leiter nietzsche
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A comprehensive introduction to Nietzsche's philosophy.TRANSCRIPT
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NIETZSCHE
Brian Leiter [email protected]
to appear in M. Forster & K. Gjesdal (eds.), The Oxford Handbook of Nineteenth Century Philosophy July 23, 2013
Introduction: Nietzsche’s Life and Intellectual Formation
Born in 1844 in Röcken, a small village in the Prussian province of Saxony, Friedrich Nietzsche
was the son and grandson (on both sides of his family) of Lutheran pastors. After his father’s death in
1849, Nietzsche was raised primarily by the women in his family, both his mother and older sister
Elisabeth, as well as various aunts. He entered Pforta, Germany’s preeminent school for classical
studies, in 1858, then enrolled in 1864 at the University of Bonn to study theology. A year later, he
decided to change fields and followed the eminent classicist Friedrich Ritschl to the University of Leipzig,
where Nietzsche distinguished himself as a brilliant student of classical philology. He earned
appointment to the University of Basel (Switzerland) in 1869, without a doctorate but on the strength of
Rischl’s recommendation alone. (He subsequently completed a thesis on Diogenes Laertius, a third-
century commentator on early Greek philosophy.)
Nietzsche served briefly, in 1870, as a medical orderly in the Franco-Prussian war, but ill health
forced him out after only two months. His health problems grew progressively worse—“uninterrupted
three-day migraine[s], accompanied by laborious vomiting of phlegm” (EH I:1) is one description
Nietzsche offers—until he was forced to retire from his teaching position in 1879. Nietzsche spent the
remainder of his sane life as a pensioned invalid travelling between inns in Southern Europe seeking
both respite from his physical ailments and composing his most celebrated works.
In January 1889, after weeks of worsening symptoms, he suffered a mental collapse in Turin,
and spent the rest of his life under the care of institutions, his mother and, finally, his proto-Nazi sister
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Elisabeth. (Untreated syphillis from some twenty years earlier appears to be the most likely cause of his
health problems.) Elisabeth did her best to exploit his growing fame, and even issued heavily edited
editions of his work that omitted Nietzsche’s hostility towards both Germany and anti-semitism. By his
death in 1900, Nietzsche was one of the most celebrated philosophers in Europe; by the start of World
War I, the Kaiser issued German troops copies of Thus Spoke Zarathustra; and over the next generation,
every political party and every intellectual fashion fought to claim his legacy.
Less important than the basic biographical facts of his life are the crucial intellectual influences:
first, his deep scholarly engagement with ancient Greek and Roman philosophy, literature and culture;
and second, the two crucial books he discovered in the mid-1860s, Arthur Schopenhauer’s The World as
Will and Representation and Friedrich Lange’s The History of Materialism. Let us consider these in turn.
Nineteenth-century Germany was the birthplace of the modern discipline of classics (or classical
philology, as it was then known), as it was of so many other modern academic fields. As a Wissenschaft,
training in classical philology emphasized the development of rigorous scholarly methods that would
guarantee the reliability of its results, from a thorough command of languages and primary source
materials, to various tools and techniques for determining the provenance of source materials,
evaluating their reliability, and fixing their meaning. Although Nietzsche--then under the influence of
his friend, the composer Richard Wagner--made clear with his first book, The Birth of Tragedy in 1872,
his impatience with the narrow cultural horizons of his professional colleagues, he never abandoned his
high regard for their intellectual discipline, writing in one of his very last works of his admiration for
“scholarly culture,” characterized by “scientific methods” including “the great, the incomparable art of
reading well” (A:59). Philology, for Nietzsche, represented that “art of reading well—of reading facts
without falsfiying them by interpretation…” (A:52).
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Even more important for understanding Nietzsche, however, is what he learned from his study
of the ancients. Nietzsche’s philosophical loyalty was to the PreSocratic philosophers (cf. WP 437, EH
III:BT-3), including the “Sophists” of the 5th-century B.C., an intellectual movement he interpreted
broadly to include the great Greek historian Thucydides. Nietzsche admired Thucydides for his “courage
in the face of reality” (TI X:2), that is, the courage to recognize the “immmorality” of the Greeks, their
lust for power and glory, which he portrayed so unflinchingly in his History of the Peloponnesian War.
Nietzsche viewed this kind of realistic appraisal of human motives as a hallmark of “the culture of the
Sophists, by which I mean the culture of the realists” (TI X:2), and he emulates their realism in his own
commentary on human motives and affairs.
But Nietzsche also admired other aspects of philosophy before Socrates, aspects that he finds
especially well-represented by the PreSocratic philosopher Thales. First, Thales, according to Nietzsche,
tries to explain the observable world naturalistically, that is, “in language devoid of image or fable,” thus
“show[ing] him[self] as a natural scientist” (PTAG: 3). Yet at the same time—and this is the second
important point about the PreSocratics for Nietzsche--in Thales, “the man of wisdom [Weisheit]
triumphs in turn over the man of science [Wissenschaft]” (PT:145), in the sense that, “Science rushes
headlong, without selectivity, without ‘taste,’ at whatever is knowable, in the blind desire to know all at
any cost” (PTAG:3), whereas the genuine philosopher (in possession of Weisheit ) pursues knowledge
not “at any cost,” but only in the service of what the philosopher deems valuable: “Genuine
philosophers,” as Nietzsche says, “are commanders and legislators: they say, “thus it shall be!” (BGE
211). Nietzsche claims to find this insight in Thales, and it is one Nietzsche himself prizes throughout his
work. As he puts it in the 1886 Preface to The Gay Science:
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...[T]his will to truth, to “truth at any price,” this youthful madness in the love of truth, have lost
their charm for us….Today we consider it a matter of decency not to wish to see everything
naked, or to be present at everything, or to understand and “know” everything….
Oh, those Greeks! They knew how to live. What is required for that is to stop
courageously at the surface, the fold, the skin, to adore appearance, to believe in forms, tones,
words, in the whole Olympus of appearance. Those Greeks were superficial—out of profundity.
(GS Pref:4)
The Greeks understood that the “truth” about the human situation is terrible, and that sometimes not
knowing the truth is to be preferred. This amounts to skepticism not about truth, but about the value of
always knowing the truth. That lesson from the Presocratics was only reinforced for Nietzsche by his
reading of Schopenhauer, the second great intellectual influence on his philosophy.
In 1865, he discovered Schopenhauer’s The World as Will and Representation, first published in
1818, but which only came to great prominence some twenty years later, as a reaction against Hegel’s
idealism took hold of German culture (Hegel himself had died in 1831, and it is unclear if Nietzsche ever
read him). Nietzsche took from Schopenhauer a number of ideas, but the most important was the
question how life, given that it involves continual, senseless suffering, could possibly be justified.
Schopenhauer offered a “nihilistic” verdict: that we would be better off dead.1 Nietzsche, throughout
his philosophical career, wanted to resist that conclusion, all the time acknowledging the terrible truth
about the inescapability of suffering. In addition, however, Nietzsche was profoundly influenced by
Schopenhauer’s idea of the unalterability of character, the idea that there is a certain psychic core of the
person that remains unchanged throughout one’s life, even if it admits of some pruning—much as the
1Schopenhauer did not, however, recommend suicide for the living, since that would still involve acting on
individual desire, namely, the desire for a cessation of suffering.
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seed of a tomato plant will necessarily give rise to nothing other than a tomato plant, though the quality
of gardening will surely affect its final character.
Schopenhauer’s naturalistic and fatalistic view of personality was reinforced for Nietzsche by
another major intellectual discovery he made a year later in his reading of Friedrich Lange’s History of
Materialism. Lange was both a NeoKantian—part of the “back to Kant” revival in German philosophy
after the eclipse of Hegel—and a friend of the “materialist” turn in German intellectual life, which
comprised the other major part of the reaction against Hegelian idealism after 1831. The latter, though
familiar to philosophers today primarily by way of Ludwig Feuerbach and Karl Marx, actually received its
major impetus from the dramatic developments in physiology that began in Germany in the 1830s (and
which are associated today with Hermann von Helmholtz’s work in the 1840s and after). Materialism
exploded on the intellectual scene in Germany the 1850s in such volumes as Jacob Moleschott’s The
Physiology of Food, Karl Vogt’s Blind Faith and Science, and Ludwig Büchner’s Force and Matter. Force
and Matter was a particular sensation, which went through multiple editions and became a best-seller
with its message, as Büchner put it, that “the researches and discoveries of modern times can no longer
allow us to doubt that man, with all he has and possesses, be it mental or corporeal, is a natural product
like all other organic beings.” Nietzsche first learned of these German Materialists from Lange (though
he subsequently began reading the main journal of the movement, Suggestions for Art, Life and
Science), though Lange took the view (following Helmholtz) that the Materialist picture of man as
determined by his physiological and biological nature actually vindicated Kant’s transcendental idealism
by proving the dependence of our knowledge on the physiological peculiarities of the human sensory
apparatus. We know from Nietzsche’s letters that he viewed Lange’s book as “undoubtedly the most
significant philosophical work to have appeared in recent decades” (Janz 1978 I: 198) and that in 1866,
he declared, “Kant, Schopenhauer, this book by Lange—I don’t need anything else” (ibid.).
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These myriad intellectual influences—the Sophists and Presocratics, Schopenhauer, German
Materialism, Neo-Kantianism, among others—come together in Nietzsche’s work in sometimes
surprising and not always wholly consistent ways. They seem to have wreaked particular mischief with
his views about truth and knowledge, where his views may be more notable for their apparent
incoherence than their philosophical interest; but they are essential for understanding his central
contributions in ethics, moral psychology, and the philosophy of mind and action.
Nietzsche’s Style and his Philosophy
Before we turn to Nietzsche’s substantive philosophical contributions and claims, it is useful to
say a word about the “style” in which Nietzsche writes, a style that no doubt accounts for his immense
popularity beyond the realms of academic philosophy. Nietzsche can be funny, sarcastic, rude, wicked,
scholarly, offensive, clever, and scathing. He writes aphoristically, polemically, lyrically, and always very
personally. He eschews almost entirely the typical discursive form of philosophicial writing: he almost
never tries to persuade through the power of rational argumentation. Reading Spinoza or Kant, and
then reading Nietzsche, one might be surprised to discover they are part of a single genre called
“philosophy,” although there is considerable overlap in subject-matter. Yet in the course of examining
philosophical subjects, Nietzsche will invoke historical, physiological, psychological, philological, and
anthropological claims, and almost never appeal to an intuition or an a priori bit of knowledge, let alone
set out a syllogism.
Nietzsche’s philosophical style is no accident; it is precisely the approach one would expect him
to adopt given his philosophical views about the nature of persons and reason. For Nietzsche,
influenced as he was by Schopenhauer and the German Materialists, thinks the conscious and rational
faculties of human beings play a relatively minor role in what they do, believe, and value; that far more
important are their unconscious and subconscious affective and instinctive lives, as well as the
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physiological facts that explain the former. (We return to this topic below.) As Nietzsche puts the point
early in Beyond Good and Evil, what inspires “mistrust and mockery” of the great philosophers is that,
They all pose as if they had discovered and arrived at their genuine convictions through the self-
development of a cold, pure, divinely indifferent dialectic…while what really happens is that
they take a conjecture, a whim, an “inspiration” or, more typically, they take some fervent wish
that they have sifted through and made properly abstract—and they defend it with
rationalizations after the fact. They are all advocates who do not want to be seen as such….
(BGE 5)
Philosophical systems, then, are not the upshot of rational inquiry; the dialectical justifications for them
are supplied after-the-fact. Instead, Nietzsche explains, “the moral (or immoral) intentions in every
philosophy constitute the real germ from which the whole plant [e.g., the metaphysical system] has
always grown” and thus “there is absolutely nothing impersonal about the philosopher,” for his moral
(and immoral) intentions “bear decided and decisive witness to who he is—which means, in what order
of rank the innermost drives of his nature stand with resepct to each other” (BGE 6). Nietzsche,
crucially, will not partake of this charade of offering post-hoc rationalizations for metaphysical theses
that simply reflect his evaluative judgments which, in turn, reflect the psychological facts about who he
really is. To simplify a bit: since psychology determines values, and values determine philosophy, then
to change people’s evaluative and philosophical views, one must affect their psychology, more precisely,
their drives (drives being dispositions to have certain kinds of affective or emotional responses2). But
non-rational drives can only be influenced through non-rational devices, including all the stylistic devices
noted above: if you provoke, amuse, and annoy the reader, you thereby arouse his affects, and thus can
change the reader’s evaluative attitudes. The discursive mode of most philosophy, by contrast, is inert
2See Katsafanas (2013) for useful discussion.
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when it comes to reorienting the non-rational psyche—but reorienting the affects and values of at least
some of his readers is a paramount concern for Nietzsche, as we will see.
Philosophical Naturalism and Nietzsche’s Theory of Mind and Action
“Naturalism” as a tradition in philosophy views human beings as not really different from the
rest of the natural world, and thus one understands and explains human behavior just as one
understands and explains other natural phenomena. Nietzsche found variations of that vision in a
variety of philosophers he studied and admired, including Thales, Spinoza, Herder, Schopenhauer, and
the German Materialists; indeed, his own philosophical perspective on most topics bears the most
striking resemblance to that of the Scottish philosopher David Hume (whom Nietzsche, alas, knew little
about). Like Hume, Nietzsche notices that reason underdetermines what humans believe and what
they value; and like Hume, he thinks the explanation for human beliefs and values must be sought in
non-rational dispositions characteristic of creatures like us. (Unlike Hume, he does not think the non-
rational dispositions that actually explain our beliefs and values tend to vindicate them.) Nietzsche’s
own speculative “science” of human nature owed much to what he learned from his readings of the
German Materialists and from Schopenhauer, as well as own unparalleled gifts at pscyhological
observation.
Central to Nietzsche’s naturalism about persons was his general conception of the mind and of
agency. According to Nietzsche, (1) conscious mental states are largely (perhaps wholly)
epiphenomenal; therefore (2) the conscious experience of willing misleads us as to the actual genesis of
our actions; (3) actions, as well as the conscious evaluative beliefs that precede them, arise from
unconscious psychological processes, especially affective or emotional ones, of which we are, at most,
only dimly aware; and, given (1) through (3), Nietzsche believes that (4) no one is morally responsible for
his actions. Let us say a few words about each of these distinctive theses in turn.
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“Consciousness is a surface [Oberfläche]” (EH II:9), and it is a surface that conceals what is
actually causally efficacious in our mental lives, namely, our unconscious mental states, especially our
affects and drives. When we talk of the “will” or of the “motive” that precedes an action we are
referring to “error[s]” and “phantoms,” “merely a surface phenomenon of consciousness—something
alongside the deed that is more likely to cover up the antecedents of the deed than to represent them”
(TI VI:3). Only our “ridiculous overestimation and misunderstanding of consciousness” (GS:11) leads us
to fail to recognize that “the greatest part of our spirit’s activity…remains unconscious and unfelt”
(GS:333), that “everything of which we become conscious…causes nothing” (WP:478). There is some
debate in the scholarly literature about the extent and character of the epiphenomenal character of
conscious mental life according to Nietzsche (see Leiter 2002: 91-95; Katsafanas 2005; Riccardi 2013),
but the most plausible interpretation is that while we are aware in consciousness (both conscious
perception and conscious cognition) of various things and ideas, these mental states are only efficacious
in action in virtue of being internalized into unconscious mental processes. (Interestingly, this view has
been supported by much recent work in cognitive science, e.g., Wegner 2002, Rosenthal 2005; for
discussion in relation to Nietzsche, see Leiter 2007 and especially Riccardi 2013.)
Of course, if the conscious mental states that precede action are not causally efficacious, then
that means our conscious experience of willing an action is also misleading. “[T]he feeling of will [may]
suffice[] for” a person “to assume cause and effect” (GS 127) as Nietzsche notes, but this assumption is
faulty. As Nietzsche puts it, in one of his more dramatic denials of freedom of the will,
We laugh at him who steps out of his room at the moment when the sun steps out of its room,
and then says: “I will that the sun shall rise”; and at him who cannot stop a wheel, and says, “I
will that it shall roll”; and at him who is thrown down in wrestling, and says: “here I lie, but I will
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lie here!” But, all laughter aside, are we ourselves ever acting any differently whenever we
employ the expression “I will”? (D 124)
Throughout his corpus, Nietzsche’s answer to this last rhetorical question is in the negative. His key
insight is that “a thought comes when ‘it’ wants, and not when ‘I’ want” (BGE 17), and that includes the
thoughts associated with willing. If the “willing thought” that precedes an action is itself causally
determined by something else, then in what sense do I will the action? Nietzsche is quite clear that one
does not, even in a late work like Twlight of the Idols:
We believed ourselves to be causal in the act of willing…Nor did one doubt that all the
antecedents of an act, its causes, were to be sought in consciousness and would be found there
once sought—as “motives”: else one would not have been free and responsible for it. Finally,
who would have denied that a thought is caused? That the “I” causes the thought? (TI VI:3)
But it is, of course, Nietzsche who denies that “I” cause my thoughts. He soon makes clear, in the same
section, the import of this denial: “The ‘inner world’ is full of phantoms,” he says, and “the will is one of
them. The will no longer moves anything…it merely accompanies events. The so-called motive:
another error. Merely a surface phenomenon of consciousness…” There are no conscious mental
causes at all, he concludes (TI VI:3) (cf. Leiter 2007 for detailed discussion).
Unsurprisingly, this skepticism about the causal efficacy of what we experience as the will leads
Nietzsche to conclude that no one is morally responsible for his actions, an idea he endorses throughout
his philosophical career. So, for example, in the early 1880s, he writes:
Do I have to add that the wise Oedipus was right that we really are not responsible for our
dreams—but just as little for our waking life, and that the doctrine of freedom of will has human
pride and feeling of power for its father and mother? (D 128)
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We may have other motives for thinking ourselves free, but we are as little responsible for what we do
in real life as what we do in our dreams. It is hard to imagine a more bracing denial of freedom and
responsibility. The same themes are sounded in one of his very last works, The Antichrist:
Formerly man was given a ‘free will’ as his dowry from a higher order: today we have taken his will
away altogether, in the sense that we no longer admit the will as a faculty. The old word ‘will’ now
serves only to denote a resultant, a kind of individual reaction, which follows necessarily upon a
number of partly contradictory, partly harmonious stimuli: the will no longer ‘acts’ [wirkt] or
‘moves’ [bewegt]. (A 14)
Denial of the causality of “the will” (more precisely, what we experience as willing) is central, as we have
just seen, to Nietzsche’s skepticism about free will and also explains why he frequently denies “unfree
will” as well: what we experience as “will” does not, in fact, cause our actions, so the causal
determination or freedom of this will is irrelevant. If the faculty of the will “no longer ‘acts’ or ‘moves’”
(A 14)—if it is no longer causal—then there remains no conceptual space for the compatabilist idea that
the right kind of causal determination of the will is compatible with responsibility for our actions. If, as
Zarathustra puts it, “thought is one thing, the deed is another, and the image of the deed still another:
the wheel of causality does not roll between them” (Z I, “On the Pale Criminal”), then there is no room
for moral responsibility: I may well identify with my “thoughts” or my will, but if they do not cause my
actions, how could that make me responsible for them?
How, one might ask, does Nietzsche’s famous rhetoric about the “will to power” square with
this picture of mind and agency? Nietzsche does think he can discern a tendency in human action
towards power, which, following the influential account in Richardson (1996), is most plausibly
understood as a tendency of each drive in the human psyche to try to dominate the others, to redirect
their psychic energy towards the dominant drive’s ends, whatever they may be. Sometimes, of course,
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Nietzsche casts the idea of will to power in psychologistic terms that would make it the natural
opponent of psychological hedonism, i.e., rather than seeking feelings of pleasure, “every
animal…instinctively strives for…his maximum feeling of power [Machtgefühl] (GM III:7). On either
rendering—as the tendency of all drives to dominate others, or as a desire for the feeling of power--it
represents a psychological hypothesis that is supposed to be explanatory of observed behavior.3 Yet
Nietzsche frequently asserts that we are in the dark about the real genesis of our actions. As he writes
in Daybreak, “The primeval delusion still lives on that one knows, and knows quite precisely in every
case, how human action is brought about,” yet the reality is that “alll actions are essentially unknown”
(D 116). Indeed, “However far a man may go in self-knowledge, nothing however can be more
incomplete than his image of the totality of drives which constitute his being. He can scarcely name
even the cruder ones: their number and strength, their ebb and flood, their play and counterplay
among one another, and above all the laws of their nutriment [Ernährung] remain wholly unknown to
him” (D 119). Yet Nietzsche is confident that values “belong among the most powerful levers in the
involved mechanisms of our actions, but…in any particular case the law of their mechanism is
indemonstrable” (GS 335). Notice, however, that all these passages are compatible with the hypothesis
that we can know, from the third-person perspective, that, whatever the particular mechanism,
whatever the particular drives, at play in individual human actions, they manifest a general pattern,
namely, that particular drives try to gain dominion over all other drives in the psyche and that, in many
instances, that phenomenon is associated with a feeling of power. That is enough for Nietzsche’s
doctrine of will to power.
3Mostly in work he never published, Nietzsche presents “will to power” as an ambitious metaphysical
thesis about the nature of all reality. As Clark (1990: 212-227) argues, however, the most important treatment of will to power as a metaphysical thesis that Nietzsche publishes occurs in a context (the first chapter of BGE) in which he has just finished criticizing philosophers for propounding metaphysical doctrines as post-hoc rationalizations for their evaluative commitments. It would be extraordinary if Nietzsche would then turn around and do the same thing, without irony!
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Nietzsche’s famous method of “genealogy” is also a key part of his naturalistic approach to
morality and to human beings. Nietzsche thinks of genealogy as history correctly practiced (cf. Nehamas
1985: 246 n. 1), and as correctly practiced it reveals contemporary phenomena that might seem to have
an atemporal status (e.g., the demands of morality as we understand them) or supernatural origin (e.g.,
morality as God’s commands) to have, in fact, complicated natural histories, in which a variety of
differing human purposes are at work (cf. Leiter 2002: 166-173). Genealogy also avoids the ahistorical
mistake of thinking that some institution’s or practice’s current meaning or value necessarily explains
why that institution or practice originally came into being. Thus, most famously, in On the Genealogy of
Morality, Nietzsche shows that our current moral views arose from an historical process that included,
inter alia, the efforts of oppressed classes in the late Roman Empire to score a victory over their
oppressors by reconceptualizing their lives as morally reprehensible;the internalization of cruelty that is
a precondition for civilized life, which gives rise to a capacity for “conscience”; and the role of “ascetic”
moralities—like the moralities of all the world’s major religions, which preach denial of basic human
desires for sexual gratification, cruelty, and power—in rendering suffering meaningful and thus making
life bearable for the majority of mortals.
Nietzsche is explicit that he deploys the genealogical method in order to critique morality,
though he also notes it is “one means among many” for doing so (e.g., GM Pref:5). But how can a
genealogy have any critical import? Nietzsche recognizes and repudiates what we now call the genetic
fallacy; he says, for example, that, "Even if a morality has grown out of an error, the realization of this
fact would not so much as touch the problem of its value" (GS 345). Instead, Nietzsche uses genealogy
to make two kinds of critical points. First, as we will see in the next section, central to Nietzsche’s
objection to morality is that its demands have a deleterious affect on the flourishing of exceptional
individuals. The origin of a morality, however, has a special evidential status as to the effects (or causal
powers) of that morality, for example, as to whether morality obstructs or promotes human flourishing.
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On Nietzsche’s view, moralities (except in cases of false consciousness) are adopted for prudential
reasons, i.e., because they are in the interests of certain types of people. On Nietzsche’s Calliclean
picture, persons adopt moralities for self-interested reasons, because each “instinctively strives for an
optimum of favourable conditions in which fully to release his power” (GM III:7). Thus, people would
not have adopted a morality in the first place if its effect wasn’t to produce “favourable conditions in
which” they can “release [their] power.” That is, morality must have the creation of those conditions in
which certain types of people flourish as one of its effects. As Nietzsche puts it in the Nachlass:
Thus in the history of morality a will to power finds expression, through which now the slaves
and oppressed, now the ill-constituted and those who suffer from themselves, now the
mediocre attempt to make those value judgments prevail that are favorable to them. (WP 400;
cf. BGE 187; Z I:15; WP 134, 254, 258, 675)
If this is right, then it follows that insight in to the origin of our morality gives us insight into its causal
powers: namely, that it favors the flourising of certain kinds of persons, and thwarts the flourishing of
other kinds. The genealogy of morality is, of course, but one way of discovering this fact: for we
discover, in the Genealogy, that, at its origin, our morality (because of its distinctive effects) was in the
interests of the weak, base, and wretched. If that was its effect then, perhaps that is its effect now?
Genealogy supports another line of critique for Nietzsche, as when he observes that by revealing
the “shameful origin” of morality, the Genealogy simply brings “a feeling of diminution in value of the
thing that originated thus and prepares the way to a critical mood and attitude toward it" (WP 254; cf.
GS 345; second emphasis added). We can state the point more formally. If it turns out that our moral
beliefs arise from an epistemically unreliable process—for example, the desire of oppressed peoples to
seek revenge against their oppressors—then that fact gives us reason to wonder whether the resulting
beliefs are warranted (cf. Sinhababu 2007). Suppose, for example, an acquaintance recommends a
restaurant in glowing terms, making it sound almost too good to believe. You then learn that the origin
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of the acquaintance's enthusiasm for this restaurant is that he is a part-owner of the establishment. The
origin does not, to be sure, refute the acquaintance's reasons to patronize the restaurant, but the
discovery of this “shameful origin” surely “prepares the way to a critical mood and attitude toward[s]”
these reasons. One will revisit the reasons with a skeptical eye, knowing what one now knows about
the origin. So, too, Nietzsche clearly hopes that the readers of the Genealogy will stand ready to revisit
(indeed, revalue) morality given what his naturalistic account shows them about its origin and its effects.
Nietzsche’s Critique of Morality and the Aesthetic “Justification” of Existence
Nietzsche’s two central concerns are the problem of suffering, posed by Schopenhauer, and the
“revaluation of values” as he called it, meaning, in particular, a critique of the dominant morality. The
problem of suffering, recall, is the problem of how life can be “justified” in the face of the terrible truth
that suffering, loss, pain and ultimately oblivion await us all, as well as everyone we care about. Most
of Nietzsche’s writing, however, is devoted to attacking “morality” (Moral). We shall return in a later
section to the connection between these two dominant themes.
Let us start with the critique of morality. Nietzsche does not, needless to say, reject every code
of conduct governing human interactions that one might call “moral,” so it will be helpful (following
Leiter 2002: 74) to introduce the term “morality in the pejorative sense” (MPS) to pick out those values
to which Nietzsche centrally objects. Nietzsche’s critique of MPS proceeds on two fronts. On the one
hand, he attacks as false (as we have seen, above) certain assumptions about human agency that
undergird MPS, assumptions, for example, about freedom of the will and moral responsibility (for more
detail, cf. Leiter 2002: 80-112; see also, Robertson 2012). But Nietzsche’s main objections do not
pertain to these mistakes about the true nature of mind and action: that is, “[i]t is not error as error
that” he objects to fundamentally in MPS (EH IV;7), although Nietzsche’s two most frequently named —
and closely related — targets, Christian and Kantian morality, share such assumptions about agency.
Nietzsche’s central objection to morality is that it is harmful to the highest human beings, the exemplars
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of human excellence whom Nietzsche values above all others. “The demand of one morality for all,” he
says, “is detrimental to the higher men” (BGE 228), and that is because the prevalent morality, MPS, is in
the interests of the “herd,” the lower types of human beings. In the preface to the Genealogy,
Nietzsche sums up his basic concern particularly well:
What if a symptom of regression lurked in the“good,” likewise a danger, a seduction, a poison, a
narcotic, through which the present lived at the expense of the future? Perhaps more
comfortably, less dangerously, but at the same time in a meaner style, more basely? — So that
morality itself were to blame if the highest power and splendor[Mächtigkeit und Pracht] possible
to the type man was never in fact attained? So that morality itself was the danger of dangers?
(GM Pref:6)
The theme is sounded throughout Nietzsche's work. In a book of 1880, for example, he writes that, “Our
weak, unmanly social concepts of good and evil and their tremendous ascendancy over body and soul
have finally weakened all bodies and souls and snapped the self-reliant, independent, unprejudiced
men, the pillars of a strong civilization” (D 163). Similarly, in a posthumously published note of 1885, he
remarks that “men of great creativity, the really great men according to my understanding, will be
sought in vain today” because “nothing stands more malignantly in the way of their rise and
evolution…than what in Europe today is called simply ‘morality’” (WP 957). In these and many other
passages (e.g., BGE 62; GM III:14; A:5, 24; EH IV:4; WP 274, 345, 400, 870, 879.), Nietzsche makes plain
his fundamental objection to MPS: MPS thwarts the development of human excellence, i.e., “the
highest power and splendor possible to the type man.”
According to Nietzsche, MPS accomplishes this pernicious end by valorizing attributes and
actions (e.g., happiness, altruism, equality, pity) that are harmful to the flourishing of “higher men” (as
Nietzsche calls them) and demonizing (or deeming unvaluable) attributes that are essential to their
17
flourishing (e.g., suffering, severe self-love, inequality, indifference to suffering).4 In the case of what
MPS valorizes, Nietzsche argues either that the attributes and actions have no intrinsic value (when MPS
claims they do) or argues that they do not have any extrinsic value (for the realization of human
excellence). With respect to what MPS demonizes or devalues, Nietzsche argues only that these actions
and attributes are, in fact, extrinsically value for the cultivation of human excellence (see Leiter 2002:
127-136). Throughout, his critique depends on a kind of speculative moral psychology about how
certain values affect human development, a critique which we may illustrate with one example here.
What could be harmful about the seemingly innocuous MPS valorization of “happiness” and
devaluation of suffering? An early remark of Nietzsche's suggests his answer:
Are we not, with this tremendous objective of obliterating all the sharp edges of life, well on the
way to turning mankind into sand? Sand! Small, soft, round, unending sand! Is that your ideal,
you heralds of the sympathetic affections? (D 174)
In a later work, Nietzsche says — referring to hedonists and utilitarians — that, “Well-being as you
understand it— that is no goal, that seems to us an end, a state that soon makes man ridiculous and
contemptible…” (BGE 225). By the hedonistic doctrine of well-being, Nietzsche takes the utilitarians to
have in mind “English happiness,”namely, “comfort and fashion” (BGE 228) — a construal which, if
unfair to some utilitarians (like Mill), may do justice to ordinary aspirations to happiness. In a similar
vein, Nietzsche has Zarathustra dismiss “wretched contentment”as an ideal (Z Pref:3), while also
revealing that it was precisely“the last men” — the “most despicable men” — who “invented happiness
[Glück]” in the first place (Pref:5). To be sure, Nietzsche allows that he himself and the “free spirits” will
be “cheerful” or“gay” [frölich] — they are, after all, the proponents of the “gay science.” His point is
4 See, e.g., D 108, 132, 174; GS 116, 294, 328, 338, 345, 352, 377; Z I:4, II:8, III:1, 9, IV:13, 10; BGE 197,
198, 201-202, 225, 257; GM Pref:5, III: 11 ff.; TI II, V, IX:35, 37-38, 48; A: 7, 43; EH III:D-2, IV:4, 7-8; WP 752
18
that such “happiness” is not criterial of being a higher person, and thus it is not something that the
higher person — in contrast to the adherent of MPS — aims for.
Yet why does aiming for happiness make a person so unworthy of admiration? Nietzsche's
answer appears to be: because suffering is positively necessary for the cultivation of human excellence.
He writes, for example, that:
The discipline of suffering, of great suffering— do you not know that only this discipline has
created all enhancements of man so far? That tension of the soul in unhappiness which
cultivates its strength, its shudders face to face with great ruin, its inventiveness and courage in
enduring, persevering, interpreting, and exploiting suffering, and whatever has been granted to
it of profundity, secret, mask, spirit, cunning, greatness —was it not granted to it through
suffering, through the discipline of great suffering? (BGE 225; cf. BGE 270)
Nietzsche is not arguing here that suffering is really intrinsically valuable (MPS does not claim that
either). The value of suffering, according to Nietzsche, is only extrinsic: suffering — “great” suffering— is
a prerequisite of any great human achievement. As Nietzsche puts the point elsewhere: “Only great pain
is the ultimate liberator of the spirit….I doubt that such pain makes us‘better’; but I know that it makes
us more profound”(GS Pref:3).
We should remember that Nietzsche is primarily a critic of moral culture, not simply of particular
moral philosophies. He believes that when MPS values come to dominate a culture, they will influence
the attitudes of all its members, and thus influence how individuals with the potential for great
achievements will understand, evaluate and conduct their own lives. (This influence, of course,
operates sub-rationally and often not even consciously.) If, in fact, suffering is a precondition for these
individuals to do anything great, and if they have internalized the norm that suffering must be
alleviated, and that happiness is the ultimate goal, then we run the risk that, rather than — to put it
19
crudely — suffer and create, they will instead waste their energies pursuing pleasure, lamenting their
suffering and seeking to alleviate it. MPS values may not explicitly prohibit artists or other
potentially“excellent” persons from ever suffering; but the risk is that a culture — like ours — which has
internalized the norms against suffering and for pleasure will be a culture in which potential artists —
and other doers of great things — will, in fact, squander themselves in self-pity and the seeking of
pleasure. Thus, Nietzsche’s aim is to free such nascent higher human beings from their “false
consciousness” about MPS, their false belief that it is good, rather than harmful, for them.
Who are these higher human beings who manifest human excellence according to Nietzsche?5
Nietzsche has three favorite examples throughout his corpus: Goethe, Beethoven, and Nietzsche
himself! What makes these figures paradigms of the “higher” type for Nietzsche--beyond their great
creativity (as he says, “the men of great creativity” are “the really great men according to my
understanding” (WP 957)—are a variety of attributes (see Leiter 2002: 116-122). “Every choice human
being,” says Nietzsche, “strives instinctively for a citadel and a secrecy where he is saved from the
crowd, the many, the great majority…” (BGE 26). Unsurprisingly, then, the great or higher man lacks
the “congeniality” and“good-naturedness” so often celebrated in contemporary popular culture. “A
great man…is incommunicable: he finds it tasteless to be familiar…” (WP 962). More than that, though,
the higher type deals with others (when he has to) in a rather distinctive way: “A human being who
strives for something great considers everyone he meets on his way either as a means or as a delay and
obstacle — or as a temporary resting place” (BGE 273). Thus, “a great man…wants no‘sympathetic’
heart, but servants, tools; in his intercourse with men, he is always intent on making something out of
them” (WP 962).
5Note that while Nietzsche speaks in Thus Spoke Zarathustra of the “superman” as a kind of ideal higher
type, this concept simply drops out of his mature work (except for a brief mention in EH in the context of discussing
Zarathustra). “Higher men” is an important concept in Nietzsche; the “superman” is nothing more than a rhetorical
trope in Zarathustra.
20
The great man approaches others instrumentally not only because of his fundamental proclivity
for solitude, but because he is consumed by his work, his responsibilities, his projects. “What is
noble?”Nietzsche again asks in a Nachlass note of 1888. His answer: “That one instinctively seeks heavy
responsibilities” (WP 944). So it was with Goethe: “he was not fainthearted but took as much as possible
upon himself, over himself, into himself”(TI IX:49). But the higher type does not seek out responsibilities
and tasks arbitrarily. “A great man,” says Nietzsche displays “a long logic in all of his activity…he has the
ability to extend his will across great stretches of his life and to despise, and reject everything petty
about him” (WP 962). This is the trait Nietzsche sometimes refers to as having “style” in“character” (GS
290). (Note that this famous passage (GS 290) merely describes those — “the strong and domineering
natures” — who are able “‘to give’ style” to their character; it does not presuppose that just anyone can
do so.) Indeed, Nietzsche understood his own life in these terms:
[T]he organizing “idea” that is destined to rule [in one's life and work] keeps growing deep down
— it begins to command; slowly it leads us back from side roads and wrong roads…. Considered
in this way, my life is simply wonderful. For the task of a revaluation of all values more capacities
may have been needed than have ever dwelt together in a single individual….I never even
suspected what was growing in me — and one day all my capacities, suddenly ripe, leaped forth
in their ultimate perfection. (EH II:9).
Higher men also embrace what Nietzsche calls the idea of “eternal return.” In Beyond Good and
Evil, he describes “the opposite ideal” to that of moralists and pessimists like Schopenhauer as “the ideal
of the most high-spirited, alive, and world-affirming human being who has not only come to terms and
learned to get along with whatever was and is, but who wants to have what was and is repeated into all
eternity” (BGE 56). He thus evinces what Nietzsche often calls a “Dionysian” or “life-affirming” attitude,
that is, he is willing to affirm his life unconditionally, including, in particular, the“suffering” or other
hardships it has involved. (Someone who says, “I would gladly live my life again, except for my first
21
marriage,” would not affirm life in the requisite sense.) Thus, we may say that a person affirms his life in
Nietzsche's sense only insofar as he would gladly will its eternal return: i.e., will the repetition of his
entire life through eternity.6 Nietzsche calls “the idea of the eternal recurrence” the“highest
formulation of affirmation that is at all attainable” (EH III:Z-1; cf. BGE 56). Strikingly, Nietzsche claims
that precisely this attitude characterized both himself and Goethe (cf. EH III:CW-4; TI IX:49).
Finally, higher human beings have a certain distinctive self-regard. In Beyond Good and Evil,
Nietzsche once again answers the question, “What is noble?”, this time as follows: “It is not the works, it
is the faith that is decisive here, that determines the order of rank…: some fundamental certainty that a
noble soul has about itself, something that cannot be sought, nor found, nor perhaps lost. The noble
soul has reverence [Ehrfurcht] for itself” (BGE 287). Self-reverence — to revere and respect oneself as
one might a god — is no small achievement, as the proliferation of “self-help” programs and pop
psychology slogans like “I'm OK, you're OK” would suggest. Self-loathing, self-doubt, and self-laceration
are the norm among human beings; to possess a “fundamental certainty” about oneself is, Nietzsche
thinks quite plausibly, a unique state of affairs. “The noble human being,” says Nietzsche, also “honors
himself as one who is powerful, also as one who has power over himself, who knows how to speak and
be silent, who delights in being severe and hard with himself and respects all severity and hardness”
(BGE 260).
It should be apparent now why creatives geniuses like Goethe, Beethoven, and Nietzsche
himself are the preferred examples of the higher human being: for the characteristics of the higher type
so-described are precisely those that lend themselves to artistic and creative work. A penchant for
solitude, an absolute devotion to one's tasks, an indifference to external opinion, a fundamental
certainty about oneself and one's values (that often strikes others as hubris) — all these are the traits
6“Will” in this context means something closer to desire; it is not a sotto voce smuggling back in of the
traditional notion of the will as the locus of agency that, as we have seen, Nietzsche critiques.
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we find, again and again, in artistic geniuses. (It turns out, for example, that Beethoven had almost all
these characteristics to a striking degree; for discussion, see Leiter 2002: 122-123.)
We are finally in a position to see the connection between the flourishing of geniuses like these
and the problem of suffering that Nietzsche took over from Schopenhauer. The challenge presented by
the latter, recall, was how life could be worth living given the pervasiveness of pointless suffering. The
animating idea of Nietzsche’s response remains steady from the beginning to the end of his career: as
he puts it in the new 1886 preface to The Birth of Tragedy, “the existence of the world is justified only as
an aesthetic phenomenon” (BT: Attempt 5). This phrasing echoes famous claims from the original work
more than a dozen years earlier: “it is only as an aesthetic phenomenon that existence and the world
are eternally justified” (BT 5; cf. BT 24, GS 107). This kind of “justification,” whatever precisely it
amounts to, is equivalent in Nietzschean terminology to taking a “Dionysian” perspective on life (cf. BT:
Attempt 4; EH IV:9). As Nietzsche puts it in a late work, Twilight of the Idols: “Saying yes to life, even in
its strangest and harshest problems; the will to life rejoicing in its own inexhaustibility…that is what I
called Dionysian…” (TI Ancient:5). This Dionysian attitude is plainly an instance of being able to will the
eternal return.
So how does an aesthetic experience of the world “seduc[e] one to a continuation of life” (BT:3), as
Nietzsche puts it, how does it elicit in us a Dionysian attitude? For that is the essence of “aesthetic
justification” for Nietzsche, namely, that it makes one want to live, it makes one experience the terrible
truth about human suffering not as an objection to life, but as something necessary to it.7 The key here
is to appreciate Nietzsche’s understanding of aesthetic value, an account which, unsurprisingly, is
articulated in opposition to Kant’s. Kant makes two kinds of mistakes in Nietzsche’s view, one about
art, the other about knowledge. Nietzsche writes: “Kant intended to honor art when, among the
7 We shall ignore the answer Nietzsche gave in his first published work, BT, since he later abandons that
particular kind of answer, even as he retains allegiance to the idea that only an aesthetic justification of existence is possible.
23
predicates of the beautiful, he privileged and placed in the foreground those that constitute the honor
of knowledge: impersonality and universal validity” (GM III:6). But “impersonality” and “universal
validity” are marks of neither art, nor knowledge. Indeed, Nietzsche ridicules Kant’s idea that the mark
of aesthetic value is that it “pleases without interest” (GM III:6), endorsing instead Stendahl’s formula,
namely, that “the beautiful promises happiness,” that is, it produces “the arousal [Erregung] of the will
(“of interest’)” (GM III:6). Nietzsche soon makes the connection between aesthetic and sexual arousal
even more explicit two sections later: “the peculiar sweetness and fullness characteristic of the
aesthetic condition,” he says, “might have its origins precisely in…’sensuality’ [Sinnlichkeit]” though it is
now “transfigure[d] and no longer enters consciousness as sexual stimulus” (GM III:8). This experience
of the “sweetness and fullness” of aesthetic experience is one for which the metaphor of “seduction”
seems especially apt. “Intoxication” (Rausch) is Nietzsche’s other preferred metaphor for it,8 as in this
passage from Twilight:
Without intoxication to intensify the excitability of the whole machine, there can be no
art….Above all, the intoxication of sexual excitement, the most ancient and original form of
intoxication. There is also an intoxication that comes in the wake of all great desires, all strong
affects; an intoxication of the festival, the contest, of the bravura of performance, of victory, of
all extreme movement the intoxication of cruelty; intoxication in destruction…or under the
influence of narcotics….The essential thing about intoxication is the feeling of fullness and
increasing strength. (TI “Skirmishes”:8)
The characterization of “intoxication” in terms of “the feeling of fullness and increasing strength” echoes
the characterization of aesthetic experience from the Genealogy noted earlier. In both cases, the
experience stimulates what we might call “feelings of aliveness,” counteracting therefore the depressant
8There is a helpful discussion of pertinent passages about Rausch in Richardson (2004: 229 ff.). As
Richardson writes, “something is beautiful [according to Nietzsche] if and only if it can (or does) produce Rausch” (p. 230). Less plausibly, and with insufficient textual evidence, Richardson tries to connect this to a selectionist theory of aesthetic experience, but the adequacy of that hypothesis does not matter for my purposes.
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effect of confrontation with the terrible truths about existence. “Art is the great stimulus to life,” as
Nietzsche says in Twilight (“Skirmishes”:24), but it does so in the same way that sexual arousal and
intoxication do so: by creating certain powerful feelings with a positive valence, feelings that stimulate
the subject and attract him to life.
Aesthetic experience, in short, is arousing, it produces a sublimated form of sexual pleasure. And it
is surely constitutive of a pleasurable experience, sexual or otherwise, that it attracts us. I shall refer to
this as Nietzsche’s minimal hedonic thesis, according to which pleasurable experience draws us towards
its object, rather than away from it. That is, of course, compatible with other motivations dominating
the minimal hedonic one, and also compatible with objects incompatible with hedonic experience also
attracting us. But the hypothesis on offer is that, per the minimal hedonic thesis, aesthetic experience
produces affective arousal sufficient to thwart the nihilistic impulse, the impulse to give up on life
because of the terrible truths about it.
But what aesthetic value could life possibly exemplify such that it produces the pleasurable effect
of Dionysian ecstasy that sustains our attachment to life? Here is the crucial connection with
Nietzsche’s critique of morality: in a culture in which moral norms predominate, nascent creative
geniuses like Goethe and Beethoven will not realize their potential. And if they fail to realize their
potential, then we shall be deprived of what we may call the “spectacle of genius,” that is, the spectacle
of human achievement that induces aesthetic pleasure, whether in the clearly aesthetic realm (for
example, Beethoven) or on the historical stage (for example, Napoleon). Life without music is a
“mistake”, Nietzsche famously says in an aphorism from Twilight, and the point can be generalized: life
without the spectacle of genius could not arouse aesthetic pleasure, and so would deprive us of a
“justification” for existence, that is, a desire to live and enjoy that aesthetic experience. Since suffering
is essential for the realization of genius—as we learned from Nietzsche’s speculative moral psychology--
25
the “justification” of existence in the sense just described will require the affirmation of suffering as
well.
Truth, Knowledge and Perspectivism
We come finally to one of the more perplexing aspects of Nietzsche’s writings, his various
remarks about truth and knowledge. Even if we put to one side a very early essay that he never
published (probably wisely) called “On Truth and Lie in an Extra-Moral Sense,”9 it is still the case that his
“perspectivism” (as it is commonly known) poses interpretive difficulties. The difficulty arises from the
fact that, on the one hand, Nietzsche makes claims that seem to deny that any perspective on the world
has any epistemic privilege over any other, that is, has objectively more warrant or justification; and, on
the other hand, that he repeatedly makes claims for which he appears to claim an epistemic privilege,
i.e., he appears to claim that they constitute knowledge and so, among other things, must be true.
So, on the skeptical side, he claims that “facts is precisely what there is not, only
interpretations” (WP 481), which echoes his remark in published work that even if his claim about will to
power “is only an interpretation too--….well, then, so much the better” (BGE 22).10 A few sections later
in the same work, he asserts that “the erroneousness of the world we think we live in is the most certain
and solid fact that our eyes can still grab hold of” (BGE 34), a claim that, however, seems to suppose that
we know one “fact”! In The Gay Science, in a famous passage on “perspectivism,” he declares that “we
have no organ at all for knowing, or for ‘truth’: we ‘know’ (or believe, or fancy) just as much as may be
useful, in the interest of the human herd, the species” (GS 354). And in the most famous passage on
perspectivism in the Genealogy, Nietzsche writes that “[t]here is only a perspective seeing, only a
perspective ‘knowing’” though he adds that the more “affects” (or interests) we bring to bear on an
9For doubts about the cogency of the argument this early essay, and evidence that Nietzsche changed his
view significantly thereafter, see Clark (1990) 10
In context, it is clear the target here is a kind of phenomenalist “positivism, which halts at phenomena” (WP 481). That kind of phenomenalism is widely rejected, of course.
26
object, “the more complete will our ‘concept’ of this thing, our ‘objectivity’ be” (GM III:12) (the
quotation marks on “objectivity” are Nietzsche’s).
Despite these skeptical-sounding remarks, Nietzsche also announces that, “All credibility, all
good conscience, all evidence of truth come only from the senses” (BGE 134), and that “reality is not
encountered at all” unless we “accept the testimony of the senses,” which means that metaphysics and
theology do not give us knowledge of reality (TI III:3). In passages like these, Nietzsche sounds more like
a logical positivist than a postmodern skeptic. So too Nietzsche’s naturalism, noted earlier, leads him to
repeatedly claim that naturalistic explanation for phenomena are epistemically superior to alternatives.
So, for example, he complains that moral and religious explanations appeal only to “imaginary causes”
(TI VI:6), and thus “believ[e] in realities which are no realities” (TI VII:1). Or similarly elsewhere: “in
Christianity neither morality nor religion has even a single point of contact with reality” (A:15).
How are we to reconcile the apparently skeptical-sounding remarks in some of the passages just
quoted with Nietzsche’s apparent confidence in the correctness of natural as opposed to religious or
moral explanations of phenomena? We may distinguish three possible readings.
First, perhaps perspectivism just is Protagoreanism, that is, an endorsement of the most radical
form of relativism associated with the Protagorean dictum “man is the measure of all things.” All claims
about what is true and knowable have no objective standing at all, they are all dependent on the
perspective of the person making the claim. We have already seen evidence that Nietzsche thinks all
evaluative judgments are affective, that is, products of the non-rational emotional responses persons
have to different states of affairs. But Nietzsche, as we have also seen, believes that nature itself “is
value-less” and that all value (Werthe) is “bestowed” by humans onto this value-free nature (GS 301).
But judgments about what we ought to believe in light of the evidence also depend on values—norms
for what we ought to believe--and it is hard to see why those values should be exempt from Nietzschean
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skepticism. All knowing is, after all, as Nietzsche argues in the Genealogy passage on perspectivism
(GM III:12), animated by affects (or interests), so how could it claim to be epistemically special or
reliable? Notice, of course, that the target here is explicitly epistemic, suggesting that norms of
epistemic warrant answer to interests and affects that, themselves, have no independent standing as
reliable trackers of the truth. But that would mean that there could be an objective truth, but it would
forever be beyond the ken of affective knowers like us! Nietzsche’s view then would combine a kind of
Protagoreanism about knowledge, with a kind of naturalized Kantianism about what is true or real—
what is true or real is beyond our ken because of the psychological facts that condition our “knowledge”
of the world. That kind of reading would be hard to square with Nietzsche’s professed skepticism about
the Kantian distinction between the world as it appears, and the world as it really is “in-itself” (see Leiter
1994: 338), and it also imposes an interpretive burden to explain away all of Nietzsche’s empiricist and
naturalistic claims which typically sound as if he thinks they represent an epistemically privileged view of
reality. Still, as I wrote nearly twenty years ago, this kind of Protagorean reading might maintain that “in
best Sophistic fashion, [Nietzsche] appreciates the rhetorical value of epistemically loaded—but
semantically empty—language,” and so this reading has to be a live possibility, though one that still
await a persuasive defense (1994: 339).11
More common in the secondary literature has been a different strategy, namely, trying to
“explain away” not Nietzsche’s apparent epistemic confidence in empiricism and naturalism, but rather
the apparently skeptical import of his remarks asbout perspectivism (Clark 1990 is the locus classicus,
though see Clark 1998 for modifications; cf. Leiter 1994 for a related account). On Maudemarie Clark’s
influential and subtle reading, Nietzsche began his philosophical career as a NeoKantian, who thought
that all knowledge is of the phenomenal world—the world as it appears to cognizers like us—and thus
11
Meyer (2014) defends a kind of Protagorean reading of Nietzsche’s perspectivism, though one he argues is compatible with a naturalism that privileges the relationalist ontology that is supported by what Nietzsche took to be the best science of his day.
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everything we believed about the world necessarily falsified reality as it is “in-itself,” since, of course, we
could know nothing of the noumenal world. Gradually, Nietzsche came to abandon the idea of the
thing-in-itself as incoherent, and thus in his final works realized there were no grounds for thinking
empirical knowledge of the world “falsified” a reality-in-itself that didn’t even exist. At that point, he
became an unabashed naturalist and empiricist. Scholars, however, have questioned whether Nietzsche
really abandons the idea that our claims about the world falsify it (e.g., Anderson 1996).
One of the key passages for Clark’s interpretation is Nietzsche’s own accounting of the evolution
of his views on these topics in Twilight of the Idols, where he writes about “How the ‘True World’ Finally
Became a Fable.” Here Nietzsche lays out, in six stages, the “error” of our belief in (to use Kantian
terminology) the noumenal realm (the “true world” of the title). In this history, the crucial moments
come in Nietzsche’s stages 4 and 5:
4. The true world—unattainable? At any rate, unattained. And being unattined, also unknown.
Consequently, not consoling, redeeming, or obligating: how could something unknown obligate
us?
5. The “true” world—an idea which is no longer useful for anything, not even obligating—an
idea which has become useless and superfluous—consequently, a refuted idea: let us abolish it!
Notice, however, that the grounds for "abolishing" the idea of the noumenal world given here are not,
e.g., that it is unintelligible, or that reality is necessarily perspectival, but rather that the idea of such a
world is not "useful." This suggests a third possible reading, which we might call “pragmatic.” Perhaps,
the pragmatic reading says, there is a way things really are as seen from no perspective at all; but the
possibility of such a world makes no difference to us, since we can know nothing about it. Practically
speaking, what Kant calls the "phenomenal" world is all that matters. This certainly seems to be
Nietzsche's posture in the passage from Twilight, and it is at least consistent with the epistemic
29
emphasis of GM III:12, which, like the view described here, is officially agnostic about the (metaphysical)
question of the existence of the noumenal world.
This would also fit nicely with the fact that Nietzsche’s primary objections are to the practical
consequences of acknowledging the existence of a world beyond our cognitive ken, not to the existence
of such a world. As he puts it in the Nachlass: "It is of cardinal importance that one should abolish the
true [i.e., noumenal] world. It is the great inspirer of doubt and devaluator in respect of the world we
are: it has been our most dangerous attempt yet to assassinate life" (WP 583; cf. Poellner 2001: 115-
119). He makes the same point even more clearly in a series of four "propositions" from Twilight of the
Idols written around the same time as the Nachlass passage; I quote only the two most relevant ones:
Second proposition. The criteria which have been bestowed on the "true being" of things
are the criteria of non-being, of naught; the "true world" has been constructed out of
contradiction to the actual world....
Third proposition. To invent fables about a world "other" than this one has no meaning at
all, unless an instinct of slander, detraction, and suspicion against life has gained the upper
hand in us: in that case, we avenge ourselves against life with a phantasmagoria of "another,"
a "better" life. (TI III:6)
These are, again, practical objections to the idea of a “true” world, not metaphysical ones. Thus, on this
third reading, the skeptical remarks in Nietzsche pertain to the pernicious idea of a “true” world beyond
our cognitive grasp, but with respect to the world we can know, naturalistic and empiricist methods
reign supreme.
These do not exhaust the possibilities. Recently, for example, Nietzsche has been read as a
thorough-going Pyrrhonian skeptic (e.g., Berry 2011), a reading which sheds interesting light on many
portions of the corpus, though, again, has difficulty with Nietzsche’s confident endorsement of
naturalistic claims. A different possibility, noted, for example, in Gemes (1992), is that Nietzsche, self-
30
taught as he was in philosophy, should not be thought to have coherent or sensible views on general
questions of metaphysics and epistemology, which were not, in any case, his real interest. His real
concern was in the overestimation of the value of truth in the post-Socratic world, a theme Nietzsche
treats from The Birth of Tragedy through the Genealogy. Since questions of value are the dominant
questions in his corpus, and arguably where Nietzsche’s greatest insights lay, perhaps we should
dispense with the attempt to reconstruct a Nietzschean theory of truth or knowledge altogether. I find
myself increasingly sympathetic to that view.12
References to Nietzsche
I have consulted a variety of existing English translations by Walter Kaufmann, R.J. Hollingdale, or
Maudemarie Clark and Alan Swensen (except as noted, below, for the material in Philosophy and Truth),
and then made modifications based on Friedrich Nietzsche, Sämtliche Werke: Kritische Studienausgabe
in 15 Bänden, ed. G. Colli & M. Montinari (Berlin: de Gruyter, 1980); where there is no existing English
edition, the translation is my own. Nietzsche's works are cited as follows, unless otherwise noted:
roman numerals refer to major parts or chapters in Nietzsche's works; Arabic numerals refer to sections,
not pages. I use the standard abbreviations for Nietzsche’s works, as follows: The Antichrist (A); Beyond
Good and Evil (BGE); The Birth of Tragedy (BT); Daybreak (D); Ecce Homo (EH); The Gay Science (GS);
Philosophy in the Tragic Age of the Greeks (PTAG); Philosophy and Truth: Selections from Nietzsche’s
Notebooks of the Early 1870’s, ed. & trans. D. Breazeale (Atlantic Highlands, NJ: Humanities Press, 1979)
(PT, cited by page number); Thus Spoke Zarathustra (Z); Twilight of the Idols (TI); The Will to Power
(WP).
Other References
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12
Thanks to Justin Coates and Michael Forster for comments on an earlier draft.
31
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32
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