIFORCAT, PARIS, CIRCA 1930Bayonne pattern (designed by Jean Puiforcat in 1924), engravedwith Art Deco initials LDL, comprising:eleven tablespoonstwenty-four table forksnineteen table knives with steel bladestwelve dessert spoonstwelve dessert forksfifteen dessert knives (four with stainless steel blades)twelve butter knivesten fish forkseleven fish knivessix oyster forksten cake forkstwelve ice cream spoonsfour teaspoonsfive coffee spoonsfour small serving spoonsfour toothed serving spoonsten assorted serving pieces950 standard10410gr (334oz) weighable silver(181)

£6000-8000

133A SET OF TABLE SILVER, WILLIAM HUTTON & SONS LTD.,LONDON & SHEFFIELD, 1907/08/15/17Old English pattern, initialled CMB, comprising: six tablespoons,six table forks, five dessert spoons and six dessert forks1486gr (47oz)(23)

£800-1200

35

132

133

134A SET OF TABLE SILVER, HARRODS LTD. OF LONDON,SHEFFIELD, 1933Plain Pine pattern with the addition of a crown, initialled W,comprising: five table forks, six dessert spoons, six dessert forksand ten teaspoons, PODR No. for 1932; together with a set ofseven fruit knives and seven forks, John Sanderson & SonLtd., Sheffield, 1982, with silver blades and tines and mother-of-pearl handlesweighable silver 1038gr (33oz)(41)

Whilst bearing Sir Richard Burbidge’s maker’s mark for retail byHarrods, this set was undoubtedly manufactured by Roberts &Belk. The plainer version of this pattern was registered in 1934.This design of Walter Belk’s was said to have been so popularwhen launched in the Second Class dining rooms on the maidenvoyage of the ‘RMS Queen Mary’ in 1936, that White Star-Cunardwired Roberts & Belk from New York with another order,apparently representing 50% of the original order, for deliverywhen the ship returned to Southampton, as thousands of pieceshad gone missing from the ship’s stock.(http://www.925-1000.com/forum/viewtopic.php?f=35&t=23720 -accessed 29.03.2012)

£600-800

135A SET OF TABLE SILVER, ROBERTS & BELK, SHEFFIELD, 1984Plain Pine pattern, comprising: six tablespoons, seven table forks,six dessert spoons, six dessert forks, a pair of teaspoons and apair of sauce ladles1665gr (53oz)(29)

£700-1000

136A MATCHED SET OF TABLE SILVER, VARIOUS MAKERS,LONDON, 1789-1836Old English Bright-cut pattern, comprising:six tablespoonssix table forkssix dessert spoonssix dessert forkssix teaspoonsa pair of sauce ladlesa pair of basting spoons1543gr (49oz)(34)

£800-1200

36

134 135

136

137A SET OF SIX GEORGE II SILVER-GILT TEASPOONS AND PAIRTEA TONGS IN CASE, MAKER’S MARK INDECIPHERABLE,ENGLISH, CIRCA 1745the spoons Rat-tail Hanoverian pattern, the scissor type tongs ornips with scrolling arms, the fish-skin case with red velvet andsatin lining93gr (2oz)

£400-600

138A SET OF VICTORIAN TABLE SILVER, WILLIAM GEORGEJAMIESON OF ABERDEEN (STRUCK OVER ANOTHER),LONDON, 1880Old English pattern, crested and initialled, comprising twotablespoons, two table forks, two dessert spoons, two dessertforks and twelve teaspoons688gr (22oz)(20)

£300-400

139A DANISH CHEESE KNIFE AND CHEESE SLICE, GEORGJENSEN, COPENHAGEN, POST 1945Acorn pattern, with stainless steel blades, stamped ‘STERLING /DENMARK’ and maker’s markslice 21cm long(2)

£100-150

140A SILVER SET OF THREE DESSERT SERVERS, ATKINBROTHERS, SHEFFIELD, 1909/13bright-cut engraved, in original case; together with a set of foursilver knife rests, Atkin Brothers, Sheffield, 1917, typical form545gr (17oz)(7)

£300-400

141ROYAL: A VICTORIAN SILVER BASTING SPOON, BENJAMINSMITH, LONDON, 1846Albert pattern, engraved with the cypher for Victoria, PrincessRoyal31cm long, 191gr (6oz)

This spoon appears to be from the nursery service of QueenVictoria and Prince Albert’s eldest child, Princess Victoria (‘Vicky’),who was born on 21 November 1840. Her marriage to PrinceFrederick William of Prussia led to her becoming the GermanEmpress. She maintained close links with her mother andsiblings; her and her husband’s liberal and English sympathiesengendered problems with both Bismarck and their son ‘KaiserBill’.

£150-250

37

137

141

38

143A ROYAL COMMEMORATIVE SILVER DISH, DESIGNED BYPIETRO ANNIGONI, ROBERTS & DORE LTD., LONDON, 1973commemorating the wedding of Princess Anne and Captain MarkPhillips, etched with profile portrait heads of the protagonistsabove Annigoni’s signature and below the date ‘14-XI-1973’,reverse numbered 160, with certificate confirming an edition of2000, in original case23cm diameter, 378gr (12oz)

The Italian painter and sculptor, Pietro Annigoni (1910-1988), roseto fame for his romantic and celebrated portrayal of the youngQueen Elizabeth. In many ways this commission paved the wayfor subsequent studies of other prominent figures, including PopeJohn XXIII and presidents Kennedy and Johnson, as well asseveral other members of the Royal family.

£200-300

144A ROYAL COMMEMORATIVE SILVER DISH, DESIGNED BYPIETRO ANNIGONI, WILLIAM COMYNS & SONS LTD.,LONDON, 1972commemorating the silver wedding of H.M. the Queen and PrincePhilip, etched with a view of Windsor Castle below the Queen’scypher and the dates 1947-1972 flanked by facing profile portraitheads, with Annigoni’s signature, reverse numbered 160, withcertificate confirming an edition of 2000, in original box23cm diameter, 367gr (11oz)

£200-300

145A ROYAL COMMEMORATIVE SILVER DISH, DESIGNED BYPIETRO ANNIGONI, MAKER’S MARK LH, LONDON, 1975commemorating H.M. Queen Elizabeth the Queen Mother’s 75thbirthday, etched with a portrait profile backed by a horse racingscene, with Annigoni’s signature and the date ‘4-VIII-1975’, reversenumbered 160, with certificate confirming an edition of 750, inoriginal box23cm diameter, 395gr (12oz)

£200-300

142A VICTORIAN SILVER CORONATION COMMEMORATIVEBEAKER, WILLIAM BATEMAN FOR RUNDELL, BRIDGE & CO.,LONDON, 1838applied with silver-gilt clichés of the obverse and reverse of theRoyal Mint’s official coronation medal by Benedetto Pistrucci(1784-1855) within a bead and rail border and below the Royalcrown, initialled RD above the date 9th July 1838, foot withgadroon border11cm high, 191gr (6oz)

Queen Victoria’s coronation took place on 28 June 1838 inWestminster Hall. Apparently, during the ceremony the Treasurerof the Household threw coronation silver medals to the crowds.The Queen had sat specially for the portrait (see V. & A. MuseumNo. A.6-1916). According to an advert in The Times, London,Friday, 13 July 1838, p.7e., the coronation medals were availableto the public from Messrs. Rundell, Bridge & Co. and Messrs.Garrards.

£600-800

143 144 145

142

39

148A PARCEL-GILT-SILVER SALVER, STUART DEVLIN, LONDON,1978hammer-finished with wide textured rayed gilt rim, undersidestamped with a falcon crest35.5cm diameter, 1250gr (40oz)

Presented as a President Falcon Award, 1978: Hambro LifeAssurance’s Falcon Club awarded annually a number of Devlinpieces to members.

For another salver from the same series, see Bonham’s,Knightsbridge, 10th December 2008, lot 732, sold for £1,320.

£800-1200

146A SET OF FOUR PARCEL-GILT-SILVER GOBLETS,STUART DEVLIN, LONDON, 1980the conical bowls plain except for falcon crest numbered10, on slender textured gilt stems, spreading bases22.5cm high, 850gr (27oz)(4)

Presented as a President Falcon Award, 1980: HambroLife Assurance’s Falcon Club awarded annually a numberof Devlin pieces to members.

£700-1000

147A PARCEL-GILT-SILVER JUG, STUART DEVLIN,LONDON, 1979cylindrical, slanted top, applied with a wide gilt band ofirregular wirework on a matted ground, underside withfalcon crest19cm high, 489gr (15oz)

Presented as a President Falcon Award, 1979: HambroLife Assurance’s Falcon Club awarded annually a numberof Devlin pieces to members.

£500-700

146

147

148

40

150A SET OF THREE ART DECO SILVER SAUCEBOATS, HARRODSLTD. OF LONDON, SHEFFIELD, 1935in sizes, oval with partly fluted sides, undersides stamped‘HARRODS / LONDON S.W.’, PODR No. for 1934, lamp Trade Markof manufacturer Roberts & Belkpair 16cm wide, larger 19.5cm wide, 516gr (16oz)(3)

£300-400

149A SUITE OF THREE PATINATED SILVER PORTRAIT BUSTS OFRONALD REAGAN, MARGARET THATCHER AND MIKHAILGORBACHEV, MODELLED AND FINISHED BY MICHALGOLABEK (B.1949), SIGNED IN MONOGRAM,1989each mounted on a white Carrara mable plinth, with appliedplaques engraved with the names of the subjects, the busts withsponsor’s mark of Trover Mint Industries Ltd of Washington, Tyne& Wear, hallmarked Birmingham, 198929 cm high including plinths, approximately 1800gr (57oz) ofsilver(3)

This trio of busts, centred upon the ‘Iron Lady’ and flanked byReagan and Gorbachev, forms a group which is iconic of the1980s. It is one of only three sets made: one set was presented toMrs Thatcher in 1989.

The Polish-born sculptor Michal Golabek was born in Poznan in1949. Between 1970 and 1975 he studied at the Poznan Academyof Fine Arts where he received his diploma in Professor OlgrierdTruszynski’s atelier of sculpture. He has exhibited extensively andhis artistry has been acknowledged by a number of awards,including the Gold Medal, 5th Winter Salon in Warsaw (1989) andthe Bronze Medal, The Survey of Polish Sculpture of the Decade(1989). Among Golabek’s larger work is an imposing figureentitled ‘Jesus’ and an abstract wood and bronze piece entitled‘Windy everlasting.’ He now lives and works in Chicago.

£1500-2000

149

150

41

153A PAIR OF SPANISH THREE-LIGHT CANDELABRA, POST 1934each with domed bases and three curved branches centred by abrown aventurine cabochon and a ring of stamens on a taperingsupport, maker’s mark and 915 quality mark27.5cm, loaded(2)

£800-1200

151A SILVER MODEL OF A TIGER, MAPPIN & WEBB LTD.,LONDON, 1991realistically modelled with one raised paw27cm long, 3930gr (126oz)

£2500-3500

152A SILVER BOWL, PROBABLY MEXICO, 1940shammer finished, on three horn ball feet, stamped ‘800’26.5cm diameter, 448gr (14oz) excluding feet

£200-300

151

153

152

157A GEORGE V SILVER-MOUNTED MAHOGANY SPIRIT BARRELAND SILVER PAIL, MAPPIN & WEBB LTD., LONDON &BIRMINGHAM, 1928/29the silver-bound barrel affixed to the stand, with silver-mountedcork stopper, the silver spigot supporting the chained pail24cm long overall

£300-500

42

154A VICTORIAN SILVER TRAVELLING TEA KETTLE AND TEAPOT,DESIGNED BY DR CHRISTOPHER DRESSER (1834-1904) CIRCA1880, HUKIN & HEATH, LONDON, 1896plain bulbous, the slightly domed covers with wicker-wrappedring handles, PODR No. for 1881, retailer’s stamp ‘LEUCHARS &SON / GEFFROY SUCCr / 2, RUE DE LA PAIX, PARIS’teapot 18cm wide, 584gr (18oz) including wicker wrapping tohandles(2)

Provenance: by repute the estate of the late David Ben-Gurion(1886-1973), Israel’s first Prime Minister. The initial sale of fullyprovenanced items from Ben-Gurion’s estate by his grand-daughter, was auctioned in Tel Aviv, April 2011. This sale caused agreat deal of controversy in Israel; consequently a second trancheof Ben-Gurion property, consigned by the same descendant to thesame auction house, was sold anonymously. This tea kettle andteapot appeared in this later sale, Shorashim, Tel Aviv, 10thOctober 2011, lot 69 and although verbal assurances were givenas to the Ben-Gurion provenance, the problems following the firstsale meant documentation was not provided.

£1200-1800

155A SILVER-MOUNTED PHOTOGRAPH FRAME, MAPPIN & WEBBLTD, SHEFFIELD, 1988die-stamped shaped rectangular with scroll and foliate border,velvet-covered back and easel support, 26.7cm high; and aninscribed silver mug, Viners, Ltd, Sheffield, 1965, 12.5cm high,363gr (11oz)(2)

£250-350

156A GEORGE V SILVER CUP, WAKELY & WHEELER, LONDON,1914plain urn shaped with two angular handles19.5cm wide, 427gr (13oz)

£200-300

154

156

157

161AN EDWARDIAN SILVER-MOUNTEDPHOTOGRAPH FRAME, C.S. GREEN & CO.LTD., BIRMINGHAM, 1907with three sheep grazing in a meadow,surmounted by two stylised peonies, woodbacked23cm high

£400-600

162AN EDWARDIAN SILVER-MOUNTEDPHOTOGRAPH FRAME, J. AITKIN & SON,BIRMINGHAM, 1907decorated with shaped panels of honesty,wood backed, P.O.D.R. No. for 190326cm high

£400-600

43

159A PAIR OF GEORGE V SILVER SABBATH CANDLESTICKS,SIGMUND ZYTO, LONDON, 1925shaped square bases, knopped stems and detachable nozzleswith lobed bands31cm high, 492gr (15oz)(2)

£300-400

160A PORTUGUESE ELECTROPLATE-MOUNTED CLARETJUG, TOPAZIO, OPORTO, LATE 20TH CENTURYthe mounts covered in Art Nouveau style foliage, the bulbousglass body etched with sinuous foliage28cm high

£150-200

158A PAIR OF GERMAN SILVER VASES, L. NERESHEIMER & CO.,HANAU, CIRCA 1910the trumpet shaped bodies with planish finish and rope girdled smalllion-mask drop-rings, domed feet with seraphim and flowers, importmarked for Berthold Muller, London, 191123cm high, 709gr (22oz)(2)

£400-600

Lots 161-185: a Private Collection of Art Nouveau Photograph Frames

158

161 162

159

44

166AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME,WILLIAM COMYNS AND SONS, LONDON, 1904circular window bordered with slipper orchids surmounted by twoexotic birds, royal blue velvet backed18.5cm high

£400-600

163AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME,WILLIAM COMYNS & SONS, LONDON, 1905pierced with flowerheads and sinuous scrolls, red velvet backed;together with another Edwardian silver-mounted photographframe, Henry Matthews, Birmingham, 1902, stamped andpierced with two daisies, green velvet backedlargest 22cm high(2)

£400-600

164A VICTORIAN SILVER-MOUNTED PHOTOGRAPH FRAME,HENRY MATTHEWS, BIRMINGHAM, 1900decorated with sprays of wild roses, green velvet backed20cm high

£400-600

165AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME,HORTON & ALLDAY, BIRMINGHAM, 1901decorated with poppies on a matted ground, bevelled glass, bluevelvet backed; together with another Edwardian silver-mountedphotograph frame, maker’s mark indecipherable, Birmingham,1903, with flowers and wheat sheaves on a matted ground, beigevelvet backedlargest 21.5cm high(2)

£400-600

163 163

165 164165

166

45

170AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME,CONSTANTINE & FLOYD LTD., BIRMINGHAM, 1905featuring a nightingale singing to a crescent moon in a pastorallandscape amongst prunus branches, brown velvet backed24cm high

£300-500

167AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME,C.S. GREEN & CO., BIRMINGHAM, 1905simply decorated with leather scrolls, bevelled glass, woodbacked; together with another Edwardian silver-mountedphotograph frame, C.S. Green & Co., Birmingham, 1906, withhammer-finish panels, scrolls and flowerheads, wood backedlargest 24.5cm high(2)

£300-500

168A VICTORIAN SILVER-MOUNTED PHOTOGRAPH FRAME,DEAKIN & FRANCIS LTD., BIRMINGHAM, 1900with tendrils and stylised fruits, leather backed; together with anEdwardian silver-mounted photograph frame, Mappin & WebbLtd., Birmingham, 1905, with floral sprays, grey velvet backedlargest 21cm high(2)

£300-500

169AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME,REYNOLDS & WESTWOOD, BIRMINGHAM, 1902with stylised foliage and flowers, blue velvet backed31cm high

£300-400

167 169

168 168 167

170

46

174AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME,ROBINSON & CO., BIRMINGHAM, 1909decorated with a scrolling floral motif, blue velvet backed26cm high

£150-200

175AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME,E.J. TREVITT & SONS OF BIRMINGHAM, CHESTER, 1903with flowerheads and tendrils, wood backed; together withanother Edwardian silver-mounted photograph frame, JamesDeakin & Sons of Sheffield, Chester, 1903, with flowerheadsand stylised foliage, yellow velvet backedlargest 25cm high(2)

£400-600

171A VICTORIAN SILVER-MOUNTED PHOTOGRAPH FRAME, THEALEXANDER CLARK MANUFACTURING CO., BIRMINGHAM,1899with two gleeful squirrels and a pair of frolicking pheasantsbordered by stylised shoots, brown velvet backed24cm high

£300-400

172AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME,HORTON & ALLDAY, BIRMINGHAM, 1902decorated with a variety of naturalistic flowers, purple velvetbacked25cm high

£250-350

173AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME,MAKER’S MARK OVERSTRUCK AND INDECIPHERABLE,BIRMINGHAM, 1904decorated with stylised herbaceous peonies and leafy tendrils,wood backed22.5cm high

£150-200

172 173

174 175 175

171

176AN EDWARD SILVER-MOUNTED PHOTOGRAPH FRAME, J. AITKIN & SON, BIRMINGHAM, 1904featuring a red squirrel amongst berries and stylised Japanesemaple branches, wood backed24cm high

£200-300

177AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME, J. & R. GRIFFIN OF BIRMINGHAM, CHESTER, 1906decorated with four cherubs releasing doves within stylised floralmotif border, P.O.D.R. No. for 1904, green velvet backed24cm high

£250-350

178AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME,C.S. GREEN & CO. LTD., BIRMINGHAM, 1904with stylised lilies, wood backed; together with an Americansilver-mounted photograph frame, Dominick & Haff, New York,circa 1905, decorated with flowers and leafy tendrils, purplevelvet backed largest 24cm high(2)

£400-600

179AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME, J. & R. GRIFFIN OF BIRMINGHAM, CHESTER, 1906featuring a dragonfly as the central motif and decorated withnaturalistic flowers and ranceau pattern, brown velvet and leatherbacked; together with an Edwardian silver-mounted photographframe, Robert Pringle & Sons of London, Chester, 1904, withfloral tendrils, wood backedlargest 23cm high(2)

£400-600

180AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME,SYDNEY & CO., BIRMINGHAM, 1906decorated with lilies-of-the-valley with stylised intertwining stemsand leaves, P.O.D.R. No. 1904, wood backed24cm high

£400-600

47

176 177 178

179 179 178

180

182AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME, J. AITKIN & SON, BIRMINGHAM, 1908architectural shape, each corner comprising strawberry blossoms,ebonised wood backed; together with, an Edwardian silver-mounted photograph frame, Mitchell Bosley & Co.,Birmingham, 1903, featuring a circular window with stippledbackground and stylised floral border, green velvet backedlargest 16cm high(2)

£250-350183AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME,HENRY BOURNE, BIRMINGHAM, 1903oval window surrounded by stylised aquatic flowers, brown velvetbacked17cm high

£250-350

184AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME,HENRY MATTHEWS, BIRMINGHAM, 1904circular window surrounded by a border of day lilies and foliatescrolls, wood backed17.5cm high

£250-350

185AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME,APPARENTLY UNMARKED, PROBABLY C.S. GREEN & CO. OFBIRMINGHAM, CIRCA 1905with a country maid knitting whilst overlooking three geesesurrounded by flowers and a farmstead, wood backed29cm high

£200-300

48

181AN EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAME,HENRY MATTHEWS, BIRMINGHAM, 1903shaped square, the circular window surrounded by piercedscrolling flowers, blue velvet backed; together with anotherVictorian silver-mounted photograph frame, William Neale &Son, Sheffield, 1898, with exotic birds and squirrels amidstscrolling flowers, red leather backedlargest 19.5cm high(2)

£300-500

181181

182

183 182 184

185

187A GEORGE V SILVER THREE-PIECE TEA SET, HORACEWOODWARD & CO. LTD., LONDON, 1912with Art Nouveau sinuous panelsteapot 26cm wide, 1002gr (32oz) including ivory finial andinsulators(3)

£500-700

188A GEORGE V SILVER INKSTAND, REID & SONS OFNEWCASTLE, LONDON, 1913oblong, gadroon border, the pair of silver-mounted square glassinkwells flanked by pen depressions, on panel feet, undersidestamped REID & SONS / NEWCASTLE20cm wide, stand only 235gr (7oz)

£120-180

189A GEORGE V SILVER ROSEBOWL, GOLDSMITHS &SILVERSMITHS CO. LTD., LONDON, 1917circular, inscribed above a band of flutes, pedestal foot with eggand dart borders41cm wide across handles, 2078gr (66oz)

The inscription reads: Presented to Brigadier General D. BealeBrowne D.S.O. by the Officers and Interpreters who served underhis Command in the 2nd Cavalry Brigade October 1915 - April1918.

£800-1200

190AN EDWARDIAN SILVER INKSTAND, J.C. VICKERY, LONDON,1904square, with ribbed rims, ball and claw feet, complete with silver-mounted bevelled glass inkwell15.5cm wide across loop handles, stand only 209gr (6oz)

£180-220

191AN EDWARDIAN SILVER TAPERSTICK, GEORGE UNITE,BIRMINGHAM, 1903in George II style, detachable nozzle, 11.2cm high, loaded; togetherwith a pair of silver desk candlesticks, C.S. Green & Co Ltd,Birmingham, 1961, domed circular engraved bases, 9.2cm high,loaded; and a vase, Italian, modern, spirally fluted, 16.6cm high(4)

£300-400

49

186A GEORGE V SILVER ROSEBOWL, HENRY MATTHEWS,BIRMINGHAM, 1913the bowl inscribed below a scroll pierced and waved rim, pedestalfoot, wide C-shaped handles17.5cm high 768gr (24oz)

£300-400

Various Owners

186

187

189

190

50

194AN EDWARDIAN SILVER SWEETMEAT DISH,WILLIAMS (B’HAM) LTD., BIRMINGHAM, 1904shaped oval, pierced and stamped with scrolls29cm wide, 243gr (7oz)

£100-150

195A SET OF FOUR GEORGE V SILVER COUNTER TRAYS,ASPREY & CO. LTD., BIRMINGHAM, 1917shaped rectangular, underside stamped ASPREYLONDON, 10cm long; together with a silver cigarettecase, maker’s mark rubbed, Birmingham, 1968,rectangular, engine-turned lid, front inscribed, cedarlined interior, 16.5cm wide; and a silver-mounted cigarcutter, London, 1912, initialled, thumbpiece missingtrays only 192gr (6oz)(6)

£150-200

196A SET OF SIX GEORGE V SILVER-MOUNTED GLASSWHISKEY TOTS COMPLETE WITH ACCOMPANYINGSILVER BOTTLE TICKETS, HUKIN & HEALTH LTD.,BIRMINGHAM, 1920plain lids initialled DB, kidney-shaped tickets engraved‘Whiskey’10cm high(12)

£600-800

192A LARGE SILVER CUP AND COVER, GARRARD & CO. LTD., LONDON, 1939the plain girdled body with double scroll handles, domed cover with bell finial53cm high excluding ebonised wood stand, 4387gr (141oz)

£3000-5000

193A SILVER WAITER, MAKER’S MARK HIE, BIRMINGHAM, 1973shaped circular, on three claw and ball feet, moulded scroll and shell rim,presentation inscription to Pamela Coleclough16cm diameter, 203gr (6oz)

£70-100

192

196

198A VICTORIAN SILVER COFFEE POT, CHARLES BOYTON,LONDON, 1882crested, part lobed vase shaped pattern21.5cm high, 493gr (15oz) including wood handle and finial

£250-350

199VARIOUS SILVER ITEMScomprising: a George II Hanoverian pattern tablespoon, JamesTookey, London, 1756; a Norwegian parcel-gilt spoon in 17th

Century style, maker’s mark E.C.K., London import marked, 1902,in fitted case with retailer’s label: ‘Dobsons & Sons, 110 New BondSt, London’; a cased set of six Apostle pattern coffee spoons,probably Dutch, early 20th Century; a cased pair of small quaichform salt cellars and spoons, Hamilton & Co, Calcutta, early 20th

century; and a milk jug and sugar basin, chased, Indian, early 20th

Century525gr (16oz)(14)

£300-400

200AN EDWARDIAN SILVER BRIDGE BOX, WILLIAM COMYNS &SONS, LONDON, 1904slightly bombé rectangular, lid with reeded borders and initialsDDB, fall front revealing a gilt interior with red leather fittings fortwo packs of cards20.5cm wide

£120-180

201A PAIR OF GEORGE V SILVER CANDLESTICKS, HARRISONBROTHERS & HOWSON, SHEFFIELD, 1928stamped with husk borders and paterae, square bases andoutline, one inscribed26cm high, loaded(2)

The inscription reads: Presented by The Officers & Committee ofthe Achi Tuv Society to Miss Rita Silverstone and Mr JosephNeidus on the occasion of their Marriage *1st Sept 1929*26th Av5689*

£300-500

202A GEORGE V SILVER INKWELL, MAKER’S MARK RUBBED,BIRMINGHAM, 1913of capstan form20cm diameter, loaded

£100-15051

197A SET OF FOUR SILVER TOAST RACKS, C.J. VANDER LTD.,LONDON, 1962oblong, each with five hooped wirework divisions, central ringhandle, on four ball feet, 8.5cm wide; together with another set offour silver toast racks, Mappin & Webb Ltd., Sheffield, 1937, ArtDeco design, with five divisions, 10.5cm across end lugs; and anelectroplate toast rack, Hawksworth, Eyre & Co., Sheffield,circa 1900, with seven hooped wirework divisionsweighable silver 710gr (22oz)(9)

£400-500

197 (Part)

198

200

201

204A GEORGE V SILVER INKSTAND, HORACE WOODWARD & CO.LTD., LONDON, 1915oblong, rim applied with a band of small flowerheads and leaves,inscribed including facsimile signatures, square glass bottles withinitialled silver lids (one detached), openwork bracket and pawfeet30cm wide, stand only 781gr (25oz)

The inscription reads: “Arthur Donaldson” from “Fred Terry” /Lincoln 1898

Provenance: The Estate of the late Sir John Gielgud (1904-2000)

The facsimile signature of ‘Fred Terry’ is that of Sir John Gielgud’sgreat uncle, a well-known actor/manager and one of the famousacting family, brother of Ellen Terry.

£300-400

205A VICTORIAN SILVER BASKET, JOSEPH RODGERS & SONS,SHEFFIELD, 1873shaped oval, engraved: From J.P.W. To his daughter LilianGothorpe White, embossed border, swing handle31cm wide, 655gr (21oz)

£250-350

206A PAIR OF GEORGE V SILVER STRAWBERRY DISHES, S.J.PHILLIPS, LONDON, 1917of typical plain form20.5cm diameter, 628gr (20oz)(2)

£400-600

207ASSORTED CONDIMENT SILVER, COMPRISING: a George III baluster pepperette, Samuel Wood, London, 1759,11cm high, a Victorian pedestal pepperette, Charles Stuart Harris,London, 1888, a Georgian circular salt cellar on three feet withblue glass liner, marks rubbed, mid 18th century, a Victorian silver-mounted glass mustard pot, Birmingham, 1844, a pair of toastracks with five arched bars, Viners Ltd., Sheffield, 1936; togetherwith a pair of Sheffield Plate salt cellars, circa 1800, boatshaped with corded rims and gilt interiorsweighable silver 286gr (9oz)(7)

£200-300

52

203A PAIR OF EDWARDIAN SILVER DISH RINGS, GOLDSMITHS &SILVERSMITHS CO. LTD., LONDON, 1901in mid 18th century Irish style, pierced with figures, animals andscrolling foliage21.5cm diameter, 954gr (30oz)(2)

£800-1200

203

206

204

212A VICTORIAN SILVER SALVER, DANIEL JOHN & CHARLESHOULE, LONDON, 1854shaped circular, engraved with foliate scrolls surrounding worninitials, rocaille and moulded rim, on four foliate scroll feet27cm diameter, 703gr (22oz)

£300-400

213A GEORGE V SILVER SALVER, OLLIVANT & BOTSFORD,LONDON, 1917shaped circular, engraved with a presentation inscription to Lt.Philip Rhodes RN…1919, moulded rim, on three scroll feet,underside stamped ‘OLLIVANT & BOTSFORD / MANCHESTER’26cm diameter, 525gr (16oz)

£280-320

53

211A PAIR OF GEORGE III SHEFFIELD PLATE TELESCOPICCANDLESTICKS, CIRCA 1820with gadroon and foliate borders, 20cm high; together with a setof four Victorian Sheffield plate desk candlesticks, withgadroon borders, 10.5cm high(6)

£180-220

208A PAIR OF VICTORIAN SILVER CASTERS, D. & J. WELLBY LTD.,LONDON, 1897in Rococo style, engraved with the Rous crest below an earl’scoronet, profusely chased with flowerheads between curved flutesand lobes20cm high, 451gr (14oz)(2)

Provenance: (Robert) Keith Rous, 6th Earl of Stradbroke, OldHenham Hall, Suffolk, The Principal Contents, Prudential Fine ArtAuctioneers, 10-12 October 1988, lot 249. The family’s traditionalmotto is ‘I live in hope’: sometimes called ‘the Aussie Earl’, havingfathered fifteen children, Keith Rous added another ‘We fight likelions and breed like rabbits’.

£400-600

209A MATCHED SET OF SILVER CONDIMENT PIECES, VARIOUSMAKERS, LONDON AND BIRMINGHAM, 1896/1927/28each with gadroon rims and on three pad feet, comprising: a pairpepperettes, a pair mustard pots with spoons, a pair salt cellarswith gilt interiors and two further salt cellars with spoons,pepperettes 9cm high; together with a pair of George V silversweetmeat dishes, Synyer & Beddoes, Birmingham, 1911,shaped oval, with pierced trellis panels below a guilloche cast rimand ribbon-tied wreath handles, 13cm wide588gr (18oz)(14)

£200-300

210A GEORGE V SILVER MUG, A. & F. PARSONS FOR TESSIERSLTD., LONDON, 1932plain, scroll handle topped with inscription ‘G.H.B. / 26-11-32’12.5cm high, 458gr (14oz)

£200-300

208

211 (Part)

212

216A VICTORIAN ELECTROPLATE CENTREPIECE CANDELABRUM,ELKINGTON & CO., BIRMINGHAM, 1864the rustic base with two stags sheltering beneath a vine wreathedtree branching into three candle sconces and a central bowlsupport, with later glass bowl57cm high

£600-900

54

215A VICTORIAN ELECTROPLATE CANDELABRUM CENTREPIECE,POSSIBLY THOMAS BRADBURY & SONS OF SHEFFIELD, THIRDQUARTER 19TH CENTURYtriform base with two stags sheltering beneath fruit laden vinesbranching into three candle sconces and central support with cutglass bowl71cm overall

£600-900

214A VICTORIAN ELECTROPLATE CENTREPIECE AND MIRRORPLATEAU, WALKER & HALL, SHEFFIELD, CIRCA 1890the inscribed triform base on volute feet supporting a pair ofgreyhounds beneath fruit laden vines supporting three basketswith glass liners (one later) and central bowl support, undersidewith pattern no. 51351, the plateau with further vines and on threefeet67.5cm high overall(2)

The inscription reads: Presented to Sir Ralph Barrett MacnaghtenBlois on the occasion of his marriage by his tenant farmers April30th 1898.

Sir Ralph Barrrett MacNaghten Blois, 9th Bt. of Grundisburgh andCockfield Hall, Suffolk, was born on 21 November 1866 atCockfield Hall, Suffolk, the elder son of Sir John Ralph Blois, 8thBt., and his wife, Eliza Ellen (née Chapman). He married WinifredGrace, daughter of Edmund Hegan Kennard and his wife, Agnes(née Hegan), on 30th April 1898 at Christ Church, Mayfair, London.He died on 18th March 1950 at age 83. Sir Ralph, who waseducated at Wellington College, succeeded to the title upon thedeath of his father on 31st December 1888. A captain in the ScotsGuards and afterwards a captain in the Royal Guards ReserveRegiment, he was sometime Deputy Lieutenant of Suffolk before,in 1905, being appointed as High Sheriff of Suffolk.

£800-1200

214

215

216

220A GEORGE III SILVER GOBLET, PETER & ANN BATEMANOVERSTRUCK BY THOMAS OLIPHANT OF MANCHESTER,LONDON, 1799later chased with scrolls and flowerheads surrounding an 1860inscription, the pedestal foot with a later band of stiff leaves, 16cm high, 199gr (6oz); together with a Dutch electroplatetankard, modern, in 17th century style

£100-150

221A GEORGE III LATER CHASED SILVER CUP, HESTER BATEMAN,LONDON, 1784baluster, with two scroll handles, the Victorian foliate decorationsurrounding a vacant cartouche12.5cm high, 413gr (13oz)

£200-300

55

219A VICTORIAN SILVER CELLINI PATTERN EWER, HUNT &ROSKELL, LONDON, 1869of Renaissance Revival taste covered in strapwork, lobes, masksand animals on a matted ground, initialled ER, gilt interior, baserim stamped HUNT & ROSKELL LATE STORR & MORTIMER 540031.5cm high, 1048gr (33oz)

£1000-1500

217A VICTORIAN ELECTROPLATE CENTREPIECE, PROBABLYSMITH & NICHOLSON, LONDON, CIRCA 1850the stem of entwined fuchsia springing from a rocky baseinitialled WEM below a crest, 59cm high; together with a Victorianelectroplate mirror plateau, circa 1850, formed as a naturalisticmound with cascades, 50cm diameter(2)

A centrepiece with comparable foliage and base was shown at theGreat Exhibition by Smith & Nicholson, a company well-known forthe manufacture of both electroplate and silver. See the ArtJournal, illustrated catalogue of the Great Exhibition 1851, p.176

£600-800

218A GEORGE III SILVER EPERGNE BASKET, UNMARKED, CIRCA1765shaped oval, crested, scroll and diaper pierced sides below acorded rim and swing handle, 15cm wide, 137gr (4oz)

£60-80

217

219

221220 (Part)

56

222A VICTORIAN SILVER TESTIMONIAL CANDELABRUM,ELKINGTON & CO., BIRMINGHAM, 1850the rocky base with inscribed tablet supporting a ramand ewe beneath an acorn bearing oak tree with threebranches and central stem ending in leafy sconces57cm high, 3995gr (128oz)

The inscription reads: To Charles Brutton Esqr. by theSubscribers to the Fund for the reception of the RoyalAgricultural Society at Exeter in testimony of hisservices as their Honorary Secretary A.D. 1850.

The Royal Agricultural Society of England held theirtwelfth annual meeting and exhibition during July 1850at Exeter. Apparently the city celebrated the event withenthusiasm, erecting at least five decorative archesspanning the streets.

Charles Brutton (1791-1854) was a prominent Exeterlawyer, serving as the city’s mayor in 1846 andremembered as the owner at the time of the ExeterClock, shown at the 1851 Great Exhibition. The ExeterClock, finished in the 1730s, was said to have takenJacob Lovelace thirty years to build; measuring 10 feetby 5 feet, it was a Baroque extravaganza displaying apanoply of mechanics and automata.

£3000-4000

223A VICTORIAN SILVER INKSTAND, ROBINSON,EDKINS & ASTON, BIRMINGHAM, 1838shaped oval, with borders of matted scrolls, shells andleafage, on matted leafy panel feet, with a pair of silver-mounted glass inkwells flanking the ogee lobed potwith taperstick cover complete with detachable nozzleand original snuffer32cm wide, 739gr (23oz) including inkwell mounts

£700-1000

222

223

225A GEORGE IV SILVER TOAST RACK, ROBERT HENNELL,LONDON, 1825of seven shaped divisions centred by a loop handle above a smallengraved crest and motto, reeded base on acorn and leaf headedpaw feet, with silver inscribed collection disc15cm long, 372gr (11oz)

The crest is probably that of Trenchard.

Provenance: The Fornari Collection, Rome.

£300-400

226A GEORGE III LATER CHASED SILVER BASKET, HESTERBATEMAN, LONDON, 1790oval, reeded rims and swing handle, the bowl later decorated on amatted ground with floral sprays and stiff leaves surroundinginitials WSEM, rim with contemporary pierced scroll foliate band35.5cm wide, 652gr (20oz)

£700-1000

57

224A LARGE VICTORIAN SILVER-MOUNTED LOOKING GLASS,WILLIAM COMYNS & SONS, LONDON, 1899shaped oblong, headed by a crested Rococo cartouche andprofusely stamped and pierced with scrolls, trellis andflowerheads surrounding the oval bevelled plate, blue velvetbacked, with easel support73cm high

The crest and motto are those of Gibbs.

£2000-3000

224

225

226

229A VICTORIAN SILVER CHRISTENING MUG, HENRY WILKINSON& CO, LONDON, 1870cylindrical body with c-scroll handle, decorated with foliate andstellar engraved ornament on a matte ground surrounding fouroval beaded panels, one initialled DLM, one inscribed from FHand MCF, the other dated January 4th 18949cm high, 186gr (5oz)

£200-300

58

228AN INDIAN COLONIAL SILVER CHRISTENING MUG, PITTAR &CO., CALCUTTA, CIRCA 1840octagonally faceted, each facet engraved with scrolled foliage, oneadditionally inscribed ‘Marcus Trevelyan Martin’, cast foliatewrapped scroll handle, gilt interior10.5cm high, 299gr (9oz)

Provenance: Marcus Trevelyan Martin(1842-1908) was born inBarrackpore (now Barakpur), Bengal. Educated at Rugby, followedby Trinity College Cambridge, where he was awarded two cricket‘Blues’; he also played for Middlesex and Warwickshire. Called tothe bar in 1868, he practised at the Chancery and became aMiddlesex J.P. He married Lucy Eleanor Raphael, daughter of themillionaire financier Henry Lewis Raphael, at St George’s HanoverSquare in 1892. Together with two daughters, the familymaintained a large establishment at 70 Portland Place,Marylebone, the 1901 census recording a staff of two nurses, abutler, a footman, a housemaid, a lady’s maid and a kitchen maid.

£300-400

230A GEORGE IV SILVER MUG, THOMAS CLIFFORD, LONDON,1821with a broad band of chased acorns and oak leaves above afaceted band, with entwined snake handle9cm high, 166gr (5oz)

£200-300

231A GEORGE III SILVER TOAST RACK, NATHANIEL SMITH & CO.,SHEFFIELD, 1797oval, with seven hooped wirework divisions, on panel feet19cm wide, 172gr (5oz)

£150-250

227A VICTORIAN SILVER CHRISTENING MUG, HENRY JOHN LIAS& SON, LONDON, 1873tapered cylindrical body engraved with a scene of three childrenplaying on a fence amongst trees, inscribed: Pamela BeresfordRhodes 1920, with foliate capped handle, 10.5cm high, 183gr (5oz)

£300-500

227

229

228

230

59

236A WILLIAM IV SILVER TEAPOT, PAUL STORR FOR STORR &MORTIMER, LONDON, 1836compressed melon shaped, flat-chased to the shoulder and lidwith a band of anthemion and scrolls, cast Rococo spout, leafcapped silver handle11.5cm high, 731gr (23oz)

£600-800

235A VICTORIAN SILVER-GILT MUSTARD POT, JOSEPHWILLMORE, BIRMINGHAM, 1839in Rococo revival style with rocaille and foliage, on four pad feetand with a naturalistic convolvulus handle8.5cm wide, 98gr (3oz) excluding blue glass liner

£300-400

234A VICTORIAN SILVER-GILT BOWL, RICHARD SIBLEY, LONDON,1872in Indian taste, initialled M.A.B. below a band of mythical figuresand animals and between foliate and geometric borders11cm diameter, 178gr (5oz)

£80-120

233A VICTORIAN SILVER DISH, C.T. & G. FOX, LONDON, 1857silver-gilt interior with lobed panels of differing foliate, diaper andstrapwork engraving15.5cm diameter, 196gr (6oz)

£180-220

232A VICTORIAN SILVER NOVELTYCREAM JUG, STAPLETON & SONS,LONDON, 1882modelled as ‘The Heathen Chinee’, abehatted and mustachioed Chinaman,his queue forming the handle8cm high, 81gr (2oz)

‘The Heathen Chinee’ was a charactermost famously burlesqued by theEnglish comic Willie Edouin in LydiaThompson’s production of in BlueBeard at the Folly Theatre, London,1878.

£200-300

232

233

234

235

236

60

237A GEORGE IV SILVER COFFEE POT, PAUL STORR FOR STORR & MORTIMER, LONDON, 1825baluster, profusely chased in a Rococo style withflowers around the engraved crest of Trotter, castRococo spout, leaf-capped chased silver handle26.5cm high, 985gr (31oz) including ivory insulators

Provenance: John Trotter (1757-1833) of Dyrham Park,Hertfordshire. Thence by direct family descent.

John Trotter amassed a considerable fortune as an armycontractor. “After the peace of 1783 he urged on thegovernment the absurdity and extravagance of sellingoff all the military stores, only to replace them by newpurchases on the occasion of any alarm, and offered towarehouse them in his own premises. This was agreedin 1787. On the outbreak of the French war the businessincreased enormously, and by 1807 he had established109 depots, containing supplies insured for 600,000. Thestorekeepers were all appointed and paid by him; therewas no government inspection, and apparently nogovernment audit. The agreement was that he was paidthe cost of the stores, plus a percentage to coverexpenses and profit. In the hands of an honest andcapable man the system worked efficiently, but it wasfelt to be improper to leave the country dependent onone man or to give one man such vast patronage. In1807 Sir James Pulteney, then secretary for war,established the office of storekeeper-general, givingTrotter the first nomination to the post and taking intoservice all his employees. In 1815 Trotter establishedthe Soho bazaar between Soho Square and OxfordStreet. Intended at first to enable the distressed widowsand daughters of army officers to dispose economicallyof their home ‘work’ by renting a few feet of counter,the bazaar eventually proved a source of wealth to itspromoter. He was a man of many schemes, some ofwhich led to fortune; others died in their infancy,including one for the establishment of a universallanguage. He died at Connaught Place, London on 6September 1833.” (J. K. Laughton, ‘Trotter, HenryDundas (1802-1859)’, rev. Andrew Lambert, OxfordDictionary of National Biography, Oxford UniversityPress, 2004) John Trotter purchased Dyrham Park in1798; apparently the park’s entrance archway on the StAlbans Road had originally been one of the triumphalarches erected in London by General Monk for CharlesII’s entry of 1660. The family remained at Dyrham untilthe house was requisitioned during the Second WorldWar, since when it has become a country club.

£1800-2500

238A SET OF FOUR WILLIAM IV SILVER SHELL DISHES,PAUL STORR FOR STORR & MORTIMER, LONDON,1830formed as scallop shells, engraved Trotter crest, each on two periwinkle shell feet14cm wide, 657gr (21oz)(4)

Provenance: John Trotter (1757-1833) of Dyrham Park,Hertfordshire.Thence by direct family descent. (See footnote toprevious lot.)

£2000-3000

237

238

239A GEORGE III SILVER TANKARD, THOMAS WALLIS, LONDON, 1783plain girdled cylindrical, scroll handle with engraved initials triangle M / AM,volute thumbpiece18cm high, 615gr (19oz)

£800-1200

61

240A GEORGE IV SILVER THREE-PIECE TEASET, CHARLES FOX, LONDON, 1822crested, with gadroon rims, the bodiescovered in alternate broad and narrow lobesteapot 17.5cm high, 1755gr (56oz) includingivory insulators(3)

£1000-1500

241A WILLIAM III SILVER TRENCHER SALT,MAKER’S MARK INDECIPHERABLE,LONDON, 1696with corded rims and gilt interior; togetherwith a Victorian silver trencher salt,Pairpoint Brothers, London, 1856, similar8cm diameter, 116gr (3oz)(2)

£200-300

242A PAIR OF SCOTTISH GEORGE III SILVERWAITERS, WALTER & PATRICKCUNNINGHAM, EDINBURGH, 1789crested, with worn bright-cut engravedborders, each on three panel feet16.5cm diameter(2)

£300-500

239

240

242

244A GEORGE III SILVER MUG, LANGLANDS & ROBERTSON,NEWCASTLE, 1790baluster, engraved with marriage triangle F/WS withing a bright-cut oval13cm high, 355gr (11oz)

£300-500

‡ 246**A GEORGE II SILVER COFFEE POT, GEORGE WICKES,LONDON, 1733tapering cylindrical, the borders and spout fla-chased with shells,scrolls and diaperwork, scratch weight ‘22-4’19.5cm high, 679gr (21oz)

Provenance: S.J. Shrubsole Ltd., 3rd February 1983

£1500-2000

62

245A GEORGE IV SILVER WAITER, JOHN JAMES KEITH, LONDON,1828gadroon rim, later initialled CBU, on three ball feet, 18cmdiameter; together with a George III silver teapot stand, HenryChawner, London, 1788, shaped oval with moulded rim, panelfeet, 17cm wide; and a silver Armada dish, William Comyns &Sons Ltd., London, 1960, typical form, 12cm diameter566gr (18oz)(3)

£300-500

243A GEORGE III SILVER COFFEE POT, JOHN MOORE,LONDON, 1764the engraved armorials and crest surrounded by Rococo foliatechasing, with cast spout30cm high, 1130gr (36oz) including later ivory handle

The arms are those of a descendant of Bradshaw of Bradshaw,Windley, Holdbrook etc. in Derbyshire.

The maker’s mark is recorded in Grimwade No. 3658 as eitherJohn Moore or possibly Jacob Marsh, but the attribution toJohn Moore is much more likely because he is described as agoldsmith and/or a plate worker of 118 Fleet Street; he certainlysent silver to be hallmarked at the London Assay Office aroundthe late 1760s/early 1770s. On the other hand Marsh was agoldsmith of Cornhill so therefore much more likely to havebeen a retailer.

£1500-2000

245 (Part)

246

243

244

63

249A GEORGE II SILVER COFFEE POT, GEORGE METHUEN,LONDON, 1750engraved with a later crest within a contemporary foliateRococo cartouche25cm high, 892gr (28oz)

£1000-1500

247AN IRISH GEORGE II SILVER-GILT CUP AND COVER,PROBABLY WILLIAM RING, DUBLIN, 1743/44with leaf-capped scroll handles, engraved with a vacant Rocococartouche above the girdle, cover and body applied with bands offoliate straps on a matted ground31cm high, 1921gr (61oz)

Provenance: property of the Late Lord Hastings, removed fromSeaton Delaval Hall.

£2000-3000

‡ 248**A GEORGE III SILVER TRAY, JOHN MEWBURN, LONDON,1814oval, gadroon border, engraved with armorials70cm across handles, 3747gr (120oz)

£1500-2000

249

247

248

64

250A SCOTTISH SILVER-MOUNTEDLABURNUM QUAICH, UNMARKED,CIRCA 1690the bowl of hardwood staves boundwith willow withies centred by a silveroctafoil plate engraved withcontemporary betrothal initials JW overAY, the silver-mounted lugs withengraved formal leaf borders, plain rimmounts18.3cm wide

For a comparable bowl see Bonhams,Edinburgh, 18th August 2009, lot 221.Several other examples in silver orsilver-mounted wood were included inthe exhibition Made in Scotland, GeorgeDalgleish and Henry SteuartFothringham, revised edition,Edinburgh, 2008.

£1500-2500

251AN IRISH GEORGE II SILVER TWO-HANDLED CUP, JOHN IRISH, CORK,CIRCA 1750the vase-shaped girdled body with harp-shaped handles19cm high, 689gr (22oz)

£1500-2500

250

251

65

253A DUTCH SILVER NOVELTY FIGURAL CUP,POSSIBLY B. OVING OF GRONINGEN, 1898modelled as an owl, inspired by German17th century figural cups the detachablehead concealing a pouring spout and apierced cover, marked on body, head andcover, also with import marks for SamuelBoyce Landeck, London, 189828cm high, 705gr (22oz)

For another see Sotheby’s, London, 27thApril 2010, lot 304.

£3000-4000

252A GERMAN SILVER STIRRUP CUP,RETAILED BY TIFFANY & CO. OF NEWYORK, PROBABLY HANAU, EARLY 20THCENTURYrealistically modelled as a ten point stag’shead on a plain flared cylindrical body,stamped ‘STERLING Germany TIFFANY’17cm high, 369gr (11oz)

£500-800

253

252

254A SWEDISH PARCEL-GILT-SILVER TANKARD, PETTER BRITT,KALMAR, CIRCA 1710barrel form, engraved below the gilt banded wrigglework rim‘D.N.A.C.S. / P.B.S. / K.A.D. / 1721.’, fruit-cluster ball feet headed byapplied shaped panels of foliate and fruit, fruit-cluster ballthumbpiece, scroll handle with shield terminal, lid set with amedallion surrounded by floral engraving, gilt interior17cm high, 1071gr (34oz)

£4000-6000

66

255AN ITALIAN SILVER ALTAR VASE, MAKER’S MARK RUBBED,ASSAY MASTER (CONSUL) GIUSEPPE SIMIOLI, NAPLES, 1696-98the oval bowl chased with scrolls and fruit swags between vacantcartouches and applied Renaissance seraphim handles, onstepped elongated octagonal pedestal foot16.5cm wide, 618gr (19oz) excluding copper liner but includingmetal foot nut

The maker’s mark is possibly ‘.T.P.’ whose name appears to beunrecorded, see Elio E. Corrado Catello, Argenti Napoletani dalXVI al XIX Secolo, Naples, 1973, p.171.

£2000-3000

256AN ITALIAN COPPER-GILT AND SILVER ALTAR VASE,PROBABLY NEAPOLITAN, LATE 17TH CENTURYthe oval bowl with scrolls and foliage between vacant cartouchesand applied silver Renaissance seraphim handles, on steppedelongated octagonal pedestal foot19cm wide

£600-800

257A PAIR OF SPANISH TABLE DECORATION FIGHTING COCKS,POST 1934each modelled with extravagant tail feathers, stamped withmaker’s mark and 915 quality marklongest 25cm, highest 20cm, 563gr(2)

£200-300

67

256

255

257

Lots 258-328: the Silver Collection from the Estate of the Late Andrew Kelly Q.C.

Andrew Kelly, throughout his career practised in planning, local government and parliamentary law - being consistentlyrated among the top Silks in these fields. He counted English and Irish silver as one of his private passions and spentmany years building up his collection. His life was cut short by a sudden illness and he died unexpectedly in April 2011.Proceeds from the estate go to charity.

260AN ITALIAN EWER, POST 1944the ribbed or fluted baluster body in 17th century style, stamped‘800’23cm high, 603gr

£400-600

68

261A TAZZA, APPARENTLY UNMARKED, PROBABLY SOUTHAMERICAN, 20TH CENTURYwith shell rim10cm diameter, 636gr

£200-300

258A SET OF THREE SOUTH AMERICAN SILVER ALTARDECORATIONS, PROBABLY PERUVIAN, 18/19TH CENTURYeach of a sheet cut-out and chased in relief as an angel, mountedon fabric-backed stands18.5cm high

£600-900

259A PAIR OF SPANISH SILVER SALT CELLARS AND SPOONS, A.ULLOA, VALLADOLID, 1ST HALF 19TH CENTURYwith shell and scroll rims, each on three ball and claw legs, with apair of matching salt spoons, spoons unmarked except for French‘Swan’ mark, salts maker’s mark only (see Alejandro Fernández,Rafael Munoa and Jorge Rabasco, Marcas de la Plata Española yVirreinal, Madrid, 1992, p. 174)9.5cm diameter, 294gr (9oz)(4)

£250-350

258

259

260

261

262AN ITALIAN SILVER CHALICE, VENETIAN,LATE 17TH CENTURY with plain gilt bowl, theknopped stem and spreading foot withstrapwork decoration, foot initialled G over MG,with Zecca, horse’s head and B in a beadedframe marks21cm high, 290gr (9oz)

£600-900

264A RUSSIAN SILVER SUGAR BOX, YAKOV MASLENNIKOV,MOSCOW, 1780bulbous shaped oval, shell chased lid with shell thumbpiece, giltinterior, also marks of assay master Stepan Belkin and alderman FedorPetrov16cm long, 399gr (12oz)

£600-900

69

263A FRENCH ELECTROPLATE WINE BUCKET,SOCIÉTÉ FRANÇAISE D’ORFÈVRERIE ARGIT,MID 20TH CENTURYtapering cylindrical, with handles issuing fromgrape bunches, 19cm high; together with a set offour electroplate wine coasters, modern, withgadroon rims and wood bases and anothersimilar electroplate wine coaster(6)

£100-200

265AN AUSTRIAN SILVER-GILT LAUREL WREATH, VIENNA, POST 1872realistically modelled, ribbon tied24cm wide, 388gr (12oz)

£600-900

266A DUTCH SILVER TEAPOT AND COVER, DIEDERIK LODEWIJKBENNEWITZ, AMSTERDAM, 1801plain oval, reeded rims12cm high, 312gr (10oz) including wood finial and handle

£500-800

262

263

264

265

266

267A CHARLES II SILVER TANKARD, JOHN SUTTON, LONDON, 1680chased with a band of acanthus below a chased foliate border, foliatechased lid with bifurcated thumbpiece, scroll handle pricked EL16cm high, 628gr (20oz)

£3000-5000

268A GEORGE I SILVER CASTER, JOSHUA FRENSHAM, LONDON, 1719girdled baluster, with bun cover11cm high, 109gr (3oz)

£200-300

70

267 (Marks)

268

267

269A WILLIAM III SILVER MUG, JOHN BODDINGTON, LONDON, 1698with reeded bands, scroll handle with beading, underside engraved withthe marriage triangle intials E/S*P and later initialled W de E / 1866(possibly Willoughby de Eresby)10cm high, 293gr (9oz)

£800-1200

270A GEORGE II SILVER MUG, WILLIAM WOODWARD, LONDON, 1747plain tapering, scroll handle11cm high, 353gr (11oz)

£300-400

71

269 (Marks)

269

270

72

271AN ELIZABETH I SILVER CHALICE AND PATEN, MAKER’S MARK AN ARROW PIERCING H (JACKSON P.99), LONDON, 1576with foliate strapwork engraved girdle and knopped pedestal, dished paten cover21cm high, 325gr (10oz)

£4000-6000

271 (Marks)

73

272A CHARLES I SILVER WINE CUP, MAKER’S MARK FW IN MONOGRAM (JACKSON P.108), LONDON, 1630the bowl pricked with initials NT surrounded by scrolls, on triple knopped stem and spreading foot16cm high, 220gr (7oz)

£3000-4000

274A CHARLES II SILVER PLATE, MAKER’S MARKEG (JACKSON P.129), LONDON, 1676plain circular, reeded rim19.5cm diameter, 236gr (7oz)

£700-1000

275AN IRISH GEORGE II SILVER SPOON TRAY,DUBLIN, MID 18TH CENTURYoval, engraved armorials, fluted rim18.5cm long, 103gr (3oz)

The arms are those of Lawless.

£250-350

273A GEORGE I BRITANNIA STANDARDSILVER TEAPOT, JONAH CLIFTON,LONDON, 1724squat baluster, domed lid, undersideengraved IH15cm high, 442gr (14oz) all in

£2500-3500

74

273

274

275

75

277A GEORGE II SILVER SALVER, JOSEPH SANDERS,LONDON, 1740plain except for the moulded shell rim, undersideinitialled U over IV and later RMN24cm diameter, 487gr (15oz)

£600-800

278A GEORGE II SILVER LEMON STRAINER,MAKER’S MARK PARTLY OBLITERATED BYPIERCING, PROBABLY BENJAMIN WEST,LONDON, 1749typical twin-handled form, 18.5cm wide; togetherwith a Georgian style silver lemon strainer,James Parkes, London, 1926, similar, 15cm wide169gr (5oz)(2)

£400-600

276A GEORGE II SILVER BEER JUG,MAKER’S MARK APPARENTLY WC,POSSIBLY WILLIAM CRIPPS,LONDON, 1759plain baluster, leaf capped scrollhandle20cm high, 731gr (23oz)

£2500-3500

276

278

277

76

280TWO GEORGE I SILVER CASTERS, THOMAS BAMFORD,LONDON, 1724/26in sizes, girdled baluster octagonal17cm and 14cm high, 342gr (10oz)(2)

£600-900

281A GEORGE II SILVER MUG, JOHN GAMMON, LONDON, 1730with later engraved Rococo cartouche and crest10cm, 198gr (6oz)

£300-500

282AN IRISH GEORGE II SILVER MUG, WILLIAM BEATES, DUBLIN,CIRCA 1750plain baluster, scratch weight ‘oz/7 - dwt/15’11cm high, 235gr (7oz)

£400-600

279A GEORGE I SILVER COFFEE POT,EDWARD VINCENT, LONDON1723, plain tapering octagonal25cm high, 794gr (25oz)

£4000-6000

279

280

282 281

77

284A GEORGE II SILVER MUG, JOHN SWIFT, LONDON, 1742plain except for crest, baluster, with leaf capped scroll handle11cm high, 288gr (8oz)

£300-400

285A GEORGE II SILVER MUG, FULLER WHITE, LONDON, 1754plain baluster, leaf capped scroll handle10.5cm high, 235gr (7oz)

£250-350

286A GEORGE I SILVER MUG, JOSEPH CLARE, LONDON, 1721plain10.5cm high, 247gr (8oz)

£300-400

287A SET OF FOUR IRISH GEORGE II SILVER SALT CELLARS,JOHN MOORE, DUBLIN, CIRCA 1746circular, each on three lion mask headed paw feet, with giltinteriors, 7.5cm wide, 401gr (12oz) (4)

£600-900

283

286 284 285

287

283AN IRISH GEORGE I SILVER COFFEEPOT, DAVID KING, DUBLIN, 1727plain tapering cylindrical, scratchweight 25:1223.5cm high, 810gr (26oz) all in

David King was active from 1690 to1737, serving a period as MasterWarden of the Company ofGoldsmiths, as well as being on theCommon Council of the City of Dublin.King Street was named after him.

£3000-4000

290A MATCHED PAIR OF IRISH GEORGE II SILVER WAITERS, ONEROBERT HOLMES, THE OTHER JOHN PITTAR, DUBLIN, CIRCA1745circular, crested, scroll and shell rims, each on three pad feet17.5cm diameter, 568gr (18oz)(2)The crest and motto are those Becher, probably of Ireland.

£700-900

291AN IRISH GEORGE III SILVER TEAPOT STAND, RICHARDSAWYER, DUBLIN, 1806plain oval20cm wide, 259gr (8oz)

£150-250

78

289A PAIR OF GEORGE III IRISH SILVER BUTTER SHELLS,MAKER’S MARK ONLY, JOHN LLOYD OF DUBLIN, CIRCA 1775typical form, crested below a Viscount’s coronet, each on threelimpet feet, 12cm long, 174gr (5oz)(2)

£500-800

288A GEORGE III SILVER TRAY, ELIZABETH JONES, LONDON, 1793oval, engraved with armorials in an oblong cartouche, reeded rim,scratch weight ‘81oz=15’60cm wide across end handles, 2501gr (80oz)

The arms are those of Gilpin of Scaleby, Cumberland; Gilpin ofWestmoreland; or Gilpin of Bungay, Suffolk, impaling Beaumont,co. Leicester, or Beaumont of Beaumont Hall, Suffolk.

£2000-3000

290

289

288

293AN IRISH GEORGE III SILVER BASKET, MICHAEL HOMER,DUBLIN, CIRCA 1780with later handle, crested, oval, pale pierced, swing handle,handle with London Assay Office mark for 200530cm wide, 458gr (14oz)

£600-800

294AN IRISH GEORGE III SILVER SWEETMEAT BASKET,WILLIAM BOND, DUBLIN, 1805navette shaped, on pedestal foot, swing handle, bright-cutengraved17.5cm wide, 241gr (7oz)

£600-800

295ANOTHER IRISH GEORGE III SILVER SWEETMEAT BASKET,DUBLIN1801, plain navette shaped, on pedestal foot, swing handle17cm wide, 251gr (8oz)

£500-700

292A PAIR OF GEORGE II SILVER ROCOCOCANDLESTICKS, AYMÉ VIDEAU,LONDON, 1744the knopped stems and spreading basescovered with foliage, scrolls and rocaille,with detachable nozzles, with Paris importmark 1781-8925.5cm high, 1942gr (62oz)(2)

£3000-5000

79

292

293

294 295

299AN IRISH GEORGE IV SILVER DISH, EDWARD POWER,RETAILED BY EDWARD TWYCROSS, DUBLIN, 1825circular, gadroon rim later initialled EC20.5cm diameter, 282gr (9oz)

£150-250

80

296A GEORGE II SILVER TEAPOT, THOMAS WHIPHAM, LONDON,1750inverted pear shaped, with flat-chased foliate band to the rim,scratch weight 16”514cm high, 522gr (16oz) including later wood handle

£800-1200

297A GEORGE II SILVER SNUFFERS TRAY, JAMES GOULD,LONDON, 1745of typical waisted outline with scroll and shell rim, on paw feet18cm wide, 294gr (9oz)

£400-600

298AN IRISH SILVER BOWL, MAKER’S MARK RUBBED, POSSIBLYJOHN & SAMUEL NICOLSON, CORK, CIRCA 1770circular, spiral fluted, on three hoof feet, also struck STERLING13cm diameter, 175gr (5oz)

£300-500

301TWO IRISH GEORGE III SILVER SAUCEBOATS, DUBLIN, ONETHOMAS JOHNSTON, CIRCA 1760, THE OTHER MATTHEWWEST, 1791both oval, the former plain, the latter with beaded flutes19cm and 16cm long, 409gr (13oz)(2)

£600-900

300AN IRISH GEORGE III SILVER TEAPOT, JOHN LLOYD, DUBLIN,1778cylindrical, bright-cut, 26cm wide across wood handle; togetherwith a Irish George III silver stand, Robert Breading, retailerClark & West, Dublin, circa 1780, circular, on three feet, 14cmdiameter682gr (21oz) all in(2)

£600-900

296

297

298

299

300

301

81

303AN IRISH WILLIAM IV SILVER WINE FUNNEL, JAMES LE BAS,DUBLIN, 1831typical form, with detachable strainer with reeded rim, 14cm high;together with an Irish George III silver wine funnel stand,William Nolan, retailed by William Law, Dublin, 1813, circular,crested, gadroon rim, 10.5cm diameter, 209gr (6oz)(2)

£300-400

304A GEORGE III SILVER MILK JUG, SOLOMAN HOUGHAM,LONDON, 1802helmet shaped, with bright-cut Greek key border, 11.5cm high;together with a George III silver milk jug, maker’s mark I.M,London, 1809, bulbous, reeded rim9cm high, 236gr (7oz)(2)

£180-220

305AN IRISH GEORGE III SILVER SALVER, RICHARD WILLIAMS,DUBLIN, CIRCA 1770shaped circular, gadroon and shell rim, engraved with armorials38.5cm diameter, 1374gr (44oz)

£1500-2000

306A GEORGE V SILVER ENTREE DISH, COVER AND HANDLE,JAMES DIXON & SONS, SHEFFIELD, 1910oblong with reeded borders27cm wide, 1749gr (56oz)

£700-1000

302A GEORGE IV SILVER TEA CADDY,THOMAS BRADBURY & SONS,SHEFFIELD, 1827bombé form, foliate decorated,crested, the cover with Chinaman finial14cm high, 252gr (8oz)

The crest and motto is that of Bower ofIwerne House, Dorset.

£400-600

302

303

305

306

82

312A VICTORIAN SILVER TEA CADDY, D. & M. DAVIS LTD. OFBIRMINGHAM, LONDON, 1898bombé form, foliate decorated with lobes, initialled ALC, on openscrolling feet, cover with wrythen pointed finial15cm high, 310gr (10oz)

£150-200

307A GERMAN ELECTROPLATE MODEL OF A STALLION, WMF(WUERTTEMBERGISHE METALLWARENFABRIK), 20THCENTURYrealistically modelled, on naturalistic plinth base28cm wide

£150-250

308AN IRISH GEORGE III SILVER TEAPOT, MAKER’S MARK J.M,DUBLIN, 1796shaped oval, bright-cut, pineapple finial, engraved with laterarmorials,30cm wide, 560gr (18oz) all in

£400-600

309A GEORGE III SILVER TEAPOT, SAMUEL GODBEHERE,LONDON, 1785oval, bright-cut, 26cm wide across wood handle; together with aGeorge III silver teapot stand, Peter, Ann & William Bateman,London, 1802, oval, bright-cut, reeded rim,16cm wide499 (16oz) all in(2)

£400-600

310A SILVER MODEL OF A HORSE, EDWARD BARNARD & SONSLTD., LONDON, 1972realistically cast12cm high, 421gr (13oz)

£400-600

311A SILVER DOUBLE PHOTOGRAPH FRAME, MAKER’S MARKMPL, BIRMINGHAM, 2002the two plain rectangular panels centrally hinged20cm high, wood backed

£100-150

307

310

311308

309312

313

83

313AN IRISH VICTORIAN SILVER PEPPER GRINDER, WEST & SON,DUBLIN, 1881of typical form, crested9cm high

£200-300

316AN EDWARDIAN SILVER DRESSING TABLE TRAY, WILLIAMCOMYNS & SON, LONDON, 1900quatrefoil, stamped with ‘Reynold’s Angels’31cm wide, 333gr (10oz)

£200-300

317AN IRISH GEORGE III SILVER MUSTARD POT, MAKER’S MARKRUBBED, DUBLIN, 1801plain oval, 7.5cm wide; together with another silver mustard pot,Edward Barnard & Sons, London, 1913, urn shaped; andanother silver mustard pot, maker’s mark rubbed, London,1909, plain circular216gr (6oz) excluding their blue glass liners(3)

£200-300

314A GEORGE IV SILVER CHAMBERSTICK,WILLIAM ELLIOTT, LONDON, 1827shaped circular, crested, complete withdetachable nozzle and conical extinguisher14cm diameter, 293gr (9oz)

£400-600

315A VICTORIAN SILVER BOWL, MARTIN, HALL & CO., CHESTER, 1896plain, 14cm diameter; together with a silversweetmeat dish, William Hutton & Sons Ltd.,Birmingham, 1914, plain circular, 14cm wideacross handles300gr (9oz)(2)

£120-150

318A SET OF FOUR SILVER CANDLESTICKS, JAMES DIXON& SONS LTD., SHEFFIELD, 1961/64Corinthian column pattern, with detachable nozzles23cm high, loaded(4)

£1200-1800

313 316

314

318

317

319A MATCHED SET OF FIDDLE PATTERN TABLE SILVER,VARIOUS DATES AND MAKERS, PREDOMINANTLY DUBLIN ORLONDON, 19TH CENTURYmostly crested, some initialled, comprising: fourteen tablespoons(including three Russian examples), eighteen table forks, twelvepistol handled table knives with steel blades, eighteen dessertspoons, eighteen dessert forks, fourteen teaspoons, six saltspoons, three basting spoons, two sauce ladles, two mustardspoons, a sugar scoop, a caddy spoon and a Russian soup ladle 4912gr (157oz) weighable silver(110)

£2500-3500

320TWO PAIRS OF IRISH SILVER TABLESPOONS, DUBLIN, JOHNOSBORNE, 1794 AND ROBERT WILLIAMS, 1800Celtic Point pattern, the former initialled, the latter crested24cm long, 248gr (8oz)(4)

£100-150

321TEN ASSORTED SILVER NAPKIN RINGS, PREDOMINANTLYBIRMINGHAM, ONE AMERICAN, 1888-1957all circular, four engine-turned, four bright-cut, two plain167gr (5oz)(10)

£150-200

322A SET OF WILLIAM IV TABLE SILVER, WILLIAM THEOBALDS,LONDON, 1833/35Feather Edge Fiddle pattern, crested, comprising four table forks,four dessert spoons and four dessert forks; together with a set offive Irish George III silver teaspoons, James Salter of Cork,Dublin, early 19th century and another matching Irishteaspoon, bright-cut Celtic Point pattern, initialled825gr (26oz)(18)

£400-600

84

319

322

85

323A SCOTTISH GEORGE III SILVER SOUP LADLE, PROBABLYADAM GRAHAM, GLASGOW, CIRCA 1765Hanoverian pattern35cm long, 162gr (5oz)

£120-180

324AN IRISH SILVER SOUP LADLE, POSSIBLY MICHAELCORMICK, SPONSOR’S MARK JOHN LAUGHLIN, DUBLIN,1767with shell bowl, the hooked stem stamped with foliage andcrested36cm long, 218gr (7oz)

Apparently ‘Mid-18th-century plate bearing the maker’s mark ‘MC’ accompanied by another is often encountered. The first may beMichael Cormick’s, a goldsmith with a workshop in ParliamentStreet. He was a Roman Catholic and consequently debarredfrom becoming a freeman and trading directly with the public.This may have obliged him to sell his work through a registeredfreeman who may have struck the second mark.’ (Ida Delamer &Conor O’Brien, 500 Years of Irish Silver, Exhibition at the NationalMuseum of Ireland, Wicklow, 2005, p.36)

£200-300

325ASSORTED FIDDLE AND OLD ENGLISH PATTERN TABLESILVER, ENGLISH AND IRISH, 19TH/20TH CENTURY comprising: eight dessert forks, three dessert spoons, three ladles,five teaspoons, four cake forks (tines probably later cut out ofspoons), a mustard spoon, a salt spoon and a berry spoon;together with a pair of silver sugar tongs and the followingelectroplate flatware: eight Old English pattern tablespoons, twocoffee spoons and a preserve spoonsilver 835gr (27oz)(27)

£400-600

326A GEORGE III SILVER FISH SLICE OR SERVING TROWEL,THOMAS NASH, LONDON, 1769with scroll pierced triangular blade and Feather Edge patternhandle with shell join28.5cm long, 127gr (4oz)

For a similar Thomas Nash slice see Christie’s New York, 19th

October 2004, lot 998, sold for $1076.00

£400-600

328A VICTORIAN SILVER JUG, THOMAS BRADBURY & SONS,LONDON, 1896the bulbous body part lobed13cm high, 378gr (12oz)

£200-300

327A PAIR OF GEORGE IV SILVER-GILT GRAPE SCISSORS, ELEY &FEARN, LONDON, 1824the handles with shells, acanthus, leopard masks and grapes,initialled WSM17cm long, 145gr (4oz)

£200-300

323324

327326

329A FRENCH SILVER METAMORPHIC CIGARETTE CASE/TRAY, IMPORT MARKS FORCOHEN & CHARLES, LONDON, 1912oblong, engine turned, sides with a Greek key border and oval cabochon sapphirethumbpiece, both sides opening to form three gilt trays with handle, stamped Patent15743, 8.5cm long; together with a George VI silver cigarette case, L.E. McCann,Birmingham, 1946, rectangular, engine turned, gilt interior with crest, motto andinscription ‘Niall with love. June 21st-48’, 11.5cm long444gr (14oz) all in(2)

£250-350

330FIVE SILVER COMPACTS, CZECHOSLOVAKIA, 1929-42one rectangular and four circular, all florally decorated, two with mirrors and powdernetting, two with mirrors only and one lacking fittingslargest 10cm wide, 645gr (20oz) all in including metal frames(5)

£150-250

331FIVE SILVER COMPACTS,CZECHOSLOVAKIA, 1929-42with engine-turned and floral decoration,one shaped rectangular with gilt strip, onecircular with gilt strip, one small cutcornered square with gilt strip, anothershaped square and one shaped circular, allwith mirrors, three with powder nettinglargest 8cm wide471gr (15oz) all inincluding metal frames(5)

£150-250

332FIVE SILVER COMPACTS,CZECHOSLOVAKIA, 1929-42all shaped square, four with engine-turnedand floral decoration, one with plaidpatterning, four complete with mirrors andnetting, one lacking powder nettinglargest 8cm wide, 576gr (18oz) all inincluding metal frames(5)

£150-250

333FOUR SILVER CIGARETTE CASES,CZECHOSLOVAKIA, 1929-42rectangular, with engine-turned and floraldecoration, one applied with gilt initials,gilt interiorslargest 11.5cm wide, 536gr (17oz)(4)

£200-300

334FOUR SILVER CIGARETTE CASES,CZECHOSLOVAKIA, 1929-42all engine-turned, two rectangular eachwith a gilt scroll foliate central stripe, onerectangular with black and red enamelled Xstringing and gilt foliate triangles, oneshaped rectangular initialled example withblue enamel stringing and diagonal giltfoliate bands, gilt interiorslargest 11cm wide, 570gr (18oz)(4)

£250-350

86

Lots 329-350: a Private Collection of Cigarette Cases and Compacts

329–350 (a selection)

335FIVE SILVER CIGARETTE CASES, CZECHOSLOVAKIA, 1929-42all rectangular and engine-turned, one with parcel-gilt Art Decodesign, one parcel-gilt with plaid design, one with scroll foliatestripe and two with linear designs, three with inscribed giltinteriorslargest 12.5cm wide, 875gr (28oz)(5)

£300-400

336FOUR SILVER CIGARETTE CASES, CZECHOSLOVAKIA, 1929-42all shaped rectangular and with foliate and engine-turneddecoration, three with initials and enamel stringing one withinitialled interiorlargest 11.5cm wide, 592gr (19oz)(4)

£200-300

337FOUR SILVER CIGARETTE CASES, CZECHOSLOVAKIA, 1929-42rectangular, one with scroll foliate decoration, two with parcel-giltfoliate stripes and engine turning, one engine-turned with foliatecorner panelslargest 10.5cm wide, 510gr (16oz)(4)

£200-300

338FOUR SILVER CIGARETTE CASES, AUSTRIA, POST 1922rectangular, largest with waved engine-turning, one with giltfoliate central stripe, one with scroll foliage lid and one with twodiagonal blue enamel strips, gilt interiorslargest 11cm wide, 360gr (11oz)(4)

£150-250

339FIVE SILVER CIGARETTE CASES, CZECHOSLOVAKIA, 1922-29shaped rectangular, one frosted, initialled NG and engraved with afoliate spray with red stone set flower, two covered in scrollfoliage, one with zig-zag engine-turning and gilt strips and onewith engine-turning surrounding a gilt initialled oval, gilt interiorslargest 11cm wide, 716gr (23oz)(5)

£150-250

340FIVE CIGARETTE CASES, CZECHOSLOVAKIA, POST 1942four rectangular, one with bowed ends, all scroll foliate andengine-turnedall with gilt interiors except one with initialled interiorlargest 9cm wide, 428gr(5)

£180-220

341FIVE COMPACTS, CZECHOSLOVAKIA, POST 1942all engine turned and with mirrored interiors, four also with scrollfoliate engraving, three circular and two shaped squarelargest 10.5cm diameter, 520gr all in including metal frames(5)

£120-180

342FIVE COMPACTS, CZECHOSLOVAKIA, POST 1942all engine turned and with mirrored interiors, four also with scrollfoliate engraving, three shaped square, one shell-shaped, onecircularlargest 9cm wide, 494gr all in including metal frames(5)

£120-180

343FIVE COMPACTS, CZECHOSLOVAKIA, POST 1942all engine turned and scroll foliate engraved, all with mirroredinteriors, two shaped square, one oblong, two circularlargest 10cm diameter, 582gr all in including metal frames(5)

£120-180

344SIX COMPACTS, CZECHOSLOVAKIA, POST 1942all engine turned and with mirrored interiors, some also withfoliate engraving, three shaped square, one rectangular, twocircularlargest 10cm diameter, 658gr all in including metal frames(6)

£150-250

345FOUR SILVER CIGARETTE CASES, CZECHOSLOVAKIA, 1929-42all with foliate and engine-turned decoration, three rectangular,one shaped rectangular, three with inscribed gilt interiorslargest 11cm wide, 536gr (17oz)(4)

£200-300

87

346FIVE CIGARETTE CASES, CZECHOSLOVAKIA,POST 1942all oblong, one scroll foliate engraved surrounding ascene of the Three Musketeers, one engine turnedwith blue enamel stringing and Greek key borders,one engine turned with foliate and linear engraving,one scroll foliage engraved, and one engine turnedaround an initial B with foliate borderslargest 12cm long, 656gr(5)

£200-300

347FIVE CIGARETTE CASES, CZECHOSLOVAKIA,POST 1942all oblong, one with a pastoral scene, one with a giltfoliate and geometric stripe, one with plaid engine-turning, engine-turned with asymmetric foliate band,one scroll foliate engraved with blue enamelstringinglargest 11.5cm long, 702gr(5)

£200-300

348SIX CIGARETTE CASES, CZECHOSLOVAKIA, POST1942all oblong, one small example with scroll foliage,one covered in scroll foliage, one with engine-turnedstripes and blue enamel stringing, one engine-turnedwith foliate corner, two engine turned with foliatebandslargest 12cm long, 783gr(6)

£250-350

349SIX SILVER COMPACTS OR CIGARETTE CASES,CZECHOSLOVAKIA, POST 1929comprising three oblong engine-turned cigarettecases and one filigree example, together with twoengine-turned compacts with mirrored interiors andfittingsfiligree case 9cm long, 517gr (16oz) all in(6)

£200-300

Various Owners

350AN AUSTRIAN SILVER AND ENAMEL CIGARETTECASE, GEORG ADAM SCHIED, VIENNA, CIRCA1900oblong, with engine-turning and blue enamelstringing 9cm long; together with four Austriansilver cases, 1st quarter 20th century, comprising anoblong box with Lakeland scene, a cigarette casewith red enamel scroll foliate reserve, one elongatedoctagonal engine-turned lipstick case and a squarecompact with floral needlepoint panel464gr (14oz)(5)

£180-220

88

352TWO SILVER NOVELTY CIGAR LIGHTERSone in the form of a lighthouse, Grey & Co of London, Chester, 1911, retailedby Thornhill, New Bond Street, 13.5cm high, the other loaded spherical,engraved ‘ROYAL AIR FORCE / HALTON’ below a cast spreadeagle, Goldsmiths& Silversmiths Co Ltd, London, 1929, 9.3cm high(2)

£250-350

353A VICTORIAN SILVER STRING BOX, MAPPIN & WEBB LTD., LONDON, 1898spherical, with two bands of alternate curved lobes and flutes, on three padfeet, surmounted by a steel string cutter on scroll supports8.5cm high, 83gr (2oz) all in

£180-220

351A PAIR OF GEORGE III SILVER CHILD’S SPURS, BENJAMIN COOPER,LONDON, 1782typical form with steel rowell and three chains to buttons and buckles7cm wide(2)

Benjamin Cooper is recorded in the 1773 Parliamentary Report as abucklemaker of High Holborn. For further information, see A.G. Grimwade,London Goldsmiths, p. 471.

£500-800

Various Owners

351

352

353

354A SET OF SIX EDWARDIAN SILVER ‘OWL’ CARD HOLDERS, S.MORDAN & CO. LTD., CHESTER, 1904/05/07/08the owls of a somewhat surprised expression standing on discbases, one inscribed ‘FROM J.S.B. 1910’, all with P.O.D.R. No. for1904, in associated case3.3cm high, 130gr (4oz) including glass eyes(6)

£600-800

355A SET OF FOUR GEORGE V SILVER ‘FOUR-LEAF CLOVER’CARD HOLDERS, MARTIN, HALL & CO. LTD. OVERSTRIKINGANOTHER, BIRMINGHAM, 1911the green tinted nacre lucky leaves on domed loaded bases4.5cm high(4)

£200-300

89

356A SET OF FOUR GEORGE V SILVER ‘GAME BIRD’ CARDHOLDERS, G. BRACE & CO. LTD., LONDON, 1912the duck, grouse, pheasant or partridge standing against discsupports, on oval bases, in case4cm wide, 67gr (2oz)(4)

£300-400

357A SET OF FOUR GEORGE V SILVER ‘DOG’ CARD HOLDERS, S.BLANCKENSEE & SONS LTD., BIRMINGHAM, 1933each cast as an Alsatian, a terrier, a bulldog and a spaniel standingagainst a disc, in casedisc bases 3.5cm diameter, 134gr (4oz)(4)

£350-450

358A SET OF EIGHT GEORGE V PARCEL-GILT-SILVER ‘GOLDENPHEASANT’ CARD HOLDERS, S. MORDAN & CO. LTD.,CHESTER, 1913the strutting silver cocks on loaded gilt oval bases, IN two cases4.5cm long(8)

£500-800

359A GEORGE V SILVER DRESSING TABLE BOX, GOLDSMITHS &SILVERSMITHS CO. LTD., LONDON, 1917elongated oval, with engine-turned lid, inscription to front, 14cmwide; together with a George V silver and tortoiseshell box,maker’s mark rubbed, London, 1915, of semi-circular outline,tortoiseshell panelled lid applied with an initialled roundel, onthree bun feet, 13cm wide; and a silver cigarette box, marksrubbed, Chester, circa 1920, tortoiseshell set lid, 9cm square(3)

£180-220

360A GEORGE V PARCEL-GILT-SILVER CIGARETTE CASE, ALFREDDUNHILL LTD., LONDON, 1935oblong, ribbed between gilt borders and sides with red enamelpanels, one panel releasing the sprung lid, inscribed gilt interiorstamped DUNHILL LONDON, 11cm long; together with anothersilver cigarette case, Asprey & Co. Ltd., Birmingham, 1928,applied with initials PBC, engine-turned, patent opening toinscribed gilt interior stamped ASPREY LONDON; and anothertwo silver cases, Birmingham or Chester, 1936 or 1909, theformer an engine-turned compact with missing mirror, the latter aplain cigarette case with interior mirror464 gr (14oz) all in(4)

£250-350

354355

356 357

358

359 (Part) 360 (Part) 359 (Part)

361A VICTORIAN SILVER SNUFF BOX, DAVID PETTIFER,BIRMINGHAM, 1851shaped rectangular, scroll foliate engraved on a hatched groundsurrounding a vacant cartouche, applied fruiting vines and scrolls,gilt interior8.5cm wide

£180-220

362A VICTORIAN SILVER SNUFF BOX, NATHANIEL MILLS,BIRMINGHAM, 1848shaped oblong, vacant shaped oblong raised cartouche, bright-cutscroll foliate engraved, gilt interior8.5cm wide

£150-250

363A WILLIAM IV SILVER SNUFF BOX, EDWARD SMITH,BIRMINGHAM, 1830rectangular, engine-turned lid with vacant rectangle, foliatethumbpiece, reeded sides, gilt interior7.5cm wide

£100-150

364SIX ASSORTED SILVER BOXEScomprising: a William IV rectangular engine-turned and initialledsnuff box, Ledsam, Vale & Wheeler, Birmingham, 1830; anothersmaller similar engine-turned box without initials, S.J. Phillips,Birmingham, 1967; a George IV initialled and engine-turnedvinaigrette with scroll foliate grille, John Bettridge, Birmingham,1827; a plain oblong vesta case, Colen Hewer Cheshire,Birmingham, 1897; a Dutch cylindrical toilet jar and cover stampedwith figural scenes and scrolls, Amsterdam, import marked forLondon, 1892; and an unmarked shaped snuff box, with engravedpanels, lid missing an oval applique, Continental, mid 18th centurysnuff box 8cm long, 282gr (9oz)(6)

£300-400

365A GERMAN SILVER SNUFF BOX, CIRCA 1825bright-cut borders, reeded sides, with gilt interior, 8.5cm long;together with two French silver beakers, one Rheims, the otherParis, both circa 1780, bell shaped, stamped with the initials EBand MP, 5.5cm high; another silver beaker, marks rubbed,probably Portuguese, early 19th century, flared cylindrical, 10cmhigh; and another Continental silver beaker, 19th century, plaincylindrical, stamped ‘No 140’, 7cm high510gr (16oz)(5)

£300-500

366A GEORGE III SILVER SNUFF BOX, EDWARD FAIRBROTHER,LONDON, 1810oblong, with linear decoration top and bottom and laureldecorated sides7.4cm wide

£200-300

367A SILVER-MOUNTED IVORY PAPER KNIFE, ADIE & LOVEKINLTD., BIRMINGHAM, DATE LETTER RUBBED, CIRCA 1910with tusk handle and plain mount37cm long

£80-120

90

361 362 363 364 (Part)

365 (Part)366

368A GEORGE III SILVER NUTMEG GRATER, SAMUELMERITON, LONDON, 1796egg shaped, reeded girdle, screw top concealing thedetachable silver-mounted metal rasp4.5cm long

£200-300

91

369AN IRISH GEORGE III SILVER COMFIT OR PATCH BOX, JOHNTOLEKEN, CORK, CIRCA 1800circular, wrigglework decorated, STERLING incuse mark andmaker’s mark twice, 2cm diameter; together with a George IIIsilver counter box, unmarked, circa 1800, book form, bright-cutand initialled EL, containing four silver playing cards of one tofour hearts, 2.2cm wide(2)

For another very similar book form counter box with four cards,apparently marked Thomas Wilkes Barker, London, 1798, seeGorringes, 21st October 2010, lot 1138.

£200-300

370A GEORGE III SILVER VINAIGRETTE, SAMUEL PEMBERTON,BIRMINGHAM, 1808canted rectangular, bright-cut with leaves on a hatched ground,gilt interior with simply pierced grille, 3cm wide; together with aGeorge III silver pomander ball, unmarked, late 18th century,the simply pierced sphere with hatched decoration andsuspension ring, 1.7cm diameter(2)

£150-250

371A FRENCH GOLD SNUFF BOX, LOUIS-FRANCOIS TRONQUOY,PARIS, CIRCA 1840with damask engine-turning surrounded by scrolled foliage andcentred by a vacant cartouche, chased floral borders andthumbpiece, maker’s mark, post 1838 3rd title mark, 18 carat8.2cm long, 97gr

£2500-3500

372A GERMAN GOLD SNUFF BOX, CHARLES COLLINS & SÖHNE,HANAU, CIRCA 1860rectangular, with engine-turned panels, reeded borders, a vacantcartouche and foliate thumbpiece7.1cm wide, 41gr

£600-900

366

368

371

372

369

370

92

373374375376

377378 (Part)

379380381382

93

373A VICTORIAN SILVER PRESENTATION SNUFF BOX, EDWARDEDWARDS, LONDON, 1846rectangular, engine-turned within chased floral and foliageborders, the hinged lid engraved with an inscription, gilt interior9.5cm wide

The inscription reads ‘Presented / TO Mr. JOHN WAKEFIELD / bythe Servants in the Locomotive Department / OF THE GREENWICHBRANCH OF THE S.E.R. / as a token of esteem / 1847.’

£400-600

374A LOUIS XVI TWO-COLOUR GOLD AND COMPOSITION SNUFFBOX, AUGUST-GASPART TURMINE, CHARGE AND DISCHARGEMARK OF JEAN-BAPTISTE FOUCHE, PARIS, 1779circular, detachable cover, inlaid with alternately colouredengraved gold stripes within embossed and engraved borders,tortoisehell lined6.4cm diameter

Provenance: Christie’s, London, 27 April 1979, lot 117

£2500-3500

375A GEORGE III TWO-COLOUR GOLD SNUFF BOX, A.J.STRACHAN, LONDON, 1811rectangular, engine-turned within applied lemon gold oak leaf andacorn pattern border, similar shell and scroll thumbpiece, theinterior engraved ‘Richard Chadwick / from a grateful Client. / July1901.’, 18 carat7.3cm wide, 105gr

Provenance: Sotheby Parke Bernet, London, 12 Febraury 1981, lot21

£3000-4000

376A GEORGE III GOLD VINAIGRETTE, GILES LOYER, LONDON,1810oval, engine-turned all over, the interior with plain pierced hingedgrille, 18 carat3cm wide, 12gr

Provenance: Alfred Bromet, 55 Burlington Arcade, London, W1,circa 1980

Giles Loyer entered his mark from 21 Denmark Street, Soho, on 28October 1799 (Grimwade, p. 361). For further references to himand his associates, some of whom were engine-turners, seeCulme, vol, I, p. 87, footnote 3.

£300-500

377A LOUIS XV INLAID TORTOISESHELL SNUFF BOX, MAKER’SMARK RUBBED, CHARGE AND DISCHARGE MARKS OF JEAN-JACQUES PREVOST, PARIS, 1763the hinged lid set with a glazed painted miniature still lifeattributed to Christian van Pol (1752-1813) of fruit, a chestnut anda rose with blue and white jug, the lid, sides and base decoratedin three-colour gold and silver piqué posé with sprays of flowersand scrolls, bright cut gold mounts and pierced thumbpiece7.4cm wide

£1200-1800

378A GEORGE III SILVER TOOTHPICK CASE, LINNET & ATKINSON,LONDON, 1813rectangular, engine-turned within plain borders, the cover appliedwith a crested plaque, gilt interior, 7.7cm wide; and tworectangular silver snuff boxes, one Ledsam, Vale & Wheeler,Birmingham, 1828, engine-turned within chased borders, 8.7cmwide, the other Nathaniel Mills, Birmingham, 1838, richlychased, 7cm wide(3)

£200-300

379A VICTORIAN GOLD SNUFF BOX, GEORGE EDWARDS,LONDON, 1859decorated with wavy engine-turning within narrow borderschased with flowers and foliage, the hinged lid engraved with acrest within rectangular reserve, inscribed on the interior ‘NELLIE./ FROM AUNT ALICE. / JAN. 31. 1894.’, 18 carat8.3cm, 145gr

Provenance: Christie’s, London, 27 March 1979, lot 145

According to Culme (vol. I, p. 138), George Edwards of 19 SeckfordStreet, Clerkenwell, a successor to Thomas Edwards of RatcliffeRow, became bankrupt on his own petition in 1862.

£3500-4500

380A LOUIS XVI TWO-COLOUR GOLD BONBONNIERE, JEAN-EDME JULLIOT, CHARGE AND DISCHARGE MARKS OFJEAN-BAPTISTE FOUACHE, PARIS, 1776circular, engine-turned within lemon-coloured borders of stifffoliage, the underside and detachable cover with similar rosettesof swirling leaves4.4cm diameter, 41gr

Provenance: Phillips, London, 15 May 1981, lot 138

£1200-1800

381A GEORGE IV GOLD SNUFF BOX, CHARLES RAWLINGS,LONDON, 1825rectangular, engine-turned within plain borders, applied chasedfloral and foliate thumbpiece, 18 carat7.3cm wide, 74gr

Provenance: Asprey & Co., London, 14 December 1974

£2000-3000

382A WILLIAM IV SILVER-GILT VINAIGRETTE, NATHANIEL MILLS,BIRMINGHAM, 1833Rectangular, engine-turned, the lid engraved with the initials BB,gilt interior, pieced and engraved hinged grille, 3.6cm wide;together with a George IV silver vinaigrette, Thomas Freeman,Birmingham, 1827, silver example, rectangular, engraved with alatticework pattern, gilt interior, similar grille , 2.7cm wide(2)

£150-250

Lots 373-382: a Private Collection of Gold and Silver Boxes

94

383384385

386387388

390391392393

383A GOLD NAPKIN RING, MANOAH RHODES & SONS LTD. OFBRADFORD, LONDON, 1924with foliate scroll and shell rims, 9 carat3.8cm high, approximately 40.7gr

£500-700

384A GEORGE III GOLD-MOUNTED, MOTHER-OF-PEARL ANDSILVER-GILT TRAVELLING FRUIT KNIFE AND FORK SET,PROBABLY SHEFFIELD, CIRCA 1800the nacre handles with vacant rectangular cartouches, in originalred gilt-tooled morocco case8.7cm long folded

£500-700

385A GEORGE III SILVER AND TORTOISESHELL-MOUNTEDTRAVELLING FRUIT KNIFE AND FORK SET, SHEFFIELD, CIRCA1800tortoiseshell handles with silver pins, fluted terminals, in originalred leather case7.5cm long folded(2)

£180-220

386A FRENCH SILVER-GILT-MOUNTED CUT GLASS SCENTBOTTLE, RETAILED BY TAULIN, PALAIS ROYAL, PARIS, MID19TH CENTURYrichly cast and chased with openwork scrolls, fruits and foliage,the front with a figure of a young triton standing on a dolphin,hinged lid concealing a ground glass stopper, French control mark(boar’s head), in original green morocco case with printed paperlabel: Palais Royal No.131 / TAULIN / Ft de Nécessaires / Objects deFantaisie / PARIS11.5cm high

£800-1200

387A VICTORIAN GOLD THIMBLE, UNMARKED, LONDON ORBIRMINGHAM, CIRCA 1880with a bright-cut engraved foliate band and floral cast rim, inoriginal black morocco case with label: S. Smith, 151 &153 /Newington / Causeway / S.E. / Jeweller & Watchmaker.2.5cm high

£150-200

388AN ENGLISH GOLD-MOUNTED CUT GLASS SCENT FLASK,UNMARKED, LONDON OR BIRMINGHAM, CIRCA 1830hobnail cut, the hinged lid profusely with acanthus and flowersconcealing the ground glass stopper7.2cm high

£500-700

389A DUNHILL SILVER LIGHTER, SWISS, CIRCA 1973engine-turned, in original case, import marked Alfred Dunhill Ltd.,London, 19736.3cm high

£80-120

390A GOLD COMPACT, KUTCHINKSKY, LONDON, 1963with diaper patterned waved engine-turning to top and base,ribbed sides with thumbpiece set with step-cut sapphires, sprunglid set to interior with mirror, mirror mount signed KutchinskyLONDON, 18 carat gold hallmarked7.7cm diameter, 128gr all in (including mirror)

Originally based in the East End, after opening premises inKnightsbridge the jeweller Kutchinsky became highly fashionablein the 1960s and 1970s. The family business was sold in 1991 toMoussaieff Jewellers Ltd., who maintain a Kutchinsky boutique inBrompton Road.

£2500-3500

391A PAIR OF FRENCH SILVER-GILT LORGNETTES, MAKER’SMARK [? EE, A POST BETWEEN], CIRCA 1845cast and pierced one one side with a bibulous figure and on theother with flowers on a trellis within rustic borders with foliage,pendant ring7.3cm long (closed)

£80-120

392A MONTBLANC ‘MEISTERSTUCK’ SILVER FOUNTAIN PEN,MODERN, of parallel line pattern; together with a Montblanc‘Meisterstuck’ gilt-metal fountain pen, modern, engine-turned,and a Montblanc ‘Meisterstuck’ black resin ballpoint pen,modern (3)

£150-250

393A WATERMAN’S GOLD FOUNTAIN PEN, SPONSOR’S MARK OFS.J. ROSE & SONS, LONDON, (DATE LETTER RUBBED) CIRCA1950lever action, reeded decoration surrounding a vacant rectangle,14ct 2A nib, 9 carat gold hallmarked13cm long

£150-200

95

394A FRENCH GOLD-MOUNTED AND DIAMOND SETTORTOISESHELL CIGARETTE HOLDER, LACLOCHE FRERES,PARIS, 1920splain gold mouth mount with inventory number 50104, maker’smark rubbed, brilliant set collar, in a gilt stamped green moroccocase with Lacloche labels, stamped 55.4169.8cm long

£300-500

Various Owners

394

398DUMB QUARTER-REPEATER WITH RUBY CYLINDERESCAPEMENTTaylor, London, No. 1089; made circa 1780; fine and rare, dumbquarter-repeating gold pocket watch with ruby cylinderescapement, unusual enamel regulation scale and large diamondendstone; case: two-body, bassine, maker’s mark WQ, polished,the back with shuttered winding aperture and engraved with afamily crest and the motto “Loyal Jeserai Durant Ma Vie”, Gilt dustcover; dial: white enamel with radial Roman numerals, outerminute divisions; pierced gold hands; movement: gilt, full platewith cylindrical pillars, fusee and chain, ruby cylinder escapement,three-arm steel balance, flat balance spring, finely pierced andengraved cock with large diamond endstone, foliate engravedplate with white enamel regulation dial, repeating on blocks in theback of the case activated by depressing the pendant; movementand dust cap signed 38mm diameter

£800-1200

96

397JOHN WILKINSON, LEEDS, NO.1080. THE CASE WITH LONDONHALLMARKS FOR 1827.three-body, bassine et filets, maker’s mark WW, engine-turnedwith polished bezel and border, foliate bow, fixed gold cuvette; giltdust cap; white enamel dial with radial Roman numerals, outerminute track, large subsidiary seconds; gold pear hands; gilt fullplate movement with cylindrical pillars, fusee and chain withmaintaining power, English lever escapement, three-arm steelbalance, flat balance spring, diamond endstone, index regulator;movement signed. 51mm diameter

£500-600

399SWISS, NO. 13451, THE CASE WITH LONDON IMPORT MARKSFOR 1930-31 an 18K white gold, fine, slim, keyless dress pocketwatch with Breguet numerals and a long chain (unmarked), three-body case, the back with engraved presentation inscription,brushed silver dial with applied white gold Breguet numerals (4missing), subsidiary seconds, white gold trefoil hands, movement37 mm, 17 jewels, cut bimetallic compensation balance with flatblued steel balance spring, index regulator, movement and casenumbered, with white metal chain43mm diameter

£500-700

395A GEORGE V SILVER AND ENAMEL MOUNTED BOUDOIRTIMEPIECE, ALBERT CARTER, BIRMINGHAM, 1925with blue guilloche enamel shaped oblong plate with silverborders, engine-turned dial with Arabic numerals, circular brasscased eight-day Swiss timepiece with easel support11.5cm wide

£180-220

396A FRENCH LACQUERED BRASS CARRIAGE TIMEPIECE, EARLY20TH CENTURYplain rectangular, bun feet, bevelled glass panels, white dial withRoman numerals, eight day movement, in original leathercarrying case, with key13cm high including swing handle

£100-150

395

397

398

399

97

403BUREN “RIVAL”, DENNISON CASE NO. 554544, CASE WITHBIRMINGHAM HALLMARKS FOR 1935-5a 9K gold tonneau-shaped wristwatch, two-body with hinged backand wire lugs, matte silvered dial with Arabic numerals,subsidiary seconds, movement with 15 jewels, movement signed31 x 30mm

£250-350

404LE PHARE (C. BARBEZAT-BAILLOT, LOCLE), CASE NO. 161911,MADE IN THE 1950S stainless steel and gilt, automatic, water-resistant, anti-magnetic,center-seconds wristwatch with triple date calendar and moonphases, stainless steel case with screw-down back and gilt-cappedbezel and lugs, dial signed33mm diameter

£100-200

405ASPREY STAINLESS STEEL AND GILT WRISTWATCH WITHFITTED ASPREY & GARRARD BOXESthree-body, bassine et filets, maker’s mark; water-resistant case,the back with six screws, engine-turned silvered dial with radialRoman numerals, outer minute track, subsidiary seconds; blackskeleton lozenge hands, mechanical movement; dial signed Asprey35mm diameter

£300-400

400ELGIN WATCH CO., U.S.A. MADE CIRCA 1900Small 14K gold keyless pocket watch with a silver-gilt Albert chain,Birmingham, 1915; and a silver chain necklacewatch 33mm diameter(3)

£60-90

401OMEGA, GENEVE, MOVEMENT NO. 29870715, CASE NO.131019, MADE CIRCA 1965an 18K gold center-seconds wristwatch, circular case, brushedsilvered dial with applied gold and black baton indexes,movement Cal. 601 with 17 jewels and two adjustments, dial,movement and case signed 35mm diameter

£300-500

402TAG HEUER “FORMULA 1” DIVER’S QUARTZ WRISTWATCHblack case with bezel for the decompression times, screw-downsteel back, Heuer rubber strap, black dial with luminous indexesand date aperture; white luminous skeleton hands; movementwith quartz standardisation; dial and case signed. 35mm diameter

£100-200

401

402

403

404

405

406INTERNATIONAL WATCH COMPANY, SCHAFFHAUSEN, “GSTCHRONOGRAPH”, NO. 2692482. MADE IN THE 1990stitanium quartz, water-resistant wristwatch with round-buttonchronograph, registers, date, tachometer and a titanium IWCbracelet with deployant clasp; two-body case with screw-downback and crown, sapphire crystal; black with luminous batonindexes, subsidiary dials for the seconds, 30-minute and 12-hourregisters, date aperture, outer tachometer scale, luminous whitehands; caliber 631 movement with quartz standardisation, 25jewels, mechanical chronograph mechanism, hack feature; dial,movement and case signed37mm diameter

£1000-1500

98

407BREITLING, GENEVA, NAVITIMER, NO. 1224312, REF. 806,MADE IN THE 1970sstainless steel wristwatch with round-button chronograph,registers, tachometer, telemeter and sliderule; three-body case,polished and brushed, rotating bezel; two-tone black and silverdial with luminous baton indexes, outer tachometer and sliderule,subsidiary dials for the seconds, 30-minute and 12-hour registers,luminous white baton hands; caliber 178, copper-coloured, 17jewels, straight-line lever escapement, monometallic balance,shock absorber, self-compensating Breguet balance spring, indexregulator; dial, movement and case signed41mm diameter

£700-1000

409INTERNATIONAL WATCH COMPANY, SCHAFFHAUSEN,MOVEMENT NO. 1164985, CASE NO. 1188309 MADE CIRCA195018K gold wristwatch with centre-seconds; three-body, polishedcase with stepped concave bezel and elongated curved lugs,recessed winding crown, snap-on back, matte silver dial withapplied gold dart indexes and Arabic numerals, outer dot minutedivisions; gold alpha hands; calibre C.89 movement, 17 jewels,straight-line lever escapement, monometallic balance, self-compensating Breguet balance spring, shock absorber, indexregulator; dial, movement and case signed36mm diameter

£400-600

406 408

407 409

408INTERNATIONAL WATCH COMPANY, SCHAFFHAUSEN,MOVEMENT NO. 1262954, CASE NO. 1277376 MADE CIRCA1955.18K gold square, self-winding wristwatch with centre-seconds.Polished and brushed case with stepped band and straight lugs,snap-on back, brushed champagne dial with applied gold faceteddart and lozenge indexes, Arabic 6 and 12, inner dot minutedivisions; gold dauphine hands. Calibre 852 movement, 21 jewels,straight-line lever escapement, monometallic balance, self-compensating Breguet balance spring, shock absorber,micrometer regulator; dial, movement and case signed. dimensions 32 x 32mm.

£1000-1500

410INTERNATIONAL WATCH COMPANY, SCHAFFHAUSEN, “DERDOPPELCHRONOGRAPH AUTOMATIC”, CASE NO. 2728532,REF. 3713 MADE CIRCA 1995titanium quartz, water-resistant wristwatch with round-buttonchronograph, registers, date, tachometer and a titanium IWCbracelet with deployant clasp; two-body case with screw-downback and crown, sapphire crystal; black with luminous batonindexes, subsidiary dials for the seconds, 30-minute and 12-hourregisters, date aperture, outer tachometer scale, Luminous whitehands; caliber 631 movement with quartz standardisation, 25jewels, mechanical chronograph mechanism, hack feature; dial,movement and case signed37 mm diameter

£3000-4000

411PATEK PHILIPPE, GENEVA, REF. 1578, MOVEMENT NO. 704222,CASE NO. 685685 MADE CIRCA 1955rare, large, center-seconds, 18K yellow gold wristwatch with an18K yellow gold Patek Philippe buckle, polished three-body casewith inclined bezel, lapidated lugs, snap-on back with engravedinitials “FTC”, brushed silver with applied gold dart indexes andArabic quarter-hour numerals, outer minutes and 1/5 secondsdivisions, yellow gold feuille hands; caliber 27SC, rhodium plated,fausses cotes decoration, 18 jewels, straight-line leverescapement, cut bimetallic compensation balance, blued steelBreguet balance spring, shock absorber, swan-neck micrometerregulator; dial, movement and case signed35mm diameter

£6000-8000

99

412BAUME & MERCIER, GENEVE, CASE NO. 1302182/15143,MADE IN THE 1980San 18K gold quartz wristwatch, circular, two-body, polished andbrushed, gilt dial with applied gold indexes, movement withquartz standardisation, with original fitted box and booklets32mm diameter

£300-500

410

411 (Back)

411

412

416EIGHTEEN CARAT GOLD AND DIAMOND BRACELET, CIRCA1986the oval links collet set to the centre with a brilliamt-cut diamond,import marks for London, 1986length approximately 185mm, with additional loose link added195mm long approximately(2)

£2000-3000

417ART DECO ENAMELLED GOLD BROOCH, 1930sdesigned as a geometric landscape with enamel decoration, 14 carat

£150-250

418MESH NECKLACEdesigned as a flexible flat ribbon with textured decoration, goldmarks, length 420mm approximately, weight 63.4gr

£1500-2000

419PAIR OF EIGHTEEN CARAT GOLD AND AMETHYST EARPENDANTS, CIRCA1992each pear-shaped faceted ameythst suspended from a gold heartshaped surmount, hallmarked London 1992, makers mark SW(2)

£400-600

420PAIR OF EARCLIPSeach of two rows of lobes accented with two rows of single-cutdiamonds, tests as 18 carat gold(2)

£400-600

421COLLECTION OF GOLD JEWELLERYcomprising: a charm bracelet suspending nine different charms,predominantly 9 carat, Birmingham and London hallmarks, lengthapproximately 200mm; together with the following: a pair of 18carat oval cufflinks with chain links, hallmarked London 1937; fourwedding bands, one hallmarked 18 carat, one hallmarked 14 carat;a 9 carat tie clip, hallmarked Birmingham, a pair cufflinks withblack onyx, three pendants; Egyptian, cross and trumpet shaped;two chains, one hallmarked 9 carat, approximately 460mm and550mm respectively, the latter suspending a hardstone pendantand a hollow hand87 gr approximately all in(15)

£1000-1200

422GOLD RINGof hexagonal design, size M, 18 carat, hallmarked London, 200310.1gr

£200-300

100

414LADY’S DIAMOND AND FRESHWATER PEARL WATCH, 1920sAND LATERthe tonneau shaped 1920s watch with rectangular cream dial,Arabic black numerals and hands within a bezel of single-cutdiamonds, on a later three strand freshwater pearl bracelet withthree brilliant-cut diamond accents on either side, to a later pearlcluster clasplength approximately 162mm

£400-600

415LAPIS LAZULI BRACELETdesigned as a row of alternating panels engraved with a‘giardinetto’ design and lapis lazuli carved sectionslength 175 mm approximately

£200-300

413

414

413OMEGA WHITE GOLD AND DIAMOND-SET LADY’SWRISTWATCHcircular case with single-cut diamond-set bezel and integral 18Kwhite gold bracelet, blue dial with applied baton indexes, caliber620 movement with 17 jewels, straight-line lever escapement,monometallic balance with 2 adjustments, flat balance spring,shock absorber, index regulator; dial and movement signed, caseunsigneddiameter 22mm

£1000-1500

415

101

415

416

419

420

417

421

422

418

423RUBY AND DIAMOND BROOCH/PENDANT, 1950sthe pavé set single-cut diamond bow divided by three curvingrows of calibré-cut rubies accented with swags of collet-set single-and brilliant-cut diamonds

£600-800

424ETERNITY RINGset around the shank with single-cut diamonds, size R

£300-400

425VICTORIAN DIAMOND BROOCH, 1890sdesigned as a crescent set with circular-cut and cushion-shapeddiamonds bordered by rose diamonds, later gold pin French assay mark

£500-700

426SAPPHIRE AND DIAMOND BROOCH, 1880sdesigned as a flower set to the centre with a cushion-shapeddiamond within a surround of oval sapphires and pavé-set single-and brilliant-cut diamond petals on a similarly set stalk

£800-1200

427DIAMOND NECKLACE, CIRCA 1960designed as a row of channel-set brilliant-cut diamonds with aknife wire spray set with marquise- and brilliant-cut diamonds(detached) and an asymmetric cluster clasp similarly set

£4000-6000

428DIAMOND BROOCH, LATE 1950sdesigned as a flower set throughout with brilliant-cut diamonds

£800-1000

429DIAMOND RINGclaw-set with a brilliant-cut diamond weighing 3.17 carats, size N 3/4

£8000-10000

430DIAMOND RINGof cluster design set to the centre with a brilliant-cut diamondweighing 1.38 carats within a surround of radiating baguette and marquise-cut diamonds, size O

£2000-3000

102

103

423

426

428

424 429

425430

427

104

431

432

435

437

433

436

438

434

431CITRINE NECKLACEthe front of bib design set throughout with oval citrines linkedwith fine chain connectionslength approximately 410mm

£400-600

432PAIR OF RUBY AND AQUAMARINE EARPENDANTSeach suspending a spectacle set pear-shaped ruby cabochon withsimilarly set oval aquamarines on either side(2)

£200-300

433PAIR OF GEMSET EARPENDANTSeach designed with a flat hoop suspending a fringe ofmulticoloured oval amethysts, iolites, peridots, garnets,aquamarines and tourmalines(2)

£200-300

434MOONSTONE NECKLACEdesigned as a fringe of slighly graduated spectacle set moonstoneclusterslength approximately 440mm

£800-1000

435PAIR OF TOPAZ, CITRINE AND GARNET EARPENDANTSeach suspending a spectacle-set oval aquamarine, citrine andgarnet(2)

£150-250

436GARNET NECKLACEof mesh bib design set throughout with oval garnetslength approximately 417mm

£400-600

437PERIDOT PENDANTdesigned as a cross, set throughout with collet-set step-cutperidots on an oval link back chain, chain length 400mmapproximately, chain hallmarked London 18 carat

£250-300

438MULTI-COLOURED GEMSTONE NECKLACEthe slightly graduated necklace spectacle-set with oval andcircular-cut amethysts, citrines, iolites, zircons, periodots andvarious garnets, with fine chain connectionlength approximately 530mm

£300-400

105

437

438

439SAPPHIRE RINGthe oval sapphire collet-set in a gold mount, size T, Londonhallmark for 9 carat gold, 1982

£500-700

440DIAMOND RINGthe claw-set, circular-cut diamond mounted on a tapering shank,size M ½

£200-300

441CARVED HALF HOOP RINGset with three graduated circular-cut stimulant sapphires accentedwith four paste stones, mounted in a scroll setting, size O ½, 9carat gold shank, hallmarked London, 1975

£100-150

442TOPAZ AND DIAMOND RINGthe oval topaz set with a serpentine diagonal mount across thestone between brilliant-cut diamonds, size L, hallmarked Sheffield9 carat gold

£100-150

443YELLOW SAPPHIRE AND DIAMOND RING, CIRCA 1978the oval-shaped citrine set between textured shoulders designedas overlapping plates and bordered by a row of brilliant- andsingle-cut diamonds, size P ½, hallmarked London 18 carat gold

£1000-1500

444PAIR OF EMERALD AND SAPPHIRE RINGS, CIRCA 1978the interlocking kite-shaped collets set respectively with circular-cut sapphires and emeralds, both size Q ¼ hallmarked London 18carat gold(2)

£300-400

445TWO RINGSa lady’s wedding band with engraved design, size R, weight 3.4grapproximately, together with a gentleman’s 14 carat gold ring setwith an oval synthetic ruby, size O ½, weight 4.9gr approximately,Polish gold mark(2)

£150-200

446RUBY AND DIAMOND 18 CARAT GOLD RING, 1960sdesigned as an undulating square ‘sputnik’ set to the centre with acircular-cut ruby within a surround of single-cut diamonds, size S¼, hallmarked Birmingham

£300-400

447COLLECTION THREE RINGScomprising: an oval ruby and single-cut diamond ring, size N, acarved half hoop set with graduating oval garnets, size N, Londonhallmark for 9 carat gold, and a oval collet-set garnet ring, size N,London hallmark for 9 carat gold(3)

£150-200

448DIAMOND ETERNITY RINGset around the finger with marquise-cut diamonds, size O ½

£1000-1500

106

End of Sale

Next Sale 20th November 2012

Closing end September 2012

439

440

441

442

447 (Part)

443448

447 (Part)

446

447 (Part)

444

1. Introduction (a) The contractual relationship of Matthew Barton Ltd and Sellers

with prospective Buyers is governed by:- (i) these Conditions of Business for Buyers; (ii) the Conditions of Business for Sellers displayed in the

saleroom and available from Matthew Barton Ltd.; (iii) Matthew Barton Ltd.’s Authenticity Guarantee; (iv) Any additional notices and terms printed in the sale

catalogue, in each case as amended by any saleroomnotice or auctioneer’s announcement.

(b) As auctioneer, Matthew Barton Ltd. acts as agent for the Seller.Occasionally, Matthew Barton Ltd. may own or have a financialinterest in a lot.

2. Definitions “Bidder” is any person making, attempting or considering making

a bid, including Buyers; “Buyer” is the person who makes the highest bid or offer

accepted by the auctioneer, including a Buyer’s principal whenbidding as agent;

“Seller” is the person offering a lot for sale, including their agentor executors;

“MBL” means Matthew Barton Ltd., Auctioneers, 25 Blythe RoadLondon W14 0PD, company number 6504692.

“Buyer’s Expenses” are any costs or expenses due to MatthewBarton Ltd. from the Buyer;

“Buyer’s Premium” is the commission payable by the Buyer on theHammer Price at the rates set out in the Guide for Prospective Buyers;

“Hammer Price” is the highest bid for the property accepted by the auctioneer at the auction or the post auction sale price; “Purchase Price” is the Hammer Price plus applicable Buyer’s

Premium and Buyer’s Expenses; “Reserve Price” (where applicable) is the minimum Hammer

Price at which the Seller has agreed to sell the lot.

The Buyer’s Premium, Buyer’s Expenses and Hammer Priceare subject to VAT, where applicable.

3. Examination of Lots (a) MBL’s knowledge of lots is partly dependent on information

provided by the Seller and MBL is unable to exercise exhaustivedue diligence on each lot. Each lot is available for examinationbefore sale. Bidders are responsible for carrying outexaminations and research before sale to satisfy themselvesover the condition of lots and accuracy of descriptions.

(b) All oral and/or written information provided to Bidders relatingto lots, including descriptions in the catalogue, conditionreports or elsewhere are statements of MBL’s opinion and notrepresentations of fact. Estimates may not be relied on as aprediction of the selling price or value of the lot and may berevised from time to time at MBL’s absolute discretion.

4. Exclusions and limitations of liability to Buyers (a) MBL shall refund the Purchase Price to the Buyer in

circumstances where it deems that the lot is a counterfeit,subject to the terms of MBL’s Authenticity Guarantee.

(b) Subject to Condition 4(a), neither MBL nor the Seller:- (i) is liable for any errors or omissions in any oral or written

information provided to Bidders by MBL, whether negligentor otherwise;

(ii) gives any guarantee or warranty to Bidders and any impliedwarranties and conditions are excluded (save in so far assuch obligations can not be excluded by English law), otherthan the express warranties given by the Seller to the Buyer(for which the Seller is solely responsible) under theConditions of Business for Sellers;

(iii) accepts responsibility to Bidders for acts or omissions(whether negligent or otherwise) by MBL in connectionwith the conduct of auctions or for any matter relating tothe sale of any lot.

(c) Without prejudice to Condition 4(b), any claim against MBLand/or the Seller by a Bidder is limited to the Purchase Price forthe relevant lot. Neither MBL nor the Seller shall be liable forany indirect or consequential losses.

(d) Nothing in Condition 4 shall exclude or limit the liability ofMBL or the Seller for death or personal injury caused by thenegligent acts or omissions of MBL or the Seller.

5. Bidding at Auction (a) MBL has absolute discretion to refuse admission to the auction.

Before sale, Bidders must complete a Registration Form andsupply such information and references as MBL requires.Bidders are personally liable for their bid and are jointly andseverally liable with their principal, if bidding as agent (in whichcase MBL’s prior and express consent must be obtained).

(b) MBL advises Bidders to attend the auction, but MBL willendeavour to execute absentee written bids provided thatthey are, in MBL’s opinion, received in sufficient time and inlegible form.

(c) When available, written and telephone bidding is offered as afree service at the Bidder’s risk and subject to MBL’s othercommitments; MBL is therefore not liable for failure to executesuch bids. Telephone bidding may be recorded.

6. Import, Export and Copyright Restrictions MBL and the Seller make no representations or warranties as to

whether any lot is subject to import, export or copyright restrictions.It is the Buyer’s sole responsibility to obtain any copyright clearanceor any necessary import, export or other licence required by law,including licenses required under the Convention on theInternational Trade in Endangered Species (CITES).

7. Conduct of the Auction (a) The auctioneer has discretion to refuse bids, withdraw or re-

offer lots for sale (including after the fall of the hammer) if (s)hebelieves that there may be an error or dispute, and may alsotake such other action as (s)he reasonably deems necessary.

(b) The auctioneer will commence and advance the bidding insuch increments as (s)he considers appropriate and is entitledto place bids on the Seller’s behalf up to the Reserve Price forthe lot, where applicable.

(c) Subject to Condition 7(a), the contract between the Buyer andthe Seller is concluded on the striking of the auctioneer’shammer.

(d) Any post-auction sale of lots shall incorporate theseConditions of Business.

8. Payment and Collection (a) Unless otherwise agreed in advance, payment of the Purchase

Price is due in pounds sterling immediately after the auction(the “Payment Date”).

(b) Title in a lot will not pass to the Buyer until MBL has receivedthe Purchase Price in cleared funds. MBL will generally notrelease a lot to a Buyer before payment. Earlier release shallnot affect passing of title or the Buyer’s obligation to pay thePurchase Price, as above.

(c) The refusal of any licence or permit required by law, asoutlined in Condition 6, shall not affect the Buyer’s obligationto pay for the lot, as per Condition 8(a).

(d) The buyer must arrange collection of lots within 10 workingdays of the auction. Purchased lots are at the Buyers risk fromthe earlier of (i) collection or (ii) 10 working days after theauction. Until risk passes, MBL will compensate the Buyer for any loss or damage to the lot up to a maximum of thePurchase Price actually paid by the Buyer. MBL’s assumption ofrisk is subjected to the exclusions detailed in Condition 5(d) ofthe Conditions of Business Sellers

(e) All packing and handling of lots is at the Buyer’s risk. MBL will not be liable for any acts or omissions of third partypackers or shippers.

Conditions of Business for Buyers

108

9. Remedies for non-payment Without prejudice to any rights that the Seller may have, if the

Buyer without prior agreement fails to make payment for the lotwithin 5 working days of the auction, MBL may in its solediscretion exercise 1 or more of the following remedies:-

(a) store the lot at its premises or elsewhere at the Buyer’s solerisk and expense;

(b) Cancel the sale of the lot; (c) Set off any amounts owed to the Buyer by MBL against any

amounts owed to MBL by the Buyer for the lot; (d) Reject future bids from the Buyer; (e) Charge interest at 4% per annum above HSBC Bank Plc base

Rate from the Payment Date to the date that the Purchase Priceis received in cleared funds;

(f) Re-sell the lot by auction or privately, with estimates andreserves at MBL’s discretion, in which case the Buyer will beliable for any shortfall between the original Purchase Price andthe amount achieved on re-sale, including all costs incurred insuch re-sale;

(g) Exercise a lien over any Buyer’s Property in MBL’s possession,applying the sale proceeds to any amounts owed by the Buyerto MBL. MBL shall give the Buyer 14 days written notice beforeexercising such lien;

(h) Commence legal proceedings to recover the Purchase Price forthe lot, plus interest and legal costs;

(i) Disclose the Buyer’s details to the Seller to enable the Seller tocommence legal proceedings.

10. Failure to collect purchases (a) If the Buyer pays the Purchase Price but does not collect the lot

within 20 working days of the auction, the lot will be stored atthe buyer’s expense and risk at MBL’s premises or inindependent storage.

(b) If a lot is paid for but uncollected within 6 months of theauction, following 60 days written notice to the buyer, MBL willre-sell the lot by auction or privately, with estimates andreserves at MBL’s discretion. The sale proceeds, less all MBL’scosts, will be forfeited unless collected by the Buyer within 2years of the original auction.

11. Data Protection (a) MBL will use information supplied by bidders or otherwise

obtained lawfully by MBL for the provision of auction relatedservices, client administration, marketing and as otherwiserequired by law.

(b) By agreeing to these Conditions of Business, the Bidder agreesto the processing of their personal information and to thedisclosure of such information to third parties worldwide forthe purpose outlined in Condition 11(a) and to Sellers as perCondition 9(i)

12. Miscellaneous (a) All images of lots, catalogue descriptions and all other

materials produced by MBL are the copyright of MBL. (b) These Conditions of Business are not assignable by any Buyer

without MBL’s prior consent, but are binding on Bidders’successors, assignees and representatives.

(c) The materials listed in Condition 1(a) set out the entireagreement between the parties.

(d) If any part of these Conditions of Business be heldunenforceable, the remaining parts shall remain in full forceand effect.

(e) These Conditions of Business shall be interpreted inaccordance with English Law, under the exclusive jurisdictionof the English Courts, in favour of MBL.

Matthew Barton Ltd’s Authenticity Guarantee

If Matthew Barton Ltd sells an item of Property which is latershown to be a “counterfeit”, subject to the terms below MatthewBarton Ltd. will rescind the sale and return the Buyer the totalamount paid by the Buyer to Matthew Barton Ltd. for thatProperty, up to a maximum of the Purchase Price.

The guarantee lasts for one (1) year after the date of the relevantauction, is for the benefit of the Buyer only and is nontransferable.

“Counterfeit” means an item of Property that in Matthew Barton Ltd’sreasonable opinion is an imitation created with the intent to deceiveover the authorship, origin, date, age, period, culture or source, wherethe correct description of such matters is not included in the cataloguedescription for the Property.

Property shall not be considered Counterfeit solely because of anydamage and/or restoration and/or modification work (including, butnot limited to, recolouring, tooling or repatinating).

Please note that this guarantee does not apply if either:- (i) the catalogue description was in accordance with the generally

accepted opinions of scholars and experts at the date of thesale, or the catalogue description indicated that there was aconflict of such opinions;

(i) the only method of establishing at the date of the sale that theitem was a Counterfeit would have been by means of processesnot then generally available or accepted, unreasonablyexpensive or impractical; or likely to have caused damage to orloss in value to the Property (in Matthew Barton Ltd’sreasonable opinion); or

(i) there has been no material loss in value of the Property from itsvalue had it accorded with its catalogue description.

To claim under this guarantee the Buyer must:- (i) notify Matthew Barton Ltd in writing within one (1) month of

receiving any information that causes the Buyer to question theauthenticity or attribution of the Property, specifying the lotnumber, date of the auction at which it was purchased and thereasons why it is believed to be Counterfeit; and

(i) return the Property to Matthew Barton Ltd in the samecondition as at the date of sale and be able to transfer good titlein the Property, free from any third party claims arising after thedate of the sale.

Matthew Barton Ltd has discretion to waive any of the aboverequirements. Matthew Barton Ltd may require the Buyer to obtain atthe Buyer's cost the reports of two independent and recognisedexperts in the relevant field and acceptable to Matthew Barton LtdMatthew Barton Ltd shall not be bound by any reports produced bythe Buyer, and reserves the right to seek additional expert advice at itsown expense. In the event Matthew Barton Ltd decides to rescind thesale under this Guarantee, it may refund to the Buyer the reasonablecosts of up to two mutually approved independent expert reports,provided always that the costs of such reports have been approved inadvance and in writing by Matthew Barton Ltd.

109

Matthew Barton Ltd

Decorative Works of Art

Date22nd May 2012

Code: HEDWIG

Please mail, fax, or scan and email to:Matthew Barton Ltd25 Blythe RoadLondon W14 0PD

Fax +44 (0) 20 7806 5546Email: enquiries@matthewbartonltd.com

ImportantPlease bid on my behalf at the above sale for thefollowing Lot(s) up to the hammer price(s) mentionedbelow. These bids are to be executed as cheaply as ispermitted by other bids or reserves and in an amount upto but not exceeding the specified amount. The auctioneermay open the bidding on any lot by placing a bid onbehalf of the seller. The auctioneer may further bid onbehalf of the seller up to the amount of the reserve byplacing responsive or consecutive bids for a lot.

Please bid on my behalf at the above sale for the following Lot(s)up to the hammer price(s) mentioned below. These bids are to beexecuted as cheaply as is permitted by other bids or reserves andin an amount up to but not exceeding the specified amount. Theauctioneer may open the bidding on any lot by placing a bid onbehalf of the seller. The auctioneer may further bid on behalf of theseller up to the amount of the reserve by placing responsive orconsecutive bids for a lot.

Methods of PaymentMatthew Barton Ltd welcomes the following methods of payment,most of which will facilitate immediate release of your purchases.

Wire Transfer to our BankElectronic transfers may be sent directly to our Bank:

HSBC Bank Plc38 High StreetDartfordKentDA1 1DG

IBAN No.: GB53MIDL40190491814001BIC.: MIDLGB2128KSort Code: 40-19-04Account No.: 91814001Account Name: Matthew Barton Ltd.

Credit/Debit CardA 3% surcharge is payable on all credit cards and non-UK debitcards; there is no charge for UK debit cards. Please note that we donot accept American Express cards. By signing this form you areauthorising payment for this sale.

Sterling Bankers DraftDrawn on a recognised UK bank.

Sterling Cash or ChequeCheques must be drawn on a recognised UK bank. We requireseven days to clear a cheque without a letter of guarantee fromyour bank.

Absentee Bid Form(Please print or type)

Name

Address

Postcode

Telephone

Alternative Telephone

Email

Signed Date

Card type (Visa/Mastercard/Debit)

Card Number

Cardholder Name

Expiry Date 3 digit security code

Billing Address (if different from above)

Cardholder Signature

Lot No Lot Description £ Cover Bid

Date and time received Staff initials

For Office Use Only

Matthew Barton Ltd

25 Blythe Road London W14 0PD

Tel: +44 (0) 20 7806 5545 Fax: +44 (0) 20 7806 5546 Email: enquiries@matthewbartonltd.com

www.matthewbartonltd.com