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Page 1: Managing Cultural Heritage ||

10.1057/9781137481559preview - Managing Cultural Heritage, Michela Magliacani

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Page 2: Managing Cultural Heritage ||

DOI: 10.1057/9781137481559.0001

Managing Cultural Heritage

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Page 3: Managing Cultural Heritage ||

DOI: 10.1057/9781137481559.0001

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10.1057/9781137481559preview - Managing Cultural Heritage, Michela Magliacani

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Page 4: Managing Cultural Heritage ||

DOI: 10.1057/9781137481559.0001

Managing Cultural Heritage: Ecomuseum, Community Governance and Social Accountability

Michela MagliacaniUniversity of Pavia, Italy

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Page 5: Managing Cultural Heritage ||

© Michela Magliacani 2015

All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission.

No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS.

Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988.

First published 2015 byPALGRAVE MACMILLAN

Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS.

Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010.

Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world.

Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries.

ISBN: 978–1–137–48154–2 EPUBISBN: 978–1–137–48155–9 PDFISBN: 978–1–137–48153–5 hardback

A catalogue record for this book is available from the British Library.

A catalog record for this book is available from the Library of Congress.

www.palgrave.com/pivot

doi: 10.1057/9781137481559

10.1057/9781137481559preview - Managing Cultural Heritage, Michela Magliacani

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Page 6: Managing Cultural Heritage ||

DOI: 10.1057/9781137481559.0001

To Arturo & Ferruccio, My sweet sons

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Page 7: Managing Cultural Heritage ||

DOI: 10.1057/9781137481559.0001vi

Contents

List of Figures viii

List of Tables ix

Acknowledgements x

1 Introduction: How to Manage Cultural Heritage in Times of Crisis 1

2 The Ecomuseum Under a Managerial Perspective 17

3 The Governance Framework in the Ecomuseum Context 32

4 The Ecomuseum Practices: An International Overview 48

5 The Tuscan Experience 61 5.1 Research methodology 63 5.2 The Ecomuseum of Woods and

Sharecropping of Sovicille 65 5.3 The Ecomuseum of Chianti 68 5.4 The National Technological and

Archaeological Park of Colline Metallifere Grossetane 71

5.5 The Ecomuseum of Casentino 78 5.6 Findings comparison 84

6 Which Accountability for the Ecomuseum: A “Community” Governance Scorecard Model 93

6.1 Governance accountability: principles and practices 96

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vii

DOI: 10.1057/9781137481559.0001

6.2 The integrated governance scorecard framework 100

6.3 A model of social accountability for the ecomuseum 103

7 Closing Remarks 108

Appendix 113

References 117

Index 133

Contents

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Page 9: Managing Cultural Heritage ||

viii DOI: 10.1057/9781137481559.0002

List of Figures

1.1 The state cultural heritage budget 41.2 The cultural heritage sponsorships 41.3 The composition of Italian cultural heritage

organizations per “legal status” 82.1 The New Museology and its museum models 212.2 The notion of ecomuseum 253.1 Governance and management linkage: the

board formation models 363.2 The two-tier governance structure 373.3 Ecomuseum governance models 423.4 Ecomuseum governance and accountability 464.1 The overview of the ecomuseum practice in an

international context 605.1 The Park of Colline Metallifere Grossetane:

governance and accountability model 735.2 Model of governance and accountability of the

Ecomuseum of Casentino 816.1 Accountability culture and practices for

ecomuseums 996.2 The model of BSC 1016.3 The IGS at the corporate level 1026.4 The IGS at the business unit level 103

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Page 10: Managing Cultural Heritage ||

ixDOI: 10.1057/9781137481559.0003

List of Tables

1.1 The Country Brand Index: the top 10 for cultural heritage 3

1.2 The Country Brand Index: the top 10 tourism destination list 3

2.1 The key elements of the ecomuseum compared to the traditional concept of museum 23

4.1 Ecomuseum distribution in the international context 53

5.1 Regional distribution of ecomuseums in Italy 625.2 Control report of a gateway 775.3 Comparison findings 856.1 The “community” governance scorecard for

ecomuseums 105

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Page 11: Managing Cultural Heritage ||

x DOI: 10.1057/9781137481559.0004

Acknowledgements

My participation in the AIDEA (Italian Academy of Business Administration and Management) Conference on “Management and Assessment of Art and Cultural Heritage Goods” held in Siena, Italy (30–31 October 1998) sprang in me the interest to focus my research on this field. Since that scientific event, management accounting stud-ies have been expanding the knowledge on the cultural heritage sector by applying various theoretical frameworks (public value, governance, performance management and control, knowledge management, social capital, etc.).

Among the cultural heritage organizations, ecomu-seums represent a relevant phenomenon for the local community development, especially in Italy: the coun-try with the highest number of ecomuseums in the world. From a preliminary research, I have realized the particular form of the museum is the implementation output of a community project which aims at taking care of its territory. The success of that kind of start-up is based on principles such as social participation, sustain-ability, sociability and cultural heritage as a public value dimension. Surprisingly, management literature lacks in research in this field, even though it is very important in the less-developed areas where the ecomuseum seems to have more fertile ground.

From these reflections, the incentive to explore the ecomuseum context under the “kaleidoscopic” managerial perspective comes out.

The study “Managing Cultural Heritage. Ecomuseum, Community Governance, Social Accountability” included

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xiAcknowledgements

DOI: 10.1057/9781137481559.0004

the main finding of a deducing and inducing research which aims at contributing to achieve the following objectives:

to maintain vital the collective interest on improving the ▸

management of cultural heritage. More specifically, the research project aims at developing the debate on the governance and management model more suitable for preserving and enhancing cultural and natural heritage in times of crisis;to extend the knowledge and the understanding of the cultural ▸

heritage sector under a managerial perspective;to support the development of the ecomuseum as a form of ▸

community governance, in order to avoid the risk that after an initial social enthusiasm, we see a decline in community participation;to provide an accountability model to allow the social community ▸

to know and control the actions and the related results of the ecomuseum governance.

In attempting to achieve the aforementioned goals, I have to thank the Tuscan Ecomuseum experts interviewed: Dr. Cristiana Bambini, Staff Manager of the Culture and Tourism Office of Sovicille (Siena); Dr. Marzio Cresci, the Director of the Ecomuseum of Chianti; Dr. Alessandra Casini, the Director of the Technological and Archaeological Park of Colline Metallifere Grossetane and Dr. Andrea Rossi, the Coordinator of the Ecomuseum of Casentino (Arezzo).

Moreover, I would like to thank the reviewer and the participants who gave me insights from the presentation on the preliminary find-ings at the first conference on “Cultural Organizations in Times of Economic Crisis: Managing Aesthetics and Excellence with Shrinking Budgets” at the University of Cape Town, Department of Accounting (3–4 December 2009).

I also thank the reviewers and the participants at the 12th Annual Conference EURAM “Governance in Sustainable Models for Production and Consumption of Cultural Goods” at the Rotterdam Erasmus University (5–12 June 2012); they were critical but at the same time gave some hints for the improvement of the study.

For the final version of my work, I wish to thank my reviewers for the recommendations they had on how to improve it and particularly to Prof. Martin Piber, Associate Professor at Innsbruck University, for his kind and precious endorsement for this publication; to Liz Barlow,

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Page 13: Managing Cultural Heritage ||

xii Acknowledgements

DOI: 10.1057/9781137481559.0004

Commissioning Editor, Palgrave Macmillan, for suggesting some hints on how to improve the appeal of the monograph; and Ms. Alicia Strohofer, for contributing in making this study more comprehensible for those not familiar with management accounting research field.

Also, I am grateful to Prof. Giuseppe Catturi (retired Business Administration Professor at the University of Siena, Italy), my mentor for encouraging me to follow this new research path within the managerial accounting studies and to Prof. Luigi Rinaldi (Accounting Professor at the University of Pavia, Italy) for allowing me to continue this research.Last but not least, I have to express my thanks to my sons Arturo and Ferruccio, for the time taken away from them and to Marco, my husband, for believing in me and reminding me that my time has not been wasted.

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Page 14: Managing Cultural Heritage ||

DOI: 10.1057/9781137481559.0005 1

1Introduction: How to Manage Cultural Heritage in Times of Crisis

Abstract: During the actual crisis period, cultural organizations must be able to achieve their mission, which consists in preserving and enhancing public cultural heritage, by managing a shrinking budget. Moreover, because of the public value and utility of the service provided, they have to “learn” how to combine the criteria of sociability, with economy and infra-intergenerational equity ones. Consequently, cultural organizations get engaged in processes of “managerialization” as well as the other organizations operating, in various legal forms, within the entire public sector. From these standpoints, this first chapter aims at introducing the cultural heritage management issues in times of crisis, under the New Public Management and the Governance frameworks.

Magliacani, Michela. Managing Cultural Heritage: Ecomuseums, Community Governance and Social Accountability. Basingstoke: Palgrave Macmillan, 2015. doi: 10.1057/9781137481559.0005.

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Page 15: Managing Cultural Heritage ||

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Managing Cultural Heritage

Ecomuseums, Community Governance, Social Accountability

Michela Magliacani

ISBN: 9781137481559

DOI: 10.1057/9781137481559preview

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